The ability to search (filter) layers based on a variety of criteria has been added to the Layers panel in Photoshop CS6 which should make working with multi-layered documents much easier. Choose a “Filter Type” by clicking the drop down menu at the top left of the Layers panel and choose from Kind, Name, Effect, Mode, Attribute and/or Color. Then, use the corresponding options that appear to the right of the Filter Type to narrow down the search. The “light switch” to the right of the Filter options toggles the filtering on and off. Note: when filtering by Kind, you can click on more than one icon at a time in order to narrow down the search. Click an icon again to toggle if off.
Posts tagged "Layers"
In case you didn’t watch the video in yesterday’s post, here are some of the changes made to the Layer Effects/Styles in Photoshop CS6:
• The menu order of the Layer Effects/Styles has changed. Although it might not be obvious at first, they are now in the order in which they are applied to the content in the layer. For example, the Drop Shadow effect is applied (or will be rendered) below all other Effects, the Bevel and Emboss will rendered on top of any other Effects. This should help when visualizing how several effects are going to be applied to the contents of a layer or group.
• Layer Effects/Styles can be applied to Groups. As you can see in the illustration below, the layers on the left have a Stroke effect applied to each layer individually. The layers on the right have the Stroke effect applied to the Group. Applying the Layer Effect/Style to the Group has a different result because the layers are all treated as one (as if they are flattened) before the Layer Effect/Style is applied to the Group.
• Option -click (Mac) | Alt (Win) -click the disclosure triangle on the Layers panel to the right of the “fx” icon to hide/reveal all Layer Effect/Styles in the document.
• Both the Gradient Overlay and Stroke Layer Effects have a “Dither” option. Note: to apply a dither on a Stroke, first change the Fill Type to Gradient.
• There is a new command (Layer > Rasterize > Layer Style) which renders the layer effect into the layer (think of it as merging or flattening the Layer Effect/Style with the content of the layer).
• If any changes have been made in the Layer Style dialog under the Advanced Blending area, a new Blending Effects icon is displayed on the layer in the Layers panel.
In this video (Julieanne’s Favorite Enhancements for Working with Layers in Photoshop CS6), you’ll learn time-saving techniques to boost your productivity as Julieanne reveals essential enhancements that will improve the way you work with Layers, Groups, the new Properties panel, and much more!
There are several ways to open multiple photographs into a single Photoshop document:
• From Bridge – select multiple photographs and choose Tools > Photoshop > Load Files into Photoshop Layers.
• From Photoshop – select File > Scripts > Load Files into Stack. Note: you can also choose to create a Smart Object out of the Stack – but this converts all layers into a single Smart Object, not each one individually.
• From Lightroom – select multiple photographs and choose Photo > Edit In > Open As Layers in Photoshop.
Although there isn’t a way to export each frame out of Photoshop Extended as a PSD file AND have it keep the layers (with out using custom scripting), you can render video with Alpha Channel set to “Straight – Unmatted” which will give you transparency.
When opening a file, holding the Option (Mac) / Alt (Win) + Shift will open a flattened version of a file (instead of a layered one) if the original layered file was saved with the Maximize Backwards compatibility preference turned on.
If you need to create a flattened copy of your layers to use in an action (while leaving the underlying layers intact), while recording the action:
1) Create a new, blank layer at the top of the layer stack.
2) Use the shortcut Command + Option (Mac) / Control + Alt (Win) + Shift + E to “flatten” a copy of the layers onto the empty layer (that you just created at the top of the layer stack).
3) Although you will see “Merge Visible” as the recorded step in the action, you will also see the disclosure triangle to the left of the Merge Visible command. Click the triangle to reveal that using the shortcut to “Merge Visible” is different from using the menu item to “Merge Visible” as the shortcut merges the visible layers on the new layer that you created in step 1 (as opposed to merging the visible layers into a single flattened layer).
In this Episode of The Complete Picture (Posterizing Images with Control and Flexibility) I will demonstrate how to reduce the color palette of an image to create a posterized effect with the most control and maximum flexibility possible.
In the Layers panel, Control (Mac) / Right Mouse (Win) -click the eye icon for any layer and select a color from the list. This can be very helpful when working with complex, multi-layers documents. Note, the Background layer can not be color coded. To convert the Background into a layer by selecting Layer > New > Layer From Background (or by double clicking on the word Background in the Layers panel).
In this Episode of the Complete Picture (Using Color to Add Emotional Impact to a Photograph) Julieanne discusses how the addition of color as well as supporting imagery can help reinforce the mood and message of a composite image that a single photograph may fail to do on it’s own. Discover how to composite images through the use of masking, blend modes, smart objects, gradients and edge effects.
If you have multiple layers in a Layer Group, instead of setting each layer’s blend mode individually, try setting the blend mode for the Layer Group. This will treat all of the layers in the Group as if they were “merged” together, then blend them as one.
A great way to ensure that a change you make to an image is only affecting the tonal (not color) values is to set the blend mode to Luminosity. For example, if you have an area in an image that is too dark and you want to lighten it without changing the colors, add a Curves Adjustment Layer and set the blend mode to Luminosity. Then raise or lower the curve as necessary – without affecting the color values. This can be especially helpful when dodging or burning skin-tones. If you want to affect the colors and not the tonal values, simply change the blend mode to color.
The Multiply blend mode is a good technique to combine line art with textured, alternate background. For example, if you have an original pen and ink drawing, you can scan it in, place the layer on top of a new background or on top of different colors and then set it’s blend mode (on the layers palette) to Multiply to combine the images. I’ve even seen people apply “temporary” tattoos on photographs using this technique.
Layer Groups have a unique blend mode called Pass Through which is only visible when a Layer Group is targeted in the Layers panel. It allows any adjustment layers, blend modes, advanced blending options, opacity and fill values applied to layers within a Group, to affect layers below the Group in the layers panel. To restrict the blending of layers to only happen within a Group, change the Layer Group’s blend mode to Normal.
The sixth group of Blend modes have no neutral colors. They work in a hue, saturation, luminance space that is similar to but different from both HSB and HSL. In particular, while hue is the same in all three spaces, all of the spaces define saturation and brightness/lightness/luminance somewhat differently. All of the combinations described below are subject to clipping to keep the values in the valid RGB range.
• Hue – Creates a result color with the luminance and saturation of the base color and the hue of the blend color.
• Saturation – Creates a result color with the luminance and hue of the base color and the saturation of the blend color. Painting with this mode in an area that has no (0) saturation (gray) causes no change.
• Color – Creates a result color with the luminance of the base color and the hue and saturation of the blend color. This preserves the gray levels in the image and is useful for coloring monochrome images and for tinting color images. Color yields a result with the same hue and saturation as the upper color and the luminance of the lower color.
• Luminosity – Creates a result color with the hue and saturation of the base color and the luminance of the blend color. This mode is the inverse of Color mode.
One of the common uses of the Color blend mode is for selective coloring effects using the painting tools, gradient fill layers and layer effects. For example, you can select the paint brush, set its blend mode to color and paint directly on an image (but this isn’t very flexible if you make a mistake). For more flexibility, you can choose to create a new layer and set it’s blend mode to Color and set the paint brush’s blend mode to Normal to paint any part of an image.