To free up screen real estate, Photoshop offers several options for displaying panels. When viewing the panels as icons, clicking the icon expands the panel to reveal the options. Then, by default, the panel will automatically collapse back into the icon when you click anywhere outside of the panel. If you prefer the panels to remain open, select Preferences > Interface and uncheck the Auto-Collapse Iconic Panels option (or right click on the panel tab and select this option).
Posts tagged "Interface"
Tapping the Tab key in Photoshop will hide the tools as well as panels. Tapping again displays them. While they are hidden, positioning the cursor at the edge of the monitor will display the panels so that you can access the tools/options that you need and, when you move your cursor away, Photoshop will automatically hide them (similar to a roll-over effect). To toggle off this feature, choose Preferences > Interface > Auto-Show Hidden Panels.
In this episode of The Complete Picture, Julieanne Kost shows you how to use 2 monitors to take advantage of Lightroom’s dual monitor solution. Even though I recorded this video a while back, I have been receiving a lot of questions about it lately so I thought I would repost it.
You can customize the preview settings for your Layer thumbnails by selecting Panel Options from the Layers panel fly-out. These settings can make it far easier to see the contents of a layer – especially when viewing on screens that have limited screen area.
• Select a desired Thumbnail Size. Note: if your image is significantly wider than it is high, selecting the smaller thumbnail sizes might display the generic icon for Adjustment layers.
• Under Change Thumbnail Contents, select “Layer Bounds” to display a preview image of only the area in the layer that contains content.
Select “Entire Document” to display the layer content in relationship to the entire document.
• Use Default Masks on Fill Layers will automatically add layer masks to Fill layers.
• Expand New Effects displays the contents of layer styles when applied.
• Add “copy” to Copied Layers and Groups will add the word copy to the layer name when duplicating layers in the Layers panel.
When doing detail work on an image (where, for example, you might need to be zoomed in to a very small portion of the overall image), it can be helpful to open a secondary window in order to see the changes that you are making in relationship to the entire photograph or design. To do so, simply select Window > Arrange > New Window For (XXX).
In almost all of the dialog boxes in Photoshop, holding the Option + (Mac) | Alt + (Win) key toggles the Cancel option to Reset.
And, more often than not, while in those same dialog boxes, Command + “+” (plus) (Mac) | Control (Win) +” (plus) zooms in and Command + “-” (minus) (Mac) | Control (Win) + “-” (minus) will zoom out.
When using the Post-Crop Vignette panel in the Develop Module in Lightroom, if you prefer Color Priority or Paint Overlay (instead of Highlight Priority) to be the default style, you can change it by customizing the Develop module’s Default Settings.
This video, Working with Camera Profiles, explains how to customize and save new default settings in the Develop module. Because the video was recorded when Adobe announced Camera Matching profiles (in LR2!), the first six minutes of the video discusses these profiles. However, it then it goes on to explain how to set your default settings in either Lightroom or Camera Raw and even though a lot has changed since then, you can still use the same method today for changing default settings for panels other than Camera Calibration – including Post Crop Vignettes and Lens Correction.
The Rotate View tool is extremely helpful when painting, drawing, or doing anything in Photoshop that benefits from rotating a document on the screen (allowing more natural hand positioning and movement) without actually rotating the contents of the document.
The Rotate View tool works very well in tandem with “Spring Loaded” cursors. Instead of tapping ”R” to select the Rotate View tool, hold the “R” key to temporarily access the tool. Then, when you release the key, you will automatically be returned to the selected tool. For example, if you are drawing a path with the Pen tool but need to change the rotation of the view – press and hold the “R” key, drag to rotate the view, and when you release the “R” key – you are back with the Pen tool, ready to continue drawing!
Double click the Rotate View tool to reset the view or, with the Rotate View tool selected, tap the Escape key to reset the view. Using the Options bar, you can also choose to rotate only the active document or all open images (Rotate All Windows).
The ability to “Overscroll” is extremely useful new feature in Photoshop CC 2014 – especially when free transforming images. Overscrolling enables an image that is smaller than the application frame to be repositioned within the application frame. In the example below, I’ve dragged and dropped a very large image onto a smaller document. Because the first document is so large, selecting Edit > Free Transform (to resize the large document down), draws the transformation handles far beyond the application frame. By enabling Overscroll (Preferences > Interface > Overscroll), and holding down the spacebar (to temporarily access the hand tool), I can reposition the document within the window. In past versions of Photoshop, the document was anchored to the center of the image, limiting access to the transformation handles without first zooming out.
I also find Overscrolling useful when I need to reposition small documents within the application frame to create screenshots and illustrations. Of course you can always switch views (changing to Full Screen or Floating view) if desired, but I find this method easier.
Note: Another way to quickly see the transformation handles is to use the shortcut Command + 0 (zero) (Mac) | Control + 0 (Win). This zooms out to fit the transformation handles on screen (just as Command + 0 (zero) (Mac) | Control + 0 (Win) will “fit” the image on screen when not in Free Transform).
In Photoshop CC, adding a Rectangle, Rounded Rectangle, or Ellipse shape layer (using the Shape tools) automatically displays the Properties panel making it easier to access the “Live Shape” Properties. But sometimes I find that having the Properties panel automatically popping out from its iconic view can be distracting. To stop this “auto-reveal” behavior, from the Properties panel’s fly-out menu, uncheck “Show on Shape Creation”. Note: you must have a Shape layer with Live Shape Properties to access this fly-out menu.
Double-clicking the Hand tool in the Tool Panel is the same as selecting View > Fit on Screen (Photoshop will display the entire image as large as possible on screen. Note: Command + 0 (Mac) | Control + 0 (Win) also displays the image as large as possible.
Most of you are probably noticing that when you install the 2014 release of Creative Cloud (Photoshop, InDesign, Premiere etc.), via the Creative Cloud desktop app, you’re actually installing NEW versions of the application. Yes, that’s correct, the new 2014 versions of CC apps will be installed in addition to (and can run along side of) the previous CC versions (they will not replace them). So, unlike the past few updates, the 2014 release will install a new, stand-alone version of most applications – such as Photoshop, InDesign etc.), and that’s also why it lists them separately in the CC desktop app).
The fact that the 2014 release of Photoshop is a separate install might be why some of you aren’t seeing your custom plugins etc. that you might have installed with Photoshop CC.
Note: there are a number of different reasons that customers ask Adobe to create versions, including both hardware and software compatibility issues, access to features that are no longer supported as a result, support for external plug-ins etc.
In addition, some applications (Photoshop CC for example) might display an update option in the CC desktop app so that it can make updates to Camera Raw or other features.
If you are a subscriber to Creative Cloud, the new versions are included in your subscription.
If you have additional questions with regards to installing/updating/upgrading, this resource – 2014 release of Photoshop CC FAQ – is very informative!
If your question is not answered in the FAQ, please ask additional questions on this forum: https://forums.adobe.com/community/download_install_setup/creative_cloud_faq
Tapping the F key cycles through Photoshop’s three screen modes: Standard Screen Mode, Full Screen with Menu Bar and Full Screen Mode. When in Full Screen Mode, the panels and tools are automatically hidden and the image is surrounded by a solid black background.
To change the background color in any of the screen modes, Control -click (Mac) | Right Mouse -click (Win) in the area surrounding your image and choose from the context sensitive menu.
To change the color and border options in any of the Screen Modes, select Preferences > Interface and customize the Appearance menus.
Note: even though you can use your context sensitive menus to change the color that surrounds the image in Full Screen mode, the old “secret shortcut” still works – select your desired color as your foreground color swatch in the Tool bar and Shift-click in the background area with the Paint Bucket tool.
Command + H (Mac) | Control + H (Win), toggles the visibility of several features including layer and selection edges, paths, guides, grids and more. To control exactly what is toggled on/off choose View > Show > Show Extra Options. Here you can choose exactly what you want to hide and show.
Note, the first time you use this shortcut on the Mac OS, Photoshop will display a dialog asking “Would you like to use Command + H to hide Photoshop (Mac standard), or to hide/show selections, guides, etc. (Photoshop traditional)? Click “Hide Extras” unless you want to “Hide Photoshop” every time you use the shortcut. If you do choose to “Hide Photoshop”, you can change this behavior later by choosing Edit >Keyboard Shortcuts. Set the “Shortcuts For” to Application Menus and toggle the disclosure triangle for the View menu. Scroll down to Extras, change the Shortcut back to Command + H and click Accept and then OK.
When working with the vector tools (such as the shape tools), Photoshop has a preference to “Snap Vector Tools and Transforms to Pixel Grid”. This preference is extremely helpful when creating shapes that need solid, straight edges as it snaps the edges of the shapes to be fully aligned to a pixel, preventing soft, anti-aliased edges).
This illustration demonstrates three options. The first shape was drawn with the Snap Vector Tools and Transforms to Pixel Grid preference turned on. As a result, all sides of the rectangle are solid (note, even though the initial rectangle shape might not have been drawn in perfect alignment to the pixel grid, Photoshop automatically snapped the rectangle to that grid because the preference was turned on).
The middle illustration was drawn with the Snap Vector Tools and Transforms to Pixel Grid preference turned off. This resulted in anti-aliased edges (varying levels of opacity) because the rectangle (the vector path) was not perfectly aligned to a pixel edge when the rectangle was drawn.
The final illustration is the same rectangle as in the second illustration ( the Snap Vector Tools and Transforms to Pixel Grid preference was turned off), however the Align Edges option was enabled for the rectangle shape layer (in the Options bar) after drawing the rectangle. Enabling the Align Edges option “jumped” the fill of the rectangle to the nearest pixel grid (you can still see that the original shape (the black path), is not aligned to the pixel grid, but the fill is being forced to Align Edges to the edges of the pixel grid. Align Edge is a convenient way to align objects to the pixel grid on a “per shape layer” basis if you want to turn off the Snap Vector Tools and Transforms to Pixel Grid preference.
However, I expect that most people will leave the Snap Vector Tools and Transforms to Pixel Grid preference turned on as it will help to avoid anti-aliased edges when drawing shapes as well as transforming them making alignment clean and precise.