Posts in Category "Adobe Photoshop"

June 30, 2016

Swatches Panel Improvements in Photoshop CC

When adding spot colors to a document, you can now sample a color from the Swatches panel while in the Spot channel dialog.

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And, the name (or color value depending on what swatches you have loaded), will shown in the tooltip for recently used colors in Swatches palette.

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5:06 AM Comments (0) Permalink
June 28, 2016

3D Print Directly to Microsoft’s 3MF Format from Photoshop CC 15.5

Microsoft Windows 10 users can now print directly to Microsoft’s 3MF (a new open-sourced 3D printing format ) in order to share full-fidelity 3D models with other applications, printers, services, and more. This new 3D printing feature in Photoshop CC simplifies the process of printing your 3D creations to any number of 3MF supported printers or services.

5:19 AM Comments (0) Permalink
June 27, 2016

Preference for Legacy Healing Brush In Photoshop CC 15.5

Photoshop CC 2015 introduced a new real-time healing brush algorithm. However, if you prefer the behavior of the older healing brush algorithm you can now use Preferences > Tools > Use Legacy Healing Algorithm for the Healing Brush to return to the previous behavior.

5:08 AM Comments (1) Permalink
June 21, 2016

FAQ: Photoshop CC 2015.5 now available

Jeff Tranberry has assembled an excellent FAQ around updating/upgrading to the 2015.5 release of Photoshop CC including instructions about plug-ins and installation. Photoshop CC 2015.5 is a full version upgrade – you will need to install your third-party plug-ins for them to work with CC 2015.5. Click here for more detailed instructions.

7:14 AM Comments (3) Permalink

 5 Hidden Gems in Photoshop CC (15.5)

Discover new features and enhancements made to Artboards including new background color properties and easier duplication of layers and layer groups, Adjustment layer support for Looks and Fill layer support for Patterns created in Capture CC, read-only Library Collaboration, and new export options for embedding color profiles and additional Artboard improvements.

Note: because of the new background color support, Artboard backgrounds export as visualized on the canvas (i.e. if you see a background, you will get that when you export – you must set transparency to export as transparent).

The visual representation of “transparency” as a checkerboard works the same in Artboard documents as it does in regular canvases. Therefore, if you have changed your Preferences > Transparency & Gamut to None, then you will not see the checkerboard representing transparency in an Artboard. 

6:25 AM Comments (1) Permalink

The Content Aware Crop Tool in Photoshop CC (15.5)

When using the Crop tool to straighten a photo, use the new Content Aware option to intelligently fill in transparent areas with computer generated “Content aware” information in Photoshop CC. The video below demonstrates how.

Note: the Content Aware technology has been improved throughout Photoshop including improvement in details, reduction in blur/smudge, improved color adaptation (now on by default), and performance increases of up to 3x faster than before!

6:19 AM Comments (1) Permalink

Select and Mask Taskspace in Photoshop CC (15.5)

Discover how the new Select and Mask taskspace in Photoshop CC makes creating selections and masks easier, more exact, and more efficient than ever before.

Below is additional information for working in the Select and Mask taskspace.

Tool and Properties Shortcuts

• For the Quick Select (W), Lasso (L), and Brush (B) tools, Option (Mac) | Alt (Win) toggles Add To Selection to Subtract From Selection.

• For the Quick Select (W), Lasso (L), and Brush (B) tools, Shift toggles Subtract from Selection to Add to Selection.

• With the Lasso Tool selected, Option + Shift (Mac) | Alt + Shift (Win) toggles both Add To and Subtract From options to Intersect with Selection.

• For the  Refine Edge Brush  (R), Option (Mac) | Alt (Win) toggles Expands Detection Area to Restore Original Selection.

•In Select and Mask, painting with the Brush tool adds to or subtracts from the mask (it will not paint on the image).

• Control + Option -drag (Mac) | Alt + right click -drag (Win) left/right to decrease/increase brush diameter.

Control + Option -drag (Mac) | Alt + right click -drag (Win) up/down to increase/decrease the hardness/softness of the brush.

• Shift-click to paint a straight line between the first and subsequent clicks.

• All of the View modes have their own shortcut (listed next to the name of the view). Plus, “F” cycles through the views while “X” temporarily toggles off all views.

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• If you create a selection in Photoshop, choose Select and Mask and then modify the selection, clicking “Clear Selection” removes all masking while clicking the Reset Workspace icon (to the left of the Cancel button) resets the selection to the state when Select and Mask option was chosen.

• The first time you double-click on a Layer Mask in the Layers panel, Photoshop displays a dialog asking what you would like double clicking on a Layer Mask to do. You can choose between View Properties (in the Properties panel) or Enter Select and Mask. This behavior can be changed later in Preferences >Tools > Double Click Layer Mask Launches Mask and Select Workspace.

• Select and Mask supports Birds Eye View for faster navigation within an image. When zoomed into an image, press and hold “H” (the image zooms out to fit in the window). Drag the zoom rectangle over the desired location and release the mouse. Release the “H” key – the image zooms to the chosen area and the selected tool remains unchanged. (Note: Birds Eye View requires GPU support.)

Additional advantages of the Select and Mask Taskspace:

• Select and Mask should be faster than the previous Refine Edge option because Select and Mask takes advantage of GPU.

• You no longer have to jump in and out of a modal state to refine the initial selection (using the Lasso, Quick Select, or Brush tools).

• You don’t have to start with a selection, you can choose Select and Mask first and begin the selection process there.

• After choosing Select > Focus Mask, you can choose to go directly to Select and Mask.

• Select and Mask supports multiple undo, is actionable, and works with touch interface.

6:10 AM Comments (3) Permalink

New Typographic Features in Photoshop CC (15.5)

Watch as Julieanne Kost demonstrates the new features and enhancements made to the Type tools in Photoshop CC including the ability to find similar fonts in the Adobe Typekit Library, apply on-canvas alternate glyphs, and use Font Match to identify similar typefaces in photos.

Note: you don’t have to create the type layer first like I did when using Match Font, I just wanted to quickly see the results on a type layer.

6:05 AM Comments (1) Permalink
June 16, 2016

Rotating an Image using the Ruler Tool in Photoshop

After using the Ruler tool to take a measurement in a document, selecting Image > Image Rotation> Arbitrary will automatically enter the measurement in the Rotate Canvas dialog box.

5:37 AM Permalink
June 15, 2016

Blending Layer Groups in Photoshop

Layer Groups are, by default, set to display blending effects (such as opacity, blend modes etc.) just like any other layer in Photoshop. For example, if a layer in a Layer Group has its blend mode is set to “Multiply”, it will be multiplied (blended) with all other layers below it. In this default state, clicking on the Layer Group in the Layers panel displays “Pass Through” as the Layer Group’s blend mode (i.e: any blending applied to layers within the group is “passing through” the group to be applied to the layers below it).

 

Each Layer’s blend mode is set to multiply. The Layer Group is set to Pass Through.

Each Layer’s blend mode is set to multiply. The Layer Group is set to Pass Through.

To change this default behavior and limit the blending between layers to only those layers within the Layer  Group, target the Layer Group in the Layers panel and set the Layer Group’s blend mode to “Normal”. Note: the circles are still multiplied within the Layer Group (if each layer was set to Normal instead of multiply, all of the circles would appear the same color, but not the Background because the Background is not in the Layer Group).

Each Layer’s blend mode is set to multiply. The Layer Group is set to Normal.

Each Layer’s blend mode is set to multiply. The Layer Group is set to Normal.

 

5:05 AM Permalink
June 14, 2016

Clipping Masks in Photoshop

Clipping masks are most commonly used when an adjustment needs to be applied to a single layer (or Layer Group) in a document. For example, if you have a triptych of images (each on their own layer) within a single document and need to adjust only one of the images, you can add an adjustment layer and “clip” it so that it only effects the single image (layer).

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The original document has three photos on three different layers. The middle layer needed to be adjusted independently from the ones on either side.

To create a clipping mask, add the adjustment layer, then click the Clipping Mask icon at the bottom of the Properties panel. As you modify the adjustment layer, it will only effect the layer that it is “clipped” to. Visually, you will know that the layers are clipped because the bottom most layer’s name will be underlined in the Layers panel, and the clipped layer(s) will be indented with an arrow pointing downwards towards the base layer. You can clip more than one layer to a base layer and you can clip layers to layer groups as well!

 

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To isolate the effects of the curves adjustment layer, it’s clipped to the photo below it.

Another use of clipping masks is to clip content such as a photo to a shape such as type. In order to do this, put the type layer under the photo layer on the Layers panel, target the type layer (by clicking in it in the Layers panel)  and select Layer > Create Clipping Mask.

You can also create a clipping mask using the following shortcuts:

• Select the layer to be clipped and use Command + Opt + G (Mac) | Control + Alt + G (Win) to create a Clipping Mask.

• On the Layers panel, hold the Option (Mac) | Alt (Win) key and position the cursor over the line that separates the two layers in the Layers panel. When you see the icon switch to a downward pointing arrow next to a rectangle, click to create a Clipping Mask.

5:18 AM Permalink
June 13, 2016

Toggling the Lasso Tools in Photoshop

Holding the Option (Mac) / Alt (Win) key while dragging the Lasso tool will toggle to the Polygonal Lasso tool and vice versa. When starting with the Lasso tool, this previous shortcut might take a few tries to master as you have to be careful to release the Option key (to return from the Polygonal Lasso tool to the regular Lasso) while holding the mouse down.

In addition, holding the Option (Mac) / Alt (Win) key while dragging the Magnetic Lasso will toggle to the regular Lasso if you drag with the cursor and the Polygonal Lasso if you click with the cursor.

5:07 AM Permalink
June 8, 2016

Adobe Announces Guided Upright in Adobe Camera Raw 9.6

Now you can quickly correct perspective in a photograph with precision and control using the new Transform Panel, Guided Upright tool, and Offset sliders. Watch as Julieanne demonstrates how to manually position guides to automatically correct converging vertical and horizontal lines in images, which can then be repositioned within the canvas area.

Here are some handy shortcuts to know use while using the Guided Upright tool:
Shift + T will select the Guided Upright tool
Shift + L toggles the Loupe on and off (Note: Loupe requires GPU support)
Option -drag (Mac) | Alt -drag (Win) with Loupe enabled to activate precision (slower) drag
Shift + G toggles the Grid overlay
“V” toggles tool overlay.
Command + Option | Control + Alt -drag to reposition the image in the preview area via the Offset X/Y sliders. Add the Shift key to constrain to horizontal/vertical directions.
Bird’s Eye View (or Navigator) – Press and hold “H”. Click in the preview area and drag the zoom rectangle over the location that you want to zoom into. Release the mouse. Release the “H”. The image zooms to the chosen area and the selected tool remains unchanged. (Note: Birds Eye View requires GPU support.)
Click here for more information via the Lightroom Journal.

8:03 AM Permalink
June 7, 2016

Playing Single Commands in Actions in Photoshop

Double clicking on a single command in the Actions panel will play the command if there are no options associated with the command (Select> All or Edit > Copy for example). If, however there are options associated with the command (such as Image Size), Photoshop will display the necessary dialog box. This is an excellent feature if you want to make changes to that command  – but beware, whatever you enter in the dialog box will now become the recorded value in the action). To bypass this option, and simply play a command using it’s recorded options, (without a dialog box appearing), add the Command (Mac) / Control (Win) key when double clicking the name of the command.

6:48 AM Permalink
June 3, 2016

Using Variables in Photoshop

Another oldie but goodie! In this Episode of The Complete Picture, Julieanne Kost demonstrates the incredible power of Variables in Photoshop. You will learn how to cut hours out of your production time when you need to combine text and photographs. Although this feature has been in Photoshop for many releases, only a small number of customers know of its immense power for tasks such as automating event photography and creating web banners.

5:15 AM Permalink