Author Archive: durin

Audition CC 2014.2 now available!

Greetings and happy holidays!

The Audition team has released a small update before the new year which addresses bugs discovered after the release of 7.1.  This update is available as part of your Creative Cloud membership and includes fixes for several potential crash scenarios:

  • Fixed: Crash on Windows, and waveform artifacts, at certain High DPI Scaling values when moving playhead
  • Fixed: Crash on Quit on OS X is OS update changed permissions on certain folders
  • Fixed: Potential crash when using Spot Healing brush
  • Fixed: Better inactive device detection
  • Fixed: Recent iTunes/iCloud update on Windows can break session support on OS’s which use commas as decimal separators
  • Fixed: UI and metering support for Native Instruments audio devices.
  • Fixed: Multitrack clip waveforms update slowly on certain High DPI scaling values
  • Fixed: ARRI Raw SDK support failing on OS X
  • Fixed: Channel labels may be lost when Save As with disabled channels
  • And several more!

Pricing and availability

Today’s updates to Creative Cloud are expected to be available to Creative Cloud members by the end of the day as part of their membership at no additional cost. For new customers interested in trying them out, free trials of all of the Creative Cloud applications are available, including Adobe Media Encoder CC (2014.2) https://creative.adobe.com/products/media-encoder

To join Creative Cloud, special promotional pricing is available to customers who own Adobe Creative Suite 3 or later. Membership plans are available for individuals, students, photographers, teams, educational institutions, government agencies and enterprises. For pricing details, visit:https://www.adobe.com/creativecloud.html#buy

Audition CC as a Loudness Correction Appliance

While chatting with many of our users at NAB, IBC, and AES, it’s clear that loudness measurement and conformity is a crucial element in preparing their content for broadcast.  The CALM Act in the USA, and similar acts in countries around the world, enforce strict requirements on loudness measurement of content, with many standards such as ITU BS.1770, EBU R128,  ARIB TR-B32, or ATSC A/85.  Unlike the old days, where editors just had to make sure their levels didn’t go into the read, the new standards can require significantly more attention while mixing, or may benefit from post-processing tools which can automate the workflow.

Adobe Audition CC offers several loudness measurement and correction tools, which editors can easily utilize as they work or export their final content.  But this can often be a nuisance, especially in fast-paced newsrooms, and can be prone to the accidental neglectful save without ensuring the content meets station or regulatory standards.  But it’s easy to insert a step in the path from editor to playback where content can be batch processed, and we’re hearing from users who are using a seat of Audition as a Loudness Correction Appliance!  When this was brought to my attention, I wanted to make sure we shared it ASAP as it can literally save time and minimize the possibility of non-standard content making it to the airwaves.

An Audition Loudness Correction Appliance (ALCA) is simply a PC or Mac workstation running Audition, with access to a shared network drive.  As editors copy their finished audio files to this shared directory, Audition can be used to perform a Match Volume pass on files as a batched process, conforming to ITU BS.1770 or any specific loudness measurements desired.  Files can be dragged or imported into the ALCA Match Volume Panel by a lead editor, eager intern, or well-trained bird, and with a single click, individually analyzed and corrected for loudness.  In addition, all content can also be automatically converted to ensure the specific sample rate, bit rate, metadata, and quality settings required for your automation playback systems.  The corrected, conformed files are then exported and saved to a new location, which could be a Watch Folder automating import to the playback system.

To configure your own ALCA, install and activate Adobe Audition CC to the desired appliance workstation.  For this workflow, we only need a single panel visible, greatly simplifying the interface.  Open the Match Volume panel from the Window menu.

Open the Match Volume panel from the application Window menu

Open the Match Volume panel from the application Window menu

You can close the other panels if you like or, and here’s a little tip that works in many Adobe applications, press the tilde ~ key while you’re mouse cursor is over this panel to immediately maximize it.  You can also save this layout as a new Workspace by selecting Window > New Workspace…

This panel is the only one you need open for your Audition Loudness Correction Appliance system.

This panel is the only one you need open for your Audition Loudness Correction Appliance system.

Create a new workspace so you can quickly restore the layout if someone changes it.

Create a new workspace so you can quickly restore the layout if someone changes it.

Within the Match Volume panel, click the Match Volume Settings button (near the top) to show the loudness correction settings.  The default algorithm is ITU-R BS.1770-2 which is compatible with EBU R128.  The default loudness is –23 LUFS, but you could set this to whatever level your station or regional legislation requires.  This will automatically be saved in the application’s preferences such that it becomes the new default.

The Match Volume Settings allow you to specify the type of loudness correction you desire, and customize the specific LUFS value for your needs.

The Match Volume Settings allow you to specify the type of loudness correction you desire, and customize the specific LUFS value for your needs.

Next, you’ll want to add your files to be corrected to the panel.  You can click the Add Files button at the top-left of the panel, double-click in the center of the panel to invoke the Open Files dialog, or drag-and-drop them from Windows Explorer or OS X Finder.  If you click the Compute button (the magnifying glass icon to the left of the Match Volume Settings button) Audition will automatically analyze every file deposited in this panel and calculate its original loudness value and amplitude statistics.  While this isn’t necessary, it can give you a feel for how things are working and provide some insight into the overall process.

These files have been added to the dialog list, and are ready to be processed.  While the example files are MP3, your files can be of any format, sample rate, or channelization settings.

These files have been added to the dialog list, and are ready to be processed. While the example files are MP3, your files can be of any format, sample rate, or channelization settings.

To help automate the workflow, you can setup Audition to automatically process and save the files.  To do so, toggle the Export checkbox at the lower-left corner and click the Export Settings… button when it becomes enabled.  You can configure filename prefix or postfix values here (such as “loudness corrected”) or even choose templates that will draw from the file metadata.  Set the Location value to the directory where you want your finished files to be placed.

In the Export Settings dialog, you can configure the naming conventions, export location, and file format settings you wish for all media.

In the Export Settings dialog, you can configure the naming conventions, export location, and file format settings you wish for all media.

To modify the final file format settings, select the desired format (such as WAV PCM) from the Format dropdown.  To further customize your output, click the Change buttons next to Sample Type (to set sample rate, bit rate, and channelization) or Format Settings (to configure codec specific parameters.)

Sample Type configuration allows you to force all files to specific settings required by your playback system.  For instance you could force all exports to be 16-bit, for legacy automation systems that do not support 32- or 24-bit data types.

Sample Type configuration allows you to force all files to specific settings required by your playback system. For instance you could force all exports to be 16-bit, for legacy automation systems that do not support 32- or 24-bit data types.

For convenience, you can configure Audition to Remove files from the panel upon completion and Close files upon completion to free up resources as each file is processed.  Include markers and other metadata will ensure that the metadata from the source file carries through to the destination file.  If you have ID3 metadata from a source MP3 file, it will even carry through to the new destination file.  BWF bext chunks, (AES-46) CART chunks, iXML chunks, or other specific metadata chunks within a source Wave file will persist through to the destination file as well.  Click OK if you are satisfied.  You should not need to configure these settings again!

With files loaded into the panel, you can now click Run and watch your new ALCA go!  Audition will process multiple files at a time, taking advantage of multiple CPU cores to run analysis and processing in parallel.  To customize how many processor cores Audition can take advantage of, open Preferences > Data and adjust the Maximum number of concurrent file processes value.

ALCA loudness correction in progress!  In this case, all files will be corrected to -17 LUFS, saved in a new destination, and removed from the panel.

ALCA loudness correction in progress! In this case, all files will be corrected to -17 LUFS, saved in a new destination, and removed from the panel.

This process should greatly speed up loudness conformance while minimizing risk of broadcasting incorrect content, with the addition of ensuring all media meets specific format requirements.  If you setup an ALCA in your edit room, please share your experience and photos!  If you have specific requests for additional functionality, please don’t hesitate to let us know.  I can envision a future where this process is completely automated, utilizing Watch Folders or a similar technology.

 

Audition CC 2014.1 Now Available!

Happy to announce the latest updates to Audition CC 2014 (and the rest of the Adobe Creative Cloud applications!) is now available to all Creative Cloud members.  Everyone should see their Creative Cloud desktop application notify them of an available update within the next 24 hours as the update rolls out among our distribution network.

I’ve shared the details about what’s new in this release of Audition at an earlier blog post, and I wanted to take some time to go into a bit more detail about some of the features now available.

Our engineers spent a great deal of time updating our UI code to support High DPI displays.  Also known as HiDPI or Retina displays, many new monitors and laptop systems now support 4K resolution with very high pixel density.  Higher density means images and text are more solid and sharp and requires less work from our eyes to view.  This reduces the visual fatigue that can come from long editing sessions and makes video, graphs, and waveforms sharper than every before.

Safari Retina Icon

On the left, a standard icon. On the right, a High DPI icon. Note that more pixels makes for a clearer, sharper, easier-to-see image.

It also allows users to better customize their application environments, determining for themselves the proper balance of large, legible text vs. more panels and more information on screen.  You can decide for yourself through your OS display scaling options whether your workspace will look more like a clean, mobile application or an airplane cockpit with lots of meters, panels, graphs, editing and mixing windows open simultaneously.  Below are sample workspaces designed for 100%, 150%, and 200% OS scaling resolutions.

100% Scaling:  Icons and Text get smaller as the resolution increases.  Useful for busy workspaces  with many panels and large displays.

100% Scaling: Icons and Text get smaller as the resolution increases. Useful for busy workspaces with many panels and
large displays.

150% Scaling: A balance between workspace area and UI components.  General use, workspaces with fewer panels open.

150% Scaling: A balance between workspace area and UI components. General use, workspaces with fewer panels open.

200% Scaling: Large UI components, reduced workspace area.  Best for touch-enabled and mobile interfaces.  Large  buttons, text, and targets.

200% Scaling: Large UI components, reduced workspace area. Best for touch-enabled and mobile interfaces. Large buttons, text, and targets.

You’ll also notice a brand new UI in all of the Adobe Digital Video and Audio applications.  This design update:

  • Modernizes the DVA User Interface
  • Presents clean, flat icons and components
  • Reduces the brightness and visual complexity of the application, enabling content and components to stand-out
  • Uses high-visibility, blue highlights for component and panel focus
  • Presents less UI “busy stuff” that takes up space and distracts attention from the content
The new User Interface design sports a darker application color to allow flat icons and content to stand out.  We're reducing unnecessary clutter and preparing our applications for next generation interaction models.

The new User Interface design sports a darker application color to allow flat icons and content to stand out. We’re reducing unnecessary clutter and preparing our applications for next generation interaction models.

Stay tuned to the blog for deeper dives into iXML Metadata and the new Speech Volume Leveler updates.

What’s new in Audition CC 2014.1? HiDPI, iXML, and exciting improvements!

I’m excited to reveal this sneak peek at what’s coming in the next update for Adobe Audition CC 2014.

The first thing you’ll notice is a dramatic new interface update, with support for high pixel density (HiDPI) displays.  A new UI modernizes the look and feel of all Adobe digital video and audio applications, sporting flat icons, cleaner panels, and high-visibility highlights for better component and panel focus.  HiDPI support means those of you with retina or high-resolution displays will see sharper, defined icons and components, reducing eye fatigue and enabling preview of video content at full resolution.  Scaling options means you can build your workspace and easily display as much or as little information as your workflow requires.

Audition CC 2014.1 updates video import support, providing faster launch and load times, better playback performance, and support for new formats and Mediacore plug-ins.  Easily import many flavors of MXF or XDCAM-EX, for example, or access your library of Adobe Soundbooth .ASND mixdown previews.

 

This update also implements iXML support, which is popular standard for embedded metadata in production media files.  Devices or software used in location recordings can embed information on Project, Scene, Take, Comments, Timecode, and more.  This metadata can be viewed, modified, or created in Audition and follows your media throughout your production pipeline.

Waveform view with iXML metadata support

Waveform and spectral views are more detailed on HiDPI monitors, and iXML metadata supports your entire audio production workflow, from set to stream.

 

 

We’ve made an exciting change to one of the most popular effects in Audition, the Speech Volume Leveler.  This tool has been valuable for correcting fluctuating loudness levels in recordings, but for many location recordings, background noise has fluctuated with the speech, making some audio still unsuitable for production.  A new parameter, Target Dynamic Range, assists the algorithm in finding a better balance between amplification of speech content and reduction of noise, allowing you to “dial in” the perfect setting for your needs.

What a difference a slider can make!

What a difference a slider can make.

 

Availability

The new updates to the Creative Cloud video apps and Adobe Anywhere for video are expected to ship in the coming weeks.

Adobe will host MAX, The Creativity Conference [http://max.adobe.com], Oct. 4-8 in Los Angeles, to share even more amazing innovations coming to Creative Cloud across desktop, mobile, services and community. To be among the first to know when these and other Creative Cloud updates are available, follow us on Twitter @creativecloud or join us on Facebook.

 

Audition CC 2014.0.1 Patch released

Next time you open Creative Cloud, you’ll see an update for Audition CC 2014 available! Unfortunately, there are no new features tucked away in here, but there are some important bug fixes our team identified after the release in June that we wanted to get out ASAP.

Most important, there are improvements to Crash Recovery which ensure your content is safe and secure in the event of a crash. We also fixed a long-standing, tricky little bug that prevented some OS X users from launching in the event of some corrupted or unexpected system fonts.

Please update when you have the chance, and let us know if you have any questions. Thanks, and have a great day!

New Add-ons marketplace for Audition

I wanted to share a new service available with the 2014 release of Audition CC, a third-party add-ons marketplace.  This online store offers third-party content, training, and services that support Adobe applications, and enables our users to market their own add-on content as well.  Currently, this includes Learn Adobe Audition CC, a video training course by Larry Jordan, and several amazing sound effects bundles produced by Precisionsound, with more free and paid content on the way!

You can visit Adobe Exchange by clicking this link, or by choosing Help > Browse Add-Ons… in the Audition menu bar.  If you are a content producer and are interested in participating, please visit the Producer Portal for detailed information and assistance in making your products available for sale, trial, or free to Adobe Creative Cloud members.

Sneak Peek: Upcoming new features in Adobe Audition CC!

The next major update of Adobe Audition CC is almost ready and on its way to a computer near you! I’d like to share what’s new with this release!  Read below, or view the sneak peak video on Adobe TV!

One of our primary themes with this release has been improving Multichannel audio workflows and to this extent, we’re excited to unveil native import and export of Dolby Digital and Dolby Digital Plus audio files! No need for expensive plug-ins or additional licensing hoops, these multichannel transfer and delivery formats are as easy as opening an MP3. Dolby Digital (AC-3) supports up to 5.1 channels at 48KHz, and is the standard for multichannel DVD audio and broadcast television. Our implementation of Dolby Digital Plus supports up to 7.1 channels at 24-bit, for Blu-Ray and other distribution formats. Deep parameterization options enable advanced users to fine-tune the characteristics of their Dolby exports.

Dolby Digital Export Options Dialog

Dolby Digital Export Options Dialog

To support this workflow, users now have the ability to customize new audio files with custom channel configurations for new audio files. Previously, users were limited to mono, stereo, or 5.1 options when creating a new, empty audio file, unless they resorted to sneaky workarounds. Now, easily create custom channelizations, up to 32 unique channels, with industry-standard channel label options. As all Audition effects are channel-agnostic, you can easily generate sounds or apply effects to your entire file or selected channels.

Custom Channelization for New Audio Files

Custom Channelization for New Audio Files

Speaking of making things simpler, the Multitrack editor now includes many new features designed to improve organization of session contents, improve visibility, reduce strain, and minimize distractions when working with large sessions. While our last release introduced Track Colors, the application still selected the default color for all new tracks and clips. Our latest release introduces randomization of track colors for new or generated tracks. Content is now visually distinct from other clips by default, guiding users to use color as an ally in timeline organization. Track colors are also now visible as thumbnails in the vertical navigation bar making it easy to scroll or right-click-and-drag to zoom to specific tracks or regions of your timeline, mirroring much of the interactive behavior long available in the upper horizontal navbar.

Organize sessions by color and minimize unimportant tracks

Organize sessions by color, with improved visibility of assets, and minimize unimportant tracks.

Clip and selected track visibility has also been improved through the use of high-contrast backgrounds to give clip waveforms some pop! and make the active track readily apparent, even at a glance. Perhaps most exciting, and requested in many different forms by users, is the ability to minimize tracks to reduce distractions and unnecessary fiddling when zooming in and out of clips. A single-click on a track icon will reduce the track to its minimum height, and keep it locked there no matter how much you might zoom in and out.

Finally, in response to some popular requests from user feedback, we’ve implemented a few odds & ends. Most notably, the “trailing space” at the end of a multitrack session has been improved to be more intelligent. In the past, Audition maintained a strict 10% of the content duration as trailing space – a region which has proven extremely valuable in testing to make it easy to append content to a session, shuffle clips around, and navigate without changing the current view. Now this space is calculated on an intelligent, logarthmic scale ensuring sessions never have several minutes of “nothing” at the end of their timeline. Additionally, while tools existed to Razor All Clips at a particular location, we heard this was not as accurate as scrubbing the playhead to the desired location. A new command, Split All Clips at Playhead, now enables users to work more audibly, using their ears or the meters as a guide.

Look for sneak peek videos on Adobe TV, or come visit the Adobe booth at NAB and we’ll be happy to demo the new release in-person!  Or join us on April 10th for a special online event to see all these new features in action:  http://www.adobe.com/cfusion/event/index.cfm?event=detail&id=1903730&loc=en_us

Guide to using 32-bit VST effects with Audition CC via jBridge

It’s a crisp December morning, and I’m looking out my office window at the little corporate building bunny rabbit that lives in the bushes.  He pretty much keeps to himself nibbling on grass, playing with the robins, and hiding from the corporate stray cat that roams through once in awhile.  But every once in awhile, I can hear him talking to me through his big, soulful eyes.  Usually I can dismiss it as the ramblings of a silly rabbit – I mean, c’mon – but this morning he said something that really struck a chord with me.  He mentioned, in a very matter-of-fact manner, that he’s flummoxed with getting his 32-bit VSTs working in Audition CC.  After crafting an e-mail, the standard method of communicating back to psychic bunnies, I figured I’d better share it with our blog readers, even though I’m pretty sure y’all are smarter than this rabbit.

boring picture of bunny

Yes, he looks mild-mannered and cuddly, but he’s a master manipulator, and prone to engineering elaborate pranks. Do not take his advice at face value.  He does have a good ear for mixing a session, though.

 

Quick review of 32 vs. 64-bit plug-ins, and VSTs in general

Until Audition CC was released, Audition was strictly a 32-bit application.  Basically, this means there was a finite amount of RAM Audition was able to utilize – around 4 gigabytes.  As projects have grown bigger, plug-ins and media have become larger, and more high-resolution video files are used in sessions, many users have started to hit this limitation.  After Audition CS6 shipped, we made the decision to update the tool as a native 64-bit application and be on par with most of the other Adobe Creative Cloud tools.  Not only would this allow access to more memory, but it improves performance in many areas and enables features in the latest hardware and operating systems to be fully utilized.

There was a problem, though.  32-bit VST plug-ins are not natively compatible with a 64-bit host application.  While Waves and other large plug-in authors began releasing 64-bit editions of their tools, it turns out there are a lot of folks still using old, often abandoned, 32-bit plug-ins that are unlikely to see an update.  In order to “bridge the gap” between 32-bit plug-ins and a 64-bit host, you’ll need to install a “bit-bridge.”  (Do you see what I did there?  Bit-Bridge.  Bridge the gap.  I got a million of ‘em!)  A bit-bridge acts as a go-between and does all the intermediary math that’s required to fool both the plug-in and the host application to believe that they’re talking to each other.

We got in touch with the folks at jBridge who had been developing and distributing a bit-bridge tool for a few years.  We found jBridge to work very well for most effects we tested, and implemented direct Windows support, though Mac was still in beta when Audition CC wrapped development .  (As a brief aside, the programming quality of your average free VST from the net can vary WILDLY.  Most of the crash reports in Audition over the years have been the result of a plug-in stepping outside its bounds, and much work has gone in to minimizing and preventing these problematic plug-ins from doing too much damage.)  If you’re struggling without your favorite effects, please consider installing and purchasing this tool if you find it works well.

 

Using jBridge with Audition CC on Windows

As noted, Audition CC for Windows implements direct support for jBridge.  Download jBridge and run the installer .EXE file.  Due to OS security measures, you’ll probably need to instruct Windows to run the jBridge processes as an Administrator.  You can find full step-by-step instructions by visiting How to use jBridge – A detailed walkthrough, but basically you’ll need to right-click the three .EXE application files in C:\Program Files\JBridge\ and check “Run this program as an Administrator” in the Properties panel.  This change gives jBridge permission to share plug-ins with Audition and other DAWs.

Launch Audition and select Edit > Preferences > Effects in the menu bar.  Check the preference “Scan 32-bit VST effects using jBridge.” and click OK.

Check this preference to allow jBridge to blend your 32-bit VST plug-ins with your other plug-ins.

Check this preference to allow jBridge to blend your 32-bit VST plug-ins with your other plug-ins.

With this enabled, you’re ready to scan for effects!  Click Effects > Audio Plug-in Manager… from the menu bar and make sure the sure the directory path for the VST effects you wish to use is added.  The default location for 32-bit effects is typically C:\Program Files (x86)\VstPlugins\  Click Scan for Plug-ins and you should see Audition scanning your 32-bit VST effects as if nothing out of the ordinary were going on.  You may see the following warning pop-up, but we know better now, don’t we?

It has no idea what we're about to do!

It has no idea what we’re about to do!

 

Once the scan is complete, you should see a list of all the recognized, valid VST plug-ins found.  Click OK and you should find your effects under Effects > VST in the menu bar.  Hooray!

Screen Shot 2013-12-19 at 11.23.04 AM

 

 

 

Using jBridgeM with Audition CC on Mac OS X

As I mentioned before, jBridgeM (jBridge for Mac, in case you’re slow of mind) is the equivalent tool for OS X users, but at the time we implemented support in Audition, the tool was still in beta testing.  While there are much fewer 32-bit VST effects for Mac, we did want to make sure your bases were covered as well.  jBridgeM has the ability to generate new, wrapped VSTs which appear to Audition as a new, 64-bit VST.

First, download jBridgeM and run the installer .PKG file.  Your system may require a restart after the installation is complete.  Go ahead and come on back here when that’s complete.  I’ll wait…  Ready?  Great!  You should now see a new folder in your Applications labeled jBridgeM and inside there is jBridgerM.app  Launching this should present you with  the following dialog:

These options are shown on launch!  No additional clicking necessary.

These options are shown on launch! No additional clicking necessary.

You can generally just use the default options, and click I’ll be using a 64bit VST host.  It will start scanning your installed VST effects and it’s generally best to just sit back and let it do its thing since it tends to pop back into focus with each effect which can be maddening if you’re trying to write a blog post at the same time it scans in the background.  Once it’s complete, it gives you a bit of details as to how many 32-bit effects it found and successfully wrapped.  (It creates a new file on disk, and the host DAWs will see these new files as valid 64-bit effects.)  Next, launch Audition and click Effects > Audio Plug-in Manager… in the menu bar then select Scan for Plug-Ins.  After a few moments, you should see your newly-wrapped plug-ins appear below!  Click OK and access them by selecting Effects > VST in the menu bar or through the Effects Rack panels!

Well done!  If you have additional questions or problems, feel free to visit us in the Adobe User to User forums.  Have a great holiday and new year, and I can’t wait for 2014.  Now, if only that bunny would stop getting songs stuck in my head.  He has such poor taste.

Adobe Inspire magazine profile: Bringing old recordings back to life

The December 2013 issue of Adobe Inspire magazine, available on the web or through the Apple app store profiles long-time Audition fan, Al Vertucci, who recently restored and produced 50-year old recordings of his teenage a capella band.  The article is a fun read and Al shares plenty of tips and tactics for cleaning up audio and recording and mixing full songs.  The music is great and we’re proud to have played a small role in bringing these excellent songs back to life!  Congratulations Al and the rest of the band!

Adobe Audition CC – Available NOW through Creative Cloud!

audition_1400_800

OVERVIEW

Adobe Audition CC is available NOW through the Adobe Creative Cloud!

Adobe.com: What’s new in Adobe Audition CC?

Blog announcement with details about the new features and updates in Adobe Audition CC

Colin Smith talks about some of the new features in Adobe Audition CC

 

NEW FEATURE PREVIEWS ON ADOBE TV

Audition CC includes the new Sound Remover and Preview Editor.jpg

–       Sound Remover

–       Preview Editor

–       Loudness Metering

–       Sound Design Tools

 

CREATIVE CLOUD

Overview video of Adobe Creative Cloud

–       One of the advantages of Creative Cloud is the availability of updates as soon as they’re released.

  • This means that if you are already a Creative Cloud member, you already have Audition CC. Simply download it when you want to start using these new features.
  • If you don’t have Creative Cloud yet, sign up today to get started. Find the membership that best meets your needs – Single-app, Complete (includes ALL the tools Adobe offers,) or Teams (perfect for collaborative environments).

 

QUESTIONS???

–       Audition FAQ: http://adobe.ly/12GHdi2
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