September 13, 2006
Earlier this year, tilt-shift photography & its Photoshop-simulated cousin drew considerable attention. Both approaches can be used to provide a narrow depth of field, making large subjects (e.g. Vegas) seem small and toylike.
Now a pair of photographers have brought that technique to bear in portraits of tragedy. Fred R. Conrad’s image provides a different perspective on the pit at Ground Zero. I find the sense of miniature Fisher-Price innocence unsettling. Meanwhile David Burnett renders the aftermath of Hurricane Katrina. (The latter shots are much more impactful viewed larger, in case you have a copy of the print edition handy.)
On a related note, illustrator John Mavroudis provides an rare glimpse behind the scenes of creating a New Yorker cover–in this case the 9/11/06 cover. [Via]