The SXSW Film Conference & Festival is an opportunity for creative professionals to experience the latest and greatest of what up-and-coming filmmakers have to offer. Many of the films featured at this year’s festival were touched in some way by Adobe creative software; for editing, visual effects, title treatments, and even posters, it plays a critical role in helping filmmakers realize their visions. Six films that SXSW attendees can experience during their time in Austin, Texas:
Named one of Filmmaker Magazine’s 25 New Faces of Independent Film 2013, Iva Radivojevic’s first documentary feature premieres at SXSW 2014 on Tuesday, March 11. Radivojevic was born in Yugoslavia and moved to Cyprus with her family to escape the war. When she was eighteen, she came to the United States and has resided in New York City for the past fifteen years. She returned to Cyprus to film her first feature-length film, Evaporating Borders, a five-part visual essay/feature film that explores topics of migration, tolerance, identity, and belonging. The film first premiered at the International Film Festival Rotterdam in January and is now poised to impress at SXSW in the “Visions” category.
Co-directors Jason Sussberg and David Alvarado met in Stanford University’s Documentary Film and Video program. They worked on a few projects together and soon realized that they shared an interest in science and technology. After graduating with MFAs, they collaborated to make the documentary film The Immortalists about two scientists working to discover a cure for aging. Initially edited with Final Cut Pro, the team switched to Adobe Creative Cloud and Adobe Premiere Pro CC mid-production. The Immortalists premiered on Saturday, March 8.
Directors Travis Rummel and Ben Knight have been making films together for ten years. After starting out as still photographers with no real working knowledge of how to make films, they were inspired to try filmmaking after attending Telluride’s Mountain Film Festival. Their first short film about fly fishing and water rights focused on the Black Canyon of Colorado’s Gunnison River and was accepted into the festival. Since then, the duo has made several films together, the most recent of which premiered at SXSW 2014 on Monday, March 10. Edited with an all-Adobe workflow, DamNation is a documentary about dam removal in the United States.
Premiering at SXSW 2014, Joel Potrykus’s film Buzzard intentionally doesn’t fit a particular genre. A follow-up to his first film, Ape, the movie tracks a deadbeat check scammer through Detroit and is chock full of 1980s references—chugging Mountain Dew, Nintendo jokes, and heavy metal music. Brandon Bowman joined the production by chance, and shares his first experience working on a feature film and editing with Adobe Premiere Pro CC. Buzzard premiered at SXSW 2015 on Saturday, March 8.
Since 2009, Rob Bralver and Jeff Broadway of Gatling Pictures have worked together on documentary films that tell stories of social importance. Their latest project, OUR VINYL WEIGHS A TON (THIS IS STONES THROW RECORDS), explores the history of Stones Throw Records, a record label committed to independence and artistic freedom. The film—featuring interviews with Kanye West, Snoop Dogg, Common, Questlove, Talib Kweli, Mike D (The Beastie Boys), and Tyler the Creator—premiered at the Los Angeles Film Festival in June 2013 and screened at SXSW 2014 on March 7.
Jeffrey Radice got into filmmaking in a non-traditional way. He was working in IT and making a decent income when friends asked him to fund their moviemaking efforts. After producing two consecutive short films at the Sundance Film Festival, he decided to jump in and try his hand at directing. Ten years later, Radice found himself back at Sundance for his directorial debut with the feature film No No: A Dockumentary. On Saturday, March 8 the film opened at SXSW 2014 in the “Festival Favorites” category and as part of the inaugural “SXsports.”