Posts tagged "Broadcast"

Audition CC as a Loudness Correction Appliance

While chatting with many of our users at NAB, IBC, and AES, it’s clear that loudness measurement and conformity is a crucial element in preparing their content for broadcast.  The CALM Act in the USA, and similar acts in countries around the world, enforce strict requirements on loudness measurement of content, with many standards such as ITU BS.1770, EBU R128,  ARIB TR-B32, or ATSC A/85.  Unlike the old days, where editors just had to make sure their levels didn’t go into the read, the new standards can require significantly more attention while mixing, or may benefit from post-processing tools which can automate the workflow.

Adobe Audition CC offers several loudness measurement and correction tools, which editors can easily utilize as they work or export their final content.  But this can often be a nuisance, especially in fast-paced newsrooms, and can be prone to the accidental neglectful save without ensuring the content meets station or regulatory standards.  But it’s easy to insert a step in the path from editor to playback where content can be batch processed, and we’re hearing from users who are using a seat of Audition as a Loudness Correction Appliance!  When this was brought to my attention, I wanted to make sure we shared it ASAP as it can literally save time and minimize the possibility of non-standard content making it to the airwaves.

An Audition Loudness Correction Appliance (ALCA) is simply a PC or Mac workstation running Audition, with access to a shared network drive.  As editors copy their finished audio files to this shared directory, Audition can be used to perform a Match Volume pass on files as a batched process, conforming to ITU BS.1770 or any specific loudness measurements desired.  Files can be dragged or imported into the ALCA Match Volume Panel by a lead editor, eager intern, or well-trained bird, and with a single click, individually analyzed and corrected for loudness.  In addition, all content can also be automatically converted to ensure the specific sample rate, bit rate, metadata, and quality settings required for your automation playback systems.  The corrected, conformed files are then exported and saved to a new location, which could be a Watch Folder automating import to the playback system.

To configure your own ALCA, install and activate Adobe Audition CC to the desired appliance workstation.  For this workflow, we only need a single panel visible, greatly simplifying the interface.  Open the Match Volume panel from the Window menu.

Open the Match Volume panel from the application Window menu

Open the Match Volume panel from the application Window menu

You can close the other panels if you like or, and here’s a little tip that works in many Adobe applications, press the tilde ~ key while you’re mouse cursor is over this panel to immediately maximize it.  You can also save this layout as a new Workspace by selecting Window > New Workspace…

This panel is the only one you need open for your Audition Loudness Correction Appliance system.

This panel is the only one you need open for your Audition Loudness Correction Appliance system.

Create a new workspace so you can quickly restore the layout if someone changes it.

Create a new workspace so you can quickly restore the layout if someone changes it.

Within the Match Volume panel, click the Match Volume Settings button (near the top) to show the loudness correction settings.  The default algorithm is ITU-R BS.1770-2 which is compatible with EBU R128.  The default loudness is –23 LUFS, but you could set this to whatever level your station or regional legislation requires.  This will automatically be saved in the application’s preferences such that it becomes the new default.

The Match Volume Settings allow you to specify the type of loudness correction you desire, and customize the specific LUFS value for your needs.

The Match Volume Settings allow you to specify the type of loudness correction you desire, and customize the specific LUFS value for your needs.

Next, you’ll want to add your files to be corrected to the panel.  You can click the Add Files button at the top-left of the panel, double-click in the center of the panel to invoke the Open Files dialog, or drag-and-drop them from Windows Explorer or OS X Finder.  If you click the Compute button (the magnifying glass icon to the left of the Match Volume Settings button) Audition will automatically analyze every file deposited in this panel and calculate its original loudness value and amplitude statistics.  While this isn’t necessary, it can give you a feel for how things are working and provide some insight into the overall process.

These files have been added to the dialog list, and are ready to be processed.  While the example files are MP3, your files can be of any format, sample rate, or channelization settings.

These files have been added to the dialog list, and are ready to be processed. While the example files are MP3, your files can be of any format, sample rate, or channelization settings.

To help automate the workflow, you can setup Audition to automatically process and save the files.  To do so, toggle the Export checkbox at the lower-left corner and click the Export Settings… button when it becomes enabled.  You can configure filename prefix or postfix values here (such as “loudness corrected”) or even choose templates that will draw from the file metadata.  Set the Location value to the directory where you want your finished files to be placed.

In the Export Settings dialog, you can configure the naming conventions, export location, and file format settings you wish for all media.

In the Export Settings dialog, you can configure the naming conventions, export location, and file format settings you wish for all media.

To modify the final file format settings, select the desired format (such as WAV PCM) from the Format dropdown.  To further customize your output, click the Change buttons next to Sample Type (to set sample rate, bit rate, and channelization) or Format Settings (to configure codec specific parameters.)

Sample Type configuration allows you to force all files to specific settings required by your playback system.  For instance you could force all exports to be 16-bit, for legacy automation systems that do not support 32- or 24-bit data types.

Sample Type configuration allows you to force all files to specific settings required by your playback system. For instance you could force all exports to be 16-bit, for legacy automation systems that do not support 32- or 24-bit data types.

For convenience, you can configure Audition to Remove files from the panel upon completion and Close files upon completion to free up resources as each file is processed.  Include markers and other metadata will ensure that the metadata from the source file carries through to the destination file.  If you have ID3 metadata from a source MP3 file, it will even carry through to the new destination file.  BWF bext chunks, (AES-46) CART chunks, iXML chunks, or other specific metadata chunks within a source Wave file will persist through to the destination file as well.  Click OK if you are satisfied.  You should not need to configure these settings again!

With files loaded into the panel, you can now click Run and watch your new ALCA go!  Audition will process multiple files at a time, taking advantage of multiple CPU cores to run analysis and processing in parallel.  To customize how many processor cores Audition can take advantage of, open Preferences > Data and adjust the Maximum number of concurrent file processes value.

ALCA loudness correction in progress!  In this case, all files will be corrected to -17 LUFS, saved in a new destination, and removed from the panel.

ALCA loudness correction in progress! In this case, all files will be corrected to -17 LUFS, saved in a new destination, and removed from the panel.

This process should greatly speed up loudness conformance while minimizing risk of broadcasting incorrect content, with the addition of ensuring all media meets specific format requirements.  If you setup an ALCA in your edit room, please share your experience and photos!  If you have specific requests for additional functionality, please don’t hesitate to let us know.  I can envision a future where this process is completely automated, utilizing Watch Folders or a similar technology.

 

Audition 3 for Broadcast Whitepaper

Check out the whitepaper we had created on what tools Audition 3 has for broadcast audio engineers. The paper covers everything from audio restoration and clean-up to working with different audio formats, and mixing and mastering sound.

http://www.adobe.com/products/audition/pdfs/audition_broadcast_wp.pdf

Let us know what you think!

Thanks!
Louise