In the video below, we’re going to discover how easy it is to take multiple, bracketed exposures of the same scene and combine them into a single 32-bit HDR image that can then be edited nondestructively using Adobe Camera Raw as a Smart Filter in Photoshop CC. In addition, we’ll discover how powerful Camera Raw can be when applied to multiple layers as a Smart Object.
And just in case I wasn’t clear in the video, I want to point out why Adobe would include Camera Raw as a filter in Photoshop CC. Well, here are the first three reasons that I can think of, but I’m sure that there are more!
• First of all, not everyone had the luxury of working with raw files so it can be a huge benefit to be able to apply options like clarity and perspective correction to non raw images (a Photoshop layer for example).
• Sometimes we forget to do things in the right order and we don’t have time to go back to the beginning and fix them when on deadline. Yes, this might not be optimal, and yes, we would be better off making changes earlier in our workflow (processing our raw files directly in Camera Raw before opening them in Photoshop), but Camera Raw as a filter can help to make corrections or add creative effects to layers later in your workflow and/or with legacy files.
• Camera Raw as a filter can be applied to multiple layers at one time (by selecting multiple layers in the Layers panel and converting them to a single Smart Object). Plus, working with Camera Raw as a Smart Filter enables blend mode and opacity options as well as a Smart Filter mask to selectively show and hide the filter. Additional information can be found in this post. Note: The following features are not available when using Camera Raw as a Smart Filter (that are normally available in Camera Raw), primarily because they don’t make sense in the filter context:Workflow options and preferences, crop and straighten tools, rotation tools (rotate left/right buttons), snapshots, camera and lens profile corrections.
In this episode of The Complete Picture (Adobe Camera Raw as a Smart Filter in Photoshop CC), Julieanne demonstrates how to take multiple exposures and combine them into a single 32-bit HDR file that can then be edited nondestructively using Adobe Camera Raw as a Smart Filter in Photoshop. In addition, you’ll discover how powerful using Camera Raw as a Smart Filter can be when working with layered files.
In this video tutorial (Moving Between Lightroom and Photoshop), you’ll learn how to seamlessly move images between Lightroom and Photoshop with the exact control that you need. Discover how easy it is to create panoramas, merge 16 bit high-dynamic range (HDR) images and open multiple photographs into a single file in Photoshop.
In this Quick Tip, (Creating 32-bit HDR images in Lightroom 4.1), Julieanne demonstrates how to create a 32-bit file from multiple exposures in Photoshop and then take that file back into Lightroom 4.1 in order to use the Develop module to refine color and tonality — all while still working in 32 bit!
In the tutorial, I don’t believe that I mentioned that when I choose Edit > In, my default setting is to hand off a TIFF file to Photoshop. That way, when I save the file, it saves a 32-bit TIFF – which is what Lightroom prefers (not a PSD file).
In this Video tutorial (Moving Between Lightroom 3 and Photoshop CS5), Julieanne demonstrates
how to take a single image or multiple images for editing seamlessly between Lightroom and Photoshop. Also, see how to use Photoshop tools like Photomerge, HDR pro, and the export dialog in Lightroom for exporting multiple files.
Note: This tutorial is part of the Lightroom 3 Getting Started Series.
In this episode of The Complete Picture (HDR and Tone Mapping Photoshop CS5), Julieanne Kost covers the new Merge to HDR Pro and Tone Mapping Adjustment features in Adobe Photoshop CS5 which allow you to get a much higher dynamic range in your images.