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	<title>Comments on: Adobe Photographers Directory wins WebAward</title>
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	<link>http://blogs.adobe.com/jnack/2005/09/adobe_photographers_directory_wins_webawar.html</link>
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		<title>By: Jeremy</title>
		<link>http://blogs.adobe.com/jnack/2005/09/adobe_photographers_directory_wins_webawar.html#comment-77</link>
		<dc:creator>Jeremy</dc:creator>
		<pubDate>Wed, 21 Sep 2005 02:59:16 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.adobe.com/jnackdev/2005/09/adobe-photographers-directory-wins-webaward.html#comment-77</guid>
		<description><![CDATA[Those organizations don&#039;t screen anyone using any meaningful criteria.  Requiring membership is just splitting photographers into the &quot;haves&quot; and &quot;have-nots&quot;, where the &quot;have-nots&quot; are excluded regardless of merit and largely on &quot;seniority&quot;, making it more difficult than it used to be for people to actually get somewhere starting out in the industry.
Selling rights-managed images may not be something you can do all pointy-clicky in a month or two, but it&#039;s a solvable problem, even if it means the customer has to deal directly with the agency to make the purchase.  By including only royalty-free images, and those mostly from Getty&#039;s various libraries, you&#039;re creating a situation that puts anyone not willing to sell under that model at a major disadvantage versus libraries available from within Photoshop, and further excluding anyone who can&#039;t submit to Getty, which is very exclusive and not an option for most photographers, or essentially any part-time photographers.  (And part-time is the only way many people can get started, since the royalty-free business model has devalued the market so much that it takes a long while before you can hope to make a living at photography.)
Photoshop is essentially a monopoly in what it does, and by including these exclusionary things right on the desktop you&#039;re forcing 99% of photographers into a position where it is even more difficult than before to compete or get anywhere in the business, because those services are unavailable to 99% of photographers regardless of their merits, skills, or suitability.
You have to have three years of full-time, published, professional experience to be a general ASMP member.  How is a new photographer supposed to get there, in a climate where it is increasingly difficult for a photographer to make a living at all, due in no small part to the very things you&#039;re throwing your considerable weight into supporting?  If listings are available to associate members, you would still have a year to wait, just to be able to compete on a level field.  And that year isn&#039;t based on any kind of &quot;screening&quot;, just time and paying the fee.
You&#039;re creating an exclusionary privileged class of photographers based on anything but merit.
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		<content:encoded><![CDATA[<p>Those organizations don&#8217;t screen anyone using any meaningful criteria.  Requiring membership is just splitting photographers into the &#8220;haves&#8221; and &#8220;have-nots&#8221;, where the &#8220;have-nots&#8221; are excluded regardless of merit and largely on &#8220;seniority&#8221;, making it more difficult than it used to be for people to actually get somewhere starting out in the industry.<br />
Selling rights-managed images may not be something you can do all pointy-clicky in a month or two, but it&#8217;s a solvable problem, even if it means the customer has to deal directly with the agency to make the purchase.  By including only royalty-free images, and those mostly from Getty&#8217;s various libraries, you&#8217;re creating a situation that puts anyone not willing to sell under that model at a major disadvantage versus libraries available from within Photoshop, and further excluding anyone who can&#8217;t submit to Getty, which is very exclusive and not an option for most photographers, or essentially any part-time photographers.  (And part-time is the only way many people can get started, since the royalty-free business model has devalued the market so much that it takes a long while before you can hope to make a living at photography.)<br />
Photoshop is essentially a monopoly in what it does, and by including these exclusionary things right on the desktop you&#8217;re forcing 99% of photographers into a position where it is even more difficult than before to compete or get anywhere in the business, because those services are unavailable to 99% of photographers regardless of their merits, skills, or suitability.<br />
You have to have three years of full-time, published, professional experience to be a general ASMP member.  How is a new photographer supposed to get there, in a climate where it is increasingly difficult for a photographer to make a living at all, due in no small part to the very things you&#8217;re throwing your considerable weight into supporting?  If listings are available to associate members, you would still have a year to wait, just to be able to compete on a level field.  And that year isn&#8217;t based on any kind of &#8220;screening&#8221;, just time and paying the fee.<br />
You&#8217;re creating an exclusionary privileged class of photographers based on anything but merit.</p>
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		<title>By: John Nack</title>
		<link>http://blogs.adobe.com/jnack/2005/09/adobe_photographers_directory_wins_webawar.html#comment-76</link>
		<dc:creator>John Nack</dc:creator>
		<pubDate>Tue, 20 Sep 2005 20:17:48 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.adobe.com/jnackdev/2005/09/adobe-photographers-directory-wins-webaward.html#comment-76</guid>
		<description><![CDATA[I don&#039;t follow you.  We want the Directory to be a high-quality resource, and that means doing some level of screening.  Adobe doesn&#039;t have the expertise or staff to do that work, so we&#039;ve partnered with ASMP and other professional photographers&#039; organizations.  How is that working directly against the photography industry?
As regards Adobe Stock Photos, it currently features only royalty-free images because the necessary infrastructure for selling rights-managed images hasn&#039;t existed.  That&#039;s an area we&#039;re exploring, but streamlining the high-touch world of RM imagery is not a small task.
]]></description>
		<content:encoded><![CDATA[<p>I don&#8217;t follow you.  We want the Directory to be a high-quality resource, and that means doing some level of screening.  Adobe doesn&#8217;t have the expertise or staff to do that work, so we&#8217;ve partnered with ASMP and other professional photographers&#8217; organizations.  How is that working directly against the photography industry?<br />
As regards Adobe Stock Photos, it currently features only royalty-free images because the necessary infrastructure for selling rights-managed images hasn&#8217;t existed.  That&#8217;s an area we&#8217;re exploring, but streamlining the high-touch world of RM imagery is not a small task.</p>
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		<title>By: Jeremy</title>
		<link>http://blogs.adobe.com/jnack/2005/09/adobe_photographers_directory_wins_webawar.html#comment-75</link>
		<dc:creator>Jeremy</dc:creator>
		<pubDate>Tue, 20 Sep 2005 19:59:23 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.adobe.com/jnackdev/2005/09/adobe-photographers-directory-wins-webaward.html#comment-75</guid>
		<description><![CDATA[Photographers who are already members of ASMP or similar, that is.
The Adobe Photographers Directory is about as good for photographers as Adobe Stock Photos, including only royalty-free images.  That is to say, not good at all.
How about Adobe doing something that isn&#039;t working directly against the photography industry?
]]></description>
		<content:encoded><![CDATA[<p>Photographers who are already members of ASMP or similar, that is.<br />
The Adobe Photographers Directory is about as good for photographers as Adobe Stock Photos, including only royalty-free images.  That is to say, not good at all.<br />
How about Adobe doing something that isn&#8217;t working directly against the photography industry?</p>
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