Posts in Category "Video Tutorials"

April 9, 2018

Adobe Camera Raw Essential Training Now Available on Lynda.com | LinkedIn Learning

I’m happy to announce that my new Adobe Camera Raw Essential Training is now available on Lynda.com  and LinkedIn Learning!

In this course, you’ll discover how to use Adobe Camera Raw to quickly take your photographs from ordinary to extraordinary using nondestructive tools and techniques to help define the essence of your image and reinforce your personal style. You’ll understand why capturing the image is only half of the photographic equation as Adobe evangelist Julieanne Kost takes you through all of Camera Raw’s capabilities, from fixing common but vexing problems to finding more creative uses for the rich and nondestructive editing tools. Learn how to correct color, fix perspective problems, and enhance detail and contrast to make images come alive. Then find out how to make localized color corrections, custom black-and-white images, and even panoramas and HDR composites. If you’re interested in becoming more efficient in Camera Raw, Julieanne also includes a chapter on saving and applying presets, synchronizing multiple images, and batch processing to automate your enhancements.

 

Topics Include:

Comparing raw and JPEG files

Correcting lens distortion and perspective problems

Cropping and straightening a tilted horizon

Fixing color casts and making creative color adjustments

Revealing shadow and highlight detail

Sharpening and reducing noise

Making localized adjustments

Converting to black and white

Retouching portraits: skin, eyes, and teeth

Automating your workflow

Merging images for panoramas or HDR images

Duration: 3h 45m

8:00 AM Comments (7) Permalink
March 13, 2018

3, 2, 1, Photoshop! Three Ways to Help Navigate Documents in Photoshop CC

This week’s episode gives three tips for navigating documents in Photoshop.

5:53 AM Permalink
January 16, 2018

3, 2, 1, Photoshop! Four Ways to Select Layers in Photoshop CC

In this episode of 3, 2, 1, Photoshop, you’ll discover four ways to quickly select layers in Photoshop CC.

9:05 AM Permalink
January 9, 2018

3, 2, 1 Photoshop! Ten Custom Keyboard Shortcuts You Might Not Be Aware Of

Discover how these 10 custom keyboard shortcuts can help increase your productivity in Photoshop CC.

5:25 AM Permalink
December 19, 2017

 3, 2, 1, Photoshop !  Five Reasons to Use Smart Objects in Photoshop CC

This next installment of 3, 2, 1, Photoshop! demonstrates five great reasons to use Smart objects in Photoshop CC.

9:00 AM Permalink
November 16, 2017

Photoshop CC 2018 Essential Training: Design

Photoshop CC 2018 Essential Training: Design is now available on LinkedIn Learning and on Lynda.com!

Photoshop is a powerful program used across many industries, from art and design to scientific imaging. In Photoshop CC 2018 Essential Training: Design, Julieanne Kost created a course specifically for designers, with the goal of removing technical barriers so you can master this complex technology and start creating as soon as possible.

Photoshop CC boasts tools and features for making tonal and color adjustments, applying effects and treatments to type and graphics, and distorting, filtering, and layering elements—all while maintaining the highest-quality output. In this course, Julieanne demonstrates how to efficiently perform common design tasks, including editing images, drawing shapes, and working with type and fonts. Along the way, she shares the secrets of nondestructive editing using Smart Objects, and helps you master features such as layers, filters, blending modes, typography, custom brushes, vector masks, and much more—increasing your productivity every step of the way.

Topics Include:

  • Working with Smart Objects
  • Linked vs. embedded Smart Objects
  • Creative transformations and warping
  • Essential filters for designers
  • Emulating traditional drawing techniques
  • Working with shape and fill layers
  • Pen tool basics
  • Applying layer effects and styles
  • Type essentials
  • Creative brush techniques
  • Working with libraries and artboards
  • Exporting files and sharing images
5:11 AM Permalink
November 14, 2017

3, 2, 1, Photoshop! Five Reasons to use Smart Filters

In this episode (3, 2, 1, Photoshop! Five Reasons to use Smart Filters ), you’ll discover how to edit, mask, stack, move, duplicate, and change blend mode and the opacity of Smart Filters.

5:07 AM Permalink
November 10, 2017

Photoshop CC 2018 Essential Training: Photography

Photoshop CC 2018 Essential Training: Photography is now available on LinkedIn Learning and on Lynda.com!

Photoshop is a complex, and at times, intimidating product. In this course, Julieanne Kost reviews the basics of digital imaging to empower photographers to quickly get the image results they want. Julieanne gets you up to speed with Photoshop and shows the most efficient ways to perform common editing tasks, including retouching and removing distracting elements, creatively using adjustment layers, and combining multiple images. Along the way, she shares how to work with type, Smart Objects, and artistic filters; create custom brushes; use the libraries to store content; quickly export and share images; and more.

Topics Include:

  • Dodging and burning with Curves
  • Tinting and toning techniques
  • Using color lookup tables
  • Brightening eyes and lightening teeth
  • Using the healing brush
  • Combining multiple images
  • Creating a double-exposure effect
  • Creating a panorama in Photoshop
  • Creating a soft glow with grain
  • Creative blurring effects
  • Painting essentials
  • Type and layer effects
  • Artboard and Library essentials
  • Quickly exporting images
  • Sharing images to social media
5:10 AM Permalink
November 3, 2017

Photoshop CC 2018 Essential Training: The Basics

Photoshop CC 2018 Essential Training: The Basics is now available on LinkedIn Learning  and on Lynda.com!

Whether you’re a photographer, designer, or illustrator, learning how to use Photoshop CC 2018 efficiently and effectively is a beneficial investment you can make to get the most out of your creations. Adobe Photoshop is a complex, and, at times, an intimidating product. In this course, Julieanne Kost filters out the noise and complexity for you so that you’ll end up empowered and able to quickly get the image results you want.

Julieanne reviews the basics of digital imaging—from working with multiple images to customizing the Photoshop interface to suit your needs. She shows how to use different Photoshop tools to crop and retouch photos, while always maintaining the highest-quality output. She also demonstrates the most efficient ways to perform common tasks, including working with layers, making selections, and masking. Along the way, she shares the secrets of nondestructive editing using Smart Objects, and helps you master features such as adjustment layers, blend modes, filters, and much more—increasing your productivity every step of the way.

Topics Include:

  • Opening documents in Photoshop
  • Opening files from Bridge and Lightroom
  • Working with multiple documents
  • Panning and zooming documents
  • Customizing the Photoshop interface
  • Modifying keyboard shortcuts for speed
  • Understanding file formats
  • Choosing color modes, bit depth, and color space
  • Cropping and transforming images
  • Working with layers and layer masks
  • Making selections
  • Removing distracting elements
  • Getting to know the blend modes
  • Working with adjustment layers
  • Applying non-destructive filters
  • Getting to know the blend modes
  • Applying filters
5:00 AM Permalink
August 17, 2017

Shortcuts for Working with Layer Groups in Photoshop CC

Here are some tips and  shortcuts for working more effectively with Layer Groups:

  • To create an empty Layer Group, click the Create Layer Group (the folder) icon at the bottom of the Layers panel. The Group will be added above the currently targeted layer. If no layers are targeted, Photoshop will add the group to the top of the layer stack.
  • Command + G (Mac) | Control + G (Win) creates a new Layer Group while simultaneously placing selected layers into that group. The group will be added above the topmost currently targeted layer.
  • Command + Shift + G (Mac) | Control + Shift + G (Win) will ungroup layers.

Adding Layers to Layer Groups

  • When adding a layer to a Layer Group, Photoshop positions the layer at the top of the layer stack (with in the group).
  • Adding the shift key when releasing the mouse will position the layer at the bottom of the stack (within the group).

Repositing Layers

  • When changing the stacking order layers in the Layers panel, I found it difficult to predict if the layer I was dragging was going to land within a Layer Group or outside of it. In the example below, I want to drag the “paper” layer above the “walnuts” layer, but I didn’t want to include it within the “texture” Layer Group.

2014_10_14Layers

  • If you look carefully at the next illustration you can see that the hand icon is positioned over the bottom layer in the Layer Group. If I release the mouse at that point, the “paper” layer would be added within the “texture” Layer Group.

2014_10LayerGroup

  • Instead, if I position the curser a bit lower (below the baseline of the Layer Group), and release the mouse (as it’s positioned in the next illustration), the layer will be repositioned above the “walnuts” layer but not within the “texture” Layer Group.

  • Note: Another way to be sure that the “paper” layer wasn’t included in the texture Layer Group would have been to close the  Layer Group before repositioning the layer.

Duplicating Layer Groups

  • Command + J (Mac) | Control + J (Win) will duplicate the selected Layer Group(s).
  • Option -drag (Mac) | Alt -drag (Win) the Layer Group (in the Layers panel) to simultaneously duplicating and repositioning a Layer Group.
  • Control -click (Mac) | right mouse -click (Win) on the Layer Group and select Duplicate Group.

Deleting Layer Groups in Photoshop

  • With the Layer Group selected, tap the Delete key or Option -click (Mac) | Alt -click (Win) the trash can icon.
  • To delete a Layer Group but keep the layers, choose Layer > Delete > Group or click the trash can icon. Either method displays a dialog with an option to delete “Group Only” (which ungroups the layers within the group and removes the Layer Group while leaving the Layers in tack).
  • Command -drag (Mac) | Control -drag (Win) a Layer Group to the trash can icon to delete a Layer Group without deleting it’s contents.

Selecting Layer Groups

  • To automatically select Layer Groups using the Move tool, enable the Auto-Select box in the Options bar and choose Group from the pull-down menu.

Nesting Layer Groups

  • You can nest layer Layer Groups up to 10 groups deep. That should help organize even the most complex documents!

Displaying the Contents of Layer Groups in Photoshop

  • Command (Mac) | Control (Win) -click the disclosure triangle next to a Layer Group to expand/collapse all Layer Groups in the document.
  • Option (Mac) | Alt (Win)  -click the disclosure triangle to expand/collapse all groups nested within the current Layer Group.
  • Option + Command (Mac) | Alt + Control (Win) -click the disclosure triangle to expand and collapse all groups (nested or not).
  • Control (Mac) | right mouse (Win) -click the Group’s disclosure triangle and choose “Close/Open this Group” or “Close/Open all Other Groups”.

And, if you’re looking for eight reasons to use Layer Groups, be sure to watch this short video that I recently posted:

5:20 AM Permalink
August 8, 2017

3, 2, 1… Photoshop! Three Tips for Photoshop’s Crop Tool

In this episode of 3, 2, 1, Photoshop, Julieanne demonstrates three tips for working with the crop tool, including quickly defining the crop area, maintaining flexibility while cropping to a specific aspect ratio, and cropping two images to the same size.

5:06 AM Permalink
August 1, 2017

Lightroom & Photoshop Workflows: Start to Finish Studies on Lynda.com and LinkedIn Learning

I’m excited to announce that my new “Lightroom & Photoshop Workflows: Start to Finish Studies” course is now live on Lynda.com and LinkedIn Learning!

 

Learn Lightroom and Photoshop workflow and image editing techniques by watching a pro. In this project-oriented course, Adobe evangelist Julieanne Kost takes five images from start to finish, beginning in Lightroom and ending in Photoshop. As Julieanne walks through each workflow, she helps you understand which image editing techniques you’d apply to your photos in Lightroom, and when you’d want to switch to Photoshop to make further changes. She demonstrates how to adjust tone and enhance images in Lightroom using more traditional tools and techniques, and then proceed to Photoshop for more elaborate manipulations. Plus, she explains how to use retouching tools to remove distracting elements, and unify the color and tone of multiple images.

Topics include:

  • Selecting Lightroom or Photoshop to edit images
  • Optimizing in Lightroom, and then proceeding to Photoshop
  • Retouching to remove distracting elements
  • Using multiple photographs to quickly replace unwanted elements
  • Unifying multiple images using color and tone
5:09 AM Permalink
July 25, 2017

Photoshop Automation: Tips, Tricks, and Techniques

I’m excited to announce that my new Photoshop Automation: Tips, Tricks, and Techniques course is now live on Lynda.com and on LinkedIn Learning!If you’re like most creative pros, you probably spend a lot of time in Photoshop. And if you’re like a lot of Photoshop users, you probably spend an undue amount of time performing the same tasks. In this course, learn how to automate repetitive tasks in Photoshop, so that you can accomplish more in less time. Join Adobe evangelist Julieanne Kost as she discusses a variety of productivity-boosting techniques for Photoshop automation. She shares tips for working with actions, using the Batch command, scripting, and more.

Topics include:

  • Quickly saving images as different file types
  • Creating single and multi-step actions
  • Saving and loading actions
  • Inserting stops, menu items, and conditionals
  • Tips for working with layers
  • Using the Batch command
  • Creating droplets
  • Automatically creating graphics from layers using generators
  • Working with variables and scripts
5:12 AM Permalink
July 20, 2017

Lightroom Web Getting Started Series

Did you know that if you subscribe to the Creative Cloud for Photography program or Creative Cloud, you can access the photographs that you synchronize form Lightroom CC on the desktop or Lightroom mobile from any device from within a browser? This means that you’re no longer tied to a specific device – log on to lightroom.adobe.com and sign in using your adobe ID to upload, view, edit, and share your images from anywhere.

For example, if you’re with friends or family – or even with a client, and want to show them your photographs on their computer screen (because it’s much larger than  your mobile device), you can now use Lightroom web.  And, if you make any changes to those photos, all of the changes will be synchronized to Lightroom on your desktop and across your mobile devices. In addition, you can use Lightroom web to quickly share collections of images and Lightroom web galleries.

Following is a “Getting Started” series for Lightroom web that walks you through the workflow:

In this video we’ll discover how to use Lightroom web to access, edit, and share synced photos using a browser.
In this video we’ll cover the Dashboard, All Photos view, image navigation, rating and flagging images  in Lightroom web.
In this video we’ll learn how to organize our photographs using collections in Lightroom web.
In this video we’ll discover how to add (upload) photographs to Lightroom web on any device and see how they’re synchronized with Lightroom CC on the desktop.
In this video we’ll quickly crop and straighten a photograph using Lightroom web.
In this video we’ll learn how to set White Balance and make tonal and color changes to photographs using Lightroom web.
In this video we’ll convert an image to Black and White and add color toning effects using Lightroom web.
In this video we’ll add special effects including Dehaze, Post-Crop vignettes, and Grain to photographs using Lightroom web.
In this video, we’ll share collections of photographs and then view comments made by family and clients in Lightroom CC.
In this video, we’ll create a Lightroom Web Gallery and combine photos and text in a customizable layout.
In this video, we’ll look at how Lightroom web’s Search (technology preview) can help us to quickly find out photographs.
5:03 AM Permalink
June 13, 2017

Tips for Working with Blur Gallery in Photoshop CC

The Blur Gallery filters (Field Blur, Iris, Tilt-Shift, Path, and Spin) are incredibly powerful features that can help selectively blur a photograph in order to remove distracting elements, help direct the viewers eye through an image, or just add creative effects! To apply these filters in a nondestructive manner, I would recommend that you first convert the layer(s) to Smart Objects before applying the filter so that you can:

  • Re-edit the parameters of the filter at any time (by double clicking the name of the filter in the Layers panel).
  • Paint in the Smart Filter mask to selectively hide and show the filter.
  • Apply a Smart Filter to an entire video clip (not just the first frame).

01) Common shortcuts across Blur Gallery filters

  • Press and hold “H” to temporarily hide the Blur interface (pins etc.).
  • Press “P” to toggle the preview on and off.
  • Press and hold “M” to display the mask.

02) The Tilt-Shift Blur

Discover how to create a Tilt-Shift effect using Blur Gallery in this free video (Creating a Tilt-Shift Effect in Photoshop CC 2017), from Photoshop CC 2017 Essential Training: Photography on Lynda.com.

Additional features of the Tilt-Shift Blur filter (not covered in the video) include:

  • Option -drag  (Mac) | Alt -drag  (Win) the dotted line causes the opposite side to mirror the change by repositioning it by the same number of pixels.  This means that if the two dotted lined were symmetric before dragging with the keyboard modifier, they will remain symmetric, but if they were previously repositioned (one line was moved 20 pixels and the other was moved 50), then using the modifier will change them both by the same number of  pixels.
  • When rotating the filter, press the Shift key to constrain the rotation to 15 degree increments.
  • Rotate the blur to add distortion to the foreground or background of the image. Or, select Distort Symmetrically to apply distortion to both sides of the blur.

03) The Effects Panel in Blur Gallery

The Effects Panel can apply a bokeh to Field, Iris, and Tilt-Shift blurs.

  • Light Bokeh controls the amount of highlights in the blur.
  • Bokeh Color increases/decreases saturation.
  • Light Range controls the range of light where the bokeh appears.

The original image, Tilt-Shift filter applied (blurring the flower on the left), and bokeh added to create circles from highlight areas.

04) The Path Blur Filter

Discover how to add motion blur to images in this free video (Creative Blurring Along a Path in Photoshop CC 2017), from Photoshop CC 2017 Essential Training: Photography on Lynda.com.   

Additional features of the Path Blur filter (not covered in the video) include:.

  • Increase the Taper amount to allow the blur to gradually trail off.
  • Enable the Center Blur option to produce a more “stable” looking motion blur (the blur is created using pixels on both sides of the blur).  Uncheck to create a more fluid blur (the blur is created from the pixels on one side of the blur).
  • Use the End point slider to change the amount of blur independently on each end of the path
  • Command -click (Mac) | Control -click (Win) the end of a path to set the End Point blur to 0.
  • Add more than one path in an image to selectively blur areas.
  • Click on the path to add a point. Click on a point to select it and tap the delete key to delete it.
  • Command -click (Mac) | Control -click (Win) on the path (or points) to reposition.
  • Option + Command -drag (Mac) | Alt + Control -drag (Win)  to copy the path.
  • Shift -drag on the Blur Shape path to simultaneously change the direction of both Blur Shapes.
  • Option -click (Mac) | Alt -click (Win) an anchor point (on the path) to convert it to a corner point (and vise versa). Pressing “C” also toggles an anchor point between corner and non-corner. (Corner points can be useful for blocking off parts of an image and for creating a sharp motion blur transition: make a path that is straight then add corner point and curve the second line.)
  • Select from Basic Blur or Rear Sync Flash (Rear Sync Flash sets the Path Blur settings to: Speed = 100%, Taper = 20% and Centered Blur = Off and the Motion Effects to: Strobe strength = 25%, Strobe flashes = 1).

Below is an additional video demonstrating how to use the Path Blur to create motion effects in an image. Note: the video was recorded before the Noise Panel was added to path Blur – in the current version of Photoshop CC, it would be easier to apply noise in the Blur Gallery.

05) Restoring Noise in Blur Gallery

When applying the blur gallery filters, you have the option to add Uniform, Gaussian, or Grain noise back into the blurred areas in order to closely match the restored noise with the original image.

  • Noise – this checkbox turns the Noise on/off. It’s not just a preview, if you turn it off, the noise will not be applied to the result.
  • Type – select between Uniform, Gaussian, and Grain (this is the same Grain that is found in Camera Raw).
  • Amount – the amount of contrast added to the noise.
  • Size –  controls particle size for Grain (this is the same control as found in Camera Raw and is not available for Gaussian or Uniform).
  • Roughness –  controls the regularity of the grain. A negative value makes the grain more uniform, a positive value makes the noise more uneven (this is the same control as found in Camera Raw and is not available for Gaussian or Uniform).
  • Color – controls how much color appears in the grain (from monochromatic to highly saturated).
  • Highlight – suppresses the application of noise in the highlight areas (for better highlight/shadow matching).

06) Spin Blur

The new Spin Blur filter creates non-destructive, realistic, motion effects including the ability to spin an object at variable angles, as well emulate traditional strobe effects. This video will show you how:

Shortcuts for the Spin Blur filter:

  • Option -drag (Mac) | Alt -drag (Win) the center pin to reposition the Rotation point (the center of the spin).
  • Command + Option -drag (Mac) | Control + Alt -drag (Win) the pin to duplicate the pin.

07) The Motion Effects Panel in Blur Gallery

Use the Motion Effects panel to emulate traditional strobe effects (including the ability to define the strength, number of flashes and duration)on Path and Spin Blur filters.

  • Strobe Strength: determine how much blur will show between flash exposures. (0% Strength = no strobe effect. 100% Strength = high strobe effect, little blur shown between exposures). This simulates the control of balance between strobe light and ambient light.
  • Strobe Flashes: Set the number of exposures.
  • Strobe Flash Duration: Measured in degrees (º), this allows the user to set the “length” of the flash by setting how much distance on the circumference the blur.

Strobe strength is set to 100% in all three illustrations.

08) Field Blur

Unfortunately, Field blur is one of the least used of the Blur Gallery filters because once a pin is added, it blurs the entire image and at that point, most people dismiss it’s value. However, you can set down additional pins and set each pin’s blur value independently to create differing levels of blur throughout an image.

Original image (left), and multiple Field Blur pins set to varying blur amounts (right).

09) Iris Blur  

  • From the center pin to the “free-floating” solid white dots, no blur is applied. Between the solid dots and the solid white circle is the “transitional” area where the blur is applied over the length of the transition. Beyond the solid white circle, the blur is fully applied.
  • Option -drag (Mac) | Alt -drag (Win)  the free-floating dots to move independently (thus making the transitional area asymmetrical).
  • Drag the large square on the solid circle outwards to create a rectangular shape Iris blur.
  • Drag the small white dots on the outer circle to rotate and/or to distort the circle to an oval.

Original image (left), Iris Blur added to soften background and emphasize hand (right).

10) Additional Blur Gallery features

  • When working with selections, use the Vary the Selection Bleed to expand the blur into the selection (This feature is disabled when using Smart Objects/Filters and, the selection must be created before selecting the filter).
  • Decrease the Focus amount to blur the center of the Iris and Tilt-Shift blurs if you want the image to start slightly out of focus.
  • Enable Save Mask to Channel in the Options bar to create an alpha channel when applying the filter. (If the blurs are the same type, or a combination of Tilt-Shift, Iris and Field blurs, Photoshop will create a single unified, intersecting mask.)
  • Enable High Quality for smoother rendering when applying bokeh (this feature might decrease performance).
  • If you use the Blur Gallery filters often, assign a custom keyboard shortcut (Edit > Keyboard Shortcuts) to the one you use most (this give easy access to the others as well).
  • Neither the Blend Mode nor Opacity settings for Blur Gallery can be changed (like you can for other Smart Filters), but you can duplicate the Smart Object before applying the filter and then use the Blend Mode and Opacity settings to blend the filtered / non-filtered layers together.
  • When applying Blur Gallery on a multi-layered document, you can see other layers while applying the filter. In addition, you can choose to show your Layers panel while in the Blur Gallery (Window > Layers) to change Opacity, Fill and Blend modes on layer that is being filtered. When finished interacting with your layers, you can choose to hide the Layers panel by selecting “Reset Workspace” from the Blur Gallery workspace (in the upper right of the interface).
5:15 AM Permalink