Once again, to those who were able to attend the Tokyo AFDKO Workshop that was held at Morisawa‘s Tokyo office on June 25th, thank you for your participation! Not counting those from Adobe and Morisawa, a total of 21 people attended. (Details about the AM session were covered in the previous article.)
For those who attended, and for those who could not attend, the presentation for Masataka Hattori’s (服部正貴) portion of the workshop is now available for download. Besides demonstrating how to build OpenType/CFF fonts based on the Adobe-Japan1-x and Adobe-Identity-0 ROSes, one of the highlights of Masataka’s presentation was demonstrating how to build a font that includes fully-proportional kana glyphs, based on the proven techniques which were used to develop Kazuraki (かづらき) that are detailed in Adobe Tech Note #5901 (Special-Purpose OpenType Japanese Font Tutorial: Kazuraki).
To those who were able to attend the Tokyo AFDKO Workshop that was held at Morisawa‘s Tokyo office on June 25th, thank you for your participation (and for enduring my poor Japanese speaking abilities)! I hope that you learned new ways in which particular AFDKO tools can be used to make your CID-keyed font production work (or workflow) more effective and less time-consuming.
I am currently in Gyeongju (경주시/慶州市), Republic of Korea (ROK), attending IRG 38. For those who are not aware, the IRG (Ideographic Rapporteur Group) is an ad hoc subcommittee of ISO/IEC JTC1/SC2/WG2 (aka WG2), and is charged with all matters related to CJK Unified Ideographs. In other words, all CJK Unified Ideograph repertoires, the latest being Extension D, are the direct result of work by the IRG. I am attending IRG 38 as the sole US and Unicode delegate, and this is the fifth IRG meeting I have attended. IRG meetings are week-long working meetings, and are held twice per year.
I don’t travel very often as part of my work at Adobe, but when I do, it is always to East Asia. (I have never been to Europe.) The last time I traveled as part of my job was two years ago, to attend IRG 34 in Nagaoka, Japan.
For those who signed up to attend the AFDKO Workshop that takes place on the 25th of this month in Tokyo, be warned that I will be conducting my portion, which is from 10AM until noon, in Japanese, or at least in my rendition of Japanese. ☺
Seriously, though, I hope that my Japanese skills, or lack thereof, don’t serve as an impediment for those who attend this workshop. My focus will be to demonstrate how particular AFDKO tools, such as tx, mergeFonts, rotateFont, autohint, and so on, can be used to not only build, but also to directly manipulate CID-keyed fonts. My hope is that I can convey useful information that can serve as inspiration for making font production workflows more efficient and less time-consuming.
For those who are attending, note that materials will be provided that will be based on a small subset of Kozuka Gothic Medium. If any attendee wants to use their own font data for this purpose, I suggest that you bring along an Adobe-Japan1-0 or greater OpenType/CFF font or CIDFont resource. I have prepared scripts that will quickly create the same materials, but using a different base font.
Wish me luck in finishing the accompanying presentation, which currently has 24 slides. In Japanese.
I am very much looking forward to meeting everyone who has signed up to attend this workshop!
I am spending most of my time preparing for the Tokyo AFDKO Workshop that Morisawa is hosting at their Tokyo office on the 25th of this month, which is a Monday. At this point, most of the sample data is ready, and I now need to prepare the accompanying presentation slides.
This will be my first opportunity to engage a larger number of font developers, and to convey to them useful tips, tricks, and techniques for several AFDKO tools, particularly tx, mergeFonts, and rotateFont. My portion of the workshop, which will consume the entire morning, will be about building and manipulating CID-keyed fonts, to include controlling the assignment of CIDs (glyphs) to FDArray elements. I will also cover the use of the special-purpose Adobe-Identity-0 ROS. I am very much looking forward to this event, and working directly with many font developers.
Note that this workshop will be conducted in Japanese.
弊社のAFDKO（Adobe© OpenType©フォント開発キット）を利用されてフォント制作を行われている開発者の方々を対象としたワークショップとなります。それぞれのツールについて有効な利用法について、弊社米国本社のKen Lunde（ケン・ランディ）を含む弊社スタッフが説明する予定です。ぜひご参加ください。
As alluded to in the February 8, 2012 CJK Type Blog article, there is a good chance that an AFDKO Workshop will take place in Japan, very soon. Please stay tuned to this blog for details, which may emerge in less than a week.
I just received good news, in the form of confirmation that both of my ATypI Hong Kong 2012 presentation abstracts were accepted, which means that I will definitely be attending this conference. I alluded to this in the March 30th, 2012 CJK Type Blog article. One of the abstracts is for a 30-minute presentation entitled Kazuraki: Under The Hood, which will immediately follow a 30-minute presentation entitled Kazuraki: Its Art & Design, that will be presented by my colleagues Taro Yamamoto (山本太郎) and Ryoko Nishizuka (西塚涼子). For those who are not aware, Ryoko is the typeface designer of Kazuraki (かづらき), which is the centerpiece of both 30-minute presentations. The other is for a three-hour workshop entitled Manipulating CID-keyed Fonts Using AFDKO Tools, which will be co-presented by my colleague Masataka Hattori (服部正貴).
I am very much looking forward to attending an ATypI conference for the first time, and meeting many people. If you are planning to attend ATypI Hong Kong 2012, please be sure to introduce yourself to me, in case I don’t introduce myself to you first.
I am extraordinarily pleased that the upcoming ATypI (Association Typographique Internationale) conference will be held in Hong Kong: ATypI Hong Kong 2012. The dates are October 10th through the 14th, 2012, and the theme is between black and white (墨 in Chinese). For font developers who relish at the thought of discussing font-related issues and ideas with others in the same industry, the annual ATypI conference represents a unique opportunity. And, given its venue for this year’s iteration, a larger-than-usual number of CJK font developers are likely to attend, and the number of CJK-related presentations and workshops should be greater than usual.
In any case, I am planning to attend and present at this conference, and very much look forward to meeting other CJK font developers there.
I am pleased to announce that Adobe once again has the privilege and honor of being a Gold Sponsor of the Internationalization & Unicode Conference, the 36th iteration of which will take place in October of this year.
For those who have had the opportunity to attend this conference in the past, I am preaching to the choir when I state that much of the benefit of attending is not from listening to the scheduled sessions—though they have incredible value—but rather that there is an opportunity to have face-to-face discussions with others in the industry.
If you plan to attend IUC36, I hope to see you there!
…Adobe were to host a font-development workshop in Japan, with a focus on leveraging specific AFDKO tools to simplify the effort needed to develop OpenType Japanese fonts? Tools, such as tx, mergeFonts, rotateFont, autohint, and stemHist, immediately come to mind. While there are currently no concrete plans in place, if there were to be sufficient demand for such an event, along with suggestions for specific topics to be covered, a tentative agenda could be produced.
Until such an event is scheduled and actually takes place, Adobe Tech Note #5900 (AFDKO Version 2.0 Tutorial: mergeFonts, rotateFont & autohint), which includes a Japanese translation, should prove to be useful. This document is included in AFDKO as part of its documentation, but its link is provided above for convenience.
I encourage anyone with an interest in attending such a workshop, to be held in Japan, to post comments that include suggestions for topics to be covered.