November 24, 2014
When using the Post-Crop Vignette panel in the Develop Module in Lightroom, if you prefer Color Priority or Paint Overlay (instead of Highlight Priority) to be the default style, you can change it by customizing the Develop module’s Default Settings.
This video, Working with Camera Profiles, explains how to customize and save new default settings in the Develop module. Because the video was recorded when Adobe announced Camera Matching profiles (in LR2!), the first six minutes of the video discusses these profiles. However, it then it goes on to explain how to set your default settings in either Lightroom or Camera Raw and even though a lot has changed since then, you can still use the same method today for changing default settings for panels other than Camera Calibration – including Post Crop Vignettes and Lens Correction.
November 13, 2014
The Rotate View tool is extremely helpful when painting, drawing, or doing anything in Photoshop that benefits from rotating a document on the screen (allowing more natural hand positioning and movement) without actually rotating the contents of the document.
The Rotate View tool works very well in tandem with “Spring Loaded” cursors. Instead of tapping ”R” to select the Rotate View tool, hold the “R” key to temporarily access the tool. Then, when you release the key, you will automatically be returned to the selected tool. For example, if you are drawing a path with the Pen tool but need to change the rotation of the view – press and hold the “R” key, drag to rotate the view, and when you release the “R” key – you are back with the Pen tool, ready to continue drawing!
Double click the Rotate View tool to reset the view or, with the Rotate View tool selected, tap the Escape key to reset the view. Using the Options bar, you can also choose to rotate only the active document or all open images (Rotate All Windows).
October 23, 2014
The ability to “Overscroll” is extremely useful new feature in Photoshop CC 2014 – especially when free transforming images. Overscrolling enables an image that is smaller than the application frame to be repositioned within the application frame. In the example below, I’ve dragged and dropped a very large image onto a smaller document. Because the first document is so large, selecting Edit > Free Transform (to resize the large document down), draws the transformation handles far beyond the application frame. By enabling Overscroll (Preferences > Interface > Overscroll), and holding down the spacebar (to temporarily access the hand tool), I can reposition the document within the window. In past versions of Photoshop, the document was anchored to the center of the image, limiting access to the transformation handles without first zooming out.
I also find Overscrolling useful when I need to reposition small documents within the application frame to create screenshots and illustrations. Of course you can always switch views (changing to Full Screen or Floating view) if desired, but I find this method easier.
Note: Another way to quickly see the transformation handles is to use the shortcut Command + 0 (zero) (Mac) | Control + 0 (Win). This zooms out to fit the transformation handles on screen (just as Command + 0 (zero) (Mac) | Control + 0 (Win) will “fit” the image on screen when not in Free Transform).
July 22, 2014
In Photoshop CC, adding a Rectangle, Rounded Rectangle, or Ellipse shape layer (using the Shape tools) automatically displays the Properties panel making it easier to access the “Live Shape” Properties. But sometimes I find that having the Properties panel automatically popping out from its iconic view can be distracting. To stop this “auto-reveal” behavior, from the Properties panel’s fly-out menu, uncheck “Show on Shape Creation”. Note: you must have a Shape layer with Live Shape Properties to access this fly-out menu.
July 8, 2014
Double-clicking the Hand tool in the Tool Panel is the same as selecting View > Fit on Screen (Photoshop will display the entire image as large as possible on screen. Note: Command + 0 (Mac) | Control + 0 (Win) also displays the image as large as possible.
June 18, 2014
Most of you are probably noticing that when you install the 2014 release of Creative Cloud (Photoshop, InDesign, Premiere etc.), via the Creative Cloud desktop app, you’re actually installing NEW versions of the application. Yes, that’s correct, the new 2014 versions of CC apps will be installed in addition to (and can run along side of) the previous CC versions (they will not replace them). So, unlike the past few updates, the 2014 release will install a new, stand-alone version of most applications – such as Photoshop, InDesign etc.), and that’s also why it lists them separately in the CC desktop app).
The fact that the 2014 release of Photoshop is a separate install might be why some of you aren’t seeing your custom plugins etc. that you might have installed with Photoshop CC.
Note: there are a number of different reasons that customers ask Adobe to create versions, including both hardware and software compatibility issues, access to features that are no longer supported as a result, support for external plug-ins etc.
In addition, some applications (Photoshop CC for example) might display an update option in the CC desktop app so that it can make updates to Camera Raw or other features.
If you are a subscriber to Creative Cloud, the new versions are included in your subscription.
If you have additional questions with regards to installing/updating/upgrading, this resource – 2014 release of Photoshop CC FAQ – is very informative!
If your question is not answered in the FAQ, please ask additional questions on this forum: https://forums.adobe.com/community/download_install_setup/creative_cloud_faq
May 2, 2014
Tapping the F key cycles through Photoshop’s three screen modes: Standard Screen Mode, Full Screen with Menu Bar and Full Screen Mode. When in Full Screen Mode, the panels and tools are automatically hidden and the image is surrounded by a solid black background.
To change the background color in any of the screen modes, Control -click (Mac) | Right Mouse -click (Win) in the area surrounding your image and choose from the context sensitive menu.
To change the color and border options in any of the Screen Modes, select Preferences > Interface and customize the Appearance menus.
Note: even though you can use your context sensitive menus to change the color that surrounds the image in Full Screen mode, the old “secret shortcut” still works – select your desired color as your foreground color swatch in the Tool bar and Shift-click in the background area with the Paint Bucket tool.
May 1, 2014
Command + H (Mac) | Control + H (Win), toggles the visibility of several features including layer and selection edges, paths, guides, grids and more. To control exactly what is toggled on/off choose View > Show > Show Extra Options. Here you can choose exactly what you want to hide and show.
Note, the first time you use this shortcut on the Mac OS, Photoshop will display a dialog asking “Would you like to use Command + H to hide Photoshop (Mac standard), or to hide/show selections, guides, etc. (Photoshop traditional)? Click “Hide Extras” unless you want to “Hide Photoshop” every time you use the shortcut. If you do choose to “Hide Photoshop”, you can change this behavior later by choosing Edit >Keyboard Shortcuts. Set the “Shortcuts For” to Application Menus and toggle the disclosure triangle for the View menu. Scroll down to Extras, change the Shortcut back to Command + H and click Accept and then OK.
April 30, 2014
When working with the vector tools (such as the shape tools), Photoshop has a preference to “Snap Vector Tools and Transforms to Pixel Grid”. This preference is extremely helpful when creating shapes that need solid, straight edges as it snaps the edges of the shapes to be fully aligned to a pixel, preventing soft, anti-aliased edges).
This illustration demonstrates three options. The first shape was drawn with the Snap Vector Tools and Transforms to Pixel Grid preference turned on. As a result, all sides of the rectangle are solid (note, even though the initial rectangle shape might not have been drawn in perfect alignment to the pixel grid, Photoshop automatically snapped the rectangle to that grid because the preference was turned on).
The middle illustration was drawn with the Snap Vector Tools and Transforms to Pixel Grid preference turned off. This resulted in anti-aliased edges (varying levels of opacity) because the rectangle (the vector path) was not perfectly aligned to a pixel edge when the rectangle was drawn.
The final illustration is the same rectangle as in the second illustration ( the Snap Vector Tools and Transforms to Pixel Grid preference was turned off), however the Align Edges option was enabled for the rectangle shape layer (in the Options bar) after drawing the rectangle. Enabling the Align Edges option “jumped” the fill of the rectangle to the nearest pixel grid (you can still see that the original shape (the black path), is not aligned to the pixel grid, but the fill is being forced to Align Edges to the edges of the pixel grid. Align Edge is a convenient way to align objects to the pixel grid on a “per shape layer” basis if you want to turn off the Snap Vector Tools and Transforms to Pixel Grid preference.
However, I expect that most people will leave the Snap Vector Tools and Transforms to Pixel Grid preference turned on as it will help to avoid anti-aliased edges when drawing shapes as well as transforming them making alignment clean and precise.
March 26, 2014
In this Quick Tip for Lightroom (How to Stop Lightroom from Switching Folders After Importing Images), Julieanne demonstrates how to prevent Lightroom from automatically switching folders when importing files.
March 6, 2014
By default, Photoshop displays the Document Size at the bottom of the document window in the Status Bar. Clicking on the arrow to the right displays additional display options (such as document profile, dimensions etc.). Clicking and holding in the information area will display the documents width, height, channels and resolution (except when the Save Progress option is selected).
March 5, 2014
When retouching images (especially when checking for sensor dust or imperfections), I like to systematically move through the document starting at the upper right and then moving down screen by screen. When I reach the bottom of the column, I move over one screen and start moving up again. In order to do this, the following shortcuts can be truly lifesavers.
• The Home key moves to upper left corner, the End key moves to lower right.
• The Page Up and Page Down keys move you one full screen up or down one full screen.
• Command + Page Up and Page Down (Mac) | Control + Page Up and Page Down (Win) moves left or right one full screen.
March 4, 2014
Use either of these shortcuts to cycle through open, tabbed documents in Photoshop.
• Command + ~ (tilde) (Mac) | Control + ~ (tilde) (Win)
• Control + Tab (this is the same shortcut for both platforms).
Adding the Shift key to either shortcut will reverse direction.
March 3, 2014
Most of us probably know that tapping the Tab key will show and hide your panels and Tool bar, and Tab + Shift will hide and show only the panels, but did you know that while the panels are hidden, you can auto show/hide them by positioning your cursor to the edge of the application?
February 18, 2014
I’m really excited to announce that my new class: The Art of Photoshop Compositing is now live on www.lynda.com!
“Join Julieanne Kost as she walks you through her creative thought process and explains how she transforms concepts and raw images into entirely new works of art using Adobe Photoshop. Discover how to select the images you need to create a whole that is greater than the sum of its parts. Master the tools used in compositing, including adjustment layers, masking, blending, and Smart Objects, so that the technology doesn’t get in the way of expressing your creative vision. Learn how to adjust scale and perspective and manipulate texture and focus to help viewers temporarily suspend their disbelief long enough to enter your world.”
- What makes a good composite?
- Refining your story
- Composing using the basic principles of design
- Customizing your Photoshop workspace
- Preparing elements from your source images
- Adjusting color, tone, balance, and perspective
- Mastering the Pen tool
- Unifying with texture, focus, leading lines, and structure
I look forward to hearing your feedback!