When we asked painter/illustrator/textile designer Jenean Morrison to join us at Adobe MAX this year as a MAX Insider, we knew that she’d been using our mobile drawing apps to supplement her drawing/doodling/sketching habit. We had no idea, however, how often she used them nor how prolific she is.
It’s a love affair that began this year, in late spring, when Jenean, a long-time Adobe Illustrator CC user, picked up an iPad Air, a stylus, and started using Adobe Ideas to sketch wherever and whenever the mood struck. She was hooked. The artist, as she’s mentioned on her blog, likes to start her mornings making art: “If I’m in the middle of a painting, I like to jump right into it first thing with a cup or two of coffee. If I’m not working on a painting, then I usually sketch or make some patterns—or both.”
From Ideas to Illustrator CC:
By July, Jenean was “head over heels” about her newly adopted creative process and had added Adobe Line and Adobe Ink & Slide to her creative toolkit. She began experimenting more and more with the potential of the apps and has become particularly fond of Line. Although designed for precise drawing and drafting, Jenean appreciates “the organic results from loosely playing with shapes and color.”
Sketching on her iPad has become a daily occurrence that she attributes to being enamored with her new drawing tools. In a July 24 blog post she wrote, “It’s so interesting how sometimes new tools—be they apps, devices, or something as simple as a new paintbrush or pen—can inspire you to do new things with your art.”
Using Adobe Line along with Ink & Slide:
Jenean continues to use Line’s in-app tools to experiment with drawing techniques—erasing work she’s already done or putting a lighter color on top of a darker one—that she “could never do on paper.”
And, appreciating the freedom that comes with designing on a mobile device, she’s begun creating versions of images that before now she’d created using Illustrator CC. Experimenting with various combinations of freehand drawing, Ink & Slide, and the drafting templates in Line, she gets a pleasant mix of freeform lines and digital details.
Jenean’s new way of working gives her patterns, designs, and geometric prints new dimension and a new look:
Jenean wasn’t an early adopter of drawing digital on mobile; now it sounds as if she wishes she hadn’t waited so long… “I resisted buying an iPad for the longest time. I just didn’t see the need for it in my life. When I finally got one several months ago, I realized I’d been missing out on a whole new wonderful way of creating art! I had no idea how much I would enjoy this.”
See so much more of Jenean’s work on her Instagram along with occasional insights into her inspiration and her process:
This article was compiled from a series of posts on Jenean Morrison’s website and Instagram.
Presentations by an impressive group of Adobe pro video users signal a promising event.
This Friday, IBC 2014 will kick off in Amsterdam and Adobe will be there previewing the updates coming soon to Creative Cloud’s pro video tools. In addition to Adobe presentations on our video and audio applications, we’ll also have a five-day lineup of our top customers sharing their workflows, tips and tricks.
Pulling off the broadcast of the largest sports event on earth, The World Cup, is no small task. HBS will feature its workflow, its use of Creative Cloud, and the well-integrated partners used, like EVS, to produce this amazing event.
Swiss Radio and Television (SRF) gave us the chance to witness magic moments of incredible artistry and athleticism performed by the athletes competing at the Sochi Games. For video content, like their stunning Sochi opener, SRF used Adobe SpeedGrade CC to give content from different sources a uniform look, and switched to Adobe Premiere Pro CC as their main editing tool, which replaced Final Cut Pro. Simone Nucci and Simon Renfer share their incredible work starting the Sunday of IBC.
Red Bull is not just a brand that sells energy drinks—it is also a multi-platform media company that produces premium sports, culture, and lifestyle content with help from Creative Cloud and Premiere Pro CC. The well-known international brand has expanded into streaming video through Red Bull TV, an independent music label, and sponsored dozens of athletes, teams, and events. Red Bull Media House’s Andreas Gall, will share how the team users Creative Cloud to give the company the wings to connect people with the international Red Bull brand.
Veteran filmmaker Philip Bloom will share his unique approach to documentary filmmaking using Creative Cloud with Premiere Pro CC at the hub. His outspoken approach to low-budget video creation and whole-hearted embrace of social media has helped hobbyists as well as experienced professionals shoot better video.
The United Kingdom’s Karrot Animation has become a recognized industry leader, producing 2D-animated shows including the international hit Sarah & Duck. Karrot co-founder Jamie Badminton will be presenting the studio’s use of Creative Cloud in the making of the series.
Bryn Balcombe, technology director for London Live, will share how the new UK station’s broadcast and production infrastructure’s use of Creative Cloud supports the fast-paced production and distribution of standard-definition television over the air and high-definition television on any device.
ITV Studios shares how it has modernized its approach to broadcast productions and highlights its use of Adobe Story CC Plus and Premiere Pro CC through Creative Cloud to produce the UK’s well-known serial dramas, Coronation Street and Emmerdale.
With blockbuster films such as Godzilla, the Harry Potter franchise, and Life of Pi, and advertising campaigns for global brands including Samsung, Ikea, and Visa, you can see why MPC is one of the world’s leading visual effects and motion graphics studios. William MacNeil will feature the studio’s stunning work and explain how Creative Cloud is used to craft their most compelling visual experiences.
Ending the line up is one of our favorite game-developers and games, Angry Birds. Rovio animation director Jussi-Petteri Kemppainen and pipeline and tools developer Pauli Suuraho will share how they created the first season of Angry Birds Toons, which can be viewed on the company’s multiplatform video channel, ToonsTV. You’ll also see how they used Adobe After Effects CC and Photoshop CC to do 3D-like rigging to build one of the world’s must popular games.
If you’ll be attending IBC, check our Booth Schedule to see the presentations live, and stay tuned to the Pro Video playlist on the Adobe Creative Cloud YouTube channel (we’ll share the recorded video presentations in an upcoming blog post after the show ends).
Read more about the top new features and enhancements being revealed at IBC, and for more in-depth information, visit the product blogs for Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC, Media Encoder CC, Audition CC, and Adobe Story.
Streamline video workflows with industry-leading integration
This month at IBC 2014 in Amsterdam, Adobe will preview the updates coming soon to Creative Cloud’s pro video applications. In a fast-moving industry, video pros need tools that keep them ahead of the curve, allowing them to work confidently with the latest hardware and camera formats. With regular updates, Creative Cloud meets that need, making everyday tasks faster and easier—and opens new creative possibilities with a little more Adobe magic.
- Powerful media and project management—Take control of large projects with new features like Search bins, Consolidate & Transcode, and Multi-project workflows in Adobe Premiere Pro CC.
- Support for cutting-edge technologies—Focus on the content with a refreshed user-interface across all of the video applications, including HiDPI support for Windows 8.1 and Mac Retina displays.
- Streamlined workflows—Complete everyday tasks more efficiently, thanks to new tools and refinements, such as Curve adjustments and hover preview Looks in Adobe SpeedGrade CC.
After a successful run using Premiere Pro CC to edit David Fincher’s upcoming thriller Gone Girl, two-time Academy Award winner Kirk Baxter has made Premiere Pro CC the NLE of choice for his new company, EXILE. “I’m happy to see so many of the new features we asked Adobe for during Gone Girl in the upcoming release.” —Kirk Baxter, ACE
This post provides an overview of the upcoming video releases, including many of the top features and enhancements. For more in-depth information, visit the product blogs for Adobe Premiere Pro CC, Adobe After Effects CC, Adobe SpeedGrade CC, Adobe Prelude CC, Adobe Media Encoder CC, Adobe Audition CC, and Adobe Story Plus CC.
Updated user interface
All of the Creative Cloud video applications have been given gentle facelifts, using a more subtle color scheme and simplified UI elements.
“The first thing you’ll notice when you open them, is the cleaner look to all of the video apps,” said Bill Roberts, senior director of product management. “We’ve modernized and simplified the user interface so that it doesn’t compete with the content. The point is to allow video pros to focus more on their content, and less on the widgets.”
In addition to the UI refinements, the video apps have all been updated to work with HiDPI displays, including Mac OSX and Windows 8.1 devices. “We foresee a day when video professionals will be creating and interacting with their content in a variety of ways across a variety of devices. Our goal is to support this transition as it evolves and this UI refresh lays the foundation for that,” added Roberts.
New Search bins allow users to automatically generate dynamic bins based on search criteria, including new Advanced Timeline Search capabilities. Search bins update as new content is added to a project, so users can keep projects organized, even as new footage is still coming in.
Consolidate & Transcode allows users to move all relevant files in projects and sequences to reduce the overall project size. Once the setting is selected in the Project Manager panel, all content is rendered into a single codec and a compact new project file is created.
Multi-project workflows allow editors to bring everything they need into one workspace. Users can open multiple Media Browser panels for easy access to as many projects as needed. The new Source Monitor Timeline view opens a second Timeline for media and sequences from other projects, making it easy to bring existing clips, edits, transitions, or graphics directly into your current project.
Premiere Pro CC now offers full support for reading and encoding GoPro CineForm, an easily managed, cross-platform intermediate codec, ideal for high resolution footage. And the Premiere Pro CC engineers keep finding ways to get more out of the GPU with native support for 4K, 5K, 6K (and higher) content, including new GPU-based deBayering for AJA RAW, Canon RAW, and Phantom Cine, as well as RED and Cinema DNG footage.
Existing features see some significant new capabilities, too, like enhanced Masking & Tracking, that enables users to adjust feathering directly in the Program Monitor, or use the free-draw polygon tool to create complex mask shapes. Use Render & Replace to speed up performance of VFX-heavy sequences by flattening After Effects CC compositions into video clips—and thanks to Dynamic Link, the original comps are always accessible if you need to make further changes. Improved Master Clip effects, Send to Audition, and AAF export to DAWs, are just a few other enhancements coming to Premiere Pro CC this Fall.
“This is a packed release for Premiere Pro CC with some really nice additions to existing features, but our big focus here was on creating easier workflows for large projects,” said Al Mooney, product manager for Premiere Pro CC. “Consolidate & Transcode, for example, is perfect for facilities who need to trim down large projects. It makes it easy to pass work on to other teams, or to archive editable projects which are still reasonably-sized.”
The next release of After Effects CC offers an enhanced Live 3D Pipeline, adding Cineware 2.0 and CINEMA 4D R16 compatibility, so that artists can work faster and more easily with 3D elements in their compositions. Broadcasters and large facilities that use Adobe Anywhere for video will benefit from improved Anywhere collaboration to streamline remote workflows with version tracking and project sharing. In addition, the new version offers a number of usability refinements, such as more visible anchor points on layers, tracking behavior improvements, and more incremental improvements that make motion graphics and visual effects work easier and more efficient.
“We’re really excited about where we’re going with After Effects CC” said Steve Forde, principal product manager. “A special highlight of our 2014 releases is the deeper integration with Premiere Pro CC and Anywhere for video. This is a great example of how we are streamlining workflows for motion graphics and visual effects artists—and enabling collaboration between teams.
The next release of SpeedGrade CC is focused squarely on the creative tools, including a significantly enhanced Looks workflow, Curve adjustments and awesome new Grading Layer Grouping capabilities.
Working with Looks in SpeedGrade CC has never been easier: Hover to preview Looks in the main image Monitor, and click to apply. Looks can be dragged into the grading layer stack where they will immediately appear as a new Grading Layer Group, making it easy to combine existing Looks and LUTs; just adjust the opacity of each group to get the result you want and… Voila! A real “Look mixer.” It’s also possible to create your own Grading Layer Groups, or copy and paste selected grading layers to apply them to new clips or save as new Looks.
SpeedGrade CC now offers Curve adjustments, including RGB curves familiar to Adobe Photoshop CC and Adobe Lightroom users, as well as Hue & Saturation curves, which allow you to boost or mute parts of the color spectrum. Use Curve grading layers on their own or in tandem with the other SpeedGrade CC color correction tools.
Improvements to existing features include audio support for Premiere Pro CC projects in Direct Link, faster tracking, better Autosave, improved performance with masks, and Enhanced Mercury Transmit, providing 4K output for 4K monitors and new support for Blackmagic video cards.
Log metadata while an event is unfolding in front of you. Use keyboard shortcuts on your laptop together with your custom tags to prepare content efficiently—and without typos. Deliver media that gives your editor a running start for a faster turnaround in post-production. Add In and Out points more efficiently and apply transitions across clips in the Rough Cut timeline. Replace, or augment, camera audio with new support for multiple audio tracks.
Render and deliver your work in one fell swoop with Destination Publishing: Add preset options for FTP sites, or your Creative Cloud folder. Send to multiple locations and track rendering and upload in the same panel. With new Watch Folder support for projects, you can automate transcoding of all of your project files at once by dragging Premiere Pro CC, After Effects CC, or Final Cut Pro XML projects into Watch Folders. Mux during encode for faster rendering of MPEG2 files with audio. Extended Match Source support now includes QuickTime and DNxHD formats.
Open virtually any video format, including RED, XDCAM, MXF, and others. Video files now load faster and play more smoothly. Minimize background noises while amplifying and leveling speech with a powerful new Target Dynamic Range parameter providing even better volume leveling for spoken content. Read and add notes to audio files with iXML metadata support, including information such as Scene, Take, or time code formats.
Screenwriters and writing teams can now Customize text boxes so that notes and comments stand out. Fine tune production planning and assign numbers to camera shots to align with scene order.
Adobe Anywhere for video adds robust collaboration support for After Effects CC users and brings refinements to the Adobe Anywhere app for iPad, including new scrubbing gestures and sorting options. A new streaming API allows facilities and broadcasters to integrate content from Adobe Anywhere into a variety of user experiences on the web or mobile devices.
“We’re excited to be showing another strong release at IBC 2014,” said Bill Roberts. “Constant refinements across all of our applications mean we’re always improving the tools, integration, and collaboration. The demands on video pros keep growing and our efforts are empowering our users to deliver better work, faster and more efficiently than ever.”
These updates to the Creative Cloud video apps and Adobe Anywhere for video are expected to be available in the coming weeks.
We’ll share even more amazing innovation coming to Creative Cloud—across desktop, mobile, services and community—at Adobe MAX, The Creativity Conference, October 4–8 in Los Angeles. To be among the first to know when these and other Creative Cloud updates are available, follow Creative Cloud on Twitter and Facebook.
Visit the Creative Cloud video page for links and news from Adobe at IBC 2014 from September 12–17. And if you can’t make it to IBC, please join us for a special, live from Amsterdam, Ask a Video Pro session on Friday, September 12 at 10:00am PT (7:00pm CEST) when Jason Levine will introduce the new features coming to the CC video apps.
Think you’re a good designer? Are you brave enough to put your design skills up against other world-class designers in a fast paced competition? If the answers are “yes,” it’s time to play Layer Tennis.
We’re excited to be working with Coudal Partners to bring Layer Tennis back for a fourth season. When it begins again on September 12 the competition will be stiff. For anyone who’s never heard of it, Layer Tennis is an online design competition where two players swap a file back-and-forth in real-time, building on each other’s work.
In past seasons, designers like Jessica Hische, Jason Santa Maria, and Aaron Draplin have competed against each other and against up-and-coming designers who’ve won qualifying match rounds. If you’re a designer, illustrator, animator—or in any other creative profession—and you think you’ve got what it takes to compete in a qualifying match, then show us:
Create a Behance profile and
- tag existing work that best shows off your style with “LayerTennisQualifier,”
- or play your own Layer Tennis match with a friend and upload the layers in a shared project.
We’ll be looking through the entries and inviting designers to play in a qualifying match. If you need some inspiration visit the archive of past seasons and follow Layer Tennis on Twitter for updates, and details about the players and matches.
Then mark your calendar for the Season 4 start of Layer Tennis on September 12 and get ready to watch another season of real-time design!
“When Geoff Dowd and David Macy visited School of Visual Arts earlier this year to share Ink & Slide with my graduate illustration students the delight on the students’ faces, when experimenting with Adobe Line, reminded me of how the designers and illustrators of my generation felt about Photoshop.”—Matthew Richmond, The Chopping Block
In response to the creative industry’s enthusiastic reception of Adobe’s new digital drawing tools, on July 29 the Adobe XD Team lovingly packaged Adobe Ink & Slide and sent them into the world for the first in a series of month-long tours.
The road trip, conceived to introduce the hardware in-person to the design community, began in Brooklyn, New York, in the hands of Matthew Richmond, at The Chopping Block (the same studio that designed the official Ink & Slide Tour sticker).
Over the past four weeks, Ink & Slide also made it to XO Group, Studiomates, and Shutterstock, where they remained for a week at each stop and their steward decided who to share them with and where they would go next.
Ink & Slide will continue to make their way around the country (eventually ending up back on the West Coast at Adobe MAX) throughout the Fall. Keep up with Ink & Slide’s travels on Adobe Drawing’s Facebook and Twitter by following #inkandslidetour.
Here’s how a handful of designers and illustrators, who got their hands on Ink & Slide, responded when we asked them to sum up their Ink & Slide experience with a drawing and a sentence:
“I think I mastered the art of holding my right hand out and drawing it with my left with no smudges to show for it! (Lefties drag their hands over paper vs. pulling like righty artists do.)” —Jordan Roland, designer/illustrator/letterer
“Ink & Slide is the beginning of something that designers/illustrators have been waiting for. A magical little pen, and a portable connected sketchbook with all the markers, brushes, and colors required to go outside and draw.” —Matthew Richmond, designer/illustrator
“Ink & Slide made me reconnect with my inner drawing little mini-me. I am thrilled.“ —Tina Roth Eisenberg, designer
“It was a lot of fun to play around with Ink & Slide and I can see myself using this as a digital sketchbook as well as a tool to help me do a quick sketches of how my work would fit in a space.” —Daniel Fishel, illustrator/letterer
“I’ve used my fair share of digital drawing tools and Ink & Slide are easily the best translation of real-world drawing tools. Not only that, they are attractive and people cannot help but ask about them when they see you at work.” —Thomas Romer, designer/illustrator (who drew Voyager’s historic 1981 flyby of Saturn and it’s giant moon Titan)
“Great for sketching on the train!” —Chi Birmingham, illustrator
“If I close my eyes I envision myself sitting alone in a bar somewhere in Europe, documenting my observations with Ink & Slide and then it is a year later and I’m flipping through old images and I feel nostalgic, motivated to take another trip and sketch more and I am happy because my sketches aren’t lost somewhere in between other unfinished sketchbooks sitting on my discontinued Ikea bookshelf—they are here at my fingertips, wherever I am, urging me to start a blog of my new observation, or an Instagram account, or a clever book, or to, at least, keep drawing.” —Deanna Paquette, digital designer
“Adobe really went out of its way to make a system that is both intuitive but also inventive. Ink & Slide makes you wish for a GIANT iPad.” —Clay Rodery, illustrator
“I remember the day I first tried crayons and it totally reminded me of those feelings of excitement and fun. Def enjoyed it!” —Hyesu Lee, illustrator
“A sketchbook with an ‘undo?’ Yes please!” —Lori Richmond, illustrator/writer
“Ink & Slide are fun tools for traditional artists who want to translate their craft to the digital world.” —Chris Becker, illustrator
“I like doing really fine line work and building up through a lot of layers, which is usually challenging on a tablet. I started with the same problems using Ink; I never knew precisely where the line was going to begin relative to where I put the stylus. Once I discovered the zoom functionality, though, everything changed (for the better!).” —Erin McCue, designer
It’s a short story that begins with, in mid-June of 2014, the introduction of Ink & Slide, Adobe’s innovative digital drawing tools (and the mobile apps, Adobe Line and Adobe Sketch, that launched alongside the hardware); a new friendship with Portland, Oregon, design studio Jolby & Friends; and Adobe’s for-the-second-time sponsorship of WMC Fest, a music-filled art and design conference that takes place in Cleveland Ohio).
The seemingly unrelated series of events coincided on July 10 at ICON8 in Portland, where the co-founders of Jolby & Friends, Josh Kenyon and Colby Nichols, were speaking. Adobe wanted its drawing tools (hardware and software) to see some real-world application. And also wanted something to hand-out at our booth at WMC Fest. As luck would have it, Josh and Colby were planning to attend, and speak at, WMC Fest.
A practical canvas
In short order, Adobe Line, along with Ink & Slide were in their designerly hands. All they needed was an idea for a “product.” They very quickly came up with one: A pencil case, the brainchild of a design duo who, along with designer Brett Stenson, had a sudden need to carry Ink & Slide in their bags. Their decision, they explained, was based on utility, “We like things that have a use beyond the aesthetic; we were trying to think of something practical and thought that designers could put Ink & Slide in it, or just use it for their tools.”
While most Jolby & Friends projects begin with pencil and paper this time the team’s concepting stage incorporated Adobe’s hardware and software. Thinking back on the decision to go digital they said, “If Ink & Slide weren’t going to be part of the process of making the case, we couldn’t really see the point of doing it. We wanted to challenge ourselves to use the products.”
So they forged ahead with the same free-sketching process they always use. Endearingly termed Ride The Weird, the concept is a simple one: “When ideas come to mind, instead of shelving them or not allowing them to come out we let the ideas flow.”
In this particular case, the means justified the end, and Ride the Weird (“the elements and objects and things that help with creation”) became the underlying concept for the art on the pencil case. The end result is a refined amalgamation of the studio’s lighthearted vibe, it’s freeform approach to ideation, and the collaborative intermingling of ideas.
Fueled by “busy”
Although admitting it was a challenge to “learn how to draw again on an iPad,” no hurdle was too big for the trio. Despite a hard deadline (about three days), they quickly got up-to-speed on their brand-new tools, quickly mastering the hardware. And the software. And the ability to merge them with Creative Cloud. They briefly described their process, “With any of the digital tools we use, we try to replicate what we can do with our hands… but with the efficiency and the ease of transferring files back-and-forth. Once we learned how to use Ink & Slide to get the look we wanted we were able to, all three of us, do little bits and pieces and effortlessly put them all together.”
Last week Jolby & Friends sent off their files to ArtOfWhere and today the cases are on their way to a first public appearance. At WMC Fest. In the Adobe booth.
And that’s the story of how Adobe’s hardware, and software, was tested, a design relationships was further cemented, and a pencil case was born.
Attending WMC Fest?
Stop by our booth for a Jolby & Friends pencil case and the latest details about the tools and services in Creative Cloud.
And don’t miss out on Josh and Colby’s talk, Beyond A Collaboration, on Saturday August 16 at 4:15pm at the Cleveland Public Theatre.
Following the June 18 announcements about the 2014 release of Creative Cloud, our team of worldwide evangelists will be kicking off a series of CreateNow events across the globe.
Starting now, we’re kicking off the 2014 CreateNow World Tour with interactive half-day Adobe events in 5 US cities and 32 additional locations led by Adobe user communities. At the same time, we’re taking CreateNow abroad over the summer and into the fall in Europe, Asia/Pacific and Japan.
The events are free, but require sign-up to reserve a spot (details below). Here’s what you can look forward to when you join us at one of our US Create Now Tour events:
They begin with an informal networking hour and a cool feature we call the Device Bar. It’s a chance to play around with Adobe Ink and Slide, the newly-announced Creative Cloud-connected pen and ruler; Adobe Line and Sketch our newest drawing and social sketching apps; and Adobe Photoshop Mix, a powerful new creative imaging app.
Afterward, we’ll head into our main program with our Adobe experts sharing some of the many updates just added to Creative Cloud. These include some of the hottest new features in Adobe Photoshop CC, Illustrator CC, InDesign CC, Premiere Pro CC and other desktop products. Our worldwide evangelists know the Creative Cloud inside-out and from every angle, and can answer questions about the applications and membership. This year we’ll be showcasing new creative processes with innovations like 3D printing from Photoshop CC, website design with Adobe Muse, and how to incorporate creativity captured on mobile devices into desktop workflows.
We’ll also share the powerful ways to take Creative Cloud to a collaborative level with features that save time and money (soliciting and providing feedback, creating personal work portfolios, and syncing workflows across devices and between programs) and open up modes of flexibility that can be tailored to individual needs.
We’ll also be bringing in guest speakers from outside Adobe who’ll share some of the ways they’ve used Creative Cloud to further their creative work. We’ll wrap-up by answering questions from the audience. We guarantee that people will leave with new information.
In Chicago, our guest speaker will be artist/designer Chuck Anderson of NoPattern; and in Los Angeles we’ll welcome film/TV producer Mick Ebeling. Keep an eye on the CreateNow events site for the remaining inspirational industry speakers we’ve invited.
CreateNow is designed for creative professionals, photographers and photography hobbyists, illustrators, animators, video professionals, and students—in short, anyone who wants to master new skills in design, web and mobile apps, digital imaging, video editing or use Creative Cloud on the job. It’s also a great way for people to discover the potential of the applications in Creative Cloud.
And for anyone who’s used Creative Suite in the past and isn’t familiar with the advantages of membership, CreateNow is the perfect place to learn more. Adobe Creative Cloud provides instant access to our constant stream of innovations, with new additions every month. What people who’ve attended CreateNow say about it:
“Terrifically put together and very professional and polished…”
“It’s great to see creative luminaries and where they’re going with their work, especially when they’re using the same software we’re using. It means it’s within our reach.”
We’re extremely excited to present what’s new and we hope you’ll join us. (Remember, CreateNow events are free but require registration to reserve a spot. Register today:
- Chicago (June 24)
- Los Angeles (July 9)
- San Francisco (July 15)
- Washington, DC (July 22)
- Seattle (July 29)
- 32 additional events in cities including Atlanta, Dallas, Phoenix, Toronto and more
There’s been so much excitement for the new release of Creative Cloud—the customer response has been simply awesome.
Since introducing it on June 18, we’ve received a lot of requests for the latest Creative Cloud logo. So our Adobe Studio team got to work and made a few versions that can be downloaded and used as wallpaper, an avatar, or in social media profiles.
Over the last few weeks we’ve been slowly revealing the tiles of our Creative Cloud Mosaic. This week, at the #CCNext launch, we unveiled the completed piece; it’s now highlighted both on Behance and on a number of Adobe’s Facebook pages.
We’re really happy with the result and hope you love it as much as we do. We love collaborating with artists in different disciplines from around the world and seeing what they can do when given a challenge.
We’ve done a number of interpretations of our brand over the past several years—beginning with the “Adobe &” project, and several Adobe Remix projects—and the CC Mosaic is another milestone of the type of work we want to do with our creative community as we continue forward.
It’s important to us that the community feels they have co-ownership of the Adobe brand. Working on collaborative projects like this is the perfect way to show off the promise of the Creative Cloud—it allows us to celebrate individual creativity and the infinite possibilities of the creative disciplines.
Want to get involved in one of our future projects? Connect with us on Behance and drop us a note.
Adobe is celebrating creativity by bringing together artists from around the world to help us co-create our new Creative Cloud identity. The idea is simple: we’ve invited 48 designers and artists from around the world to contribute “tiles” of their own creative expression which we’ve assembled into the world’s most creative digital mosaic. This mosaic will actually serve as our Creative Cloud identity to be released on June 18.
If you haven’t already, please visit our Behance page and watch as we build out the mosaic one tile at a time. You can also learn about each artist and visit their full online portfolios.
And don’t miss the final, big reveal as we unveil the finished mosaic during our live online event on June 18; register for it today to see firsthand everything new that’s coming to Creative Cloud.