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Posts in Category "Creative Cloud"

Thirty Days Later… Thirty Adobe Creative Cloud Tutorials

At the beginning of the year, Adobe worldwide design evangelist Terry White made a promise to himself to deliver a new Adobe Creative Cloud tutorial each day during the month of January.

 

Beginning January 2, Terry released a new video each day… for 30 days. With his New Year’s resolution behind him, he had this to say:

I’m happy to say that my 30 Days of Creative Cloud Tutorials are done and have been very well received! At last count the videos have had over 80,000 views and climbing. I also received lots of direct feedback on Twitter and Facebook. Most of the tutorials focused on the questions I get every day, over and over again. I also took the liberty of working in mobile workflows wherever I could. Of course I’ll continue to do more throughout the year and cover new features as they’re added to Creative Cloud. In the meantime, check out what you’ve missed here in this YouTube Playlist featuring all 30 videos:


 

Cross-posted from Terry White’s Tech Blog.

10:55 AM Permalink

Two Days of Adobe Creative Camp at SXSW 2015

We’re headed to SXSW Interactive to host Creative Camp, two days of lessons, insight and conversations about creative tools and the creative process with Adobe evangelists, product managers and design experts.

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Take a look at our packed schedule:

 

Friday March 13

11:00am–noon
Revamping Photoshop for Screen Design with Zorana Gee
Come join us as we dig into the full and behind-the-scenes story on the revamping of Adobe Photoshop CC for screen design. For the past two years, a small group of designers, researchers, and management has been reaching out to Photoshop CC’s design users and listening to the complaints, smiling at the praise and, most importantly, learning. And with that knowledge we’ve set into motion a number of responses meant to improve designer workflows. As we weave in and out of this story about how an iconic piece of software is being transformed to meet new demands, we’ll share new projects (and perhaps products) from the tireless Photoshop team.

12:30–1:30pm
Moving from Graphic Design to 3D Object Design with Paul Trani
Seemingly overnight a new industry has emerged: 3D printing. And while it’s easy to get excited about the technology, it’s the design of the 3D objects that really matters. Thankfully the new 3D printing capabilities in Adobe Photoshop CC allow graphic designers to take their design skills in new directions and create, perfect, preview, and print 3D designs in a familiar environment. What was once on your screen can be a physical object in front of you.

This session teaches what you need to know to bring ideas and designs into the physical world, including the different materials for printing, how to use your own printer or a printing service, how to market 3D design services, and more. Learn what will you can create and where will this new industry can take you.

2:00–3:00pm
Failure as a Creative Catalyst with Erik Natzke
It’s often said that change is good, but the reality is that change can be scary especially when it involves taking a new job or working on a new creative project in an area that you’ve never worked in before. It can be even harder when everything doesn’t go as planned and you encounter challenges, setbacks or failures.

In this session principal designer Erik Natzke will talk about his experience leaving his own agency to come to Adobe, and building his first iOS app, Adobe Brush CC, and the challenges he encountered along the way. Erik’s goal for Brush was to let designers extend their creativity and engage them to play more but the app development process wasn’t always fun or smooth, and solutions didn’t always appear right away. Ultimately the journey of getting through all the setbacks led Erik to discovery and launching a truly delightful app.

3:30–4:30pm
How to be a More Inefficient Designer with The Made Shop
Are you well-organized, methodical, and competent? Is your work productive, effective, and streamlined? Well, we can help. We’ve all been taught to value efficiency (because obviously time is money), but the religion of efficiency comes to us from industrial revolution assembly lines with the goal of churning out the same product repeatedly with as little variation as possible. And that’s not the goal of design.

In this session, The Made Shop will share tips and tricks for Introducing friction, indecision, and waste into the design process; misspending time and energy; making things the hard way; un-automating simple procedures; and consistently producing downright inefficient design.

 

Saturday March 14

9:30–10:30am
The Evolution of the Web with CJ Gammon
The web has changed a lot in just the past few years and continues to grow in exciting ways. We have new devices and interaction paradigms as well as increasing expectations from users. In this session we’ll explore inspirational examples of where the web is headed and what new opportunities they provide and we’ll look at demos and techniques that allow us to take advantage of what we have today while looking to the possibilities of the future.

11:00am–noon
Going from Design to Code without Going Insane with Ryan Stewart & Sarah Hunt
Designing and coding for the web is complicated for designers and developers working together; designers have to produce designs for various screen sizes, developers have to turn those designs into code, and they have to finish as quickly as possible. We’ve all been there, done that, and felt the pain. But, help is here. Learn about new workflows for designers and developers to work better together. Learn how to share information from a PSD without needing to red-line or write a “spec” defining how to use layer comps for designing various screen sizes, and explore techniques for optimizing assets and code. While you might not be ready to kiss each other you’ll be going from PSD to code in a snap.

12:30–1:30pm
Story Structure Secrets with Christine Steele
Learn how to hook viewers with a compelling opening structure questions that engage the audience; identify when it’s time to move from one scene to another; and learn how the rules of three-act structure can be applied to films of any length. From shorts to features or documentaries, your film will benefit by applying classic techniques to create a strong story structure.

2:00–3:00pm
Make Social Media POP with Video with Dave Werner
One of the best ways to reach your customers is through social media and while words and pictures can be interesting, a sure-fire way to capture attention on social is with engaging video. If you’ve never made a video before, it can be overwhelming to figure out where to begin: How do you get your message across in a short amount of time and find the right balance of entertainment vs. information? How should you plan before you shoot to capture the best possible material to work with? How do you edit? And how do you decide where to post your videos? 
In this session you’ll learn how to create video content and give it a professional look and sound, with Adobe Premiere Clip on your iPhone or iPad, and how to share it on social media for maximum reach.

3:30–4:30pm
Promoting Your Creative Work on the Web with Roxanne Schwartz
Your online portfolio is one of the most important parts of promoting your creative career—but just how do you do that? It can be daunting to get started. As a community manager at Behance, the world’s largest creative portfolio platform with over four million members, Roxanne Schwartz has seen thousands of creative portfolios on the web; she’ll be sharing what works (and what doesn’t) when it comes to showcasing creative work online. Even non-designers can create a knockout online portfolio by following best-practices learned from top creatives. From guiding principles to the nitty-gritty details, this session will teach you the best way to promote your creative work online (on Behance and elsewhere) and expose it to the right people.

Join us for one, or all, of our Creative Camp sessions in Salon E at the JW Marriott on 110 E 2nd Street and be sure to be a part of the conversation on Twitter with #adobeSXSW.

10:22 AM Permalink

Adventures of Creative Kid: A Scavenger Hunt with Extract

Are you ready for a challenge? We’ve hidden five words in this PSD comp and your mission is to use Extract in Creative Cloud to find and make sense of them.

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Once you’ve found all five words in the PSD your next task is to arrange them into a phrase that you can add to the end of www.adobe.ly/—this is where you can enter your information and you might just WIN a year-long Creative Cloud subscription or some sweet Adobe swag which includes a full Creative Cloud pillow set, a TimBuk2 backpack crammed with goodies and more!

Don’t ruin it for others by sharing the URL. Remember, the fewer people who submit their information, the better odds you’ll WIN!

Helpful hints to get you started

You’ll know when you’ve found a word because the layer or folder name will be “CLUE.”

The various CLUES appear across the two layer comps. You can look through the two of these by using the dropdown menu in the top right corner:
Scavenger_2


You’ll find…

  • a clue hiding in an image
  • three clues hiding behind an image
  • a clue spelled out in bricks

Happy hunting!

A bit more about Extract…

In case you haven’t heard, Extract is a FREE feature in Creative Cloud Assets that helps you explore a PSD directly in your browser, including layers and layer compositions. Extract gives you all the info you need to turn your design into code:

  • Copy text and CSS
  • Get colors, gradients, and fonts
  • Measure distances between elements
  • Save production-ready image assets (SVG, JPG, PNG)

Learn more about the Extract family of tools.

NO PURCHASE NECESSARY. Enter by February 4, 2015. Must be 18+. For complete details, eligible countries, and promotional item descriptions see Official Rules. Void where prohibited. Originator: Adobe.

11:37 AM Permalink

Digital Imaging: More Two- and Three-Minute Tutorials

Just think… In the time it takes you to brush your teeth you can learn how to make your photos even more beautiful.

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If you’re new to photography and want to get started fixing and enhancing your photos, download trial versions of Adobe Photoshop Lightroom, Lightroom mobile, and Adobe Photoshop CC—Adobe products you get with the Creative Cloud Photography plan. If you’re already a Photography plan member, or have just downloaded the trial versions, check out this new batch of two- and three-minute tutorials, to jumpstart your photography.

 
PSJumpstart_2Why is my photo too light or dark?
Learn the underlying causes of overexposed and underexposed photographs, and how to compensate. (3 minutes)



PSJumpstart_3Transfer photos to computer
Learn how to import your photos into Photoshop Lightroom (3 minutes)



PSJumpstart_4How do I control what’s in focus?
Learn the basic mechanics of how to shoot a photograph with an emphasis on your main subject. (3 minutes)



PSJumpstart_5How do I shoot a sharp photo?
Learn how to eliminate camera shake and shoot a sharp photograph of a moving object. (3 minutes)



PSJumpstart_6Pick a subject, blur the rest
Learn how to blur specific portions of your photo to draw attention to a focal point. (2 minutes)



PSJumpstart_7Combine two photos
Adobe Photoshop Mix for easy composites. (2 minutes)



PSJumpstart_8Fix a photo’s color
Remove colorcasts from photos. (3 minutes)



PSJumpstart_9Create a Facebook cover photo
Turn your photos and images into custom covers for your Facebook page. (2 minutes)



PSJumpstart_10Correct part of a photo
Dodge, burn, and other fixes with the Adjustment brush. (3 minutes)



PSJumpstart_11Sharpen a blurry photo
Adjust a few Photoshop Lightroom Sharpness settings to produce crisp photos. (2 minutes)



PSJumpstart_12Turn a photo into a painting
Learn how to apply artistic filters in Photoshop CC to create hand-painted effects. (2 minutes)



PSJumpstart_13Publish to social media
Learn how to share your photos to social media directly from Photoshop Lightroom. (2 minutes)



Give it a try. Give your photos a professional look in no time with these two- and three-minute lessons.
 

11:50 AM Permalink

Adobe at Sundance Film Festival 2015

We’re at Sundance Film Festival 2015; check out what we’re up to:

A panel streaming LIVE: Blurring The Lines between Indie And Hollywood

On Friday January 23, Adobe will host a discussion on how technology is blurring the lines between indie and Hollywood filmmaking. Panelists include Rob Legato (Misery Loves Comedy, Sundance Film Festival 2015; The Wolf of Wall StreetHUGOAVATAR), Kyle Patrick Alvarez (The Stanford Prison Experiment, Sundance Film Festival 2015, C.O.G. Sundance Film Festival 2013, and Easier with Practice), and Dave Ginsberg, CTO of the Sundance Institute. Learn more and register for the LIVE streamed event: http://bit.ly/1tGTXNx

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A #SundanceSpotlight: Shining a light on the Sundance journey

Attendees are invited to create a quick video showing:

  • The moment you knew you wanted to be a filmmaker
  • What inspires you creatively
  • What brings you to Sundance

Include #SundanceSpotlight when sharing (publicly of course!) for a chance to be featured on Adobe social media channels. #SundanceSpotlight videos published from Adobe Premiere Clip may also be shown on special screens around Park City, and the in-app Community Feed.

The first 50 videos shared using #SundanceSpotlight will get a free 3-month Creative Cloud membership—so get started ASAP.

And films: Highlighting Adobe Creative Cloud workflows

Adobe is proud to report that 21 films debuting at Sundance Film Festival this year were edited with Adobe Premiere Pro CC. Find the complete list below & stay tuned for more blog posts and video interviews with these filmmakers during the festival.

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Misery Loves Comedy (Special Events)—Kevin Pollak, director; Kevin Pollak and John Varhous, screenwriters
Do you have to be miserable to be funny? Children cry, “Hey, look at me,” but who turns that into a profession? Over 50 funny people, like Tom Hanks, Larry David, Jimmy Fallon, Judd Apatow, and Amy Schumer share pain-filled insights from a life in pursuit of laughter. World Premiere. Cast: Tom Hanks, Larry David, Amy Schumer, Jimmy Fallon, Judd Apatow, Jim Gaffigan.

The Stanford Prison Experiment (US Dramatic Competition)—Kyle Patrick Alvarez, director; Tim Talbott, screenwriter
Based on the actual events that took place in 1971, when Stanford professor Dr. Philip Zimbardo created what became one of the most shocking and famous social experiments of all time. Cast: Billy Crudup, Ezra Miller, Michael Angarano, Tye Sheridan, Johnny Simmons, Olivia Thirlby.

Advantageous (US Dramatic Competition)—Jennifer Phang, director; Jacqueline Kim and Jennifer Phang, screenwriters
In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world. Cast: Jacqueline Kim, James Urbaniak, Freya Adams, Ken Jeong, Jennifer Ehle, Samantha Kim.

Being Evel (US Documentary Competition)—Daniel Junge, director
Millions know the man, but few know his story. Academy Award-winner Daniel Junge (Saving Face) and actor/producer Johnny Knoxville take a candid look at American daredevil and icon Robert “Evel” Knievel while reflecting on our voracious public appetite for heroes and spectacle.

Fresh Dressed (Documentary Premieres)—Sacha Jenkins, director
The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, Fresh Dressed is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.

Things of the Aimless Wanderer (New Frontier)—Kivu Ruhorahoza, director and screenwriter
A white man meets a black girl, then she disappears. The white man tries to understand what happened to her while also trying to finish a travelogue. Things of the Aimless Wanderer is a film about the sensitive topic of relations between “locals” and Westerners, and about paranoia, mistrust, and misunderstandings. Cast: Justin Mullikin, Grace Nikuze, Ramadhan Bizimana, Eliane Umuhire, Wesley Ruzibiza, Matt Ray Brown. World Premiere

Cop Car (Park City at Midnight)—Jon Watts, director; Christopher D. Ford and Jon Watts, screenwriters
Two ten-year-old boys steal an abandoned cop car. World Premiere. Cast: Kevin Bacon, James Freedson-Jackson, Hays Wellford, Shea Whigham, Camryn Manheim.

Short films

Every Day—Gabe Spitzer, director

Followers—Tim Marshall, director

Greenland—Oren Gerner, director

Hotel 22—Elizabeth Lo, director

Making it in America—Joris Debeij, director

OM Rider—Takeshi Murata, director

Palm Rot—Ryan Gillis, director

Papa Machette—Jonathan David Kane, director

Russian Roulette—Ben Aston, director

Symphony no. 42—Réka Bucsi, director

Storm hits jacket—Paul Cabon, director

The Sun Like a Big Dark Animal—Christina Felisgrau and Ronnie Rivera, directors

The Face of Ukraine: Casting Oksana Baiul—Kitty Green, director

The Collectors: Beekeeper—Steven Cantor, director
The Sundance Film Festival takes place January 22–February 1 in Park City, Utah. Check the Sundance Film Festival website for the schedule and theatre listings.

Learn more about the Pro Video Tools in Adobe Creative Cloud.

11:20 AM Permalink

Version 1.9—An Update for Creative Cloud for Desktop

We’re excited to announce the release of version 1.9 of Adobe Creative Cloud for desktop. It brings several new features and improvements that help you stay up-to-date and increase your productivity.

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Some key highlights of the release

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  • Creative Cloud for desktop now automatically detects and downloads any update available for Creative Cloud for desktop, so you no longer have to track and install updates manually. To enable auto-update, just select Always keep Creative Cloud for desktop up to date when installing an update. You can, at any time, enable or disable the auto-update setting from the General tab in the Preferences dialog for Creative Cloud for desktop.

 

  • Font syncing from Typekit is now enabled by default, so you will no longer need to Turn on Typekit to start syncing and using fonts in your favorite applications. If you need to turn syncing off, you can do this anytime from Preferences > Fonts in Creative Cloud desktop. For information about adding and managing Typekit fonts, see Add fonts from Typekit.
  • If you’re a Creative Cloud for enterprise customer, your employees will soon be able to sign in using their Federated ID with Single Sign-On support.

 

Also in the latest version of Creative Cloud for desktop

  • You can now sync files and fonts quickly and seamlessly even when switching Internet connections. For information about managing assets, see Browse, sync, and manage assets.

So, what are you waiting for? Install the latest update for Creative Cloud for desktop and take full advantage of the cool features and improvements we’ve made.

How to update

You’ll be prompted to update when you relaunch Creative Cloud for desktop. If you do not relaunch the app, you’ll get an update notification in 24 hours. Click Install Now to download and install the latest version, and then relaunch the app.

If you’re a new user and have not installed Creative Cloud for desktop yet, the latest version is available for download from Creative Cloud Download Center.

Check which version of the app you’re using

  1. Launch Creative Cloud for desktop, and sign in with your Adobe ID.
  2. Click the gear icon, and choose Preferences > General.
  3. Click the Account.

For the latest on Creative Cloud for desktop, see Adobe Creative Cloud blogs and Creative Cloud Learn & Support.

10:16 AM Permalink

An Adobe Inspire Webinar with Designer Maria Grønlund

Designer Maria Grønlund will demonstrate her I speak fluid colors technique on January 14 during the inaugural session of Adobe Inspire’s new webinar series Inspire: Artists at Work.

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With its new series, “Inspire: Artists at Work,” the Adobe Inspire team wanted to provide something a bit different from a typical online tutorial. We envisioned events that would not only give participants new skills and teach them new techniques, but also spark their creativity and inspire them to try new things. We wanted to provide an over-the-shoulder look at an artists’ creative processes, as well as a peek at their inspirations.

So we were thrilled when Danish graphic designer Maria Grønlund agreed to join us for our first event. We’re big fans of Maria’s beautiful abstract creations—she is well known for her work’s vibrant colors and for her innovative methods.

During the one-hour event on Wednesday, January 14 (at 10:00am PST/6:00pm GMT), Maria will be demonstrating and discussing (in a conversation with Adobe worldwide design evangelist Rufus Deuchler) the Adobe Illustrator CC and Photoshop CC  techniques she employed to create her I speak fluid colors series.

An image from Maria Grønlund's I speak fluid color series was used as the visual identity for Adobe MAX 2014.

An image from Maria Grønlund’s I speak fluid color series was used as the visual identity for Adobe MAX 2014.

“I fell in love with Maria’s red, orange, and blue version of I speak fluid colors,” says Adobe creative director Kashka Pregowska-Czerw. “Very imaginative, great composition, and so visually appealing. I thought it was a perfect fit for Adobe MAX. The idea that it was digitally created from scratch was a nice bonus. I think our attendees agreed.”

Maria bases her images on organic shapes such as flowers, smoke, and ink suspended in water. She says, “These are digital drawings developed primarily for aesthetics. It’s a study in colors and Illustrator CC techniques…in principle, there’s no right or wrong way to interpret the drawings. It’s a bit like watching the clouds and finding rabbits and sheep in the shapes—though [they are] created with the intention of evoking a positive and light feel.”

The process by which Maria creates these images begins with an outline in Illustrator CC (based on a shape found in nature or even a simple doodle); she then employs blend shapes, gradients, and other Illustrator tools. The results are surprising forms with a 3D look.

MariaG_3

Formerly a classical musician, Maria made the switch to graphic design when she was in her mid-30s and describes herself as a self-taught designer. She has a unique approach to learning new software and has said that she simply sets herself the task of learning one tool each day. In that way, she wrote in a recent blog post, she “has no expectations as to what the outcome might be or what the tools are supposed to produce. The work method is pretty much driven by curiosity.”

Terri Stone, Adobe Inspire’s content director, explains, “Illustrator CC is a complex, powerful application, and that can be a little intimidating. But if we approach it like Maria—with a sense of curiosity, not fear—we’ll get unique results and a deeper understanding of the possibilities.”

We hope anyone with an interest in Illustrator CC will join Maria and Rufus for this inspiring hour. Register now for the free January 14 webinar.
 
Don’t worry if you can’t join us live on January 14; we’ll be posting a recording of the event on inspire.adobe.com (sign up for our free newsletter to stay informed about upcoming events).

12:22 PM Permalink

The 4K Production Workflow of Nippon Television Network

Japanese broadcaster, Nippon Television Network, implements a cost-effective solution based on Adobe Creative Cloud to create a dynamic and efficient workflow for ultra-high definition 4K broadcasts.

Nippon_1

When the first 4K channel in Japan, Channel 4K, began test broadcasts, it started by airing live musical performances, travelogues, and sports broadcasts provided for free by members of the Next Generation Television & Broadcasting Promotion Forum. Since then, broadcasters have started to produce their own 4K programming , but the equipment remains costly. In addition, transcoding and outputting programs takes a great deal of time.

Originally a format developed for feature-length films, 4K was not intended for television programming where high volume production is valued. To begin introducing original 4K content in the broadcast space, Nippon Television Network Corporation (Nippon TV) developed a 4K programming production workflow using Adobe Creative Cloud for enterprise.

The benefits of enterprise licenses

Since 1953, when Nippon TV became the first commercial television broadcaster in Japan, Nippon TV has entertained audiences with excellent programming, from professional sports to scripted dramas. Nippon TV first deployed Adobe Creative Cloud for 4K productions in the technical operations department of the engineering & technology division. This department handles a wide variety of operations, including CG, data broadcasts, media conversion, and remote subsystems. The department’s office space is filled with computers—some loaded with Autodesk Softimage to create CG infographics, while others are used to develop other graphics displayed within programs.

Nippon_2

When deciding between teams or enterprise licensing, the technical operations department chose to work with Creative Cloud for enterprise. “For security reasons, our work computers are not connected to the Internet so the enterprise license was a better fit for us,” says Ayato Fujii, CG designer for the technical operations department, engineering & technology division. “Adobe Creative Cloud for enterprise includes all of the design tools we need: Adobe Photoshop CC, Illustrator CC, and After Effects CC.”

“We have always used Adobe creative software, and now Adobe Creative Cloud for enterprise offers us a cost- effective way to provide everyone with the applications they need,” adds Toru Fujihara, associate managing director of the technical operations department, engineering & technology division. Yasuo Tsutsumi, CG designer in the graphic design department at the Nippon Television Art Media Design Center adds, “With Adobe Creative Cloud, we can install a full range of creative software onto all of our designers’ computers, which has everyone very excited.”

Developing high-quality 4K content

The technical operations department deployed Creative Cloud for enterprise on the workstations of all designers. The Creative Cloud implementation provided an opportunity to also switch from EDIUS editing systems to Adobe Premiere Pro CC to reduce costs, add integration with After Effects CC, and support the Grass Valley HQ/HQX codecs. “We do a great deal of CG work for our TV broadcasts,” says Fujii. “By using the Grass Valley HQ codec with Adobe Premiere Pro CC, we can attach 4K monitors to our work computers to create true 4K machines that leverage Adobe’s support for cutting-edge hardware and standards.”

Designing a new environment

One of the first 4K programs Fujihara worked to develop for Nippon TV using Creative Cloud was a video art exhibit across three 4k screens recreating the famous stone garden at Ryoanji Temple in Kyoto. The video was displayed in the “Kyoto from Inside and Outside: Scenes on Panels and Folding Screens” special exhibit at Tokyo National Museum. Nippon TV designers used Premiere Pro, After Effects, and Photoshop CC to pull the footage together and give visitors a taste of Ryoanji Temple across four seasons.

Four Seasons of the Ryoanji Temple Rock Garden in 4K, from the special exhibition, “Kyoto from Inside and Outside: Scenes on Panels and Folding Screens."

Four Seasons of the Ryoanji Temple Rock Garden in 4K, from the special exhibition, “Kyoto from Inside and Outside: Scenes on Panels and Folding Screens.”

Shooting at Ryoanji Temple started one year before the exhibition. At the time, Nippon TV did not have an environment that could view 4K footage so the team decided to implement a turnkey system that supported 4K in native resolution. One of the deciding factors for the system was that it also needed to support 60 frames per second.

“We produced the Ryoanji Temple footage in 30p, so there was no need for 60p support for that project,” says Fujihara. “However, we knew that we would need 60p support for future broadcasts that may involve fast motion, such as sports programming. By deploying Creative Cloud on Windows workstations loaded with Epoch 4K Supernova cards from BlueFish, we achieved a system similar to turnkey systems.”

Pitching live baseball broadcasts

Another project driven by Nippon TV was a broadcast of the October 2013 professional baseball match between the Yomiuri Giants and the Yakult Swallows in Tokyo Dome recorded using four 4K cameras and one high-speed camera. Unlike other types of content, baseball broadcasts fill a very long slot in the schedule.

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First, Nippon TV shot the action in Tokyo Dome using five cameras, four of which recorded in SR-Lite mode on Sony’s Simple Studio Profile (SStP) codec. Next, the team edited the 4K footage on the Premiere Pro CC timeline and exported the final program in XAVC format. “When we started on our programs, Premiere Pro CC was one of the only applications that could output in XAVC format,” says Fujihara. “We knew we wanted to use XAVC output from the start, but being able to use Premiere Pro CC through final delivery really helped our workflow. We could not have produced the two 4K videos without Premiere Pro CC.”

Fujii concludes, “From a creator’s point of view, it’s a chance we couldn’t pass up. We’re glad to have Adobe Creative Cloud for enterprise to help us continue to push the creativity limits of our production broadcasts.”

Read the Nippon Television Network case study.

9:59 AM Permalink

At Sundance Film Festival ’15, A 130% Increase in Films Edited with Adobe Premiere Pro CC

Adobe is proud to report that 21 films debuting at Sundance Film Festival 2015 were cut with Adobe Premiere Pro CC, more than doubling the number of films, edited on Premiere Pro CC, at last year’s festival.

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A hub of creativity, Sundance Film Festival features filmmakers who aren’t afraid to break new ground. While much attention is paid to how the stories unfold in front of the camera, filmmakers continue to innovate and push creative boundaries after filming wraps. The seamless integration with Adobe After Effects CC—as well as the native editing, speed, and affordability of Premiere Pro CC—make it an ideal choice for both up-and-coming and experienced filmmakers.

“There’s been such a change in terms of how Premiere Pro CC is perceived between when I cut C.O.G. on it in 2012 and today,” says Kyle Patrick Alvarez, whose film The Stanford Prison Experiment will premiere at the festival. “It’s exciting to see that change. It was alien to cut on Adobe Premiere Pro CC two years ago, but today it’s fairly commonplace.”

Bill Roberts, senior director of product management for video at Adobe, applauds the filmmakers who’ve put in the hard work to make it to Sundance. “We are thrilled to provide tools that independent filmmakers use to bring their stories to the screen,” he says. “Adobe is committed to providing filmmakers with a tightly integrated set of creative tools that offer the most productive workflow regardless of how big or small their production budget is.”

Additionally, Adobe will be hosting a panel at the Sundance Film Festival discussing how technology is blurring the lines between indie and Hollywood filmmaking. The panel features Rob Legato (Misery Loves Comedy, Sundance Film Festival 2015, The Wolf of Wall Street, HUGO, AVATAR) and Kyle Patrick Alvarez (The Stanford Prison Experiment, Sundance Film Festival 2015, C.O.G., Sundance Film Festival 2013, and Easier with Practice). Learn more about the panel and register to watch it streamed live online.

Below is a list of the films edited with Adobe Premiere Pro CC that will premiere in Park City. During the lead up to the festival, we’ll be talking with many of the films’ directors and editors to learn about their projects and the role Adobe software played in bringing them to the big screen.

Misery Loves Comedy (Special Events)—Kevin Pollak, director; Kevin Pollak and John Varhous, screenwriters
Do you have to be miserable to be funny? Children cry, “Hey, look at me,” but who turns that into a profession? Over 50 funny people, like Tom Hanks, Larry David, Jimmy Fallon, Judd Apatow, and Amy Schumer share pain-filled insights from a life in pursuit of laughter. World Premiere. Cast: Tom Hanks, Larry David, Amy Schumer, Jimmy Fallon, Judd Apatow, Jim Gaffigan.

The Stanford Prison Experiment (US Dramatic Competition)—Kyle Patrick Alvarez, director; Tim Talbott, screenwriter
Based on the actual events that took place in 1971, when Stanford professor Dr. Philip Zimbardo created what became one of the most shocking and famous social experiments of all time. Cast: Billy Crudup, Ezra Miller, Michael Angarano, Tye Sheridan, Johnny Simmons, Olivia Thirlby.

Advantageous (US Dramatic Competition)—Jennifer Phang, director; Jacqueline Kim and Jennifer Phang, screenwriters
In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world. Cast: Jacqueline Kim, James Urbaniak, Freya Adams, Ken Jeong, Jennifer Ehle, Samantha Kim.

Being Evel (US Documentary Competition)—Daniel Junge, director
Millions know the man, but few know his story. Academy Award-winner Daniel Junge (Saving Face) and actor/producer Johnny Knoxville take a candid look at American daredevil and icon Robert “Evel” Knievel while reflecting on our voracious public appetite for heroes and spectacle.

Fresh Dressed (Documentary Premieres)—Sacha Jenkins, director
The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, Fresh Dressed is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.

Things of the Aimless Wanderer (New Frontier)—Kivu Ruhorahoza, director and screenwriter
A white man meets a black girl, then she disappears. The white man tries to understand what happened to her while also trying to finish a travelogue. Things of the Aimless Wanderer is a film about the sensitive topic of relations between “locals” and Westerners, and about paranoia, mistrust, and misunderstandings. Cast: Justin Mullikin, Grace Nikuze, Ramadhan Bizimana, Eliane Umuhire, Wesley Ruzibiza, Matt Ray Brown. World Premiere

Cop Car (Park City at Midnight)—Jon Watts, director; Christopher D. Ford and Jon Watts, screenwriters
Two ten-year-old boys steal an abandoned cop car. World Premiere. Cast: Kevin Bacon, James Freedson-Jackson, Hays Wellford, Shea Whigham, Camryn Manheim.

Short films

Every Day—Gabe Spitzer, director

Followers—Tim Marshall, director

Greenland—Oren Gerner, director

Hotel 22—Elizabeth Lo, director

Making it in America—Joris Debeij, director

OM Rider—Takeshi Murata, director

Palm Rot—Ryan Gillis, director

Papa Machette—Jonathan David Kane, director

Russian Roulette—Ben Aston, director

Symphony no. 42—Réka Bucsi, director

Storm hits jacket—Paul Cabon, director

The Sun Like a Big Dark Animal—Christina Felisgrau and Ronnie Rivera, directors

The Face of Ukraine: Casting Oksana Baiul—Kitty Green, director

The Collectors: Beekeeper—Steven Cantor, director

 
The Sundance Film Festival takes place January 22–February 1 in Park City, Utah. Check the Sundance Film Festival website for the schedule and theatre listings.

Learn more about the Pro Video Tools in Adobe Creative Cloud.

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What’s your creative fortune for 2015?

Under the pretense of a brand new year, many of us set lofty goals, make resolutions and, well, hope for the best. This year, we’re taking the easy route to figuring out what lies ahead. And you can too.

FortuneTeller_1

In good humor, with the help of clever design, and a dash of pure luck, we’re throwing reason out the window and claiming we can help predict your creative future with this neat printable fortune teller.

So, please, ignore your better judgment, print this PDF and see what 2015 has in store for you. While you’re at it, why not tell the fortune of a colleague too? In no time, you’ll be the office soothsayer.

 

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