October 4, 2016
I’m back, and I have to admit that I enjoyed my time off immensely – primarily due to the fact that I was able to spend the majority of time working in Photoshop! I know that might seem a bit odd to many of you, but even through I work in Adobe products on a daily basis, I seldom carve out large chunks of time to work on my own photography. Having time to tone, retouch, and publish photographs for my gallery as well as create a body of work from my visit to Antarctica, was certainly a gift. In the next few weeks I hope to share my thought process, techniques, and shortcuts used to tone and enhance the images from Antarctica that I’ve been posting to my Behance and Adobe Portfolio site.
But for today (while I catch up on email and all-things Adobe), here are links to the four galleries that I’ve posted thus far:
July 15, 2016
I had the opportunity to visit the Great Ocean Road as well as Kangaroo Island earlier this year and used Adobe Spark Page to put together a small portfolio of images from the adventure. Click on the photo below to view the Spark Page.
And here is a video that demonstrates how to create your own Adobe Spark Page.
December 30, 2015
I’ve created a slideshow as a simple way to look back at my year through the images that I’ve posted using Lightroom mobile to my Instagram account. I find this yearly exercise yields interesting insights about where I am in my life and allows me to reflect upon the places that I’ve gone and the experiences that I’ve had. I would strongly encourage you to create a collection of your own images for the year to see the path that you followed in 2015.
July 22, 2015
I had the wonderful opportunity earlier this year, to take a week and explore the North Island of New Zealand. I put together a short photo story about the journey using Adobe Slate. (Click/tap the image to see the photographs.)
Enjoy, and let me know what you think.
June 5, 2015
Learn how to use Lightroom’s Develop module to use color, tone, placement of content, and stylistic effects to give a series of images a unified look and feel. You’ll learn how to use leading lines to tie images together as well as repeating shape, detail and balance to form a cohesive story.
June 4, 2015
In this episode of The Complete Picture we’re going to discuss how to select multiple images to work together as diptychs and triptychs. You will learn how similar attributes such as color and shape, mood and lighting, line and form will help to unify two (or more) photographs, perhaps even creating new meaning through the relationship of the imagery.
October 1, 2014
A few weeks ago I had a unique opportunity to fly over the San Francisco Bay area in a small plane with my friend Bryn. James, the pilot, was fantastic and the weather was, thankfully, very cooperative. I’d never been in a plane with the doors off, but with the safety harness secure, and a few reassuring words, off we went! Here are a few of the resulting images from the 90 minutes in the air. I certainly never knew that the bay could be so colorful. These images are a part of my ever evolving book project: Window Seat, The Art of Digital Photography and Creative Thinking. Click here for more information about the EPUB on the iBook store. To view more images from the shoot, check out the San Francisco Bay portfolios on my Behance ProSite.
June 30, 2014
I’m pleased to announce that my book Window Seat – The Art of Digital Photography and Creative Thinking is now available as an eBook via the iTunes store! First published as a soft-back book, this redesigned and revised eBook was published as a Fixed Layout EPUB directly from the newest release of InDesign CC (2014). It has been enhanced with new photographs as well as updated image processing techniques in Adobe Bridge, Camera Raw and Photoshop.
Part manifesto, part artist’s portfolio and part technical manual, Window Seat, The Art of Digital Photography and Creative Thinking is guaranteed to awaken, delight, and inspire the creative spirit that lives in all of us.
Photographer, creativity guru and Adobe digital imaging evangelist, Julieanne Kost travels by plane 200+ days a year. For the past decade, she’s been shooting photographs from those airplane windows, recording the extraordinary world that lies beyond the everyday drudgery of business travel on a commercial jet.
She urges us to consider – and embrace – that which is outside of our daily experience. To see all that we do in our lives as creative acts. To continually strive to stay awake and aware, challenging ourselves to go beyond the status quo.
Click here for more information, download a sample, and purchase the book.
June 13, 2014
I wanted to take a moment to thank everyone who worked so hard to make my experience at Photo Romania so memorable. I know that making a festival run smoothly is no small task and you all accomplished it with agility and grace. With every little detail taken care of, I was able to thoroughly enjoy the event, meet a whole new group of friends and bring back wonderful memories and photographs of not only Cluj-Napoca but also Bucharest, Brasov, and Sighisoara.
For now, here are a few of the images that I have posted via Instagram, I’m sure that I’ll be using the rest of my images in future tips, tricks, and tutorials!
I really hope to see you at the festival again next year!
May 14, 2014
Last week Adobe announced Adobe Voice—an iPad app that helps you tell your story using your beautiful images, your voice, and cinematic motion to create an engaging, animated video. After creating the video, you can embed it on your website and share with friends, connect with clients and even promote your business. I have to say, not only is it really easy to use, but it’s also free!
Click here for more information as well as see examples of how these videos are being used as the “Voice of a Cause”, the “Voice of Education” and the “Voice of an Entrepreneur”.
February 18, 2014
I’m really excited to announce that my new class: The Art of Photoshop Compositing is now live on www.lynda.com!
“Join Julieanne Kost as she walks you through her creative thought process and explains how she transforms concepts and raw images into entirely new works of art using Adobe Photoshop. Discover how to select the images you need to create a whole that is greater than the sum of its parts. Master the tools used in compositing, including adjustment layers, masking, blending, and Smart Objects, so that the technology doesn’t get in the way of expressing your creative vision. Learn how to adjust scale and perspective and manipulate texture and focus to help viewers temporarily suspend their disbelief long enough to enter your world.”
- What makes a good composite?
- Refining your story
- Composing using the basic principles of design
- Customizing your Photoshop workspace
- Preparing elements from your source images
- Adjusting color, tone, balance, and perspective
- Mastering the Pen tool
- Unifying with texture, focus, leading lines, and structure
I look forward to hearing your feedback!
February 14, 2014
Wow. I had no idea just how beautiful it would be. Trust me, these images don’t do it justice – but maybe they will inspire you to check it out someday. Really, if you ever have a chance to drive through Death Valley, I would highly recommend it.
And I did captured some great backgrounds and textures to be incorporated into future composites…
January 13, 2014
In the past, I have found it incredibly challenging to find music that reinforces my photographic vision. Lately however, the folks over at Triple Scoop Music have helped me to find, select and create a collection of songs that I find match the mood of my work. I’ve been told they are a bit on the haunting side, but I take that as a compliment. Click here if you’re interested in checking them out. Of course they offer a huge variety of musical styles, so I’m sure you’ll be able to find exactly what you’re looking for!
December 20, 2013
Last year I created a short slideshow (Moments Alone), from images taken over the year using my mobile phone. I found it to be a enjoyable way to look back at the year and reflect upon the places that I’ve gone, the people I’ve met and the things that I paid attention to. So, I decided to do it again this year and here is the result “Fractured Moments”. I would strongly encourage you to create a collection of your own images for the year -I have found both the process and the results to be very insightful.
See you after the Holidays! And don’t forget, every time a bell rings, a layer gets its mask… : )
November 18, 2013
One of the benefits of capturing Raw files and processing them in Lightroom is that I can easily create derivatives of those files as needed. For example, if I need to send some files to a publication as PSD files or if I want to post some of the images to my blog as JPEG files, I can quickly batch export the images from Lightroom. As soon as those files have been received (or posted or whatever), I can then throw away the exported derivatives because I have the original raw files to return to and can therefore quickly export any additional copies of the files at any time. Of course this workflow might not work for everyone, but I find it convenient that I no longer need to keep track of as many derivative files. One word of caution, however: if you export a number of files and then do additional work (retouch the files in Photoshop, for example) I would keep those retouched files (as well as the original RAW files) – but I would still delete any derivatives created from the retouched files.
And while we’re on the subject, I would strongly encourage photographers to keep their original raw files – because you never know when you might need those high quality originals. Plus, I have found that I have been able to significantly improve the quality of my older images as the technology improves (which is exactly what happened to me with my window seat images – refining them with Lightroom’s improved processing is enabling me to pull out more detail with less noise than I was able to 10 years ago).
Of course there are photographers who are going to disagree with me, and for their workflow, they may be absolutely correct – they may never need to return to the images that they are making today, so there might not be a need to keep them. It depends on the type of work that you do.