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Creative Spotlight: Will Suarez aka “HI Def Willy” on Creative Cloud

If you’ve visited the Creative Cloud Facebook page, then there’s a good chance you’ve seen the work of Will Suarez aka “HI Def Willy.” A believer in bringing cultural awareness and unity, he enjoys creating pieces that showcase people from various ethnic backgrounds and their unique characteristics.

Intrigued by his work, we connected with HI Def Willy on Facebook. We wanted to not only see more of Will’s work, but to also learn how Creative Cloud helps bring his innovative ideas to life.

Find out more about HI Def Willy’s style, learn how Creative Cloud has enables him to work more efficiently and more in the Q&A below.

Adobe: Describe a project you are currently working on or have completed with Creative Cloud.

Will: Recently I have been focusing on creating a series of fine art pieces combining illustrations, photography and analog techniques into digital formats to create surrealistic portraits .Using a matte gel transfer technique, I transfer high res images onto fine art paper, canvas or wood.

What was your inspiration behind the project?
During my long commutes around Texas for meetings and work, I find myself always meeting random people walking the city streets. I get inspired by the stories told, the way people view them and the myths that people create of them. I wanted to capture that and find a way to show those emotions in these pieces.

How has the Creative Cloud changed your creative workflow?
Using the Creative Cloud has changed the way I work dramatically. It definitely has simplified everything and makes it easy to keep organized. I can seamlessly access and save progress on projects and pick right up from where I left off on any of my other devices on the go.

What tools specific to Creative Cloud enable you to work more efficiently?
As a freelance graphic artist and being on the go most of the time, having all my files accessible to view, edit and share, sure come in handy. I utilize many of the Touch Apps . One of the more frequent one I use is Adobe Ideas. It allows me to start a vector sketch on the go and access through the Creative Cloud on my PC where I can then continue to edit and complete.

Describe your style of work in a few words.
Everything’s a work in progress… pushing the limits.

Fill in the blank: I couldn’t create without _________.
Music and life experiences

What advice would you give to an individual who is considering Creative Cloud?
If you are looking to grow and develop your style, you definitely need to look into it! Invest in your talent and gain access to utilize all the great tools that you get with Creative Cloud. Not only will you stay current on updates and gain access to many options, but it will definitely streamline your workflow. The allotted space is more than enough to be able to carry along with you a mobile studio. Creating couldn’t get much easier. Everything you need is right there whenever, wherever.

Anything Else?

Thank you Adobe for always putting out great products! I am excited to see what new apps and features will be added in the future! For all fellow graphic designers, artists, creators, and innovators, keep pushing your limits, get out of your comfort zone and explore, create, define your work. Putting your work out there for people to see and enjoy is what it is all about. Stay humble, pour your heart into what you do and don’t ever be afraid to take a leap of faith.

Be sure to follow HiDefWilly on Instagram, Twitter and “like” him on Facebook.

Ready to have your work featured for everyone to see? Share your work with us on Facebook, Twitter or in the comments below and you could be our next spotlight!

5:14 PM Permalink

Firewater’s A Little Revolution Music Video – The Making Of with Brian Yap

There’s no denying the fact that Brian Yap is one talented Adobe Touch Apps user. We’ve seen his Touch Apps projectssuch as the Grovemade iPhone/iPad Cases, his demo videos on Adobe TV , and we’re excited to bring you more of his great designs. This time around, Brian has lent his talents to the self-described “world punk” band Firewater for their recent music video titled “A Little Revolution.”

We chatted with Brian to learn how he utilized his favorite app, Adobe Ideas,  CS6 tools, and Creative Cloud in making of the music video. Check out our interview below and pick up some useful tips along the way.

Adobe: How did this opportunity to work on the Firewater music video project come about?
Brian Yap: Paul Griswold contacted me about working together for no reason other than seeing and liking my illustrations on an Adobe TV video – where I was using Adobe Ideas and talking about how it fit my style. We connected and talked a bit about wanting to collaborate on a fun project. Then, earlier this year, a friend of Paul’s and musical hero of mine, Todd A., contacted him in the hopes that he could get help creating a music video on a tight budget. The band was Firewater and the video was created for the first single off their new album.

Live footage was shot in Turkey and was mixed with animation built from illustrations I did on the tablet with Adobe Ideas and then fine-tuned in Illustrator. The pieces were then animated with After Effects, as well as other programs outside of Adobe.  Being able to work remotely made it possible for me to connect with these amazingly talented guys and get in on this project, without ever actually meeting them in person.

Talk us through your creative process. How did you approach this project?
I started by working with the team to come up with a bunch of visual concepts to illustrate. I began collecting references and sketching things out. The process was cool because I would feed Paul Griswold sheets of designs and pieces, and then when the test animations started, it lead to other ideas and concepts.

Usually, whenever someone tells you to just draw cool stuff, the first thing that happens is white paper freeze, but Firewater’s music and the tracks from the new album are so filled with energy and ideas that it was easy to get things flowing and get into it.

Tell us why Adobe Touch Apps, specifically Adobe Ideas, was an ideal tool to use for this task?
I was able to work while traveling with Ideas and the Creative Cloud and keep all the many pieces and designs organized. Being able to draw while traveling for another project, or get out of the office or studio and work on this project really kept me inspired. The vector-based quality of Ideas meant that the process of cleaning up a sketch to make it finished and the way I wanted was super fast and easy so I could explore a lot more pieces quickly and feel okay about not sending everything.

What was the inspiration behind the images you created?
All the inspiration for the work I contributed to the piece was from the song. The tone of the music, the energetic and upbeat sound, and the themes in the lyrics, all helped to lead everything from color to what I was drawing. The video footage shot in Turkey had a “dance number” skew/protest march. It helped inspire me to keep the illustrations meaningful but usable in a way that matched the tone of the song.

Speaking of music, how critical does music play in your creative process? What genre or music gets you in a creative mode?
I’m definitely an aging music nerd. Everything I do is inspired by the music I listen to and when possible, like this project, actually part of the work. Todd A and Firewater’s sound and big catalog were on constant repeat during this project, and I think I made some new fans for them around me because of it. A lot of time it’s hip hop, like Ghostface Killah. When I need to slow it down, like when I’m sketching or playing with concepts, I get into bands with a more songwriting, musical exploration type feel. Lately groups like Manouk, Manchester Orchestra, Black Rebel Motorcycle Club and instrumental outfits, like Red Sparowes, are as important to me working as the tools I use to draw.

What tips/suggestions do you have for creative individuals thinking about getting into Adobe Ideas?
The pinch and zoom allows you to work with an almost infinite sized canvas. Drawing on a tablet with a photo layer is an unbelievable way to keep a reference file, sketchbook and finished canvases all in the same place. I always say, just play around with it. Get used to the features and what it does and then make the tool work the way you work.

For veteran users like yourself, what tips and/or techniques can you offer?
I was using Ideas for a year before bothering to play much with opacity. It led me to a whole new way of drawing with Ideas that look like pencil by using a super low opacity and black or grey and just layering strokes. Always keep playing with the app. I think the simplicity makes it easy to use for everyone, but there are some smart guys behind this application and the ways we as artists use it is only fenced in by our imagination and willingness to adapt to a new artistic tool.

For more on the making of the music video, check out the project on Behance.

11:16 AM Permalink

Creative Spotlight: Eric Merced on Adobe Creative Cloud and the Touch Apps

Like a superhero, Eric Merced possesses a special power – the ability to unleash creativity. With his trusty iPad loaded with Adobe Touch Apps, along with access to Creative Cloud and the Creative Suite 6 applications, there is no project too big for Eric to tackle.

We sat down with Eric to learn how these Adobe products have improved his workflow capabilities, given him the ability to seamlessly transfer his work between technologies and helped him become the illustrator he is today. Read our Q&A with Eric below and be sure to check out the new hero-themed Twitter background we created to celebrate his work.

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Adobe: When were you first introduced to Adobe Touch Apps?

Eric Merced: It was with my first generation iPad (I currently own the iPad 2) and Adobe Ideas. There was a lot of complaining going on about how the iPad was not ideal for creating high-resolution art and Ideas was the first app that made me think otherwise.

What was the very first creation you made with Touch Apps?Gordon_Merced1-111x300

Even though I had already used Ideas to dabble in creating art on the iPad, my first “wow” moment that cemented my desire to create illustrations and comics, was when I used Creative Cloud to upload an image of The Dark Knight Rises’ character, Bane. The idea of being able to back up my work directly from the iPad and have it available on my iPhone or desktop was thrilling. I later took that image into Photoshop Touch and added textures, which brought the image and my workflow to another level.

How has the integration from Touch Apps through to the Creative Cloud features changed your creative workflow?

It has simplified everything. I feel good knowing that I have a powerful mobile studio with Ideas and Creative Cloud.  The iPad’s feature of allowing apps to store files in iTunes is good, but I feel Creative Cloud is a step up because it allows you to access those files from other devices (i.e., iPod, iPhone, desktop). That’s true integration right there, and it’s also essential for a true mobile studio experience.

Which pairing of the Touch Apps and the applications within Creative Cloud is most instrumental to your creative process?

Photoshop Touch and Photoshop CS6. Any file I tweak in Photoshop Touch can easily be opened in Photoshop on my desktop.

eric-merced-211x300Where’s your favorite location to create?

Mostly inside, as I don’t travel much, but Adobe Touch Apps allows me to physically create anywhere inside I’d like, as opposed to being tied to a desk and chair.

How much of a difference has direct touch input made to your creations?

The ability to zoom in and out, resize with a pinch, or to move the canvas around with two fingers is amazing. It makes doing these things much faster and more natural.

If you had the opportunity to travel to anywhere in the world with your Touch Apps, where would it be and why?

I’d love to go to a lot of places in the world – maybe too many to mention here. And who knows, with the iPad and Adobe Touch Apps on hand, now that’s more possible than ever.

For more on Eric’s work, stop by his website to see his portfolio. Want to be featured in one of our upcoming spotlight posts? Drop us a line on Twitter, Facebook, or in the comments below.

12:05 PM Permalink

Creative Spotlight: Kevin Spear on Adobe Touch Apps and Creative Cloud

Summer is the perfect time to untether yourself from the wired-world and create outside with Adobe Touch Apps, and no one knows this better than digital artist, Kevin Spear (@speartoons). After stumbling on his summer creations, we reached out to see how he utilized the creative combination of Touch Apps, Creative Suite 6 and Creative Cloud to come up with some “fun in the sun” art work.k.spear_

Find out where Kevin’s summertime spot to create with Touch Apps is (hint – it’s not indoors), why the grouping of Adobe Ideas and Illustrator is a match made in heaven for him, plus much more in the full Q&A below. Also, don’t forget to see his summer-themed art on display on our new Twitter background.

Are you ready to be our next featured artist? Send your Adobe Touch creations our way via Twitter, Facebook, or simply link us in the comments below. 

Adobe: When were you first introduced to Adobe Touch Apps?

Kevin Spear: I got an iPad in the winter of 2011. I was looking for a good drawing program when I came across Adobe Ideas. I was very excited when I discovered it was a vector-based app. I also loved how it allowed me to draw naturally in a way I hadn’t done in Adobe Illustrator.

What was the very first creation you made with Touch Apps?

I drew a profile of my wife. I was excited that I could finally draw a quick sketch with my finger on the iPad, take it into Adobe Illustrator and keep the vectors.

How has the integration from Touch Apps through to the Creative Cloud features changed your creative workflow?

It has made drawing digitally while mobile easy. Before, I’d test things out on the sketchbook, and then hope I could keep the same spontaneity when I made it back to the desktop. Now, I can draw it digitally from the very beginning.

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1:27 PM Permalink

Creative Spotlight: Michael Startzman on Adobe Touch Apps and Creative Cloud

Words can’t describe how excited we were after Michael Startzman (@startzman) announced that he was going to create an eBook for Adobe Touch Apps users, highlighting techniques and tips for creating in Adobe Ideas. For the past few months we’ve been in contact with Michael, checking in on the process and teasing his work to our Facebook Fans and Twitter Followers. We’re so very pleased to announce that Michael’s “How to Use Adobe Ideas” eBook is complete, and believe us when we say it’s a must have for any Adobe Touch user.

With all of the hard work behind him, we sat down with Michael to learn how his love for the Adobe Touch Apps began and how the combination of Creative Cloud, Creative Suite 6 and Touch Apps have changed the way he creates. Check out the full Q&A below and be sure to visit our Twitter channel to see his work displayed on our background.

Whether you’re working on an Adobe Touch Apps project or simply just capturing ideas as they hit you, we want to see and hear about it! Connect with us on Facebook, Twitter  or even in the comments below.

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Adobe: When were you first introduced to Adobe Touch Apps?

Michael Startzman: When a friend of mine bought an iPad and showed me Adobe Ideas…I was hooked. Two weeks after its initial release, I bought an iPad and the first app I downloaded was Ideas. I’ve been drawing with it ever since.

What was the very first creation you made with Touch Apps?

I first started using Adobe Ideas for brainstorming and plotting story concepts by thumbnailing pages, sketching character designs, and making notes. I think one of the first illustrations I did was of a snail descending a wall. Today, I can create nearly every step of an illustration directly on my iPad using Ideas.

How has the integration from Touch Apps through to the Creative Cloud features changed your creative workflow?

Using the Creative Cloud to sync between devices allows for freedom of creativity where ever I happen to be. If I only have my iPod available, I can create illustrations, make notes on websites and take photos, which not only sync to my iPad, but are also available when using Illustrator or Photoshop on my desktop computer.

Which pairing of the Touch Apps and the applications within Creative Cloud are most instrumental to your creative process and why?

Adobe Ideas has been a boon to my creativity and productivity. In the past, I would draw nearly all of my illustrations digitally with a combination of Illustrator and Photoshop. This, however, meant I was tied to a computer to produce any finished artwork. Now with Adobe Ideas, I’m free to create – whether on vacation, at the office, or sitting on the porch enjoying the morning breeze.

Adobe Ideas, coupled with the Creative Cloud, allows for further development and tweaking of the creations made on my iPod. I can open Ideas’ vector files and fine-tune them in Illustrator. I can also share files with colleagues and know my work is safely backed up online.

How much of a difference has direct touch input made to your creations?

I learned to draw digitally using a mouse and then graduated to a pen tablet, which made a world of difference. Now I draw using my finger! The direct touch really increases productivity because I can see what I’m affecting and where I’m going with the lines, which in turn, provides me more control over the kinds of lines I create. Plus, I’m never without a drawing implement.

If you had the opportunity to travel to anywhere in the world with your Touch Apps, where would it be and why?

There are some pretty spectacular places out there and each new environment invites its own inspiration, that’s the beauty of having a portable studio. I think I’d like to visit Italy. The atmosphere created by the architecture, landscape and rich art history must be breathtaking.

 What compelled you to create the “How to Use Adobe Ideas” eBook?

adobe-ideas-300x215I created an eBook called “How to Use Adobe Ideas” because people were often surprised to learn my art was created on iPad. The eBook details my techniques for creating in Ideas and provides information and tips on the various settings and tools found on the application.

2:32 PM Permalink

Creative Spotlight: Eric Snowden on Adobe Touch Apps and Creative Cloud

Recently, we’ve been chatting with VP of Creative and Technology at Atlantic Records and designer/developer, Eric Snowden (@EricSnowden), to find out just how the powerful combination of Adobe Touch Apps and Adobe Creative Cloud have impacted his creative process and workflow. Needless to say, we we’re wowed by what he had to say.

Check out the full Q&A with Eric below to learn how Touch Apps and Creative Suite 6 applications found in Creative Cloud play an instrumental role in projects he works on -both in the workplace and in his free time. Also, don’t forget to check out our new Twitter background, featuring his work.

Have an Adobe Touch Apps creation that you want to flaunt? Sent it our way! Feel free to connect with us via Twitter, Facebook, or in the comments below.

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8:36 PM Permalink

Adobe Proto: Sketch Your Website

Web designers use paper or napkin sketches to come up with a wireframe design for a web page by drawing a freehand sketch of it in a piece of paper or other media like whiteboards. Even though they don’t follow any rule while sketching on a napkin or a whiteboard, invariably, they use similar drawing pattern to represent a HTML object, say a DIV box, image, video, table, button or edit box.

Once the design comes through well in these napkin sketches, they then use a software tool to recreate the sketch as wireframe objects. Looking at the free hand sketching, they will insert wireframe objects for images, tables, videos, menus, buttons etc into the tool’s canvas and recreate the web page design as wire frame.

Use Gestures for Creation

Most desktop wireframe tools are mouse and toolset centric wherein wireframe objects are dragged and dropped into the design canvas and then resized and repositioned as required using mouse as the input. For a designer, doing this in front of a customer is not natural, quick or intuitive.

With the proliferation of tablets, web designers can do free hand sketching of web pages using sketching and drawing apps instead of using a piece of paper. But these sketches will be just images and will not be directly usable to generate wireframes.

Adobe Proto allows the designer to do free hand sketching on a tablet similar to the way they would do in a piece of paper. As they draw, these sketches are automatically converted into wire frame objects based on the gesture and the sketch pattern used.

So a wireframe idea can be sketched as shown in the left side figure below and it gets automatically converted as it is being sketched to usable wireframe objects as shown in the right side figure below.

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Stroke Gestures

Adobe Proto’s stroke gestures are combination of one or more stroke patterns. Stroke patterns are a basic set of shapes like rectangle, line, triangle, sinusoidal wave, angle bracket etc. The following shows example of different stroke gestures that differ in number of strokes.

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Each stroke gesture is mapped to a wireframe object and these mapped wireframe objects get inserted into the page when the user draws the patterns of the stroke gesture. For e.g., a stroke gesture can be a single rectangle shape which gets mapped to a DIV element, or a rectangle followed by a line inside which gets mapped to an Accordion object, or a series of lines in parallel which gets mapped to a Menu object.

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[Note: The stroke gesture examples here are for explanation purpose and may not be supported in the current version of Adobe Proto.]

Adobe Proto provides a Sketch mode in which touch inputs are primarily treated as stroke gestures. As the stroke gestures are performed, Adobe Proto converts it to a wireframe object when it recognizes that the stroke gesture is completed and a wireframe object is mapped to this stroke gesture. It then replaces the stroke gesture drawing with the wireframe object on the page canvas.

Multi-touch Input

Touch inputs are nowadays multi-touch. Adobe Proto takes advantages of this and allows the stroke gestures to be multi-touch. For example, you can create a 4 item Menu bar using 4 parallel lines drawn one after another or drawn simultaneously using 4 fingers at a time. In fact, Adobe Proto allows a combination of this and so a user can create a 4 item menu bar by drawing 2 parallel lines simultaneously by using 2 fingers twice.

Using this, people can create even a 12 item menu bar using whatever combination of multi-touch strokes as shown below.

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[Note: Some OS treats certain multi-touch input as OS gestures for certain predefined OS actions like closing an App or switching between Apps. In such scenario, these should be disabled in the OS settings so that it can work in Adobe Proto.]

Sample Gestures

Adobe Proto supports many stroke gestures and these are shown in the Gesture Guide at the bottom of the Editor view. Stroke gestures are chosen based on some common interaction pattern used by designers to express ideas. Moreover, these stroke gestures can be drawn naturally, whether you are right handed or left handed. This allows the user to freely draw a rectangle from left to right or right to left or by starting from any point in the rectangle and in any direction.

Some commonly used stroke gestures are given below.

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The following screenshots shows the Gesture Guide and lists all the stroke gestures supported by Adobe Proto v1.0. As you can see, the stroke gesture for Vertical Nav Bar, Text Field and Text Area look similar with a pattern of horizontal lines. But they differ in number of lines and the size. If it is more than 2 parallel lines, then it is a Vertical Nav Bar and if the between the 2 parallel strokes is more than a certain value, then it is Text Aea.

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Gestures for object editing

Apart from providing stroke gestures for object creation, Adobe Proto provides gestures for editing operations like Object Alignment and Duplication. These are multi-touch gestures (touch and tap) requiring a touch operation in both the source object and the target.

Object duplication can be done by touching and holding a source object with one finger, so that the object’s position grid is shown, and then tapping on the canvas where the duplicate should be created.

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Object alignment can be done by touching and holding a source object by its middle handle on one of the side and then tapping on the target object with another finger. This will move and align the target object with the source object.

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Impress your clients

The way we interact with machines is improving day by day with new innovation. The way we express our ideas and share them are becoming more impressive. Adobe Proto takes a step ahead in increasing the usability of touch based devices for not only expressing an idea, but also creating it as a re-usable functional wireframe for further use in the web development workflow.

Being a tablet App, Adobe Proto allows designers to share their ideas with the client anywhere and also impress them by creating new ideas in front of them in a very natural way of sketching with freehand strokes.

8:00 AM Permalink

Creative Spotlight: Paul Kercal on Adobe Touch Apps

For some time now, Paul Kercal (@Kercal) has been sharing his Adobe Ideas creations with us. Whether they have been doodles from a bus ride or sketchnotes from interesting events he has attended, we’re always excited to see what he will send us next. So, to pay tribute to this devoted Adobe Touch Apps fan, we decided to feature his work as our next Twitter background.

In our exchanges with Paul on Twitter, we were able to learn how our Touch App has changed his creative process and workflow for the better. Read what he had to say by checking out the full Q&A below.

Are you working on an Adobe Touch Apps project that you would like to share with us? Get in touch with us on Twitter, Facebook, or in the comments below!

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Creative Layer: When were you first introduced to Adobe Touch Apps?

Paul Kercal: The introduction to Adobe Ideas came at the hands of another talented mobile digital artist, the marvelous Mr. Stefan Marjoram (@stefanmarjoram). We met at a conference I had organized on behalf of my college. Since then I’ve followed all apps with more interest, the variety of tools available on tablet devices is staggering.

What was the very first creation you made with Touch Apps?

It’s difficult to point to the first picture as, with any new app, I’ll create three of four pictures quickly to get to grips with the UI and canvas. The first thing I remember creating is this image, which introduced me to a lovely way of working I hadn’t used before, zooming in, drawing a face and zooming out to add another, then another until I ran out of zoom. It was either the second or third piece I worked on as the UI to Ideas became familiar and natural very quickly indeed.

How much of a difference has direct touch input made to your creations?

Touch input has made the world of difference to the way I create imagery. My primary tools had been pencils, inks and desktop computers but these have faded a significant amount from my daily efforts. Now it’s all about the glass screen and the speed at which my fingers can dance on it.

When I’m doing youth work or working in schools, I often talk about the difference between a tablet and a piece of paper. A piece of paper is wonderful and I certainly don’t want to see traditional art ever disappear, but a tablet will allow you to undo, expand and edit in ways that traditional art cannot achieve and, most importantly, it’s all about the speed, the flow and the lack of resistance you are confronted with. With all forms of traditional art, you are faced with pushing something against something else: a chisel collides with stone, a pencil is scraped against what is basically softened sandpaper. Clay is pushed and pulled, canvas strains against a frame. A mobile device? When speaking to children I often say the screen is like the surface of a very still pond. All you have to do is touch it to coax a variety of beautiful pixels, swimming and dancing around your gestures like koi carp. It’s a very poetic process.

How have the Adobe Touch Apps changed your creative workflow?

Speed…glorious speed. Between a computer and the image is a mouse. Maybe a screen mimicking tablet and pen, rarely a distance than you can reach across. With a phone or a tablet, the brain and the screen you are accessing is a hand clap away. With a slight slice of computer power you can create artwork as good as the largest of drab boxes, just quicker. I love it.

Of the different Touch Apps, which one is instrumental to your creative process and why?

I LOVE Adobe Ideas and find it’s the first app I reach for in everything from meetings to life drawing sessions. It is an app that truly feels written for the glass screen and makes me happy in the second between icon and loaded app and happier when I get into the drawing process.

Touch Apps gives you the freedom to create anytime, anywhere. Where is your favorite place to create?

It’s an honorable tie between the number 34 bus between Guildford and Camberley and the Chin Chin Labs ice cream parlor in central London. I can happily create artwork in either venue, but only one offers me ice cream as a reward for my doodling.

Take a look at some additional projects that Paul has created by visiting his Adobe Ideas dedicated Flickr album and blog, The Librarian’s Tangents.

1:22 PM Permalink

Creative Spotlight: Brian Yap on Designing Grovemade iPhone/iPad Cases with Adobe Touch Apps, Creative Cloud

When we found out that Grovemade – a mobile device product design company based out of Portland, Oregon – tapped designer, illustrator and all-around creative, Brian Yap (@BrianKYap) to create a design for their iPad and iPhone cases, we knew everyone would be in for a treat. We caught up with Brian to get the inside scoop on his approach to designing the cases, and how Adobe Touch Apps, Creative Cloud and various Creative Suite 6 products simplified his creative workflow and more. Check out our Q&A below to see how these stunning cases came to be.

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8:21 AM Permalink

Creative Spotlight: Pete the Duck

Recently, we discovered an Adobe Ideas fan that incorporates the app into his creative workflow to publish an entertaining web comic series. This fan, who prefers to go by an alias of one of his creations – “pete the duck” – uses the Touch Apps throughout his comic creation process.
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We caught up with him to better understand his creative process and learn how Adobe Ideas plays a role in his comic-creation development. See his responses in the full Q&A below, and check out our new Twitter background featuring his work.

Creative Layer: When were you first introduced to Adobe Touch Apps? What was your very first creation?

pete the duck: Last Fall, I was directed to Adobe Ideas after searching online reviews of the best drawing apps for the iPad. Since then, I’ve tried other drawing applications, including some that even cost more than Adobe Ideas, but none have had the quality and ease of use of Adobe Ideas. I primarily have used Adobe Ideas to create comics based around the Halo video game franchise that feature a character of my own creation, pete the duck.

How have the Adobe Touch Apps change your creative workflow?

In short, Adobe Ideas has made my creative workflow possible. I would not be creating the work that I create without this tool.

Where’s your favorite location to create? Outside? Inside? On the go?

As my work is very casual, I enjoy a casual environment to draw in. I create most of my art while relaxing on my couch.

What time of day do you find yourself creating with Adobe Touch Apps? Morning? Afternoon? Night?

I use it throughout the day. It’s easy to pick up Adobe Ideas and sketch an idea in the morning and then come back and compete it in the afternoon or evening.

How much of a difference has direct touch input made to your creations?

Although I am not a professional artist, I have always had an interest in drawing. Several years ago, I purchased an art tablet and professional graphics program for my computer. I used them for months, but I could never overcome the disconnect that occurs when you draw on a tablet while the image appears not where you are drawing, but on a monitor several inches away. I have always been better with paper and pencil, where there is no disconnect and you have a precise and tangible connection with your drawing as you create it. I resorted to drawing in pencil, scanning the image, and attempting to enhance and color the image digitally–often with poor results. Adobe Ideas has let me retain that real connection with my work that you get from paper and pencil while gaining all of the quality advantages of fully digital drawing.

Of the different Touch Apps, which is most instrumental to your creative process and why?

The only Adobe Touch App that I use is Adobe Ideas – but it is a powerful drawing App and is the only tool that I need to express my creativity!

If you had the opportunity to travel to anywhere in the world with your Touch Apps, where would it be and why?

I would love to visit Japan and use Adobe Ideas in studying their calligraphy.

What are the top three sources you look to for inspiration?

I have always had an interest in art in general and I especially enjoy natural landscapes and skies. I am a fan of science fiction, which is a great source of inspiration as well. I also have a one-year old daughter who has given me much lighthearted inspiration that I can’t resist instilling in my work.

3:08 PM Permalink