Lightroom 5.2 and Camera Raw 8.2 both include lens profiles for the GoPro HERO3. Click here to find out more with Russell Brown.
Posts in Category "Adobe Camera Raw and DNG"
Improvements made to both Lightroom and Adobe Camera Raw (ACR) in Photoshop include:
• Refinements to the Spot Removal/Healing tool include a new Feather slider to control the softness of the edge when cloning or healing areas of an image. In addition, there have been improvements in the way that the Spot Healing tool determines the auto source location (the area that it clones/heals from), so that it now works better for images with textured areas. And, if the image has been cropped, the Spot Removal/Healing tool will bias the selection of the auto source location from within the crop rectangle (as opposed to auto-choosing image areas outside the crop).
• To help reduce low-frequency color mottling like you see on the left side of the illustration below, a new Color Smoothness adjustment slider has been added to the Color Noise Reduction options in the Detail Panel. When the amount is increased, the color mottling is removed (as you see on the right side of the illustration below).
In addition, several improvements were made to Adobe Camera Raw (ACR) as they are already available/not applicable in Lightroom.
• The Histogram is now interactive in ACR. This enables the ability to click and drag on the Histogram to adjust the Blacks, Shadows, Exposure, Highlights, and Whites slider adjustments in the Basic tab.
• ACR now has separate Auto Temperature and Auto Tint controls, which are applied by Shift -double clicking on either the Temperature or Tint adjustment sliders.
• Refinements to the Local Adjustment Brush include the ability to reposition brush adjustments by clicking and dragging on brush adjustment pins. In addition, Command + Option -drag (Mac) | Control + Alt -drag (Win) a Local Adjustment Brush pin will duplicate the pin and Option -click (Mac) | Alt -click(Win) will delete the pin. If you prefer, Control -click (Mac) | Right Mouse -click (Win) displays both options – to duplicate or delete a pin.
• Workflow presets are now available for defining and then quickly choosing output settings in ACR. And, after creating your custom presets, you can Control -click (Mac) | Right Mouse -click (Win) the workflow link to quickly switch between them. In addition, when changing image size, a new option for Percentage is available in the drop down menu.
• Save Image options now include Color Space, Image Sizing, Output Sharpening and Presets. This means that you can select the desired images and save them using Save Image presets without having to change your current workflow settings.
Click here for more information, about the Photoshop Photography Program.
Camera Raw 8.1 now includes the ability to select RGB, CMYK and LAB ICC profiles to soft proof images. To select a profile, click the workflow Options (accessed via the blue hyperlink at the bottom of the Camera Raw window) and in the Color Space section, choose the Space from the pop-down menu. Once a profile is selected, Camera Raw displays a “soft proof” of that image. In addition you have the ability to choose either Perceptual or Relative as your rendering Intent and can choose whether or not to Simulate Paper and Ink.
Note: For accurate results, monitor calibration is a must! In addition, there may very well be some colors that simply aren’t reproducible on a monitor that can be printed and vice versa.
The Crop tool’s behavior has been modified within Camera Raw 8.1. The Crop tool is now solely responsible for defining the aspect ratio of the crop and the Workflow Options are now responsible for determining the image size. For example, in order to create an image that is 8 x 10 inches at 300 ppi, click and hold the Crop tool to select 4 to 5 from the list of aspect ratios and drag the crop in the image as desired. Then, using the Workflow Options (accessed via the blue hyperlink at the bottom of the Camera Raw window), check the Resize to Fit option. Select Short Size from the drop down menu and enter 8 inches and a resolution 300 ppi.
There is a new feature when working in the Merge to HDR Pro feature in Photoshop CC. If you set the Mode to 32 bit, under the histogram is an option to “Complete Toning in Adobe Camera Raw”.
Enabling this option, changes the “OK” button to “Tone in ACR”. Clicking “Tone in ACR” tells Photoshop to convert the 32 bit HDR layer into a Smart Object and automatically apply Camera Raw as a Smart Filter.
Then, simply apply your desired settings in the Camera Raw Filter and click OK. Because you are working with a smart object, not only can you double click the layer thumbnail to re-edit the Camera Raw options, but you can also use the Smart Filter mask to selectively show and hide the effect AND change the Blend Mode and Opacity of the filter!
Note: only the following Blend Modes are available when using Camera Raw as a Smart Filter: Normal, Dissolve, Darken, Multiply, Darker Color, Lighten, Linear Dodge (add), Lighter Color, Difference, Subtract, Divide, Hue, Saturation Color and Luminosity.
In the Lens Correction panel, in the Manual subpanel, press Control-Tab to cycle through the Upright options from left to right. Add the Shift key to move from right to left.
I’m thrilled to announce that my Photoshop CC Essentials Training has been released on Lynda.com! Here’s the course description as well as a list of topics that I cover in this 13+ hours of Bridge, Camera Raw and Photoshop training series.
Learning how to use Adobe Photoshop efficiently and effectively is the best way to get the most out of your pixels and create stunning imagery. Master the fundamentals of this program with Julieanne Kost, and discover how to achieve the results you want with Photoshop and its companion programs, Bridge and Camera Raw. This comprehensive course covers nondestructive editing techniques using layers, masking, adjustment layers, blend modes, and Smart Objects. Find out how to perform common editing tasks, including lens correction, cropping and straightening, color and tonal adjustments, noise reduction, shadow and highlight detail recovery, sharpening, and retouching. Julieanne also shows how to achieve more creative effects with filters, layer effects, illustrative type, and the Photomerge command for creating panoramas and composites.
• Using Bridge to batch rename files and add keywords and metadata to photos
• Viewing, rating, filtering, and creating collections to isolate your best work
• Comparing raw and JPEG file formats
• Retouching and automating workflow with Camera Raw
• Navigating documents and the Photoshop interface
• Understanding file formats, resolution, canvas size, and print size
• Cropping, straightening, transforming, warping, scaling, and resizing images
• Selecting, stacking, aligning, and grouping layers
• Making precise selections using the Marquee, Lasso, and Brush tools
• Using Refine Edge, Quick Selection, and layer masks to isolate soft edge objects
• Improving tone, contrast, and color selectively
• Converting to black and white and tinting images
• Retouching blemishes, smoothing skin, whitening teeth, and brightening eyes
• Retouching with the Liquify, Content-Aware Fill, Healing Brush, and Patch tools
• Merging multiple exposures
• Making nondestructive changes with Smart Filters
• Adding texture, edge effects, and drop shadows with blend modes
• Working with type
• Creating, modifying, and combining shapes using the Shape tools
• Adding layer effects
• Saving and sharing images via contact sheets, web galleries, and Save For Web
• Editing video and audio clips
• Panning and zooming still photos
I mention a number of shortcuts that are new to the Spot Removal Tool (B) in this video (Adobe Photoshop: Favorite Features for Photographers), but thought that it might be handy to also include them in list form:
• Tap the “V” key to toggle the visibility of the spot overlays.
• Shift -drag constrains the brush spot to a horizontal or vertical stroke.
• Shift -click connects the selected spot with the new spot via a straight brush stroke.
• Command -drag (Mac) | Control -drag (Win) will create a circle spot and allow you to drag to define the source.
• Tap the Forward Slash key (/) to select new source for existing circle or brush spot.
• Press Delete to delete a selected spot.
• Option -click (Mac) | Alt -click (Win) on a spot to delete it (the cursor will change to a pair of scissors).
• Option -drag (Mac) | Alt -drag (Win) in the image area over multiple spots to batch-delete (the icon changes to a marquee while dragging.
• Tap the “Y” key to toggle on/off Visualize spots. Note – this is also available as a checkbox and slider in Toolbar.
I have received several questions as to why Adobe would include Camera Raw as a Filter in Photoshop CC. Well, here are the first three reasons that I can think of, but I’m sure that there are more!
• First of all, not everyone had the luxury of working with raw files so it can be a huge benefit to be able to apply options like clarity and perspective correction to non raw images (a photoshop layer for example).
• Sometimes we forget to do things in the right order and we don’t have time to go back to the beginning and fix them when on deadline. Yes, this might not be optimal, and yes, we would be better off making changes earlier in our workflow (processing our raw files directly in camera raw before opening them in Photoshop), but ACR as a filter can help to make corrections or add creative effects to layers later in your workflow and/or with legacy files.
• ACR as a filter can be applied to multiple layers at one time if you select those layers in the Layers panel and convert them to a smart object. Plus, working with Camera Raw as a smart filter enables blend mode and opacity options as well as the Smart Filter mask to selectively show and hide the filter.
Note: There are several features from regular Adobe Camera Raw that are omitted from Camera Raw as a filter, mostly because they don’t make sense in the filter context.
• Workflow options and preferences
• Crop and straighten tools
• Rotation tools (rotate left/right buttons)
• Camera and lens profile
• ACR as Smart Object, save button
I mention a number of shortcuts that are new to the Radial Filter (J) in this video (Adobe Photoshop: Favorite Features for Photographers), but thought that it might be handy to also include them in list form:
• The Shift key will constrain the Radial Filter to a circle.
• Tapping the “V” key will toggle the overlay of the Radial Filter interface (bounding box).
• While dragging one of the four handles of an existing Radial Filter to resize it, press the Shift key to preserve the aspect ratio of the ellipse.
• While dragging the boundary of an existing Radial Filter to rotate it, press the Shift key to snap the rotation to 15-degree increments.
• While dragging to create a new Radial Filter, press and hold the Space bar to move the ellipse; release the Space bar to resume defining the shape of the new Radial Filter.
• While dragging inside of an existing Radial Filter to move it, press the Shift key to constrain the movement to the horizontal or vertical direction.
• You can drag a Radial Filter beyond the image area.
• While an existing Radial Filter is selected, press the Delete key to delete the Radial Filter.
• Double-click in the image area to set the bounding box of the Radial filter to the image bounds.
• Double-click inside of an existing Radial Filter to expand the bounding box of the Radial Filter to the image bounds.
• Command + Option -drag (Mac) | Control + Alt -drag (Win) to duplicate the Radial Filter.
• While an existing Radial Filter is selected, press the X key to toggle the effect direction from outside to inside.
Now that Photoshop CC is shipping, be sure to check out this episode on Adobe TV, (Adobe Photoshop: Favorite Features for Photographers), where Julieanne will demonstrate her top 5 favorite features in Photoshop CC including the new Upright perspective correction, Radial Filter, and Advanced Healing Brush features in Adobe Camera Raw 8, Image Upsampling and Smart Sharpening, Live Shapes for Rounded Rectangles, and Camera Shake Reduction. (repost)
If you own Photoshop CS6 and are moving to Photoshop CC, you might also want to watch this video (Julieanne’s Top 5 Features for Photographers in Photoshop 13.1), to learn about the new features that were added to Photoshop 13.1 (released back in December 2012 for Creative Cloud Members).
When applying a Post Crop Vignette in Lightroom and/or Camera Raw, don’t forget that you can use the Highlight slider to suppress the vignette from being added in the highlights of the image. This can help keep brighter values in the vignetted area from looking muddy.
Also, when cropping an image and adding a Post Crop vignette, I prefer to first use the Lens Correction panel to remove any vignetting caused by the lens. Removing the lens vignetting (especially if the image is cropped so that part of the lens vignette is cut off) will result in a more even looking Post Crop Vignette.
In Adobe Camera Raw in Photoshop, The Clipping Warning triangles turn different colors to show that different channels are being clipped.
If no values are clipped, the triangles are black.
If values are clipped in the red channel the triangles are red.
If values are clipped in the green channel the triangles are green.
If values are clipped in the blue channel the triangles are blue.
If values are clipped in the red + green channel the triangles are yellow.
If values are clipped in the red + blue channel the triangles are magenta.
If values are clipped in the green + blue channel the triangles are cyan.
If values are clipped in all channels, the triangles are white.
Note: to view per channel clipping in the Image Preview area, Option + (Mac) | Alt + (Win) – drag the Exposure, Highlight, Shadow, White or Black sliders in the Basic Panel.
In this episode of The Complete Picture (Controlling Selective Color Changes in Lightroom), Julieanne demonstrates how to use Hue, Saturation, Luminance and the Adjustment Brush to selectively control color in Lighroom. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.
After posting my video Cyclical – The Creative Process I received a great question: If you start in Lightroom with a raw file and choose Photo > Edit In > Open in Photoshop as Smart Object, and then edit that Smart Object, how can you “extract” that raw file with the edited settings?
My first thought was to select the Smart Object in the Layers panel in Photoshop and choose Layer > Smart Objects > Export Contents. But surprisingly that method doesn’t export any edits made to the Smart Object. However, it turns out that the answer is even easier. In Photoshop, simply double click on the Smart Object’s thumbnail in the Layers panel (or choose Layer > Smart Object > Edit Contents) and, in the Camera Raw dialog, click the Save Image button in the lower left corner. Voila.