Main

July 6, 2009

Blending Layer Groups

Layer Groups are, by default, set to display blending effects (such as opacity, blend modes etc.) just like any other layer in Photoshop. For example, if a layer in a Group has it’s blend mode is set to “Multiply”, it will be multiplied (blended) with all other layers below it. In this default state, clicking on the Group in the Layers panel displays “Pass Through” as the Group’s blend mode (i.e: any blending applied to layers within the group is “passing through” the group to be applied to the layers below it).

To change this default behavior to limit the blending between layers to only those layers within the Groups, target the Group in the Layers panel and set the Groups blend mode to “Normal” . For even more advanced blending of channels within Groups, choose Layer >Group Properties (or Control (Mac)/ right mouse (Win) -click the Group icon in the Layers panel and select Group Properties) to specify which channels to use for special effect blending of layers.

June 5, 2009

Viewing Layer Masks

To view a layer mask, Option (Mac) / Alt (Win) -click on the mask thumbnail in the Layers panel. Tapping the “\”(backslash) toggles the display of a layer mask on and off (as a red rubylith overlay). (Looking at the Channels panel, you can see that this shortcut toggles the channels visibility.)

April 10, 2009

Loading Luminosity

Cmd + Opt (Mac) / Ctrl + Alt (Win) + 2 loads the luminosity of an image as a selection. This can then be used for a variety of manipulations such as adjusting color or building density.

April 9, 2009

Spot Color Channels

Command (Mac) / Control (Win) -click the new channel icon to create a new Spot Color channel. (Spot Color channels are used primarily for printing using additional “spot colors” on the printing press.)

April 8, 2009

Loading Channels as Selections

After saving selections as channels, those channels can be loaded back into a selection with the following shortcuts:
• Command (Mac) / Control (Win) -click on the icon for a channel to load the channel as a selection.
• Command (Mac) / Control (Win) + Shift to add additional channels to the selection.
• Option-Command (Mac) / Alt-Control (Win) to subtract another channel from the selection.
• Option-Command (Mac) / Alt-Control (Win) + Shift to create the intersection of two channels.

April 7, 2009

Saving Selections

After making complex selections, it is possible to save them for use again later but choosing Select / Save Selection. This saves the selection as an alpha channel. Alpha Channels can be saved in several file formats including Photoshop and TIFF (they can not be saved as part of a JPEG file however).

April 6, 2009

Viewing Channels

A few shortcuts changed in Photoshop CS4 when we simplified the way that adjustments worked by taking them out of modal dialog boxes and putting them into panels. Because a modal dialog box is it’s own little world, it can use shortcuts that are already used in Photoshop “proper”. However, when we put adjustments like Curves, Levels, etc. in the Adjustment panel, we no longer have that isolated context. As a result:


• The shortcut to display an individual channel in a Photoshop file was previously assigned to Cmd (Mac) / Ctrl (Win) +1, 2, 3, etc. Cmd+1 would show Red, Cmd+2 would show Green, etc.  Those shortcuts, have now shifted two places to the right.  Therefore Cmd+3 shows Red, Cmd=4 shows Green, etc. (Cmd + 2 shows the composite).


• Previously, when targeting a channel in a modal dialog box (such as Curves, Levels, etc.), you used Cmd (Mac) / Ctrl (Win) +1, 2, 3, etc.  Cmd+1 would target Red, Cmd+2 would show Green, etc.  Just like the shortcuts for displaying channels, those shortcuts have all shifted two places to the right.  When using the panel-based adjustments, the shortcuts have changed to Opt (Mac) / Alt (Win) +1, 2, 3, etc.

 
• The Hue/Saturation and Selective Color commands are slightly different as they don’t map to just RGB/CMYK, but the same general rules apply: Opt+2 selects the Master channel, and Opt+3, 4, etc. select the subsequent items in the list.
If you prefer to return to the shortcuts found in Photoshop CS3, you can download a ZIP file containing a plug-in (Mac)/registry entries (Windows) that remap the channel keys to CS3 behaviors courtesy of Adobe’s John Nack.


Having read all this, you might reasonably say, “Fine, but Photoshop offers a keyboard shortcut editor, so let me switch things back if I’d like.” That’s not possible, for a couple of reasons. One, the change from modal dialogs to non-modal panel simply means that some commands would now conflict (e.g. hitting Cmd-1 can’t both display a channel & target a channel), so just restoring the old behavior isn’t an option. Two, the shortcut editor frankly isn’t robust enough to handle certain special-purpose keys (numbers, tilde, etc.), and we didn’t have time to enhance it for CS4.


We have, however, created a solution: you can download a file containing a plug-in (Mac)/registry entries (Windows) that remap the channel keys (http://blogs.adobe.com/jnack/files/Use_Old_Shortcuts.zip). That is, you give up using Cmd-~ to switch among open documents, and you lose Cmd-1 for zooming to 100%, but tilde will go back to selecting the composite channel and 1, 2, 3, etc. will go back to selecting/targeting the first, second, third, etc. channels. The Mac plug-in just needs to be dropped into your Photoshop plug-ins directory, and on Windows you can enable/disable the behavior by double-clicking the reg entries.


Thanks to John Nack for this detailed shortcut information! (blogs.adobe.com/jnack)