We’ll be welcoming designer Samantha Warren at our next Working Late event on Wednesday March 11—if you aren’t already signed up, there’s still time to grab a ticket from Eventbrite.
Samantha will be presenting “Mind the Gap: Becoming a better designer by owning your blind spots”; she was kind enough to spend some time answering a few of our questions about her work as she prepares for Wednesday’s talk.
Who are your mentors and what have you learned from them?
I don’t have “mentors” so much as I have a personal board of advisors. OK, that sounds too fancy, but I have a very talented husband who is a designer, and friends and family who are all brilliant and successful across many disciplines. I go to them for a lot. Make friends with those you look up to, because they will help you to be better.
Some things they’ve taught me:
- HTML and CSS
- To always have a good accountant
- To use Illustrator symbols for making wireframes faster
- And to never buy cheap tools or desk chairs.
Where do you find your inspiration for design?
Everywhere: history, fashion, culture, environment, books, and art.
Inspiration is less something you seek and more something you keep yourself open to receiving. It’s all around us, it’s just a matter of taking it and connecting it to something in our everyday work. Art and history are big ones for me. There are so many rich associations and feelings that have already been dug up and explored, and it’s just a matter of reinterpreting them in our everyday work.
Environments are also really strong inspirations for me, particularly in California where there is so much textural contrast in both rural and urban spaces. Just look at downtown San Francisco, with interesting visual juxtapositions that you can see just by walking down the street. There are beautifully-worn facades next to new and modern architecture, and signage and lettering that run the gamut of time periods… all of this nestled in a city that itself is juxtaposed against this fairytale backdrop with the blue-gray bay and the mountains of Marin. The geometric lines of the bridges set against the fog and the organic lines of Yerba Buena Island… there is just so much to be inspired by.
What was your favorite project to work on? Why?
It’s hard to have a favorite design project. Design projects are like children; they’re all special for different reasons. But there is one art project that stands out.
You know how some cities have community art projects? The city votes on a sculpture and local artists all get sponsored to paint versions of it differently and then they’re displayed around town. When I was in college I submitted and was selected to paint a Rockfish in Richmond, Virginia. My Rockfish was a beauty pageant winner with a sequined dress and a big pearl necklace. My entire family pitched in to help me with it. It was one of the most fun projects I’ve ever had the opportunity to work on, but it was a challenge. I had never worked with the fiberglass medium that the fish was made of, so I had to be flexible and resourceful in order to build up the lady parts that my fish needed to have. I had absolutely no idea what I was doing, and that made it all the more fun.
What’s your daily routine?
I’ve tried to develop a more disciplined routine, especially after reading Twyla Tharp’s book The Creative Habit, but then I don’t follow through; I like to have a “framework” for tackling the day:
- I wake up to my cat meowing in my face and pawing at my ear.
- Then I enjoy coffee and breakfast with my husband in our SF apartment (which is also my office).
- I scan Twitter for my daily design, animal parody, and world news.
- I try to do some sort of exercise or go for a walk or jog.
- And give myself a deadline to be at work by 9:00am.
My day is then usually mixed between calls, design, and other work-related activities. I may meet a friend or potential client for lunch or coffee and usually try and take another trip to the park. (I love the parks in San Francisco.) I also try and make time for at least one day a week at the ceramics studio, and one day a week for an outing at the beach, a museum, or a drive.
In anticipation of your Working Late talk, how about a teaser?
“The seed for your next art work lies embedded in the imperfections of your current piece.” —Art & Fear by David Bayles & Ted Orland
It will be a treat hearing more from Samantha next Wednesday. If you haven’t signed up already, claim your spot on Eventbrite.