Posts in Category "Type"

关于字间距(一): 字间距在字库中的设置

字间距的疏密直接关系到排版效果,而恰当的字距能提高文章的可读性。我将以两篇文章的篇幅介绍字距,这篇会先介绍字间距在字库中的设置,下一篇将介绍如何在ID中调节字距。

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A New Face For Adobe

Chinese
You’ve seen it in the “mnemonic logos” and splash screens of Adobe’s Creative Suite 3 and 4, and perhaps you wondered what that typeface was. After more than 25 years in the type development business, Adobe decided to have its own corporate typeface family. The Creative Suite uses were early versions of a family designed by Robert Slimbach. Now that it’s been officially adopted at Adobe, I can tell you about our latest design, called Adobe Clean. There’s no plan to make it available for licensing, but you’ll be seeing more of it in Adobe materials and products as time goes on.
Please click here to read the original article.

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新しいタイポグラフィの表現を可能にするために 日本語プロポーショナルかなフォント かづらき® の取り組み

Chinese

Extracted from Adobe EDGE 2009年2月
アドビ システムズには、Flashなどのソフトウェア開発チームだけでなく、フォント開発チームも存在します。フォント開発チームでは、文字コミュニケーションにおいて重要となるタイポグラフィに新しい可能性をもたらす画期的なデジタル・フォントを作成しようと取り組んでおり、その1つが「かづらき」書体です。本記事では、「かづらき」書体の特徴とその源について紹介します。

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What Is Special About The Pr6N Fonts?

Chinese Japanese
The twelve Japanese “Pr6N” fonts that are bundled with CS4 provide an unprecedented level of functionality in terms of what Japanese fonts typically offer. These fonts come in two typeface families, Kozuka Mincho and Kozuka Gothic, and are available in six weights each, ranging from ExtraLight to Heavy. These fonts are special in that they are based on the Adobe-Japan1-6 character collection, are JIS2004- savvy, and included support for Ideographic Variation Sequences. This article will briefly touch upon these three areas.

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