Adobe Systems Incorporated

Revealing The Next Wave of Innovation in Pro Video Apps

Creative Cloud delivers the complete filmmaker’s toolkit at NAB 2014

Editing and video content creation workflows are about to get easier and more exciting, with major updates coming soon to Creative Cloud, bringing more Adobe magic, expanded support for cutting edge technologies, and an even more connected creative experience. At NAB 2014 Adobe will preview the next wave of innovation in pro video, including Adobe Premiere Pro CC, Adobe After Effects CC, Adobe Prelude CC, Adobe Audition CC, Adobe SpeedGrade CC, Adobe Story CC Plus, Adobe Media Encoder CC and Adobe Anywhere for video. (See what we have planned for NAB 2014.)

Creative Cloud delivers the tools you need to build the right pipeline for every project. Move content smoothly between applications and between users as you craft the final result.

Creative Cloud delivers the tools you need to build the right pipeline for every project. Move content smoothly between applications and between users as you craft the final result.

A more powerful NLE
The Adobe pro video applications already set the standard for integration, and the next wave adds even more interoperability. Two major new features in Premiere Pro leverage After Effects technologies to enable editors to do even more within their NLE. With Live Text templates, users can modify text in After Effects compositions without leaving Premiere Pro. Powerful new Masking and Tracking in Premiere Pro make it easy to add feathered masks that follow a subject through a shot which makes it a breeze to add an effect to a moving object, or to blur out faces or logos for the duration of a shot. Both features include support for Dynamic Link so clips with Live Text templates or Masking and Tracking data can be opened in After Effects for additional fine-tuning or additional animation.

With the new Master Clip effect feature, changes that are applied to a Master Clip ripple down to every part of that clip in a sequence—so there’s no need to copy and paste effects to each clip individually. The Premiere Pro update also offers a faster editing workflow with improved handling of large projects and accelerated sorting and searching in the Project panel, as well as enhanced graphics performance with support for a wider range of GPUs, including GPU debayering for RED media.

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“Premiere Pro offers industry-leading support for the latest file formats and hardware, so that today’s editors can handle almost anything you can throw at them, whether it’s 4K RAW material, or  footage from one of the new cameras, like the ALEXA AMIRA,” said Al Mooney, senior product manager. “And with all the new integrations between Premiere Pro and other Creative Cloud tools and services, editors have never had more creative power at their fingertips.’ (Watch this preview of the Premiere Pro update.)

A more connected After Effects
Along with the new Live Text Template and Masking and Tracking integration with Premiere Pro, After Effects artists will love the new keying effects for getting better results from compressed or poorly-shot blue- or green-screen footage with the new Key Cleaner effect, especially in conjunction with the new Spill Suppressor effect for controlling color spills.NAB3_KeyCleaner

The After Effects update also includes Kuler integration, so users can capture colors on an iPhone or in a browser and save them as color swatch themes, to use in motion graphics compositions, or as references for VFX work. In addition, Adobe Typekit integration provides access to over 700 fonts in the Typekit library, and the improved Media Browser makes it easy to navigate, including complex media types, such as P2 and XDCAM material.

“From high profile projects, like the The Walking Dead, to repairing shots in independent features, we’re seeing fantastic visual effects work being done in After Effects,” said Steve Forde, principal product manager. “Features like the new keying tools bring a little more of that Adobe magic into the workflow and allow artists to move through shots that much more easily.” (See the After Effects update preview video.)

The complete filmmaker’s toolkit
The new updates also offer a more flexible Direct Link color pipeline between Premiere Pro and SpeedGrade, the powerful grading application included with Creative Cloud.  The Direct Link integration now includes the ability to toggle the Lumetri effect on and off inside SpeedGrade and hide or show tracks or adjustment layers for an easier overview of complex timelines. The new Master Clip effect in Premiere Pro also works in SpeedGrade so grading adjustments applied to one part of a master clip automatically affect all the other parts of that clip on the timeline. With new broadcast standard scopes, including a new YUV Vectorscope, and more refined grading tools it’s never been easier to bring cinematic brilliance to video projects. (See what’s coming to SpeedGrade in this short video.)

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Adobe Audition, the Creative Cloud audio editing application, introduces support for Dolby Digital and Dolby Digital Plus, making it easier to create deliverables for broadcast, along with enhance multitrack and custom channelization, so users can create audio with as many channels as required. The new update to Adobe Prelude, the ingest and logging app, introduces a Tag Panel, an innovation that dramatically speeds up shot logging by allowing users to create color-coded tags that can be added to footage with a single click. Building rough cuts in Prelude gets a lot simpler, too, with drag-and-drop assembly, ripple trimming, and new keyboard shortcuts. (Watch the Audition overview video.)

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Adobe Story CC Plus, the scriptwriting and project planning app, now offers support for Live Entertainment workflows, allowing broadcasters to customize scripts for programs with music-driven scripting and camera movements. Along with support for a huge range of formats, the new Adobe Media Encoder update can create DCPs for playback on Digital Cinema systems, and AS-11 content packages for creating broadcast deliverables. New fault-tolerant rendering auto-heals red and black frame issues without holding up your render queue. (Check out this Media Encoder preview video.)

Open to working Anywhere
Adobe Anywhere for video is a collaborative workflow platform that empowers Premiere Pro, After Effects and Prelude users to work together using centralized media and assets across standard networks. Adobe Anywhere is a separate offering from Creative Cloud, but support for connecting to Adobe Anywhere is already built in for every seat of Premiere Pro and Prelude—as well as early access integration for After Effects. New features for the next Anywhere update include Hot Backup, providing real-time back up of the Collaboration Hub; Rough Cut Support, making it easier to start editing rough cuts in Prelude and finish sequences in Premiere Pro; and improved integration with After Effects which allows you to use Dynamic Link in Anywhere productions to place After Effects compositions in Premiere Pro sequences.

“We live in an incredible time with industries moving away from narrowly-defined roles to a much more dynamic, more connected creative process,” said Bill Roberts, senior director or product management. It’s no exaggeration to say that to make a film today, all you need is a camera, a laptop, and Creative Cloud.”

Creative Cloud for everyone
There is a Creative Cloud plan for everyone, including monthly or annual individual memberships, Creative Cloud for teams (ideal for small businesses because it makes it easy to add or remove seats depending on how many staff are involved with a project), enterprise and education.

To learn more about the next wave of innovation in Creative Cloud for video, register for our special online webinar Thursday, April 10, 2014.

Download our NAB 2014 What’s New PDF.
For news, highlights and interviews from NAB 2014, follow #TeamAdobe on Facebook and Twitter.
Sign up now for Creative Cloud membership and take advantage of special introductory pricing for Creative Suite owners.

COMMENTS

  • By Ben Schreiber - 1:00 AM on April 2, 2014  

    I have two questions:
    1) Will the AAF Export fixed so that it works with Pro Tools?
    2) Video output via SDI using AJA or Matrox cards seems to be limited to legal video levels. Will this be fixed?

    These two issues are really annoying – since years! :-(

    Thanks,
    Ben

  • By Shin Tsuda - 5:28 PM on April 2, 2014  

    Looks excited!

  • By steve - 2:44 PM on April 10, 2014  

    As I have been working with CS6 I have to say that I am less than thrilled. Constant lock ups and program bombs have continued to plague me. It is far worse with dynamic linking which has never worked and with every attempt caused a restart. Maybe the bugs have been worked out since they went to the cloud. A lot of promises were made on how great this series of programs worked together and non of them works for me.

    • By Sue Garibaldi - 11:45 AM on April 11, 2014  

      Hi Steve,

      I’m sorry to hear you’ve been having trouble. My advice would be to bring specific questions to the forums, where there are many helpful fellow users and Adobe staff. It might also be worth checking your hardware specs/ system requirements. Or, test out the Creative Cloud versions of your apps; you can try them free.

      Your tools should be running smoothly and allowing you to do creative work; I hope we can help get you back on track.

      Eric

  • By Jonathan - 9:28 PM on April 10, 2014  

    Sounds like some great stuff! But a little dissapointed that they are not reintroducing Encore this time around. I would really like to see Adobe bring back Encore for Creative Cloud so that way we could still create custom DVDs and Bluerays.

    • By Sue Garibaldi - 1:20 PM on April 11, 2014  

      Adobe stopped development of Encore after the CS6 version in order to focus our engineering resources on new technologies and deliverable formats.

      Since we recognize that some users still need to deliver physical media, Encore CS6 is still available to CC members. All CS6 applications are available to download from Creative Cloud, so Encore CS6 can be downloaded as well (it is also installed automatically when you install Premiere Pro CS6). Instructions for downloading Encore CS6 are available here. Premiere Pro CS6 integrates directly with Encore CS6, or you can use this workflow.

      We realize that when we discontinue support for a technology, someone is bound to be inconvenienced. I’m sorry about that! I would encourage you (or anyone) to submit a feature request, if you have a suggestion for how we can improve our tools.

      Eric