Julieanne Kost's Blog

When using the Custom Shape tool, ‘[‘ or ‘]’ goes to previous or next shape in Custom Shape Picker (in the Options bar). Adding the Shift key selects the first or last shape in the Custom Shape Picker.

When using the Line tool‘[‘ or ‘]’ decreases or increases the line width by one pixel. Adding the Shift key will increase/decrease the line width in increments of 10.

When using the Polygon tool, ‘[‘ or ]’ decreases or increases the number of sides by one. Adding the Shift key will increase/decrease the number of sides in increments of 10.

For the rounded rectangle tool: ‘[‘ or ‘]’ decreases or increases the corner radius by one pixel. Adding the Shift key will increase/decrease the radius in increments of 10.

With the Line tool selected, click on the downward facing triangle to the right of the Custom Shape tool icon the Options bar to access arrowhead options.

Regardless of which Shape tool is selected, (Rectangle, Rounded Rectangle, Ellipse, Polygon, Line and/or Custom Shape), when creating a shape layer ‘,’ (comma) or ‘.’ (period) goes to previous or next Layer style in the Style Picker (in the Options bar). Adding the Shift key selects the first or last style in the Style Picker.

In order to create a more even stroke of paint than you might be able to accomplish when painting “freehand”, first create a path in the shape of the stroke (with the Pen tool). Next, select the desired options for the Brush (to be used to paint the path), and, from the Paths panel fly-out menu, select Stroke Path. Choose Brush from the drop down menu and Voila, your path is strokes perfectly! You can even choose to check the Simulate Pressure option to simulate pressure sensitivity of the tool.
You can see from the tools listed in the Stroke Path dialog that you can use this technique to stroke with a variety of painting tools making this technique equally useful for dodging and burning, cloning objects etc.
When recording actions, this method enables a workaround for painting as brush strokes can’t be recorded, but stroking paths can be.

When the Freeform Pen tool is selected, try checking the Magnetic option (in the Option bar) to have the Pen tool analyze edge areas in images. To customize the Magnetic settings, in the Options bar click the downward facing triangle to the right of the Custom Shape tool icon and customize the “Width” (how many pixels to look at), “Contrast” (what determines an edge) and “Frequency” (how often to lay down anchor points).

With the Pen tool selected, in the Options bar click the downward facing triangle to the right of the Custom shape tool icon, and select Rubber Band. This option will preview the direction of the path that will be drawn as you move your cursor in the image area. (This is a great learning tool!)

To quickly find the center of a path or shape layer, select the path and choose the Move tool. In the Options bar, check the “Show Transform Controls” option. The transform controls can also be used to transform your path – simply drag the anchor points (shift -drag to constrain proportions). Don’t forget to apply the transformation (tap Return (Mac) or Enter (Win), click the check icon in the Option bar or double click within the transform controls.
Note: if the selected path is a vector mask, the transform controls will be displayed around the layer contents (not the path). Select the path, and then choose Edit > Transform Path.
It’s also worth mentioning that you can transform paths (and therefore shapes) outside of the visible image area and Photoshop will keep track of them.

After drawing a path with the Pen tool, Command (Mac) / Control (Win) + Return (Mac) / Enter (Win) crates a selection from the path. Note: this shortcut works with any selected path (shape layer, vector mask etc.).

With a path selected, Option (Mac) / Alt (Win) -drag the path in the image area to duplicate it.

In this video tutorial (Video Tutorials – Adobe TV), learn how the new DNG camera profiles in Adobe Photoshop CS4 and Lightroom 2 can easily adjust the look and feel of your images as Julieanne Kost walks you through the entire process.

To select multiple paths (or delete them from the selection if they are already selected), shift-click the path with the Path Selection tool. Click and drag in the image area to select multiple paths with the Path Select tool, or click and drag to select multiple line segments with the Direct Selection tool.

To select an entire path, use the Path Selection tool. To select segments of a path (including anchor points, direction lines etc.), use the Direct Selection tool. Instead of switching tools, adding the Option (Mac) / Alt (Win) + click on a path/anchor point with the Direct Selection tool will select the entire path.