Recently in Design
“I work without seeing what I’m creating. Programming is like writing words.”
If qubibi’s words rings true for you, you might want to dive a bit deeper into his story. qubibi’s inspiration spurs from his observations around his home city Tokyo, Japan. He uses the city’s energy to craft his designs, emphasizing in animation. When asked how he turns an idea into art, he reveals, “I begin by writing and then I imagine music. After that, I start using digital tools like Photoshop without making any sketches, I just work directly on the computer and see how it evolves… In my case I can’t create art without Creative Cloud.” Check out his recent redesign of the Creative Cloud logo and more background on his work in the video below:
The Creative Cloud provides designers like qubibi with built-in shortcuts for everything from debugging to simple animations so they can spend less time on tedious tasks and focus on what makes web design fun, creativity. qubibi uses Creative Cloud to access his work from any computer at any time and benefits from sharing his work with fellow designers on Behance. Find out more about Creative Cloud and the future for web designers like you.
Last week Adobe Illustrator’s sweepstakes on Facebook ended and now we finally have all 1,000 winners of the limited edition Dylan Roscover Venus poster. See below if your name is listed and if it is, you should be getting an email from Adobe asking for your address so we can ship your poster. Thanks to all of you who participated!
|Aaron Tamayo||Eric Segeren||Mark Zaleppa|
|Aaron Webb||Eric Wade||Markus Görlich|
|Abbou Yahia||Eric Wyatt||Marshall Diveley|
|Abdelkader El-Founti||Erica Klintworth||Marta Riboni|
|Abdul Rony||Erica Purnell||Martin Hatfield|
|Aberekor Vokejeff||Erick Puentes||Martin Ohse|
|Abhishek Aggarwal||Erind Mati||Marvin Meyer|
|Abu Naser||Erwin Fung||Mary Addair|
|Achiles Zarek||Esther Martinez||Mary Ann Kiger|
|Adam Bedard||Etienne Levesque Guitard||Mathieu Zins|
|Adam Bucci||Eva Banegas||Matt Ciaglia|
|Adiel Hanif||Evan Boyd||Matt Rudowski|
|Adrian de Ausen||Evelyn Maddox||Matteo Discardi|
|Adrian Kondrat||Ezekiel Brown||Matthew Beningof|
|Adriana Mesén||Fabian Ortiz||Matthew Ivan|
|Afif Harb||Fabian Zelaya||Matthew Savant|
|Agnieszka Dudkowska||Felipe Santos||Matthew thaow|
|Ahmad Almsaeed||Fernando Cruz||Mauricio Dosman|
|Ahmad Hadi||Fernando Paez Vergel||Maximilian Grimmeiss|
|AIDA LUCIA Rodriguez||Fernando Perez Christensen||Maya Georgieva|
|Aimee Lyons||Fernando Rodriguez||Mehak Gulzar|
|Aimee Sims||Filipe Santos||Melanie Glinksi|
|Ajit Murkar||Fiona McBean||Melissa Hartog|
|Akash Dhurbarry||Fran Brennan||Melita Cleveland|
|Al Tucker||Francesco Lauciello||Merav Shamli|
|Alan Shutko||Francis Gaskill||Meredith Byrum|
|alejandro Gozalves||Francisco agrela||Mervi Jankko|
|Alejandro Herrera||Francisco campos||Micah Burke|
|Alejandta Jimenez||Frank Lopez||Micah Kenfield|
|Aleksandar Todorov Markovic||Gabriela Contreras||Michael Anderson|
|aleksandra Swatek||Gabriela Esquinca||Michael Berger|
|Alessio Betteni||Garron Ballard||Michael Davis|
|Alex Brito||Gary friedman||Michael Fielitz|
|Alex Jolley||Gary Meehan||Michael Fordice|
|Alex Shepler||Geni Poole||Michael Glass|
|Alexander Massey||Gentry Li||Michael Murdock|
|Alexander Rey||George Pawley||Michael O’Connell|
|Alexandra Brietzke||Georgia Higgins||Michael Stephens|
|Alexandre pereira costa||Georgia Mckenzie||Michael Torres|
|Alexandre van Meerbeke||Gerardo Moreno||Michał Maciejewski|
|Ali Abdulla||Gilberto Balderas||Michel Mirandola|
|Ali Noorani||Gina Arena||Michelle Corbett|
|Alican Özcan||Gina Ruiz||Michelle Iglesias|
|Alice Thorton||Gino Edgardo Becerra Flores||Michelle Johnson|
|Alicia Mason||Glor Sola||Michelle Tsivgadellis|
|Alison Gail||Goce Spiroski||Miguel Angel Plaza|
|Aliyah Bajrie||Gökhan Kul||Miguel Uriel sanchez lara|
|Allan Del Barrio||Goldy Bhutt||MIHI Han|
|Allison Oliphant||Goli Monazahian||Mike Brisk|
|Allison Raber||Gonca Cicek||Mike schwabauner|
|Amanda Aliperti||Göran Karlsson||Mike Tyler|
|Amanda Parry||Goran Raukar||Milan Vojicic|
|Amber Creed||Grail Beltran||Milka Sanchez|
|Ammar Midani||Grant Levarre-Waters||Miriam Kelly|
|Amr Fawzy||Greg Agee||Mitchell Fleitz|
|Amy Frazier||Greg Ceminski||Moataz El-Zeidy|
|Amy Giltner||Gregory Camacho||Mohamed Gallah|
|Amy Taylor||Gregory kirstein||Mohamed Sabreen|
|Amy Zhong||Gregory Shultz||Mohammad Zeeshan Ai Khan|
|Ana Inkote||Guilherme May||Mohammed Ali|
|Anas Bakhit||Gurol Sahin||Mônica Ishizaka|
|Andi Schwartz||Ha Pham||Monika Gause|
|Andrea Gambardella||Hakan Karakaş||Morgan Oneka|
|Andrea Prichard||Hamza Khalid||Muhammed Sameer|
|Andrea-Rose Hutton||Haruna Yahaya||Muna Sudqui Thbakhi|
|Andreas Bacher||Hashim Suheem||Muneer flayyih|
|Andreas Kalahanis||Hayley elvin||Mustafa Mohamed|
|Andreas Mak||Hee-soo lee||Muzaffer Akyayla|
|Andreas Mehlsen||Heinz Schneider||Myer Bornstein|
|Andreas Meyer||Heldrik Lynch||Myrna Vick|
|Andreas Terbeck||Helena Lau||Nader Botros|
|Andrei Constantin||Henrik Hakansson||Natalie Schmidt|
|Andrés Ramirez||Henrik Holgersson||Nathalie Piche|
|Andrew Fogarty||Henry Lim||Nathaniel Gregg|
|Andrew Hollis||Henry Moreno||Nathifa Swan|
|Andrew Silk||Henry Silentman||Nellie Tay|
|Andrew Williamson||Henry tanjung||Neng Ly|
|Angela DeAngelo||Hiba Benamira||Nereida Hagenbeek|
|Angela Fields||Holly Hartner||Nicholas Orlando|
|Angela Ivanesi||Hui Yun chew||Nicolas Dion-Bouchard|
|Angela Onken||Ian Crowne||Nicole Winn|
|Angelica Marquez||Iga Kotra||Nikki Lussier|
|Angelika Fijalkowska||Igor Mesaric||Nina Attia|
|Animesh Ekka||Imran Ali||Nirvesh Jaggat|
|Anna M Krajewska||Irina Silayeva||Noë Baeten|
|Anna Pospieszynska||Isaac Sunkes||Noel Gardner|
|Anne Aavitsland||Isaiah Sheppard||Noel Li|
|Annie Joeseph||Islam Salem||Noora Savolaine|
|Anthony MacDonald||Israel Cazares||Núria Nadal|
|Antonio Deviva||Ivi Shano||Oliver Prentice|
|Antonio Guidino||J E Thompson||Olivia Gill|
|Antonio Prigiobbo||Jack Clabough||Olivier Strobbe|
|Antonio Ramos||Jacob Arnseth||Olly Banham|
|Anwar Suseno||Jacob Burke||Omar Sanchez Jimenez|
|Ara Sargsyan||Jag Sasuri||Omi Dreamer|
|Areeb Ahmad||Jaguara LaDay||Omota Paul|
|Arfan Sohaib||Jaime Ortega||Omri Fuhrer|
|Ari Arsyadi||Jairo Eli DeLe||Ondřej Pisa|
|Arivalagan Raja Manickam||Jairo Torres||Ondřej Pomykal|
|Arley Cornell||Jake Bloss||Orlando Robinson|
|Aron Osal||Jakub Kowalczyk||Orlando Santaella|
|Arta khanalizadeh||James Atienza||Oscar Alvaro Chuquillanqui Olarte|
|Arturo Gonzalez||James Conlin||Oscar mendez|
|Ashley barry||James English||Oswaldo de la Rosa Anaya|
|Ashley Mendelbau||Jamie Subol||Othmane Tajani|
|Ashley Moore||Jan Kalina||Ouahmed Smail|
|Ashley Seto||Jane Mahoney||Pamela Lewis|
|Augusto Batista||Jane Shank||Paramita Chakrabarty|
|Augusto Mozzetti||Jane Walker-Scott||Paraskevi Fotiou|
|Autumn Schabert||Jang Hoon Jung||Pascal Schmezer|
|Avyshek Sobhee||Jani Korkiakangas||Patcharee Wilkins|
|Ayesha Mira||Janine Uhlke||Pathompong Mongkolpornpiroj|
|Aysha Linkiewich||Jasmin Torres-Karys||Patricia Fernandez|
|Aziz Asuncion||Jasmine clemencio||Patricia Malek|
|Barbara Wiebking||Jason Joseph||Pattie Anderson|
|Barbi Defazio||Jason Mozdy||Patty Kalvelage|
|Bart koelewijn||Jasur Rakhimov||Paul Costley|
|Bartley Harper||Javier Guadarrama||Paul Fletcher|
|Beatriz Corona||Javier Kutsher||Paul Puaux|
|Belinda Caldwell||Jay Banbury||Paulo Autunes|
|Belliard samuel||Jay Pickford||Pedro Pires|
|Ben McEntire||Jean Moore||Perry Patrick|
|Ben stallman||Jeanette Klitz||Petar Pavlov|
|Benjamin Rossi||Jeco Bolo||Peter Dong|
|Benny Thaibert||Jeff Brousseau||Peter Polz|
|Bernard Bodo||Jemal Diamon||Peter Steeper|
|Beth Crankshaw||Jenel Looney||Peter-Pau van den Hurk|
|Bethania Pulido||Jenn DePersis||Petr Hrncir|
|Betty Neale||Jennifer Chiu||Phil Wiener|
|Bill Froom||Jennifer Granado||Philip Norris|
|Björn kautenburger||Jennifer Hochstedler||Phill Coooper|
|Blair Matthews||Jennifer Labre||Pierre-Etienne Courtejoie|
|Blake Dennis||Jennifer Torres||Pragya Deo|
|Blanca Cortes||Jenny Caldwell||Pratibha Kankaria|
|Blanka Roundtree||Jeremy Moore||Preston Hamamoto|
|Bobby Jennings||Jerry Bernard||Priscilla Shinn|
|Boboye Olayiwola||Jesper Andreassen||Quentin Lacoste|
|Bogdan Boiangi||Jessica Garett||Rachel Efros|
|Bogdan Oprea||Jessica Renyoso||Rachel Luijk|
|Bogdan Staiculescu||Jessie Nekut||Radu Dobrostomat|
|Bonnie Szalwinski||Jesus Pablo||Rafael Reyes|
|Boyd Wiebe||Jim Robertson||Rajagopalan Nabiar|
|Brad Bartell||Jiri Vlasak||Randy Adams|
|Bradley Diesing||Joana Saramago||Raphael borthouluzzi|
|Brandon Wooster||JoAnn Jordan||Raphael Jahndel|
|Branislav Milic||Joanna Hernandez||Rashell Busch|
|Brendan Switzer||João Vitor Elias Fernandes||Raul Ropan|
|Breno Morozowski||Joaquin Garcia Valera||Rebecca Cox|
|Brent Murray||Joce Nunes||Rebecca Fuentes|
|Brett Sayles||Joe Grant||Reda Ibrahim|
|Brian Adams||Joe Hernandez||Renata Lider|
|Brian Brisendine||Joe Moriconi||Renea Leathers|
|Brian collins||Joel Matos||Rex Peters|
|Brian Forosisky||John Lynord Macalma||Ricardo Bruno Fernandes|
|Brian Price||John Quintero||Richard Hilliard|
|Brian Van Skiver||John Simoneau||Richard Nguyen|
|Brigitta Patterson||John Weiker||RICKY D’Andrea|
|Brigitte Schultz||John Whitehead||Rigoberto Leiva|
|Brittney Walton||John Wyffels||Ritche Tio|
|Brock Marques||jolyon Favreau||Ritesh Ranjan|
|Bryan Clapper||Jon Hoffman||Ritvesh Boodhoo|
|Bryanna Herzog||Jon Liebold||Riyas Hamza|
|Bunny Chaney||Jon Okerstrom||Rizia Carneiro|
|Caleb Godsey||Jonathan gonzales||Rob Hardman|
|Caleb Hallahan||Jonathan Grant||Rob Smith|
|Caleb royer||Jonathan Kavalos||Robert Baldridge|
|Captain Churl||Jonathon Montgomery||Robert Ciampolilo|
|Carissa Winter||jorge Barringon||Robert Deli|
|Carla Swinke||Jorge Caridade||Robert Durn|
|Carlie Van Winkle||Jorge Carrillo||Robert Gassiot|
|Carlo Ceruti||Jorge Dominguez||Robert Simpson|
|Carlos francischetti||Jorge Galvez||Roberto Sanchez Pena|
|Carlos Francisco Padilla Cortes||Jorge Willian dornelles||Robin Perlah|
|carlos mario sierra torres||Joschka Vogt||Robyn Quinter|
|carlos ortega||Jose Antonio Rivera Caceres||Rodel Lescano|
|Carlos Rodriguez||Jose Bazo||Roel Mollen|
|Carlos Vila||Jose Eduardo Murcia Quevedo||Roger Coke Guiterrez|
|Carmen Cavallo||Jose Guadalupe Ortiz||Roger Eriksen|
|Carmen Pat||Jose Torres||Romain Labrande|
|Carol Bourns||Josee Bourdon||Ron Rowland|
|Carol Haggerty||Joseph Chamberlain||Rory McNicholas|
|Caroline Galipeau||Josh Calvertt||Rosalio Mendoza|
|Casey Chafouleas||Josh Duncan||Roxann Grover|
|Cassandra MacDonald||Josh Peterson||Ruben Dario Cruz Ramos|
|Catherine Willis||Jostein Hestdal||Rudi Spitzers|
|Cathy Agoris||Josue Alvarado||Ryan Doyle|
|Cathy Paus||Josué Galvan||Ryan Songco|
|cathy Scheltien||Josue Palma||Sakthivel U|
|Cedric Dufour||Joy Chu||Salah Al-Din Talhami|
|Cédric Jack J.||Juan Arias||Saleheen Azim|
|Celes Monton||Juan Pablo Villafane Murillo||Sam Durbin|
|Cesar Doval||Judy McMillian||Samantha Nardelli|
|Cesar Lebron||Julia Rodney||Samoud Hichem|
|Cesar Sanchez||Julian Alliu||Sanchai Powjun|
|Chaitanya Gudapati||Julian Rupp||Sandra Mendelsohn|
|Chase Gobble||Julie Tork||Sara Fox|
|Chelsea Cochran||Julie Vega||Sara McDonald|
|Cheri Swan||Julio Vasquez||Sarah Jancich|
|Chomchon Tummanon||Jungsuck Choi||Sarah Mulrooney|
|Chris dickman||Juraj Mihalik||Sarah O’Donnovan-Byrne|
|Chris Drain||Justin Martin||Scott Barber|
|Chris Durietz||Justin Vicory||Scott Fultz|
|Chris Garcia||Kajorn Bhirakit||Scott Netizke|
|Chris Meyers||Kallen Lunt||Sean Aikins|
|Chris Sawyers||Kamalakar Venigalla||Sean Kimber|
|Christian Belanger||Kang Hyungshin||Sean Malthouse|
|Christian Flores||Karen Four||Sean Murray|
|Christian Jacobsen||Kari Ardalan||Sean Olsen|
|Christian Kirchmann||Kari Christi||Shahbaz Shaikh|
|Christina Lockhart||Karin Caro||Shahid Mirza|
|Christine Gauthier||Karl Wittman||Shamnaf Abdul Rasheed|
|Christoffer Havrell Uddgren||Kate Moon||Shanna O’Shea|
|Christopher Chavers||Kate Wilentz||Shannon Cary|
|Cid Cadigal||Katherine Tear||Shannon Wieloch|
|Cindi Farrell||Kathern Bly||Shaw Gu|
|Claudia Nau||Kathryn Trumbly||Shawn Johnston|
|Claudia Rico||Kathy Fisher||Shelby Bass|
|Cody Strahan||Katie Labatiuk||SheriLynn meyer|
|Colin Dekker||Katie Mall||Sherry Berghefer|
|Courtney Canova||Katinka Körting||Shravan Shetty|
|Cristian Vega||Keenda Abdel Karim||Shubhankar Mazumdar|
|Cristiano Cameroni||Keith Coats||Sidney Henderson|
|Crystal Caldona||Keith Dyckes||Simen Brurberg|
|Crystal Collins||Keith McKenzie||Simon Adriaensen|
|Curtis Wise||Keith Messina||Simon Doyle|
|Cyndi Harris||Keith Mountifield||Simon Merineau|
|Dagan Zemach||Kelly Raver||Sirkku Pohja|
|Damian Maring||Kelly van Dellen||Siva Kumar|
|Damianos Hadjinicolaou||Kemal Wahju||Sivanathan Anbuselvam|
|Damien Faivre||Ken Lawson||Skip Lande|
|Dan Fear||Kenneth Crosby||Song Yujin|
|Dan Lifshitz||Kesavan VBK||Spencer Dahl|
|Dan Pieper||Kevin Banks||Spencer Sturr|
|Dan Stevenson||Kevin Hol||Stacey Jones|
|Dana Hayward||Kevin M Hussey||Stacy Cannon|
|Danie Salles||Kevin Murray||Stalin Davila Estevez|
|Daniel Broughton||Kevin Tsai||Stephanie Mee|
|Daniel Collante||Kevin Wegner||Stephen Rickett|
|Daniel Feliciano||Kien Nguyen||Stephen Walker|
|Daniel Forestiere||Kieran Sheehan||Steve ashley|
|Daniel Kacvinski||Kim brown||Steve Veloff|
|Daniel Mendoza||Kim Egner||Stevee Beatz|
|Daniel Torres||Kim Hanen||Steven Jackson|
|Daniela Loyola||Kim Jansen||Stian Kristoffer Jamessen|
|Danielle Capichano||kim Juhye||Stijn van Drunen|
|Danielle Light||Krista Menzel||Sukanta Biswas|
|Danilo Fonseca||Kristen Martin||Sulav Poudel|
|Danny Zrihen||Kristian Gamble||Sungsun Kim|
|Dario Estupinan||Krzysztof Szopinski||Susan Garza|
|Darius Zukas||Kyunghoon Oh||Susanna Kuiper|
|Darran Gange||Larry Friedberg||Suzanne Marshall-Jones|
|Darrin Waterbury||Laszlo Ambrus||Sydnee Turner|
|Darya Tarwneh||Laura Kersting||Szilard marschalko|
|Dave Hiemstra||Laura Kozma||Szimmer Akos|
|David Fallin||LAURA Napolitano||Tai Terry|
|David Kaiser||Laura Taft||Tara Parekh|
|David Lencses||Laurent Rabut||Taufik Nurs|
|David Wheeler||Lauri Loveridge||Taylor Burton|
|Davious McMillan||Leana Hilmi||Teri Alexis|
|Dawn McKenna||Lee Flowers||Teun Palamans|
|Deb Cramer||Lee Hyunje||Thafer Alawneh|
|Dee Lenser||Leigh Dowding||Thares Kekina|
|Delney Chua||LEILA Sifuentes||Thea Stevens|
|Denna Merritt||Lenora Martin||Thierry Bezier|
|Dennis Francisco||Leon Van Kogelenberg||Thilo Kressdorf|
|Dennis Kang||Leona Butler||Thomas Cave|
|Devi Prasd||Leona Westdahl||Thomas Donaldson|
|Devlin Donnelly||Leoniceloesch||Thomas Hanser|
|Dharshan Pancharatnarajah||Leslie Hollenbeck||Thomas nazaraly|
|Dhruv Patel||Lexie Kwiek||Thomas Richard|
|Diana Hamblock||Leyla Oglesby||Tia Ellis|
|Diana Perez||Lika Kharshats||Tiaan Venter|
|Diane Sangster||Lindsey Ribeiro||Tiara Dees|
|Diane Stokell||Lindsey Southwell||Tim Bateup|
|Diego Espejo||Lisa Menke||Tim Muller|
|Diego F. Diaz Rodriguez||Liz Watson||Tim Whitney|
|Diego Gonzalez||Lordsman Burgos||Timothy Mathes|
|Diego Marroquin||Lorena Steinet||Ting Gong|
|Dimitar Lyubenov Tsekov||Lori Claudio||TM Petaccia|
|Dino Koljenovic||Lori Greig||Tobias eisermann|
|Dominic Fortune||Lorin Easton||Todd Last|
|Dominik Bruchof||Louis Au||Todd Valentine|
|DonaldPeters||Luat Tran Quoc||Tom Mcnamara|
|Donda Cordova||Lucas Martins||Tom Robinson|
|Donna Brownell||L gomez valero||Tom Varela|
|Donna Hall||Luis Hernandez||Tomas Ingi Ragnarsson|
|Donny Jennings||Luis Ordonez||Tomi Storey|
|Dorothy Baxter||Luis Penagos||Tone Davis|
|Dorus Verwiel||Luisito Aumentado||Toni Vicent|
|Dowoo Lee||Lwin Htet Aung||Tony da Franca|
|Duong Caotri||Lynne Fox||Tony Harmer|
|Dušan Pešić||Lysa Allen||Tova Raykin|
|Dusan Prokic||M Sabie Saeed||Travis Bredehoft|
|Dustin Vyers||Maaike Min||Tri Nguyen|
|Dylan Bruce||Maciej Piwowarczyk||Tricia Barrett|
|Earl Bryan Nacua||Mack Barbosa Escobar||Trish Zalesak|
|Eddie Cruz||Madeline Lim Rong Ying Lim||Trudy Rech|
|Edgar Wilkening||Magdalena Bialek||Tyler Laughlin|
|Edmund Porta||Magnus Hansen||Ugo Boulet|
|Eduardo Correa||Mahesh Jadav||Ujwal Ticktoo|
|Eduardo Del Valle||Maiyuran Kana||Upamanyu Das|
|Edward Parker||Malcolm Querney||Vaibhav Vardhan|
|Edward Sanchez||Malin Hassel Penteado||Valentin Schnitzler|
|Edwin Boror||Mandi Pralle||Vance Robnett|
|Edwin Carbajal||Manish Sharmer||Vanessa Cartwright|
|Eileen Morales||Manuel Calderon de la Barca||Vanessa Farano|
|Elaine Ward||Manuel Martinez Ortiz||Veera Manikandan|
|Elena Botell||Manuel Salazar||Veronica Alvarado|
|Elena Humanes||Manuel Sepulveda||Vibeke Koehler|
|Eleni kelley||Manuel Vargas||Victor Cacinschi|
|Elias Chiri||Manuela Panic||Victor Latco|
|Eliash Strongowski||Mao Dominguez||Victoria Baldoni|
|Elisa Eder||Marcia Wood||Victoria Pavlov|
|Elizabeth Biever||Márcio Morais||Vimber William|
|Elizabeth Simons||Marco Valencia||Vincent Brando|
|Elizabeth Wiethop||Marcos Olmos||Vincent Colburn|
|Elvis G Pereira||Marcus Edmark||Viren Bhalla|
|Emi Toma||María Isabel Navarro Ruiz||Virginia Wood|
|Emidio Torre||Maria Maza||Vittoy Bautista|
|Emily Gruenfelder||Mariana Elias||Vivek Kumar|
|Emma Powney||Marilyn Srsen||Walter Genevrier|
|Emmanuel Vargas||Mario Castro||Wes Peters|
|Endia Williams||Mario Luca Pecora||William Romanini|
|Enea Auberson||Mario Ruano||William Warhurst|
|Eren Shain||Mariso Reyesl||Wilson Araujo|
|Eric Allen||Mariusz Rozmanowski||Woojin Lee|
|Eric Arnal||Mark Anthony Fernandez||Yoann Vedani|
|Eric Brewer||Mark Chamberlain||Ysmael Guzman|
|Eric Felton||Mark Higgins||Yusman Yussuf|
|Eric Gea||Mark Jenkinson||Yvonnen Vansledright|
|Eric Gill||Mark Lehr||Zach Apostle|
|Eric Guiterrez Dorati||Mark Mathew Paradela||Zach Ubbelohde|
|Eric Rosenfeld||Mark Wubbena||Zoe Ronen|
Adobe Creative Cloud for teams allows you and your team to get the entire collection of latest and greatest CS6 tools, along with lots of team-specific features that make working together easier than ever. So the question is; is it right for you? This series helps Adobe customers, such as creative directors and IT professionals, understand if Creative Cloud for teams is a good fit…
- Size Doesn’t Matter – Design agency? Growing startup? Regardless of your workgroup situation, Creative Cloud for teams fits.
- Cloud collaboration + latest creative tools = staying ahead of the curve – Creative Cloud for teams makes it happen. That’s right –you and your team receive the latest updates as soon as they’re available.
- Changing needs = changing team – With Creative Cloud for teams, adding and removing licenses for team members is a walk in the park.
- HELP! – Creative Cloud for teams provides you with help when you need it. Enjoy two deep-dive expert support instances (per seat per year).
Interested in hearing how Creative Cloud for teams is benefiting Scott Kelby’s own Kelby Media Group? Check out this video to see how Creative Cloud for teams allows them to reach millions of people all over the world through websites, podcasts, online training, magazines, and more:
Twisted, dark and awesome. Three words that describe the work of the creative team and visual artists that make up McFarland & Pecci. Still relatively new Creative Cloud members, these fellas have wasted no time utilizing the broad range of tools and programs to create one-of-a-kind work. A documentary film for well-known “metal core” band, Killswitch Engage? They’ve done it. High concept cover art for the Boston Phoenix? Sure. See what we mean about twisted, dark and awesome?
We engaged in a lightning round Q&A session with them to get more details on why Creative Cloud works for them. The diverse amount of products offered, the seamless syncing, constant updates, and bug fixes are just a few reasons why this duo takes creativity to a whole new level.
Adobe: Describe a project you are currently working on or have completed with Creative Cloud.
McFarland & Pecci: We signed up for Creative Cloud a few months ago and jumped right into a few projects with Premiere Pro, After Effects, and Photoshop. McFarland & Pecci is a creative team of directors and visual artists. We create everything from high concept photo shoots to feature films and documentaries. The past few months have kept us busy in post-production on the new Killswitch Engage documentary called “New Awakening”, the new music video for CZARFACE featuring Inspectah Deck from Wu-Tang, one of the final high concept covers for the Boston Phoenix, and an upcoming ”double secret” comic book film.
What was your inspiration behind the project?
We love to tell stories, and we tend to be drawn to darker subject matter and artists that are obsessed with their craft. The film on Killswitch Engage was a fun project that allowed us to focus on the guys as a family unit and we kept our gear tight and our crew small. The CZARFACE video is deeply rooted in our love for Grindhouse flicks and Shaw Brothers films, and the ‘End of the World’ photo shoot was completely influenced by the epic magic of Michael Bay!
How has the Creative Cloud changed your creative workflow?
We switched to Premiere Pro to simplify our workflow. Plain and simple. We shot CZARFACE with the RED EPIC in 5K with Hawk anamorphic lenses. The piece required a lot of compositing in After Effects and color grading. The fact that I could bring the raw files right into my timeline and directly export to After Effects made our lives so much easier. A competitor’s program has really dropped the ball when it comes to professional editing these days so we were looking for a smart move. Just the time saved by not having to transcode footage from the RED and/or DSLRs was enough of a reason to make the jump to Premiere Pro.
What tools specific to Creative Cloud enable you to work more efficiently?
As mentioned earlier, all the new benefits of Premier Pro were our big draw in the video side of things, but the new version of Photoshop and its retouching tools and amazing smart layers really helped us composite these giant “End of the World” files. We have always been Adobe fans in one way or another, but having it all in one spot really helps us. The cloud helps us keep both systems identical in our edit bays, and the constant updates have fixed a lot of software bugs already.
Describe your style of work in three words
Really F$#Kin Awesome!
Fill in the blank: I couldn’t create without _________.
Our twisted minds and the tools that can keep up with them.
What advice would you give to an individual who is considering Creative Cloud?
If you are a video editor, make the jump to Premier Pro. Just do it. Creative Cloud is the smart choice; you sign up and download everything you need. It even runs on two systems. Makes having a post house a lot easier.
Dig their work? Check out Mcfarland & Pecci on Facebook, visit our website to see more films – www.mcfarlandandpecci.com – or follow directors @MikePecci and @Ian_McFarland on Twitter for behind the scenes content and tutorials.
“You can expect a spirited, ferocious delivery of our “Tall Tales” speaking fiasco! With, some surprises….” says Aaron Draplin of Draplin Design Co. on what to expect at his Adobe MAX session this year in our Twitter Chat with him. During the Twitter Chat, many had their burning design questions answered by Aaron, while others were just excited to connect with the brilliant creative. We want to give a big thanks to those who participated – especially Aaron! Check out a quick sample of the Twitter conversation using the #AdobeMAX hashtag below.
Watch our video to learn more about Aaron Draplin’s love for junking and estate sales, and read Part II of our Q&A with him below.
Here’s Part II from our Q&A with the “Large Man” himself:
Adobe: When you were first starting out, what’s the biggest mistake you can remember making?
Aaron Draplin: Thinking I’d need some big degree to make it. Complete bullshit. As much as I loved going to art school and learning as much as I did, I’m pretty sure I could’ve made it on my own. I caved in to the pressure system. I thought I’d get called out for teaching myself or something. And sure, school was awesome, but man, I paid a lot for those couple of years.
How (and at what times) does a typical day start and end for you?
I’m usually out of bed by 9:00am, getting down to the shop and getting going by 10:00. And hell, I hate going to get lunch, cuz you lose an hour. I’ll work until 7:00 or 8:00pm (sometimes later), then I head home for supper, and will get the late shift going around 9:00pm—until 1:00am. I end my day by going to sleep, which is a pretty common theme.
Things you love? Or things you hate? Which influence your work more?
Things I love definitely influence the way I work, and the outcome. And I know it’s not cool to hate stuff, but hell, I’ve got some bad blood with some stuff and am not afraid to say it, and, let it fuel me to make better things. My buddy Ryno in Minneapolis made a list, and inspired by his vitriol, I did too. Here are some spirited links: Things I Love and Things I Hate.
about how to make things better, instead of selfishly tearing them down. I loved that part of school. Thank you Santiago and Kali.
If you could choose just one artist (use that term as loosely as you wish) to “surround” yourself with, who would it be? Why?
I would’ve loved to work for Saul Bass. He’s my favorite graphic designer.
Since most people will never have the opportunity to participate creatively with the Obama administration, can you tell us (in more words than “awesome”) how you felt when you learned you were getting THAT assignment?
When the Mode Project from Chicago first called me, I thought I was in trouble or something. I mean, a call like that is going to be really, really good or really, really scary. When they offered the chance to work on a logo to help the new Obama administration, I instantly accepted, cleaned off my plate and got down to it. When they call you up to the big leagues, you produce. For your country. Seriously, my heart was filled with patriotism. The chance to help out in the slightest way was a big deal to me. I freaked out a bit, then got down to work with Chris Glass from Cincinnati and we made some logos for America. Will forever be proud of that one.
And, now that you’ve completed that one… what’s your (next) “dream” project?
I’m scheming up some kind of road trip for the fall, but have to keep my lips sealed about the details. But when I really think about it, I dream about getting enough loot in the bank to where I can slow down my pace, go explore the earth a bit more and mellow everything out some. I’ve been running pretty hot these last bunch of years, so I daydream about downshifting things in a creative way. No real specific plan comes to mind, hence why I continue to charge as hard as I do. Oh well. If I could pick something out of the air…I sure would love to design a record for the Flaming Lips. Break me off a little piece, George
Fearless and wildly creative design duo Hjalti Karlsson and Jan Wilker—also known as karlssonwilker—are an independent and internationally-recognized creative force. When we met them, we were so charmed that we immediately wanted to introduce them to you, so we asked them to speak at Adobe MAX this year! Karlsson and Wilker’s topic, “Creativity, Technology, and karlssonwilker” speaks to their commitment, passion and creativity, as well as the equal importance they place on technology and play in their work.
Attend MAX. Attend their session. You’ll leave inspired. In the meantime, enjoy this candid Q&A (and their reinterpretation of the MAX logo) from these imaginative designers.
Adobe: You and Hjalti founded karlssonwilker in 2000, after working for Stefan Sagmeister, what was his advice to you when you told him you were opening your own studio?
karlssonwilker: There was no particular parting advice, although we surely asked him for advise many times, and still do from time to time. Back then it felt like a very natural transition. Stefan went on his sabbatical and so the two of us started, or were forced to start, our own “thing.” I remember the two of us showing Stefan the office space we were thinking about renting, and him saying it’s a great deal and that we should definitely take it. (We still are in the same space today.) The biggest thing, for me personally, was that he showed us—and everyone else—that a studio small in size could make hugely influential and relevant work, something quite uncommon back then.
As if opening a new studio during a recession wasn’t enough, you decided to write a book (tellmewhy: The First 24 Months of a New York Design Company) about those first two years in business. Why did you take that on at that time?
One part was frustration about our unpreparedness regarding the business side of our new enterprise. The other was the need we felt, at the time, for more honesty in the arena of shiny design monographs. The simple story of the humble beginnings of a studio should be told, not the idealized and romanticized look back on 20 years of a successful design career, where everyone seemed to be born a genius. That’s what we did and to this day we still get emails from around the world thanking us for doing this candid book and helping designers around the world not feel they are alone in being ill-prepared to properly run a studio right from the start. And of course Princeton Architectural Press deserves huge credit of course for working on it with us, as does Clare Jacobson for writing it so fantastically.
Your book offers a not-always-glamorous view of owning a design studio; do you think it’s important for students and young designers to know that the path to success is not always rosy?
Yes, of course. Its important to make clear that failing is part of the “fun” and an important part of the learning. Somehow this book led by example: if Hjalti and I can do it, anyone can. And that seemed to be empowering to many.
If tomorrow, you could no longer be a designer, what would you choose to do?
I would be a shoemaker. Hjalti would run a little store, or be “in real estate.”
Has Adobe’s Creative Cloud changed/altered your work and your process?
Adobe products have always had a huge influence on us and there are many examples in our work. One of our design approaches is rooted in play and experimentation; very early on we used Illustrator’s tools and filters to explore dense vector drawings, by spending lots of time with it to see where it would lead us (projects like Hattler, Skirl and, later, Mini/BMW). Also, the MAX key art we created for this year’s conference comes from formal experimentation with three or four different programs.
What do you most hope to be able to say about your work and your partnership 20 years from now?
Jan: That we constantly evolved, enjoyed life, and produced relevant work that inspired some to push harder.
Hjalti: That I’m still very proud of the work we did, that Jan and I are still on speaking terms and, who knows, that the company is still going strong in 20 years, with the two of us working two days a week and an army of people doing all the work.
You and Hjalti have both been design judges… Do you feel that the work submitted to design competitions encapsulates what’s going on in the industry at the time?
For me, that’s a clear no. It might have been that way many years ago, but nowadays competitions are indicators of who wants to appeal to the commercial mainstream. The design world is more colorful now, and only a small fraction wants or needs to be represented in design annuals. We ourselves stopped sending things in about eight years ago.
For your eleventh anniversary party you created a poster acknowledging all of the karlsssonwilker interns you’ve had over the years. How many were mentioned? And how many have been inspired, by working with you, to open their own studios?
We mentioned every single one of them—almost 40 interns have come through our little studio. About fifteen of them started their own studios more or less right after their time with us (I’m not sure that we inspired them to do that, I think they already came to us with that plan in mind).
Talent? Passion? Or education? Which is most important? Why?
Passion. For sure. A genuine interest in what you do is really all that matters.
We just saw your version of the new MAX logo on the MAX website. Was executing a logo redesign easier or harder than beginning from scratch?
We didn’t see it as logo redesign, but as a demonstration of “creativity,” with the MAX logo incorporated into it.
Be sure to come see karlssonwilker at Adobe MAX this year! Register at MAX.Adobe.com with promo code MXSM13 and save $300!
Prior to Adobe MAX, we wanted to give you an opportunity to ask him some questions, which is why we’re hosting a Twitter Chat with Aaron (@Draplin) on Monday, April 15, 2013 at 10AM PST (1PM EST). Follow our Adobe MAX Twitter channel (@AdobeMAX) for updates, and be sure to ask your questions then using the #AdobeMAX hashtag.
To get an inside look at Aaron, watch our video interview with him as he discusses his love for the creativity of signs on a #$%*! mini-tour of Portland, plus more in Part I of our Q&A with him.
Adobe: We’ve seen the memo book archive you’re building. Do you have a favorite? If not a (single) favorite, a favorite theme (or type)?
Aaron Draplin: There are just too many to pick from, but I do have a fondness for the ugly duckling stuff. Some are lavish, some are trying a little too hard and some, hell, just do the job and exist for their purpose. I love that sort of unpretentious singularity. Pure functionality is a beautiful thing.
Field Notes. Why 48 pages?
Thirty-six seemed too few, and 60 seemed a little bit too big. We split the difference. Plus, the “thickness” came into play. Forty-eight pages is a lot of real estate, yet still feels good in your hands. We’ve got your best interests scientifically considered, people. Trust us.
Where/when did the relationship between you and Coudal Partners begin?
I was a fan and reached out with some email slathering Jim with niceties, and he slathered right back. The next time I whipped through Chicago I stopped for a handshake. That would’ve been in early 2004. Buddies ever since. Thank you for so much, Jim!
You’re speaking at MAX (frankly, we can’t wait). Does your speaking topic “Tall Tales from A Large Man,” provide a lot of latitude… That is, can you change course if you come up with an idea just before you step on stage?
It depends on the crowd. If I recognize some faces before the gig, I’ll mix stuff up a bit. Otherwise, I stick to my presentation, and tell my whole story the best way I can. If people are into it, I’ll offer up a lot of side stories, but if they are stone-faced, I’ll whip through the stuff. Rarely, are they stone-faced. Every now and again someone will be sitting there, as still as the dead. That shit freaks me out. I mean, are they human?
What about Adobe made you decide to say “yes” when we invited you to speak at MAX?
I’ve been speaking at a lot of Interactive conferences and, frankly, I often find myself not knowing a damn thing about the coding stuff they’re talking about. It’s a different language. The idea that a bunch of Adobe nerds would be in one place? My kind of party! I live off this stuff and am super interested in seeing what kind of people show up for it. I mean, I hope to learn knew ways to use my programs, you know? So, I’m going as a fan, and as someone tasked with telling his story to the crowd. And I promise to LAY WASTE to all in attendance. You’ve been warned.
What’s the one skill you learned in design school that you would encourage young designers to hone?
Learn how to talk about the work. Don’t indulge in “liking” things or “unliking” things. Hold stuff to the criteria of whether or not the solution is successful for the problem at hand. Liking stuff is a little too subjective. Did it solve the problem? Is it as good as it could be? Did you get it done on time? Design school taught me how to be diplomatic when discussing work, and how to be constructive about how to make things better, instead of selfishly tearing them down. I loved that part of school. Thank you Santiago and Kali.
Also, join our Adobe MAX Twitter Sweepstakes from April 10–16, 2013. Use the hashtag #AdobeMAX for a chance to win some great prizes! Read the Adobe MAX Tweetaway Sweepstakes Official Rules for more details.
Vasava, founded by Bruno and Toni Selles in 1997, is the brainchild of an illustrator/graffiti artist (Bruno) and a graphic designer/advertising art director (Toni) who, tired of traditional studio methodologies, set out to create something different. Some fifteen years later, the team is comprised of eighteen designers each with a unique set of cross-media skills. (There are no administrative or account people.)
When Vasava said “yes” to our invitation to speak at Adobe MAX, we wanted people to get to know them better. Partner Enric Godes took time out of a crazy-busy schedule to talk to us about revelation and inspiration, personal projects, the man behind the Vasava ski mask (on the speaker page) and which Adobe product he couldn’t work without.
Adobe: You reinterpreted our Adobe MAX logo. What was the inspiration/concept behind your design?
Vasava: The idea behind the logo interpretation of Max 2013 was to dissect a vision of graphic coolness into a classic logo. We’ve put different layers of graphic languages into a single piece to represent the many things going on at MAX—as a symbol of all the things going on. The main challenge was to have multiple styles and voices together in the same place, in harmony and acting as a unique new style. The main character, the red bird, is the creative spark that changes everything; the inspiration wave that comes after a revelation. What’s behind the bird’s trail is awakening from a long sleep and the new challenges the phoenix is facing. We see it as a nice metaphor of the transformative power of the creative conference.
Two years ago you made a limited-edition toy for street wear brand 55DSL? What was it like to make Plastic Señor Blanco? Was he modeled after someone you know?
Señor Blanco’s original shape was modeled by the very talented Julian Pastorino and Cecilia Suarez for Atom Plastic; it was part of a custom series celebrating 55DSL’s 15th anniversary using a 100% Italian vinyl toy. The brief was to represent the core values of the brand and their style into a toy to be distributed worldwide to selected stores and trendsetters in the fashion and street wear world. We customized him using the allover graphic we developed for the brand for this project. Also we designed an ambigram for his belly to show the ambiguity of the character.
You’ve mastered multiple media in a way that many studios have not; when you bring new creatives into Vasava are you careful to bring in people with varied skillsets?
It’s in Vasava’s DNA to try to have as much variety and eclectic influence as possible. For us, the important thing is not to stick to a certain style or approach but to evolve in a natural way. We try to follow a path that investigates a commitment to creativity and different ways of producing our craft. Skills are so important and everyone has a different set. What we manage to do with all this possible combinations is what can make a difference and what we enjoy the most: Embrace randomness, try the happy accident, and identify when something unexpected can be a good solution to a problem.
In one word describe the studio environment at Vasava.
You do quite a lot of work for fashion (and fashion sports) brands. Is it because Barcelona is becoming more noted as a fashion capital or is it Vasava’s design aesthetic that attracts them?
Yes, we’re involved in a bunch of fashion and sport brands, and not sure how this has happened; it never has been a part of a planned strategy but things happened this way and we are vey pleased and proud to be taking part in projects in these fields. Fashion capitals are well identified and Barcelona, although a very cool city, still has quite a way to go to be one of them. There’s a lot to do to really reclaim our role as trendsetters, but that’s less something related to creative potential than to institutional and political support.
Do you foresee opening an office in the US?
Yes, why not, it’s not a crazy idea. We have an agent in the US, Bernstein & Andriulli, and we’re producing projects for the states on a daily basis, so it’s not impossible to foresee it in the near future.
If you had to give up all but one Adobe software product, which one would you keep? Why?
That’s a tough question. We, as creative, are linked so much to the entire collection; they are the tools we use everyday and are our weapons of mass creation. Obviously all of them are important, but if had to face the choice: Illustrator or Photoshop.
It could be anyone from Vasava; it could be no one: Who’s the man behind the ski mask on the MAX speaker page?
Hahaha, that’s funny. We as Vasava, always like to be there as a collective, a team of creatives behind a name. The guy behind the mask is the super talented Albin Holmqvist. He spent three years with us but he wanted to go back to his beloved Stockholm. He’s still a great friend and a Vasavian at heart.
Personal projects are hugely important for creative expression, experimentation and learning new skills, but how does a small studio find the time to devote to them when you’re so busy with client work?
The answer is actually the contrary of the question: How would we be busy with client work if we wouldn’t do personal projects? When Toni and Bruno started Vasava thirteen years ago, we were nothing, nobody knew about us. It was through personal projects that we came to be known by people and got onto the map. And, to this day, it’s something we never skip; it’s very important for us to still be doing our things, to engage in our passions, to create for the commissions and be able to find entertainment in creativity outside of the commercial frame. We produce films, objects, projects, typography and projects only for the joy of doing it. Vasava is not just about the business, it’s our lifestyle.
How has working in Adobe’s Creative Cloud changed the workflow for your studio and with the freelancers with whom you work?
It’s helped us keep things tight. It’s easier to keep an eye on everything and be able to explore iterations and versions knowing that everyone on the team is connected and using the same tools. It provides a great control and helps everyone not to be worried about the technology focus on the project. I mean, before it was a nightmare to work in different places different OSs or versions and share documents. We’ve gotten rid of all those distractions and can focus on our craft and projects.
To go see Vasava speak on the “Designing for International Fashion and Sports Brands” at Adobe MAX this year, visit MAX.Adobe.com. Be sure to use promo code MXSM13 when you register and save $300.
Whew! Our 24-hour live stream of the reinterpretation of the Adobe MAX logo has officially come to a close. Thanks to the amazing (and endurable) creative team lead by Jessica Walsh and Stefan Sagmeister of Sagmeister & Walsh, we have a new jaw-dropping Adobe MAX logo – which is as seen above!
From inserting nearly 7,000 pencils into Styrofoam cutouts of the M-A-X letters, to launching paint balloons off of roofs, to jumping off of trampolines into crash pads, the team did not miss a creative beat. During the creation (or play as they call it), we were able to watch every step of the process and allowed viewers to tweet their questions to the Jessica and Stefan using the #AdobeMAX on Twitter. The entire live stream was even being broadcasted on a Times Square billboard in New York City.
Did you miss the event? Not a problem – we have a time-lapse video below that recaps the entire process:
Don’t forget: To hear Jessica speak on the “Importance of Play in Innovation” at Adobe MAX this year, visit MAX.Adobe.com. Be sure to use promo code MXSM13 when you register and save $300.
Creative Cloud does not just provide creative individuals with tools to take their talents to the next level, but also offers the opportunity to explore other creative areas of interest. Take Geordie Milne (@geordiemilne) for example. The use of Creative Cloud has evolved his creative workflow by enabling him to work with multiple programs on a single project. Not to mention, new updates (some exclusive to Creative Cloud users) gives Geordie the ability to try programs he may have never used before.
Read about his current project, check out some of his impressive work, and learn which tool in Photoshop blows his mind below.
Adobe: Describe a project you are currently working on or have completed with Creative Cloud.
Geordie: I am currently using Creative Cloud for a project for themeditator.com and marinacowdray.com. I am taking photos of the jewelry and sculptures and creating graphics using Illustrator and Photoshop; as well as some time-lapses using Premiere Pro.
What was your inspiration behind the project?
Geordie: My current client’s work has a meditation feel & knowing its positive effect; I find pleasure in modifying it and creating patterns from it.
How has the Creative Cloud changed your creative workflow?
Geordie: It’s amazing to have access to all of Adobe’s programs! I probably would have never dipped into learning as many of them as I am now, and I’m excited to download some more. I also end up using more than 1 program per piece such a making a time-lapse & then bringing it into Photoshop to apply some of the great new video capabilities, such as ‘Blur’ or ‘Liquify’. Creative Cloud gives me the ability to save and access files from any computer, and be able to share files with my clients and friends. As a visual person, I have found that Adobe Bridge helps me find files and stay organized.
What tools specific to Creative Cloud enable you to work more efficiently?
Geordie: I also work with drones (multicopters), so one essential tool for sure is Premiere Pro’s, ‘Warp Stabilizer.’ Illustrator’s ‘Pattern Options’, makes for quick, exact designs. Photoshop’s ‘Smart Objects’ offers a new, nondestructive workflow and is a great way to add filters.
Describe your style of work in three words
Geordie: Fun, Technicolor and Geometric
Fill in the blank: I couldn’t create without _________.
Geordie: I can’t think of one thing other than just answering, ‘Abode’ but one thing I absolutely LOVE is the ‘Oil Paint Effect’ in Photoshop… it blows my mind.
What advice would you give to an individual who is considering Creative Cloud?
Geordie: Do it, try it, you won’t regret it! I often urge people to sign up for ‘Creative Cloud’. Its monthly costs offer people who want to emerge into the creative industry, a financially strategic, practical step.
Anything else you’d like to add?
Geordie: I love signing into the Creative Cloud and seeing an update here and there. Adobe is pushing the creative technology like no other. I feel that I have also joined access to a like-minded community, have made some great connections and look forward to seeing everyone’s creations!
Like Geordie, has Creative Cloud inspired you to try products you’ve been intrigued by, but have never tested out? If so, tell us about it on Facebook, Twitter or in the comments below. Care to see more of Geordie’s work? Check out his blog here.
Upcoming Ask a Pro Session
Title: New Ways to Work with Creative Cloud
Date: Friday, June 7, 2013
Time: 10:00 AM - 11:00 AM US/Pacific
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