Author Archive: durin

Creating CDs in Adobe Audition: Part 1

Adobe Audition CS6 offers several different ways of creating audio CDs. In this first post, I’m going to show you the quickest, simplest way to create a  multi-track CD from a single file recording.

For this example, I downloaded an hour-long Grateful Dead performance * from and opened it in Audition.  My first step is to make a selection around each song and create a CD Track Marker.  CD Track markers automatically conform to the minimum increment durations defined by the Red Book Audio CD standard, and are used by Audition when exporting a file to CD.  You can use the SHIFT+M shortcut to create a CD Track marker from any selection, or change the type of existing Cue Markers in the Markers Panel. Continue reading…

Audition CS6 5.0.2 update patch released. Bug fixes, Windows 8 compatibility.

Autumn is falling upon our Seattle offices this week as the mornings get cooler and the evenings start earlier.  The trees across the river out my office window betray flecks of red and yellow mixed among the thousand shades of green.  Seems like a great time to release an update patch for Adobe Audition CS6!

This update, version 5.0.2 for Mac and Windows, fixes several bugs discovered after release that could not be fixed in time for the earlier patch, and cleans up a few odds and ends to ensure Audition is fully compatible for use on Windows 8.  Briefly, here are the primary bug fixes:

  • Metronone may skip or stutter
  • Windows registry entry missing backslash in path
  • Eucon/Avid Artist control surface touchscreen: Control of Surround Panner does not work
  • Bounce to New Track > Selected Track: New track is now based on channelization of source track
  • Windows 8: Third-party drivers do not have a valid WHQL signature
  • CD Burning: Removed 78 minute limit from CD Layout.
  • Audition may crash on Mac when exporting to OMF
  • Audition may crash when attempting to bounce a track with a channelization that does not match the Master track
  • All fixes and updates available in the 5.0.1 update.

You may install the update by selecting Help > Updates… in Adobe Audition CS6 or through the Adobe Application Manager tool.  Additionally, you may download the patch installer directly for Mac and Windows.

On-demand: Kanen Flowers’ Audition seminar

Last week the Adobe Audition team sponsored a web-based seminar – I try not to use the word “webinar” unless the fate of the world hangs in the balance – hosted by Kanen Flowers.  Kanen is well-known among the post-production and digital video crowd, and shared many of the secret tips and workflows he uses when editing audio for video projects.  If you missed it, you can view the recorded presentation here. Continue reading…

Come see Audition CS6 at AES, October 27-29 in San Francisco

For the first time ever, Adobe Audition will have a booth (820) at the AES Convention in San Francisco, CA October 27-29, 2012!

Audition CS6 offers advanced audio editing, mixing, sound design and sound effects on Mac and Windows.

AES visitors will get in-depth demonstrations of Audition CS6 at the Adobe booth, and learn how to:

  • Edit audio faster with dozens of timesaving audio editing features
  • Accelerate restoration work with noise reduction and sweetening tools
  • Perform precise clip spotting with new features for audio alignment, keyframe editing, and clip timing.
  • Mix and master audio in a full multi-track environment

With Audition CS6, audio engineers can collaborate with video editors—creating audio for film, broadcast, games, and other projects thanks to Adobe Premiere Pro round-trip editing, as well as the ability to exchange projects with other NLEs and DAWs.

The 133rd Audio Engineering Society Convention will be held at Moscone Center this year, and promises to be an amazing time for anyone working with audio.  AES is the largest gathering of audio professionals, and boasts attendees from over 100 countries around the world.

Adobe at AES
Booth 820
Moscone Center
San Francisco, CA, USA
October 27 – 29, 2012

UPDATE:  Passes for AES are available online for $20 here

UPDATE: We are offering Production Premium CS6 to a lucky winner. Come by the booth and get your card swiped to enter!

Upcoming: Audio Editing for Video Editors webinar with Kanen Flowers

On August 31, we will be hosting a special webinar for video editors who want to learn about audio editing. Audition CS6 complements Adobe Premiere® Pro, bringing a powerful and easy-to-use toolset for fixing, mixing and sweetening sound. Please join us for this Ask a Video Pro session with popular podcaster and filmmaker Kanen Flowers to learn how audio editing can enhance your production work!

Kanen Flowers is the troublemaker behind Scruffy.TV and the host of popular podcasts That Post Show and Scruffy Thinking. He is also the writer & creative director of That Media Show as well as the web-series, HERO PUNK. Kanen has written code and founded tech companies. Today, he generates words and pictures, sometimes together.

Audio Editing for Video Editors, with Kanen Flowers
Thursday, August 30, 2012 at 10:00am Pacific Time

Audition CS6 update patch re-released. Please read.

Earlier this week, Adobe Update Manager may have informed you that an update was available for Audition CS6.  This update contained a new bug that broke the Dynamics Processing effect.  We have prepared a new update which is available via the website.

If you have not yet updated Audition CS6, or have previously updated to the 5.0.1 build 6 patch, please download the latest 5.0.1 build 7 update from

Details about the patch and the bug fixes it contains can be found here.

Thank you for your support and please notify us if you experience any troubles downloading or installing the update.

Adobe Audition CS6 (5.0.1) update patch released

UPDATE (July 20, 2012):  Due to an issue discovered after the 5.0.1 build 6 patch was released, the Audition team has pulled this update and released a new 5.0.1 build 7 patch, available at the download links below. 

Today we released an update to address several bugs in Audition CS6. Many were minor workflow issues, but a few could cause Audition to crash under certain circumstances.

  • Download the patch installer directly from
    • Windows:
    • Mac:


Bugs fixed in Adobe Audition CS6 5.0.1 update:

  • APE files with metadata inserted by other editors cause Audition to crash (Windows)
  • If previous session directory no longer exists, Audition leaves the Folder Location field empty
  • Multitrack fades no longer respect the fade type preference.  (Worked in CS5.5)
  • Audition may crash when users choose to create unique copies of selected MT regions
  • Playback stutters when creating a unique copy of a clip while right-click dragging
  • Channel Mix settings not honored on export when not exposed in dialog
  • EUCON Soft Key set contains keys that do nothing
  • Session Tempo broken on systems using commas instead of decimal points
  • Bounce to New Track > Selected Track bounces AFTER passing through track output
  • If a favorite was recorded on subset of channels, the favorite will fail if those channels are disabled
  • Sending a stereo bus side-chained to a mono track may crash the application
  • UAD-2 plug-ins missing from Windows Effects menu
  • Audition may crash on launch when CoolType encounters certain installed fonts (Mac)

Adobe Audition CS6 available now!

We’ve been so busy with the launch this week that I noticed we hadn’t made a formal announcement to Inside Sound that Adobe Audition CS6 is available now!  You can download the free 30-day trial by visiting

Colin also provided a very good overview of Audition CS6’s pricing, upgrades, and details about Adobe Creative Cloud subscriptions on our User to User Forum.  I wanted to share them here, lightly edited, since I know many of you don’t visit the forums that often.  Please share any questions in the comments or on the forums.


Audition CS6 Product Launch – Upgrades, Subscriptions, and Purchase Info

Creative Cloud and Subscriptions. Before you dismiss, I would encourage you to check it out namely because it, at the heart, is a different method of using Adobe’s software. For some it will make perfect sense and be the right fit for how you work, what you can afford, etc. For others, perpetual license (how we’ve always sold Audition and other products) is just fine and you can stick with that.

It’s important to be crystal clear on this “cloud” stuff: getting Audition (or any other Adobe application) via subscription/Creative Cloud does not mean it’s running OVER the Internet or is web browser-based. It means you get a subscription authorization using your Adobe ID login and download your software from our site (as if you bought it as per normal.)  The install process will then authorize your login against your subscription. It’s that simple. There has been some confusion and concern with folks thinking you’re running the application “in the cloud” (i.e. connected at all times to the web) and that’s not the case.


Availability and “Try before Buy”:

If you have doubts about Audition CS6…PLEASE *TRY BEFORE YOU BUY*, we have 30-day trial versions available as always from the product website on Please download and try it first before clicking buy. Getting a refund is a pain and we just want you to be a happy user. We have been trying to get out as much info as early as we can on this forum, our blog, twitter, etc. about what is in the release and what’s not.   There is a full 3-version feature comparison matrix available at

Creative Cloud Membership:

  • Get ALL Adobe’s desktop products including Audition CS6 and a few other interesting things like online storage, preview, sharing, etc for $49.95/mo (Yes, that’s basically Master Collection + more for $50/mo). And I believe there’s an introductory price of $30/mo (for one year) good until end of August.  For some this is huge. If you use nothing but Audition, we get it, go ahead and head to the next item, but if you want to do other things like use Premiere Pro, After Effects, and/or Photoshop Extended too, this is worth looking at…
  • Go here for more info:

Audition CS6 Perpetual:

  • Full = $349.00 USD
  • Upgrade Audition CS5.5 to Audition CS6 = $75.00 USD
  • Upgrade Audition 1.5, 2.0, 3.0 to Audition CS6 = $149.00 USD
  • Upgrade Soundbooth CS3, CS4, CS5 to Audition CS6 = $149.00 USD

Audition CS6 Only Subscription (i.e. not Creative Cloud or Suite):

  • Month to Month Audition CS6 = $29.95/mo USD
  • Yearly Audition CS6 = $19.95/mo USD


  • Some of you noticed Audition’s educational pricing went away this past year (along with that pricing on many other products), Well there will be a Creative Cloud Subscription plan for you which will give basically EVERYTHING we make. Check out the Creative Cloud link below…  It’s $29.99/month.


Adobe’s new policy (announced last year sometime, I don’t have a link handy) is to only allow perpetual upgrades from 1 WHOLE version back and one 1/2 version back instead of the “3 version back rule”. While the product teams do not set any pricing or upgrade policy, we can certainly make a case for our customers and in this case we noticed the 3 version back upgrade policy was off the table for Audition (i.e. the proposal we saw was to only allow upgrade from CS5.5 and 3.0). We know and respect that many folks did not take this upgrade in CS5.5 who are still on version 1.5 or 2.0, so we fought hard to get a special exception for Audition. There is a caveat…Next release, we have to give up the exception so be aware: if you’re on v1.5 and you want to upgrade, do it this release. If you absolutely love v1.5 or v3.0 (or Soundbooth) and will never change no matter what we do going forward, then we’re fine with that too (really, we on the team know some of you just love 1.5) but we wanted to be clear the upgrade window is closing for you this release.


Reference Links:

More info on Creative Cloud Here:
Audition Product Page:


Legacy Import and Machine-Specific Preferences in Adobe Audition CS6

The team is making their way back from the NAB show in Las Vegas, so our posts might be a bit brief over the next few days while we unpack and recover.  We wanted to touch on some new functionality in Audition CS6 that isn’t glamorous nor based on patented DSP algorithms, but has the potential to reduce setup time and minimize user confusion on shared workstations.

Audition CS6 supports importing preferences, keyboard shortcuts, favorites, effect presets, and metadata display settings from an existing installation of Audition CS5.5.  Some of you may remember a function in Cool Edit Pro and early versions of Audition whereby you would drag-and-drop an old settings file onto Audition and it would import the preferences.  This “secret” feature remained but went largely unsupported in later releases of Audition, and was not re-implemented for CS5.5.

CS6 removes the need to discover arcane secrets and hidden files, and simply asks permission to import legacy prefs on first launch if it detects and existing installation of Audition CS5.5.

(Note: The dire warning about never having another opportunity to import is a bit of bluster.  If you hit cancel or decide later that you’d like to import the legacy preferences, you can delete your existing CS6 preference directory and launch Audition to be prompted once again.)

A brand new feature for CS6, and one that came directly from user requests, enables IT admins to configure shared systems on managed networks to override roaming user hardware settings with appropriate settings for each machine.  Historically, Audition saves the last used hardware device in the user preferences.  Typically, these will be local and only used by the machine in question, but for users in some larger environments, their Windows user profiles are roaming which means they can logon to any computer on the network and their application settings data will follow them.  This works great when a user wants their preferred desktop layout or effect presets wherever they work, but starts to introduce problems when the last system they used had an RME audio interface, but the workstation they just logged into has an M-Audio FastTrack, for example.  Audition can’t find the RME device and prompts the user to reconfigure which for many users might as well be a pop quiz on quantum mechanics.

Now, administrators setting up a shared machine may install a pre-defined hardware configuration on a per-machine basis and override any existing user preferences.  Savvy users may ignore the pre-defined configuration or change their device as before, if necessary.  This bit of trickery is accomplished in a very simple manner: The Audio Hardware, Audio Channel Mapping, and Control Surface preferences have been broken out into a separate file, MachineSpecificSettings.xml.  When an admin has properly configured an installation of Audition on a new workstation, they can locate this file in the default user preferences folder and copy it to a shared location:

Mac OS X: /Library/Preferences/Adobe/Audition/5.0/
       Windows 7/XP (32-bit): /Program Files/Common Files/Adobe/Audition/5.0/
       Windows 7/XP (64-bit):  /Program Files (x86)/Common Files/Adobe/Audition/5.0/

This feature is enabled by default, but if Audition does not find the global preference file, it falls back to the user preference.

 Please feel free to ask questions in the comments, or visit our User Forum discussion at

Adobe Audition CS6 Effects: VST3, Side-chains, and more

Audition CS6 Preview – Effects: VST3, side-chains and much more

Audition CS6 brings significant improvements and new features to effects hosting and routing.


New to Audition CS6 – and, well. any Adobe product – is support for VST3 audio plug-ins. Steinberg has been at work updating the VST specification, and VST3 represents a stronger and more stable model for building and hosting plug-ins. For the user, this means both the application and the plug-in can be more stable and reliable because we’re able to communicate in a more consistent manner. VST2.4, while still dominant and pervasive for many audio plug-ins has certain limitations for developers. We believe the move to VST3 has started and expect to see many more plug-ins head this direction.  VST3 will be available on both Mac and Windows versions of Audition CS6.


Audition CS6 offers the ability to run a side-chain input to some of your plug-ins when used in a track effect. The routing engine in and out of the effects host [see below] has been dramatically improved from CS5.5 and previous versions, and this brings with it side-chaining: the ability to feed the signal from one audio source into the input of an effect on a different source.

Choose a specific channelization for your side-chain input, or determine it dynamically based on the source stream

Choose a specific channelization for your side-chain input, or determine it dynamically based on the source stream

Simply insert a plug-in that supports side-chain input to the desired track.  On the track that will act as your input signal, select the appropriate side-chain destination from your Sends view as you might any Bus.  The routing engine will take care of the rest, adjusting the effect dynamics on one track based on the signal from the other.

Use a Send to route your desired signal into the appropriate effect side-chain input.

Use a Send to route your desired signal into the appropriate effect side-chain input.

In Audition CS6, we enabled the Dynamics Processing effect to support side chaining, which will allow basic ducking and input driven compression. There are many 3rd party effects and plug-ins that also support side chains for other interesting creative uses.

If you are unfamiliar with the concept of side chains in general, take a look here for some more info.

Effects Channel Routing – No More Restrictions!

Audition CS6 introduces an entirely new way to manage effect channel routing. The challenge we were faced with was how to manage the large variety of 3rd party plug-ins that all present their audio channels differently, and often for very legitimate reasons. Some say they’re mono and stereo in and out. Some present themselves as 3 channels (the assumption being mono and stereo) in and mono/stereo out and it gets even more complicated for up-mix and down-mix effects (2 channels-in to 6-out, for example).  The effects host in Audition CS5.5 was a good start, but this host required a matching presentation of channels by the plug-in.  By changing our method of handling plug-ins, we saw immediate gains in compatibility and stability.

What does this mean to you? Well, for most, you won’t ever need to touch this part of the application nor will you likely notice much change if you don’t use 3rd party plug-ins (and this is a good thing!).

This new approach introduces a new channel router to each effect, is configurable per-effect, and is accessible in the upper-right corner of the effect window:

This button toggles between the effect UI and channel mapping

This button toggles between the effect UI and channel mapping

Here’s an example of what a stereo effect looks like in the effect channel router in the Multiband Compressor when they exist on a 5.1 track:

Easily route any incoming signal to the desired effect output path

Easily route any incoming signal to the desired effect output path

Quickly, you’ll notice that the “input” and “output” line up 1:1 (Left In goes to Left Out, etc). If I wanted the “left” to go out the “center”, I would simply select that in the “effect output” column. It should be noted this is a router/mapper only and does not allow creation of new channels unless the effect being used does this (e.g. up-mix). We also provided a “Reset Routing” button to get you back…just in case.

It cannot be understated how powerful this is, and even if you never use it, it represents a huge shift in how effects are handled and work in the application.

Improved Effects Scanner

Audition CS6 now includes an improved effects scanner that will scan VST and AudioUnits effects “out of process”. What does this mean to you? More stable scanning and fewer crashes during scanning of 3rd party plug-ins.

Our goal here was simple: reduce crashes caused by incompatible, buggy, or poorly coded plug-ins. We separated the scan from the main application and saw our crashes caused by 3rd party plugs drop dramatically. Now, if the scanner crashes, it simply reports back that it crashed, blacklists the plug-in, and continues scanning without needing to restart the application.

New Effects Menu Sorting: VST and AU Plug-in Menu Changes

In Audition CS5.5 the only view order of your plug-ins  was “channel” type (e.g. mono, stereo, etc). Admittedly, this didn’t work as well as we’d hoped, so we changed it. If you just read above regarding channelization changes – you should if you haven’t – then you might have an idea of why we changed this behavior. Well to follow suit, we now allow you to sort effects by “vendor”, “category”, “vendor/category”, “category/vendor” or one giant list (no grouping at all). By default they will be organized by “category/vendor” as advertised by the plug-in developer.

In preferences you can select whichever grouping/sorting you like:

Save an Effects Rack as a Favorite

Audition CS6 introduces the ability to save any effects rack as a Favorite. This means you will now be able to recall that favorite and apply it immediately to a single file or use it in batch processing to change many files at once.