Photoshop CC (v14.1) added 32-bit image support for a number of filters including:
• Blur -> Blur and Blur More
• Distort -> Displace, Pinch, Polar Coordinates, Ripple, Shear, Spherize, Twirl, Wave, and ZigZag
• Pixelate -> Color Halftone, Crystallize, Facet, Fragment, Mezzotint, Mosaic, Pointilize
• Render -> Fibers
• Sharpen ->Sharpen and Sharpen More
• Stylize -> Diffuse (anisotropic is disabled in 32 bit), Trace Contour
• Other -> Custom
Note: in some of the examples above, changes have been made to opacity and blend mode.
This video demonstrates how to use the enhanced Scripted Patterns and Fills in Photoshop to add a picture frame and border to your images. Select a frame from simple strokes to flowers and vines, snowflakes and leaves, then change the margin or offset from the edge, size, thickness, colors, angle and arrangement of the frame. Of course, you can combine any number of frames to make your border unique.
• Shift + Delete (Mac) | Shift + Backspace (Win) displays the Fill dialog.
Discover how to use the Enhanced Scripted Patterns to create one-of-a-kind trees by changing the direction of the lighting, camera tilt, amount and color of leaves, branch color, and more in Photoshop CC.
• Shift + Delete (Mac) | Shift + Backspace (Win) displays the Fill dialog.
Note: this video was recorded prior to the 2014 release of Photoshop CC. As many of you have already discovered, the 2014 release of Photoshop CC installs a new version of Photoshop (which can run along side of Photoshop CC – the previous version). However the Oil Paint Filter had to be removed from the 2014 release so if you want to use this filter, you must use the previous version of Photoshop (Photoshop CC). Click here for more info on the Oil Paint filter, Flash Panels and Mac OS X 10.6 support.
In this video, you’ll learn how to use the new Perspective Warp feature in Photoshop CC, including quad creation, layout adjustment, and perspective distortion effects.
Here are the essential shortcuts for Perspective Warp:
• After selecting Edit > Perspective Warp, tap the “L” and “W” keys to swap between “layout” and “warp”.
• Shift-drag the end of the plane in layout mode to make a plane longer without changing the shape/position.
• Shift-click will straighten an individual edge of a plane in warp mode. The edge will turn yellow to reflect this.
• Tap the H key to hide the grids.
• Tap the arrow keys to nudge individual points. Add the Shift key to nudge in larger increments.
• Tapping the Enter (return) key while in Layout mode will switch to warp mode. Tapping the Enter (return) key while in Warp mode will commit changes.
Conditional Actions in Photoshop enable ‘if then’ statements for additional flexibility when using Actions. This video will show you how.
Here is a list of the available conditional attributes:
Document is Landscape
Document is Square
Document Mode is RGB
Document Mode is CMYK
Document Mode is Grayscale
Document Profile is sRGB
Document Depth is 8 Bits per Pixel
Document Depth is 16 Bits per Pixel
Document Depth is 32 Bits per Pixel
Document has unsaved Changes
Document has a Selection
Document has Layers
Document has Alpha Channels
Document is Open
Layer is Background
Layer is Pixel layer
Layer in Adjustment Layer
Layer is Shape Layer
Layer is Layer Group
Layer is Locked
Layer is Visible
Layer has pixel mask
Layer has Vector Mask
Layer has Effects
In Photoshop choosing File > Share to Behance allows you to upload the currently selected document as a Work in Progress to share with (and gather feedback from), your social media channels including Twitter and Facebook. The key benefit is that you don’t have to flatten or resize the image – the plug-in takes care of it for you so that you can continue working!
Camera Raw has a new button designed to display a per-panel preview that is applied directly to the main view of the image. Clicking this button will reset the settings in the selected panel to their defaults. Clicking it again will reset them to the previous settings. Or, use the shortcut Command + Option + P (Mac) | Control + Alt + P (Win) to toggle the preview.
Although the preview behavior might appear to look the same as it did in previous versions, this new button actually works a bit differently “under the hood”. Instead of simply showing and hiding the settings in a panel, this button actually resets the panel (clicking the button again restores the previous settings).
So, you might be asking why did we change the per-panel preview behavior? Well, since Camera Raw is not a database program (like Lightroom is), it can’t keep track of different “states” that a panel might be in. This means that in previous versions of Camera Raw, if you had toggled off the preview state of a panel, and then clicked “Done” or “Open Image”, Camera Raw would apply the slider values—even if the preview was turned off for that panel. Therefore, what you saw in Camera Raw may not have matched the resulting file. As you can imagine, when this mismatch occurred, it was not only confusing to the customer, but also unacceptable to the engineering team.
With this release, I believe the engineers have provided us with the best of both worlds; we can still use the new Before/After features (those are completely unchanged), as well as have an improved per-panel preview as a standalone feature.
Camera Raw can now display a before/after Preview (with side-by-side and split-view support) to compare your edits to the original. The Preview check box in earlier versions of ACR has been replaced by three buttons in the bottom-right of the ACR main dialog. From left to right, they are Mode, Swap and Copy:
• Click the Mode button to cycle through left/right and top/bottom side-by-side and split-view modes.
• Click-and-hold the Mode button to bring up a popup menu for directly choosing Preview modes and accessing the Preview Preferences (the Preview Preferences support customizing the Preview modes used for cycling as well as some drawing options including divider and pane options).
• Tap Q to cycle through the Preview modes.
• Click the Swap button to swap Before/After settings.
• Tap P to swap Before/After settings for the primary selected image only.
• Shift + P to swap Before/After settings for all selected images.
• Click the Copy button to copy the After settings to the Before settings. This is useful for establishing a temporary “checkpoint” for your image editing session.
• Option + P (Mac) | Alt + P (Win) to copy After settings to the Before settings for the primary selected image only.
• Option + Shift + P (Mac) | Alt + Shift + P (Win) to copy After settings to the Before settings for all selected images.
• When making changes to images, the changes can only be made to the “after” image and the slider settings (in the panels) will always reflect the “after” image settings.
• The standard single-image view always shows the “after state”.
• Zooming and panning on one view will automatically zoom and pan the other.
Note: while tapping the Q key will cycle through all of the Preview modes in Camera Raw in Photoshop, I primarily use the same view 95+% of the time. So that I don’t have to cycle through so many different options, I click-hold the Mode button to display the pop-up menu for Preview Preferences. Unchecking all but one of the Preview modes allows me to tap the “Q” key to quickly toggle my Before/After Left Right view on and off.
The Histogram is now interactive in Camera Raw. Instead of selecting the sliders in the Basic panel, simply click and drag on the Histogram to adjust the Blacks, Shadows, Exposure, Highlights, and Whites. The video below demonstrates how.
In addition, Control -click (Mac) | Right Mouse -click (Win) within the Histogram to enable Lab color readouts, even when the Workflow Options are set to another color space (such as Adobe RGB). Note: the context menu can also be used to toggle the shadow, highlight, and gamut clipping warnings.
Discover all of the new refinements made to the Adjustment Brush in Camera Raw including the ability to reposition brush adjustments in the video below.
In addition, these shortcuts will help when using the Adjustment Brush:
• Command + Option -drag (Mac) | Control + Alt -drag (Win) an Adjustment Brush pin to duplicate the pin.
• Option -click (Mac) | Alt -click(Win) to delete the pin.
• If you prefer, Control -click (Mac) | Right Mouse -click (Win) displays both options – to duplicate or delete a pin.
• Control -click (Mac) | Right Mouse -click (Win) on the pin to access the option to “Reset Local Correction Settings” from the context menu. Or, use the fly-out menu to choose “Reset Local Correction Settings” – whichever is faster for you.