Swarm of Jellyfish – Procreate

Posted by: Dave Forrester on January 9, 2012

Rio has been working on making jellyfish for the past couple of months.  He is beginning to master creating layers in Photoshop.  His latest creation, he calls, “Swarm of Jellyfish” was created with a new art tool,  Procreate for the iPad 2.  The program only cost 4.99, just as much as a jellyfish sticker book, but a lot more robust.   Rio works really fast.  This is what I really like about Procreate.  Procreate can keep up with Rio.  He uses a Bamboo Stylus at  blazing speeds.  He can modify the brush sizes, opacity, and type of brush in a matter of seconds.  All of his digital art lesson have been thanks to the use of Adobe Connect.  Judy Durkin continues to teach him via Adobe Connect through the internet.  Rio has been transferring what he is learning in Adobe Photoshop and Illustrator and now is applying his art skills to new programs like Procreate.  I like that Procreate can load new artwork in HD (1920 X 1408) format, send out through email in PNG file format, and be Gmailed out to a whole group.  I have setup a family email group for Rio, so each time he finishes a project he can email the artwork to the whole family in a few minutes.  We are going to explore how to use the PNG file format out of Procreate and play with filters in Photoshop next.

Dave Forrester

3:57 AM Comments (2) Permalink

Self expression is healing

Posted by: petr888 on January 5, 2012

Self expression is healing . I know this because my students show me how true this is every year when they make their films.

For the record, not all of their pieces are like this, thank you! But every year there are students who come forward to tell me about their Adobe Youth Voices projects and I am frequently moved to tears by the hardships they are experiencing. There is the young lady whose aunt is an alcoholic – with unpleasant consequences, and the student wants to talk about this in an audio podcast and poster. There are the two students who discovered they had both been subjected to emotional abuse for years and they want to make a film about this. Then there is the student who cannot live at home – mom is a “bit of an addict” and dad – well, living with dad is simply not possible. She lives with a friend.  She is considering doing a piece about this experience. I am moved in ways that reach deep into my soul. I am overwhelmed that so much hardship goes on around us, in good old middle class Canada. And then I am honoured to be trusted such that they would want to talk about these issues with me and that leaves me feeling overwhelmed with the responsibility of seeing these projects through to fruition while also asking constantly… “Are you comfortable sharing all of this with the world?” because the students must also be protected.

I think about the software we use – Adobe Photoshop Elements 9 and Adobe Premier Elements 9 and I wonder if the software engineers ever think about what their programs address and create. If they were to see what goes on in my class as these projects gently unfold and grow, I suspect they would be amazed and perhaps, overwhelmed. It is truly awesome to watch and to nurture and mentor this whole process. I bet they never talked about this in engineering class. But this is what they are helping to create through their software. Thank you to all the engineers – you make great things possible. And out of some of that, comes healing. The healing that can only emerge from the release from some of your troubles and issues. It is a very neat journey. If any engineers read this, please be sure to pass it along to your comrades. And smile at what you help make possible. As for me – I am delighted that all of this is going on. I can’t change their pasts but I can certainly help to change their futures, and isn’t that what education is all about?

10:04 PM Comments (1) Permalink

Introduction and ponderings on James’ Tar Pit

Posted by: Deb Whittington on December 28, 2011

Hello James et al.  A very interesting and thought provoking commentary on our ever changing quest for knowledge, albeit Canadian.  I suspect that most teachers in western countries feel much the same. I pondered responding directly to your Tar Pit piece James but thought that an introduction was in order.

Before commenting, I would like to first introduce myself, mainly to contextualise my response.

My name is Deb Whittington and I am a Lecturer in vocational studies in the Printing & Graphic Arts Training Package at Central Institute of Technology in Western Australia.  Training Packages have been created for all core industry groups at a National level in Australia in a partnership between Learning Providers, Industry and the Federal Government, and constitute minimum knowledge and skills required by industry.

They are at once both simpler and harder than traditional curriculum, and contain units of competence, each with their own elements of competence with criteria.  Students are assessed both on-the-job and/or in a simulated workplace, as competent or not yet competent.  There is no pass mark.  Pure and simple – you can either do it, or you can’t.  You either have the knowledge, or you don’t.  The acquisition of knowledge, understanding and competence is overseen by workplace trainers and assessors with significant, high level experience and knowledge.  I occupy that position with tenure.

Training Packages do not replace traditional high school, though many schools are now opting to deliver simulated workplace training and assessment as a vocational alternative to traditional, academic studies.

I must first say that I am by no means a traditional academic!

People talk about life long learning.  I have been blessed with a moderately high intellect, and have been greedily learning all that I could on subjects that have fascinated me since I was 3 years old.  I am now 57 and I still feel that I am in a lolly shop full of knowledge and there is not enough time to explore and learn all that I would like.  But like many young people today, I need a better reason to learn than that it is “what is required”.

I’m fascinated by Jungian type theory and it’s role as a potential tool to understanding and nurturing aptitude and talent, with particular regard to left-brain/right-brain balance skills such as graphic technologies.  In terms of MBTI and Keirsey’s Temperament Theory, my own preferences are towards INTP with balanced I/E, moderate preferences for T over F and P over J, and very strong preferences for N over S.  I have no S preferences on testing.

With your indulgence I will later post some of my observations, hypotheses and discussions over the past 10 years relating to learning, technologies, design and type (as in typology) preferences.  I believe there are some very interesting correlations between the epidemic, modern diagnosis of AD/HD and Dyslexia, and aptitude for learning, technology and creativity.  This has been supported in discussion with a number of learning gurus.

In response to your piece James, there is a plethora of information available as a result of the technologies of today, BUT I believe our role as educators and trainers is to provide guidance through that minefield of often insufficient or inaccurate information, to teach students to question everything, have faith in themselves, to have the joy of curiosity (or as noted Nobel physicist, Richard Feynman’s book suggests – “The Pleasure of Finding Things Out”), and to synthesise and provide context for their learning rather than pursue the old rote learning those of my age were often subjected to at school.  We need to teach them to make informed decisions from a sound understanding.

At the beginning of each semester I ask my students who is there for the piece of paper, and who is there for the knowledge and understanding.  Interestingly, to me at least, those who say they want the piece of paper, frequently do not achieve it.  Those, however, who aspire to the knowledge and understanding, are often their own worst taskmasters, and rarely fail at achieving the piece of paper.

We must return I believe to where knowledge and understanding, and provision of sound reason for methodology, are again the prime target of we educators and trainers.  The other will follow.

10:22 AM Comments (2) Permalink

Connecting with Teachers

Posted by: Lee Keller on December 9, 2011

A few weeks ago one of our teachers I had trained came up to me at a science curriculum meeting and asked if there was any training planned for Adobe Connect Pro.  She had been in one of my training courses over a year ago and quickly became one of our most avid users.  Her IB class met for reviews before tests during after school hours and often collaborated with teachers and classes at other schools around the country.  She had colleagues at Suncoast High School (one of the top public high schools in the country) that were interested in learning how to do the great things she did with her classes.

Participants with cams test the system.

Participants with cams test the system.

I told her I would create one and invite other schools and departments that had expressed interest.  Within a couple weeks I had a class of 17 coming from diverse backgrounds and needs.  My class is run online through our Moodle installation, but the actually training is done completely through Adobe Connect Pro.  Participants log into the system and I use the desktop share to immerse them in the program as they learn about it.  It increases their comfort level immediately when they see how easy it is to get started.

Before our third class an IB Economics teacher in the course called me with some questions about Connect.  As we talked, she expressed that she wasn’t sure how she might use it in her class.  I told her about my favorite use, bringing guest speakers into the class via Connect.  We talked about contacts she had and found that a friend of hers works in the Federal Reserve.    Suddenly, the lights went on in her head and the excitement in her voice told me that her class would be doing many field trips through Adobe Connect Pro.  Recording a session like that can make the experience available for other classes and schools any where in the world.

A little over a week ago I was doing a short presentation about Adobe Connect Pro at another local high school.  I mentioned the free app for Connect and within minutes several teachers were raising their IOS and Android phones in the air showing the online meeting.  They were amazed that students that were out of school for extended illness or attending events could still participate in class with nothing more than a smartphone.

While Adobe has so many great products, I really feel that Connect Pro is the best educational tool in their arsenal.  With it you can demonstrate any program as we often do with our AEL meetings.  You can bring in guests to speak from any where in the world and excite students about topics with collaborative projects.  Adobe has also made some very great pricing structures for K-12, making it a bargain in tough economic times.

5:50 PM Comments (3) Permalink

Students shine with Adobe

Posted by: garypoulton on December 6, 2011

Thought I’d throw a link to the HSC Visual Art submissions of our Yr12 students (aged 17-18) here at Wyndham College, Australia. Sixty four students submitted works for assessment with the Board of Studies along with over 9,000 other Visual Art students across the state. Four were subsequently selected for the states prestigious ArtExpress exhibition. Over 80% of our students submit works that are developed and refined using either Adobe Photoshop, Lightroom, Illustrator, Premiere or a combination of these. Other media areas in this years group include painting, drawing, print and mixed media.

This image (part of a series of seven) created using Adobe Illustrator.

View the slideshow here

10:48 PM Comments (3) Permalink

Learning Graphic Art Using Adobe Connect

Posted by: Dave Forrester on December 5, 2011

I wanted to give everyone an update on how learning Adobe Photoshop and Illustrator are going using Adobe Connect.  I am so excited now!  Judy Durkin and Rio are spending twenty minutes a week together learning about gradients, layers, grouping, and scale using Adobe Photoshop and Illustrator.  The magic of this arrangement is how I created an Adobe Connect Meeting Room called, “Judy and Rio’s Art Room” opened it up and started the recording for them both.  Rio and Judy have learned how to share their screen, request control of the working space together.  I just start the recording and walk away as Judy teaches Rio thirty miles away.  Rio has gone back to the recording several times during the week to go back over what he learned from Judy.  Rio has been working on gradients, creating Jelly Fish with a blend of red and orange.  He has learned the different between rasterizing and grouping.   I can’t believe how a fourth grader can pick up on Photoshop and Illustrator so quickly.  We may have to start a self portrait of Rio soon, another great idea from Adobe Education Leader Mike Skocko.  I would challenge any parent out there who wants to help their son or daughter learn graphic art from home, webbing in some great art teacher.  Maybe you can have your own web fairy art mother or father for your son or daughter?   Adobe Connect is the tool of the future for education!

Dave Forrester

Adobe Education Leader, Connect Shaman

3:36 AM Comments (1) Permalink

Lens Correction and more in Lightroom 3.5

Posted by: garypoulton on

One of my favourite features in the current version of Lightroom is the ability to apply automatically detected lens profiles to make corrections to images. After years of manually correcting barrel distortion in Photoshop, I can now make these corrections with one click. An incredible time saver for myself and my students.

Each year our photography students produce a photo book using Blurb Books as part of their final year portfolio. The workflow between Lightroom and Blurb’s desktop software is now tighter than ever. Some while ago, Blurb released a plugin for Lightroom that allows you export directly to your book template from within Lightroom. You can also re-edit your images directly from Lightroom and see the updated changes in your Blurb template. Added to this you can customise your layout, change your image order, edit text, and make two-page photo spreads from inside Lightroom. For our students this makes Lightroom the ideal companion for their book projects. Combining this with soft proofing using Blurb’s ICC profile in Photoshop, (whilst a round trip out of the workflow) can yield good results on calibrated monitors.

See lens correction samples  here

1:08 AM Comments (0) Permalink

Video

Posted by: pennydolin on November 27, 2011

We are introducing video into the curriculum ( Graphic Information Technology, Arizona State University). Several students are getting up to speed on Premiere and have produced some videos for the college. ( http://vimeo.com/31663179 ) .  GIT is all about creating content and video needs to be part of the mix!   http://photo.asu.edu

4:20 PM Comments (0) Permalink

STEM in the Middle complete

Posted by: pennydolin on

Another session done! This one involved middle school. It was great to teach science and technology via photography. And as always, great fun to show off what Photoshop can do.

4:12 PM Comments (0) Permalink

RISK eBusiness: Moving to a Just In Time Method of Teaching

Posted by: jameskinney on October 28, 2011

Trapped in a Tar Pit

Metaphorically speaking, a dinosaur is any entity lacking the capacity to adapt to environmental changes in a timely fashion. While a dinosaur may well possess the ability to adapt it may be an unfortunate accident of biology or culture that predisposes it to an internal rate of transformative change that is relatively static compared to the rate of change in the environmental factors that, normally, support and optimize conditions for its survival. This inability to match the pace of change places the dinosaur at a competitive disadvantage that eventually pushes it to the margins of relevance and results in its eventual extinction—both literal and metaphorical.

No creature would invite change for its own sake and—humans being like most other creatures—expend enormous amounts of energy attempting to stabilize our situation and achieve a form of stasis that allows us not only to survive but to thrive in relative safety and comfort. We tend towards mitigating the effects of the unknown and the unpredictable and this requires apprehending and utilizing knowledge of the environment in order that we might exploit it to advantage.

Our ability to utilize binding symbolic language and symbolic artefacts and to fashion tools that—according to Marshall McLuhan—extend, enhance and accelerate our effective selves, creates a buffer between us and a natural order that challenges us with the timeless struggle for survival.

The fact that we will soon be uneasily celebrating the turnover of our biological counter to the 7 billion mark is a testimony to how successful we have been at disconnecting from or minimizing the risks that the natural order presents. One could argue that this disconnection could be better characterized as a complete domination and subjugation of the environment that carries with it a dire corollary for our long-term survival and that the technocomplex that we created constitutes its own environment with its own evolutionary pressures.

The Silicone  Pit

Iterative improvement and automation have resulted in the sort of hyperbolic innovations that engineer Gordon Moore predicted in the mid 1960′s. The rate of change is dizzying and poses significant challenges to our capacity for adapting to the changes they usher in. The explosion of new technologies, whose cycles of innovation and obsolescence relegate one to the status of instant expert or instant dinosaur in the blink of an eye, constitutes our greatest environmental challenge.

Having knowledge of one’s object of inquiry has traditionally meant being able to give a name to it—to plot its co-ordinates and assay and record its characteristics. This sort of knowledge has traditionally conferred on the inquirer a degree of power and control over their object of inquiry—it is a form of experiential mapping, if you will. However, this is not so easy with respect to characterizing much less predicting the evolutionary trajectory of our modern technological landscape. Mapping the contours of our ever-changing, ever-expanding information and techno-complex is intractable as mapping sand dunes or clouds—the particulars are so infinitely complex and changing that it defies linear, rational and concrete approaches to knowing. It is a phenomenon that has rapidly emerged into a quantum state where power comes from making sense of the relational dimensions between the elements of this complex rather than knowing the particular qualities or quantities associated with the constituent elements themselves. Understanding, then, assumes a holistic character where inductive logic gives way to deductive and intuitive processes that may benefit more from a metaphor or narrative thread with which to frame or anchor one’s understanding of the infinitely complex. This form of knowing differs from the traditional detached objective methods of scientific knowing. Instead, this form of knowing is experiential, immersive and, simultaneously, transforms both subject and object.

Consider that, in using a technology, you have changed the manner in which you interact with the world around you and this results in the emergence of new patterns of behavior, new modes of interaction, shifts in language, value systems and culture and we are irrevocably changed and the system within which this technology has been used is changed too. This implies that the relationship between subject and object have also shifted. In short we see the world in a different way for the simple reason that our internal value systems have dramatically shifted and the world that we inhabit has also dramatically changed. While we highly value information that is accessible and searchable many with the means to do so would pay millions of dollars for a highly inaccessible “original” painting by, say, Rembrandt, while few of us would be willing to pay for a digital version of it. An objects potential for ubiquity works in tension with its unique instantiation. An object that can readily be reproduced and reducing its value to near zero in a commodity-based economy where value is predicated on scarcity. The web-enhanced age in which we live is one of infinite abundance and, hence, traditional economic value cannot be derived from the objects produced in this ecosystem but, rather, from the relationships that it facilitates. While scarcity and  authenticity are still significant arbiters of value today we see from the runaway success of social resources like Face Book

The Renaissance Through the Looking Glass

The age of now has oft been described as one of digital tribalism where the age of empire, standardization, control and concentration of power and influence have given way to chaotic and barbaric forces that truculently refuse to be defined and controlled by the old paradigms. We are advancing toward the past—almost medieval, semi-literate forms of informal, quasi-embodied social interaction where the emphasis is on the relationship—on being there (digitally) and participating in the conversation. It is Walter Ong’s Post-literate society or age of “secondary orality.” We are leaving the time where meaning was defined in terms of rational scientific constructs and entering a new epoch where our old science creates more questions than it is capable of answering—adding to an already infinite data set. We are entering a new mythopoetic age where it is pointless to look at the massive complexity of our modern technological and information ecosystem and hope to induce meaning and significance through observing it. What is significant is that we are not detached from it (as the old science would have it) we are caught up in its turbulence trying to keep our heads above water, as it were. The more sane approach would be to recognize that this leviathan chimera unleashes enormous pressures on us and to not ask what this means but, rather, to demand “what do we wish this this to mean for us now and in the future” and to hold it to account for this vision. We must not embrace technology simply for its own sake, rather, it should be subsumed in the service of our collective vision for the future and, in that sense, we are called upon to dream and to do so boldly. To envision a world where technology and information serves to nurture humanity requires that we come to understand who we are at our root and to what purpose must our hearts and our minds be put. These questions resonate with aspects of spirituality that seem antithetical to the project of science. However both science and technology have no life or no meaning without being grounded in the context of life—of attending and attaining to being fully human in a world that is rich,  diverse and healthy and to this end all human projects should bend their respective backs to the task of enriching life on this planet and, thus, must be held fully accountable to this demand. Human health is linked to a complex web of inter-relationships that extends out beyond the human sphere to include the entire created order. Our evolving technological landscape has the potential to allow us to discover who we are both individually and collectively in relation to the broader world and to deepen the veracity of relationships that putative modern western science, and the tsunami of uncritical progress it unleashed, has unwittingly compromised.

Why Are We Here and What Are We Doing?

The philosophical perspectives/worldview that I outlined in the preceding paragraphs were not derived from gleaning through the tomes of savvy and erudite pop culture gurus (although I owe a great debt to Harold Innis, Eric Havelock, Marshall McLuhan, and Walter Ong and have enjoyed sharing insights articulated by the likes of Richard Ogle, Don Tapscott and Malcolm Gladwell), rather they came from a direct experience of some fundamental changes that I was experiencing in relation to my subject area and my relationship with my students.

 

2:44 PM Comments (0) Permalink