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	<title>Comments on: Photoshop and HDR imaging on Flickr</title>
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	<link>http://blogs.adobe.com/jnack/2006/02/photoshop_and_hdr_imaging_on_flickr.html</link>
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		<title>By: Steve Nagel</title>
		<link>http://blogs.adobe.com/jnack/2006/02/photoshop_and_hdr_imaging_on_flickr.html#comment-407</link>
		<dc:creator>Steve Nagel</dc:creator>
		<pubDate>Sun, 07 Dec 2008 15:01:25 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.adobe.com/jnackdev/2006/02/photoshop-and-hdr-imaging-on-flickr.html#comment-407</guid>
		<description><![CDATA[Imagine a camera that had autobracketing, HDR imaging, and wifi. The ultimate tourist camera for posting literally unbelievable, &quot;don&#039;t you wish you were here&quot; photos.
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		<content:encoded><![CDATA[<p>Imagine a camera that had autobracketing, HDR imaging, and wifi. The ultimate tourist camera for posting literally unbelievable, &#8220;don&#8217;t you wish you were here&#8221; photos.</p>
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		<title>By: Michael Freeman</title>
		<link>http://blogs.adobe.com/jnack/2006/02/photoshop_and_hdr_imaging_on_flickr.html#comment-406</link>
		<dc:creator>Michael Freeman</dc:creator>
		<pubDate>Sun, 31 Dec 2006 06:00:54 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.adobe.com/jnackdev/2006/02/photoshop-and-hdr-imaging-on-flickr.html#comment-406</guid>
		<description><![CDATA[I&#039;ve been using HDR quite heavily for more than a year, and also feature it in my latest book The Complete Guide to Light and Lighting in Digital Photography (publishers: Lark). The technical issues are certainly important - I had the difficult experience of presenting CS23&#039;s HDR tools with an hour&#039;s familiarisation last year in Helsinki at the digital show, and there is a lot needed in guiding people through the tone-mapping procedure.
But beyond this, HDR raises some fundamental questions of realism and expectations. I&#039;ve put an excerpt from my forthcoming new book, The Photographer&#039;s Eye, on the following site. I&#039;d welcome your opinions...
&lt;a href=&quot;http://web.mac.com/michaelhfreeman/iWeb/Site/Blog/Archive.html&quot; rel=&quot;nofollow&quot;&gt;&lt;a href=&quot;http://web.mac.com/michaelhfreeman/iWeb/Site/Blog/Archive.html&quot; rel=&quot;nofollow&quot;&gt;http://web.mac.com/michaelhfreeman/iWeb/Site/Blog/Archive.html&lt;/a&gt;&lt;/a&gt;
&lt;i&gt;[Cool--I look forward to checking it out.  --J.]&lt;/i&gt;
]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve been using HDR quite heavily for more than a year, and also feature it in my latest book The Complete Guide to Light and Lighting in Digital Photography (publishers: Lark). The technical issues are certainly important &#8211; I had the difficult experience of presenting CS23&#8242;s HDR tools with an hour&#8217;s familiarisation last year in Helsinki at the digital show, and there is a lot needed in guiding people through the tone-mapping procedure.<br />
But beyond this, HDR raises some fundamental questions of realism and expectations. I&#8217;ve put an excerpt from my forthcoming new book, The Photographer&#8217;s Eye, on the following site. I&#8217;d welcome your opinions&#8230;<br />
<a href="http://web.mac.com/michaelhfreeman/iWeb/Site/Blog/Archive.html" rel="nofollow"></a><a href="http://web.mac.com/michaelhfreeman/iWeb/Site/Blog/Archive.html" rel="nofollow">http://web.mac.com/michaelhfreeman/iWeb/Site/Blog/Archive.html</a><br />
<i>[Cool--I look forward to checking it out.  --J.]</i></p>
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