Adobe Systems Incorporated

Gone Girl Marks Yet Another Milestone for Adobe Premiere Pro CC

David Fincher crafts a thriller with a talented team of artists and Adobe Premiere Pro CC.

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If the first film review in Variety is any indication, Director David Fincher’s film adaptation of Gillian Flynn’s bestselling novel Gone Girl will be well worth the price of admission. Many filmgoers will see the movie because they like the actors, the genre, or because they’ve read the book. Many others will go because they love Fincher’s vigorous storytelling, his impeccable pacing, and his striking visual style.

Whether the audience is conscious of it or not, it is Fincher’s careful structuring of narrative and imagery that makes his films so powerful. Gone Girl is the first Hollywood feature-length film cut entirely in Adobe Premiere Pro CC.

Fincher is a director known for pushing technology to the edge. To help realize his ambitious vision for Gone Girl, he shot the film with a RED Dragon camera in 6K and assembled a top-notch post-production team. Two-time Academy Award winner Kirk Baxter, ACE, edited the film with help from an editorial department that included Tyler Nelson, his long-time assistant editor. Peter Mavromates worked as post-production supervisor, while Jeff Brue of Open Drives was the post-production engineer. Fincher had worked with the group before, but the decision to use an integrated Adobe workflow with Adobe Premiere Pro CC at the hub, was a first for the tech-savvy director.

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After successfully cutting a Calvin Klein commercial with Premiere Pro CC, the team set out to determine what it would take to support the demands of a two-and-a-half hour feature film using the same Adobe workflow. Brue was tasked with designing the storage system that would enable Premiere Pro  to work smoothly within a demanding 6K production pipeline.

“Our goal was to get as many iterations as possible of the opticals and visual effects in a given period of time to make the story as strong as we could,” explains Brue. “The ask was for nothing less than perfection, which pushed us to do better. When it came down to it, Adobe Premiere Pro CC was faster than anything else in the market. That speed meant more iterations, more time to work on a shot, and more time to perfect an edit.”


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Having worked on previous Fincher projects, Mavromates comfortably assumed the role of managing the pipeline, helping determine the post-production goals, and guiding the visual effects work. With a plan in place, Baxter got started on the edit, working closely with Fincher and relying on Nelson and others on the editorial team to navigate the technicalities of working on such a cutting-edge pipeline.

“Working with the Adobe engineers was probably the best development experience I’ve ever had,” says Nelson. “Everybody was in tune with what was going on and we always had this amazingly collaborative environment. It wasn’t just about making our movie the best movie it could be, we wanted to make every movie cut on Premiere Pro in the future the best movie it could be.”

Fincher shot in 6K with multiple takes, giving the team plenty of material to work with. With a gift for bringing out the best in everyone on a project, it would be easy to assume that the film is comprised of only “perfect takes.” In fact, 80% of the shots were enhanced in some way, from reframing and stabilization to split-screening to remove an extra breath.

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The result, after a lot of meticulous detail work, is a film where every shot seems flawless. As the Variety review says, “…editor Kirk Baxter cuts the picture to within an inch of its life while still allowing individual scenes and the overall structure to breathe…”

“On every film we face the challenge of reducing the screen time without losing content,” says Baxter. “If we don’t have to cut out lines, but instead remove time from a scene by making invisible edits, that’s a win. The way David overshoots the frame in his films allows me to edit within the shot, then I throw it to the guys to sew together in After Effects, make it spotless, and stabilize the shot. That way David can judge the shots by the performance and delivery, rather than making comments on the technical aspects.”

Much of the visual effects work was done in-house, which allowed the team to work iteratively, in parallel with the editing. For example, Baxter could edit in Premiere Pro while others worked on shots in After Effects. The saved compositions would automatically update in Baxter’s timeline thanks to Adobe Dynamic Link. This integrated and interactive workflow kept shots looking cleaner and eliminated distracting back-and-forth discussions so the entire team could focus on the story as it took shape in the edit bay. This streamlined workflow was one of the main advantages for “Team Fincher.”

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“On Gone Girl we managed to do a huge number of effects shots, probably more than 200, in house thanks to the tight integration between Premiere Pro and After Effects,” says Mavromates. “I don’t think the average viewer will think of Gone Girl as a visual effects movie. However, when you look closely at David’s movies he is playing little visual tricks and we are doing brass polishing on a significant number of shots.”

This talented group of self-described perfectionists, supported by a gifted and driven post-production team, put the Adobe video workflow through its most rigorous use case to date with great success. Now, with the hard work behind them, they can sit back and watch their months of work unfold for theater audiences around the world.

Check the Adobe Premiere Pro blog next week for in-depth interviews with Kirk Baxter, Tyler Nelson, Peter Mavromates, and Jeff Brue about their work on Gone Girl.

Learn more about Adobe Creative Cloud.

11:09 AM Permalink

Creative Cloud Learn’s Enhanced Search Pilot

Find the right tutorial. Faster.

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We’ve got almost 1,000 Creative Cloud app tutorials. Until now, they’ve been difficult to find. This summer, the Learn team built a completely new tutorial search experience to help you get what you need faster. Today we’re excited to announce a complete redesign of tutorial search.

Search that’s easy to get to from every tutorial page

Our search results have been totally redesigned to help you decide which tutorial works the best for you. On the results page you’ll find a whole new look.

Each search result includes:

  • Tutorial description
  • Tutorial type (video, text, hands-on, game)
  • Duration (length of the tutorial or time to complete a hands-on project)
  • Apps covered
  • User level

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There are also new filters to refine searches:

  • App search defaults. Based on the product page you came from; apps can be added, changed, or removed.
  • New features. Looking for recent app changes? Filter for the latest updates.
  • Level. Look for tutorials that match your experience.

What if you can’t find what you’re looking for?

Don’t despair. This new search index only includes the tutorials. We’ve got thousands of help and troubleshooting articles in our main search index. If tutorials aren’t the Learn/Help content you’re looking for, there’s always the ability to access global search from the main Learn & Support page.

We plan to expand this new experience in the future to include all Learn & Support content. In the meantime, let us know what you like, what you don’t like, and what you think.

10:23 AM Permalink

Expanding A Creative Portfolio

Creative production agency Wellcom Worldwide accesses more applications and regular software updates with Adobe Creative Cloud for enterprise.

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Leading creative content creation

Wellcom Worldwide is a leading global production agency, servicing clients with quality creative and innovative technology that make meaningful connections between brands and their customers. The company’s services include graphic design and cross-media adaptations, 3D and 2D illustration, photography and creative retouching, online and digital services, TVC production, video and animation, pre-media, image and asset libraries, and online workflow processes.

The company has transformed from a relatively small private company with 12 employees in 2000 to a global entity supported by a talented team of approximately 430 staff in 2014 with offices in Melbourne, Sydney, Adelaide, Auckland, Singapore, Kuala Lumpur, London, Los Angeles, Columbus, and New York. Wellcom strives to be a leader in the creation and distribution of content quickly and easily in any part of the world and uses Creative Cloud for enterprise to support its vision.

A simple transition for global workforce

The switch to Adobe Creative Cloud for enterprise was a natural progression for Wellcom. The company has used Adobe products to create its content since the early days of Adobe Illustrator and Photoshop, and has always paid attention when Adobe introduces new solutions. Today, Wellcom uses Adobe Premiere Pro CC and After Effects CC for video production, produces all page content with Adobe InDesign CC, and uses Adobe Illustrator CC for packaging design. Adobe Photoshop CC remains the primary application for retouching, adjusting color, and image editing.

While the creative products have always worked well, to control costs the company typically limited the number of products it purchased. When Adobe Creative Cloud was introduced, the additional benefits and access to the full collection of applications was very appealing. Based on the ability to more easily manage licenses and receive regular updates to Adobe products, the company made the decision to transfer its existing enterprise licenses to Adobe Creative Cloud for enterprise.

“Adobe Creative Cloud was really too good to ignore, and it was a seamless transition to switch our existing licenses to Creative Cloud for enterprise,” says Shaun Gray, information technology, product and customer support manager at Wellcom.

It was a simple transition, managed internally with minimal disruption to the business. Wellcom purchased 450 seats across its international offices and has access to many more applications that it hadn’t traditionally used, such as Adobe Edge Animate CC for creating animated banners and Adobe Muse CC for designing websites.

Expanding skills with new tools

Since making the switch, Wellcom has enjoyed the additional benefits that Creative Cloud for enterprise offers. Using the Enterprise Dashboard, the company can more easily manage licenses, expand the number of seats as needed, and true-up on an annual basis.

“The significant difference with Adobe Creative Cloud for enterprise is how much simpler it is to manage our licenses,” says Gray. “We’re always on the hunt for acquisitions, and with Adobe Creative Cloud for enterprise we can easily add additional seats if and when we need them with a clear understanding of cost.”

The ability to pay an enterprise license fee for all of the applications in Creative Cloud gives Wellcom’s staff to access applications they have not traditionally used. By expanding their skills with new applications in Creative Cloud for enterprise and new technologies such as Adobe Digital Publishing Suite, the company is winning business in areas it didn’t previously support.

“We’re encouraging creativity through the exploration of alternate ways of creating content,” explains Gray. “With Adobe Creative Cloud for enterprise, staff can access the applications from a secondary computer at home to continue to build their skills, and then apply their new knowledge to professional projects.”

Wellcom is also taking advantage of the storage and file syncing capabilities in Creative Cloud. “Being able to store and sync files to Creative Cloud, combined with the large storage per seat, gives us a powerful tool that we didn’t have before.”

Increasing efficiency across devices

Adobe Creative Cloud for enterprise will continue to be a critical part of Wellcom’s business operations. The company uses the built-in Creative Cloud storage to enable employees to share and access content, such as imagery and photography, from anywhere on mobile devices. Designers also use applications in Creative Cloud to adapt traditional print content for viewing on tablets and smartphones.

“The ease of accessing content across devices using Adobe Creative Cloud for enterprise will be great for staff out of the office,” said Gray. “Adobe Creative Cloud is a critical part of our business and will continue to be the enabler of our creative content development.”

Read the Wellcom Worldwide case study.

11:51 AM Permalink

Surface Design: The Art of Jenean Morrison

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When we asked painter/illustrator/textile designer Jenean Morrison to join us at Adobe MAX this year as a MAX Insider, we knew that she’d been using our mobile drawing apps to supplement her drawing/doodling/sketching habit. We had no idea, however, how often she used them nor how prolific she is.

It’s a love affair that began this year, in late spring, when Jenean, a long-time Adobe Illustrator CC user, picked up an iPad Air, a stylus, and started using Adobe Ideas to sketch wherever and whenever the mood struck. She was hooked. The artist, as she’s mentioned on her blog, likes to start her mornings making art: “If I’m in the middle of a painting, I like to jump right into it first thing with a cup or two of coffee. If I’m not working on a painting, then I usually sketch or make some patterns—or both.”

From Ideas to Illustrator CC:

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By July, Jenean was “head over heels” about her newly adopted creative process and had added Adobe Line and Adobe Ink & Slide to her creative toolkit. She began experimenting more and more with the potential of the apps and has become particularly fond of Line. Although designed for precise drawing and drafting, Jenean appreciates “the organic results from loosely playing with shapes and color.”

Sketching on her iPad has become a daily occurrence that she attributes to being enamored with her new drawing tools. In a July 24 blog post she wrote, “It’s so interesting how sometimes new tools—be they apps, devices, or something as simple as a new paintbrush or pen—can inspire you to do new things with your art.”

Using Adobe Line along with Ink & Slide:

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Jenean continues to use Line’s in-app tools to experiment with drawing techniques—erasing work she’s already done or putting a lighter color on top of a darker one—that she “could never do on paper.”

And, appreciating the freedom that comes with designing on a mobile device, she’s begun creating versions of images that before now she’d created using Illustrator CC. Experimenting with various combinations of freehand drawing, Ink & Slide, and the drafting templates in Line, she gets a pleasant mix of freeform lines and digital details.

Jenean’s new way of working gives her patterns, designs, and geometric prints new dimension and a new look:

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Jenean wasn’t an early adopter of drawing digital on mobile; now it sounds as if she wishes she hadn’t waited so long… “I resisted buying an iPad for the longest time. I just didn’t see the need for it in my life. When I finally got one several months ago, I realized I’d been missing out on a whole new wonderful way of creating art! I had no idea how much I would enjoy this.”

See so much more of Jenean’s work on her Instagram along with occasional insights into her inspiration and her process:

"Watching The Great Gatsby—what a gorgeous movie! Here's a pattern I'm working on inspired by Daisy's scarf. #ipadsketch #adobeline #surfacedesign"

“Watching The Great Gatsby—what a gorgeous movie! Here’s a pattern I’m working on inspired by Daisy’s scarf. #ipadsketch #adobeline #surfacedesign”

"Creating a palette for my next #ipadsketch. This is how I start most of my sketches. Once I get the colors just right I erase the scribbles and start the design! #adobeline #surfacedesign"

“Creating a palette for my next #ipadsketch. This is how I start most of my sketches. Once I get the colors just right I erase the scribbles and start the design! #adobeline #surfacedesign”


This article was compiled from a series of posts on Jenean Morrison’s website and Instagram.

12:54 PM Permalink

The Technological Artistry of Obscura Digital

This creative technology studio designs high-impact displays and improves software management with Adobe Creative Cloud for teams.

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Investing in multidimensional experiences

Combining innovative technology with unique creative expression, Obscura Digital designs and develops immersive and interactive experiences for events worldwide. Unlike traditional digital agencies that focus on works for print or screen, Obscura specializes in interactive installations, engaging stage shows, and mapping video that turns nearly any surface—from an outdoor sculpture to an entire building—into a video screen.

“We focus on nontraditional mediums and work with people from a wide variety of backgrounds: musicians, artists, and technicians,” says Barry Threw, director of software at Obscura Digital.

For the grand re-opening of the San Francisco Exploratorium, a unique museum dedicated to science, art, and human perception, Obscura manufactured a series of miniature replicas of the building’s façade to capture unique video, including fluid dynamics, microorganisms, and living systems in high-definition, time-lapse video. At the opening, Obscura seamlessly mapped the video onto the front of the building.

The grand re-opening event for San Francisco's Exploratorium.

The grand re-opening event for San Francisco’s Exploratorium.

“When we work with such large canvases, we need to start with ultra-high resolution images,” notes Threw. “Adobe creative software is not only an industry standard, it efficiently handles high-resolution outputs when other software can’t.”

Obscura used Adobe Premiere Pro to create and quickly edit proxy footage, and switched to Adobe After Effects for color correction, transitional moments, speed ramping, and master outputs. Adobe Illustrator and Adobe Photoshop were used for template creation and image cleanup, while Adobe Bridge assisted with overall file management and metadata annotation.

Delivering agility

Obscura, part of the Society of Digital Agencies (SoDA) and an Adobe agency partner, recently purchased Creative Cloud for teams through Adobe.com. “We’ll often bring someone in on short notice to create or revise assets as client specifications shift,” says Threw. “With access to the full collection of creative apps, Adobe Creative Cloud for teams supports greater scalability and enables us to change creative direction or take work wherever it needs to go—something we couldn’t do as easily before and respond to client needs almost instantly, right in the field.”

Obscura Digital's mapped architectural projection stage set for the Beats Antique “A Thousand Faces."

Obscura Digital’s mapped architectural projection is part of a stage set for the Beats Antique “A Thousand Faces” tour.

Centralizing license management simplifies administration, making it easy for Obscura to redistribute licenses as they are needed for various projects. “With Adobe Creative Cloud for teams, we can manage licenses very easily through the Admin Console,” says Vlad Spears, a technologist at Obscura Digital. “We always know who has what software, so we can adjust assignments as needed across project teams and contractors.”

Creative Cloud for teams also puts users in charge of software updates and installations, further reducing the workload for IT. Since teams often work in the field to help bring exhibit installations to life, this easy-to-manage self-service model enables users to add secondary installations of the Creative Cloud apps to home computers or laptops.

Obscura Digital's elaborate projections illuminate the Sheikh Zayed Grand Mosque in Abu Dhabi.

Obscura Digital’s elaborate projections illuminate the Sheikh Zayed Grand Mosque in Abu Dhabi.

“If someone is working on the road and suddenly realizes that they need another application, they can use their existing Creative Cloud membership to install the applications themselves without IT scrambling to provide them additional installers or serial numbers,” says Spears. “The flexibility we have in managing licenses now with Adobe Creative Cloud for teams is light years better than what we were doing before.” Obscura plans to expand use of Creative Cloud for teams with more licenses purchased through Adobe.com.

“Our purchase of Adobe Creative Cloud for teams via Adobe.com was extremely smooth,” says Spears. “And, by working with our annual membership on a monthly basis, our finance group has a much easier time forecasting costs and building budgets. We are thrilled to be on this new path with Adobe.”

Read the Obscura Digital case study.

2:30 PM Permalink

CC Learn: Dreamweaver CC for Web Design

One of the best things about Creative Cloud is that members have access to new product features as soon as they’re developed. Adobe’s Creative Cloud Learn team makes sure Creative Cloud members have the knowledge they need to use them.

The team recently published a host of new hands-on tutorials and videos aimed at helping both novice and experienced web designers get the most out of the recently-released features in Adobe Dreamweaver CC. So there’s no reason not to start using the new features in Dreamweaver CC:

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How to use CSS in Dreamweaver
In this hands-on tutorial, learn the basics of Cascading Style Sheets (CSS), and what tools are available in Dreamweaver CC for applying CSS to add style to web pages.

Edit CSS properties visually
Use the visual CSS Designer panel in Dreamweaver CC to control the appearance of your HTML content.

Use Live Highlight and modernized Live View
Learn about Dreamweaver CC’s Live Highlight, CSS Designer, and how to edit and preview web pages with new Live View features.

Learn the user interface
Learn about the different panels, menu options, and editing views for creating web pages in Dreamweaver CC.

Learn how to develop responsive and mobile sites
Take the next step in web design by developing fully responsive sites and mobile apps with Dreamweaver CC.

Use Code View to edit web designs
Design web pages using the tools in Dreamweaver CC to write and manage code.

Create HTML5-compliant pages
Learn how to add HTML content with the visual tools in Dreamweaver CC.

Preview web designs
Learn about the different ways to test and preview web design projects.

Publish and manage websites
Learn how to publish and manage the websites you build.

And those are just a start. Check out the full list of Dreamweaver CC tutorials.

11:30 AM Permalink

Adobe Ideas: A Transformation

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Very soon, Adobe Ideas, our popular vector drawing app for iPad and iPhone, that’s been downloaded over 2.2 million times since May 2013, will be growing up and getting better. It’s a transformation that means a newer, more modern version of the full-featured drawing app that people have come to rely on.

Still free, and with the features designers and illustrators love
For everyone who loves Adobe Ideas: Don’t worry. Not only are we keeping the core drawing elements and everyone’s favorite controls and preferences, but the app will still be free.

Sign-up, sign-in and sync
What can you do to get ready? Take the time to create an Adobe ID, sign in with it, and sync your Adobe Ideas files to Creative Cloud. Adobe Ideas files synced to Creative Cloud can be grouped in folders for easy management and once Adobe Ideas is updated, the synced files will be migrated and re-grouped automatically. So, take a minute to sign-up, sign-in, and sync… because the new version of Adobe Ideas will be here before you know it.

We’ll be talking more the applications, services and tools in Creative Cloud at Adobe MAX. Join us October 4–8 in Los Angeles, California. In the meantime keep a listen on Adobe Drawing’s Facebook and Twitter pages.

11:52 AM Permalink

Adobe Theatre: Our Outstanding Lineup at IBC

Presentations by an impressive group of Adobe pro video users signal a promising event.

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This Friday, IBC 2014 will kick off in Amsterdam and Adobe will be there previewing the updates coming soon to Creative Cloud’s pro video tools. In addition to Adobe presentations on our video and audio applications, we’ll also have a five-day lineup of our top customers sharing their workflows, tips and tricks.

Pulling off the broadcast of the largest sports event on earth, The World Cup, is no small task. HBS will feature its workflow, its use of Creative Cloud, and the well-integrated partners used, like EVS, to produce this amazing event.

Swiss Radio and Television (SRF) gave us the chance to witness magic moments of incredible artistry and athleticism performed by the athletes competing at the Sochi Games. For video content, like their stunning Sochi opener, SRF used Adobe SpeedGrade CC to give content from different sources a uniform look, and switched to Adobe Premiere Pro CC as their main editing tool, which replaced Final Cut Pro. Simone Nucci and Simon Renfer share their incredible work starting the Sunday of IBC.

Red Bull is not just a brand that sells energy drinks—it is also a multi-platform media company that produces premium sports, culture, and lifestyle content with help from Creative Cloud and Premiere Pro CC. The well-known international brand has expanded into streaming video through Red Bull TV, an independent music label, and sponsored dozens of athletes, teams, and events. Red Bull Media House’s Andreas Gall, will share how the team users Creative Cloud to give the company the wings to connect people with the international Red Bull brand.

Veteran filmmaker Philip Bloom will share his unique approach to documentary filmmaking using Creative Cloud with Premiere Pro CC at the hub. His outspoken approach to low-budget video creation and whole-hearted embrace of social media has helped hobbyists as well as experienced professionals shoot better video.

The United Kingdom’s Karrot Animation has become a recognized industry leader, producing 2D-animated shows including the international hit Sarah & Duck. Karrot co-founder Jamie Badminton will be presenting the studio’s use of Creative Cloud in the making of the series.

Bryn Balcombe, technology director for London Live, will share how the new UK station’s broadcast and production infrastructure’s use of Creative Cloud supports the fast-paced production and distribution of standard-definition television over the air and high-definition television on any device.

ITV Studios shares how it has modernized its approach to broadcast productions and highlights its use of Adobe Story CC Plus and Premiere Pro CC through Creative Cloud to produce the UK’s well-known serial dramas, Coronation Street and Emmerdale.

With blockbuster films such as Godzilla, the Harry Potter franchise, and Life of Pi, and advertising campaigns for global brands including Samsung, Ikea, and Visa, you can see why MPC is one of the world’s leading visual effects and motion graphics studios. William MacNeil will feature the studio’s stunning work and explain how Creative Cloud is used to craft their most compelling visual experiences.

Ending the line up is one of our favorite game-developers and games, Angry Birds. Rovio animation director Jussi-Petteri Kemppainen and pipeline and tools developer Pauli Suuraho will share how they created the first season of Angry Birds Toons, which can be viewed on the company’s multiplatform video channel, ToonsTV. You’ll also see how they used Adobe After Effects CC and Photoshop CC to do 3D-like rigging to build one of the world’s must popular games.

If you’ll be attending IBC, check our Booth Schedule to see the presentations live, and stay tuned to the Pro Video playlist on the Adobe Creative Cloud YouTube channel (we’ll share the recorded video presentations in an upcoming blog post after the show ends).

Read more about the top new features and enhancements being revealed at IBC, and for more in-depth information, visit the product blogs for Premiere Pro CCAfter Effects CC, SpeedGrade CCPrelude CCMedia Encoder CCAudition CC, and Adobe Story.

11:28 AM Permalink

Explore: A New Way to Learn Creative Cloud Apps

Adobe’s Creative Cloud Learn (CCL) team has been hard at work improving the user experience of our tutorials to make it even easier to learn the apps in Creative Cloud.

Most Creative Cloud apps have their own landing page showing all of the tutorials in a single view, with topics organized to reflect a logical flow that matches how people will likely work with the features in that app.

New Explore pages provide at-a-glance views of our tutorials.

New explore pages provide at-a-glance views of our tutorials.

The core of our content is under the Learn Essentials tab, but if you’re new to the products, the Get Started section is a great place to start. If you’re an experienced user looking to extend your expertise, the Key Techniques section consists of more advanced topics and introduces workflows between Creative Cloud applications.

There are a few ways to access the tutorials: One way is to select the Menu option at the top of most any page on Adobe.com. In the overlay that appears, click See All at the top right of the Products tab to see a listing of Creative Cloud products. Find the product you’re interested in, then click Learn & Support; from there, check out the featured content, or click Show All Tutorials to reveal more links.

We provide a variety of learning types so you can watch, read, and even do some projects to enhance your knowledge of the tools in Creative Cloud.

Once you access the Explore pages, hover over any tutorial title to find out more about the learning approach (read, watch, do project, etc.), the apps that are covered in the tutorial, and a description of what will be taught.

Hover over a title to see the description, learning approach, and which apps are covered.

Hover over a title to see the description, learning approach, and which apps are covered.

The following screencast (no sound) provides a quick overview of how to find this content.

Once inside a specific tutorial, a similar navigation panel shows all the tutorial topics for that product; click Show All Tutorials to expand the listing of available titles.

Click "Show All Tutorials" from any tutorial page to see a list of tutorials for that product.

Click “Show All Tutorials” from any tutorial page to see a list of tutorials for that product.

Notice that the tutorial headings are on the left side of the Learn drawer and provide the main area for navigating between topics within a specific product.

Navigate tutorial topics by selecting the appropriate header on the left.

Navigate tutorial topics by selecting the appropriate header on the left.

Products with new landing pages have direct Learn & Support links on the pages (watch for more products to have this option in the future). Some of the direct links:

Check out the Creative Cloud Tutorials: Better Than Ever for more details on the latest tutorial offering. And, stay tuned in the coming months for improvements to the other products pages and to Creative Cloud’s overall learning experience.

12:14 PM Permalink

IBC 2014: What’s Coming Next to Creative Cloud for Video

Streamline video workflows with industry-leading integration

This month at IBC 2014 in Amsterdam, Adobe will preview the updates coming soon to Creative Cloud’s pro video applications. In a fast-moving industry, video pros need tools that keep them ahead of the curve, allowing them to work confidently with the latest hardware and camera formats. With regular updates, Creative Cloud meets that need, making everyday tasks faster and easier—and opens new creative possibilities with a little more Adobe magic.

  • Powerful media and project management—Take control of large projects with new features like Search bins, Consolidate & Transcode, and Multi-project workflows in Adobe Premiere Pro CC.
  • Support for cutting-edge technologies—Focus on the content with a refreshed user-interface across all of the video applications, including HiDPI support for Windows 8.1 and Mac Retina displays.
  • Streamlined workflows—Complete everyday tasks more efficiently, thanks to new tools and refinements, such as Curve adjustments and hover preview Looks in Adobe SpeedGrade CC.

After a successful run using Premiere Pro CC to edit David Fincher’s upcoming thriller Gone Girl, two-time Academy Award winner Kirk Baxter has made Premiere Pro CC the NLE of choice for his new company, EXILE. “I’m happy to see so many of the new features we asked Adobe for during Gone Girl in the upcoming release.” —Kirk Baxter, ACE

This post provides an overview of the upcoming video releases, including many of the top features and enhancements. For more in-depth information, visit the product blogs for Adobe Premiere Pro CC, Adobe After Effects CC, Adobe SpeedGrade CC, Adobe Prelude CC, Adobe Media Encoder CC, Adobe Audition CC, and Adobe Story Plus CC.

Updated user interface

All of the Creative Cloud video applications have been given gentle facelifts, using a more subtle color scheme and simplified UI elements.

“The first thing you’ll notice when you open them, is the cleaner look to all of the video apps,” said Bill Roberts, senior director of product management. “We’ve modernized and simplified the user interface so that it doesn’t compete with the content. The point is to allow video pros to focus more on their content, and less on the widgets.”

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In addition to the UI refinements, the video apps have all been updated to work with HiDPI displays, including Mac OSX and Windows 8.1 devices. “We foresee a day when video professionals will be creating and interacting with their content in a variety of ways across a variety of devices. Our goal is to support this transition as it evolves and this UI refresh lays the foundation for that,” added Roberts.

Adobe Premiere Pro CC

New Search bins allow users to automatically generate dynamic bins based on search criteria, including new Advanced Timeline Search capabilities. Search bins update as new content is added to a project, so users can keep projects organized, even as new footage is still coming in.

Consolidate & Transcode allows users to move all relevant files in projects and sequences to reduce the overall project size. Once the setting is selected in the Project Manager panel, all content is rendered into a single codec and a compact new project file is created.

Multi-project workflows allow editors to bring everything they need into one workspace. Users can open multiple Media Browser panels for easy access to as many projects as needed. The new Source Monitor Timeline view opens a second Timeline for media and sequences from other projects, making it easy to bring existing clips, edits, transitions, or graphics directly into your current project.

Premiere Pro CC now offers full support for reading and encoding GoPro CineForm, an easily managed, cross-platform intermediate codec, ideal for high resolution footage. And the Premiere Pro CC engineers keep finding ways to get more out of the GPU with native support for 4K, 5K, 6K (and higher) content, including new GPU-based deBayering for AJA RAW, Canon RAW, and Phantom Cine, as well as RED and Cinema DNG footage.

Existing features see some significant new capabilities, too, like enhanced Masking & Tracking, that enables users to adjust feathering directly in the Program Monitor, or use the free-draw polygon tool to create complex mask shapes. Use Render & Replace to speed up performance of VFX-heavy sequences by flattening After Effects CC compositions into video clips—and thanks to Dynamic Link, the original comps are always accessible if you need to make further changes. Improved Master Clip effects, Send to Audition, and AAF export to DAWs, are just a few other enhancements coming to Premiere Pro CC this Fall.

“This is a packed release for Premiere Pro CC with some really nice additions to existing features, but our big focus here was on creating easier workflows for large projects,” said Al Mooney, product manager for Premiere Pro CC. “Consolidate & Transcode, for example, is perfect for facilities who need to trim down large projects. It makes it easy to pass work on to other teams, or to archive editable projects which are still reasonably-sized.”

Adobe After Effects CC

The next release of After Effects CC offers an enhanced Live 3D Pipeline, adding Cineware 2.0 and CINEMA 4D R16 compatibility, so that artists can work faster and more easily with 3D elements in their compositions. Broadcasters and large facilities that use Adobe Anywhere for video will benefit from improved Anywhere collaboration to streamline remote workflows with version tracking and project sharing. In addition, the new version offers a number of usability refinements, such as more visible anchor points on layers, tracking behavior improvements, and more incremental improvements that make motion graphics and visual effects work easier and more efficient.

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“We’re really excited about where we’re going with After Effects CC” said Steve Forde, principal product manager. “A special highlight of our 2014 releases is the deeper integration with Premiere Pro CC and Anywhere for video. This is a great example of how we are streamlining workflows for motion graphics and visual effects artists—and enabling collaboration between teams.

Adobe SpeedGrade CC

The next release of SpeedGrade CC is focused squarely on the creative tools, including a significantly enhanced Looks workflow, Curve adjustments and awesome new Grading Layer Grouping capabilities.

Working with Looks in SpeedGrade CC has never been easier: Hover to preview Looks in the main image Monitor, and click to apply. Looks can be dragged into the grading layer stack where they will immediately appear as a new Grading Layer Group, making it easy to combine existing Looks and LUTs; just adjust the opacity of each group to get the result you want and… Voila! A real “Look mixer.” It’s also possible to create your own Grading Layer Groups, or copy and paste selected grading layers to apply them to new clips or save as new Looks.

SpeedGrade CC now offers Curve adjustments, including RGB curves familiar to Adobe Photoshop CC and Adobe Lightroom users, as well as Hue & Saturation curves, which allow you to boost or mute parts of the color spectrum. Use Curve grading layers on their own or in tandem with the other SpeedGrade CC color correction tools.

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Improvements to existing features include audio support for Premiere Pro CC projects in Direct Link, faster tracking, better Autosave, improved performance with masks, and Enhanced Mercury Transmit, providing 4K output for 4K monitors and new support for Blackmagic video cards.

Adobe Prelude CC

Log metadata while an event is unfolding in front of you. Use keyboard shortcuts on your laptop together with your custom tags to prepare content efficiently—and without typos. Deliver media that gives your editor a running start for a faster turnaround in post-production. Add In and Out points more efficiently and apply transitions across clips in the Rough Cut timeline. Replace, or augment, camera audio with new support for multiple audio tracks.

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Adobe Media Encoder CC

Render and deliver your work in one fell swoop with Destination Publishing: Add preset options for FTP sites, or your Creative Cloud folder. Send to multiple locations and track rendering and upload in the same panel. With new Watch Folder support for projects, you can automate transcoding of all of your project files at once by dragging Premiere Pro CC, After Effects CC, or Final Cut Pro XML projects into Watch Folders. Mux during encode for faster rendering of MPEG2 files with audio. Extended Match Source support now includes QuickTime and DNxHD formats.

Adobe Audition CC

Open virtually any video format, including RED, XDCAM, MXF, and others. Video files now load faster and play more smoothly. Minimize background noises while amplifying and leveling speech with a powerful new Target Dynamic Range parameter providing even better volume leveling for spoken content. Read and add notes to audio files with iXML metadata support, including information such as Scene, Take, or time code formats.

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Adobe Story Plus CC

Screenwriters and writing teams can now Customize text boxes so that notes and comments stand out. Fine tune production planning and assign numbers to camera shots to align with scene order.

Adobe Anywhere

Adobe Anywhere for video adds robust collaboration support for After Effects CC users and brings refinements to the Adobe Anywhere app for iPad, including new scrubbing gestures and sorting options. A new streaming API allows facilities and broadcasters to integrate content from Adobe Anywhere into a variety of user experiences on the web or mobile devices.

“We’re excited to be showing another strong release at IBC 2014,” said Bill Roberts. “Constant refinements across all of our applications mean we’re always improving the tools, integration, and collaboration. The demands on video pros keep growing and our efforts are empowering our users to deliver better work, faster and more efficiently than ever.”

Availability

These updates to the Creative Cloud video apps and Adobe Anywhere for video are expected to be available in the coming weeks.

We’ll share even more amazing innovation coming to Creative Cloud—across desktop, mobile, services and community—at Adobe MAX, The Creativity Conference, October 4–8 in Los Angeles. To be among the first to know when these and other Creative Cloud updates are available, follow Creative Cloud on Twitter and Facebook.

Visit the Creative Cloud video page for links and news from Adobe at IBC 2014 from September 12–17. And if you can’t make it to IBC, please join us for a special, live from Amsterdam, Ask a Video Pro session on Friday, September 12 at 10:00am PT (7:00pm CEST) when Jason Levine will introduce the new features coming to the CC video apps.

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