February 21, 2006
Errol Morris, AE7->FLV, more in Motion Design Center, Adobe Proxy
Michael Cina and Michael Young “ferret out” a host of critters to showcase their unique outlook.
- Domani Studios
Always pushing the envelope, Domani Studios’ 2100 pounds of creative muscle displays its playful side.
- Accurate Color between Photoshop and Flash
By Michael Ninness
Learn how to set up Photoshop and Flash so that colors in your images are consistent in both products.
- After Effects 7: Graph Editor
By Lee Brimelow
See—and edit—all the properties of your animations in one intuitive place with the new Graph Editor.
- After Effects 7: FLV Export
By Lee Brimelow
Discover how easy it is to export Flash Video directly from After Effects 7.
- Errol Morris: Revealing Unexpected Realities
By Megan Cunningham
From The Fog of War to Apple’s “Switch” campaign, Errol Morris describes the unique connections between his dual career as an award-winning filmmaker and advertising iconoclast.
- Buildings as Interfaces
By Peter Hall
Architects and designers collaborate to create digital skins that allow buildings to blink, wink, and breathe. Step inside.
Color between Photoshop and Flash: What’s the deal??
Why is it that when you design an image in Photoshop, then move it to Flash (or Dreamweaver, or the Web in general), the appearance can totally change? If this issue has bitten you, spend ten minutes (9:19, actually) watching this new tutorial from our friend Michael Ninness. Myke explains the right color management switches to flip to change the out-of-the-box setup (geared towards a camera-to-print pipeline) to one that better suits Web output.
On a related note, if you’re frequently working between Photoshop and Flash (as evidently lots of people are), check out Myke’s full set of tutorials on the subject, and/or his Photoshop + Flash session at next week’s Flashforward conference in Seattle.
Of course, the fact that this stuff requires classes & tutorials gives us plenty of motivation to make it just work. More on that soon.