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December 30, 2008

Premiere Pro CS4 Classroom in a Book

I just got my copy of the Premiere Pro CS4 Classroom in a Book, and I'd recommend it to any Premiere Pro user. The CS4 release is so loaded with new features and improvements that this manual is a must have to get the benefit of the new workflow. For example, the New Features list is 3 pages long, with new features that touch on just about every aspect of the editorial process. And, it comes with a DVD-ROM (Windows AND Mac) with sample clips to test out. Whether you're just switching over to Premiere Pro, or have been using it since the first release, you'll see some benefit from this book.

December 23, 2008

Update for Serious Magic users...

The Self Activation tool has completed testing, but won't officially make it up to the Adobe support site until after the holidays. If anyone is crunching on production work over the holidays, and needs it sooner, please LEAVE A COMMENT, and I'll send it to you. Just make sure your email address can accept a ZIP file.

For more information on how to use the tool, or why you might need it, read this post: http://blogs.adobe.com/VideoRoad/2008/12/help_for_ultra_1_and_2_custome.html

UPDATE: The Serious Magic Activation Tool is available here:

http://www.adobe.com/support/downloads/product.jsp?product=47&platform=Windows

December 18, 2008

What's Wrong with the Blu-Ray Market Today? Part 1: Duplication vs. Replication, and AACS

Adobe Encore has had Blu-Ray authoring since the CS3 release, and it works amazingly well for authoring Hi-Def content. However, there are still some "gotchas" in the professional world that warrant discussion. These gotchas aren't problems with Encore, but rather how licensing works for a couple of different technologies.

For this article, I'm going to focus on the differences between Blu-Ray Duplication and professional Replication, and how AACS is currently licensed. If you are interested in authoring that feature film to Blu-Ray and putting copies in every Best Buy, you need to know about this.

To get started, I need to define these terms:

Duplication: Using an existing disc or disc image, and making copies of the disc with a burner onto store-bought media. This is also what you call the process when using a "tower duplicator" like this one.

Replication:
Taking a "Gold Master" disc or image to a professional replication house, where the image is professionally mass-produced to make 1000's of copies.

In the case of duplication, Encore CS3 and CS4 work great. Both can burn discs direct, and both can make a Blu-Ray "image", which can be loaded in a tower duplicator to mass duplicate a ton of copies onto store-bought burnable BD-R media. For mass-producing your movie, this is the only available option today.

Blu-Ray replication cannot be done today from an Encore disc or disc image, and it's because of the licensing of the copy-protection system called AACS. AACS, or Advanced Access Content System, is MANDATORY in professionally replicated Blu-Ray discs. Professional replicators cannot make Blu-Ray discs unless the content is protected by AACS.

So, what's the problem? Is Adobe too cheap to add AACS to Encore? It can't be that expensive, right? Think again. The exact costs vary, so just treat these numbers as "ballpark examples." I haven't found a resource yet that breaks the costs down exactly, but it works something like this:

One-Time Cost to Join AACS-LA: Roughly $2000
Cost to get an AACS Certificate for your title: Roughly $1500

You need an AACS Certificate for EACH TITLE
. If you are only making one feature film, that's $3500 in costs to eat up front, not including the cost of the blank media and the replication itself. If you make a second feature film, and want to replicate it, you'll need to buy an AACS Certificate for that disc. If you decide to add additional bonus content to your original title for a second replication run, you'll need a new certificate.

This is one of the reasons that Steve Jobs recently referred to Blu-Ray as "a bag of hurt." Right now, the costs of AACS licensing really prevent smaller producers from authoring and replicating in small numbers. This has also started up a cottage industry of "duplication" to fill in the gap, since BD-ROM duplicators don't need AACS, and the content will still play in most (but not all) Blu-Ray players.

The DVD Alliance has started a petition to try and get the industry to understand how their fees are stifling a new emerging industry. If you'd like to sign this, it's located here:http://www.gopetition.com/petitions/blu-ray-disc-petition.html I, for one, would love to see these fees made more manageable, so that Encore can become a solution for both small-run duplication and larger-run professional replication.

December 15, 2008

Fun with the Singapore Team

One of the things I love about working with all the local teams around the world is how we all have fun at each other's expense. Recently, on the CS4 launch tour, my coworker Paul Burnett made jokes about presenting in Singapore wearing a pink tutu. Mongchee, who organizes the events in the Singapore / Malaysia region, was only happy to oblige:

Click here to download the picture.

Well, we couldn't pass up this opportunity to get even, seeing how we had the opportunity to present in Singapore that same week...

The day we landed in Singapore, I began working on a "special" demo to use during the shootout, and Mongchee was going to be my star. the first idea to come to mind was to use images of a Japanese doll line (from Sekiguchi) and made famous in America by Mattel. Here's a copy of an original TV commercial that was played incessantly when I was around 8 years old:

I used the theme music from the ad as a starting point, and began modifying an image of a Monchichi doll in Photoshop to suit my evil purposes:

monchichi blog.jpg
Original Image

mongchee blog.jpg
My Willing Victim, I Mean Superstar!

Mongchichi finished blog.jpg
Mongchi is now a MongChiChi!

This was a pretty straightforward job in Photoshop. I used a total of 4 layers - the original image, the pic of Mongchee, a layer with the girl doll's hair cut out, and a layer with the girl body cut out. The hair and body were there to let me be a little lazy when isolating Mongchee's features - it prevented bleed in of her hair or chin over the fur. I used Clone Stamp on the original face to remove it, and a Luminosity blending mode to blend Mongchee's features onto the doll.

MongChichi_Face.jpg
Close-up of the Face

Now, I ran out of time to do anything too elaborate when animating this. I was actually working on this backstage while Tim and Rufus were presenting. Luckily, the Puppet Tool in After Effects is very quick to use. First, I created a simple animated background using Shape Layers and some simple rotation. Next, I imported my Mongchichi picture in, with the background transparent. Using the Puppet Tool, I added control pins on both dolls. I also imported a snippet of the theme music (captured from the YouTube video using Soundbooth.)

I also used Fireworks (Thanks Paul, who suggested it) to get a Heart shape. The text is a separate layer, parented to the heart shape for animation.

To get multiple camera angles, I duplicated the composition, made the layers 3D, and added different cameras. I created a Premiere Pro project, and imported all the comps in using Dynamic Link. Finally, I added the original picture to the beginning of the video.

This is still very rough, but the crowd in Singapore enjoyed it, and Mongchee definitely enjoyed being my star! :) Check it out:


December 13, 2008

Staying up-to-date on CS4

We live in exciting times in the world of Production Premium. CS4 just shipped, and there's already a free update that adds exciting new features to both Premiere Pro and After Effects. If your system isn't connected to the internet, you'll miss out on these exciting updates, so here's how to get them.

First, make sure and bookmark this page: http://www.adobe.com/downloads/updates/ This page is your gateway to getting the MOST out of CS4 Production Premium.

Second, you'll need to get ALL the updates. Unfortunately, the updates are issued product-by-product. At the time of this writing, there are updates for:

Premiere Pro,
Adobe Media Encoder,
After Effects,
Encore,
and Device Central.

Plus, there are a TON of free scores for Soundbooth CS4 that can be downloaded here.

Select the individual product in the list, and look for any CS4 updates available. Download, copy to your Production Premium workstation, and run the update.

Each update has a full listing of what's being added. For example, the Premiere Pro update adds a new FCP Importer, audio export for Pro Tools, and more. There's also a feature that allows Premiere Pro to take advantage of more than 2 GB of RAM on 64-bit systems, which is HUGE!

December 12, 2008

Help for ULTRA 1 and 2 customers is coming.

Hello out there to all the Serious Magic customers who own ULTRA 1 and 2.

Starting in 2003, Serious Magic began offering the ULTRA software for sale, and it was a huge hit with our customers. There was always one point of concern with Ultra, however, and that revolved around our activation system. What would happen if we went out of business, or got purchased by a larger company?

At the time, we sent out assurances that, if one of those scenarios played out, we would make sure and take care of our customers somehow, either by releasing a patch to unlock, or issuing a self-activation tool.

I'm deeply sorry to say that we dropped the ball on this one. A self-activation tool is in the works, but it took longer than planned, and the web team shut down the activation servers a few weeks ago. I just want to express my apology again to all former Serious Magic customers that this played out in this way. We never meant for this situation to unfold like this, and we will live up to our promise that you'll be able to continue to use what you purchased for years to come.

The good news is that the self-activation tool is in testing now, and should be available very soon. For certain versions of the software, you will need to update to the latest 1.x or 2.x version first, BEFORE using the activation tool. Those updates are available here: http://www.adobe.com/downloads/updates/ Make sure this is done first, and the process should go very smoothly.

Going forward, it'll be a good idea to put the activation tool and the 1.x or 2.x update file onto a CD, so you'll have it for any future re-installations/activations. With this new activation tool, you'll be able to reactivate an unlimited amount of times, and never need to call into support to add more activations.

I also want to reiterate that the ULTRA technology is NOT DEAD. The vector keying is alive inside of Premiere Elements 7 and Visual Communicator 3, and there's still development going on for the professional CS tools. (It just didn't make it for CS4.) As a public company, there are legal reasons why I can't share all the details, but there are good things coming.

UPDATE: The Serious Magic Activation Tool is available here:

http://www.adobe.com/support/downloads/product.jsp?product=47&platform=Windows

Thanks Rufus!

Here's a big SHOUT OUT to Rufus Deuchler for his amazing design skills. He just completed a redesign on my blog, and, well, what can I say? It looks FANTASTIC. Thanks so much, Rufus!

I hope this sweeps all the gremlins clean of this place, so I can get down to business! I'm spending most of today getting a bunch of posts ready to publish, and you'll be seeing those over the next days and weeks. Lots of exciting stuff going on.