I had the opportunity to work with nVidia on their new powerhouse of a video card, the NEW Quadro CX board. Over the past several months I also worked with one of the companies (ETI) who is the first to unleash the GPU power of nvidia’s CUDA for Adobe software. ETI is the company behind the new GPU based H264 exporter. This new exporter gives you upto 5x performance for h264 exports. This is perfect for people creating blu-ray discs. The performance gain depends on your system config. For example, if you have an 8 core machine, then your looking at about a 2x gain. I also highly recommend that you use Vista64 and 8GB Ram for Windows based HD workflows. (the CX card is currently windows only)
Posts in Category "General"
The new Production Premium CS4 now supports AVCHD for Premiere Pro, AfterEffects, and Encore. With the various price ranges of AVCHD cameras, tapeless workflows will surely reach the mainstream in the near future. I’ve been using CS4 internally for quite a while and have been totally converted to the new CS4 workflow.
Take a look at the quick workflow video and see what’s new in Production Premium CS4 and AVCHD. I also show a few more CS4 features like the new Media Browser which lets you browse media from any drive right from Premiere Pro. (The big advantage is here is not having to import unknown clips just to view them).
The RED plug-in has been released.
CLICK HERE TO SEE NEW ARTICLE and video
Adobe Production Premium support !
For a few weeks now I have been checking out the new Red Camera Adobe Importer plug-in for Premiere Pro, AfterEffects, and Encore. For their first Adobe CS3 plug-in, they’ve done some excellent work. Their importer plug-in makes using the native R3D file type as easy as any of the other tapeless formats we currently support with CS3. As with our P2 and XDCAM support, importing is as easy as drag and drop or you can still use the standard File>Import dialog. The Plug-in gets installed in the Adobe Common MediaCore folder and is shared by all Adobe video applications. Yes, there are plug-ins for both Intel Mac and Windows. Windows users might consider using Vista64 so they can address more than 3.6 GB of RAM for the larger frame sizes(yes – currently CS3 can only address upto 4GB of Ram on Windows ** stayed tuned ** we’ll have a better answer – more on that later) Vista users, just remember to turn off all of the friendly Vista helpful messages like “Cancel or Allow?” )
Intro to PremierePro CS3 and XDCAM, XDCAM HD, and XDCAM EX support
For Intel Macs and Windows XP/Visa (Version 3.2.0)
What’s New ?
With Premiere Pro CS3 and the 3.2.0 update, you can now natively Ingest, and Edit Sony’s XDCAM (DVCAM), XDCAM HD, and XDCAM EX format. Just as you would expect from Adobe and the Premiere Pro team, just drag and drop directly from the card into the Project Panel and start editing. No need to transcode your video with “wacky” single platform codec’s and no need to worry about .mov and .avi files – just edit ! There are also more updates to the MPEG-2 (HDV) editing modes. For more info jump to the “What’s New in the 3.2.0 release?” section and read about new Fixes, Known Issues, and more.
To Learn More ………..Click Continue Reading
During our internal CS3 beta cycles of Adobe PremierePro CS3 and Adobe Encore CS3 , I spent most of my efforts on HDV and Blu-ray workflows while prepping for NAB 2007. The idea was to come up with a simple workflow allowing the user to ingest HDV and end up with a playable Blu-ray disc for the Sony Playstation 3, which is currently the least expensive Blu-ray player. In the Adobe booth we demo’d Blu-ray authoring on an Intel QuadCore Mac and playing burned media on a Playstation3. We had 2 Blu-ray discs, one encoded as MPEG2 Single Pass (draft mode) and a H.264 Two Pass (High Quality Mode) ** UPDATE ** Since this article was written last year, I have spent my early 2008 efforts on working with Panasonic P2 footage and Blu-ray and have been very happy with the workflow. P2 footage to Blu-ray works amazing well with Encore. Look for an upcoming article. Once you go tapeless , it’s hard to go back to tape. I’ll also be working with Sony EX tapeless footage this year as well – Stay tuned.
In the Sony booth Blu-ray area, a Sony Rep was demoing and burning Blu-ray discs from EncoreCS3 via a Sony burner and Dell machine. He was taking the burned BD-RE Sony disc from the Dell Desktop and playing it in the PS3.For time sake, they were also encoding in MPEG2 Single pass “draft mode” and using a standard DVD size project (720×480). This allowed them to demo a complete “click to burn” cycle in just a few minutes. They wanted to show a complete Blu-ray workflow from PremierePro’s Timeline to Encore to Auto Erase to burn, and lastly, playing in the PS3. It was a great demo. The video quality was so so, but keep in mind that the idea was to show the workflow, not wait for a long H264 Encode for the highest quality.
Read on to learn more …….
The AfterEffects CS3 8.02 update is NOW available. To update, launch any CS3 application and go to the Menu option Help>Updates. The Adobe updater will scan your CS3 apps and start downloading. Once it starts downloading, make sure you close all of your web apps and any open Adobe apps. There are STILL EXPORT ISSUES WITH QUICKTIME 7.4.Hopefully we will see a quick update for QT from Apple as many AE users have been crippled by 7.4.For mac users the 8.02 update includes OSX Leopard support.
Read on to learn more about the 8.02 update …….
As promised here is a quick workflow video showing the new support in After Effects CS3 for Panasonic P2 MXF.You will see this P2 feature as part of the next free update (v8.02) which is due to be released before the end of 2007.
A few key points:
AE Importer P2
Just a quick note on After Effects CS3 and P2 support:
Premiere Pro and P2 support
for Intel Mac OSX and Windows XP/Vista
With the new Premiere Pro CS3 and the 3.1 update, you can now natively Ingest, Edit, and Export the Panasonic P2 format. All you need to do is to shoot your video and simply drag ,drop , and edit – it’s that easy. There is no need to transcode your video with an intermediate codec in order to use them on the timeline, and there are no AVI or Quicktime wrappers – just native P2 format.
Premiere Pro CS3 will actually allow you to edit directly on the P2 card. This means you can shoot your video and start making a quick rough cut on your laptop while going to your next shoot. Once you get back to your desktop Premiere Pro workstation, you can copy the P2 clips onto your desktop workstation and continue editing. For those of you with a Matrox Axio, you’ve been asking for a laptop based solution to use with your Axio and it’s finally here.
If you use or plan to buy any of the AJA or BlackMagic products, you’ll be pleasantly surprised with their support for Premiere Pro CS3 (v3.1) as well. More on that later….
I have created a quick Intro to Premiere Pro CS3 and P2 video. This video shows you our P2 support in action.
TO LEARN MORE …..click Continue reading
HDV Editing: A different take…
Over the past few years, HDV has given us lightweight and affordable cameras. Just ask anyone who shoots video for a living why they like these new cameras. These range from small palm corders to lightweight shoulder cams.The next time you see a professional video shooter, look at the camera they are using. Chances are it’s a small high quality HDV camera from Canon, Sony, or JVC.
From the Beginning:
I have had the opportunity to work with HDV from the beginning. With our 3rd party plug-in partners, we actually had support in earlier versions of Premiere (6.5) with excellent codecs like CineForm’s AspectHD (still my favorite software based HDV solution for Windows users) and later on, MainConcept’s MPEGPro and the NEW MPEGProHD.