Click here (2014 Favorite Layer Shortcuts) to download a compilation of some of the Layer shortcuts that I am going to share today in my compositing course at ADIM. Of course this isn’t a complete list, so feel free to search the blog for more in-depth tutorials, training, techniques and shortcuts for working with Adobe Photoshop and Lightroom.
Posts tagged "Layers"
Join me today, Wednesday February 26th, from 9:00 am – 10:30 am on creativeLIVE for 90 minutes of “Advanced Photoshop Layer Tips” during Photoshop Week. Then, stay tuned because from 10:45 am – 12:15 pm, I’ll be covering all sorts of tips and techniques to help speed up your workflow “Automating Camera Raw” in Photoshop. The best news, is that all of the courses are free during the live broadcast! And, if you’re in a different time zone, the sessions will be rebroadcast. See the complete schedule and RSVP here.
I’m really excited to announce that my new class: The Art of Photoshop Compositing is now live on www.lynda.com!
“Join Julieanne Kost as she walks you through her creative thought process and explains how she transforms concepts and raw images into entirely new works of art using Adobe Photoshop. Discover how to select the images you need to create a whole that is greater than the sum of its parts. Master the tools used in compositing, including adjustment layers, masking, blending, and Smart Objects, so that the technology doesn’t get in the way of expressing your creative vision. Learn how to adjust scale and perspective and manipulate texture and focus to help viewers temporarily suspend their disbelief long enough to enter your world.”
- What makes a good composite?
- Refining your story
- Composing using the basic principles of design
- Customizing your Photoshop workspace
- Preparing elements from your source images
- Adjusting color, tone, balance, and perspective
- Mastering the Pen tool
- Unifying with texture, focus, leading lines, and structure
I look forward to hearing your feedback!
Option (Mac) / Alt (Win) -drag a layer in the image area with the Move tool creates a copy of a layer. You can also Option (Mac) / Alt (Win) -drag in the Layers panel to duplicate layer(s) – select the layer(s) and drag until you see a heavy black line between the layers and release. Note, this also works with Layer Groups.
If the Move tool is selected, holding the Command (Mac) / Control (Win) key temporarily activates the Auto Select (Layer) feature. To use Auto Select, simply click in the image area over the desired layer to select it in the Layers panel. Note: if you prefer, you can check Auto Select (available in the Options bar when the Move tool is selected) to eliminate the need for the modifier key. You can also Shift click on additional layers to select them. To select a layer using the context sensitive menus, Control (Mac) / Right Mouse (Win) -click in the image area over the desired layer and select it from list.
In order to drag-select multiple layers, select the Move tool, enable (check) the Auto Select option in the Options bar and choose Layer from the pull-down list. Click and drag over content on a layer(s) with the Move tool (in the image area) to select the layers. This method works well if you have multiple layers and a Background. Otherwise, because you have the Auto Select feature turned on, clicking in the image area will select the first layer that you click on and begin to move it instead of selecting additional layers. Note: because a Background is locked by default, it is impossible to drag-select and therefore skipped by the Auto Select Feature. If you have layers that you do not want to auto select, lock them.
Adobe Photoshop CC 14.2 is now available! If you don’t see an update available for Photoshop in the Creative Cloud desktop application, it might be because of your time zone – the Creative Cloud desktop application only checks once a day. To force the CC desktop application to check for updates, quit the CC desktop app (click on the gear icon in the upper right and choose Quit). Then, launch the Creative Cloud desktop application again – it will check for updates upon launch.
These three videos will take you through my favorite new features:
Julieanne Kost, Adobe Principal Evangelist Photoshop and Lightroom, walks through the new Perspective Warp feature in Photoshop CC. Learn how to create quads, adjust the layout, and distort the perspective of an image.
Julieanne Kost, Adobe Principal Evangelist Photoshop and Lightroom, demonstrates Linked Smart Objects in Photoshop CC. Discover when to embed and when to link Smart Objects as well as learn how to update modified content, resolve missing files and filter based on Smart Object attributes.
Julieanne Kost, Adobe Principal Evangelist Photoshop and Lightroom, takes a close look at several feature enhancements and refinements made to scripted patterns including placing patterns along a path, rendering unique trees for concept, architectural and fine art images and scripted border designs. Learn how to unlock the background into a layer with a single click, choose recent colors from the swatches panel and add and change color readouts for multiple color samplers at once.
With the Move tool selected, Option (Mac) / Alt (Win) -dragging a layer in the image area creates a copy of the selected layer(s).
You can also Option (Mac) / Alt (Win) -drag in the Layers panel to duplicate a layer – select the layer(s) and drag (up or down) until yo see a heavy black line between the layers and release.
Command + J (Mac) | Control + J (Win) will also duplicate the selected layer(s). Note: this shortcut works for Layer Groups as well.
In order to drag-select multiple layers, select the Move tool and check the Auto-Select option in the Options bar. Click and drag over objects with the Move tool (in the image area) to select the layers. This method works well if you have multiple objects (layers) and a Background. Otherwise, because you have the Auto Select feature turned on, clicking in the image area will select the first layer that you click on and begin to move it instead of selecting additional objects (layers). Note: because a Background is locked by default, it is impossible to select and therefore skipped by the Auto Select Feature. So, if you have layers that you do not want to auto select, lock them. If you prefer to keep the Auto Select Layer unchecked (off), with the Move tool selected, you can use the keyboard shortcut Command (Mac) / Control (Win) to temporarily turn on the auto select functionality.
The Auto Select Layer/Group feature is found in the Options bar when the Move tool is selected. By default, the Auto Select feature is set to Auto-Select Groups (as opposed to Auto-Select Layer). To change this behavior, with the Move tool selected, check the Auto-Select box in the Options bar and choose Layer from the pull-down menu.
To use Auto Select, simply click in the image area over the desired layer to select it. To select additional layers, add the Shift key while clicking. If the Move tool is selected, holding Command (Mac) / Control (Win) temporarily activates the Auto-Select feature.
In addition, you can also select a layer using the context sensitive menus; Control (Mac) / Right Mouse (Win) -click in the image area over the desired layer and select it from the list.
While another tool is selected, holding the Command (Mac) / Control (Win) temporarily accesses the Move tool. Releasing the key returns you to the previous tool. Note: the Crop, Slice, Slice Select, Pen, Freeform Pen, Add Anchor point, Delete Anchor Point, Convert Point, Path Selection, Direct Selection, Shape and Hand tools are excluded from this shortcut.
To create a mask on a layer based on the transparency of another layer, in the Layers panel, select the layer that you want the mask to be added to. Then, drag the layer that you want to become the contents for the mask to the Add Mask Icon at the bottom of the Layers panel. Important: don’t click and release the mouse on the layer that you want to become the contents of the mask – clicking will select the layer, you need to drag that layer instead.
Photoshop CS6 introduced the ability to search/filter layers based on a number of parameters using the filter bar at the top of the Layers panel. Photoshop CC took search/filtering one step farther by adding the ability show only selected Layers (while temporarily hiding non-selected layers in the Layers panel), by choosing Select > Isolate Layers.
However, when “toggling off” or exiting Isolation mode, Photoshop CC simply turned off the filter in the Layers panel, instead of resetting the Layer Filter. Now, in Photoshop CC (v14.1), toggling Isolation mode “off”, resets the Layer Filter to default values .
Note: Isolation Mode is inactive when using the Direct/Path Selection tools in Active Layers mode.
Dragging in the Layers panel to reposition a layer below a Layer Group can give different results than expected. In the example below, dragging and dropping the texture layer below the Cactus Layer Group, results in the texture layer being added to the Layer Group (inside of it, instead of below it).
Instead, try clicking the disclosure triangle next to the Cactus Layer Group to close it (hide the contents), then drag and drop the texture layer below it.
Or, regardless of the state of the Layer Group (opened or closed) you can simply drag the Cactus Layer Group above the texture layer!
In Photoshop CC, the Photoshop engineers added the ability to use either the Path Selection or Direct Selection tool to drag in the image area and select more than one path – even if the paths were on different layers. Given this feature, customers have since requested they be able to limit the layers that Photoshop allowed drag-selecting shapes from based on whether or not the layer was selected. So now, in Photoshop CC (v14.1), with either the Path Selection and/or Direct Selection tool selected, you can choose between selecting All Layers or Active Layers in the Options bar when drag-selecting paths in the image area.
In addition, using the Keyboard Shortcut editor, under Shortcuts For: Tools you can assign a keyboard shortcut to toggle between the options (Direct Selection Mode Toggle).