Posts in Category "Community"

Announcing Portfolio Review Week #6: November 3-10, 2014

Portfolio Review Week #6: November 3-10, 2014
We first launched Portfolio Review Week in 2012 with the goal of bringing together creatives to share their work and develop their craft. In the five Portfolio Reviews since then, we’ve been amazed by the stories, photos, and videos of creatives coming together in their communities across 80 countries.

Portfolio Review Week #6 will be held November 3-10, 2014. We’re looking forward to a week of incredible events put together by first time and veteran hosts worldwide!

Be a leader in your local creative community by hosting a Portfolio Review
If you’re willing to devote some time and energy to planning, promoting and executing a Behance Portfolio Review — you’re in! Get started by filling out this form.

Just want to attend? Check meetup.com/behancereviews in the coming weeks for events near you!

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Learn more about Portfolio Review Week at behance.net/reviews

Announcing Creative Cloud Market

We’re thrilled to announce a new feature called “Creative Cloud Market“, a collection of high-quality, curated assets for creatives by creatives. Now you can access a remarkable selection of vector graphics, icons, patterns, UI Kits, for-placement images, and more from your Creative Cloud Desktop app – all part of your subscription to Creative Cloud.

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Editable branding package PSD file by Graphic Burger

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Scalable icon set by Yoon J Kim

We’ve partnered with some of the most talented and experienced Creatives on Behance to create a library of ready to use, royalty-free assets that assist in the creative process. Gone are the days of scouring the web for UI/presentation kits, settling for mediocre placement images, and spending hours masking products and devices. Now you can access thousands of professionally crafted files including devices, branding layouts, wireframes, charts, vector shapes, repeatable patterns, backgrounds and brushes for your next personal or commercial project. Continue reading…

Portfolio Review Week #5 Superlatives & Stats

One of our favorite things about Portfolio Review Week is seeing the incredibly unique pictures that come out of these global events. We have seen some amazing things, from Behance cupcakes, to live paintings, to homemade photobooth props; our hosts and attendees can get super creative! Because of this, we thought it would be a fun idea to create Portfolio Review #5 Superlatives. 

PRW Superlatives

Spring PRW stats:

Events: 300
Cities: 209
Countries: 80
#BehanceReviews tweets: 3,234
RSVPS: 6,344
Appreciation Coins Awarded: 1,500

Top 5 largest events:
Bogota, Colombia (723)
Lima, Peru (323)
Trujillo, Peru (151)
New York, USA (130)
London, England (129)
Riyadh, Saudi Arabia (128)

Introducing the Behance Wallpaper App

What’s on your computer desktop? For most of us, it’s a vacation photo from years ago, a default background that came with the computer, or something you set a few months ago that you haven’t had a chance to change.  We design our office spaces to maximize creativity and inspiration, but what about the place where we spend hours of our time, the computer?

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That’s why we created the Behance Wallpaper app—an easy way to make your workspace more beautiful and discover new creative work at the same time. For this first time, see creative work from Behance in all its hi-res, full screen glory on your desktop.

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Once you install the Wallpaper app, you can choose from one of 60 designs (with an option to sort by creative field) by some of Behance’s top creatives, then choose how often you want to change your background—hourly, daily, weekly, monthly. Whatever your setting, the desktop will automatically change so you have a new design as often as you like. The app will stay fresh, with new designs added each month on top of what’s there now.

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Loving a particular wallpaper and want more? You can follow the creatives behind the designs directly from the app.

Download the Behance Wallpaper app in the App Store.

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May 2014 #workspacewednesday

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Most Appreciated Projects: Monthly Roundup

Appreciations are a way to send genuine kudos to another creative professional on Behance. This is our community’s way of curating the network, so that the best projects gain the most exposure. Here’s a look at two of the most appreciated projects on Behance this month:

 Most Appreciated

Maxim Shkret of Krasnador, Russia, re-imagines predators (specifically a bear, fox, and lion) in 3D Vector Graphics. See the full set here (bonus: they’re for sale)!

Most Appreciated

26 letters, 26 materials. FOREAL’s goal was to create a fully sculpted alphabet, using materials ranging from stone and wood to the unexpected (icing, skin, moon, and more)! View The Sculpted Alphabet.

 

 

What have you been working on? #BehanceWIP

We asked our members to share their Work-In-Progress with us on Instagram using the hashtag #BehanceWIP, and we saw some amazing things happening. Now that we’ve entered the new year, we would love for you to continue to share what you are currently working on.

Here are a couple of our favorites.

Continue reading…

Behind the Project: Infographic Feast

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Ryan MacEachern is a Bristol, UK based design student. His works include a project featured in the curated Branding gallery, as well as an innovative take on the bookmark. We spoke with him about his recent project, “food x design”, an infographic tracing his eating habits over two weeks.

1) What was your inspiration for this project?
I’m currently studying Graphic Design and was an assignment to collect a weeks worth of data on a personal habit and then create an infographic poster.  My biggest inspiration while doing this was a project by Peter Ørntoft called “Information Graphics in Context” that I had seen years ago on Behance. I was astounded by the simple concept and striking visuals and knew I wouldn’t be happy creating a vector based solution if I were to create an infographic myself. So, years later and working on this assignment, it immediately struck me to use actual food to chart my food intake. To my surprise, I couldn’t find any projects online that had used this before.

2) Can you describe your process in creating this project?
I knew I wanted to track my food intake and wanted to create a photographic solution. I briefly explored digital, but it was soon apparent the photographic idea stood out and communicated information more effectively.
I had just started a low carbohydrate diet that was very dull and boring in appearance and considered stopping the diet in order to create a more colorful and varied project. Ultimately, I decided to use the food simply as a visual aid and didn’t directly link it to my actual consumed food.
I’m a capable photographer, but felt overwhelmed by the task ahead of me—I did some test shoots using natural light and the photos needed extensive post-production work. Luckily, a friend was able to help me get ahold of some studio lights and I set them up in my living room. I also spent around £60 on food, which about 2 weeks worth of food on a student’s budget, so I made sure it didn’t go to waste. It was very strange cooking a whole chicken at 3 a.m. just to take photos of it.

3) Did you expect it to be as popular as it’s been on The Behance Network?
Loads of blogs have picked it up and I’m getting a steady flow of followers on Behance, but I really didn’t expect it to get such immediate attention. I thought the work was good and nice to look at, but I wasn’t so sure other people would be able to see how much work went into it I’m really glad people like it, Im surprised at how extensive the behance community is I have had people follow me from all over the world which really is a great feeling.

4) Did you go through many versions and iterations before coming up with these final pieces?
This project has two main components: the visual, which in this case is a graph or pie chart, and typography, which communicates all the data and helps the flow. It was challenging to balance them both. Once I chose a font, my next challenge was to adjust lines and labeling to ensure the project wasn’t too crowded with text.

5) Do you feel that this project is “done,” or is there anything you’d like to improve on or change in the future?
The assignment only lasted two weeks, so I’m not sure I worked out all the kinks in the design. I’d like to return to the project soon and make it more extensive, covering other areas, like weight. I’d also like to work more on the coloring.

Behind the Project: Subjective Guide to Life

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Michael Pharaoh is a New Zealand based graphic Designer. His other projects include a rebranding of Cadbury’s chocolate using 3-D modeling and a brand identity for a hypothetical bicycle club. We spoke with him about his recent project Michael’s Guide to Life, a guidebook based on personal experience and advice, modeled after family health books.

What was your inspiration for this project?
I personally just wanted a way to collect what I thought were important pieces of advice or skills I’ve picked up that have helped me through my life. I’ve always liked the design aesthetic of those big family health guidebooks, so I drew inspiration from that and wanted to create one for life.

Behind the Project: Repair Rather Than Replace

In this series, we’ll look deeper into some of the projects on Behance.net that were especially admired in our community. Katie Tonkovitch is a San Francisco based designer. Her other projects include branding for San Francisco dive bar, The Makeout Room as well as timeline based packaging for those trekking through the Himalayas. We spoke with her about her recent project, Mend.

What was your inspiration for this project?
Most of my projects have an element of sustainability to them. The final form was both inspired and limited by existing within those parameters. I think the creative challenge of
balancing aesthetics and function, of striving for both beauty and reusability, was a lot of what made this project successful.

The limited materials I chose drove the design to a high degree. One of the first things I did was hunt down the reusable containers and recycled papers, and make the decision that I was only going to use black ink. Discovering what typefaces and design elements played nicely within those parameters was a large part of my inspiration. For instance, the choice to use colored thread to color-code the different kits was born out of the fact that I limited myself to a single color of ink.

Can you describe your process in creating this project?
The design brief was the primary challenge. This was a fairly open-ended student project, so I really wanted to have a fully fleshed-out concept before I even began sketching. I wanted to do something in the world of sustainability, and spent considerable time brainstorming about how buying a new collection of stuff could possibly be a sustainable act. It then occurred to me that if that stuff helped you mend what you already had, it would be preventing you from buying things you didn’t need. The driving concept became: Don’t buy more stuff; mend what you have.

Continue reading…