May 23, 2012

Photosmith 2 enhances Lightroom-iPad integration

I’m delighted to see that Photosmith has released version 2, enabling multi-image tagging, bidirectional sync with Lightroom, native Eye-Fi support, and more.

According to their site, new features of the $20 app include:

  • Wirelessly sync your unsorted backlog from Lightroom with our free plugin
  • Sort and filter your photos
  • Organize them into collections
  • Apply star ratings and color labels
  • Apply keywords and IPTC metadata individually, in groups, or with presets
  • Share highlights and rough selections to Facebook, Flickr or by e-mail
  • Support for RAW, JPG, or RAW+JPG
  • Support for 100% zoom for many cameras
  • Native support for Export and Publish Services in Adobe Lightroom
  • Directly receive from Eye-Fi cards
  • Very powerful sync options, allowing workflow customization

I can’t wait to try it out when I get home. If you’re using the app, what do you think of it?

3:19 PM | Permalink | Comments [4]

May 22, 2012

View to an eclipse

Photographer Cory Poole captured 700 images from a telescope with “a very narrow bandpass allowing you to see the chromosphere and not the much brighter photosphere below it,” then used them to create this video:

Or, as my Photoshop-centric brain saw it, “He’s moving two overlapping paths with a Boolean operation & red stroke/inner shadow layer style applied.” Because, yes, I need to get out a lot more.

Elsewhere, the Atlantic features a gorgeous gallery of images that capture the event from points all around the world.

[Via]

8:03 AM | Permalink | No Comments

May 20, 2012

“The 112-Megapixel Camera You’ll Never Get to Shoot With”

Check out this $100,000 bad boy. PopPhoto writes,

They are looking to create a one-off version of the 1110 series, a black and white only camera with a 95x95mm sensor (medium format sensors are typically 48x36mm). That massive sensor is cooled down to -100 degrees Celsius, which means it can take exposures that last for hours without overheating, which can lead to noise. The 112-megapixel CCD has no Bayer mask or AA fliter so the images will come out super sharp.

Yeah, but does it work with Instagram?

8:17 AM | Permalink | Comments [1]

May 14, 2012

Demo: Selectively Blurring Images in Photoshop CS6

Julieanne Kost demonstrates how to soften select areas using the Tilt-Shift blur, uniformly blur your entire image and then sharpen a single focal point with Iris blur, or select multiple focal points and then let Field blur vary the blurriness between them.

[Via]

8:57 AM | Permalink | Comments [2]

May 08, 2012

Ikea makes a cardboard camera (?)

Cue up the “How Bizarre” :

 [Via]

2:28 PM | Permalink | Comments [1]

May 03, 2012

Triggertrap: Control your SLR from an iPhone

Triggertrap Mobile,” write its creators, “is the best way to trigger your camera based on sounds, magnetism, movement, or the number of faces in your image – all from your iPhone! How bloody awesome is that…”

[Via Bryan O'Neil Hughes]

8:15 AM | Permalink | Comments [2]

May 02, 2012

ACR 6.7 for CS5 supports D4, 5D Mk III, more

Camera Raw 6.7 [Win|Mac] and DNG Convertor 6.7 [Win|Mac] are now available as a final releases on Adobe.com and through the update mechanisms available in Photoshop CS5.  This release includes bug fixes, new lens profiles, and new camera support:

  • Canon EOS 1D X
  • Canon EOS 5D Mk III
  • Canon PowerShot G1 X
  • Canon PowerShot S100V
  • Fuji FinePix F505EXR
  • Fuji FinePix F605EXR
  • Fuji FinePix F770EXR
  • Fuji FinePix F775EXR
  • Fuji FinePix HS30EXR
  • Fuji FinePix HS33EXR
  • Fuji FinePix X-S1
  • Nikon D4
  • Nikon D800
  • Nikon D800E
  • Olympus OM-D E-M5
  • Pentax K-01
  • Samsung NX20
  • Samsung NX210
  • Samsung NX1000
  • Sony Alpha NEX-VG20
  • Sony SLT-A57

 

For more details about lens profiles supported & bugs fixed, please see the Lightroom Journal. [Via Dave Howe]

9:09 AM | Permalink | Comments [1]

May 01, 2012

Photography: Forget pixels, gimme glyphs

  • Matt Richardson’s Descriptive Camera captures images, uses real people to describe them, and then prints out only the descriptions they create. “The technology at the core of the Descriptive Camera is Amazon’s Mechanical Turk API. It allows a developer to submit Human Intelligence Tasks (HITs) for workers on the internet to complete.” [Via]
  • Adobe researcher Dan Goldman notes, “This is not just a nutty art project: the same general idea is actually being used to help blind people.” He points out VizWiz, ”an iPhone app that allows blind users to receive quick answers to questions about their surroundings. VizWiz combines automatic image processing, anonymous web workers, and members of the user’s social network in order to collect fast and accurate answers to their questions.”
  • Text-Only Instagram is spot on. Hip hip cliché! [Via Mark Kawano]
8:08 AM | Permalink | Comments [1]

April 28, 2012

Gorgeous photos from New York’s history

Alan Taylor has selected some terrific images from NYC’s history & shared them at high res on In Focus.  The images are drawn from more than 870,000 pictures recently put online by the city’s Department of Records. [Via]

8:53 AM | Permalink | Comments [1]

April 27, 2012

Interesting recent collages

8:01 AM | Permalink | Comments [1]

April 26, 2012

Lightroom 4.1 adds HDR toning, improved defringing

Check it out:

  • Lightroom 4.1 RC2 now includes the ability to process HDR TIFF files.  (16, 24 or 32-bit TIFF files)  This can be quite useful if you have merged multiple exposures into a single 32-bit image using Photoshop’s HDR Pro.  Using the new basic panel controls can be a very effective and straightforward method of achieving an overall balance across the tonal range.
  • Additional Color Fringing corrections have been added to Lightroom 4.1 RC2.  Please see this blog post for additional details.
1:34 PM | Permalink | Comments [4]

Photoshop CS6: What’s in it for photographers?

A. TONS.

I’m sure you already know about Camera Raw 7, and you’ve probably seen bits about selective blurring & adaptive wide-angle lens correction–but what about Skin-Aware Masking, smarter Auto Curves, 64-bit Bridge, an improved Print dialog, and more?  Check out this comprehensive overview from photographer & Photoshop PM Bryan O’Neil Hughes.

On a related note, photographer & author Martin Evening has posted a great in-depth piece on DP Review covering extreme contrast edits in Lightroom 4 and ACR 7.  I love being able to get more of the benefits of HDR from a single frame, and without introducing garish haloes.

 

8:22 AM | Permalink | No Comments

April 23, 2012

MBA’s: Come join the Revel team

The Adobe Revel team is hiring a summer intern with a passion for photography to work on this exciting, transformative product. Job responsibilities include:

  • Defining the next version of Revel
  • Understanding the market and customers
  • Structuring experiments and research to forge ahead in uncharted territory
  • Driving the definition of features, working with the experience design and engineering teams
  • Defining metrics for success to guide further feature development across multiple releases per year

Check out the job listing page for more info: MBA Product Manager Intern for Adobe Revel (14949). [Via Sumner Paine]

12:54 PM | Permalink | Comments [1]

April 22, 2012

“The World’s Most Downloaded Man”

Frustrated by a growing lack of respect in the ad world for original work, Brazilian photographer Fernando Martins of the Câmera Clara Photography Studio travels to Copenhagen to meet with the World’s Most Downloaded Man: A handsome, 6’3″ Danish stock photography model named Jesper Bruun who has been seen “in more places than the Olympic torch.” [Via]

It’s more interesting in concept than in execution, maybe, but I love that it actually happened.

[Via Zorana Gee]

10:43 AM | Permalink | Comments [1]

April 21, 2012

Adobe Revel 1.2 adds Retina support & more

The latest rev of Adobe’s mobile photo editing & sharing platform makes a number of improvements, including:

 

 

In addition, the team writes,

If you already tried Revel in the past and want try these new features, we have great news for you! Anyone with an expired trial as of April 12 has ANOTHER 30-days to try Revel. To restart your trial, simply get the latest version from the app store, sign-in, and start another complimentary 30 day subscription.

Happy shooting,
J.

5:19 PM | Permalink | Comments [1]

April 19, 2012

Slow-mo mayhem at 2,500fps

I cannot wait to show this to our tiny sons–which probably puts me on a path to being this guy.

[Via]

8:08 AM | Permalink | Comments [3]

April 18, 2012

Amazing footage from a tiny RC plane

About five seconds into this clip, I have to repeat: There’s no other time in history when I’d rather live.

[Via]

8:08 AM | Permalink | Comments [7]

April 16, 2012

Demo: Faster retouching via Content-Aware Move in CS6

Retoucher Glyn Dewis calls Photoshop CS6 a “game changer.” Here he compares lengthening a neck in CS5 to a new & much faster method enabled by CS6:

8:19 AM | Permalink | Comments [6]

April 12, 2012

The visual style of The Wire

Erlend Lavik explores the show’s subtle, nuanced photography, making me miss it all the more. Even if you don’t have the full 30 minutes to spend, I think you’ll enjoy the piece:

[Via]

12:27 AM | Permalink | Comments [1]

April 11, 2012

Demo: Correcting GoPro video in Photoshop CS6

I’ve always loved seeing the clever & unexpected ways people combine Photoshop features. Using the CS6 public beta, Stéphane Baril corrects fisheye distortion in video from a GoPro camera using Photoshop’s new Adaptive Wide-Angle Correction feature. Check it out:

7:29 AM | Permalink | Comments [7]

April 08, 2012

A ride on the Space Shuttle’s booster

Boom:

From the upcoming Special Edition Ascent: Commemorating Space Shuttle, a movie from the point of view of the Solid Rocket Booster with sound mixing and enhancement done by the folks at Skywalker Sound. The sound is all from the camera microphones and not fake or replaced with foley artist sound. The Skywalker sound folks just helped bring it out and make it more audible.

8:13 AM | Permalink | Comments [2]

April 06, 2012

Demo: Adaptive Wide-Angle Correction in CS6

As I’ve said before:

Artificial intelligence: Good.
Your intelligence: Better.
The two together: Best.

Building on the automated lens correction features we introduced in CS5, Photoshop’s Adaptive Wide-Angle Correction makes it easy to specify constraint lines based on your real-world knowledge:

8:22 AM | Permalink | Comments [8]

April 05, 2012

Animation: Luminaris

Crazy-lovely French Argentine (?) stop-motion:

The Vimeo page claims “Only available for 2 days,” so you might not want to wait to watch. [Via Matthew Connell]

10:34 PM | Permalink | Comments [6]

April 03, 2012

A trippy “Shining”

Topi Kauppinen creates a really uncanny effect, turning 2D stills from The Shining into 3D:

He explains the process on Vimeo:

“The overlapping parts must be photoshopped [*Cough* -- Adobe brand cops] so that in the end everything comes together without any seams or texture repetition. The Content Aware Fill feature found in Photoshop CS5 is a godsend for this type of work.”

[Via]

5:57 AM | Permalink | Comments [1]

April 01, 2012

Advanced Book Features in Lightroom 4

Julieanne Kost drills into the details of this long-awaited & much-requested feature:

8:10 AM | Permalink | Comments [3]

March 29, 2012

Video: Ballet at 1,000fps

Lovely: Marina Kanno & Giacomo Bevilaqua from Staatsballett Berlin fly in ultra slow-mo, captured at 1000 frames per second.

[Via]

8:12 AM | Permalink | Comments [1]

March 24, 2012

Experience human flight

[Filed under "The Farthest Possible Thing From What I'm Doing While Watching Saturday Morning Vids with Kids"]

[Via ]

9:30 AM | Permalink | Comments [2]

March 20, 2012

Video: Base jumping in Singapore

“What could make the view from the infinity pool atop the Marina Bay Sands casino, soaring some 55 stories above Singapore, even more surreal?,” asks Core77. “Human bodies jumping off of the roof behind you.”

8:08 AM | Permalink | Comments [8]

March 18, 2012

Jumping rope, from the rope’s point of view

Oddly fascinating (and non-sickness-inducing):

[Via]

8:23 AM | Permalink | Comments [3]

March 11, 2012

Japan’s tsunami zone, now & then

The Big Picture features a striking set of images comparing the tsunami/earthquake/nuclear zone exactly one year after the disaster. Click on each image to see the scene today compared with the moments of chaos. [Via John Dowdell]

11:06 AM | Permalink | No Comments

March 06, 2012

Aching for better iOS app integration

[Disclosures: If I had any inside info, I obviously couldn't share it here, and I've been hopeful/disappointed on this subject before.]

Poor integration leads to bloated apps: if jumping among apps/modules is slow, customers gravitate towards all-in-one tools that offer more overall efficiency, even if the individual pieces are lacking.

Today I saw Neven Mrgan writing, of iPad photo apps,

[I]t’s just so much more convenient to stay in the canonical photo store; importing and exporting photos to and from another app is clumsier.

 

I experienced the pain, over and over, on my trip to Guatemala.  Having taken just my iPad & Camera Connection Kit, I was eager to put a variety of photo tools to the test.  Moving among apps was far & away the crappiest part of the experience.  For example:

  • I’d review images in Photos, where I can see them nice and large. But I can’t say “Open in App X,” so…
  • I’d leave Photos, launch Snapseed, bring up the tiny, default image browser component, navigate to the same point in my photo library, and then try to pick the same image I’d just been looking at in Photos.
  • After editing, I’d hit Save, and images would go into the Camera Roll (not Imports, where I’d been browsing them).  Thus I couldn’t see the edited images alongside the originals.
  • After repeating the process many times, I’d go to Flickr Studio, then carefully & laboriously add photos from various albums.  (The app doesn’t let you re-order images, so I had to dive into the albums again & again just to get the sequence right.)
  • At last I’d upload.

 

This really, really sucked.  Far more desirable:

  • Browse the images in the browser of my choice (Photos or something else–one that could, say, flag/sort/whittle down images, local or remote).
  • Tap one or more images and say “Send to App X” (to build a panorama, composite in PS Touch, apply a tilt shift blur, whatever)–no manual navigating to the other apps, no navigating back to the photos.
  • Be able to save, return to my browser, and see the edited image alongside the original.
  • Hand off one or more images to the sharing tool of my choice.

 

Let’s not bloat PS Touch with every damn filter we can think of; rather, let’s have a great way to pass data back and forth, so that apps can function as plug-ins to one another. (PhotoAppLink is a nice start, but we need something universal.)  And let’s not all bloat our apps reinventing the image browser, integrating the same sharing services over & over, etc.  There’s a far more elegant way to proceed.

Tangential: Neven also writes,

The iPad is too big to shoot with; the iPhone is too small to edit on. Bridging the two is fine in theory, but in practice there’s the hairy matter of extremely large file sizes.

But why is it that my phone or tablet can send HD video streams instantly to my TV, yet they can’t send photos or video to each other (or to my Mac)?  To put a phone video onto my Mac, I have to upload the whole thing to something like Dropbox, then download it again; isn’t that kind of bizarre?  I really thought that AirDrop would sort things out; hope springs eternal.

12:00 PM | Permalink | Comments [7]

March 04, 2012

Design: Truthful posters, Saul meets Spider-Man, & more

12:54 PM | Permalink | No Comments

March 02, 2012

Import photos from Android into Adobe Revel

Check it:

Take photos with an Android phone? To easily add them to your Adobe Revel photo library, put the Adobe Revel Importer app on your Android phone (OS2.2 or later) and then choose photos to import or set the app to auto-import all your shots. The app is free with your Adobe Revel subscription—get it today in the Android Marketplace.

9:08 AM | Permalink | Comments [1]

March 01, 2012

The City of Samba

“Just when you think tilt shift may be overdone,” Todd Dominey writes, “this comes along. Glorious.” If nothing else make sure to see the Carnival section that starts around 2:20.

9:08 AM | Permalink | Comments [2]

Stop-motion Lego pizza delivery

I really can’t overstate the pleasure our lads have taken in watching these clips. Props & thanks to Michael Hickox.

(It probably shouldn’t have been a “teachable moment” for learning the term coldcock–but c’est la guerre.)

8:28 AM | Permalink | No Comments

February 26, 2012

Photo juxtapositions

Sometimes the simplest ideas are the most fun:

8:52 AM | Permalink | Comments [4]

February 25, 2012

(rt) Photography: Space, Battles, & Terrible Stock

 

 

10:18 AM | Permalink | Comments [3]

February 21, 2012

Scalado Remove promises handheld tourist-zapping

About five years ago we gave Photoshop the ability to stack multiple images together, then eliminate moving or unwanted details. Similar techniques have appeared in other tools, and now it appears you’ll be able to do all the capture & processing with just your phone. Here’s a quick preview:

The Verge has a bit more detail on the user experience. [Via John Dowdell]

8:40 AM | Permalink | Comments [11]

February 20, 2012

Timelapse: Yosemite HD

Well, that’s just not hard on the eyes (or ears), then. More info on the project is here.

[Via]

9:19 AM | Permalink | Comments [1]

February 15, 2012

A camera so fast, it can see photons moving

Oh my:

MIT Media Lab researchers have created a new imaging system that can acquire visual data at a rate of one trillion frames per second. That’s fast enough to produce a slow-motion video of light traveling through objects.

[Via]

11:26 AM | Permalink | Comments [5]

February 14, 2012

Brief impressions of the Nikon V1

I’ve recently returned from my Guatemala trip, on which I carried a Nikon V1 borrowed from the Photoshop team.  If you want a long & crazy-detailed overview, check out Rob Galbraith’s review. What follows is explicitly not that. Rather, it’s off-the-cuff impressions from a guy who normally carries a 5D and who didn’t have the new cam’s manual to consult.

On the whole it’s a camera I quite like.  With a few improvements it could be one I love.

 

Highlights: Quality, silence, size.

  • I found image quality to be excellent. (Here’s a totally untouched shot taken from a very bumpy van.) Granted, I was looking at reduced-res images on my iPad (making it harder to judge noise & sharpness), and I was relying on Apple’s built-in raw conversion (making it harder to judge flexibility of dynamic range), but still I was quite pleased. Even photos taken in a dark museums & caves came out well when using Auto ISO (a feature my 5D lacks) and the 10mm f/2.8 lens.
  • I loved the cam’s total silence.  People couldn’t tell that it was on or firing, making it great for candid shots. At one point a colleague asked me, “Are you actually going to take any photos?,” as she didn’t realize I’d been snapping away.
  • The presence of a dedicated video start/stop button alongside the shutter release is a cool idea, making it easy to unambiguously capture video (i.e. no need to check or switch shooting mode first).  Overall video quality is great.

 

Lowlights: Battery, lags.

  • I found battery life on the whole to be somewhere between mediocre and awful.  Even with the rear display turned off, I’d knock a fully charged battery down to 1 bar in maybe 150 shots.  Unlike an SLR, you can’t just leave the cam on & ready to shoot at a moment’s notice. There’s no way to just leave it on (max setting is 10 min), meaning you can’t just raise the cam to your eye & know it’ll be ready to go. Weirdly, I found that when left on, the body grew quite warm to the touch. Even with access to my recharger every night, I stressed about battery life; without it (e.g. if backpacking), I’d have had to carry at least one or two spares.
  • When you raise the cam to your eye, there’s a very slight delay before the digital viewfinder comes to life–nothing outrageous, but annoying for street photography.  One can hack this by taping over the proximity sensor, but presumably that would just exacerbate the battery life issue.
  • As noted in the Galbraith review, the camera insists on briefly showing the last-taken photo in the viewfinder. Again, it’s not horrible, but I often want to keep concentrating on what I’m shooting, not chimp at the shot I just took.
  • Minor: I found it a bit too easy to turn the shooting mode wheel by accident.  Suddenly I’d find myself in some odd burst mode, having nudged the wheel with my right hand.

 

For pop-up street photography, I found the Nikon 1 a good camera–just not quite a great one. Cutting out the lags, letting me leave it on, and adding a flip-out screen (so that I could compose & fire from waist height) would make it nearly ideal for the kind of work I was doing.  As it was, I learned to work around the camera’s limitations, and I’m very happy with what it let me capture.

A few galleries, in case you’re interested:

 

Of all these, I think this is my favorite.

 

 

10:10 AM | Permalink | Comments [7]

February 11, 2012

Time & Tide

Canada’s Bay of Fundy features a high tide that can be 50+ feet higher than low tide. Check out this time lapse:

In an old, obscure corner of my career, I was a Navy Midshipman who spent a month on the USS Zephyr. (Would you have guessed?) I sat on a dock in Alaska, sketching the aft 25mm cannon (below), which I’d just unsuccessfully shot at some seagulls (thankfully I missed). I tend to draw each part methodically, and I kept kicking myself as I failed to get the perspective right among the various pieces. Finally I realized that the tide was lowering the ship so fast that the lines were rapidly changing. Not a great place to draw in pen!

[Via]

9:06 AM | Permalink | Comments [2]

February 07, 2012

Feedback wanted for Adobe Revel (formerly Carousel)

From PM Sumner Paine:

Calling all active and enthusiastic Revel users!

The team at Adobe is looking for people to join our prerelease program. We’re working on new features and we need your feedback and help with testing.

If you are a Revel subscriber and you have it on all three device types (iPad, iPhone, Mac) just send an email to sumner@adobe.com with a brief explanation covering 4 things:

  1. Your favorite thing about Revel
  2. The most important thing that’s missing from Revel today
  3. List of devices where you have Revel installed (e.g., MacBook Air, iPhone 4, etc.)
  4. Names of other photo apps you use on your desktop computer, if any

There’s limited space in the prerelease program so we can’t accept everyone who applies, but we look forward to your submissions.

Sumner Paine, product manager

8:22 AM | Permalink | Comments [7]

January 31, 2012

Julieanne Kost’s “Passing Time”

Our globetrotting photo evangelist has created a slideshow of images taken during her travels.

I would not expect the images to hold the same significance to you, the viewer, as they did for me. But that is not the point.

I am sharing this slideshow to encourage every image-maker to begin a visual journal for themselves – as a personal project. I am a firm believer that you have to exercise your creativity and you have to practice in order to improve.  So when I found myself in a rut last year, I started capturing images that were meaningful to me –  purely because I wanted to, for my own reasons – not because I think someone else is going to “like” it. And I had a delightful time.

[Via]

9:15 AM | Permalink | Comments [5]

January 26, 2012

Russell Brown on night photography

Russell speaks highly of Jim Goldstein’s work:

The next next thing is going to be Long Exposure Night Photography! I recently attended one of Jim Goldstein’s night photography workshops and I was influenced to take the path to the DARK SIDE. Night photography is really amazing and Jim’s latest book lays out all the details for the beginner, to the advanced geek, who hangs around large telescope arrays. I’m not a super techno nerd, and I love a book that show you how to do something without a lot of magic incantations that make your brain explode. I highly recommend Jim’s latest digital book.

8:42 AM | Permalink | No Comments

January 20, 2012

Astrophotography: Comet Lovejoy

Here’s a “Night Time Lapse of Comet Lovejoy (C/2011 W3) rising above the Andes near Santiago de Chile, 23rd December 2011, just before sunrise. Set of 4 sequences taken with different lenses “zooming in” the scene.” The sequences grow more visually impressive over time, though having just watched “Melancholia,” I found the object’s steady growth a bit unnerving.

[Via]

8:56 AM | Permalink | No Comments

January 19, 2012

A Muybridge homage done with stock photos

Clever:

The creator writes,

“After Muybridge” is a loop made from 12 stock photographs that are sequenced to re-create the locomotion of a galloping horse. The animation was modeled after one of Eadweard Muybridge’s most famous motion studies called “Daisy”. I sifted through over 5,000 digital images to find 12 that matched his original photos.

The Internet allows me to access the over-abundance of everyday photographs, taken of everyday things, in every possible position. By collecting enough images of any one thing, including a running horse, I can place them in an order to re-invent or re-animate life.

[Via Jim Heid]

Ostensible bonus, sort of conceptually similar:

[Via]

8:55 AM | Permalink | Comments [1]

January 18, 2012

Alien Skin announces Exposure 4

Alien Skin’s plug-in for Photoshop & Lightroom can create all sorts of interesting film looks, and now they’ve announced v4. “This is the most significant update to Exposure since its creation. Across the board everything is faster and much easier to use,” they say. Check out their blog post for details & screenshots.

3:11 PM | Permalink | No Comments

Photojournalism & the power of time

One of the great pleasures of my job is getting to meet kickass artists of all stripes. This past summer I got to visit SWAT-cop-turned-photojournalist Bruce Haley at his home at the bottom of Big Sur’s Bixby Canyon. When I asked his advice about photographing people during my upcoming trip, he pointed me to an interview in which he provides some solid perspective. I’ve bolded a line that distills some of my hopes.

BH:  We spoke earlier about doing projects on my own dime…  what this buys me, in addition to the aforementioned freedom and independence, is time  -  the time I need to make people comfortable with my presence…

I don’t sneak any of my images, I never use a telephoto, I don’t do the “spray and pray” thing…  I spend time with the people I photograph, I hang out with them, get drunk with them, they invite me to their weddings, to funerals, whatever…  in extreme cases, like working in very closed societies like the most marginalized of the Roma, it took even more of that luxury of time…

First of all, I had to locate the camps or settlements that I wanted to shoot…  then I had to approach the camp, as a most unwelcome outsider, and not only try to convince them to allow me to shoot there, but to be relaxed enough with my presence that I could be that proverbial fly-on-the-wall that I aspire to be when I’m working…  and with the Roma especially, all of this was difficult, and I had some failures, but in the end I found some places where it all clicked…

Once I had the initial permission, I would ease into the situation very slowly, hoping to raise the comfort bar as high as possible..  I would show up without a single camera and just hang out…  maybe come back the next day with my camera bag, but never take a camera out…  next time come back and wear a camera around my neck, but not shoot anything… and all the while learning about the people, as individuals, so that my images would hopefully depict them as individuals, and not just as symbols of some sort of marginalized group…  then, finally, after all of this, beginning to shoot…  this easing in, getting extremely wary people accustomed to my presence prior to my making a single image, is a luxury of time, certainly, but better to have this level of trust and comfort as opposed to just walking into a situation, motor drive blazing, then beating a hasty retreat and hoping you got something…

Here Andrei Codrescu & Bruce speak about Bruce’s Sunder project:

9:05 AM | Permalink | Comments [2]

January 17, 2012

So, what camera would you take to Guatemala?

I usually shoot with a Canon 5D plus a 24-70mm lens. Given the size & weight of that setup, I’m looking for an alternative. I also have a Canon S95, but I don’t love its shutter lag, and I wish I could get closer to the quality offered by a large sensor. Considerations:

  • I don’t want to look like an ostentatious jerk.
  • I don’t want to hang a “rob me” sign around my neck.
  • I’d like great low-light performance for shooting people indoors.
  • Zoom is fairly unimportant.

The Photoshop QE team has quite a few cameras to choose from, including a new Nikon 1. A friend seems quite enamored of his Fuji X100, and the local camera store guys like the Lumix DMC-GX1. I’m open to suggestions, especially if there’s something really solid I should consider renting. Thanks in advance for any ideas.

8:52 AM | Permalink | Comments [45]

January 13, 2012

VSCO Film for Lightroom & Camera Raw

VSCO Film promises to emulate classic film looks with minimal effort. The product “utilizes camera specific film profiles to alter the way Lightroom and Adobe Camera Raw sees your RAW file.” Check it out:

Photographer Jeremy Cowart writes, “I consider myself to be a Photoshop purist. I hate all things actions/filters/presets, etc. But because I liked these guys so much, I decided to look into it more. Then I was blown away…” His post features numerous sample images produced with these tools.

9:09 AM | Permalink | Comments [9]

January 11, 2012

Adobe Carousel renamed “Adobe Revel”

From the Carousel Revel team:

We originally chose the name Adobe Carousel because it was descriptive of core functionality in the product – access to all your photos on any device (i.e., viewing photographs in a circular manner, like a carousel).

Revel means to take great pleasure or delight…and that’s what we hope to do in the future as we continue to add more functionality and fun to the app. In the future, you can expect we will also be able to offer additional photography solutions on the newly named Adobe Revel platform.

The app has also been updated to v1.1, enabling automatic photo import, adding Flickr sharing, and polishing a few other details.

8:36 AM | Permalink | Comments [4]

January 08, 2012

Around The World Time Lapse

“17 Countries. 343 Days. 6237 Photographs.” Financial analyst turned photographer Kien Lam has created a high-speed tour of the world:

Check out his site for tons of additional information on the project. [Via Martin Bunyi]

12:33 PM | Permalink | No Comments

January 07, 2012

Sharpening up your Facebook Timeline

9:09 AM | Permalink | Comments [2]

January 06, 2012

Instagram improves Facebook integration

Ah, this sounds nice:

Starting today, when you choose to share Instagram photos to Facebook, your images will automatically be added to an “Instagram Photos” Facebook album visible to your Facebook friends!

The photos will appear full-sized in the News Feed along with the caption that you’ve added to the Instagram photo, and a link to the image’s public URL. This change will also display your Instagram photos beautifully in your timeline.

I’d been pestering my former Lightroom colleague Troy Gaul (whose Instagallery for iPad you should download) to try to hack together some mechanism for making this work. Instead he tipped me off to this enhancement.

Now, if only I could find a solution to keep my Instagram-originated tweets from appearing alongside Instagram-originated FB postings… (My tweets are replicated on FB, but that method doesn’t provide inline photos, so I choose to share via both and thus get duplicates.) It’s hardly a big deal, though.

1:59 AM | Permalink | Comments [2]

Video: Nikon D4′s iPad integration

Nikon’s newly announced D4 camera offers what looks to be cool iPad integration:

[Via Mark Kawano]

1:38 AM | Permalink | Comments [4]

January 05, 2012

Upside-down photography from beneath a frozen lake (!)

“J. Mettälä took a camera under a frozen lake in Finland,” writes PetaPixel, “and captured this beautiful (and mind-bending) footage of his friends fishing in an upside-down world.”

8:47 AM | Permalink | Comments [1]

January 02, 2012

(rt) Photography: Powerful images, rebel fashion, & more

December 16, 2011

The Germans must have a word for this

Here’s the blog post I was drafting Wednesday:

Dear 5D & 24-70: I don’t know what I did to make you disappear, but on the off chance you read this blog, please come back. I miss you very much.  – Love, J.

I was utterly bewildered by it, but I’d begun slowly coming to terms with the disappearance of my camera and big, stupid-expensive lens. The pair had been MIA since Halloween, and all the king’s horses, children, wife, babysitter, and cleaning lady could not find them again.

Thus on Wednesday evening I found myself at San Jose Camera, checking out 60D’s, 7D’s, and stupid-expensive lenses. I was all set to ask your advice on the matter (how’s the 17-55 2.8 lens? are live view and/or a swiveling screen worth a damn? should I maybe go Nikon overall?), and I’d secured a cam or two to borrow from the Photoshop QE locker (one of the best perks of this job). After mourning my loss, I’d started getting excited about having features like video capture.

And then, what do you know, as I was talking to my wife about it at home, my eyes wandered into the china cabinet (never lit except, oddly, at this moment), into a crystal serving bowl… and to the camera!!  Our elderly sitter later remembered that she’d stowed it there while the boys were roughhousing–then utterly forgot about it.

And thus we come to the Germans*: Doesn’t it seem they should have a term for “Relieved delight in one’s good fortune, tinged with vague disappointment, seasoned with guilt regarding the disappointment”?

In any case, I’m looking forward to getting the big rig back in action. It’s true I shoot much less with the SLR these days, and yet when you need to nail a shot (e.g. with family visiting for the holidays), “accept no substitutes.” I just can’t miss any more kid photos when the iPhone or even the S95 takes its sweet time to fire the shutter.

Welcome home, boys.
J.

*Interesting read: “A Joyful & Malicious History Of ‘Schadenfreude’“: “By leaving Germanisms untranslated, one always points to the sentiment expressed by the word as fundamentally and even organically German. My favorite, ‘Vergangenheitsbewältigung,’ means roughly to overcome or to come to terms with the past… In Gravity’s Rainbow, Pynchon notes ‘the German mania for name-giving, dividing the Creation finer and finer, analyzing, setting namer more hopelessly apart from named.’ Naming is not only a form of identification or labeling, but also of creation. To the eye, mouth, and ear, capacious German words seem to embody and externalize the weight of difficult emotions.”

10:17 AM | Permalink | Comments [17]

An HDR time lapse of Brno

From Jan Minol:

[Via]

8:45 AM | Permalink | Comments [4]

December 14, 2011

Lightroom 3.6, Camera Raw 6.6 updates now final

Lightroom 3.6 (Mac|Win) and Camera Raw 6.6 (Mac|Win) are now available as final releases on Adobe.com and through the update mechanisms available in Photoshop CS5 and Lightroom 3. These updates include bug fixes, new camera support and new lens profiles.

New camera support in these releases:

  • Canon PowerShot S100
  • Fuji FinePix X10
  • Leica V-LUX 3
  • Nikon 1 V1
  • Nikon 1 J1
  • Panasonic DMC-GX1
  • Ricoh GR Digital IV
  • Samsung NX5
  • Samsung NX200
  • Sony NEX-7

  

In addition, the releases add support for numerous lens profiles while squashing a number of bugs. Please see the Lightroom Journal for details. [Via]

9:07 AM | Permalink | Comments [8]

Video: Ho Chi Minh City

Rob Whitworth makes frenzy look lovely:

[Via Kevin Connor]

8:45 AM | Permalink | Comments [3]

December 13, 2011

Video: MWAC Attack

Kinda fun, though the YouTube comments really make it (“Did you know that just like how DSLR’s have a P for Professional mode, Minivans also have an R for Racecar mode? #coolfacts”; “DANG and to think I have been shooting in ‘M’ for ‘Moron’”).

“MWAC,” incidentally, is “Mother With A Camera.”

7:44 AM | Permalink | Comments [3]

December 06, 2011

Demo: Making a time lapse in Photoshop

Russell Brown puts Photoshop Extended through its paces:

8:54 AM | Permalink | Comments [3]

December 05, 2011

Film: “Address is Approximate”

Absolutely lovely work from Tom Jenk­ins (just trust me & take the two minutes):

Update: Here’s some great making-of info from Digital Arts.

Apropos of very little, I saw a Google Street View car sitting alongside Page Mill Road last week, its little optical turret spinning away. I hoped it was secretly one of their self-driving robots in disguise. [Via]

11:32 AM | Permalink | Comments [2]

Love for Photoshop Touch

I’m delighted to see reviews like this continue to roll in. A few recent quotes:

  • “Photoshop Touch is a triumph of mobile computing, allowing for deep image manipulation, with very usable touch screen controls.” – Nick Moore, Galaxy Tabs
  • “Photoshop Touch, a nearly perfect paring-down of its desktop counterpart… packs in almost all of the things I need for on-the-go photo editing.” – Liam Spradlin, Android Police
  • “All in all, Photoshop Touch provides a wide array of useful and easy-to-use tools for manipulating images on the go.” – Michelle Mastin, PCWorld
9:51 AM | Permalink | Comments [7]

December 01, 2011

Vincent Laforet talks about switching to Premiere Pro

The noted photographer & filmmaker & his team talk about producing their latest film via Adobe Premiere Pro, After Effects, Story, and Photoshop:

8:19 AM | Permalink | Comments [3]

November 30, 2011

“Photoshopped or Not? A Tool to Tell”

My longtime boss Kevin Connor left Adobe earlier this year to launch a startup, Fourandsix, aimed at “revealing the truth behind every photograph.” Now his co-founder (and Adobe collaborator) Hany Farid has published some interesting research:

Dr. Farid and Eric Kee, a Ph.D. student in computer science at Dartmouth, are proposing a software tool for measuring how much fashion and beauty photos have been altered, a 1-to-5 scale that distinguishes the infinitesimal from the fantastic. Their research is being published this week in a scholarly journal, The Proceedings of the National Academy of Sciences.

Check out the interactive presentation of before & after images. Details are on the NY Times.

8:12 AM | Permalink | Comments [4]

November 29, 2011

Cameras + Choppers

Small, ubiquitous video capture & aviation make a potent combo. The NY Times features a story about amateur video helping in air crash investigations. Elsewhere, clashes in the streets of Warsaw have been captured by small, remote helicopter:

I find the effect both exciting and unnerving. “Sunlight is the best disinfectant,” and capturing misbehavior begets exposure, outrage, and action. Or does it? I wonder whether the aerial footage introduces a “cinemification” element, a sense that real life is simply more TV, more entertainment. I don’t know; I’m not complaining, just wondering aloud a bit. [Via]

8:01 AM | Permalink | Comments [5]

November 25, 2011

A year-long time lapse of the sky

Another time lapse, really?? But check it out–Ken Murphy has created a really novel piece:

A camera installed on the roof of the Exploratorium museum in San Francisco captured an image of the sky every 10 seconds. From these images, I created a mosaic of time-lapse movies, each showing a single day. The days are arranged in chronological order. My intent was to reveal the patterns of light and weather over the course of a year.

Here’s more info on how it was done, the rig used, and more. [Via]

8:03 AM | Permalink | No Comments

November 22, 2011

Midnight Sun

“For 17 days,” writes Joe Capra, “I travelled solo around the entire island shooting almost 24 hours, sleeping in the car, and eating whenever I had the time. During my days shooting this film I shot 38,000 images, travelled some 2900 miles, and saw some of the most amazing, beautiful, and indescribable landscapes on the planet.”

Joe used Lightroom (with an assist from LRTimelapse) and the new After Effects Warp Stabilizer to create this piece. For more info on the project, check out this interview with Michael Levy Studio.

[Via]

8:19 AM | Permalink | Comments [6]

November 19, 2011

Video: Flying Rhinos

Filmmakers Green Renaissance created this beautiful, inspiring short piece. Our 2- and 3-year-old boys watch it obsessively and now know the “characters” by name (“There’s Cathy in the green hat! There’s old Jacques!”).

8:56 AM | Permalink | Comments [1]

November 18, 2011

Adobe Carousel surpasses a million downloads

“On October 27th we launched Adobe Carousel,” writes PM Sumner Paine, “and within a few short weeks we’ve already surpassed 1,000,000 downloads! We’re happy to see such a tremendous response — and want to thank everyone who jumped on board and downloaded the app on their iPhones, iPads and Macs.”

Though the team isn’t yet ready to talk in detail about future plans, check out Sumner’s post to hear about some areas they’re considering.

11:53 AM | Permalink | Comments [4]

November 16, 2011

Time lapse: Earth from above

Michael König edited together beautiful imagery captured by the crew aboard the International Space Station (see the Vimeo page for more details):

8:12 AM | Permalink | No Comments

November 12, 2011

Video: Bullet-time surfing

Rip Curl and Time-Slice Films used GoPro HD cams to build a “’30 camera Array’–a line of cameras firing consistently as surfers ride towards and past it.”

The same team erected an in-water scaffolding in Malaysia’s Sunway Lagoon Hotel to mount 52 full-sized DSLR cameras:

Core77 features more details & photos of the rigs, along with behind-the-scenes videos.

[Via]

8:32 AM | Permalink | Comments [1]

November 10, 2011

GroundBot, a self-propelled ball camera

Another from the “Ah, What Could Go Wrong?” Files:

It denies any family connection to Imperial interrogation droids, but I’m not sure I buy its story. [Via]

3:42 PM | Permalink | Comments [2]

November 06, 2011

Video: A love letter to NYC

Andrew Clancy’s “A Year in New York” is just lovely. Go Irish.

The song ‘We Don’t Eat’ by James Vincent McMorrow is available as a free download from Amazon. [Via Laine Fast]

8:08 AM | Permalink | Comments [2]

November 04, 2011

Video: Collision study

A lovely little somethin’ somethin’ for a rainy Friday morning:

8:29 AM | Permalink | No Comments

October 29, 2011

Photoshop CS5 automates lens correction

Here’s a one-minute tour from PM Bryan O’Neil Hughes:

He provides a deeper overview with examples (including iPhone shots automatically improved via this technology) on the Photoshop.com blog.

5:19 AM | Permalink | Comments [1]

October 24, 2011

Fotolia adds stock photo search to CS5 apps

Check it out:

14 million photos & vectors right inside InDesign, Illustrator & Photoshop!

Search stock images, save to lightboxes, create galleries, insert comps & automatically update to high res versions making stock image integration what it was always meant to be!

To build your own panels like this, grab the Creative Suite Extension Builder.

11:04 AM | Permalink | No Comments

October 20, 2011

Video: Photoshop Touch & Blending Modes

Russell Brown shows how to avoid lots of tedious image extraction tasks, simply by making good use of various blending modes:

4:37 PM | Permalink | Comments [3]

October 19, 2011

“World’s First Mobile Photography Conference,” this Saturday

Check out the 1197 Conference, happening this Saturday in San Francisco and streaming online:

The first camera phone photo was taken on June 11th, 1997. In honor of that date, 1197 is a one-day conference dedicated to mobile & iPhone photography, presented by Bolt | Peters and Blurb.

The site lists speakers, registration prices, and more.

11:56 AM | Permalink | No Comments

Gorgeous Arizona time lapse

Dustin Farrell’s work is so beautiful, I almost can’t deal with it.

“Every frame of this video,” he notes, “is a raw still from a Canon 5D2 DSLR and processed with Adobe software.” Check out the Vimeo page for additional technical details. [Via John Dowdell]

8:08 AM | Permalink | Comments [6]

October 18, 2011

Eye-popping tech for inserting 3D objects into photos

“With a single image and a small amount of annotation,” writes researcher Kevin Karsch, “our method creates a physical model of the scene that is suitable for realistically rendering synthetic objects.” Fascinating:

Check out the project site for much more detailed info. [Via Zorana Gee]

8:17 AM | Permalink | Comments [3]

October 17, 2011

Adobe demos amazing deblurring tech (new video)

Last week over a million people (!) watched a handheld recording of this demo. Here’s a far clearer version*:

And here’s a before/after image (click for higher resolution):

Now, here’s the thing: This is just a technology demo, not a pre-announced feature. It’s very exciting, but much hard work remains to be done. Check out details right from the researchers via the Photsohop.com team blog. [Update: Yes, it's real. See the researchers' update at the bottom of the post.]

* Downside of this version: Bachman Turner Overdrive. Upside: Rainn Wilson.

1:26 PM | Permalink | Comments [17]

October 16, 2011

The Throwable Panoramic Ball Camera

Interesting concept:

The Throwable Panoramic Ball Camera captures a full spherical panorama when thrown into the air. At the peak of its flight, which is determined using an accelerometer, a full panoramic image is captured by 36 mobile phone camera modules.

[Via Jeff Tranberry]

8:26 AM | Permalink | Comments [8]

October 15, 2011

Video: Waves in slow motion

Sixty seconds of beauty. (Full screen HD is a must, naturally.)

[Via]

8:02 AM | Permalink | Comments [4]

October 05, 2011

Video: Image search in Photoshop Touch

“Grab two images, cut the background off one, and blend the results.” If I had to boil Photoshop Touch down to one capability or scenario, it’s that.

Acquiring images is therefore critical. That’s why we made it simple to drag & drop in images from Facebook, Creative Cloud, and even Google Images. Here Russell Brown composites some public-domain NASA imagery using different blending modes:

We want to help customers do the right thing (i.e. not rip off others’ work), so we paid particular attention to making it easy to search only for images that have been tagged for reuse. By default PS Touch limits search results to those creators have marked as okay to use.

[By the way, I'm still in LA, working the MAX show all day. I'll get busy answering PS Touch-related questions when I get home.]

9:28 AM | Permalink | Comments [3]

October 03, 2011

Introducing Photoshop Touch

Combine, Edit, Share. I’m delighted to introduce Adobe Photoshop Touch, a new tablet app for creative imaging. With PS Touch we’re bringing Photoshop fun & power not only to new platforms, but to a whole new audience.

Here’s my brief overview:

To see the app in action, check out Russell Brown’s 10-minute feature tour:

So, when can you get it, and what does it cost?

We plan to release Photoshop Touch for Android shortly, after which we plan to bring it to iOS. When we talk about reaching new audiences, we’re not kidding: Photoshop Touch is priced at just $9.99.

So (to anticipate an inevitable question), why Android first? Many Adobe apps (Adobe Carousel, Ideas, Photoshop Express, Eazel, Color Lava, Nav) have already been released on iOS first, and it’s good to support customers across platforms. We’re busily coding for iOS as well, so I wouldn’t make too much of this particular detail. No matter what tablet(s) you use, we can’t wait to get Photoshop Touch into your hands.

One last thought for now: We’re still very, very early in the evolution of mobile devices for creative work, and Photoshop Touch–along with the many other Adobe touch apps announced today–is just a beginning. We’re eager to hear what you think, and I’m looking forward to hearing ideas & questions here and on Twitter (@PhotoshopTouch). (Today I’ll be largely offline, showing the app in person at Adobe MAX, so I apologize in advance if I’m slow to respond.)

11:10 AM | Permalink | Comments [36]

September 26, 2011

A lovely L.A. time lapse

Colin Rich has done the nearly impossible: He’s made me find Los Angeles beautiful.

[Via]

8:16 AM | Permalink | Comments [2]

September 24, 2011

Time lapse: Earth from above

James Drake downloaded 600 photos from the International Space Station, then stitched them together to create this fly-over. Check it out in fullscreen HD & watch for the lightning storms.

[Via]

9:17 AM | Permalink | Comments [3]

September 21, 2011

(rt) Photography: Giant photos and… oh, dear God, *bees*

8:11 AM | Permalink | Comments [1]

September 19, 2011

(rt) Photography: Jokes, plus people falling

11:03 AM | Permalink | Comments [2]

September 18, 2011

PhotoAppLink improves iOS app communication

To avoid bloated software, I wrote months ago, we need better ways to connect small apps (so that each can focus on just what it does best). Android “intents” enables this (e.g. in Photoshop Express), and it sounds like Windows Metro “contacts” are similar. On iOS this has been more problematic. From iPhoneography:

[G]etting an image from one app to the next is tedious. When switching apps the user must save the edited image to the camera roll, quit the current app, launch the next and then load up the intermediate image before continuing to edit it.

So a group of app developers got together and found a way to solve this problem with PhotoAppLink:

I can’t make any commitments on behalf of Adobe apps, but I certainly find this development interesting & encouraging. [Via Dave Howe]

8:50 AM | Permalink | Comments [3]

September 17, 2011

Video: I’m Crushing Your Head (kinda)

I find Junebum Park’s little videos totally charming.  Sadly it seems the longer, better-quality ones have been pulled from YouTube, but here’s a little taste:

Via Core77, ArtNews says,

In his short films… June Bum Park plays around with… shifts in scale: everyday scenes such as parking a car, constructing a building, or crossing a road are animated by gigantic hands (the artist’s own), and people and objects turn into playthings of a higher power. The manipulations appear tiny, their movements seem pre-determined, and all the figures do not let themselves be distracted from their goal. Cleverly they evade the intruder’s hands and continue on their way with the determination a column of ants.

8:03 AM | Permalink | Comments [1]

September 16, 2011

The Adobe Carousel team answers reader questions

How does it work with Lightroom? Who exactly can see my photos? (And where are they, exactly?)

Check out this post from the Adobe Carousel team for good answers to top questions.  You can post comments here, but you’re more likely to get questions addressed via that post’s comments.

Meanwhile, here’s a cute little video they did to capture the zen of the product:

1:51 PM | Permalink | Comments [1]

September 15, 2011

Video: Experience Zero Gravity

More amazing aerial filmmaking from the folks who brought us Experience Human Flight:

Or, if you prefer your extreme sports photography to feature spraying blood and wildly overdriven guitars, try this on for size:

[Via]

11:52 AM | Permalink | Comments [3]

September 12, 2011

Watch Adobe Carousel demoed in the PS World keynote

Check out the multi-user/multi-device functionality demoed by Sumner Paine & Julieanne Kost. They show one-step import, direct capture into Carousel, the Develop engine, sharing ratings, and more. Unfortunately the video doesn’t allow embedding, but the link jumps you right to the start of the demo.

11:03 AM | Permalink | Comments [2]

September 11, 2011

Photographers remember 9/11

  • Photojournalist James Nachtwey grabbed his camera and ran towards Ground Zero. He captured incredible images, nearly paying for them with his life. You should read his story.
  • Tom Junod’s article The Falling Man, about Richard Drew’s famous 9/11 photograph, is long, very difficult, and rewarding.
  • The Thousand-Yard Stare” : Peter Turnley talks about meeting Sal Isabella, the fireman whose image he captured the morning after the attacks.
1:32 PM | Permalink | Comments [1]

September 10, 2011

CineSkates: “Roller skates for Your DSLR”

Clever Kickstarter project CineSkates offers “a set of three wheels that quickly attach to a tripod and enable fluid, rolling video in an ultra-portable package.”

Uses:

  • Arcing shots that rotate around objects
  • Sliding shots that push or pull the subject into focus
  • Rolling shots that glide over the subject
  • Time-lapse shots that move the camera slowly and smoothly
  • Panning shots that scan a wide area
  • “Worm’s eye view” shots that slide just above the floor

[Via]

7:59 AM | Permalink | No Comments

September 09, 2011

Adobe Carousel demo/Q&A recording

For a more in-depth demo of Adobe Carousel, check out this recording of yesterday’s presentation/Q&A session. (Just skip past the first 90 seconds or so of dead air.)

3:02 PM | Permalink | No Comments

September 08, 2011

My fondest hope for iOS5?

Frictionless camera-to-Carousel hand-off.

I really, really want to think that AirDrop will enable truly seamless integration with Eye-Fi and similar wireless networking/storage cards. Pairing a Wi-Fi-enabled camera with a phone or tablet needs to become as trivial as pairing two Bluetooth devices. Once it’s done once, the camera needs to be able to transfer images the nearby devices anytime, regardless of whether they’re in use, running a special app, etc.

Then–and only then–can we lay to rest the current dilemma: good dedicated camera with laborious transfer/editing/sharing experience, or lousy(-ish) phone camera with immediate editing/transfer? And with the proliferation of 4G phones & tablets, camera->-device->-cloud->desktop will become slick as hell.

8:35 AM | Permalink | Comments [6]

Reminder: Photosmith for iPad

I’ve heard a few comments to the effect of “Adobe Carousel looks great, but I really want to pull my raw photos into my iPad, apply flags, ratings, and keywords, and they sync everything with Lightroom on my desktop.” Happily, that’s just what Photosmith ($17.99) already offers:

8:22 AM | Permalink | Comments [3]

September 07, 2011

Introducing Adobe Carousel

“Lightroom for iPad” has been the clearest customer mandate I’ve heard in 10+ years at Adobe. Photographers are clamoring to transfer photos wirelessly to their tablets, review & tweak them there, and then sync the results with their desktops.

Adobe Carousel (press release) embraces that vision–and takes it further.  This new app–announced today for iOS and Mac OS X (with Android & Windows versions in development)–brings a highly tuned version of the Lightroom/Camera Raw engine to mobile devices, combining it with excellent multi-device syncing. Key coolness:

  • You get access to all your images on all your devices.
  • All edits are non-destructive: tweak a setting on one device & you’ll see the edit ripple through your other devices.
  • It’s easy to collaborate with friends & family: people you invite to share a photo catalog can view photos, add new ones, apply adjustments and preset “looks,” and flag favorites.
  • You can easily publish to social networks like Facebook, Twitter, and Tumblr.


What does it cost, and when can you get it?  The iOS and Mac versions should be available shortly. The iPad, iPhone, and Mac apps are free, and the syncing/storage service costs $9.99 a month (or $99/year), with a special introductory price of $5.99 a month (or $59.99 a year). Storage & number of photos are unlimited.

When you pay for an Adobe Carousel subscription, you’e investing in one complete solution, enabling you to import as many photos as you want, adjust and improve those photos, and then share those photos with family & friends.

This first version of the app is ruthlessly focused on simplicity & on meeting the needs of a very large group of photographers. As it evolves there’s plenty of room to grow, including adding support for raw file formats and integrating with Lightroom & other desktop apps.

When we introduced Lightroom, we likewise started small, listened hard to photographers, and rapidly iterated based on their feedback. I’m extremely excited to see what develops.

PS–You may know that I’ve been working on mobile imaging apps at Adobe, so can I take credit for Carousel? I’m afraid not: I was the PM early on, helping get things rolling, after which I moved to another effort. More on that soon enough.

10:39 AM | Permalink | Comments [40]

September 06, 2011

Video: Soap bubbles & ferrofluid

When he’s not designing interfaces at Adobe, Kim Pimmel makes short films:

I combined everyday soap bubbles with exotic ferrofluid liquid to create an eerie tale, using macro lenses and time lapse techniques. Black ferrofluid and dye race through bubble structures, drawn through by the invisible forces of capillary action and magnetism.

See more of his projects on Vimeo. [Via]

8:54 AM | Permalink | Comments [3]

August 31, 2011

(rt) Photography: Canine Love

  • I’ve really enjoyed Carli Davidson‘s fantastic portraits of dogs as they shake off water.
  • If you like those, I think you’ll dig the work of Tim Flach (requires Flash) [Via]
  • 7:49 AM | Permalink | Comments [1]

    August 30, 2011

    (rt) Scientific photography: Escher in water, eggs exploding, & more

    8:10 AM | Permalink | Comments [2]

    August 28, 2011

    (rt) Odd camera materials (Lego, paper, & wood)

    8:01 AM | Permalink | No Comments

    August 27, 2011

    Video: Skating, rendered beautifully

    So, you liked the Danny MacAskill thing, then? Now peep this:

    [Via]

    8:52 AM | Permalink | Comments [6]

    August 23, 2011

    Video: A Day in California

    Perfectly lovely:

    Bobby Solomon writes,

    Photographer Ryan Killackey and his wife decided to document California, mostly the Los Angeles area, through photos, taking over 10,000 in total, and then compiling them into this beautiful video.

    8:12 AM | Permalink | Comments [2]

    August 22, 2011

    Hints about Adobe’s future mobile photography tools

    Managing your photos across a range of devices (phones, tablets, computers, cameras) really starts to suck. We’re exploring some interesting solutions that go beyond what others have announced:

    No matter which device is in your hand, you see your entire photo library. So those hundreds of photos you took while touring through Italy with your smartphone would also appear in the library on your tablet device and at home on your laptop…just like that.

    At Adobe, we’re exploring solutions to get you there. And it should come as no surprise that we will also leverage the power of Photoshop editing technology for quick fixes along the way.

    A tad vague, maybe, but stay tuned. Good things are on the way.

    9:35 AM | Permalink | Comments [8]

    August 17, 2011

    Video: Danny MacAskill

    Beautiful filmmaking showcases incredible athleticism:

    1:28 PM | Permalink | Comments [7]

    August 12, 2011

    Slow-Mo Owl Show

    Oddly intense! (especially full screen)

    One of these winged victors tried to make off with my parents’ elderly wiener dog during a midnight outing. Advantage: Older Irish lady using her bathrobe to look bigger! [Via]

    3:27 PM | Permalink | Comments [1]

    August 11, 2011

    Video: A Skateboard’s-Eye View of Manhattan

    Filmmaker & skater Josh Maredy killed a pair of GoPro cameras en route to capturing this madness:

    [Via]

    1:01 PM | Permalink | No Comments

    August 07, 2011

    Video: World’s largest stop-motion animation

    Not content with having made “the world’s smallest stop-motion animation,” the folks at Aardman set out to crush it with the world’s largest–and once again, they shot it with a telephone:

    As usual I find the making-of video even more interesting than the final piece:

    [Via]

    8:01 AM | Permalink | Comments [1]

    August 05, 2011

    “Metropolis”: Enormous Matchbox kinetic sculpture

    If you played with Hot Wheels as a kid, this is what you saw when drifting off to sleep:

    Hypnotic & terrific. Here’s more about artist Chris Burden.

    8:18 AM | Permalink | Comments [1]

    July 28, 2011

    Exhibit: Photo Tampering Throughout History

    You can build a business manipulating photos; how about building one by detecting those manipulations?

    My longtime boss Kevin Connor was instrumental in building Photoshop, Lightroom, and PS Elements into the successes they are today, and he taught me the ropes of product management. After 15 years he was ready to try starting his own company, so this spring he teamed up with Dr. Hany Farid (“the father of digital image forensics,” said NOVA). Together they’ve started forensics company Fourandsix (get the pun?), aimed at “revealing the truth behind every photograph.”

    Now they’ve put up Photo Tampering Throughout History, an interesting collection of famous (and infamous) forgeries & manipulations from Abraham Lincoln’s day to the present. Numerous examples include before & after images plus brief histories of what happened.

    I wish Kevin & Hany great success in this new endeavor, and I can’t wait to see the tools & services they introduce.

    Related/previous:

    10:08 AM | Permalink | Comments [1]

    July 27, 2011

    Free Lightroom webinar on bookmaking, tomorrow

    Photographer Jerry Courvoisier is presenting online tomorrow at 10am Pacific time:

    How to Use Adobe® Photoshop® Lightroom® 3.0 to Develop, Sort and Sequence Your Images for Blurb Bookmaking: In this free webinar, world-class Adobe Photoshop and Lightroom specialist Jerry Courvoisier will take you through great Lightroom tips and tricks including how to prep your photos for your book. He’ll also show you how to use the new Blurb Bookify™ plug-in for Lightroom. Plus, stay for an exclusive Lightroom discount at the conclusion of the webinar.

    3:00 PM | Permalink | Comments [1]

    July 26, 2011

    Come join me for a photo walk on Friday!

    First we talk (mobile imaging), then we walk.

    Photographers & mobile-imaging experts Dan Marcolina (author of iPhone Obsessed) & Knox Bronson (founder of P1xels, “the site of record for the emergent and global iphoneographic artist community”) will be speaking at the Photoshop store in San Francisco this Friday at 1:30pm. Afterwards (3:30-5pm) we’ll be taking pictures outside:

    Join Dan, Knox, and members of the Photoshop team for a photo walk through Union Square. The only caveat is: NO CAMERAS ALLOWED. That’s right, you’ll only take photos with your mobile phone.

    For me it’s a chance to see how you work & to hear more about what you want Adobe to do in mobile imaging.

    Afterwards Blurb is throwing a little party in the store, showing off books while supplying drinks & appetizers. Not a bad little Friday afternoon/evening, eh?

    The store is at 550 Sutter.  See the schedule for details on these events & everything else happening there. Hope to see you there!

    5:09 PM | Permalink | Comments [1]

    Cool DIY aerial filmmaking

    I’ll say it again: I’m oddly thankful that incredible technology like this didn’t exist when I was a kid, as otherwise I’d have lost my entire adolescence to it. First, here’s what happened when filmmaker Joe Simon mounted a Canon 7D to an RC helicopter:

    [Via]

    If you prefer more the rock-n-roll grunge tip, check out the work of 19-year-old Jeremiah Warren and his rocket-mounted spy cam:


    [Via]

    Previously: DSLR video + RC helicopter = awesome

    8:08 AM | Permalink | Comments [5]

    July 21, 2011

    More Photoshop-as-Instagram

    Abduzeedo shares tips on replicating Instagram’s Nashville color effect via Photoshop. (Seems like it’s kind of begging to be turned into an action.) Previously: Instagram filters as PS actions.

    Tangentially related: A band called The Vaccines is planning to use Instagram to create a crowd-sourced music video. [Via]

    8:07 AM | Permalink | No Comments

    July 17, 2011

    Great NASA resources commemorating the Shuttle & Shepard

    8:16 AM | Permalink | No Comments

    July 16, 2011

    iPhone rolling shutter + guitar strings = interesting effect

    Fascinating (though, the creator notes, apparently not representative of how strings actually vibrate):

    [Via]

    8:24 AM | Permalink | Comments [2]

    July 14, 2011

    dbox: Instagram Filters as Photoshop Actions

    If you’re a fan of Instagram-style photo effects & would like to apply them easily in Photoshop, check out Daniel Box’s Instagram Filters as Photoshop Actions.  I stumbled upon these randomly, not as the results of a search, so if you’ve seen other cool ways to apply these or similar effects via PS, please feel free to point them out via comments.

    10:54 AM | Permalink | Comments [1]

    New Lightroom Website builder plug-in released

    Matthew Campagna has released TTG Pages CE for Lightroom:

    TTG Pages CE is not an image gallery. It is a website construction tool used to create a home in which your image galleries may thrive. It creates pages — Home, Services, Info, About and a Contact page with email contact form — and a self-populating Gallery Index for your image galleries.

    Whether you’re building your first photo website or your hundredth, TTG Pages CE is the tool you’ve been waiting for to streamline your Lightroom-to-website workflow, and to create a website you can take pride in.

    The tool is $25 from Matthew’s site.

    8:02 AM | Permalink | No Comments

    July 13, 2011

    360-degree cockpits, new & old

    Tangentially related: Don’t miss Shlomi Yoav’s eye-popping, wide-angle Shuttle launch photo.

    9:09 AM | Permalink | Comments [5]

    July 12, 2011

    Video: The Incredible Rube Goldberg Portrait Photography Machine

    I kind of can’t even talk about this:

    Hats off to David Dvir and the team at 2D Photography. Here’s more info about the project, plus a making-of video:

    [Via Harrison Liu]

    9:03 AM | Permalink | Comments [6]

    July 11, 2011

    Feature request: Instagram->Facebook

    I often say that if I could code, I’d never leave the basement*: I know what I want, but I have to rely on others to make it real.

    At the moment I’m wishing for a way to suck up some or all of my Instagram-hosted images, then repost them on Facebook.  I already share each individual image via Twitter (and thus Facebook), but these don’t end up residing on FB, where family members would be much more likely to see them.  This can’t be a hard thing to implement, but I’ve yet to see it done.

    Update: Thanks to Noah Mittman for pointing out Instaport, a free site that lets you download some/all of your images as a ZIP archive. It’s a great start, though just to get greedy, let me also request a way to retain image captions. For me those are often as critical as the images themselves.

    * Thus it’s probably like my not being more muscular (which would lead to my getting into lots of fights): probably a blessing in disguise.

    2:08 PM | Permalink | Comments [5]

    July 06, 2011

    Disappearing acts: Content-Aware Fill in motion & more

    8:07 AM | Permalink | Comments [1]

    July 02, 2011

    Video: Striking a cymbal at 1,000fps

    Bah-dum, tssch!

    Spoiler: Not much changes after the initial strike. [Via]

    8:58 AM | Permalink | Comments [2]

    June 30, 2011

    Carousel (Instagram on Mac) gets new features

    The beautiful Carousel for browsing/commenting on Instagram feeds ($5 on the Mac App Store) has been updated with a number of new capabilities, including searching, support for gestures, and the ability to see all the images you’ve liked. I highly recommend it.

    Also very nice (and free): the Screenstagram screensaver.

    4:35 PM | Permalink | No Comments

    June 29, 2011

    Video: “Bullet time lightning”

    A Tesla coil plus a 10-camera array of custom-programmed Canon cameras = Rob Flickenger’s 70 megapixel bullet time lightning.

    More info is here. [Via Iván Cavero Belaunde]

    8:24 AM | Permalink | Comments [1]

    June 25, 2011

    (rt) Photography: Blackbirds & cursing & migrants, oh my

    8:14 AM | Permalink | Comments [1]

    June 21, 2011

    Instagallery enhanced

    Our friend Troy Gaul has revised his excellent Instagallery iPad app with a host of improvements. For v1.2:

    In short: Grid. AirPlay. AirPrint. Liked photos. Twitter. Facebook. Open in Safari. Open in Instagram. Email, save, and copy yours. Video out. Favorite sets. Recent sets. Better comments. Easy tagging. Entire caption. Filter display. Unnamed locations. Tap to advance. TextExpander. Faster. Bugs fixed.

    Check out the App Store page for more details.

    3:31 PM | Permalink | No Comments

    A tour of Earth from space

    Dr. Justin Wilkinson from NASA provides a beautifully unhurried tour of Earth from above, as shot by astronauts in orbit.

    [Via]

    8:00 AM | Permalink | Comments [1]

    June 19, 2011

    Stitching moments together

    Photographer Peter Langenhahn combines hundreds of photos into huge, hundred-gigabyte monsters that show numerous moments at once–for example, depicting all the fouls in a soccer match. Here’s a brief piece (light on technical details, I’m afraid) on how he does it:

    Kottke also points out the Peter Funch’s New York composites (mentioned previously).

    8:40 AM | Permalink | No Comments

    June 18, 2011

    Amazing first-person skiing/parachuting/avalanche video

    Completely tremendous. Give it the two minutes, and in full screen. [Via]

     

    Offbeat bonus first-person vid: Eli Stonberg’s “Extremities” straps multiple cameras to skater Aryeh Kraus, then shows the results simultaneously. [Via]

    8:17 AM | Permalink | Comments [3]

    June 16, 2011

    Props for the After Effects Warp Stabilizer

    Well-known cinematographer Vincent Laforet has some kind words for the new tool in AE CS5.5:

    What truly inspired me was the ability to shoot handheld footage at a high resolution, knowing full well that I could later stabilize it with technology such as Adobe CS 5.5′s Warp Stabilizer… Warp Stabilizer is truly AMAZING – and I’m not exaggerating here. This technology has the potential to change the way many of us shoot – allowing us to rely less on complex stabilization devices – and more on smaller less complex camera support platforms. This will allow filmmakers to shoot with a bit more freedom – which is exciting.

    Vincent promises to share more details soon. In the meantime, enjoy the work he’s been capturing with the RED Epic 5K camera, bits of which were stabilized in AE:

    7:47 AM | Permalink | Comments [1]

    June 15, 2011

    Video: A DIY Space Balloon

    Luke Geissbühler & his kids sent their homemade weather balloon & camera rig (packed inside a foam take-out container!) up 100,000 feet, right to the edge of space. It makes for some surprisingly captivating filmmaking.

    [Via]

    8:07 AM | Permalink | Comments [5]

    June 12, 2011

    Adventures with mini cams

    Planting a GoPro camera inside a hula hoop produces oddly watchable results:

    [Via]

    On a much less stable front, the $60 Hot Wheels Video Racer shoots at up to 60 frames per second, creating what Autoblog calls “nausea-inducing fun”:

    11:10 PM | Permalink | Comments [2]

    June 08, 2011

    Time lapse: Manhattan in Motion

    Lovely work from Josh Owens:

    [Via]

    7:53 AM | Permalink | Comments [3]

    June 04, 2011

    Breakfast, interrupted, at 1,000fps

    Bruton Stroube captured high-speed mayhem using a Phantom HD Gold shooting at 1000fps:

    The making-of video makes the shoot look like some messy fun. [Via]

    8:10 AM | Permalink | Comments [5]

    June 02, 2011

    A nifty twist on time lapse videos

    You spin me right ’round, baby, right ’round like the earth, baby…

    [Via]

    9:02 PM | Permalink | No Comments

    May 30, 2011

    (rt) Photographic history: Abbey Road to Mt. Rushmore

    8:52 AM | Permalink | No Comments

    May 29, 2011

    Video: Skaters on fire

    Is it pyrotechnics, or is it Memorex? Hard to say, maybe, but I like the effect:

    The filmmakers have posted a behind-the-scenes feature for the subsequent video in the series. I highly applaud their use of “FM.” [Via]

    9:10 PM | Permalink | Comments [1]

    May 27, 2011

    iObsessed for iPad

    Photographer Dan Marcolina used InDesign CS5 to create iObsessed, an interactive compendium of over 30 apps. The book complements his iPhone Obsessed photo book, and he writes:

    This interactive format allows you to see video tutorials right in-line with the featured images, along with the ability to pinch and zoom any image to see its full detail. Additional surprise links are found on each chapter page.

    Here’s the quick demo:

    7:42 AM | Permalink | No Comments

    May 25, 2011

    Adobe TV: Lightroom coloring techniques & shortcuts

    Recent vids of possible interest:

  • The Complete Picture with Julieanne Kost: Selective Coloring Techniques in Lightroom

    In this Episode of the Complete Picture Julieanne Kost explains two different methods for selectively colorizing an image to differentiate the subject from the background using Adobe Camera Raw.

  • Creative Suite Podcast: Photographers – 5 Lightroom Keyboard Shortcuts that will Speed up your Workflow

    In this episode I’ll show you 5+ Lightroom Keyboard shortcuts that will definitely speed up your day-to-day Lightroom workflow!

  • 10:56 AM | Permalink | No Comments

    May 24, 2011

    (rt) iPhone bits & content-aware fails

    9:46 PM | Permalink | Comments [3]

    May 23, 2011

    (rt) Photography: Finding art in nukes, tulips, & more

    8:05 AM | Permalink | Comments [4]

    May 21, 2011

    Origami sculptures transform in water

    Etienne Cliquet’s fascinating “Flottille” micro-origami sculptures are 2-3 centimeters long and open based on capillary action.

    [Via]

    9:19 AM | Permalink | Comments [3]

    May 20, 2011

    (rt) Useful online photo tools

    • Neat idea: SLR Camera Simulator teaches the effects of camera parameters. [Via]
    • StolenCamera Finder “uses the serial number stored in your photo to search the web for photos taken w/the same camera.”
    • Bigger camera sensors generally offer better performance. Sensor-Size.com lets you “Compare & Convert Digital Cameras.”
    8:16 AM | Permalink | Comments [1]

    May 19, 2011

    Lee Varis lecture recording now available

    By popular demand, we recorded photographer Lee Varis‘s talk in San Jose Tuesday night (see previous overview). There was a break during the session, so here are Part One (an overview of Lee’s career) & Part Two (the “’10 Channel Workflow,’ a radical new image enhancement routine”).

    8:05 AM | Permalink | Comments [2]

    May 18, 2011

    Screenstagram: A screensaver of Instagram images

    Check out this groovy (and free) Mac screensaver from the Barbarian Group. And props to them for one of the world’s most succinct demo videos:

    Weirdly, I got a blank screen when testing the screensaver yesterday, but today it works fine. [Via]

    3:35 PM | Permalink | No Comments

    May 17, 2011

    iPhone photo seminar at 5pm Pacific today

    Photographer & designer Dan Marcolina is “iPhone Obsessed,” having used his phone + apps to produce a coffee table book (with up-resing courtesy of Photoshop). Now I see that he’s presenting a seminar just over an hour from now (sorry, just saw the invite):

    His new book, iPhone Obsessed, covers over 47 apps and the post-processing steps you need to know to achieve works of art right in your iPhone. Dan will cover many of these apps during this live Peachpit Photo Club event.

    Having met Dan & discussed the book last summer, I can vouch for him being a really interesting, creative guy; should be a good session.

    3:49 PM | Permalink | Comments [1]

    May 12, 2011

    After Effects stabilization in the real world

    Photographer Uwe Steinmueller has posted a set of samples made using AE CS 5.5. They’re not crazy-dramatic, but that may well be the point: the new feature improves even what was already decent footage.

    In the accompanying article Uwe write, “This may be a situation where a new tool is really up to its hype and exceeded our expectations. Hard to describe how excited we are.”

    7:59 AM | Permalink | No Comments

    May 08, 2011

    64-bit DNG Codec & other updates

    If you’re a Windows 7 user, you can now grab a preview version of the DNG Codec, in both 32- and 64-bit versions.  The codec lets you browse DNG files in Windows Explorer and Photo Gallery.

    In other news, techie photographers can grab beta 3 of the Adobe Lens Profile Creator and beta 3 of the DNG Profile Editor. [Via]

    9:20 AM | Permalink | Comments [7]

    May 06, 2011

    High-speed gelatinous action

    Modernist Cuisine has fun at 6200 frames per second:

    [Via] See also “Exploding Christmas Ornaments Filled with Various Things.” [Via]

    8:31 AM | Permalink | No Comments

    May 03, 2011

    (rt) Photography: Surreal composites, underwater history, & more

    3:52 PM | Permalink | Comments [1]

    April 29, 2011

    Parisian time lapse

    Student Luke Shepard used 2,000 still images to create a time lapse of Paris.

    [Via]

    7:53 AM | Permalink | Comments [3]

    April 28, 2011

    Video: Experience Human Flight

    To create this captivating short film, the filmmakers note, “All footage was shot on a GoPro and slowed down with Twixtor.”

    [Via]

    8:02 AM | Permalink | Comments [8]

    April 26, 2011

    Photography: Chernobyl, 25 years later

    It’s a season of sometimes grim anniversaries (e.g. 150 years since the start of the American Civil War, 100 since the Triangle Shirtwaist Factory fire, one since the Gulf oil spill), and today marks 25 years since the beginning of the Chernobyl nuclear disaster.  The Big Picture hosts a haunting image collection, and the NYT’s Lens blog goes into more detail on the few who’ve stayed behind.

    2:59 AM | Permalink | Comments [1]

    April 25, 2011

    A giant wooden xylophone plays Bach

    Amazing & rather excellent:

    [Via]

    9:27 AM | Permalink | No Comments

    April 23, 2011

    Video: High-speed mountain climbing

    I share this not just because of the inordinate badassery of speed climber Ueli Steck, but to showcase the filmmakers’ amazing visual storytelling (full-screen HD recommended, naturally).

    If you’re short on time, make sure to jump ahead around 2 minutes & at least see him running up that mountain (Kate Bush-style). [Via]

    8:53 AM | Permalink | Comments [8]

    April 22, 2011

    Photosynth panorama maker for iPhone

    I haven’t played with a lot of mobile panorama-creation apps, but I find Microsoft’s free Photosynth app for iPhone pretty amazing. It captures still images as you pan around, automatically stitching (and optionally uploading) the results.

    <br/><a href="http://video.msn.com/?mkt=en-us&#038;vid=286219d4-1988-4479-816f-12e36d18b514&#038;src=SLPl:embed:&#038;fg=sharenoembed" target="_new"title="Microsoft Photosynth App – April 2011">Video: Microsoft Photosynth App – April 2011</a>

    The example of an aviation museum is especially well chosen: I distinctly remember my deep, painful frustration trying to photograph rockets at the Air & Space Museum as a kid. I’d have found something like this unspeakably wonderful.

    Aside: How do companies like Microsoft & Adobe profit by developing advanced technology & then simply giving it away? It’s like First CityWide Change Bank: Volume.

    9:22 AM | Permalink | Comments [4]

    April 19, 2011

    Time Lapse: “The Mountain”

    Terje Sorgjerd (see previous) has produced another lovely time lapse, this time taken atop Spain’s highest mountain:

    He writes,

    A large sandstorm hit the Sahara Desert on the 9th April and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes. Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds.

    [Via Mark Kawano]

    8:32 AM | Permalink | Comments [1]

    April 18, 2011

    (rt) Scientific Photography: Sunspots, satellite images, & more

    11:20 AM | Permalink | Comments [1]

    April 13, 2011

    Eye-Fi enables direct-to-tablet transfer

    As I noted last year, photographers have been incredibly clear in wanting wireless tethering between their cameras & tablets. Forget about using tablets for storage: the big win is using a tablet’s big screen for “chimping” (reviewing & flagging one’s shots).

    Thus I’m happy to see that a new 8GB Eye-Fi card enables a direct connection between cameras & tablets.  I’d love to put my iPad in my backpack & transfer to it while hiking around.  Two snags, though:

    • The card is SD format, and my SLR uses Compact Flash. Something tells me a solution isn’t imminent.
    • Wireless transfer requires one’s tablet to be switched on. Long battery life or no, I’m not going to leave the iPad on constantly while hiking, driving, etc. Solving this problem very likely requires support from Apple, Google, and hardware makers.

    Still, the development is very encouraging.

    5:02 PM | Permalink | Comments [11]

    Photography: Shallow depth of field on iPhone

    Stanford professor & occasional Photoshop team collaborator Marc Levoy has created SynthCam, an interesting tool for simulating large-aperture photo effects using a tiny-aperture cell phone camera:

    For more examples, tutorials, etc., see Marc’s site. [Via]

    11:22 AM | Permalink | Comments [4]

    April 12, 2011

    Video: Meet digital camera inventor Steven Sasson

    I enjoyed David’s Friedman‘s brief but engaging chat with digital photography pioneer Steven Sasson, including his remarks about fitting a pitch into the culture of an organization:

    [Via]

    9:54 AM | Permalink | No Comments

    April 04, 2011

    (rt) Photography: War, science, & enormous panoramas

    8:08 AM | Permalink | Comments [3]

    March 29, 2011

    Video: Ten Things I Have Learned About The Sea

    Even if you watch just for a minute, I think you’ll find Lorenzo Fonda’s ode oddly captivating:

    Seeing these giant containers, it’s funny to think: all this stuff around you–the screen on which you’re reading this, maybe the car you drive, the shirt on your back–it’s all been there, creeping over untold expanses of water.

    At one point I planned to join the US Navy. I spent three years in NROTC and generally loved it. Seeing dolphins race ahead of the bow quickens my pulse & takes me down a deep memory hole. The endlessness of the water, the blankness of the horizon, the ceaseless beating paired with beauty (think bioluminescent algae twinkling down the bridge windows after every 13-foot wall of green water)–strange to think of it all again. And strange where life takes us. [Via]

    10:38 AM | Permalink | Comments [3]

    March 28, 2011

    (rt) Photography: Strange history, beautiful Antarctica, & more

    7:55 AM | Permalink | Comments [3]

    March 25, 2011

    A beautiful Aurora Borealis time lapse

    “Norwegian landscape photographer Terje Sorgjerd,” writes David Pescovitz, “spent one week around Kirkenes and the Norway-Russia border, in -25 Celsius temperature, to make this magnificent time-lapse video of the Aurora Borealis.”

    On a related note, “Terje Sorgjerd” is one pretty solid name. He needs to join the Photoshop team & take up residence next to Seetharaman Narayanan, Iouri Tchernoousko, & other greats. [Via]

    9:07 AM | Permalink | Comments [10]

    March 23, 2011

    Video: Growing Is Forever

    Three minutes of delightful woodland photography from Jesse Rosten:

    [Via]

    9:01 AM | Permalink | Comments [1]

    March 22, 2011

    Artsiest. Melting ice cube. Ever.

    Right? (Vid’s just a minute long; fullscreen recommended.)

    [Via]

    2:54 PM | Permalink | Comments [4]

    March 19, 2011

    Video: A Blood-Red Eclipse

    Happy supermoon. In the lunar spirit, here’s a lovely time lapse from last December:

    Check out the Vimeo page for brief making-of info on the piece (stabilized in After Effects CS5) from photographer William Castleman. [Via]

    8:48 PM | Permalink | No Comments

    March 18, 2011

    Interactive photos: Japan Before and After Tsunami

    The NYT’s satellite photo feature, Japan Before and After Tsunami, is amazing & deeply sobering. [Via]

    10:04 AM | Permalink | Comments [1]

    March 17, 2011

    A photographic (non-CGI) fly-by of Saturn

    The IMAX film “Outside In” is produced from “hundreds of thousands of still photos” taken by the Cassini orbiter. I have a hard time believing that the footage is real, but I’m hardly an expert. Check it out:

    The filmmaking is a non-profit effort being supported by individuals & a few companies. [Via]

    Update: See comments for some technical details from the filmmaker & others.

    8:42 AM | Permalink | Comments [6]

    March 16, 2011

    Photoshop Express 2.0: Powerful noise reduction on iOS

    After more than 20 million downloads, the free Photoshop Express app has added its first paid features. As PM Jordan Davis explains, Adobe Camera Pack in Photoshop Express 2.0 for iOS* adds three new features:

    • Reduce Noise: Even the best phone cameras can introduce small amounts of grain and speckling—called noise—into images. The Reduce Noise feature quickly smooths out those flaws to improve your photos. (See screenshot with aggressive settings applied.)
    • Self Timer: Set a camera timer to 3- or 10-second intervals before the photo is snapped. Now you can be in the picture too!
    • Auto Review: Use the Auto Review mode to make sure you get a good shot and delete it if you don’t. Auto Review gives you a quick look at your picture before the action passes you by.

    The app remains free, and the Camera Pack is a $3.99 in-app purchase.

    The noise reduction code is based on the outstanding technology introduced in Lightroom 3/Photoshop CS5.  Squeezing very computationally intensive algorithms to run well on handheld processors was no easy feat, and I think you’ll be pleased with the speed & quality of the results.  We look forward to hearing your feedback.

    * Photoshop Express for Android has not yet been updated

    1:32 PM | Permalink | Comments [18]

    March 13, 2011

    (rt) Photography: Outstanding Star Wars, True Grit, & more

    9:53 AM | Permalink | Comments [2]

    Instagallery for iPad now available

    Our friend Troy Gaul (formerly of Lightroom & ImageReady) has created Instagallery, a sleek Instagram client for iPad, offering slideshow support & more. I’ve found it great for following & commenting on friends’ photos from my tablet.

    8:05 AM | Permalink | Comments [1]

    March 04, 2011

    Old-school Daily Show clip on digital cameras

    This Ed Helms bit features a special guest appearance by Photoshop 7 on OS 9:

    [Via]

    4:40 PM | Permalink | Comments [1]

    March 03, 2011

    Photoshop Express: 20 Million Downloads & Counting

    Wow–quite a milestone. PM Jordan Davis reports:

    Photoshop Express for iOS and Android devices hit 20 million customer installations today. We want to thank all our customers who have downloaded and used the app to shoot, edit, apply fun effects, and share photos from their smartphones and tablets. If you haven’t yet tried it, Photoshop Express is available for free on the Apple iTunes Store and Android Marketplace.

    Thanks for your support, and your feedback is always welcome.

    6:06 PM | Permalink | Comments [4]

    March 01, 2011

    Video: Space Shuttle launch as seen from an airplane

    A lovely bit of low-fi aerospace footage:

    [Via]

    9:35 PM | Permalink | Comments [2]

    Photograph Iceland with Julieanne Kost

    If you take this trip in August, you’re going to make me seriously jealous.  Adobe photography evangelist Julieanne Kost writes:

    I’m hoping that YOU will be able to join me this summer (August 21 – August 27) on an incredible journey through the Icelandic landscape. This really is a unique opportunity to experience Iceland and all that it has to offer – glacier lagoons, Icelandic horses, waterfalls, and mud flats  are just a few of the things we may see on our excursions.  We will follow the weather and the light, photographing Iceland’s ever changing landscape with long hours of exquisite sunrise and sunset while the Focus on Nature team takes care of every little logistical detail  so that we can photograph in a relaxed, low pressure, unhurried, environment. We will come home not only with improved technique, but reenergized and inspired.

     

    7:57 AM | Permalink | Comments [3]

    February 25, 2011

    Interesting 3D Photo app

    I can’t readily pronounce it “endlessly useful,” but 3D Photo‘s ability to map a live camera feed onto 3D shapes is rather cool:

    [Via]

    It can be hard to take tablet hardware, which is largely designed for low-power media consumption & gaming, and make it perform well for general-purpose imaging operations. Lately I’ve taken to joking that, “Well, my year-old iPad can run a beautiful 3D pinball game fullscreen at 30+ FPS, so maybe we should let people draw with friggin’ 3D pinballs, because apparently those can be made to go fast.” Look for Adobe Avian AngerPaint™, coming soon to an app store near you!

    1:32 PM | Permalink | Comments [4]

    February 23, 2011

    NYC session next week: Hidden Gems in PS CS5

    If you’ll be in New York next Wednesday, you might want to drop by Foto Care 10am-12pm for a free class covering Hidden Gems in Photoshop CS5 featuring PM Bryan O’Neil Hughes.

    3:02 PM | Permalink | No Comments

    Photography: The sacred & profane in Eastern Europe

    I’ve spoken admiringly in the past of Bruce Haley‘s photojournalism. Now he’s produced a new monograph called Sunder:

    Produced between 1994 and 2002, the images in SUNDER sweep the viewer along on a far-reaching journey through numerous former USSR and Iron Curtain countries, stopping at landscapes of ruin and moments of grace in equal measure. Haley’s explorations were intuitive, responding to a deep curiosity to taste the last drops of the would-be Utopian ideology that dominated global politics during the first thirty years of his life.

    Bryan Hughes & I have been trying for ages to get down to the bottom of Bixby Canyon to visit Bruce & his beer fridge*. Hopefully we can do that soon & maybe share a trip report.

    * But not, presumably, “goddamn barbecued monkey leg”

    9:55 AM | Permalink | Comments [1]

    February 20, 2011

    (rt) Photography: Ali’s greatness, retro re-creations, & more

    4:25 PM | Permalink | Comments [7]

    February 18, 2011

    (rt) Photography: Photographing one’s own murder & more

    9:46 AM | Permalink | Comments [1]

    February 13, 2011

    Aerial NYC for iPad

    Photographer Cameron Davidson is offering Aerial New York City, a 60-image iPad portfolio depicting the city from above, for free for a limited time.  Lovely. [Via Ellis Vener]

    [Irrelevant personal side note: I used to look out a window just below the "Y" in "York" on the opening screen. 20 Exchange FTW.]

    10:23 AM | Permalink | Comments [1]

    February 12, 2011

    Video: The Wilhelm Scream

    James Blake picks a bizarre (and apparently unrelated) name for beautifully atmospheric visuals & vocals:

    [Via]

    8:22 AM | Permalink | No Comments

    February 10, 2011

    Crazy 360-degree dodgeball video

    Photographer Ryan Jackson strapped together four cheap GoPro video cameras into an interesting Frankenstein, shooting a cool 360-degree panoramic video. “The short version of this story is that I shot with four GoPros, extracted still images from video, stitched the stills together into panoramas then recombined them back into video. For the much more detailed and nerdy answer, read on.” [Via Manu S. Anand]

    7:49 AM | Permalink | Comments [1]

    February 07, 2011

    (rt) Photography: Vertigo, bisected bunkers, & more

    4:39 PM | Permalink | No Comments

    January 25, 2011

    Photoshop Express 1.5 arrives for iOS

    I’m delighted to report that Photoshop Express, Adobe’s free photo capture & editing tool that’s been downloaded over 15 million times (!), is now available in enhanced version 1.5 form via Apple’s App Store.

    This release reworks the photo capture experience, adding support for batch capture of photos plus a highly useful review mode, and it includes full Retina display support. iOS 4.2 compatibility brings benefits like an improved ability to upload images in the background.

    After going a bit quiet (publicly, at least) following the previous release, the Express team is now cooking with gas, and we have other cool enhancements queued up for the near future. In the near term, please let us know what you think of the new release, and what you’d like to see us do going forward. Thanks for your interest & support.

    7:00 AM | Permalink | Comments [13]

    January 24, 2011

    A few interesting iOS apps (video & utility)

    • Video-recording app Precorder takes a cue from the world of reality TV production: rather than recording everything to disk in hopes of getting some good nuggets, it buffers a video stream (a la DVRs).  It’s constantly saving the few seconds of video before you hit record, so if something interesting happens, hit record & capture it.  If not, no worries: there’s nothing to delete.  I tried it with the kids yesterday & it worked nicely.
    • 8mm Vintage Camera brings the trendy retro aesthetic to handheld video, “capturing the beauty and magic of old school vintage movies. By mixing and matching films and lenses, you can recreate the atmosphere of those bygone eras with 25 timeless retro looks.” [Via]
    • Written by Lightroom team vets Troy Gaul and Dustin & Dylan Bruzenak, Handoff “simplifies sending things from your computer’s web browser to your iPhone, iPad, or iPod touch” via a combo of app + desktop browser extensions.  Looks clever and useful.
    11:46 AM | Permalink | No Comments

    January 18, 2011

    New Adobe TV videos for photographers

    As always, good tutorials are making their way onto Adobe TV. Some recent examples:

    • Photoshop Basics Series: Creating an image reflection

    Presenter Dennis Radeke says, “Many times, I’ve seen great work that was somewhat spoiled by the fact that it employed a reflection as part of the design. Creating a reflection on any image is a fairly easy thing to do and in this episode we’ll look at some techniques to make a convincing and realistic reflection within Adobe Photoshop.”

    • Sync Your Photos from Lightroom 3 to Your iDevices

    In this episode I’ll show you how to set up the Hard Drive Publish Service to allow you to continue to manage your photos in Lightroom, but also sync them to your iDevices via iTunes without using iPhoto.

    • Photographers – Mini Bridge

    Every now and then it’s much easier to show someone than to try to explain it to them. After a few emails from Beau about how to use Mini Bridge? I just decided to make it the topic of this week’s Creative Suite Podcast.

    Adobe Lightroom 3: Needle in a Haystack

    When you need to find a specific image among a huge number of images, filtering can provide an excellent solution. This jump-start will provide you with a sense of the power of filtering to find an image within Lightroom.

    Photoshop User TV – Episode 206

    The countdown to the new set is winding down. In the meantime, check out this interview with Adobe’s Julieanne Kost.

     

    8:32 AM | Permalink | Comments [4]

    January 14, 2011

    New Lightroom presets from Julieanne Kost

    Our friend/Adobe evangelist Julieanne has whipped up some great new Lightroom presets.  You can view the whole list of presets on her blog, or use these links to jump right to those you find most interesting.  Each entry includes an explanation & download links:

    7:59 AM | Permalink | Comments [1]

    January 13, 2011

    Videos: Russell Brown on HDR, iPad portfolios

    By very popular demand, Russell Brown has recorded & posted his tutorials on creating tablet-ready portfolios & great-looking (non-cheesy) HDR images. Enjoy.

    Mobile portfolios:

    HDR

    1:56 PM | Permalink | Comments [8]

    (rt) Photos: Bokeh & Polaroids on iPhone, more

    • Bokeh from an iPhone? So promises SynthCam from Stanford prof Mark Levoy. [Via Jeff Chien]
    • Nifty: the Polaroid iPhone Decal.
    • I saw a square, brownish 70′s family photo at Tom Hogarty’s house the other day and thought, “Oh, they used Instagram.” Man, I’m losing it.
    • Evil Pregnant Natalie Portman (artist’s conception).
    • Happy Family Slim-Slim #5; don’t trust it @ 99 cent store.
    11:36 AM | Permalink | Comments [2]

    January 12, 2011

    App Idea: Photo Defiler

    The other day while using Instagram, it occurred to me: To really do proper retro photos, I need a way to obscure half the image with my dad’s finger.  In that vein, how about an app that would fill your images with cliched errors?  A few ideas:

    • Head Clipper: Use face detection to identify people in an image, then partly lop off their domes.
    • Shadow Caster: Hey, where’s the photographer? Ah, there’s his handy shadow!
    • Back Lighter: Fill light/Shadow-Highlight is passé; we need a way to silhouette subjects into oblivion.
    • Grass Expander: Auto zoom out, then use Content-Aware Fill to surround one’s subject with even more grass & extraneous details.
    • Blink Synthesizer: If society has figured out how to put human eyes onto Muppets, surely we can shut the eyes of at least some people in a group photo.
    • Face Blurrer: A bit o’ witness protection.
    • Digital Intruder: My dad’s finger on millions of handsets around the world. You’re welcome.

    Not quitting my day job,
    J.

    7:37 AM | Permalink | Comments [16]

    January 11, 2011

    Time Lapse: The Pale Blue Dot

    Carl Sagan reads a short excerpt from his book, “The Pale Blue Dot” in this lovely time lapse from filmmaker Michael Marantz:

    [Via]

    8:22 AM | Permalink | Comments [1]

    January 06, 2011

    (rt) Photography: Images of the year, “Crouching Child, Hidden Mother,” & more

    10:57 AM | Permalink | No Comments

    January 04, 2011

    Eye-Fi enables direct camera-to-iPad transfer

    Ah, I’ve been waiting for this one for some time: Eye-Fi is enabling direct photo transfer from cameras to iPads–something I’ve heard photographers request over and over again.  Now, if only I could get a WiFi-enabled card that would work in my 5D. (Eye-Fi strongly discourages the use of an SD-to-CF adapter.) [Via Sean Parent]

    2:37 PM | Permalink | Comments [5]

    January 03, 2011

    UNDERCITY: A guerrilla exploration of NYC

    This is one of the most captivating, weirdly suspenseful short films I’ve seen in ages, and it’s essentially just one dude walking (or rather, sneaking) around New York City:

    You can read more about these unsanctioned underground adventures in the NY Times and on NPR. [Via]

    11:01 AM | Permalink | Comments [6]

    January 02, 2011

    Time Warp: Liquid Sculptures

    I dig the work of “liquid sculptor” Martin Waugh (see previous). Check out this behind-the-scenes segment from Time Warp:

    11:00 AM | Permalink | No Comments

    December 30, 2010

    What if you mounted a video camera on a sword tip?

    “Super dizzying,” our man Finn might say–though oddly less so than you’d expect:

    [Via]

    7:59 AM | Permalink | Comments [12]

    December 29, 2010

    (rt) Photos of the year, lost wookies, & more

    8:27 AM | Permalink | Comments [3]

    December 27, 2010

    Video: Blizzard timelapse

    This one goes out to all the East Coast peeps:

    [Via]

    1:32 PM | Permalink | Comments [6]

    December 23, 2010

    Photography: Flying liquids, stuck in time

    Shinchi Maruyama creates amazing “sculptures” (see photo gallery) by tossing water & capturing the results with a high-speed camera:

    [Via]

    8:42 AM | Permalink | Comments [3]

    December 19, 2010

    Magic Shutter enables light painting with an iPhone

    What’s an “epoch-making creative iPhone camera”? One that lets you do long exposure & paint with light, apparently. Magic Shutter looks pretty cool:

    [Via Nic Couillard]

    9:06 AM | Permalink | Comments [5]

    December 18, 2010

    Clever “Elf Cam” photography app

    Of the new app Elf Cam, Mark Frauenfelder writes, “It allows you to set up your camera on Christmas Eve to record Santa coming out of your fireplace (or walking into room if you don’t have a fireplace), so you can show it to your child in order to prove that Santa Claus is real.”

    12:58 PM | Permalink | Comments [1]

    December 08, 2010

    Video: Lovely Aurora Borealis timelapse

    Tor Even Mathisen rocks it:

    [Via]

    6:16 AM | Permalink | Comments [2]

    December 06, 2010

    Lightroom 3.3, Camera Raw 6.3 now available

    Lightroom 3.3 (Mac|Win) and Camera Raw 6.3 (Mac|Win) for CS5 are now available as final releases on Adobe.com and through the update mechanisms available in Photoshop CS5 and Lightroom 3.  These updates include bug fixes, new camera support and new lens profiles. Cameras added:

    • Canon         PowerShot G12
    • Canon         PowerShot S95
    • Nikon          D7000
    • Nikon          Coolpix P7000
    • Nikon          D3100
    • Olympus     E-5
    • Panasonic  DMC-GF2
    • Panasonic  DMC-GH2
    • Pentax        K-5
    • Pentax        K-r
    • Ricoh          GXR, GR LENS A12 28mm F2.5
    • Samsung    NX100
    • Samsung    TL350 (WB2000)
    • Sony           A560
    • Sony           A580

    For a complete list of lens profiles added & bugs fixed, please see Tom Hogarty’s post on the Lightroom Journal.

    Remember that if you’re using an older version (Lightroom 2.x, Photoshop CS4, etc.), you can use the free DNG Converter (Mac|Win) to save disk space (losslessly compressing your proprietary camera files) while making images compatible with your app.

    11:21 PM | Permalink | Comments [4]

    (rt) Photography: Ansel does iPad, Mon Calamari, & more

    7:09 AM | Permalink | No Comments

    December 03, 2010

    A “Pointless, action-free and totally mesmerising” video

    Graeme Taylor pointed his inexpensive, high-speed Casio Exilim FH20 out a train window, then slowed down the results:

    He writes,

    The ‘trick’ is the camera collects images at a rate of 210 per second – but the film is played back at 30 frames per second. So, every seven seconds of footage that you watch corresponds to 1 real second. At least at the start, one real second is plenty of time for someone to move into, then out of, the camera’s field of view, but isn’t enough time for them to really do much: hence, the frozen effect. It breaks down towards the end not because I’m doing something clever with the frame rates (captured or replayed), but simply because the train was stopping!

    [Via]

    1:56 PM | Permalink | Comments [5]

    November 26, 2010

    Happy Thanksgiving

    “Are you going to stuff me into the bird, Dad-O??”
    “Absolutely, my boy!!”

    Whether or not you celebrate the Thanksgiving holiday, I hope you had a great day today. For the first time in as long as I can remember, I’m giving myself a little break from daily blogging. Thanks for reading & for giving me the chance to do this job.

    All the best to you & yours,
    El Tryptophan

    12:26 AM | Permalink | Comments [6]

    November 24, 2010

    Photography: Buildings in motion

    11:16 AM | Permalink | Comments [1]

    November 20, 2010

    Wi-Fi Direct promises wireless tethering

    Not really newsworthy, but encouraging: A few months ago I wrote about the need for wireless tethering, whereby your camera could discover transfer photos right into a tablet or laptop. (Today’s setups–e.g. setting up a portable hotspot while on the go–are too neckbeard-a-riffic to get mass adoption.)  The customer demand is so strong that I’ve assumed that a bunch of hardware manufacturers have been working on solutions. Now I see that the Wi-Fi Direct spec is apparently inching its way towards shipping products.  I’m eager to see what results. [Via Sean Parent]

    9:40 AM | Permalink | Comments [4]

    November 15, 2010

    Video: TimeScapes Rapture

    Speaking of beautiful time lapses, here’s another worth seeing:

    Come on, who doesn’t love a Zeppelin? Other installments are at TimeScapes.org. [Via]

    5:52 PM | Permalink | Comments [3]

    Video: NYC timelapse

    Alexandre Favre, Pierre Dumont, and David Mignot fire up the Beethoven in this bombastic tour of the city:

    New York City – Timelapse from stimul on Vimeo.

    [Via Rob Cantor]

    10:59 AM | Permalink | Comments [1]

    November 13, 2010

    Alien Skin starts an interesting blog

    “In the end, we shall all be dead!” Anyone who pairs a statement like that with cheerful astronauts on their marketing materials is my kind of weirdo. :-)

    With that in mind, I’m happy to see that Jeff Butterworth & the Alien Skin Software crew have started their own blog.  Like mine it mixes product info with interesting bits about photography, design, and more (e.g. one involving iPhones, suction cups, and plane windows).  I look forward to bogarting their finds like it’s my job.

    3:26 PM | Permalink | No Comments

    November 11, 2010

    (rt) Photography: Frozen explosions, toxic sludge, & more

    10:27 AM | Permalink | No Comments

    November 07, 2010

    (rt) Photography: Strange Cargo from the skies

    1:09 PM | Permalink | Comments [1]

    November 01, 2010

    Photography: X-ray pinups, pinhole experiments, & more

    7:12 AM | Permalink | Comments [1]

    October 30, 2010

    Lightroom 3.3, Camera Raw 6.3 available on Adobe Labs

    Lightroom 3.3 and Camera Raw 6.3 are now available as Release Candidates on Adobe Labs, fixing bugs while adding new lens profiles & new camera support:

    • Nikon D7000
    • Nikon Coolpix P7000
    • Nikon D3100
    • Canon PowerShot S95
    • Canon PowerShot G12
    • Panasonic Lumix DMC-GH2
    • Samsung NX100
    • Samsung TL350 (WB2000)

     

    According to PM Tom Hogarty,

    This release also introduces the Adobe Lens Profile Downloader.  The Lens Profile Downloader is a free companion application to Photoshop CS5, Photoshop Lightroom 3, and the Camera Raw 6 plug-in. It allows customers to search, download, rate and comment on the online lens correction profiles that are created and shared by the user community.

    See Tom’s entry on the Lightroom Journal for complete details.

    7:02 AM | Permalink | Comments [10]

    October 21, 2010

    New Lightroom Develop tutorial series from George Jardine

    Our friend & former Adobe Photo Evangelist George Jardine has published a new 15-video tutorial series on the Lightroom Develop module, giving special emphasis to features that are new to Lightroom 3, including the new sharpening and noise reduction controls, the all-new Lens Correction panel, and the new 2010 raw processing options.

    [Previous: Asset management tutorials from George.]

    6:36 AM | Permalink | Comments [3]

    October 20, 2010

    Shoot NYC next week

    If you’re a photographer who’ll be in NYC next week, you might want to check out Shoot NYC, an event running Thursday and Friday in parallel with PhotoPlus Expo.  On Friday PM Bryan O’Neil Hughes will be presenting an Adobe Lightroom Review, 12:30pm–2:00pm on Friday. Check out the full session listing here.

    [Update: Author & PS expert Katrin Eismann also notes that SVA's Optic Nerve photography show will be running during the show, with a reception being held on Wednesday the 27th.]

    6:42 AM | Permalink | No Comments

    October 16, 2010

    Hardcore photography: Volcanos & sandstorms, oh my

    Think you’ll go far for a shot? Not this far, I hope:

    Elsewhere, NatGeo photographers get hammered by a wall of sand–and just keep shooting:

    Staggering power and beauty.

    2:05 AM | Permalink | Comments [3]

    October 13, 2010

    What’s your favorite photo-capture app?

    I’m pleased to say that I’ve just taken on product management responsibilities for Photoshop Express, Adobe’s photo capture, editing, and sharing app that’s been downloaded some 13 million times for iOS and Android devices. We’re excited about the interesting directions we can go with Express, and I look forward to sharing more details soon.

    In the meantime, I thought I’d ask: What app(s) do you use for capturing images with your mobile devices? What’s missing, and what could be improved? (I’ll leave the question open-ended to avoid leading the witnesses.)

    Thanks,
    J.

    11:23 AM | Permalink | Comments [16]

    October 07, 2010

    DSLR video + RC helicopter = awesome

    Man, is it a great time to be alive or what? I can’t tell you how badly I wanted a radio-controlled helicopter as a kid. I think I would have sold myself into slavery to get something like this rig:

    Check out HeliVideo.com for more details. [Via]

    7:58 AM | Permalink | Comments [14]

    October 02, 2010

    7D + After Effects -> Ultra slow-mo

    Oton Bačar used After Effects plug-in Twixtor and a Canon 7D to create 1,000-frame-per-second video:

    [Via]

    3:21 PM | Permalink | Comments [10]

    (rt) Photography: Vintage space suits, lenses, & more

    12:00 PM | Permalink | Comments [1]

    September 30, 2010

    3D light painting with an iPad

    What a fascinating technique & beautiful result:

    We use photographic and animation techniques that were developed to draw moving 3-dimensional typography and objects with an iPad. In dark environments, we play movies on the surface of the iPad that extrude 3-d light forms as they move through the exposure. Multiple exposures with slightly different movies make up the stop-frame animation.

    For more info, check out the makers’ blog post & the resulting book.

    4:35 AM | Permalink | Comments [2]

    September 22, 2010

    Video: Beautiful SF Timelapse

    Lovely work from Simon Christen. The zipping planes & moon nail it for me.

    [Total non-sequitur counterpoint, aviation-wise: American Airlines wants eight bucks for the use of a pillow and blanket. Eight bucks, AA? Two words: Die screaming.]

    7:04 AM | Permalink | Comments [11]

    September 21, 2010

    (rt) Photography: iPhones as Leicas, Photoshop disasters, & more

    6:33 AM | Permalink | Comments [2]

    September 20, 2010

    (rt) Photography: Space, power, and iPhone funkiness

    6:30 AM | Permalink | Comments [2]

    September 18, 2010

    Video: Giants->Jets in a 53-hour timelapse

    Neat, and rather hypnotic:

    [Via Jeff Tranberry]

    6:30 AM | Permalink | No Comments

    September 07, 2010

    Waiting for wireless tethering

    Could photographers be clearer in wanting their images sent wirelessly & immediately to iPads and similar tablets, turning these devices into extensions of the back of the camera?  I seriously doubt it.

    At the moment you can kinda-sorta do some interesting things, as long as you have a traditional Mac/PC in the loop.  Here’s a 3-minute demo from Brent Pearson:

    More details about the setup are on Brent’s site. [Via]

    Relying a regular computer largely defeats the purpose of using the tablet, of course.  Photogs want to be shooting with a tablet-wielding assistant on the red carpet; checking lighting on set by reviewing raw image data; and just chimping on vacation.  The whole point is to avoid lugging a 5-8lb. laptop & to carry a ~1lb tablet instead.

    Here’s hoping that device makers are working on a Bonjour-like solution that’ll let cameras, computers, phones, and other devices in close proximity locate one another, then exchange data (stills, live video streams, etc.).  If nothing else I’d stop wishing that my iPad included a camera for capturing raw materials for sketching, as I’d instead just use my phone as an extension of the tablet.

    3:47 PM | Permalink | Comments [10]

    September 06, 2010

    (rt) Photography: Giant imaging, great silhouettes, & more

    8:58 AM | Permalink | Comments [1]

    September 02, 2010

    Introducing Photoshop’s new PhotoBomb tool (parody)

    Heh heh. This is doubly funny as I watch this in a hotel room with the actual Bryan O’Neil Hughes. (Note: Contains some minor nudity & dirty hand gestures, in case that sort of thing offends you.)

    In case the embedded video doesn’t work for you, here it is on its original page.

    5:04 PM | Permalink | Comments [14]

    August 31, 2010

    Lightroom 3.2, Camera Raw 6.2 arrive

    The Lightroom 3.2 update (released in preview form a couple of weeks ago) is downloadable for Mac & Windows and adds direct publish functionality to Facebook. Along with the latest release of Camera Raw for CS5 (Mac|Win), it adds new camera support:

    • Casio EXILIM EX-FH100 (DNG*)
    • Leica S2 (DNG*)
    • Panasonic DMC-FZ100
    • Panasonic DMC-FZ40 (FZ45)
    • Panasonic DMC-LX5
    • Pentax 645D
    • Samsung NX10
    • Samsung TL500 (EX1)
    • Sony A290
    • Sony A390
    • Sony Alpha NEX-3
    • Sony Alpha NEX-5

    *The DNG raw file format is supported in previous versions of Lightroom and Camera Raw. This update improves the color and noise profiles for these models.

    Numerous lens profiles have been added & bugs squashed, so please see the Lightroom Journal site for more details.

    8:31 AM | Permalink | Comments [7]

    August 28, 2010

    Video: A Walk in Paris

    A lovely evening chill-out courtesy of Rodrigo Bressane:

    (Full-screen viewing with speakers on recommended.)

    10:06 PM | Permalink | Comments [16]

    (rt) Photography: From Iceland to Insects

    7:12 AM | Permalink | Comments [1]

    August 26, 2010

    64-bit Alien Skin Bokeh filter now shipping

    People sometimes ask for a faster, easier-to-control version of Photoshop’s venerable Lens Blur filter.  Alien Skin’s just-released Bokeh 2.0 is a great answer, providing fast on-image control, compatibility with both Photoshop and Lightroom, and interesting creative effects like spiral blurs.  I’ve just taken it for a spin and am impressed.

     

    Bokeh costs $199. See their press release for more details.

    11:38 AM | Permalink | Comments [8]

    August 25, 2010

    Photoshop Express online editor gets upgraded

    Sync your images with the cloud; organize your Flickr, Facebook, and other images in one spot; and edit them more easily through the new Photoshop.com.

    According to a post from project PM Jordan Davis, highlights of the new release include:

    Photoshop Express Editor: Redesigned to be faster and easier to use. As an added bonus, you can now edit files directly from your hard drive (no Photoshop.com account needed).

    Photoshop Express Organizer: Now a standalone application that serves as an online hub for all of your media on Photoshop.com. It also gives you easy access to your images on Facebook, Flickr, Photobucket, and Picasa.

    Photoshop Express Uploader: A lightweight, installable application that enables two-way syncing between files stored on your computer and those stored online on Photoshop.com.

     

    Check out the site to get started (and to get 2GB of online storage free).

    10:16 AM | Permalink | Comments [14]

    August 23, 2010

    Video: Camera strapped to Space Shuttle boosters

    Man is this cool:

    Just before the 6-minute mark, you can see the parachutes deploy, followed by splash down some 30 seconds later. [Via]

    By the way, on the off chance you’re wondering what this possibly has to do with Adobe or this blog, I’ll just note that I have a soft spot for the overlap of science & imaging (see related category).

    3:25 PM | Permalink | Comments [6]

    August 22, 2010

    Video: “The world’s fastest 3D film”

    Filmed via two gullwing SLS AMGs doing a buck sixty around the Isle of Man. (I’m getting flashbacks to a classic Mac ad.)

    The making-of video is genuinely fascinating, too:

    [Via]

    7:20 AM | Permalink | Comments [3]

    August 21, 2010

    Photography: Intense storm images, video

    Ever seen a house impaled by a child’s bicycle? That and more are in the Big Picture’s gorgeous, terrifying storm gallery. In a similar vein, would you really drive towards this thing?

    [Via]

    6:36 AM | Permalink | No Comments

    August 20, 2010

    Photography: From Great Heights

    7:33 AM | Permalink | Comments [1]

    August 10, 2010

    Barbie vs. the 7D

    Silly, but kind of fun. (Man, as a kid I’d have gone bananas for/with an affordable video camera.) [Via Stephen Shankland]

    Creator Brandon Bloch notes, “This is also a spoof of another video that compared the Canon 7D and iPhone 4: ‘iPhone 4 as good as the 7D? No, but it’s amazing for what it is.’”

    6:46 AM | Permalink | Comments [5]

    August 09, 2010

    Scientific art: Macro eyes, colorful brains, & more

    • Phil Hart has posted a lovely gallery of Bioluminescence and Weather Phenomena.  For me the two will always be associated with my one cruise in the US Navy, watching bioluminescent algae spatter the bridge windows of our ship all night during heavy seas–then puking my guts out (rinse & repeat). [Via]
    • Your Beautiful Eyes: I kinda can’t deal with this macro photography by Suren Manvelyan. (I feel a T.J. Eckleburg reference coming on.) [Via]
    • The Beautiful Brain: Artist, former lawyer, and MS patient Elizabeth Jameson colors images of her own & others’ brains, using her art to “make medical imaging and its representative humanity more accessible.” [Via]
    10:37 AM | Permalink | No Comments

    August 07, 2010

    Video: High on London

    Matt Gosden and Rob Rackstraw give the old city the “New York in Miniature” treatment:

    [Via Margot Nack]

    4:10 PM | Permalink | Comments [7]

    August 06, 2010

    (rt) Photography: Exploding aircraft, baby daydreams, & more

    9:46 AM | Permalink | No Comments

    August 01, 2010

    The Van Halen of cameras

    Apparently people are digging Samsung’s two-screen compact camera, which features a now-larger front-facing screen for compositing self portraits (and hypnotizing babies).  Interestingly, in “Jump Mode,”

    The front LCD will provide a visual cue to those in front of the camera to jump in unison, and immediately trigger the ST600 or ST100 to take three consecutive images to help users capture an image that essentially freezes their subjects in mid-air.

    Also interesting:

    The Smart Gesture UI allows for the quick access and use of key features with either a simple tilt or a hand gesture. Users can quickly scroll through photos by slightly tilting the device in either direction, swiping their finger across the screen, or by selecting the appropriate photos for a slide show.

    6:32 AM | Permalink | Comments [1]

    July 31, 2010

    Photography: The Longest & the Largest

    7:32 AM | Permalink | Comments [1]

    July 30, 2010

    The “Make My Photo Good” button draws closer (?)

    Andrew Kupresanin’s Nadia project claims that ”The camera that thinks, so you don’t have to.”  Instead of showing an image on its viewfinder, the camera leverages ACQUINE, the “Aesthetic Quality Inference Engine,” in order to display an aesthetic rating

    As I’ve said previously, developments like this makes think of the Robin Williams character in Dead Poets Society excoriating a textbook that rated poetry along two axes:

    Excrement! That’s what I think of Mr. J. Evans Pritchard! We’re not laying pipe! We’re talking about poetry. How can you describe poetry like American Bandstand? “I like Byron, I give him a 42 but I can’t dance to it!”

    Or, as The Online Photographer put it, “If You Think You Need This, Kill Yourself.”

    I start wondering whether the art project here is a bit more “meta” than it appears: The point is to make photographers flip out–a sea of (largely) angry old white guys as the medium, unknowingly engaged in mass performance art. If so, touché! [Via Tobias Hoellrich]

    Previously: “A computational model of aesthetics

    12:24 PM | Permalink | Comments [4]

    July 28, 2010

    “Computational Rephotography” helps marry new & old

    Remember the Historypin project I mentioned recently? Creating that kind of historical overlay is about to get easier.

    “Computational rephotography,” says Wired, “is a fancy name for photos taken from the exact same viewpoint as an old photograph. Actually, that’s just rephotography. The ‘computational’ part is when software helps out.”

    Adobe researcher Aseem Agarwala, together with MIT’s Frédo Durand and Soonmin Bae, are developing some interesting tech here:

     

    According to New Scientist,

    The team’s software runs on a laptop linked to a digital camera. The software compares the camera’s view to a preloaded historical scene and provides instructions to adjust the camera’s position and zoom to best match the scene.

    The laptop is a temporary measure, however: “We envision the tool running directly on the camera,” the team says.

    For more info, check out the project site and papers (including a 135 MB PDF!).  [Via Thorsten Wulff]

    4:42 PM | Permalink | Comments [3]

    Video: Lightning in ultra slow-mo

    Neat: two seconds of lightning slowed down to a minute and a half.

    [Via]

    7:47 AM | Permalink | Comments [2]

    July 27, 2010

    Video: Stop-motion excellence from Levi’s

    I love the flavor of this cross-country roadtrip video from Levi’s:

    It gets cooler when you check out the behind-the-scenes video (featuring things like a “MacGyver-style” protractor made in Photoshop):

    [Via]

    [Tangential, inside-baseball note: A big, wet, sloppy kiss to the folks at YouTube for now allowing one to specify the dimensions for embedded video. I can't tell you how many times I used a blank document in Photoshop to calculate how to scale object height to match a certain width. Adios to all that!]

    9:14 AM | Permalink | Comments [2]

    July 26, 2010

    Lightroom 3 “like switching to a new camera,” says DPReview

    In giving Lightroom 3 a Gold award, Digital Photography Review says:

    The difference between high ISO images converted using the new 2010 process compared to the older 2003 algorithm is remarkable, both in terms of detail and noise reduction. It’s not much of an exaggeration to say that at high ISO settings, switching to the new RAW processing engine is like switching to a new camera.

    Elsewhere, Bright Hub gives the software a perfect 5 out of 5 “Excellent” rating and concludes, “This product stands head and shoulders above the competition in an increasingly crowded sector.”

    Excellent; thanks, guys.

    In other news, the LR/Enfuse multi-exposure blending plug-in has been revved to version 4. The concept is similar to HDR imaging, but the plug-in authors say their approach produces more natural-looking images.

    9:42 AM | Permalink | Comments [9]

    (rt) Photography: Summer storms, giant Russians, & awkward stock

    8:25 AM | Permalink | Comments [1]

    July 22, 2010

    (rt) Photography: Great & terrible images, Holgas & spacemen

    6:53 AM | Permalink | No Comments

    July 20, 2010

    Video: Canon Wonder Camera Concept

    There’s some interesting food for thought here (the merging of video & still imaging, terabytes becoming the new megabytes, etc.). Skip forward 3 minutes or so if you’re short on time.

    For more on research Adobe’s been doing around infinite-focus imaging, see previous. [Via Tom Hogarty]

    10:49 AM | Permalink | Comments [5]

    July 17, 2010

    IPTC-PLUS Toolkit extends Bridge, guides photographers

    The IPTC and the PLUS Coalition have created a free Photo Metadata Toolkit for Adobe CS3-CS5 applications. Together with the downloadable user guide, these tools help photographers & agencies store detailed descriptions of their content and data relevant for managing image copyrights.

    According to the press release,

    The IPTC-PLUS Photo Metadata Toolkit for Adobe CS includes easy-to-use IPTC-PLUS Metadata panels for Adobe Bridge CS3 and CS4, plus comprehensive user guidelines for these panels and the File Info panels already built into all CS5 products. The panels for Bridge include the granular metadata fields of the IPTC Photo Metadata and also a set of fields for the communication of image rights metadata, based on industry standard developed by the PLUS Coalition. Creating these panels was a joint effort of both organizations.

    I saw Jeff Sedlik from PLUS speak here in LA yesterday, and long story short, if you care even a little about preserving ownership of what you create, take two seconds and add your copyright info. These tools make it easy, and if you’re in doubt about what to do, the guide explains things.

    [Update: To clarify, the downloadable panels are usable/needed only in CS3/CS4, as the functionality ships in the box with CS5. The guide is relevant to users of all three versions.]

    6:59 AM | Permalink | Comments [1]

    July 14, 2010

    Historypin: Old photos overlaid on the modern world

    What a totally cool project:

    Historypin uses Google Maps and Street View technology and hopes to become the largest user-generated archive of the world’s historical images and stories.

    Historypin asks the public to dig out, upload and pin their own old photos, as well as the stories behind them, onto the Historypin map. Uniquely, Historypin lets you layer old images onto modern Street View scenes, giving a series of peeks into the past.

    11:45 AM | Permalink | Comments [3]

    July 06, 2010

    The Lightroom 3 Learning Center

    On the off chance that you’ve got some free time this week (as I do), check out the Lightroom 3 Learning Center, created by Scott Kelby & the crew at NAPP. You’ll find interesting bits about uploading to Flickr, adding sharp watermarks, and more.

    1:54 PM | Permalink | Comments [3]

    (rt) Photos & Illustration: Tetris everywhere, the Hand of God, & more

    6:46 AM | Permalink | No Comments

    July 04, 2010

    (rt) Photography: Utterly non-Fourth-related miscellany

    In any case, despite the thematic disconnect, Happy Fourth of July!

    1:20 PM | Permalink | Comments [2]

    July 02, 2010

    SlideShowPro does HTML5, Flash

    Todd Dominey & co., the makers of the excellent Flash-based SlideShowPro, have created a visually rich alternative version that uses HTML5 instead of Flash.

    This is a good thing.

    Why?  Because it’s putting customers ahead of technologies, and it’s using both Flash & HTML to maximize viewers’ ability to see rich content, including on i-devices.  As the site explains:

    SlideShowPro Mobile is an entirely new media player built using HTML5 that doesn’t require the Flash Player plugin and can serve as a fallback for users accessing your web sites using these devices. But it’s not just any fallback — it’s specially designed for touch interfaces and smaller screen sizes. So it looks nothing like the SlideShowPro player and more like a native application that’s intuitive, easy to use, and just feels right. [Demo]

    I’d love to see this support added to the Lightroom version of SlideShowPro, as I rely on it for all our family shots.  I want to generate two presentation layers (one Flash, one HTML) that both provide a rich, beautiful presentation of the same image files, and I want the gallery to auto-select the correct presentation layer based on viewers’ devices.  Make the whole tedious Flash-vs.-HTML thing a non-issue for customers.

    2:05 PM | Permalink | Comments [6]

    June 28, 2010

    Huge multitouch wall at the World’s Fair

    The Wall of Chile  at the 2010 Shanghai World’s Fair features a 4-by-1.2 meter (13-by-4 foot) display wall that enables visitors to access more than six hours of high-definition video and thousands of photographs.


    Here are more info & more projects from the creators.

    2:54 PM | Permalink | Comments [3]

    June 20, 2010

    Photography: Augmented reality, vintage strobism, & more

    7:36 AM | Permalink | Comments [2]

    June 17, 2010

    NYC photowalk with Adobe PMs next Saturday

    On June 26th, Lightroom and Photoshop product managers Tom Hogarty and Bryan O’Neil Hughes will be leading a morning photo walk around New York’s Madison Square Park and Flatiron district. Meet up at Foto Care 41 West 22nd (between 5th & 6th Aves.) at 10am sharp. The walk is scheduled to last until 2pm and includes a free lunch and software tips/demos. Feel free to bring your disc camera & crampons whatever camera you’d like & comfortable shoes.

    Space is limited to 50 participants, so please RSVP via the event page.

    Other NY/next week-related reminders:

    • On Friday the 25th from 4:30-7:30 pm, Scott Kelby & crew will be joining Adobe folks for a free Photoshop CS5 Summit.
    • Tom and Bryan will be presenting LR3 and PS CS5 at Fotocare on the 28th and 29th; see details.
    4:36 PM | Permalink | Comments [2]

    From great heights: Cool weather balloon + camera project

    Colin Rich used a homemade weather balloon to carry cameras to an altitude of 125,000 feet:

    According to PetaPixel,

    After purchasing two Canon compact cameras on eBay, Rich programmed them to take 3 photos every 3 minutes, and shoot a minute of video every fourth minute. The cameras were then insulated in styrofoam, and sent up to 125,000 feet before the balloon burst. With the help of a parachute, the cameras descended for 35 minutes and landed about 15-20 miles away.

    It’s a great time to be alive. [Via]

    9:16 AM | Permalink | Comments [6]

    June 16, 2010

    Adobe Lens Profile Creator updated

    The Adobe Lens Profile Creator, a free utility for creating lens profiles that work in Photoshop CS5, Lightroom 3, and Camera Raw 6.1, has been updated to fix a couple of bugs and improve batch processing. You can download the update from Adobe Labs, and you can read more details on the product user forum. [Via]
    Update: In case you haven’t seen the lens correction tools in action, or if you’d like more info on how to use them, check out this brief overview from Julieanne Kost:

    9:10 AM | Permalink | Comments [4]

    June 12, 2010

    Interesting device: AirStash wireless flash drive

    Hmm–this seems kind of promising: the AirStash lets you plug-in SD memory cards, then broadcast their content to wireless devices (e.g. iPads, iPhones, etc.). Here’s a demo:

    Photographers I meet really, really like the idea of shooting freely & having their images immediately, painlessly displayed on a tablet–effectively turning the tablet into an extension of the camera. I haven’t yet seen an example of this working, but I have an Eye-Fi card on order and am motivated to experiment. It’s apparently possible to use an iPhone as an iPad camera, but not having a 3GS, I can’t try that approach.
    The AirStash doesn’t offer camera-to-tablet syncing, but it seems like the next best thing, and it might enable more flexible import than Apple’s Camera Connection Kit presently enables. With 16GB memory cards going for as little as a hilariously low $30, it’s easy to imagine taking a card or two on vacation, leaving all photos on it, backing them up to a tablet, and performing reviewing/culling/adjusting/sharing on the tablet.
    Unfortunately the AirStash is sold out at the moment, so I haven’t gotten to try it. If anyone has kicked the tires on this or related devices, I’m curious to hear your feedback. [Via Simon Chen]

    2:48 PM | Permalink | Comments [8]

    June 11, 2010

    Of Lightroom, iPads, and muffins

    When asking customers about possible Adobe tablet apps, I’m reminded of the experience of trying to get our toddler to count bites of dinner en route to a chocolate muffin:

    Mom: “Okay, what number comes before six?”

    Finn: “Muffin!”

    Mom: “Five…then what’s next? Not three but…”

    Finn: “Muffin!”

    It’s like this:

    Me: “So, we’re thinking of building app X…

    Everyone: “Lightroom!”

    Me: “Yes, cool, we hear you. But back to X…”

    Everyone: “Lightroom!”

    Me: “Right, I know, but…”

    Everyone: “Lightroom!”

    I find this kind of charming and encouraging. Building a great iPad app for mobile photo review, editing, and sharing is (presently) tougher than one might think, but customer desire is very clear. (Feedback about non-LR/photography workflow apps is welcome, too.)

    10:33 AM | Permalink | Comments [45]

    June 06, 2010

    Video: HDR from Lightroom 3 to Photoshop CS5

    Terry White shows how to use LR3 together with CS5 to create high dynamic range images:

    I had fun using this workflow to produce some very-poor-man’s Ansel Adams wannabe images in Yosemite.

    6:57 AM | Permalink | Comments [9]

    May 31, 2010

    Video: Handmade Content-Aware Scale

    “Taking photos of multi-lane monstrosities all around Los Angeles,” says Photojojo, photographer David Yoon “wielded the power of Photoshop, and he narrowed LA.” Check out his novel technique, which includes drawing lines on his camera’s LCD:

    Find more images & projects on his Narrow Streets: Los Angeles blog.

    6:52 AM | Permalink | Comments [3]

    May 30, 2010

    Video: Athens Timelapse

    Beautifully smooth imagery from Alexandros Maragos:

    [Via Katrin Eismann]

    2:28 PM | Permalink | Comments [3]

    May 18, 2010

    (rt) Photography: Lightroom layouts, photographic history, & more

    6:57 AM | Permalink | Comments [5]

    May 15, 2010

    Video: Volcanic time lapse from Eyjafjallajökull


    Great stuff from Sean Stiegemeier, particularly in the use of a motorized dolly. [Via Tom Moran]

    2:15 PM | Permalink | Comments [3]

    May 11, 2010

    (rt) Photography: The Sistine Chapel, Darth Vader, & more

    8:16 AM | Permalink | Comments [6]

    May 09, 2010

    Work travel + toddler + iPad paraphernalia…

    I swear I didn’t pose this. Our little guy was a little sad that I finally got back in the work-travel saddle this week. His response on the other end of the trip made homecoming pretty sweet.

    7:18 AM | Permalink | Comments [8]

    May 07, 2010

    (rt) Photography: Historic NYC, war, & more

    9:00 AM | Permalink | Comments [2]

    May 02, 2010

    (rt) Nature Photography: Apocalyptic vulcanism & more

    7:06 AM | Permalink | Comments [2]

    May 01, 2010

    Adobe Lens Profile Creator now available

    I’m pleased to report that Adobe Labs is now hosting Adobe Lens Profile Creator, a free utility that enables the easy creation of lens profiles for use in Photoshop, Lightroom, and (very shortly) Camera Raw.

    Lens Profile Creator characterizes three common types of lens aberrations, namely the geometric distortion, the lateral chromatic aberration and the vignette.
    The general process of creating a custom lens profile for your lens involves capturing a set of checkerboard images using your specific camera and lens, converting the set of raw format images into DNG format, and importing the DNG files to generate the custom lens profile.
    You can also submit the lens profiles to share with the rest of the user community.

    Check out the Labs page for more info, and see the Lens Profile Creator user forum to discuss the tool & profiles.

    2:03 PM | Permalink | Comments [9]

    April 26, 2010

    Remaindered Links, pt.1: Photography, science, etc.

    We’ve had so much CS5-related news to share lately that I haven’t gotten to spend much time posting unrelated interestingness. In case you dig that type of thing, I’m going quick n’ dirty (er, cheap n’ cheerful) and unloading some of my recent finds:

    10:07 AM | Permalink | Comments [2]

    April 17, 2010

    Scott Kelby on what CS5 offers photogs, more

    Scott Kelby has posted a couple of good Photoshop CS5 FAQs on his blog. Handy sample:

    Q. As a photographer what is the most compelling reason to consider an upgrade from CS4 to CS5?

    A. That’s a tough one, because it will be different for different photographers. I think a lot of folks will naturally want it to create HDR images, but I think the built-in masking features (using Refine Edge) is even more compelling for most photographers. Content-Aware Fill is big (and it works amazingly well), but then the Noise Reduction in Camera Raw is just insane, so it’s a tough call to make. Luckily, any one of those is worth the upgrade alone, so if you get all four, this is an easy decision for a lot of photographers.

    He’s also got a funny (and useful) take on upgrade questions.

    6:56 AM | Permalink | Comments [8]

    April 16, 2010

    Sigma announces compatibility with Lens Correction in CS5

    The Photoshop team has had a great relationship with lens maker Sigma, and they’ve issued a short press release:

    The Sigma Corporation is pleased to announce that, through collaboration with Adobe Systems Incorporated, Sigma lenses will be compatible with the Lens Correction feature of the professional digital imaging standard, Adobe Photoshop CS5…

    Photoshop CS5 has applied the aberration information of the current Sigma lens lineup. When the improved Lens Correction filter is selected, it will provide accurate correction of aberrations automatically in accordance with each lens parameter.

    We look forward to sharing more details about how lens correction works in CS5, how you can create and share your own lens/camera profiles, and even how you can use some as-yet-unannounced goodness. [Via Bryan O'Neil Hughes]

    9:22 AM | Permalink | Comments [6]

    April 10, 2010

    The iPad dirt pile

    “That a big dirt pile back there!,” says our two-year-old in-house photo critic Finn eyeing the iPad’s default background image. “How did that dirt pile get back there??” ArtInfo has the story. (Apologies to photog Richard Misrach; it really is a nice image.) [Via]

    Related/previous:

    [Update regarding a couple of the comments: Guys, I was just passing along a (to me cute) thing my kid said about this new device, as I've been doing. I'm not trying to yank anybody's chain, and I find that we can all handle most thing better with a sense of humor. Let's not let the enjoyment of Apple products turn anybody into a scowling Defender of Faith and Morals, eh? :-)]

    4:44 PM | Permalink | Comments [12]

    April 06, 2010

    (rt) Photography: Gorgeous insects, Star Wars, & more

    7:34 AM | Permalink | No Comments

    April 03, 2010

    (rt) Photography: Shooting wars, giant waves, & more

    6:17 AM | Permalink | Comments [2]

    April 02, 2010

    Sneak peek: Puppet Warp in Photoshop

    Russell Brown has posted a demonstration of the Puppet Warp technology being developed for Photoshop:

    Cool as everyone seems to agree the technology is, I know there’s a tendency to worry that it’s kind of frivolous–maybe useful only occasionally, and then for making some extreme change to an image. Fortunately that’s not the case. Stick with the demo to see Russell show (around the 5-minute mark) how the features can also be used to make subtle adjustments to photos. (Taken together with Content-Aware Fill, automatic lens correction, and the ability to address huge amounts of memory thanks to 64-bit, I think panorama creators will be very happy with what’s cooking.)

    9:15 AM | Permalink | Comments [22]

    April 01, 2010

    (rt) Photographic Extremes: Giant panos, putrid water, & more

    <ul

  • Wow–check out this 26-gigapixel Parisian panorama. See the project blog for perspective from the photographer, notes on the stitching process, and more. [Via]
  • Axel Mellinger has constructed a giant 648-megapixel panorama of the Milky Way.
  • Hard core photography: Wildlife photographer Greg du Toit spent 270 hours submerged in a putrid African watering hole for this. [Via Winston Hendrickson]
  • A Human Liberty Bell? Ridonkulous.
  • 6:21 AM | Permalink | Comments [4]

    March 20, 2010

    (rt) Photography: Darkness, distant underpants, & more

    7:25 AM | Permalink | Comments [1]

    March 19, 2010

    (rt) Photography: Stormtroopers, deer-skipping, and more

    1:28 PM | Permalink | Comments [3]

    March 14, 2010

    (rt) Photography: Curves, Frankencameras, & more

    9:29 AM | Permalink | Comments [2]

    March 12, 2010

    Video: Time lapse from Mauna Kea

    And now for a hypnotically chill counterpoint, where nothing blows up. Photography by Charles Leung.

    [Via]

    9:18 AM | Permalink | Comments [4]

    February 25, 2010

    Ansel Adams works in San José through Sunday

    Photoshop tech writer Eric Floch points out that the SJ Museum of Art is hosting an Ansel Adams exhibition that runs through this Sunday. He & some other team members checked it out, and he writes:

    The photographs on display are quite stunning. It’s mostly small-scale prints Adams made from the 1920s through the 1950s. You can see the full evolution Adams made from the soft-focus “Parmelian Prints” of the 20s through the sharper works to come out of the f/64 school to the “classic” cooler, high-contrast prints we’ve all seen on so many posters.

    Check out the museum site (link above) for a video & more info.

    2:54 PM | Permalink | Comments [1]

    February 24, 2010

    (rt) Photography: Plane crashes, laser-eyed babies, & more

    2:40 PM | Permalink | No Comments

    February 20, 2010

    (rt) Photography: Volcanoes, Olympians, lasers, & more

    2:42 PM | Permalink | No Comments

    February 11, 2010

    Motion: Tokyo Sky Drive

    Captivating:

    [Via]

    12:16 PM | Permalink | Comments [1]

    (rt) Photography: Everest 360 & more

    12:07 AM | Permalink | Comments [3]

    February 09, 2010

    “Digital Analogue”: Stop motion photography of photography gear


    [Via]

    10:48 PM | Permalink | Comments [2]

    January 24, 2010

    Behind the scenes of the Bird book

    I just picked up a copy of Andrew Zuckerman’s gorgeous Bird book, mentioned here a couple of months ago. It would be a great deal at the cover price of $60, but I found it locally for 50% off, and it seems Amazon & others are matching that price. I was reminded to mention the book when I spotted this short behind-the-scenes video shot during production. [Via] Next up: I’d like to check out his Creature book.

    1:32 PM | Permalink | Comments [4]

    January 23, 2010

    Haiti earthquake: 360° video

    CNN is documenting the aftermath of the Haiti earthquake by offering 360° video clips. As the site says,

    Use your mouse to click and drag around the video to change the view. You can also zoom in and out. Pause and explore at any time by pressing the play/pause button under the video to stop and look around.

    Note the arrows at upper right that lead to additional videos. I find the second one most interesting in that it was shot via a person’s backpack, enabling a view that’s pedestrian in both senses. That feels to me like an interesting counterpoint to most photojournalism (e.g. the heartbreaking images on The Big Picture) which emphasizes some amount of technical excellence (composition, focus, lighting, etc.). The 360° videos are inherently more raw.

    12:56 PM | Permalink | Comments [3]

    January 20, 2010

    Rollin’ on the River

    Having grown up by the Mississippi, I often make fun of the feeble Guadalupe River (aka “The Mighty Guat”) that trickles past Adobe HQ. Then there are the days (like today) when I see why the city lavished money on a huge flood-control channel:
    SJ_RAIN.jpg
    The image comes courtesy of the Lightroom team’s Kelly Castro. See more of his great B&W’s on Flickr, and check out more info on his Lightroom-Photoshop technique.
    – J. (who’s feeling marginally better about being forced to carry flood insurance)

    2:23 PM | Permalink | Comments [2]

    (rt) Photography: JPEGging the hell out of things, grenade tennis, & more

    6:42 AM | Permalink | Comments [2]

    January 19, 2010

    Fun iPhone photo/illustration apps

    Just a couple of recent finds that manipulate your images in interesting ways:

    • “Digital photography never looked so analog,” proclaim the makers of Hipstamatic. The interface is more than a little (deliberately?) wonky, but it produces some fun stuff. It even makes Photoshop PM meetings look interesting:

      [Via Geoff Badner]

    • PhotoTropedelic “draw[s] upon the colors and symbols of 60′s Pop Art to produce boldly unique art.” Far out. [Via Matthew Richmond] [Update: Apparently the app was created by Adobe's own Larry Weinberg.]
    • Le Petit Dummy “lets you position a mouth on any photo and play back audio files as the mouth moves in sync.”
    • And, in case you missed it earlier, the LEGO iPhone app (App Store link) will render you in vibrant lo-fi.
    7:07 AM | Permalink | Comments [4]

    January 18, 2010

    (rt) Photography: Life & death from above, & more

    6:53 AM | Permalink | Comments [3]

    January 05, 2010

    Top Ten Astronomy Pictures of 2009

    Awesome.
    sunspot.jpg
    (Photo by Matthias Rempel, NCAR)

    1:30 PM | Permalink | Comments [1]

    January 03, 2010

    (rt) Photography: Best of ’09, Edge of the World, & more

    12:40 PM | Permalink | Comments [3]

    January 01, 2010

    Happy New Year


    I wish you could see the moon as it appears overhead here at this moment. I’ve never seen anything like it. Pictures (mine, anyway) can’t begin to capture its vivid beauty, and I laid a long while on the driveway gazing up. And then, being the suburban dad I am, I rose & towed in the trash cans. I’m feeling very blessed.
    I wish you great peace, happiness, and success in “oh-Ten” (as I’m sure to stumble and call it more than once). Thanks for reading.

    12:42 AM | Permalink | Comments [16]

    December 31, 2009

    Quick tip: Reviewing images as B&Ws in Bridge

    I just saw a feature request for Adobe Bridge that covers something that’s already possible. A photographer requested a way to review all his images as black & whites. Here’s my simple suggestion:

    • Open an image in Camera Raw and create a B&W treatment you like.
    • Create a preset via the “Save Settings…” option in the little menu* on the right-hand side of the Camera Raw tabs.
    • Once you’ve made a preset, you can batch-apply it to images in Bridge by selecting the images, then choosing Edit->Develop Settings->{Your Preset Name}.

    * Side note: I can’t adequately describe how annoying I find it that we (Adobe collectively) make this menu & similar ones so hard to see. I don’t have control over all such decisions.

    1:17 PM | Permalink | Comments [7]

    December 29, 2009

    (rt) Photography: News photos of the decade & more

    6:11 AM | Permalink | Comments [2]

    December 20, 2009

    Photography Quote o’ The Day

    Regarding HDR & its discontents: “This style of tone mapping has become synonymous with HDRI in a way that isn’t good at all. It’s as if T-Pain’s Auto-Tune tracks were the blanket description for ‘music.’” — Author Jack Howard, who’s just started an HDR group on Facebook. Check out Jack’s tutorials (one, two) on “soft” tonemapping techniques.

    [Update: Fixed typo in the Facebook link.]

    2:19 PM | Permalink | Comments [24]

    December 19, 2009

    PS Elements voted Photography Gadget of the Decade

    Viewers of Channel 5′s Gadget Show have voted Photoshop Elements Photography Gadget of the Decade. On behalf of the Elements team, wow, and thanks, everyone! Evidently I can’t watch the video from within the US, but I’m told that Elements gets mentioned about 5 minutes into it. [Via Emma Wilkinson]

    12:46 PM | Permalink | Comments [4]

    December 11, 2009

    SimpleViewer 2.0 available, works with PS, Lightroom

    Felix Turner has updated his excellent SimpleViewer Web gallery package with a number of enhancements (embeddable compact mode, Flickr integration, and more). You can use it to create galleries directly from Photoshop or Lightroom.

    3:58 PM | Permalink | Comments [1]

    December 10, 2009

    Photo nerdery for a good cause

    Scott Kelby has created some geeky off-camera-flash t-shirts:

    If you’re looking for a really unique holiday gift for the photographer on your list (or you just want a really cool t-shirt that nobody else will have), AND you totally love the idea that 100% of the profits go to feeding and caring for kids in a orphanage in Kenya that you guys helped to build (see below), then man have I got a holiday gift idea for you!

    Very cool, Scott.

    3:07 PM | Permalink | No Comments

    December 08, 2009

    Expert tip on lighting a kid for holiday photos

    1. Wrap that little sucka* in Christmas tree lights.
    2. Start firing for effect.
    3. There is no step 3.

    *He sees you, sucka.

    2:42 PM | Permalink | Comments [10]

    December 06, 2009

    (rt) Photography: Gorgeous ice, giant rockets, & more

    6:36 AM | Permalink | Comments [2]

    November 21, 2009

    (rt) Photography: Amazing bird photography, Mars, & more

    • Andrew Zuckerman just crushes it with his bird book. Outstanding. [Via]

    November 18, 2009

    Fascinating slow motion water drops

    Trippy!

    [Via]
    Coincidentally, here’s a cool tutorial on milk-drop typography using Photoshop.

    1:49 PM | Permalink | Comments [1]

    November 16, 2009

    “dpBestflow” aims to drive best practices

    There are a million ways you can process, manage, and archive your images–but how should you? What techniques best capture and preserve your creative output?

    To address these questions, the Library of Congress, working with ASMP, has just announced “dpBestflow” (Digital Photography Best Practices and Workflow). Two years’ worth of research have produced “real-world solutions for preserving the quality and integrity of digital images; proven best practices that have been shown to produce superior results; and guidelines for streamlined production workflows.”

    The site is loaded with resources, ranging from a quick reference sheet* to a detailed glossary. I haven’t gotten to read the materials in detail, but the effort seems like a great response to persistent real-world issues. [Via project contributor Peter Krogh.]

    * Nice to see this guidance: “Use DNG to archive raw file data… A DNG archive can be validated with a much higher level of certainty than any other image file format.”

    12:53 PM | Permalink | Comments [14]

    November 13, 2009

    (rt) Photography: Historical remixes, Lightroom tips, & more

    9:58 AM | Permalink | Comments [1]

    November 11, 2009

    (rt) Photography: Crushing overloads, HDR moon, & more

    10:10 AM | Permalink | Comments [4]

    November 10, 2009

    Panoramic view from a tongue

    Tell me this isn’t one of the weirdest things you’ve seen all week:

    Here’s some more info.

    8:48 PM | Permalink | Comments [3]

    October 31, 2009

    (rt) Photography: Biggest tree photo ever & more

    10:05 AM | Permalink | Comments [1]

    October 29, 2009

    Bullet time

    New Adventures in Slow-Mo:

    Elsewhere:

    6:33 AM | Permalink | Comments [4]

    October 27, 2009

    How goes the war?

    9:19 AM | Permalink | Comments [1]

    October 26, 2009

    (rt) Photography: Glaciers from space, famous Legos, & more

    10:26 AM | Permalink | Comments [4]

    October 19, 2009

    Monday Photos: Dark n’ Lovely

    • Take a look at the marvelous intricacy of Hiroshi Sugimoto’s Lightning Fields. The photographer “uses a 400,000-volt Van De Graaff generator to apply an electrical charge directly onto his film.” [Via]
    • I love the understatement of Carlos de Spinola‘s “Drive In” series. Somehow I’m taken back to driving across northern Indiana (where Gary could double as the backdrops for Blade Runner) at night. [Via]
    • The NYT tells the story behind (and features a gallery of) Walker Evans postcards.
    • To quote our little son Finn seeing whirling blades, “Makeitturn makeitturn makeitturnturn!”: Helicopter taking off–in 1949 [Via]
    • Last Suppers is “A series of photographs documenting former Death Row prisoners’ requests for their last meal before execution.” Happy Monday! [Via]
    11:17 AM | Permalink | Comments [1]

    October 12, 2009

    (rt) Photography: Nobel Prizes, Lightroom plug-ins, & more

    7:14 AM | Permalink | No Comments

    October 05, 2009

    (rt) Photography: Red skies, Robo-bama, & more

    6:14 AM | Permalink | Comments [2]

    September 24, 2009

    (rt) Photography: Astronomy, Architecture, & More

    September 15, 2009

    (rt) Photography: Bitchin’ laser portraits, Frankencamera, & more

    2:43 PM | Permalink | Comments [4]

    September 13, 2009

    A Post-Apocalyptic “Where’s Waldo?”

    Bruce Haley, whose stirring war photography I’ve mentioned previously, has come up with a novel idea:

    I decided to feed the industrial junkies and gamers and sci-fi nuts and add to the dialogue on dead machinery…  so I dumped a ton of photos onto my site that have never been seen before, in a section entitled “The Post-Apocalyptic World,” and also threw a contest into the mix…  It’s sort of a end-of-days “Where’s Waldo?” type of thing: Amidst all of the vast wastelands of rust and abandonment, one can find six people and a dog…  so the first 5 people who find these will get a free copy of my limited-edition portfolio.

    Details about the project are in the “Contest 9-9-09” section.

    2:39 PM | Permalink | Comments [3]

    September 12, 2009

    (rt) Photography: Motorcycle supermen, Space Shuttles, & more

    1:55 PM | Permalink | Comments [1]

    September 11, 2009

    Friday Photography: Shots to the Chops & more

    7:04 AM | Permalink | No Comments

    September 09, 2009

    “Like asking headphones to clean your ears”

    Loving a good rant, I thought I’d pass along this bit from my fellow PM/photographer Bryan O’Neil Hughes. Hughes uses a Canon 5D Mk II and loves good camera tech as much as just about anybody. He does not, however, have much patience for gear-for-gear’s-sake, or for money as a replacement for sweat.


    You don’t need an accelerometer to hold your camera level…and if you do, you should find a new hobby. That’s like asking headphones to clean your ears.

    The problem isn’t software. It isn’t hardware. It’s the shoot-a-million-images-and-hope-to-hell-it-works-out philosophy that people are taking.

    Here’s a snippet (repeated a million times when I used to sell high-end photo gear):

    • Customer: I want to buy a Hasselblad.
    • Me: Sure, we have those… Let me ask you, though: what don’t you like about your current camera?
    • Customer: It isn’t sharp enough.
    • Me: What sort of things do you shoot?
    • Customer: Landscape.
    • Me: Do you shoot from a tripod?
    • Customer: No.
    • Me: Do you own a tripod?
    • Customer: No.
    • Me: Let’s start there.

    …And invariably they’d buy the Hassy. People always want to solve their own laziness with gear (often the wrong gear). I see it with photography, cars… man, I even saw it with skateboarding.

    My Mk II has a grid overlay… my F3 had that… but honestly, if you need to lean on that to hold the camera straight… you should probably have your inner ear checked.

    – BH

    [In a related vein: "If You Think You Need This, Kill Yourself"]

    7:31 PM | Permalink | Comments [18]

    September 08, 2009

    From Russia with Pix

    11:35 AM | Permalink | Comments [6]

    August 27, 2009

    (rt) Photography: Badass aircraft, Killer origami, & more

    11:18 PM | Permalink | Comments [3]

    August 23, 2009

    (rt) Photography: The End of (MPx) War & More

    • Megapixel War Is Over (If You Want It): New Canon G11 features 4 MPx fewer than its predecessor. I think that’s great, but what a challenge it must be to market “Now with 35% less resolution!” to average consumers. (via Bryan O’Neil Hughes)
    • Always-on cameras” (of which the new iPhone may have one) = Way cool.
    • A MacGyver-style camera ring light for $5? Photojojo tells How to Light With LEDs.
    • Huelight.com offers free DNG profiles for Canon, Panasonic, Olympus. (Haven’t tried ‘em & can’t offer eval) (via Eric Chan)
    • Photo quote o’ the day: “The best camera is the one you have with you and which has a f/1.4 normal prime.” — Neven Mrgan
    6:57 AM | Permalink | Comments [2]

    August 13, 2009

    (rt) Photography: Cranes, hills, & mountains

    [Update: Man, it had to happen: Managing the baby 2-4AM = retweeting stuff I'd posted not long ago. Gah... I wasn't kidding about running on fumes. Good catch by Timothy Mackey. --J.]

    6:56 AM | Permalink | Comments [5]

    August 12, 2009

    The Longest Way: Great visual storytelling

    Christoph Rehage walked 4646km across China, taking daily photos & short videos of himself along the way. Here’s the result (full-screen viewing recommended):

    His site seems to be down at the moment, but I’m adding the link in case it comes back to life. See the corresponding Vimeo page for a bit more background. [Via]

    6:44 AM | Permalink | Comments [3]

    August 05, 2009

    Wednesday Photography: Fires, OCD, coffee, and more

    I have to admit, with a newborn in the house, a 17-month-old on the loose, and rotating sets of grandparents in town, I’m running on fumes when it comes to the blog. Somehow, though, I can’t quite cut myself enough slack to miss a few days, so let me briefly mention a few recent finds (including re-tweets) I’ve found compelling:

    7:37 AM | Permalink | Comments [2]

    July 31, 2009

    Friday Photography: Cleared for Weird

    6:33 AM | Permalink | Comments [1]

    July 30, 2009

    (rt) Photography: Serendipity, chicanery, & more

    8:01 AM | Permalink | Comments [4]

    July 29, 2009

    “Flickroom”: Lightroom-style Flickr browsing

    Oh, now that’s interesting: Flickroom is an AIR application that uses a Lightroom-style shell to display photos. According to the site, the app:

    “provides the rich browsing experience Flickr users have long deserved. The dark theme ensures that your photographs look better than ever before! You can now receive instant notifications for any activity on your photostream, upload photos by just drag-and-drop, add comments, mark faves, add notes, tweet about your photos and also view all info associated with an image from within the app.”

    I haven’t gotten to play with it extensively, but so far I’m finding it fun. (By the way, if you’d like to create something similar using Adobe Flex, check out Juan Sanchez’s LR-style Flex theme.) [Via]

    1:25 PM | Permalink | Comments [4]

    July 26, 2009

    The photography of conflict

    • Tom Junod’s article The Falling Man, about Richard Drew’s famous 9/11 photograph, is long, very difficult, and rewarding.
    • Battlespace brings together photographs from Iraq and Afghanistan, 2003-2008. If nothing else see the 5-minute slideshow.
    • “As a general rule, people really don’t catapult ten feet into the air whenever an artillery round explodes near them, despite what Hollywood war movies show you.” Bruce Haley shares amazing war photography and insights on his site. (“After weeks of living on the run in the jungle, eating nothing but rice, that goddamn barbecued monkey leg tasted like filet mignon.”)
    • Photography Served features beautiful (in one sense) B&W’s of 20th-Century War Machines.
    • Design Observer surveys Hiroshima: The Lost Photographs. [Via]
    7:02 AM | Permalink | No Comments

    July 23, 2009

    Using DNG profiles: A video demo

    Last summer I wrote,

    When we look back at how things changed with the arrival of Lightroom 2, I think the new DNG Profile Editor (presently kind of a sleeper technology) will stand out as transformative.

    I still believe that’s true, but I think photographers need an assist in learning how to make profiles practical. The inclusion of camera profiles in recent updates to Lightroom & Camera Raw greatly simplifies their use, and now Julieanne Kost has posted a 15-minute walkthrough showing their use & benefits:

    (For higher-res viewing, I recommend clicking the full screen option above, or watching the video on the Adobe TV site.)

    6:16 AM | Permalink | Comments [5]

    July 22, 2009

    (rt) Photography: Mesmerizing HD video, B-Boys, & more

    6:53 AM | Permalink | Comments [1]

    July 21, 2009

    CS4 eSeminar Series for Pro Photographers

    If you’re a pro photographer, check out the CS4: Shortcut to Brilliant eSeminar Series for Professional Photographers, starting this Thursday. Titles & times at a glance:

    • Discover the Timesaving Benefits of Adobe® Photoshop® CS4
      • Thursday, July 23, 2009 10:00 A.M. PDT
    • Accelerate your Workflow with the Combined Power of Adobe®Photoshop® Lightroom® 2 and Adobe® Photoshop® CS4
      • Thursday, July 30, 2009 10:00 A.M. PDT
    • Expand Your Creative Possibilities with Adobe Photoshop Lightroom 2
      • Thursday, August 13, 2009 10:00 A.M. PDT
    • Spend More Time Shooting and Less Time Computing with Adobe Photoshop Lightroom 2
      • Thursday, August 20, 2009 10:00 A.M. PDT

    See the events page for more details.

    8:34 PM | Permalink | No Comments

    July 20, 2009

    Moon reunion

    Happy 40th anniversary of the Apollo 11 moon landing!

    12:25 PM | Permalink | No Comments

    Monday Photography: Cities in Dust

    11:26 AM | Permalink | Comments [5]

    July 17, 2009

    For those about to walk…

    …WE SALUTE YOU!
    To all the 30,000+ (!) photographers signed up to go photowalking today, good luck, have fun, and happy shooting. I look forward to seeing all sorts of great imagery & hearing fun stories.
    [Er, rats--I set this one to auto-publish a day early, and the walk is tomorrow. But have fun just the same!]

    1:33 AM | Permalink | Comments [4]

    July 15, 2009

    (rt) Photography: Masses of humanity, Star Wars, and more

    7:08 AM | Permalink | No Comments

    July 10, 2009

    Oh Boy, Oh Henry!

    I couldn’t be happier to announce that (not-so-)little Henry Seamus Nack–marvel of creation, California King, Little Brother to the Stars, & general delight to behold–sprang into the world at 2:47pm yesterday afternoon.

    Mom & baby are doing great after a crazy-fast labor (end-to-end 20 minutes in the hospital!*), and big brother Finn is suitably intrigued** with baby “Goonie” (short for “El Segundo”). The big-little man bested his whopping bro’s marks, coming in at 9lb 12oz (what’s that, about 4 hectacres in Metric***?) and 21″. He and mom are chilling at the hospital while dad squires Finny around and runs sandwich-fetching missions.

    Here’s a little gallery of the goings-on, and of course we’ll be updating the soon-to-be-renamed Finnegan Wakes as we bring our buddy home and learn to niño-juggle. Wish us luck!

    I expect to be taking a little break from work-blogging, though I have a bunch of links set to publish on an automated schedule.

    * “No epidural for you!”
    ** “Pop! Egg!” he says, a la Very Hungry Caterpillar
    *** Can you tell I’m American?

    11:06 AM | Permalink | Comments [42]

    July 09, 2009

    Unique photography workshop in September

    Reader Erin English let me know about a cool photography workshop being held this fall in Crested Butte, Colorado, for individuals with cognitive disabilities. She writes,

    Individuals with cognitive disabilities are invited to take part in this nature photography workshop held during prime “leaf-peeping” time in the Elk Mountains. The camp will cover all of the basic skills needed to take great photos: lighting, composition and subject. Photographers will find plenty of adventure along the way as they search for their perfect shot. A slide show presentation wraps things up on the final day, and will be sure to please. Families are encouraged to participate; all ages welcome.

    Check out the Adaptive Sports Center site for more info.

    On a tangentially related note, I see that the InDesign team has just posted a document on how to create accessible PDFs using ID–documents that are screen-reader-friendly, for example.

    9:40 PM | Permalink | Comments [2]

    July 05, 2009

    The beautiful world

    6:38 AM | Permalink | Comments [2]

    July 02, 2009

    Thursday Photography: CBGB to crazy cheesy

    6:20 AM | Permalink | No Comments

    June 28, 2009

    Sunday Photography: Playing with Time

    10:09 AM | Permalink | No Comments

    June 10, 2009

    Wednesday Photography: Memescenery & more

    • The world without us:
      • Danish decor of the 70s as seen through, um… cinema. (It’s all well cropped, safe for work.)
      • Memescenery: Andy Baio says, “I had this silly idea to isolate the backgrounds from famous Internet memes, removing all the subjects from every photo or video.”
      • Richard Perry’s Made in NYC project deliberately omits people, finding “little bits of elegance and beauty in the objects themselves.” [Via]
    • Bespoke objects:
      • One can now order custom sonogram cufflinks. You know, I’d kind of like to buy things like this off the rack. Walking through a mall once, I was tempted to buy a t-shirt featuring a little girl (who clearly couldn’t be mine) with the caption “Daddy’s Favorite.” I knew people would fail to know I was kidding, though. [Via]
      • You can similarly order Photo Shower Curtains. Noting the price ($149-199), Bryan Hughes remarked, “Someone’s cleaning up…and it isn’t the person in the shower ;-).” [Via]
    7:10 AM | Permalink | Comments [1]

    May 31, 2009

    Sunday Photography: Thomas Hawk, LR tips, & more

    9:32 AM | Permalink | Comments [1]

    May 28, 2009

    Keepin’ it real… hostile

    6:54 AM | Permalink | Comments [12]

    May 26, 2009

    Tuesday Photography: Fantasies, histories, & more

    1:23 PM | Permalink | Comments [1]

    May 23, 2009

    Saturday Photography: Iced wings, giant faces, & more

    7:04 AM | Permalink | No Comments

    May 20, 2009

    Brief HDR bits

    • In talking to photographers recently, we’ve heard that clients are requesting “that HDR look”–i.e. the somewhat wonky, overprocessed look often seen in places like the Flickr HDR pool. With that look in mind, Russell Brown shows how to create “faux HDR” from one image using Camera Raw/Lightroom.
    • FDR (Full Dynamic Range) Tools have released an updated version of FDRCompressor, their tonemapping plugin for CS2, CS3 and CS4. The tool works on both HDR (32-bit) and individual JPEG and raw files. [Via Manfred Schömann]
    • Planet Photoshop posts a reminder about Bridge CS4′s ability to auto-stack components of an HDR image, then have Photoshop batch-merge the files.
    6:42 AM | Permalink | Comments [4]

    May 15, 2009

    Tilt-shifting in AIR; Slick, simple 3D

    • Developer Art & Mobile has created TiltShift Generator, a simple little Flash app that lets you selectively blur parts of an image, simulating very shallow depth of field. You can download the app for use outside your browser, too. [Via Rich Townsend]
    • Box Shot 3D is a very simple, very easy-to-use little app for mapping images onto common 3D objects (boxes, bottles, business cards, etc.), then rendering a nicely lit result; see screenshots. I downloaded a copy and got good results in a minute or two.
    4:48 PM | Permalink | Comments [5]

    Photos from Above: Punking satellites & more

    10:18 AM | Permalink | No Comments

    May 02, 2009

    Weekend photography: Dimmed Earth, glowing frogs, & more

    4:04 PM | Permalink | Comments [1]

    April 29, 2009

    Photoshop gets stuffed, goes Presidential

    • MySuiteStuff.com offers a whole set of Creative Suite-style icons as pillows. “These 12″x12″ stuffed icons are 100% hand-made with love from the softest, fluffiest fleece there is,” they say. Presumably you’re only a Sharpie away from upgrading the CS3 look to CS4. [Via]
    • Tom Hogarty points out that the images posted on Flickr by White House photographer Pete Souza are tagged as having been edited with Photoshop CS4 for Mac. Earlier this year, Pete was using CS3, so we’re happy to see that he’s moved up to CS4. (Back in January we looked into sending him a complementary upgrade, but due to some touchiness about giving gifts to government employees, we had to punt on that idea.)
    5:19 PM | Permalink | Comments [4]

    April 02, 2009

    Hipster cam idea o’ the day

    Bryan O’Neil Hughes and I were looking at the very raw guts of a prototype camera today–a bunch of naked circuit boards, wires, etc. Someone mentioned the mass of the whole contraption, and Bryan said, “Looks like it’s the size of a VHS tape.”

    This got me thinking: How about making a hipster camera that’s actually housed inside the shell of a VHS cassette? Turning the big wheels could flip through photos or adjust camera settings. C’mon, you know some goateed weasel would just love taking off-axis shots using a ginormous plastic case. For bonus points, kit it out with a greasy little lens & call the results “artsy.”

    [See also: Retro brick cell phone]

    [Update: Close enough! [Via Hughes]]

    3:54 PM | Permalink | Comments [1]

    March 18, 2009

    Wednesday Photography: Skinless cams, LED interrotrons, & more

    12:10 AM | Permalink | Comments [1]

    March 14, 2009

    Saturday Photography: Beautiful bugs, great actors, and more

    3:32 PM | Permalink | Comments [1]

    March 12, 2009

    Thursday Photography: DIY cyborg eyeballs & more

    8:35 PM | Permalink | Comments [1]

    March 11, 2009

    HDR panoramas demoed Thursday at SF PUG

    “In just over 2 months,” reports Photoshop PM Zorana Gee, the San Francisco Photoshop User Group has “already gotten 380 members!” Tomorrow they’ll host a talk by photographer Lisa Yimm:

    A photographer and VFX artist with a BFA in Photography, Lisa is the co-founder of HDR-VFX, based in Nyack, NY. Last year, she spent over 7 months on the road shooting HDR panorama-based virtual tours of Lexus Dealships across the US.

    Things get underway at the Adobe SF office around 7pm. Here are the full details.

    9:56 PM | Permalink | Comments [1]

    March 06, 2009

    Sweep the leg, Johnny

    This week Sony introduced the $499 HX1 camera, notable as it offers a very cool “Sweep Panorama Mode.” This new mode lets you “click and drag” with the camera, pressing and holding the shutter button while pivoting up to 224 degrees horizontally and 154 degrees vertically. The camera itself stitches the images together on the fly, producing images with a max resolution of 7152×1080. Check out this demo video (low res but effective). A number of journalists I met on Tuesday at PMA were clearly impressed.

    Coincidentally, I was just about to talk about using Photoshop to do something similar. Our little champ turned one on Monday, so we threw a birthday party on the weekend. My 24-70mm lens wasn’t nearly wide enough to let me capture the folks gathered around the table, so I fired off a quick series of frames, then tossed them from Lightroom to Photoshop for automatic stitching. (Here’s before & after.)

    Photoshop’s Auto-Blend algorithm handled the moving people well overall, and in the one area that needed touching up, I was able to simply paint on the auto-generated layer masks to modify the blending. I was really pleased with the results.

    So, it’s great to see cameras doing more automatically, but don’t forget that you’ve already got some interesting power at your disposal. (Bridge offers the same single-step hand-off to Photoshop for processing: choose Tools->Photoshop->Photomerge.)

    7:23 AM | Permalink | Comments [5]

    March 04, 2009

    Crashing surf, iPhone photo tools, & more

    • Clark Little is a man willing to suffer for his craft, taking a tremendous pounding from the surf in order to capture some spectacular images. [Via Winston Hendrickson]
    • iPhone photo tools:
      • QuadCamera, according to Macworld, “allows you to take four quick shots in succession with the iPhone camera, producing a single image divided into four quadrants.” [Via]
      • Our friend John Warner has released Focalware, a tool that calculates sun and moon position for a given location and date. “An example of Focalware’s practical use: a photographer is assigned to shoot in New York City on March 15, 2009 and the subject building faces 195 degrees but the photographer prefers raking light at an angle of 130 degrees. Focalware instantly computes a time of 10:28 a.m. with a sun elevation of 35 degrees as the time for the desired conditions.”
    • Is Congress really thinking of mandating that cellphone cameras emit a sound? Yes, really, it appears.
    • Ab Alto:
    11:42 PM | Permalink | Comments [1]

    February 22, 2009

    Sunday Photography: Simplicity, squalor, and scares

    9:56 AM | Permalink | Comments [1]

    February 21, 2009

    New HDR camera, Lightroom tips

    • Ricoh’s new, compact CX1 camera offers “a dynamic range double shot mode.” This mode “takes two images in succession with different exposures and then combines them automatically to present the best of both images.” DPReview offers additional details. Very cool. It’s rare that I need much more than the 8MP offered by my slightly aged SLR, but I’d always like less noise and greater dynamic range. I’d love a future cam that could shoot high resolution when desired, but if necessary shoot with lower res/broader dynamic range. [Via Jerry Harris]
    • HDRsoft, makers of the popular Photomatix Pro, offer a Lightroom export plug-in. They’ve just posted a step-by-step tutorial showing how to send multiple images from LR to Photomatix for processing, then automatically pull the results back into your LR library. (Note the little “Next” arrow up top for navigating to subsequent pages.) [Via Tom Hogarty]
    • If you’re looking for a detailed primer on the whole topic of dynamic range, check out The Online Photographer’s thorough write-up.
    11:06 AM | Permalink | Comments [6]

    February 11, 2009

    Bryan Hughes shares ideas, tips

    My fellow Photoshop PM/Best Man/unindicted co-conspirator* Bryan O’Neil Hughes has posted a guest entry on Scott Kelby’s blog.  In it Bryan talks about some of his favorite photographic enhancements in Photoshop CS4, and he shows off some new ideas for using the new Auto-Blend Layers options to combine flash/no-flash images.

     

    *And, any minute now, father.  Something is in the water, with Photoshop PM babies a go-go (four due in the next five months, Miles H. being first in the queue).  You know we’re doing it just for the cute test files...

    10:44 AM | Permalink | Comments [2]

    February 08, 2009

    Gut-busting photos & more

    • Puking up mud isn’t half as scary as some of the attire seen in the Tough Guy Challenge.
    • Interesting structures:
    • From the NY Times:
    • Funky angles:
      • Flipbac promises to let you “shoot from the hip,” adding a little extension to your camera’s LCD. [Via]
      • The Super-Secret Spy Lens is “basically a periscope that attaches your SLR’s zoom lens… you can shoot left, right, up, or down, all while appearing to shoot straight ahead.” [Via]
    11:05 AM | Permalink | Comments [2]

    January 28, 2009

    Photos from 100 meters to 1mm

    • Oh man: Jason Lee makes me feel bad as a photographer, a Photoshopper, and a dad. He’s posted some terrific images of his girls, many turned into photo illustrations. [Via Tobias Hoellrich]
    • Dimensions:
      • The 100-meter photo: To create We’re All Gonna Die, Simon Hoegsberg set up shop in a single spot on Berlin’s Warschauer Strasse, capturing 178 people in all. [Via Tony Patricelli]
      • In 1mm a day, Chris Hornbecker set himself a challenge: “Take a brand new photo each day. Beginning with 14mm, each day I zoom the lens by 1 millimeter and force myself to use that focal length to shoot and post a photo before going to sleep that night.” [Via]
    • Shimon Attie projects images from the past (e.g. from Berlin’s pre-WWII Jewish quarter) onto the current versions of those scenes, then photographs the results.
    • Hot avian action:

    *Alliteration credits go to the wonderful Calef Brown.

    12:39 PM | Permalink | Comments [5]

    January 25, 2009

    Sunday Photography: A free utility, giant photo, & more

    3:08 PM | Permalink | Comments [6]

    January 21, 2009

    Mo’naugural

    At pain of reaching complete burnout on this subject…

     

    12:04 PM | Permalink | Comments [4]

    January 20, 2009

    Hail to the Chief, from space

     

    “For those about to Barack… We salute you!”

     

    • The GeoEye-1 satellite took a high-res photo of the inaugural proceedings from 423 miles overhead, whipping by at 17,000 mph. Here’s a version of the whole thing (but not full-res).
    • The NYT hosts a zoomable photo (via Flash) showing the new president addressing the crowd.  (You know you can create things just like this straight out of Photoshop, right? File->Export->Zoomify.) [Via Ken Lawson]
    • CNN features a 360-degree panorama showing the stand before the ceremony. [Via Adam Pratt]
    4:34 PM | Permalink | Comments [5]

    January 18, 2009

    Interesting Inaugural bits from the NYT

    • The New York Times features an interactive photography portfolio called Obama’s People, offering portraits of key staffers. The audio commentary (via the link below the photos) is worth a listen, describing the subjects’ choices in what to bring to the shoot (e.g. a chocolate chip cookie for David Axelrod).  The separate making-of piece features Kathy Ryan talking about how shooting digitally has enhanced the collaborative aspects–and maybe the time pressures–of portraiture.  [Update: Ellis Vener points out a hilarious "Real Behind-the-Scenes" take on the shoot, followed by some good discussion in the comments.  "Blue Steel..."]

     

    • The paper (that term seems more than a little outmoded, doesn’t it?) also features an excellent overview of the Inauguration Day goings-on via a 3D-rendered map and timeline.

     

     

    I’d love to be in DC in person, but that map triggers a memory of having gotten stuck on the Metro under the Potomac on a sweltering July 4 years ago.  With Tuesday temperatures due to hover around freezing, maybe I’m okay with TV after all.

    9:55 AM | Permalink | Comments [2]

    January 15, 2009

    Obama via Photoshop

    Photographer Pete Souza has captured what’s billed as the first digital presidential portrait.  Folks have nerded out and parsed the EXIF metadata, learning that the image came from a Canon 5D Mark II and was edited in Adobe Photoshop CS3.  NPR features a piece on Souza’s history photographing presidents. [Via Bryan O'Neil Hughes, Adam Pratt, and Klaasjan Tukker]

     

    Quick-thinking Photoshop team member Adam Jerugim has shot Pete a note and is working on setting him up with a copy of CS4 (hey, we can’t have the White House lagging in technology).  We just have to make sure we’re not breaking any rules that would get him in trouble as a government employee.  (It’s not Jan. 20 yet!)

    10:32 AM | Permalink | Comments [11]

    January 08, 2009

    Browser in a camera: I think it’s serious

    Years ago, my bizarre friend Higgins told me and another buddy that his girlfriend had mysteriously dumped him.  He was visibly shaken and seemed truly down in the dumps.  He said, “I… I just don’t get it.  The whole thing inspired me to write a song.  Do you guys want to hear it?”  Well sure, of course we did.  “Okay, here goes,” he said.  Closing his eyes, clearing his throat, he leaned back and paused.  And then, bursting into a Pete Townshend air-guitar windmill, and doing his best Axl Rose devil-woman wail, he screeched,

     

    “EhWHAAAAAaaaaaaAAAattt??”

     

    That was is, end of song. :-)

     

    Ever since then we’ve “busted out the ‘Whatstrument*’” for bizarre news.  The arrival of the Sony Cybershot G3, World’s First Camera You Can Surf the Web On, seems worthy.

     

    Okay, maybe it’s not that weird.  As Gizmodo puts it, “Sony’s seeing this more as a flexible, fast way to dump and check your photos and videos online, direct from your camera, not so much as a way to compulsively watch YouTube videos or read Gizmodo, even though that’s exactly what we want, and will try to do, practicalities aside.”

     

    I dig the instant sharing possibilities, though I’d explicitly keep them out of my wife’s hands: she’s all for uploading before I’ve had time to crop, retouch, and otherwise noodle around.  [Via Jerry Harris]

     

    *Other suggested air-instrumental possibilities for the song:  Trombone, sax, harmonica, sextant, astrolabe, and finger snap (Beatnik edition).

    12:18 PM | Permalink | Comments [3]

    December 28, 2008

    The Big Picture’s Best of ’08

    Alan Taylor’s Big Picture has been an outstanding addition to the online world.  The site now features The Year 2008 In Photographs.  More gripping imagery is on display in parts two and three.  (‘Tis the season of an endless succession of year-end collections, but I’m trying not to link to everything all at once.  I’d rather see fewer images and take the time to consider each a little more deeply.)

    10:25 PM | Permalink | Comments [3]

    December 22, 2008

    Photographic Miscellaney

    • Photographer Filip Dujardin challenges the viewer with some bizarre buildings, “combin[ing] photographs of parts of buildings into new, fictional, architectonic structures.” [Via]
    • Photojojo offers up the very cool bottle cap tripod for $10. (On a somewhat related note, David Pogue points out “It turns out that the threads at the top of just about any lamp–the place where the lampshade screws on–are precisely the same diameter as a tripod mount! In a pinch, you can whip off the lampshade, screw on the camera, and presto: You’ve got a rock-steady indoor tripod.”) They also offer a rather nifty doodle frame.
    10:13 AM | Permalink | Comments [1]

    December 12, 2008

    Friday Photos: Infernos, skeletons, and incontinent cameras

    9:39 AM | Permalink | Comments [3]

    December 05, 2008

    Friday Photos: Sketchy Swedes, bodybuilders, and more

    • Things one presumably doesn’t see every day:
      • Martin Schoeller has captured a series of portraits of women bodybuilders. (From Kottke: “If you cover up the faces with your hands, they look like men in bikini tops and if you cover up the bodies, meth addicts.”) [Via]
      • Fancy a round-up of Swedish 1970s dance band photos? [Via Jeff Tranberry, who says, "The real challenge is how to fit it into a relevant post! It’d be a good one for rickrolling some readers."]
    • Moments in time:

      • Barbara Probst’s Split Second project captures the same moment from multiple perspectives.
      • Game face: Robbie Cooper’s Immersion project aims to photograph facial expressions of people as they play video games, surf the web, and watch TV. The corresponding video isn’t super flattering. [Via]
    11:40 AM | Permalink | Comments [5]

    November 30, 2008

    Details on Camera Raw 5.2 enhancements

    Photographer & author Shangara Singh points out some helpful links to Adobe documentation on the new features in Camera Raw 5.2:

     

     

    Side note: I love that it’s now possible to add one’s own notes to help entries. The Targeted Adjustment Tool entry refers repeatedly to the “TAT Tool,” which is as annoying as saying “SAT test” or “PIN number.” I’ve added a comment correcting the terminology. Pedants rejoice. ;-)

    10:22 AM | Permalink | Comments [18]

    November 29, 2008

    Saturday Photos

    • Mugs:
      • Martin Schoeller’s Close Up is “A magnetic succession of stripped-down faces, straightforward portraits of the very famous and absolutely unknown.”
      • Helen Marshall’s Big Picture (talk about truth in advertising) is comprised of 112, 896 photos of people’s faces. [Via]
    • Isolation:
      • Kim Høltermand creates spare, bleak, often dreamlike compositions from sometimes banal subject matter. [Via]
      • In a somewhat similar vein, Andy Taylor Smith captures the sculptural quality of overpasses and other large structures. (The Veer gallery seems to be acting up, but you can also see images on Andy’s own site.) [Via]
    • Vanity Fair has posted a collection of the 25 Best News Photos. (Fair warning: Some are tough to see.) [Via]
    9:41 AM | Permalink | No Comments

    November 28, 2008

    Tilt-shift flava

    "I seemingly will never tire of this gimmick," writes Jason Kottke.  No, but it’s worth a try. :-)

     

    8:17 AM | Permalink | Comments [3]

    November 12, 2008

    Science Friday: From Mexican caves to the Sun

    9:42 PM | Permalink | Comments [8]

    November 10, 2008

    Monday Photography: Super cellphone cams & more

    10:09 AM | Permalink | Comments [2]

    November 06, 2008

    Photo safari in SF on Saturday

    Photojojo is a great photo blog, full of interesting bits (e.g. today’s bit on taking ghostly pictures with your scanner).  As it happens, they’re hosting a photo safari this Saturday in San Francisco:

     

    (1) You bring a camera (it doesn’t matter what kind) and some friends (2) There’s a cool place or event or a tour for you to take pictures (3) We go to a bar and you can put your photos in a slideshow to win prizes from us or sponsors. (4) You are happy and fulfilled.  Cost: Free.

     

    Adobe is sponsoring the event, and the photo whose work the group votes best will win some groovy software.  Sounds like a fun way to spend a Saturday.

    3:47 PM | Permalink | Comments [1]

    November 02, 2008

    CS4: What’s in it for Photographers?

    I thought photographers might like to have a single, consolidated list of all the enhancements in Photoshop CS4 & Bridge CS4 that can help improve their productivity.  Photographer/author/fellow Photoshop PM Bryan O’Neil Hughes kindly stepped up with a guest blog entry, below.  It’s a long list, so I’ve put it into this post’s extended entry.  Read on for the good 411…  –J.

    (more…)

    8:58 AM | Permalink | Comments [47]

    October 04, 2008

    Saturday Photography: Bumblebees to balsa wood

    I can’t just talk CS4, now can I? Taking a little break from current software events, here’s a collection of cool recent photographic finds:

     


    9:07 AM | Permalink | Comments [6]

    September 22, 2008

    Monday Photography: Bright lights, big pixels


    8:20 AM | Permalink | Comments [1]

    September 17, 2008

    Photos in motion; DNG sprouts wheels

    • As you probably don’t need me to tell you, Canon has just announced the 5D Mark II, complete with the ability to record HD-resolution (1080p) video.  This follows on the heels of Nikon’s D90, itself capable of 720p video capture.  My initial thought was that DSLRs capturing video is kind of like dogs walking on their hind legs–not done well (e.g. no autofocus), though interesting to see done at all.  Nikon’s sample videos, however, have gotten me thinking about the possibilities, and film effects pro Stu Maschwitz sees lots of promise.  (He calls Canon’s decision to shoot at 30fps instead of at 24 "almost unbearable," however.)
    • On the other end of the tech spectrum, I’m a big fan of the little Flip video camera.  Now a guy named Reid Gershbein has given a tilt-shift appearance (how, he doesn’t say) to footage from the wee cam.  Hmm–this may motivate me to try applying Lens Blur as a Smart Filter on video using Photoshop Extended.
    • Ikonoskop’s rather potent-looking, weirdly named A-cam dII is, it would appear, first to support DNG for motion capture. "The buzz at IBC is DNG," they write, "so people seem to understand and start to follow our lead in DNG together with Adobe." [Via Scott Sheppard]
    • Interesting video of an SLR: Nikon D3 Shutter Release in Super Slow Motion. [Via Zalman Stern]
    • Photojojo’s got some ideas on making flipbooks from your video content.
    12:56 PM | Permalink | Comments [7]

    Political illustrations

    12:39 AM | Permalink | Comments [6]

    September 09, 2008

    Colliding hadrons, sinking subways, & more


    9:48 PM | Permalink | No Comments

    September 03, 2008

    Wednesday Photography: X-rays, fire, and ice


    2:38 PM | Permalink | No Comments

    September 01, 2008

    Olympic photography


    12:50 PM | Permalink | Comments [4]

    August 31, 2008

    Flickr-flavored craftiness

    I’m always intrigued by what people can produce by mining & transforming a big image set:

     

     

    On non-Flickr but somewhat similar fronts:

     

    11:47 AM | Permalink | Comments [2]

    August 29, 2008

    A pair of panos: Obama & Olympics

    The NY Times has been making more use of interactive panoramas these days, offering a new take on storytelling & dropping the viewer into context in a way that’s hard to match with still images alone:

     

    • Gabriel Dance and Raymond McCrea Jones captured the electrified atmosphere preceding Barack Obama’s speech last night in Denver.
    • A pano taken from the 10-meter platform in Beijing’s Water Cube features narration from American diver Thomas Finchum.  (Now you know: the Cube is, technically speaking, "ginormous.")  Photo credits go to Bedel Saget, Mike Schmidt, and Gabriel Dance.
    1:53 PM | Permalink | Comments [1]

    August 21, 2008

    Photoshop ephemera

    • PopPhoto’s Debbie Grossman paid a visit to the Adobe Mothership a couple of weeks ago, getting a grand tour from Bryan Hughes & chatting with modest brainiacs like Jeff Chien.  Showing tons of daring, she underwent Kelly Castro’s black & white process–the first woman to do so.  (“That’s because it makes men look tough and women look like hell," she writes.)  [Related/previous: Jeff Schewe's Visit to Adobe.]
    • At Siggraph last week, Zorana Gee encountered the guys from OnLatte ("You got it right: we make industrial robot machines that do nothing but pretty up tasty beverages") and had them put the Photoshop icon on foam (image two).
    • Photoshop: Helping The Ugly Since 1988. [Spied by Tom Hogarty on the Caltrain yesterday]
    • Slate presents Politishop.  (Is it finally time for us to introduce Brushy the Talking Airbrush ("Hey, pardner, it looks like you’re tryin’ to retouch a photo")?  [Via Adam Jerugim]
    • This isn’t Photoshop-specific, but I noticed that Adobe.com has added a slick new search widget to the site.  Groovy, as previously I’d resorted to using Google (typing "site:http://www.adobe.com" plus a search term into the search field).
    10:43 AM | Permalink | Comments [4]

    August 18, 2008

    PS in NYT, crafty imaging tech, & more

    • In "I Was There. Just Ask Photoshop," Alex Williams of the NY Times writes about the pervasiveness of image manipulation in our culture.  Regarding the manipulation of family photos, I found this bit interesting:

      In India, she said, it is a tradition to cut-and-paste head shots of absent family members into wedding photographs as a gesture of respect and inclusion. "Everyone understands that it’s not a trick," she said. "That’s the nature of the photograph. It’s a Western sense of reality that what is in front of the lens has to be true."

    • Seemingly everyone ever is forwarding me this cool demo showing ideas for enhancing video using still images.  I mentioned the work in June, but it’s worth noting that the developers have been collaborating with Adobe folks.
    • The You Suck At Photoshop crew has been posting new bits, involving the Baldwin brothers, among many other things.
    11:07 AM | Permalink | Comments [4]

    August 17, 2008

    Photo finish

    Normally I don’t go for single-serving link posts, but this sequence of Michael Phelps’ amazing photo finish is too good not to share. [Via]

     

    And, what the heck, here’s some spectacular imagery from the Olympics opening ceremony. (It’s as if Julie Taymor got ahold of the Clone Stamp…) Also, what’s with creepy Olympic M&M’s?

    10:33 AM | Permalink | Comments [3]

    August 16, 2008

    10,000-year prints, vintage rides, & more


    9:35 AM | Permalink | Comments [2]

    August 14, 2008

    Wednesday Photography: Giant HDR, sea creatures, & more


    7:19 PM | Permalink | Comments [3]

    August 04, 2008

    The DNG Profile Editor: What’s it all about?

    When we look back at how things changed with the arrival of Lightroom 2, I think the new DNG Profile Editor (presently kind of a sleeper technology) will stand out as transformative.  The technology was largely developed by Eric Chan, a bright young guy on the Camera Raw team (and aspiring photographer).  I’ve always found his explanations lucid and highly readable, so I’m delighted that he’s written a guest blog post on the subject.  Enjoy.  –J.


     

    Hi everyone. My name is Eric Chan and I’ve been a Computer Scientist at Adobe since February, which doesn’t exactly explain how I ended up on John Nack’s blog. [People often wonder how they ended up here...  --J.] Well, John kindly invited me to share some thoughts on the new color profiles for Lightroom 2 and Camera Raw 4.5… "Whoa, hold on there!" you say, "New profiles? What new profiles? I didn’t see any new profiles!" Ahh, that’s because the new profiles are currently undergoing a public beta and aren’t shipping directly with LR 2 and CR 4.5. Instead, they’re available as a separate download from the Adobe Labs web site. Why a public beta? Simply because there have been many changes under the hood, and we want to give folks a chance to try the new profiles and provide feedback before we bake them for final release.

     

    But I’m getting ahead of myself here. Let me backtrack and give you the big picture first. As it turns out, there’s quite a bit more going on here than just a new set of color profiles.

    (more…)

    7:28 AM | Permalink | Comments [25]

    August 03, 2008

    Sunday Photos: White Russians, the Moon, & more

    • Alex Prager mixes mid-century looks with some weird modern twists in her work. On Kitsune Noir Bobby Solomon points out similarities with Philippe Halsman’s wild Dali Atomicus.
    • Make mine a White Russian: I love this shot of a Belarusian commando shrouded in smoke.
    • Hello, moon: Laurent Laveder uses forced perspective to capture some beautiful Moon Adventures. [Via]
    • Take a good look at my crazy, genocidal face: the Faces of Evil collection invites viewers to stare down some of the most infamous figures of the 20th century.  "The pictures are 1,80m x 2,30m, high-resolution digital images that expose every tiny detail of their faces." [Via]
    • Ten years after I remember sticking her into a comp, the "Everywhere Girl" (stock photo superstar) has a blog.
    • Tangential: I think this is way better than any iPhone.


    9:32 AM | Permalink | Comments [2]

    July 25, 2008

    Where It’s At (turntables, microphone optional)

    GPS-related photo bits:

     

    • Bridge geotagger is a free script that "allows you to inspect, set and/or edit GPS data embedded in photos using a Google Maps interface. It uses the embedded Opera HTML engine in Bridge to display Google Maps."  Very cool, though developer Aldo Hoeben describes it as more technology demo than a full-fledged tool.
    • Firing up the Exposure Flickr-browsing app on my iPhone the other day, I discovered the nearest geotagged image is of "¡Chavelas!," described as "A delicious blend of Modelo, lime juice and a shot of tequila in a
      frozen pimp chalice!"  Thank you, intercontinental technology network, for making my neighborhood seem cool for a minute.
    • Previously: Did you know that Lightroom can call up a Google map to show the coordinates in your images?  So, for that matter, can Photoshop Elements.
    • What about images that lack coordinates?  Can a computer accurately guess where something was shot?  That’s the goal of Carnegie Mellon’s IM2GPS project.  Check out this CNET story for a good summary. [Via Doug Nelson]

     

    Off to look for neighborhood pimp chalices on a Friday eve,

    J.

    4:00 PM | Permalink | Comments [5]

    July 23, 2008

    War, suicide, fire… and t-shirts

    Mid-week photography:

     

    • Death & destruction:
      • Photojournalist Warren Zinn reflects on the photo that made Army medic Joseph Dwyer famous, and wonders whether it contributed to the troubled vet’s death last month.
      • Kottke features the disarmingly placid image Robert Wiles captured immediately after Evelyn McHale leapt to her death from the observation deck of the Empire State Building in 1947.  (Warhol later made it into a print.)
      • The Big Picture features some spectacular wildfire imagery from recent California blazes.
    • Find giclée paseé? Try printing on grass instead.  (Just don’t ask us to soft-proof it.)  [Via Doug Nelson]
    • Beware sketchy, sketchy photogs.
    • I never saw them while living in snowy Illinois, Boston, or NY, but CA roads are full of stick-on "Botts dots."  They’re now available as part of a complete breakfast.
    • Make mine intermediated: Photo nation.


    9:56 PM | Permalink | Comments [2]

    July 12, 2008

    Charging bulls, lasered Radiohead, and more


    2:53 PM | Permalink | Comments [6]

    iPhone photo apps: Floodgates open

    I’m having fun slacking er, conducting important digital imaging research, starting to explore photography-oriented iPhone apps:

     

    • The free PangeaVR offers amazingly smooth panorama display and navigation.
    • Exposure (paid or ad-supported) promises to let you put "2 billion photos in your pocket," letting you browse Flickr from your handheld.  Groovy bonus point: it’ll show you images geotagged to locations near you.
    • Clowdy promises easy & free photoblogging.

     

    Unfortunately for the capture-and-upload scenario, the camera in the iPhone is pretty rudimentary.  Doesn’t it seem like someone should build a wireless hookup between the phone & dedicated cameras?  That way you could, for example, put an Eye-Fi memory card into your camera of choice, then upload shots via the phone in your pocket?  Maybe that’s a solution in search of a problem, though, or maybe it would just kill your battery.

     

    If you come across any particularly good or noteworthy apps, feel free to post your experiences here.

    2:33 PM | Permalink | Comments [4]

    July 11, 2008

    *Now* we can panic

    Per yesterday’s news
    NOHO7sWZHbaoc8lnQLUuU1vK_400.jpg
    (Found here) [Via Jacqueline Floyd]

    4:40 PM | Permalink | Comments [13]

    July 10, 2008

    Skyrockets in flight, Photoshop delight

    Gonna grab my missiles/Gonna hold them tight…

     

    Iran’s state media is under fire for apparently digitally adding another missile to a photo of an artillery test.  I like the first comment on the NYT story:  “Clearly someone thought 4 missiles would be 33% more scary than three… or they thought it really tied the composition together, which, I have to say, it actually does.” [Via everyone ever]

     

    Now, excuse me while we get back to work making it even easier for various Great Satans to fake you out.  (Actually, a number of Adobe folks have been collaborating with news agencies on ways to offer greater image authentication, and PBS hosts a 13-minute Nova segment focusing on Dr. Hany Farid & discussing his work with Adobe.)

     

    Updates:

     

    • Wonkette refers to "the Iranian Revolutionary WoW Photoshoppers Guild." Nice. [Via Russell Brady]
    • I think the Iranian peeps were inspired by the Chinese news agency.
    • Gizmodo challenges readers “to use Photoshop to create some sweet Iranian propaganda, showing their technological advancements that are heretofore unseen.” [Via Fergus Hammond]

     

    PS–To everyone who now has that awful song in their heads, you’re welcome.

    1:08 PM | Permalink | Comments [6]

    July 07, 2008

    Sawed cameras, free falls, and more

     

    • Wired hosts an interesting Gallery of Sawn-In-Half Cameras.
    • Rapid decents:
      • The Big Picture offers a collection of diving photos (taken at a recent US Olympic qualifying event) unlike any I’ve seen before.
      • In Kabul in Transition, photojournalist Tyler Hicks shows diving platforms used for a far darker purpose.
    • Mitchell Feinberg makes unique art using food.  Many more examples are on his site.
    • 22-year-old photographer Kevin Connolly was born legless and chronicles the world from his unique perspective.  CNET has his story.
    • In Land of the Free, Steve Schofield portrays sci-fi costumers, exploring how people establish a fictional existence to escape the everyday. [Via]
    • Slices in time:
      • "Barbara Probst’s diptych and triptych photos," says the Morning News, "taken at the same time from different cameras and points of view, offer multiple versions of a split second."  It’s a cool project, well worth a look. [Via]
      • The Immodesty multicam system aims to "create an affordable platform which enable all kinds of temporal-spatial experimentation."  In some ways it’s a poor-man’s tool for getting the Matrix "bullet time" effect, as videos on their site show, but the output can be deployed in more interactive ways, too.
    • Reuters hosts some striking images of a Chilean volcanic eruption.


    9:36 PM | Permalink | Comments [1]

    July 05, 2008

    Weekend Photography: HDR to RFK

    • Is Full-Frame the Coming Thing, or is it just a way for uninformed gearheads to show off?  Longtime photography observer Mike Johnston posts some interesting thoughts on the subject.
    • High dynamic range:
      • Our friend Ben Willmore has been traveling the country in his bus, and he’s collected the best of his work at The Best of Ben.
      • Reaktor 1 is a cool, interactive, HDR panorama from Jann Lipka.
      • Norwegian photog Klaus Nordby captured a beautiful fjord sunrise, then posted the high-res image via Photoshop CS3′s Zoomify export feature.
    • History:
      • On June 8, 1968, Look photographer Paul Fusco rode inside the funeral train that carried Robert Kennedy’s body from New York to Washington to be buried beside his brother at Arlington.  On the NY Times site he narrates a slideshow of the work, capturing the Americans who lined the route.  The NYT carries remembrances from that time, and more shots (albeit smaller) are here.  [Via]
      • The Commons, Flickr’s project to host public-domain images, is getting beefed up with the help of The Smithsonian.  The institution added 800 photographs from its collection of 13 million images, and 1,200 more will be added in coming months, according to CNET.  Images shared on the Commons can be tagged by anyone.
      • The Smithsonian posts a small set of turn-of-the-20th-century color autochromes.  Kottke has more info & links to more early color photography.
    • Moving in Stereo:
    • DIY:


    1:21 PM | Permalink | Comments [2]

    July 03, 2008

    JNack: Public Enemy

    This is your PM…

    This is your PM after being busted following an all-night meth bender…

     

    Lightroom team member Kelly Castro has been continuing his "Exteriors" project (see the whole collection), photographing people at Adobe & elsewhere.  On Monday he got me into the team’s on-site photo studio for a shoot*.  If you’re into this style, check out the info that Kelly & Bryan O’Neil Hughes put together on generating killer B&W using Photoshop + Lightroom.  (Kelly also created a color version of my portrait, in which I have the healthy glow of a Barbecue Pringle.)

     

    In other photo news:

     

     

    *These little photo projects tend to turn funky, ranging from foolish to beatific to vainglorious. (Take that, Eddie Murphy.)

    11:31 AM | Permalink | Comments [5]

    June 30, 2008

    Punking tourist pix

    Here’s a bit of brilliance for your Monday: "The Image Fulgurator is a device for physically manipulating photographs. It intervenes when a photo is being taken, without the photographer being able to detect anything. The manipulation is only visible on the photo afterwards."  In other words, it watches for the flash of someone else’s camera & projects an image onto what they’re photographing.  Check it out in action. [Via]

     

    On a related note, Wired surveys cameras shaped like guns, cameras on guns, and more. [Via Ellis Vener] For other projected guerilla fun, see previous about Applied Autonomy’s “Streetwriter.”

    10:21 AM | Permalink | Comments [4]

    June 24, 2008

    Photos: Smoke, fire, floods, & weirdoes

    • People as smoke: the simple tricks of long exposure produce a ghostly presence.  [Via Marc Pawliger]
    • The Big Picture showcases the wrath of nature:
    • Vintage photo manipulation:
    • Doing their own thing:
      • Phillip Toledano has created a photo essay of phone sex operators–a surprisingly articulate, diverse, and self-aware crew.  (Fair warning: The photos are tame, but some of the blurbs beneath them are fairly frank.) [Via]
      • Return of the ’70s Weirdos features 1978 & 2008 photos of a group of early Microsoft employees.  [Via]  Referring to aging dudes working for MSFT these days, a friend of mine calls the shuttle bus from Seattle to Redmond "The Ponytail Express."
      • You never know what you’ll find via the American Gothic tag on Flickr. [Via]


    9:04 AM | Permalink | Comments [1]

    June 21, 2008

    Saturday Science: Great photos of Earth, Mars, & beyond

    Boston.com’s new feature The Big Picture dispenses with traditional peanut-sized Web photos and showcases great images in the news.  Site designer/developer/writer/photo editor Alan Taylor talks about his brainchild and how it came to be. [Via]  Lately they’ve been harvesting the best photos that billions of tax dollars can buy:

     

    • The Sky, From Above features gorgeous shots of the Space Shuttle at liftoff, as well as of thunderstorms over the American Midwest and more.  [Via]
    • In Martian Skies, you can view panoramas from Mars and watch dust devils skittering across the Martian landscape.
    • The site also features a retrospective of some of the great images sent back home by the Cassini space probe over the past four years. [Via]

    On related notes, apparently the Mars Phoenix rover is broadcasting via Twitter.  Also, NASA’s new space suit design looks rather trim & buff.  I kind of miss the human Jiffy Pop bag look, though.

    2:31 PM | Permalink | Comments [1]

    June 11, 2008

    DestroyFlickr! (in a nice way)

    The curiously named DestroyFlickr has nothing to do with destruction & everything to do with browsing your images via a desktop application.  Specifically, it’s an Adobe AIR app (essentially a Flash SWF running on the desktop, outside the browser) that lets you navigate your photostream through an attractive, minimalist gray interface.  According to the developer,

     

    With the support of both drag and drop uploading and downloading, posting and saving photos is done in one easy motion. Now you can download the highest resolution version of a photo without having to see it first—just drag a thumbnail to the download menu and the download begins. [Via]

     

    Smoove.

    11:43 PM | Permalink | Comments [1]

    May 30, 2008

    Friday photos: Earthquakes, birds, war, & more

    • Slate features an excellent photo essay from Magnum photographer Thomas Dworzak, Wars: Chechnya and Iraq.  The subject is heavy, but his sardonic narration is well worth a listen.
    • Happening to have a camera on hand during a terrible interruption yielded this rather amazing earthquake wedding photo gallery. [Via]
    • The NYT profiles photographer Nikola Tamindzic.  “He uses long exposures, then shakes the camera while the shutter is still open, causing colors to blur and lights to streak. ‘I’m not recording what is really happening, but it’s something like what the brain is seeing late at night, especially if maybe you’re drunk or very excited,’ he said.” [Via]   On his own site he offers one of the more punishing self portaits I’ve ever seen.
    • Ernesto Scott teaches photography near my old home town & offers lots of lovely bird shots.
    • Raw in the raw: camera tech nerds (or just the curious) may enjoy Looking at a Real NEF Bayer Pattern. [Via Dave Polaschek]
    • Photographer Jay Maisel is offering more intensive NYC-based photography workshops (July 14-18, Sept. 15-19, and Nov. 17-21).  Details are on his site.


    9:31 AM | Permalink | Comments [3]

    May 26, 2008

    Fire on the Mountain

    As you may have heard, for the last few days large fires have been burning in the Santa Cruz mountains overlooking Adobe HQ.  Quite a few of our colleagues live in or over the hills, but fortunately no one on the Photoshop team has (as far as I know) had to evacuate.  Bryan Hughes didn’t sleep well on Thursday night, I know, with the fire half a mile from his house (shoes on, cats in hand).

     

    I mention it because on my way to an air show yesterday, I snaked through the mountains via some back roads and was surprised to see a very large and imposing Chinook helicopter barreling towards our car, on its way to reload water from the pond right behind me.  I pulled over and popped off a few frames that may be of interest to other aviation nerds.  Included in the set is the swift, violent, helicopter-borne death of a white Jeep Cherokee.  (Yeah, it blowed up real goood!)  Plumes of smoke from the mountains are visible in a few of the shots.

     

    As for other fire-related photography, I honestly can’t compete with things like this.

    10:03 PM | Permalink | Comments [6]

    May 25, 2008

    Sunday photos: Tintypes, timelapses, and more

     

    • The NYT showcases Tintype Buckaroos.  Robb Kendrick uses archaic gear to capture the enduring lifestyle of cowboys.  “When I’m doing tintypes, everything has to be driving, not flying — all the stuff for the developing is fairly flammable,” he explains.  An interactive feature shows the work while providing narration from the photographer & the article’s author.
    • Pioneering photojournalist (and ICP founder) Cornell Capa passed away on Friday at age 90.  The NYT features a selection of his photos.  I particularly like this one of 7,000 white-shirted Ford engineers.
    • Rob Galbraith points out some great photos in MSNBC’s weekly photo gallery.  I love the frog-hopping image, though it took me a moment to notice the frog. [Via]
    • Matteo Ferrari is doing an interesting little project showing before & after shots of people who drive the same car for a long time. [Via]
    • How does one actually measure the temperature of light?  James Duncan Davidson explains.
    • Timelapses:
      • The New Yorker features a hard-to-watch timelapse video of a man stuck in an elevator for 41 hours. [Via]
      • A new Canon TV spot is composed mostly of stills shot by EOS-1D Mark III cameras.  (Ironically, the ad is for the lower-end Canon Rebel.)
      • CHDK (the Canon Hacker’s Development Kit) is a set of firmware enhancements for a wide range of Canon cameras.  Scripts “provide functionality like motion-sensing photography (which reportedly works for lightning strikes) and unlimited interval time-lapse photography.” [Via Ashish Mukharji]


    10:10 AM | Permalink | Comments [2]

    May 24, 2008

    Miscellaneous interestingness

    New fatherhood -> sleep deprivation (yeah, still) -> abandoning any pretense of categorization.  That said, here are a few interesting bits I’ve seen lately:

     

    6:36 PM | Permalink | Comments [3]

    May 18, 2008

    Take your camera to Tasmania–for free

    Photographer Mikkel Aaland, organizer of the recent Lightroom Adventure down under, passed along some attractive info:

     

    Follow in the footsteps of the Adobe Lightroom Adventure Photographers or create your own adventure on the beautiful island of Tasmania!  Here is your chance to win a trip for two to experience the natural beauty of Tasmania first hand.

     

    Roundtrip economy airfare for two on Qantas Airways from one of their North American gateways – Los Angeles, San Francisco or New York City (JFK) – to the island of Tasmania.
    Two nights’ accommodation in Tasmania.

     

    What do you have to do?  Just fill out a simple form & you’re good to go.  Good luck & happy inverted shooting.

     

    I’ve been meaning to blog about the Adventure for quite a while, but my draft full-o’-links was lost to my hard drive crash.  Therefore I’ll keep it simple for now and just recommend checking out the beautiful galleries of images captured by the participants.  At the moment I’m grooving on some work from NatGeo photographer Bruce Dale.  (What is this thing?)

    4:49 PM | Permalink | Comments [10]

    May 10, 2008

    Photoshop Express now does Flickr

    Woot, there it is!  The subject line pretty much says it all: you can now browse and edit your photos stored on Flickr right from within Photoshop Express.  I’ve just given the integration a whirl and, yep, it works like a charm.  Similar hooks are available for photos stored on Facebook, Photobucket, and Picasa.  (I’ve been uploading just to my own site since becoming, uh, photographically obsessed with one little subject, but maybe this will draw me back to using a service as well.)

     

    As long as we’re on the subject, what’s your take on the importance of integrating services like Flickr into Photoshop?  There’s an obvious appeal in being able to upload right from Lightroom, but should we make it possible to browse & open images on Photoshop.com & co. right from within Photoshop?  (Let’s imagine we could drop in an optional little Flash widget as a browser palette/panel, or maybe enable browsing via Adobe Bridge.)  What about being able to save edits back to the service?  Just curious.

    9:06 AM | Permalink | Comments [11]

    May 07, 2008

    All Ansel, all the time

    A number of interesting Ansel Adams-related bits have popped up recently:

     

    • The NYT features an interactive gallery in which Adams’s former assistant Andrea Stillman discusses the back story on nine of his images.  The story of the naming of "Mt. Ansel Adams" is particularly cool.
    • In what he calls "The most amazing 24 hours of my photo career," photographer Marc Silber trekked around Yosemite with Robert Scoble & Adams’s son Michael.  Afterward they visited the photographer’s darkroom.
    • Frederick Johnson from the Lightroom team joined these guys on the visit.  "Michael is amazing," he writes.  "Turns out we were both in the Air Force! Though he was a General, and I was an enlisted man. It was hard to fight the impulse to call him ‘sir…’"  Frederick posted some photos and short video clips in his Flickr stream.  And oh yeah: if you’ve ever wondered why Photoshop has a lollypop-shaped Dodge Tool (you know, this thing), here’s why.
    10:40 PM | Permalink | Comments [1]

    May 03, 2008

    DNG submitted to the ISO

    "The DNG format was supposed to be the future, an open standard for RAW files that every manufacturer could use," writes Digital Photo Pro’s Dave Willis.  "Here’s a look at how the revolution has panned out."  Dave talks with my boss Kevin Connor about the problem that gave rise to DNG:

    "Our philosophy on this from the beginning, sort of my personal belief," continues Connor, "is that eventually the proprietary system is just going to break. When we came out with the first camera RAW plug-in, we were supporting around 25 cameras. We’re now supporting more than 175 cameras—in other words, more than 175 different file formats. And when you’re talking about images, people don’t want to keep those images for just five or 10 years. Professional photographers want to know those images will be fine for 50 years—100 years—from now. If you think about the rate of new-camera introductions, how many new file formats will there be? A hundred thousand? It just seems that it’s going to reach a point when it becomes unmanageable."

    It’s true that we haven’t yet seen big camera vendors like Canon and Nikon adopt DNG, though maybe we’ll see more progress now that DNG has been submitted to the ISO as a vendor-independent standard.  In any case, the format is providing real-world benefits today:

    • Converting to DNG saves disk space and eliminates the need to use separate sidecar files for raw settings.  (I knocked 1.5GB off the 7GB of photos from our wedding photographer.)
    • Because of these benefits, customer feedback indicates that 40% of Lightroom users are converting to DNG on import.  (It’s a one-click set-and-forget option that’s also available in Adobe Bridge CS3.)
    • DNG lets Adobe support new cameras in older versions of Camera Raw without having to constantly revise and test those versions.  Photographers and use the free DNG Converter (Win | Mac) to process their proprietary raw images to DNG.  The upshot is that we can spend our time building good new functionality instead of updating old software.

    [Via]

    [Update: I neglected to mention that yes, Adobe will be providing a DNG-viewing codec for Windows Vista, making it possible to view DNG files right within the operating system. Expect this free download to be posted soon. --J.]

    9:32 PM | Permalink | Comments [23]

    April 30, 2008

    Earth from on high

    Photographer Michael Poliza* has produced a stunning collection of aerial photos, Eyes Over AfricaHe says, "The images came mostly from an
    8-week helicopter expedition from Hamburg to Cape Town.  Lots of
    zickzacking over this amazing continent.  The Lightroom beta & LR 1.0 was the tool to work my way thru the 30,000 images."  You can browse more than 200 of the images on his site via Flash (also available in smaller HTML form, both uploaded from LR).  Beautiful
    zickzacking indeed.

    A few months ago Michael dropped by Adobe to visit with Tom Hogarty and me.  He brought with him his "newest baby," Eyes Over Africa XXL.  He’s not kidding about that suffix:  "It will be the largest coffee table book ever that was purely shot digitally. Almost 50 (!) lbs and definitely huge."  Just for fun, he used his iPhone to call up a satellite image of the same coordinates displayed on one of the pages, then laid the phone on the book.  For further weirdness points, I then snapped a couple of shots of the layout using my iPhone.  (At this point there was a great disturbance in the Force.)

    For more Earth from above:

    * Coincidentally the elder brother of GoLive founder Andreas Poliza

    8:03 PM | Permalink | Comments [1]

    April 25, 2008

    Old Glory, pourable meat, & more

    8:06 PM | Permalink | Comments [1]

    April 24, 2008

    Tips on using the Lightroom 2 beta

    • Image sharpness is a good thing… except when it isn’t.  Martin Evening shows how to achieve a “‘pseudo’ diffusion printing technique” using the Lightroom 2.0 beta’s ability to go negative on the Clarity slider.
    • To even out exposures across multiple images, Lightroom features a “Match Total Exposures” command. Sean McCormack explains it in this brief video. (I’d listen just for the soothing brogue. ;-))
    • Lightroom lets you create virtual copies of a single image, applying different settings to each.  New in the LR2 beta is the ability to stack virtual copies as layers of a PSD file, letting you composite and blend them in Photoshop. Mucho groovio!
    • Lightroom marketing manager Frederick V. Johnson toted his camera to the Golden Gate Bridge in order to demonstrate handing off a panorama from Lightroom to Photoshop.
    • Ken Milburn touches on the improved Auto adjustment algorithms in LR2.
    11:16 PM | Permalink | Comments [3]

    April 19, 2008

    Shocking photography (literally) & more

    • Adobe TV went live last week.  It features a profile of Adobe’s Angela Drury, an accomplished photographer who moonlights as a product manager.  Look for the Photographer channel on Adobe TV for tons more.
    • I’m shocked, shocked to report on The Stunning Camera.  Bryan O’Neil Hughes, Photoshop PM and camera store veteran, reports "experimenting" with this kind of thing in his past life: "We even rigged one up to the door knob of the men’s room.  Then someone had the bright idea of running the capacitors in parallel and well, it worked but it ‘snake-bit’ him….essentially the current arced right through his thumb leaving two seared holes.  Seriously." [Via Joe Ault]
    • That chintzy look: “When I looked at the wallpaper and the wallpaper looked at me, we instantly fell in love."
    • On an occasionally related note, Thierry Bouët chronicles people in their beds (click "au lit" in the top nav bar). [Via]
    • Jan Sochor is a Czech-born freelance photographer who splits his time between Europe and South America.[Via]
    • You might not guess it from the title, but this NYT photo essay on how manhole covers are made in India is really interesting.


    10:08 AM | Permalink | Comments [3]

    April 07, 2008

    Remembering photographer Dith Pran

    Photojournalist and humanitarian Dith Pran, survivor of and witness to Cambodia’s “Killing Fields” period, passed away last week.  The NY Times, for which Mr. Dith reported with his friend and colleague Sid Schanberg, features a remembrance of his life, along with a selection of his photos.  Perhaps most interesting, though, is the “Last Word” video feature in which Dith speaks about his life and the need to remain vigilant lest the horrors he witnessed be repeated.  I found the feature to be six minutes very well spent.

    [Update: On a related note, see the NPPA's story Four Photojournalists Killed During Vietnam War Come Home For Burial.  [Via]]

    11:45 AM | Permalink | No Comments

    March 30, 2008

    A great digital imaging project honors the fallen

    Photographer Peter Krogh (author of the excellent The DAM Book, the Rapid Fixer extension for Bridge, and more) recently completed an ambitious & enormous digital imaging project: photographing all 58,256 names listed on the Vietnam Veterans Memorial, enabling the creation of an interactive online version of the wall.  By stitching together some 1,494 digital images into a 400,000 pixel by 12,500 pixel monster, Peter & colleague Darren Higgins were able to help create a Flash-based presentation that enables you to search for names, read servicemen’s details, and add notes and photos to the wall.

    The presentation site features some behind-the-scenes production info, but figuring there was more to the story, I asked Peter for details.  He kindly provided them in this article’s extended entry.  Read on for more.

    (more…)

    4:16 PM | Permalink | Comments [5]

    March 20, 2008

    Photoshop + Lightroom = Killer B&W

    One of my favorite things about working on the Photoshop team is that we get to build a product people actually want to use when they leave work.  That means that lots of the engineers, QE folks, marketroids, and others are avid photographers, and the halls of the floor are lined with their work.

    Recently, every time I’ve walked by the office of Kelly Castro from the Lightroom team, I’ve noticed really striking black & white portraits on his monitors.  Knowing that my friend & fellow Photoshop PM Bryan O’Neil Hughes had recently co-authored a great book covering B&W in Photoshop and Lightroom, I suggested he touch base with Kelly to learn more about the way he combines the two products.  Here’s his report. –J.

    [Update: Note that Kelly added some more details via the comments.]

    (more…)

    3:42 PM | Permalink | Comments [13]

    March 17, 2008

    Photographic coolness: Miniature worlds & more

    6:04 PM | Permalink | Comments [2]

    March 09, 2008

    Tips for HDR in Photoshop & Lightroom

    • Colin Smith of PhotoshopCafe.com has posted a tutorial on creating high dynamic range images using Photoshop, then tone mapping them using Photoshop’s built-in tools as well as HDRSoft’s Photomatix plug-in for Photoshop.  Scroll all the way down for a cool theater shot Colin created using these techniques.
    • Over on LightroomNews, Sean McCormack covers LR/Enfuse, Timothy Armes’ project to integrate the open-source Enfuse blending program right into Lightroom.  LR/Enfuse is available from Timothy’s site & is supported by user donations.

    On a slightly related note, if the topic of digital dynamic range is up your alley, you might want to check out Stu Maschwitz’s detailed experiments with video gear.

    5:34 PM | Permalink | Comments [1]

    March 07, 2008

    Friday Photos: Slam dunks to Zeppelin


    4:38 PM | Permalink | No Comments

    February 23, 2008

    Of Eyeballs & iHoles

    Apparently Canon is developing an Iris Registration Mode that will enable photographers to use their eyeballs to form a kind of digital fingerprint for their images.  Hmm… the tech sounds cool (well, provided it works better than the fingerprint scanner on my ThinkPad), but I’m not sure how it helps secure photographers’ rights.

    What people want–and can’t have, as I’ve noted previously–is the ability to embed copyright data in images that are both easily readable and secure.  Iris scanning doesn’t address the fact that if you can edit the pixels of an image, you can get around copyright data in the image (through copy and paste to a new file, if nothing else).  And for all the talk of wanting secure metadata, I don’t see much use of the Digimarc technology that’s been bundled in Photoshop for ~10 years (allowing copyright to be subtly encoded into the pixels themselves), nor do I hear of many photographers passing around their images as secure PDFs (which offer 128-bit encryption, among other things).  So, unless I’m missing something (and please shout out some enlightenment if so), iris scanning doesn’t seem to change the game too much, at least as regards downstream image protection.  [Via Steve Weiss]

    On a lighter eye-related note, check out Scot Hampton’s iHole–the camera made from an iPhone box.

    3:39 PM | Permalink | Comments [3]

    February 21, 2008

    Mama don’t take my Polaroids away

    News about the demise of Polaroid film production has pulled a number of interesting items out of the woodwork:

    • Eames + Cramps + Cams: Check out this demo film of the Polaroid SX-70 made by famous furniture designers Charles and Ray Eames, but inexplicably set the music of The Cramps.  Weirder still, it all kind of works. [Via]
    • "The late cinematographer Jamie Livingston, who died at age 41 in 1997," writes Mike Johnston, "left an archive of almost 6,000 Polaroid SX-70 shots, taken one per day (with only minor lapses) for 18 years."  You can browse the archive here.
    • David Friedman would like to see a Polaroid-style digital picture frame, complete with dry-erase area for jotting notes.  [Via]
    • "Polaroid made me the photographer I am today": Photographer Ctein reminisces about the format’s importance in his artistic development.
    • We recently met with some photogs doing a great project using large-format Polaroids.  Once they post images publicly I’ll pass along the news.

    One more photo-nostagia tip–this time for Kodak–this clip from Mad Men shows a pitch for the original slide carousel.

    11:49 PM | Permalink | Comments [2]

    February 17, 2008

    Digital imaging in, and of, space

    11:32 AM | Permalink | Comments [2]

    February 13, 2008

    Helmut Newton, the death of Polaroid, and more

    • Mike Johnston shares a number of interesting thoughts on recent photographic news.  Talking about those huge zoom lenses, he says, “[W]hat people are really interested in is who can buy the biggest, baddest, most expensive status symbol in the form of massive glass. Plus, the narrowed field of view of the smaller sensor has now come into direct conflict with the preferred status symbol in sensors, so-called “full-frame” (i.e., 35mm size). We’re back to the best of both worlds in terms of one-upsmanship: the people with the biggest sensors also need the biggest lenses. Perfect.”
    • James Danziger has posted a short, funny, and salty interview with the late Helmut Newton:
      • Q: Your about to be published autobiography stops in 1982. What have the readers missed?
      • A: Nothing! People who reach their goals are very uninteresting. What could I have written about the last 20 years? I met a lot of awfully boring Hollywood bimbos. I earned a lot of money. I fly only first class. [Via]
    • You’ve probably heard that Polaroid film production is reaching its end.  One can, however, convert a Polaroid cam to digital [Via], and while the film stocks last they lend themselves to painterly manipulation. [Via
      Ashish Mukharji]
    • I’m sure my folks in Illinois can relate to this beautiful ice.  Certain things I’m happy to observe from afar. [Via]
    • Storm chaser Jim Reed risks life, limb, and gear to get some amazing shots, cataloged in his book. [Via]
    • Image database Covering Photography is billed as “a web-based archive and resource for the study of the relationship between the history of photography and book cover design.” [Via]
    • I’m late in posting it, but I enjoyed this unusual photo of Sen. John Edwards on the campaign trail. [Via]
    • Dan Heller’s blog covers the business of photography.


    7:22 AM | Permalink | Comments [3]

    February 11, 2008

    Moments in time: Frozen Grand Central & more

    Playing with our sense of time:

    3:51 PM | Permalink | Comments [2]

    February 08, 2008

    Friday photography: Old Hollywood & New Cams

    8:45 AM | Permalink | Comments [2]

    February 04, 2008

    Adobe Stock Photos to be discontinued

    Adobe has announced Adobe Stock Photos, the service integrated into Adobe Bridge, will be discontinued as of April 1, 2008.  An FAQ is posted to address common questions (especially if you’re an ASP user), and there are uninstallers for Mac and Windows that let you remove ASP from Bridge if you’d like.

    The FAQ is very light on the rationale for the decision, but in an interview with StockAsylum’s Ron Rovtar (subscription required for part of it), Adobe director James Alexander says, "We thought we went to market with a set of features and functionality that were going to improve workflow.  It was just not as compelling as we thought it was going to be."

    I don’t have a lot of additional context to offer, other than to say that we’re working hard to make Photoshop, Bridge, and the other Creative Suite apps much more easily extensible so that they can support whatever services customers find useful–whether from Adobe or from third parties.

    12:27 PM | Permalink | Comments [28]

    January 31, 2008

    Made-up Japanese photography word o’ the day

    As I sit in the airport waiting for a flight to PMA in Las Vegas, I’m reminded of a word coined by Adobe market research (I believe) to describe enthusiast photographers in Japan: "Fotomaniaku."  Sure, it just means "photo maniacs," but doesn’t it have kind of a fun mouth-feel?  Now I’m picturing a camera-wielding guy with Mr. Sparkle eyes ("I am disrespectful to shutter lag!!").  T-shirts to follow. :-)

    8:48 AM | Permalink | Comments [1]

    January 27, 2008

    Sunday Photography: From Mullets to MacGyver

    3:37 PM | Permalink | Comments [2]

    January 24, 2008

    One *miiiillion* images per second

    Dang–and I thought 1,200fps was pretty impressive, but that’s so last week.

    The camera fiends at Vision Research have trotted out the Phantom V12, a crowd pleaser said to be capable of grabbing 1MM images per second (if you can live with 256×8 resolution; resolution goes up as frame rate goes down).  Their gear is “targeted at industrial applications ranging from biometric research to automotive crash testing,” they say. “Essentially,” opines Engadget, “this little bundle of joy is meant to be strapped into daredevil-type situations in order to grab as many photos as possible within a split second.”  Check out the company Web site for videos of a popcorn kernel popping and more. [Via Jerry Harris]

    The proliferation of these high-speed capture devices makes me remember a talk given last year at Adobe by Microsoft researcher Michael Cohen.  He described the idea of “thick photos”–essentially taking little movies instead of single frames, making it possible to select the perfect moment in a series.  This development will probably further irritate photo purists, but I’d like to see a camera maker take a run at the idea.

    [Update: Michael points out that his ideas are covered in some detail in this paper.  His own page offers more technical bits.]

    5:43 PM | Permalink | Comments [3]

    January 21, 2008

    “Enter The Ghetto Matrix,” Flash Panos, & HDR

    • "How to Enter The Ghetto Matrix": Graffiti Research Labs built their own bullet-time camera rig, then used it to make a music video. [Via]
    • Flash-based panoramas:
      • The NYT features a pair of interactive panoramas shot at Ground Zero in lower Manhattan.  The audio helps add to the sense of being there, though I’d recommend skipping the built-in animation & instead clicking and dragging to navigate for yourself.
      • Rob Corell passed along these 360° video panoramas, created with the help of Papervision 3D. Go Irish.
    • More high dynamic range action:


    4:42 PM | Permalink | No Comments

    January 17, 2008

    Casio spitfire cranks out 1,200fps, does DNG

    If the minigun-wielding Jesse the Body character from Predator bought a digital camera, he might well choose the Casio EX-F1. According to Macworld, "Casio will put on sale in March a digital still camera capable of shooting up to 60 full-resolution images in one second, and video at more than 1,000 per second to realize a super slow-motion effect." Engadget’s got some more details and video captured by the cam.  Lightroom/Camera Raw PM Tom Hogarty notes that the EX-F1 uses the open DNG format to store its raw captures.

    Speaking of DNG, author/photographer Ben Long has released his Convert Raw to DNG Automator Action, enabling easy conversion to DNG via AppleScript.  Solid.

    For more memory-crushing camera goodness, see previous.

    6:26 PM | Permalink | Comments [3]

    January 11, 2008

    Flickr phlows, Photo Friday

    5:04 PM | Permalink | Comments [5]

    January 07, 2008

    War and rebirth, in photos & illustration

    • When not driving between continents & documenting the experience, German-born, Brooklyn-dwelling photographer Christoph Bangert produces gripping photojournalism in Iraq, Darfur, and elsewhere.  You can find his Iraq effort reviewed here, and on the NYT site Christoph narrates over a selection of his photos.
    • Offering a different take on Iraq, Shooting War is a graphic novel written by Anthony Lappe & illustrated by Dan Goldman.  You can find background & a review on MotherJones.com.  According to that site, "To layer drawings and shading on top of photos, Goldman drew everything directly onto a 21-inch touch screen using an electronic, wireless pen, Adobe Illustrator, and Photoshop. Everything combined, this is a slick-looking book."
    • On a rather brighter note, the NYT features a slideshow on kite flying in Kabul–a colorful pastime banned under the Taliban.  See related article, with video.
    11:37 PM | Permalink | Comments [1]

    January 06, 2008

    ’007 in review: Photography, design, and more


    Photography
    :

    • 2007 was the year the digital SLR boomed, reports CNET’s Stephen Shankland, offering links to top stories throughout the year.  He notes that "Adobe released Photoshop Lightroom in March, and in just a few months it surpassed in popularity the earlier Apple rival, Aperture."
    • Serious photogs keep seeking a nice compromise between SLR quality & compact portability.  A number of folks around Adobe’s West 10th floor have been intrigued by the Canon G9; see Ben Long’s review.
    • Meanwhile a megapixel backlash seems to be building steam. "The more pixels, the worse the image!" says a German camera-testing lab, arguing that splitting a compact sensor into smaller & smaller bits is bad juju.
    • In terms of the craft itself (which keeps proving itself death-proof), Rob Galbraith rounds up a large group of pictures of the year collections.  The sheer number of galleries is a little daunting (paradox of choice, anyone?), but I can at least vouch for MSNBC & Canada Post galleries.  I find the little NatGeo gallery underwhelming.

    Adobe:

    • The company was so busy (Creative Suite 3, Lightroom, new CEO…), it’s hard to believe that it was just in ’07 that so much went down.  Fortunately Scott Kelby provides a thorough overview.
    • Zeroing in just on Photoshop Lightroom, Scott’s colleague Matt Kloskowski offers A look back at Lightroom in 2007, recalling the year’s interviews, cool add-ons, and more.

    Design:

    10:32 AM | Permalink | Comments [3]

    January 02, 2008

    Non-destructive imaging: Easy as PIE

    "Over the last couple of decades," writes photographer and author Peter Krogh, "the term non-destructive has been applied to many different
    kinds of imaging technologies. While the term is useful as a broad classification, it covers so much ground that it can often add more confusion than clarity…"

    With an eye towards helping identify which type of non-destructive imaging offers the best tools for given tasks, Peter has written an interesting and thorough overview (PDF) of what, exactly, entails "non-destructive imaging."  In it he proposes some terminology–e.g. Parametric Image Editing, or "PIE"–to help distinguish one kind of approach from another.  Thanks to Peter for all the hard work in parsing the issues & proposing clearer ways to talk about them.

    The paper joins others in Adobe’s collection of Adobe digital photography white papers and primers.  The paper have been very well received, and you might find them worth browsing.

    5:24 PM | Permalink | Comments [3]

    December 26, 2007

    Sharks eating cameras, Infrared shooting, & more

    Holiday break = catching up on photography online:

    • The Nikon D80: Great camera/delicious shark meal (i.e. lousy shark-be-good stick). [Via]
    • The NYT features a great perspective on a slide, showing ballplayer Luis Aparicio coming into third in 1962.
    • Photojojo has a solid round up of resources on shooting holiday lights (with a camera, thankfully).
    • Gear:
      • PopPhoto talks up The New Infrared Revolution, made possible by digital cameras.  Too bad that for most cameras the process of removing the IR filter is somewhat expensive & renders the cams unable to shoot regular photos.  The accompanying gallery of IR shots includes some good (and some sorta marginal) stuff.
      • The Zigview S2 Digital Viewfinder “clips onto the optical viewfinder of your DSLR, adding a swiveling live 2.5-inch LCD display that can not only be extended on a cable as a remote, but can also automatically trigger the camera when it detects motion.” [Via]
      • "Your popup flash doesn’t have to suck," reports Adobe’s Terry White in reviewing the $30 Lightscoop.  My wife tried to score one of these for me for Christmas, but thanks to publicity from David Pogue & others, they’ve been sold out.
    • Artistry:
      • Patrick Winfield achieves a kind of fragmented impressionism in his Polaroid composites (not entirely safe for work). [Via]
      • The Nocturna installation uses stereoscopic imagery to unusual effect (ditto on the warning).
      • For whatever reason, gigantic “people pictures” were all the rage in the early 20th century.  [Via]
      • Speaking of large images, Nils Nova’s Opposition of Memory uses very large inkjet prints to create an interesting optical illusion. [Via]
    • Matt Kloskowski shares an omnibus list of 28 Lightroom Resources. [Via]  On a related note, Carlo from South Africa writes in to note that he’s uploaded a set of B&W presets.
    • I get a kick out of Sony’s new ad campaign, illustrating the importance of timing by showing famous photos ruined by some intruding object.  Unfortunately I can link to just this one example, though others appear in banners, etc.
    11:42 PM | Permalink | Comments [2]

    December 20, 2007

    Borrow from Flickr -> Live to regret it

    Through Google Image Search & the like, it’s almost ridiculously easy to find pictures of nearly anything you can imagine–and just as easy to drag them into editing tools for your own use.  Do it to a motivated photographer, however, and the practice can end in tears.

    Last week, an image taken by photographer Lane Hartwell was used without permission in a parody video posted on YouTube.  She wasn’t pleased, contacted the band, and filed a takedown notice with YouTube.  CNET’s Stephen Shankland recaps the events to date, then interviews Hartwell.  She notes that she’s had to deal with similar incidents frequently (five in just the last two weeks).

    Over in the NYT, David Pogue talks about “the generational divide in copyright morality.”He lists a number of the scenarios he mentions to gauge audience reactions to what kind of media copying is acceptable.  Short story: older people see shades of gray, whereas younger people think that anything goes.

    I wonder what these folks would say about appropriating a piece of photography, artwork, or software.  If a college kid did a painting that got used in a GM ad campaign, I’m betting he or she would feel entitled to some compensation.  Now, if that painting got used in an amateur video on YouTube, would that be okay?  What if the video promoted a hate group?  Do these guys think that the creators of intellectual property deserve to have any say over how their work is used & whether they’re compensated?  Without any of their skin in the game, the general answer seems to be no.

    [See also: Lawrence Lessig's talk on "How creativity is being strangled by the law."  Also, Derek Powazek has posted some sensible thoughts about collaborative media.  Rule 1: Ask First.]

    6:55 PM | Permalink | Comments [16]

    December 15, 2007

    Urban decay, pigs on mopeds, & other good photos


    11:13 PM | Permalink | Comments [3]

    December 13, 2007

    Would photography please “die” already??

    Ah, the indestructable "Is Photography Dead" meme…

    Oh, who gives a crap?  Sorry, let me explain.  I thought about noting this not-so-little trend some time ago, but I’ve never been able to invest much passion in it.  People have been manipulating photography in every which way–through their choice of what to capture & what to omit; through changes to the scene/subject (adding lights, building sets, moving bodies on a battlefield); and through tweaks to the captured results–since the dawn of the technology.  So what?  I think Bridge engineering manager Arno Gourdol hit the nail on the head:

    Being aware of composition, balance, symmetry and "owning the frame" is the creative act. The creative act matters, and the moment at which it occurs seems secondary–whether it is when pressing the shutter release on your camera, when making a print in the darkroom or when sitting in front of a computer.  This echoes the early days when photography was viewed as an unfair and unworthy competitor to painting…

    I dunno; much of this "is photography dead" discussion strikes me as sterile and pointless–and maybe a strawman that’s not worth beating up.  Yet I wonder whether it’s driven by veteran photogs feeling threatened–comercially and aesthetically–by so many affordable tools that make competent image-making so much more attainable. 

    Sure, yeah, we can debate this camera or lens vs. that one all day long–but all this stuff absolutely rocks compared to what pros were using just a few years back (to say nothing of what Arbus, Capa, Cartier-Bresson, and co. had).  You can say that digital makes us lazy, and there’s some truth there; and yet it also fosters free experimentation & instant review of the results.  That quicker learning cycle, plus autofocus, good software, etc. helps get people "good enough" (technically, anyway) without years of slow and costly apprenticeship.  And when anyone can take a technically decent shot, then "good" becomes "trite," and people seek to define themselves by bucking the trend–making portfolios blurry or murky.

    Therefore–and maybe I’ll live to regret writing this–we end up with a bunch of freaked-out oldsters (or just curmudgeons at heart) twisting up a Dick Cheney grimace and saying, "Bah, I don’t like this digital tomfoolery–not one bit!  In my day we had to huff developer until we saw Ernest Borgnine floating in the liquid–and we liked it fine!!  You kids are ruining everything."

    Um, yeah.  Life, art, and expression move on.  If "photography" is something so brittle & exclusionary that it can’t bear evolution, then goodbye and good riddance.  (Don’t let the film door hit your ass on the way out…) It isn’t, of course, so maybe we can just bury the is-photography-dead schtick.  But I’m not holding my breath.

    12:27 AM | Permalink | Comments [28]

    December 02, 2007

    Stoners, puzzles, & photos that aren’t there

    • “In college, take a year off and drive across the country, and camp along the way,” “Old Geezer” advises young photographers. “Do it with good friends that are smart; not dumbasses that just want to get high. Bring some books. Bring some audio books if you can’t read.”  Also: “Always order good catering. That’s all the client really cares about.” [Via]
    • “This is a picture I did not take…”  On Unphotographable, Michael David Murphy describes the ones that got away. [Via]
    • Befuddlr creates interactive puzzles from the contents of Flickr.  To get one of your images into the game, you can–according to the folks at Photojojo–”Upload your photo to the Photojojo Flickr group, go to Befuddlr and click “photojojo”, select your photo, and scramble it into an online puzzle game! The site will even time your unscrambling attempts, making for a perfect mid-day office-wide showdown.” [Via]
    • Speaking of Flickr, Jason Kottke test-drives the Eye-Fi wireless memory card, which enables direct upload from your camera to Flickr–no cables required.  (This strikes me as cool tech, but I’d much rather have the perhaps impossible GPS-on-a-card.)  Elsewhere, Photopreneur.com offers up 36 Reasons Flickr is a Photographer’s Ultimate Tool.
    • DIYPhotography shows a cool way to make heart-shaped bokeh (lens blur). [Via]  Hmm–maybe we should add hearts as a shape option for Photoshop’s bokeh-making Lens Blur filter (see related tutorial).  If doing stuff like this is up your alley, check out their other tutorials–e.g. “Cheapest ring light ever” [Via] and high-speed photography at home (champagne glasses, BB gun, and subsequent eye patches sold separately).
    • Speaking of high speed photos, check out this beautiful collection of liquid art & droplet photography. [Via Dave Story]
    • Ecocentric offers a foxy camera bag made from old belts. [Via]
    2:24 PM | Permalink | Comments [1]

    November 20, 2007

    African skinheads, found photos, and other slices of life

    • MangoFalls is a rather fascinating collection of photos from film found in thrift store cameras (kind of a photo-specific version of Found Magazine).  [Via]
    • Clayton James Cubitt’s Lagos Calling is “an anthropological study of African skinhead fashion from the early seventies.” [Via]
    • The Morning News features Aaron Hobson’s Cinemascapes plus a short interview with the photographer. [Via Thorsten Wulff]
    • Magnum Magnum celebrates the 60th anniversary of the famed photo agency.  I love the first two shots in this gallery.  [Via Marc Pawliger]
    • People & their breakfasts surveys–well, just that. [Via]  I think this kind of navel-(orange) gazing may be part of Why They Hate Us.
    5:17 PM | Permalink | Comments [2]

    November 18, 2007

    Plastic Man drives the lane, + other moments in time

    • SI photographer John Zimmerman captured a crazy image of Dr. J shot using a slit camera to follow the movement of his hand.  Hard to believe it’s from 1972!
    • Liquid sculpture: Photographer Martin Waugh (see previous) talks about how he combined high-speed photography with a bit of Photoshop to create the new Smirnoff ad campaign.
    • William Hundley makes some eye-popping jumping sheet photographs.  See more of his work on Flickr. [Via]
    • Sports Shooter hosts a cool gallery of indoor rodeo shots from Darryl Dyck. [Via]
    • Telling a very different story occasioned by cowboy imagery, LA Times photog Luis Sinco talks about how his shot of the "Marlboro Marine" James Blake Miller in Iraq changed both of their lives. [Via]  The story is behind an irritating, albeit free, registration barrier.
    11:36 AM | Permalink | Comments [2]

    November 14, 2007

    Feedback, please: Photomerge in Photoshop

    [Update: Though the interactive mode of Photomerge is no longer installed by default in Photoshop CS4, you can download & install the plug-in: see links for Mac & Win.]

    The Photoshop team could use your guidance in setting priorities around our panorama-creation tools.

    The automatic alignment & blending features introduced in CS3 have been really well received by photographers creating panoramas.  Panorama creation in CS2 and earlier relied on use of an interactive dialog (screenshot) that enabled the user to adjust the position and rotation of images before blending them together.  The improved algorithms in CS3, however, can usually produce good results without any user interaction, which is why Photomerge now defaults to “Auto” (screenshot) and bypasses the interactive dialog unless you request it.

    So, here’s the question: Do we even need the interactive dialog anymore?  It’s built on an aging framework, so keeping it around would require some investment.  If you create panoramas using Photoshop CS3 and rely on the dialog, please let us know the details (via the comments) of how & why.

    Thanks,

    J.

    PS–General feedback on panorama creation in Photoshop is always welcome, too, though the fate of the dialog is the most urgent issue.

    [Update: As of CS4 the plug-in is no longer installed by default, but you can still download and use it if you'd like. --J.]

    11:10 PM | Permalink | Comments [54]

    Spies, irony, and evil

    Interesting recent photo finds:

    • Wee cams:
    • Try and stop us:
      • Strictly No Photography sticks it to the Man with an entire site composed of photos taken exactly where they’re forbidden. [Via]
      • "Photo-bans at pop art shows — irony impairment, or Dadaism?" asks Cory Doctorow.  "I wasn’t even allowed to photograph the ‘No Photographs’ sign. A member of staff explained that the typography and layout of the signs was itself copyrighted."
    • Darkness:
      • The NY Times has been covering some grim episodes in the history of humanity, as seen through photography:
        • The personal photos of Nazi death camp guards are a study in chilling banality.  See the accompanying slideshow.
        • Photographer Nhem En was made to photograph prisoners who had arrived to be tortured by the Khmer Rouge. “I had to clean, develop and dry the pictures on my own and take them to Duch by my own hand," he says.  "I couldn’t make a mistake. If one of the pictures was lost I would be killed."  On a related note, Khmer leader Pol Pot’s 1973 Mercedes limo is for sale on eBay.
        • The paper also features a multi-part essay from documentarian Errol Morris, charting his efforts to find the exact location of a famous photo from the Crimean war (the so-called Valley of the Shadow of Death).
      • Flickr hosts a small gallery of images from French nuclear tests. [Via]  In college one of these images adorned the basement wall of our hovel in South Bend, IN.
    8:31 PM | Permalink | No Comments

    November 12, 2007

    Jay Maisel NYC photo workshop announced

    Renowned photographer Jay Maisel is offering a unique workshop in New York next month.  As a fair bit of this blog’s content concerns photography, I thought the details might be of interest.  From Jay:

    This is an opportunity to take a workshop with Jay in his own environment, a historic landmark bank building in Lower Manhattan.

    This is a workshop about seeing and expanding your capability.  It is not about performing or getting your ego stroked.  It is definitely not about technical things and absolutely not about Photoshop.  You will shoot, get critiques, look at Jay’s work and talk about photography all day long.

    It will take place Mon. Dec. 17 to Fri. Dec. 21, from 9am to 10pm each day.  All meals are included.  The cost is $5000.  It will be filled on a first come, first served basis and will be limited to 9 participants.  Payment in full, in advance must be made in order to secure a spot.

    The workshop is sponsored by SanDisk. Please call 212.431.5013 or email jay@jaymaisel.com for more information.

    5:07 PM | Permalink | Comments [3]

    November 04, 2007

    Fire on the mountain

    Despite having flown through the deeply punishing winds, doing a touch-and-go landing at Burbank and seeing the flames from the air, somehow until now I failed to grasp the scale of the Southern California fires.  The excellent LA Times photo gallery*, however, brings home the reality.  I’m reminded of the word "terriblisma"–or as we might say it now, “shock and awe.” [Via]

    *Opening in a new window to avoid irritating auto-resize of one’s browser.

    1:32 PM | Permalink | Comments [3]

    October 25, 2007

    Gigapixel panos through Flash

    GigaPan.org is "sort of a Flickr for zoomable panoramas," notes Photoshop engineer (and Photomerge creator) John Peterson. The site makes it possible to upload & browse gigapixel-sized images, then navigate through them via a Flash interface.  Here’s a shot of Adobe HQ, taken from nearby Caesar Chavez park* in downtown San José.  (Bustling, isn’t it? ;-))  The site is labeled "beta," and the viewer currently leaves much to be desired (quit squirming around, dammit!), but it’s a very cool project nonetheless. [Via]

    For more in this vein, see previous: Colossal images through Photoshop & Flash; 13 gigapixels or bust; 3.8 Gigapixels of Half Dome.

    * I’m sure I walk by it all the time, but until seeing this image I never noticed the deeply gross sign in the park.  Click the second of the two snapshots below the Adobe pano to read it.  I’ll never think of the fountain in quite the same way.

    6:41 AM | Permalink | No Comments

    October 16, 2007

    Aperture vs. Lightroom: What do the pros use?

    It’s been exactly two years since Apple threw its hat into the professional photography ring with the introduction of Aperture.  Adobe responded shortly thereafter with the introduction of Lightroom.  So, how does the pro photography market look now?
     
    InfoTrends recently surveyed 1,026 professional photographers in North America to determine which software they used for raw file processing.  Here’s what folks reported: 

    • 66.5% using the Photoshop Camera Raw plug-in
    • 23.6% using Lightroom
    • 5.5% using Aperture

    To be fair to Aperture, it might be helpful to remove Windows users from the equation for a moment.  Even after doing so, Lightroom’s usage among Mac-based pros is still nearly double that of Aperture (26.6% vs. 14.3%).

    It’s also worth pointing out that photographers haven’t started to abandon Photoshop as a result of using tools such as Lightroom.  (Photoshop usage overall remains in the 90% range.)  The vast majority of photographers seem to understand pretty clearly the different nature & roles of the apps, and they continue to view Photoshop as a must-have part of any serious arsenal.

    Lightroom is clearly off to a tremendous start, and everyone here is really pleased & grateful to the photography community for such a warm welcome.

    10:30 AM | Permalink | Comments [59]

    October 13, 2007

    Adobe puts 3D insect eyes on your camera

    “Why,” I wondered for a long time, “is a wild-haired Eastern European guy walking around our floor carrying a medium-format camera & a hot glue gun?”  The answer, I discovered, is that Adobe research scientist Todor Georgiev* has been working on algorithms for use with a plenoptic camera & was motivated to build his own lenticular lens array.

    So, what does any of that mean?  The goal is to let cameras capture a moment in time from multiple slightly different perspectives.  The resulting image (a series of smaller images, actually) might then enable the photographer to change the focal distance of the photo after the fact, or to use depth information to aid in selecting & editing objects.

    News.com has more info & images, and I think the potential comes through best in Audioblog.fr’s video of Adobe VP Dave Story showing off the lens.  Gizmodo writes, “It’s a way-cool demo, but it might be a while before you see such a fancy lens on everyday cameras. But a focus brush in Photoshop? Whoa. Sign us up.” [Via Cari Gushiken]

    *Okay, his hair seems to be less wild these days, but Todor still kicks out “light reading” like this (PDF). I think I left my copy at the beach.

    3:11 PM | Permalink | Comments [3]

    October 08, 2007

    TiltViewer: 3D Flash interface to Flickr

    Felix Turner, creator of the all kinds of clean, lovely Flash photo displays (e.g. the Flickr Related Tag Browser, SimpleViewer, and PostcardViewer) returns with TiltViewer, an experimental interface that presents photos from Flickr’s "Interestingness" stream.  Clicking the icon on any image makes it possible to flip it over, see notes, and jump to the corresponding Flickr page (which I did for this groovy shot).  For details of the project, check out Felix’s blog.  For another great way to peruse Flickr, check out PicLens.

    10:22 PM | Permalink | Comments [2]

    October 07, 2007

    viewAt.org: Flash-based panorama sharing

    The folks at viewAt.org have carved out an interesting mission for themselves: letting photographers around the world share their panoramas as interactive Flash creations. Citing the ubiquity of Flash over QuickTime, the site creators have devised a system whereby photogs can upload their panoramas, make them interactive (see instructions), and plot them on the Earth via Google Maps.  Site co-creator
    Bernard Custard Gascó writes:

    This project is totally free for anyone who wishes to upload their
    panoramas and has the advantage of offering your uploads in Flash, thanks to a system developed by Denis Chumakov. Besides this, you can promote
    your own website integrated on Google Earth.

    Needless to say, you have complete control over your own work, and
    obviously all rights are yours. By means of a simple code number, you can
    insert the panoramas on your web page and authorize those which you allow
    others to download.

    Click around the map on the main page to view panos from all around the world.  Very cool work, guys.

    4:15 PM | Permalink | Comments [1]

    September 29, 2007

    Cool Recent Photography, Part 2

    3:54 PM | Permalink | Comments [4]

    September 25, 2007

    Cool Recent Photography, Part 1

    Of jazz, Jawas, carnage, & more:

    • Kent Phelan shares a great shot of octagenarian jazz man Roy Haynes. [Via]
    • TrueGrain is "a pro-grade tool for accurately recapturing the aesthetics of black and white film with digital photography."  It’ll set you back $300.
    • The NYT features a slideshow from Turkey’s barren & striking Cappadocia; Jawas sold separately.  According to the gallery, the caves have been carved from soft rock.  I’d like to see caves carved into some really soft rock, like Nerf.  ("Or Air Supply," interjects Margot.)
    • Speaking of the NYT, they’ve been offering excellent prints for sale from their archives.  Dig Ruth Fremson’s photo of trams in the fog (info).  See also the ghostly Twin Towers in the fog; Lower Manhattan in the 60′s (hello, old office); Feeding the hippo at the Bronx Zoo.
    • The paper remembers the life and work of pioneering female photojournalist Gerda Taro (partner of Robert Capa), offering a slideshow of her work.
    • "Don’t look at me like a piece of meat!" But look at my hair that way.  If Julia Kissina’s carnage trips your trigger, see Pinar Yolacan’s work. [Via]
    9:42 PM | Permalink | Comments [4]

    September 10, 2007

    Free new presets for Camera Raw

    I’m delighted to see that author Jack Davis & the folks at onOne Software have teamed up to release more than 100 presets designed to work in Adobe Camera Raw. Available previously for Lightroom, the set of presets has been expanded and refined for Camera Raw.  According to the site,

    PhotoPresets with One-Click WOW! tackle only one development parameter at a time allowing you to optimize your image at each step to create the look you really want without sacrificing any one quality. You start with adjusting your images color and tone and then add effects like black and white conversions, tinting, split-toning and vignetting.

    Scroll to the bottom of the page for video training, or just download the presets’ installer and start going to town. [Via]

    3:09 PM | Permalink | Comments [6]

    September 08, 2007

    13 gigapixels or bust; sketchy photogs; more

    • In Spectacle, photographers David Rockwell & Bruce Mau "celebrate the phenomenon and history of communal, awe-inspiring public performance worldwide–from the stadium to the streets, from religious festivals to political marches."  Dig the really well-chosen type treatments as well. [Via]
    • For a different kind of spectacle, see Harlem in 13 Gigapixels. Photographer Gerard Maynard & software developer Alexandre Jenny have teamed up to create a massive image of the famous New York neighborhood.  With results spanning 279,689 x 46,901 pixels, the project’s raw numbers
      are pretty eye-popping:

      • 2,045 individual photos from a Nikon D2X
      • 21.49 GB of compressed raw data
      • 1 day for image placement and color correction
      • 46 hours of rendering on an 8-core Xeon system with 8GB of RAM
      • Results: A single 48.8 GB image stored in the Photoshop Large Document format (.PSB), converted via Zoomify & displayed through the Flash Player.
        [Via Maria Brenny]  (If this is up your alley, see previous.)
    • Ah, the 1950′s, when you had to be the lookout for "corn-fed belles" hanging out of trees along the road, ready to disrobe in your U-Haul trailer.  At least that’s the world conjured up by the (more than a little creepy) Glamour Photography magazine–one "designed to give the camera man a better understanding of the technical and philosophical aspects of photographing pretty girls."  Philosophy–yes, that’s it. [Via]
    • Elsewhere in history, here are 50 years of a woman’s life, as told by photos bought at a garage sale.  Note to self: Keep trying not to get old.
    • Clayton James Cubitt shares portraits of Hurricane Katrina survivors.  (I’m a big fan of Flash galleries in general, but in this case I think the jerky transitions distract from the subject matter.) [Via]


    3:20 PM | Permalink | Comments [3]

    September 05, 2007

    Fighter jets, galaxies, & infrared squirrels

    From the world of scientific & technical imaging:

    • "You come across the body of a tramp, which in itself is not so disturbing. Until it is turned over to reveal…. ANTS! ANTS! ANTS!"  Er, sorry, I digress.  Joe Lencioni has captured some great macro shots of yellow ants (acanthomyops to their friends).
    • Seed Magazine features a fascinating video tour of scientific visualizations–from Benoît Mandelbrot’s early fractals to an atomic simulation that required six months of supercomputer rendering to depict 20 nanoseconds’ worth of motion.  (Oh, and the closing soundtrack is from Dub Side of the Moon.) [Via]
    • News.com reports on a cool technique for astrophotography–taking up to 20 images per second, then using computer image processing to sift & combine the sharpest results, compensating for degradation caused by Earth’s atmosphere.  Details & before/after images are on the Lucky Imaging site.
    • NASA’s Galaxy Evolution Explorer (GALEX) telescope has captures pix of a star with a comet’s tail. [Via]
    • Who knew that squirrels have infrared-emitting tails, useful for confusing rattlesnakes?  This is kind of thing you learn when grad students get to wander around with expensive camera gear. [Via]
    • A Russian air show produced a terrific image of an Su-27 dropping flares.  (Who needs safety regulations?)
    • Inspire Underground hosts a photo essay on prepping the Space Shuttle for launch. [Via]  Post lift-off, the Shuttle crew captured some lovely shots. [Via]


    8:55 AM | Permalink | No Comments

    August 31, 2007

    "Most of your pictures suck"

    I tend to get in my own head about photography.  Maybe because it can be praticed with fairly little physical skill (compared, say, to sketching, which came rather naturally to me), photography seems to put more emphasis on one’s "eye," one’s taste.  That can be nerve-wracking, making it seem like a failure to take a good shot* is a comment not only on your technical chops, but on your worth as an aesthetic being.  See, I told you I get in my head about it.

    Maybe that’s why I found this comment from experienced photographer Mike Johnston refreshing:

    To be honest, most of my pictures suck. The saving grace of that admission is that most of your pictures suck, too. How could I possibly know such a thing? Because most of everybody’s pictures suck, that’s how. I’ve seen Cartier-Bresson’s contact sheets, and most of his pictures sucked. One of my teachers said that it was an epiphany for him when he took a class from Garry Winogrand and learned that most of Winogrand’s exposures sucked. It’s the way it is.

    Whew.  It’s nice to know that bad photos happen to all guys sometimes, so to speak.  And as Mike reminds his sometimes gear-obsessed readers, "Cameras don’t take good pictures, photographers do."  Just not all the time.

    *There’s also the whole angels-on-the-head-of-a-pin question of what good is.  In Ireland I’d joke, "Look, honey, I set the camera to ‘Trite‘…"

    12:41 PM | Permalink | Comments [9]

    August 29, 2007

    Taliban as Boy George; Frozen photos; more

    Magnum photographer Thomas Dworzak has posted a fascinating 7-minute look at the Taliban & photography.  Their religious beliefs led them to deface any human or animal representation (from ancient statues to bottles of shampoo), yet numerous young men posed for images that make them look "like gay icons."  Western reactions say something about our times, too.

    Elsewhere in photography:

    11:49 PM | Permalink | Comments [3]

    August 27, 2007

    New monochrome photography

    6:19 PM | Permalink | No Comments

    August 26, 2007

    Photography: Moments in time

    Like tears in the rain:

    • Ah, if only this were a Photoshop job… The Online Photographer features an image of a boat plunging to its destruction.  Note the unlucky dude in the upper-right corner of the photo (back of the boat).  Mad Mariner has the backstory.
    • Novak’s Blog has an interesting collection of moments frozen in time. [Via Bob Regan, who muttered "It's a little 'Hang In There'..."  Touché.]
    • Slate’s Magnum series features images in motion .  I really dig the fourth one, taken in Osaka.  And #7 reminds me of time spent in Death Valley… (no further comment).
    • "Oh, the Beemanity!!"  Speaking of dudes being… dudes, remember this formula: Flying insects + flying gasoline + an SLR: great photographic storytelling.  (Note: The copywriting is a carnival of profanity, but pretty damn funny.  Just thought you should be forewarned.) [Via Tom Moran]
    9:50 PM | Permalink | Comments [4]

    August 23, 2007

    Gigapixel Adobe HQ now in Google Earth

    Few people push Photoshop harder than the crew at the Gigapxl Project, creators of ultra-high resolution digital images and prints.  Now their work, including a shot of the Adobe HQ in San Jose, appears inside Google Earth.  You can zoom in from space onto individual images, then zoom way into each one.  Here’s a screenshot.

    To check it out, download the latest version of the software.  Under "Layers" on left side, open the "featured content" folder, check the box for "Gigapxl Photos," and then look for the icons of a picture with a camera.  More details are in the Google Earth documentation.

    7:56 AM | Permalink | No Comments

    August 20, 2007

    Photographic pondering


    10:08 PM | Permalink | Comments [4]

    August 15, 2007

    Visions in Green

    and wonderfully i fell through the green groove
    of twilight striking into many a piece.  –ee cummings

    I think the country of Ireland deserves its own color space: the famous “Forty Shades of Green” are a malachite manhandling of your optic nerves that can’t be done justice using the puny ProPhoto or anything else.  We need iRGB*–Irish RGB–with the capacity to describe hilariously green tones found nowhere else in nature.

    In the meantime, here are my photos from Ireland.  Once you’ve clicked the gallery for the first time, you can move through the images using left and right arrow keys.  A few notes/thoughts:

    • Upside of asking a pro photographer friend for shooting/gear advice before a trip like this: He’ll offer good suggestions, such as bringing a graduated ND filter (which I wish I’d done).  Downside: He’ll show you images he took in the same spots, making you slap your forehead in dismay.  (Thanks a lot, Steve, ;-))
    • I continue to wish that Flash respected color profiles.  Because it doesn’t, the colors in the gallery are totally washed out**, at least on a Mac.  (Right-click/Cmd-click any one of them to see the difference, at least in Safari.)  We’ll keep working towards a solution.
    • I hate disrupting a scene using a flash, so I’m itching to replace my 17-85mm f4 lens with something comparable but faster.  The surprising thing (to me, anyway) is that Canon’s higher-end glass (e.g. the 24-70mm f2.8) doesn’t offer image stabilization.  I’m not sure why that is, or whether losing it would hurt images relative to my current lens.
    • Speaking of green grooves, we referred to various roadways as “green bobsled” tracks–emerald walls whipping by in disturbingly close proximity to one’s head.  Coming around a bend to find a Ford Focus leaning at a 45-degree angle, two wheels firmly up on a stone fence, was a useful cautionary moment.  In describing the trip to her folks, I overheard my wife say, “They drive like the English.” “No,” I interjected, “they drive like Evel Knievel.”  Sadly I couldn’t get any of this on film (er, sensor?).
    • Someday I’d love to try shooting “The Clash of the Ash,” hurling–”the world’s fastest field team sport.”  Unlike soccer/football, this is a game Americans could dig–not the kind of thing about which Stephen Colbert could quip, “I’ll help you tell the boring scoreless matches from the riveting scoreless matches.)

    * Thanks to Outback Photo for the color space graphic.
    ** Here’s a screenshot from a new iPhoto gallery, comparing the identical images shown via Safari (above) to those shown via a Flash gallery (below).

    5:29 PM | Permalink | Comments [11]

    July 31, 2007

    Great black & white, New York at night, & more

    7:15 AM | Permalink | Comments [6]

    July 30, 2007

    Beware your metadata trail

    …at least if you’re planning to commit crimes.  The British Times Online reports that the EXIF metadata embedded in digital camera images could be used to track down whoever photographed each page of the final Harry Potter novel & uploaded it prior to the book’s release:

    The information, known as Exchangeable Image File Format (Exif) data, has already revealed that the camera used was a Canon Rebel 350. Because the model is three years old, the device would likely have been serviced at least once since it was purchased, in which case the owner’s name would be known. [Via]

    The reality in this case, I think, is that identifying and prosecuting the shooter would be difficult.  The camera owner would have had to have registered the camera and have had it serviced, and even with a name authorities would have to demonstrate that the person then used the camera to photograph the pages and upload the results.

    Still, it’s another interesting example of digital devices recording more fingerprints than most people expect.  As devices get smarter, they’ll leave a longer trail of breadcrumbs–for better and for worse.  (How much info must be contained in an image from a GPS-enabled cellphone camera, for example?)

    Adobe often ends up in a tug of war: some people really want to make metadata secure, while others want easy ways to strip it away.  Photographers seem most sensitive in this regard, wanting to ensure that their copyright info is preserved, while optionally stripping out revealing details of how, when, and where an image was captured.  On other occasions I’ve heard law enforcement folks wish aloud that Photoshop automatically inserted some trackable info into each file based on serial number.  (Don’t worry: that’s been met with an immediate, “Um yeeeah, noooo…”)

    In any case, I think there’s some low-hanging fruit here.  We should offer a simple script that would let Bridge remove metadata from images, trusting that most people would use it for good & not for evil.  If you have other suggestions, please let us know.

    11:29 AM | Permalink | Comments [12]

    July 20, 2007

    Airplane bones in HDR; more

    Super fly:

    4:07 PM | Permalink | Comments [1]

    July 19, 2007

    Photography from the Four Corners

    9:22 PM | Permalink | Comments [1]

    July 12, 2007

    Time & space in photography

    • In honor of George Eastman‘s 153rd birthday (today), Slate features an interesting Magnum photo essay on the history of consumer picture-taking.
    • If Eastman were still with us, he’d make a great model for Mark Story’s Living in Three Centuries: The Face of Age. [Via]
    • Spanning 35 years to the day, Nick Ut brought the world a girl burned by napalm & a girl burned by herself.
    • Peter Kaplan shoots from great heights, including some eye-watering shots from atop World Trade Center. [Via]
    • Elsewhere in the air, in Me and My Human Vincent Laforet has captured a striking image from above the ice rink in Central Park.
    • Wired hosts selections from Edward Burtynsky‘s documentary about China’s superhuman rise & the human consequences thereof.  [Via David Harradine]
    12:34 PM | Permalink | Comments [4]

    July 08, 2007

    Sunday Photography: Keep your chimp-hand strong

    I’ve recently come across some round-ups of great photos:

    8:17 PM | Permalink | Comments [1]

    July 04, 2007

    Blowin’ up real good

    While getting frozen yogurt the other night, I observed a posse* of little boys–maybe 5 or 6 years old–swarming around a small pink "Little Mermaid"-themed chair.  They were goading one of their little buddies to body slam himself into the chair, chanting "Dooo it, dooo it… Destroy IT, destroy IT!!"  Ah, the complete purity of that human impulse to see some stuff smashed all to hell.

    In honor of today’s American holiday devoted, in some part, to that impulse:

    • Gene Gable features some cool vintage Fourth of July artwork on CreativePro.com.
    • Similar goodness comes from American U.  Go heavy or go home, right?
    • The NYT hosts a slideshow from explosives summer camp in Missouri. Adios, watermelon. (Here’s the accompanying article).
    • In the spirit of fire-breathing, wheel-popping patriotism, check out these shots from a Wisconsin tractor pull (recalling a little slice of my youth).  Not pictured: Sierra Club reps.
    • Not tied to the Fourth, but in the vein of vintage artwork, check out these fruit crate designs. [Via]  (See also previous.)
    • Update: For more bombs bursting in air, see Firework-Art.com. Man, all this really makes me miss summer car trips as a kid, where we could buy legally questionable goodies from web-footed Southerners by the roadside. [Via]

    Happy (and grudgingly safe) Fourth,
    J.

    *What would the correct term (a la "pride of lions") be? Gaggle of boys? Hootenany? Fisticuff?

    10:34 AM | Permalink | Comments [4]

    June 12, 2007

    Tilt-shift photography, DIY tripods, and more

    3:28 PM | Permalink | Comments [3]

    June 09, 2007

    Weekend photography

    9:41 PM | Permalink | Comments [6]

    June 02, 2007

    A momentary lapse in time

    6:36 PM | Permalink | Comments [5]

    May 30, 2007

    Guns, kids, and salt

    • Magnum photographer Philip Jones Griffiths knows war.  He reflects on violence & its tools in this Guns and Kids photo essay presented by Slate.  The piece brings to mind these ladies–and these.
    • The subjects of It’s All Good couldn’t be less so–junkies, crackheads, gangsters and their families in NYC, "where escape is one rock, one shot, one Glock away."  Gallery. [Via]
    • PingMag interviews Edward Burtynsky, whose Manufactured Landscapes images chronicle humanity’s impact on the earth.  (Not long ago I kind of harshed on one of Burtynsky’s photos.  It certainly has more impact in the context of his larger efforts.)
    • Chris Jordan (mentioned recently) is using the synthetic world of Second Life to present his "Running the Numbers"–depicting the scale of human consumption.
    • The miniature City of Salt comes from Nicholas Kahn and Richard Selesnick–the photographers behind the similarly amazing Apollo Prophecies.
    • In Salt Dreams, Jimmy and Dena Katz chronicle the racers, rocketeers, and pink flamingos of the great Salt Flats.  More info is here. [Via]
    11:20 AM | Permalink | Comments [1]

    May 29, 2007

    Camera Raw 4.1 announced, due shortly

    As you may have seen already, Adobe has announced Camera Raw 4.1, due to be available shortly via Adobe.com.  (The communication got out a little ahead of the actual plug-in, which should be posted in the next 24 hours or so.)

    Camera Raw 4.1 adds support for 13 new digital cameras and backs, including the Canon EOS-1D Mark III, Fujifilm FinePix S5 Pro, Nikon D40x, Olympus E-410, Olympus SP-550 UZ, Sigma SD14, Phase One H 20, Phase One H 25, Phase One P 20, Phase One P 21, Phase One P 25, Phase One P 30 and Phase One P 45.

    In addition, Camera Raw includes some very cool enhancements to sharpening & noise reduction.  I’ll share more details on these shortly; in the meantime, here’s a teaser screenshot.  (By the way, all the same controls will be coming to Lightroom soon, too.)

    3:55 PM | Permalink | Comments [7]

    May 24, 2007

    Scientific bits: Seadevils, severed arms, & Stephen Hawking

    8:04 AM | Permalink | No Comments

    May 15, 2007

    Apocalypse, memory, and redemption

    • In Dr. Strangelove Dr. Strangelove, Canadian Kristan Horton recreates shots from the film using everyday objects: "Silverware become an airplane, plastic and coffee grounds become the sky." Fantastic. [Via]
    • In a slightly related vein, Edward Zwakman produces large-scale photographs by painstakingly reconstructing objects and landscapes from memory. A bit more info is in his Tales from the Grid, but I’d like to know more.
    • Chris Jordan attempts to make staggering numbers comprehensible in his Running the Numbers: An American Self-Portrait.  By assembling thousands of photographs into large, intricately detailed prints, he depicts "a slow-motion apocalypse in progress."  See also the fascinating images of his earlier Intolerable Beauty. [Via]
    • Artist Amanda Vandermeer and photographer Paul O’Grady have collaborated to create Sustainable Jewellery, using flora & fauna to decorate the human form.  (Weirdly, there’s no permalink on the blog where the images appear, so you’ll need to scroll down to the relevant section.)  It might be interesting to see this work juxtaposed with Chrisopher Conte’s sculptures, such as this biomech arm or this stainless steel spider.
    5:26 PM | Permalink | Comments [1]

    May 13, 2007

    Sunday in black & white

    It’s been far too long since I’ve gotten to share some photographic finds.  So, without further ado, here’s great stuff in black & white:

    • The Apollo Prophecies sounds fascinating: "This installation features a continuous ten inch by thirty-six foot long black and white panoramic photograph depicting astronauts from the 1960’s traveling to the moon and back. While on the lunar surface they discover a lost Edwardian expedition that may or may not be real. It was shot and assembled on sets or on location with miniature models and live actors."  Here’s a video about its creation, followed by larger detail images.  The long-snouted astronauts have a Hieronymus Bosch quality.
    • Through photog Tim Mantoani (who’s doing a really interesting project I’ll mention soon), I learned of rock n’ sports vet Michael Zagaris. Sports Shooter is hosting a gallery of his work (love the Bill Walsh/Joe Montana shot), and more is available to see and purchase on Michael’s site.
    • Jonathan Greenwald sets his portfolios to music.  Dig the "Ordinary Life" set, well paired with Coldplay.
    • Herman Krieger’s Mall-aise captures suburban anomie with visual & verbal puns. [Via]  On a somewhat related note, Stephen Crowley captures isolation at a rural motel.
    • SUNY Buffalo hosts a rather haunting gallery of early 20th century images from the Arkansas State Prison. [Via]
    • On Flickr folks are re-creating vintage photos of London.  See also the site’s Then & Now photo pool. [Via]
    • Apparently, in child portraiture, it was once common for mothers to disguise themselves as chairs. [Via]
    9:15 AM | Permalink | No Comments

    May 01, 2007

    High Plains Drifting

    I’m just back from the desert, and boy are my arms sandy… We gave our friend/my fellow Photoshop PM Bryan O’Neil Hughes a solid send-off to his single days, I think. Word to the wise : RV+sand = elephant+tar pit; oi vey. Sadly, I didn’t manage to see a real live Adobe Photo Shop [Via].  I did, however, find a great deal on California real estate in Trona.  (Hope you like sulfur… and breaking your windows just to cut your wrists.)  Ballarat Bob was MIA, but we caught up with our friend, the Mayor of Ballarat, along with his even more grizzled (!) dad–keepers of Charlie Manson’s truck & black helicopters; here’s a small gallery

    Their one-room building (famous for $2 cans of Milwaukee’s Best–which will taste good to you when it gets hot enough) also features a photo I really love.  I don’t know a thing about its subject or its history, and I always choose not to ask.  Sometimes it’s good to savor a little mystery.

    In a photographic vein, and starting with Death Valley:

    • Author & photog Ben Long is just back from the park as well, and he’s posted a gallery of terrific shots.
    • If the boys of Ballarat were ever to go digital, they might like the Kodak 1881: a digital camera as vintage locket. [Via]
    • "You just had to run": TOP relays an anecdote from Steven Spielberg on catching the dawn for Empire of the Sun.
    • Author Will Self has documented his writing room, festooned with Post-It notes.  (I feel like he’s got a physical version of my copy of Contribute, from which I write this blog.  It’s a warren of ideas and links, jotted in blurbs, competing for too little time.) [Via]
    11:58 AM | Permalink | Comments [4]

    April 26, 2007

    Check out the thorax on that guy

    I’m a real lightweight when it comes to insects (for example, I could never name my Flash rival after one ;-)), but they do inspire creative photography & more:

    • Buzz illustrates "The Intimate Bond Between Humans and Insects" via some amazing microscopic photography. See inside. [Via]
    • Student photographer Lawraa shares a shot of a praying mantis apparently listening to Snoop ("Throw your prehensile appendages in the ai-ir…") [Via]
    • Der Spiegel had a great gallery of shattered bugs, but now I’ve waited too long and it’s returning a 404 error.  Dang–maybe it’ll turn up elsewhere, as the images were worth seeing. The best the site will now give me is a pregnant cow scaring chubby cyclists.
    • Make any treat more mouthwatering with the help of sugar that looks like ants. [Via]
    • In a similar vein, an ad campaign uses ants–"the most credible ambassadors for sweetness*"– to show off sugar-free eats.
    • [For more bug life, see previous.]

    *Snuggle the fabric softener bear was apparently unavailable

    7:19 AM | Permalink | Comments [4]

    April 07, 2007

    Swords, plowshares, photos & art

    • Armed America photographs some of those who own the nation’s ~200 million firearms, sharing bits of their perspectives.
    • Armed Appalachians appear in Shelby Lee Adams’s Napier Family series.
    • Slate features Gitmo in Black and White, a Magnum photographers’ slideshow documenting the prisoner detention center at Guantanamo Bay.  (If there’s a more surreal location for a Starbucks, I’ve yet to hear it.)
    • Juxtaposing wealth & war, this image from Lebanon was named "Photo of the Year 2006" by World Press Photo.  There’s more info in this NPR story (which for whatever reason won’t play on my Mac). [Via]
    • Unflinching war photographer James Nachtwey has been honored at the TED Conference.  They’ve created a video discussing his & others’ work, and Nachtwey is covered in the documentary War Photographer (3-minute excerpt). [Via]
    • Hoping for a more peaceful world, Retired Weapons depicts another future for military hardware.  (I hoped for a bit more from this one, but maybe it’s deeper than I’m seeing.) [Via]
    • Lastly, a reason to go bigger than Shuffle: this iPod saved a soldier’s life.
    3:06 PM | Permalink | Comments [2]

    April 01, 2007

    Your eyeballs’ resolution, historic photos, & more

    • As traditional photo printing heads into obscurity, photo conservationist Dusan Stulik & his crew at the Getty Conservation Institute want to capture what’s being lost. They’re "working on what might be described as the genome project of predigital photography: a precise chemical fingerprint of all the 150 or so ways pictures have been developed" over the last 170 years.  19-century leather printing sounds cool, but as for the uranium prints, he can keep ‘em.
    • Taking a different angle on photo preservation, Shorpy is "The 100-Year-Old Photo Blog." (It’s named after this little dude, apparently.) [Via]
    • I haven’t gotten to poke at it much, but Focus, The Photographic Search Engine, sounds interesting. [Via]
    • Your point-and-shoot has a little way to go before reaching the 576-megapixel resolution of the human eye [Via]
    • And lastly, speaking of resolution, who knew that Google satellite aerial photography could go so insanely close?  If I start balding, they’ll probably know before I do… [Via]
    10:03 AM | Permalink | Comments [5]

    March 30, 2007

    Infrared, bobbleheads, & bone-crunching hits

    1:34 PM | Permalink | Comments [1]

    March 28, 2007

    Safe, humane tourist-zapping in Photoshop Extended

    Yesterday I mentioned that Photoshop CS3 Extended features "image stack analytical filters."  Er, yes, so that’s useful and relevant… how, exactly?  In a nutshell, you can now treat multiple images as a single entity, running an algorithm across them non-destructively.  So, for example, you could take a range of frames, then have Photoshop show you the average value of each pixel.  Other algorithms include Entropy, Skewness, Summation, and Kurtosis*.

    If this doesn’t yet sound scintillating, it’s probably because (I’m guessing) you’re not doing technical image processing work.  It was to enable technical applications that image stack processing was added, and it’s the reason that one finds the feature in Photoshop Extended.

    Having said that, photographer and author Martin Evening has come up with a great example of how combining multiple images into a stack, then aligning them and running the Median filter, can make moving objects (tourists, pigeons, bits of noise) disappear.  Check out his story on Photoshop News for details and images.  To demonstrate the process, I’ve whipped up this 75-second video demo using Martin’s images (hoping he won’t mind).  And you can watch Russell Brown "reduce global warming" by removing the cars from the Golden Gate Bridge**.

    Now, I’ll admit that seeing image stacks this way makes our marketing story a little more challenging.  Didn’t we say that "Photoshop Extended" is meant to offer specific capabilities to people who need them, and that we haven’t withheld core photographic functionality in order to get every customer wanting/using Extended?  We did say that, and it’s true.  Image stacks are powerful and (I think) pretty cool, but I’d feel uneasy about overselling them a core photographic tool.  There’s both power and potential here, but it’s a little more science-fair-ish than we’d like to sell for mainstream photography work.

    Does that make sense? We are sincere in trying to group capabilities logically in Photoshop vs. Photoshop Extended.  We did not want to be shady.  (That’s why, for example, you’ll find "Video Frames to Layers" in both editions of PS: It was previously in ImageReady, and even though we’d have had an easier time saying "all the video stuff is in Extended," we didn’t want anyone’s arm to feel twisted.)

    * Which, Chris Cox assures me, does not mean “bad breath.”
    ** This also demonstrates how stacks are related to video, which is core component of Photoshop Extended.

    11:01 AM | Permalink | Comments [15]

    March 16, 2007

    Friday photography

    5:11 PM | Permalink | Comments [4]

    March 10, 2007

    Beautiful patterns in nature & beyond

    • Robert Hodgin is a creative force.  It seems his Flight404 has been an inspiration as long as I can remember, and now he shares the lovely Magnetosphere.  This–this–is what I want using Photoshop to be like–totally alive, reactive, surprising (cf. that Hands video I mentioned earlier).  Robert discusses its creation here.
    • The piece reminds me of the Eskimo Nebula, seen in NASA’s Image of the Day archive. [Via]
    • Jeff Schewe captured some captivating patterns in icebergs in Antarctica last month. My favorite bits start roughly halfway through the gallery.
    • Peep the gardens to be found in Petri dishes. [Via]
    • Marc Pawliger points out a gallery of cool flame fractals.
    10:52 AM | Permalink | Comments [5]

    March 08, 2007

    New lens comes with free hernia

    Damn–this new Sigma lens (200-500mm, F2.8) is a beast; see details (which omit the key question of weight).  No word on whether this thing ships with its own crew of sherpas.  Of course, it’s still no match for that 500+ lb custom Zeiss monster, but it’s impressive nonetheless. [Via Russell Williams]

    6:20 PM | Permalink | Comments [8]

    March 06, 2007

    Hurricanes, Turkish panos, & more

    • The New Yorker talks to photographer Clifford Ross, creator of the ultra-high-res R1 film camera (see it on his site), as well as the R2, a 360-degree video camera (images) that captures 9 gigs of data each minute.  The R2, they write, is "like a super-high-tech Advent calendar," revealing "thousands of little inadvertent dramas."  I’ve found Clifford’s site engrossing, offering a high-res sample image, as well as his terrific Hurricane series (apparently a very wet shooting endeavor). [Via]
    • As Turkish photog & filmmaker Nuri Bilge Ceylan traveled the country to scout locations, he created a series of striking panoramas called Turkey Cinemascope.  His muted palettes & lighting are out of sight.  The Online Photographer offers a brief profile.
    • Macduff Everton travels the world making beautiful images, many of them panoramic.  I found his site a touch difficult to navigate (and the images sadly tiny), but the gallery is lovely nonetheless. [Via Dave Sailer]
    7:46 AM | Permalink | No Comments

    March 04, 2007

    Under a Blood Red Moon

    10:38 PM | Permalink | No Comments

    February 27, 2007

    The 66" negative

    AutoWeek has the interesting story of how photographer Rick Graves uses a modified, motorized camera back which feeds a continuous roll of film past the shutter while it’s open, creating a very wide negative (like this one; scroll it to the right):

    "Each image Graves makes is from one exposure on an entire roll of film, not a composite of several different images.

    "’A number of people have tried to build this type of camera,’ Graves said, likening it to the finish-line cameras used at horse races. ‘But the difference with my camera is that I have 66 inches of movement [of the film] in one second. The film is moving relative to the moving subject. I developed this camera as a better way to capture motion.’

    "The secret to the system is not the camera itself—a standard 500 Series Hasselblad—but in the film back, which contains a small motor and various electronics adapted from the robotics industry. This setup gives Graves control of how fast the film moves when he opens the shutter. If he gets it right, the film is moving at the same speed as the cars, allowing for a photo with dozens of speeding cars, all razor sharp."

    NASCAR sells prints that are 4 inches tall by 8 feet long.  Check out many more examples (not all automotive) in the DistaVision portfolio. One slight bummer is that because of the ubiquity of Photoshop-edited composites in the world, a lot of viewers may think these works are simply digital collages. [Via Joe Ault]

    On a related note, I happened across an article on slit-scan photography that features a rather trippy photo produced using related methods. [Via]

    2:16 PM | Permalink | Comments [4]

    February 25, 2007

    Urban grit, bright buildings, and more

    BYOTR (Bring Your Own Thematic Relationship) to these photos; I can’t offer one this time. :-)

    11:50 AM | Permalink | Comments [2]

    February 17, 2007

    Panopalooza: From Barcelona to the Moon

    It’s rough–rough!–when a humble photog like me finds himself pursued from city to city by someone much more capable behind the lens.  But that’s the situation in which I found myself last week, when Dzone Magazine editor Hans Frederiks* (brother of Adobe’s own Ton Frederiks) joined us in Amsterdam, then in Barcelona.  I found time to squeeze in a few panoramic shots, but every time I’d turn around, Hans was shooting & had already uploaded images to his blog.  It’s all good, though, and I wanted to pass along a few of his images (stitched together with Photoshop CS3):

    Since folks seemed to enjoy my Paris panorama, here are a few more from the journey**:

    Figuring that if you’ve read this far, you must like panoramic flavor, so I’ll pass along a few more:

    *I also can’t offer up phrases like "Eindelijk sneeuw! De lichtmeester ‘at it again’!"  But I can enjoy the sound. ;-)

    **Note: We’re still fine tuning the Zoomify implementation in Photoshop.  The output here is generally nicer than what you can produce with the CS3 public beta, but we still have some work to do (e.g. the panos are a bit soft when they first load).  Also, I’m trying not to Zoomify things just for the sake of doing so, and instead I want to use the feature only when it adds value (and when it doesn’t let you see just how noisy some of my captures are!).

    Oh, and one more thing: This is post #500 on the ol’ blog-blog-revolution.  I hope you enjoy the reading as much as I enjoy the writing.

    11:24 AM | Permalink | Comments [3]

    February 14, 2007

    Frosty photography

    From chilly Kansas City (via my friend Maria at Hallmark, specifically) comes a link to amazing photos from Lake Geneva in Switzerland, showing cars, boats, and more buried in beautiful, brutal ice.  Background info on the pix is at Snopes.com.

    Man, this stuff makes me not miss living in Boston.  I returned to Logan airport once to find my old Volvo with six inches of snow coating its side, needing to be clawed off with a speaker cover that had conveniently fallen off the door.  San José, CA, may have all the culture of a beer nut, but the weather sure doesn’t suck.

    [Tangentially related Boston/cold thing: On this Europe trip, InDesign PM Chad Siegel entertained us to no end with his rendition of a beer vendor from Fenway Park: "ICE cold beeah heeah! FREEZE ya teeth, take ya TONGUE on a sleigh ride! You'll wish ya throat was a miiiiiiile loong!"  Of course I had to morph this into a topical cry: "RED hot apps heeah! WORK ya flow, take ya MOUSE on a joy ride!  You'll wish ya screen was a miiiiiile wide!"]

    8:11 PM | Permalink | Comments [2]

    February 08, 2007

    GigaPans & big zooms

    A couple of interesting optical bits of note:

    • Roland Piquepaille talks about a new device called GigaPan, a $200 automated device which promises to facilitate the creation of very large panoramas. More info is here. [Via]

    • David Pogue waxes rhapsodic about the hard-to-find Nikon 18-200mm stabilized lens. Newly minted Flash PM (formerly long-time Flash evangelist) Richard Galvan has been shooting up a storm with what I believe is this same lens & loves it. He took some beautiful sunrise shots of Barcelona today, to which I’ll link as soon as he posts ‘em.
    • New Canon developments are rumored, including the possibility of some new “long glass.” I’ve been wondering when we might see a 70-200mm f/2.8 lens featuring the new image stabilization technology. Having just shelled out for a house, however, my enthusiasm for a purchase like that has appropriately waned… [Via Keith Cooper]
    4:21 PM | Permalink | Comments [6]

    February 07, 2007

    Paris from the top

    I’m having a ball shooting panoramic images in Europe, so I thought I’d share one sample (more to come). I created this 27MP Parisian pano by taking a series of shots from atop the Tour Montparnasse, home to the local Adobe office. I stitched the images together by loading them via the files-to-layers script, then choosing Edit->Auto-Align Layers, followed by Edit->Auto Blend Layers, and finally Export->Zoomify.
    Adobe must have a thing for towers, and I write this from the Barcelona office, which tops a 20-story building overlooking the beach. The city is as beautiful as I’d been told, so I look forward to shooting more tourist bits–er, valuable test files–in a bit.
    [Update: Fixed link.]

    4:18 AM | Permalink | Comments [5]

    February 03, 2007

    Next-gen "Origami Lens"

    John Dowdell tipped me to an interesting development in the world of tiny optics:

    "Your next camera phone might get a new kind of lens if researchers at
    the University of California at San Diego convince the cell phones
    makers. They have designed an ‘origami lens’ which will slim high
    resolution cameras. Today, their 5-millimeter thick, 8-fold imager
    delivers images comparable in quality with photos taken with a compact
    camera lens with a 38 millimeter focal length. In a few years, these
    bendable lenses could be used in high resolution miniature cameras for
    unmanned surveillance aircraft, cell phones and infrared night vision
    applications."

    I, meanwhile, prepare to head out the door with a comparatively luggable 17-85mm lens in hand.  Having seen a colleague shooting this week with an approximately 35-200mm lens that appeared to offer a much wider aperture than mine & no appreciable increase in bulk, I keep wondering about my photo friends’ advice.  "Oh, those things are blurry crap," they say–but boy, the flexibility & speed they appear to offer sure is appealing.  It makes me think of audiophiles who drop thousands of dollars on equipment that (to me, anyway) just reveals the flaws in the source audio or other components.  I don’t want to use garbage, but I’m starting to stroke my chin about the info I’ve been getting…

    2:22 AM | Permalink | Comments [3]

    January 31, 2007

    Of Birds & Bees

    2:45 AM | Permalink | Comments [3]

    January 26, 2007

    Blowing Smoke

    Put this in your burning bulb & smoke it: Graham Jefferey has created a gallery of gorgeous smoke images. (In case you’re wondering, as my wife was, whether it’s possible to buy prints, the answer is yes.)  Graham’s work inspired Myla Kent to create her own lovely experiments with incense.  There’s a whole pool of art smoke images on the Flickr, and now Photocritic features tips & tricks from Graham for creating your own smoke images. [Via]

    9:37 AM | Permalink | Comments [5]

    January 24, 2007

    Night photography: Comets & more


    4:35 PM | Permalink | Comments [2]

    January 23, 2007

    Organized Randomness

    (Other than this blog, I mean.)

    • In More Turns, photographer Bill Sullivan has captured New Yorkers as they pass through subway turnstiles.  "I developed a situation," he writes, "so that various subjects could be defined by the constraints of exactly the same mechanical apparatus… At the moment that the subjects passed through the turnstile, unknown to them, I took their picture stationed at a distance of eleven feet."  Besides the images themselves, I really enjoy the quasi-panoramic presentation.  Bill rotates the same approach 90 degrees in his elevator-based Stop Down series, where closing doors do the cropping. [Via]
    • In The Thought Project, Danish photographer Simon Hoegsberg approached 150 strangers on the streets of Copenhagen and NYC, asking them what they were thinking the moment before he stopped them. He recorded their replies and then took their portraits. Thoughts range from truffles to Sheena is a Punk Rocker to IRBMs. [Via]
    • In Le Grand Content, Clemens Kogler pretty much captures how my mind works, depicting connections between hamsters, religious doubt, artificial sweeteners, heavy drinking, and more. [Via]
    2:53 PM | Permalink | Comments [1]

    January 22, 2007

    Burning bulbs

    Yesterday I happened across a rather cool photo gallery from Lightroom engineer Kevin Tieskoetter, in which he captures the moments just after shattering lightbulbs.  Kevin writes,

    I was inspired by a similar image I saw on photo.net and thought it would be fun to give it a try. I went through probably 50-100 bulbs, and discovered I had the most luck with the candle-flame-shaped frosted bulbs, mostly because they have a more interesting design to their elements, they’re dirt cheap, and I can break the bulb with a pair of pliers. If I break just the tip off, I can then use a needle-nose pliers to break off additional chunks until I have just the amount of glass remaining that I want (although I found it was usually more interesting without any glass showing). Traditional lightbulbs turn out to actually be very hard to break, especially without destroying the filament in the process. Also, the filament is so simple that the flame pattern isn’t as interesting.

    I borrowed a Nikon D2hs and a Canon 1D Mk II to do the shots: high pixel count wasn’t particularly important, but a high frames per second was critical. Once I lit the bulb, it would burn for 1-2 seconds, but the only interesting shots were generally at the very start of the process as the mushroom cloud was rising. An 8fps camera makes a big difference here.

    The images were backlit using a standard flash on an extension cord. I set it to manual mode at 1/64 power (I think; I did a lot of experimenting here to find the right settings). Lenses used were a 50mm macro (at 1.5x magnification) and 150mm macro (at no magnification).

    Kevin took additional photos of the process & hopes to do a how-to page at some point.  First, though, there’s the small matter of shipping Lightroom. :-)

    9:33 AM | Permalink | Comments [4]

    January 21, 2007

    Single-pixel camera

    The megapixel wars are so overrated–at least according to a team of researchers at Rice University. By focusing light on a single-pixel sensor, they promise reduced power consumption & consequently greater battery life in digital cameras.  The digital micromirror device, says the BBC, "consists of a million or more tiny mirrors each the size of a bacterium."  As the light passes through the device, the millions of tiny mirrors are turned on and off at random in rapid succession. 

    Photoshop engineer Zalman Stern points out the researchers’ info on compressive imaging & writes,

    The design uses a micromirror array and a lens to perform a pseudorandom
    weighting of the image. The result is
    sampled using a single photo detector. The image presented to the
    micromirror array is from a standard lens system of some sort.

    The interesting part is the math underlying the reconstruction from the
    samples. There is recent theory work that determines how good a
    reconstruction you can get for a given amount of sampling reduction.
    That is, one takes significantly fewer samples than the number of pixels
    in the output image and gets a moderately acceptable rendition of the
    original scene. One way they have of looking at this is that image
    compression is done during sampling, rather than digitally afterwards.

    The device is currently the size of a suitcase, so getting it into practical applications is likely to take some time. [Via Kevin Tieskoetter]

    * For those interested in these things: Zalman was on the Photoshop team way back in the day (doing the port to PowerPC, as well as the ye olde GIF
    89a Export plug-in).  After that he left, joined Macromedia, then left and started a company, then found his way back to Macromedia, and thus to Adobe. (Kind of a nice pallindrome…) Now he’s contributing code to Camera Raw that’s "rockin’ like Dokken." He was a creator of Contribute, which I’m using to type this now. It’s a small world, after all.

    10:04 AM | Permalink | No Comments

    January 19, 2007

    Friday photography

    6:29 PM | Permalink | Comments [1]

    January 17, 2007

    Take photos, not a beating

    Will snapping a photo get you popped in the nose, legally or literally? The latter’s a good bet in a biker bar, but what guidance exists for other situations–especially in a climate of heightened security? "Since I’ve heard various people ask (or debate) these questions from time to time," writes Photoshop engineer Russell Williams, "here are some references you might find useful:"

    And engineer Dave Polaschek adds, "There’s also The Photographer’s Right,
    which is a single sheet that you can toss into your camera bag for reference
    should you happen to get harassed by private security or cops when legally
    taking pictures."

    [Update: See additional good links in the comments below.]

    5:08 PM | Permalink | Comments [6]

    Little Fluffy Clouds

    10:45 AM | Permalink | Comments [1]

    January 10, 2007

    Local Boy Does Good: Geoff’s image in PopPhoto

    One of the nice things about working on Photoshop is that many people on the team enjoy using the software outside of work, especially for digital photography.  The hallways & office doors of West Tower 10 are filled with beautiful prints from folks in engineering, QE, localization, etc., and using the app as a customer provides great perspective while building it. 

    Anyway, an image from Photoshop engineer Geoff Scott now appears in this month’s Popular Photography.  He explains, "Last May I went on a trip that’s put together by American Photo and Popular Photography magazines. The trips are called Mentor Series, because pro photographer come along to offer tips, critiques, and general goofiness." The organizers liked
    one so much that they’re using it for the ads for the trip this year, and you can check it out here (cars streaking through Times Square).  Congrats, Geoff.

    8:26 AM | Permalink | No Comments

    January 09, 2007

    Dare to Daguerre

    Today is the 168th anniversary of the daguerrotype‘s introduction to the world.  Interestingly enough, this archaic form of photography remains a powerful, if seldom used, artistic medium: since 1999 painter Chuck Close has been using the process to create some interesting portraits, including an unvarnished Kate Moss.  If this kind of thing is up your alley, check out Neatorama’s World of Early Photography.

    7:27 AM | Permalink | No Comments

    January 08, 2007

    Fluid Photography: Foam, Ice, Air, Flood

    • From Russia with Foam: John Peterson passed along this gallery showing the hiterto unknown art of drawing on top of coffee. (I think Jerry Uelsmann might dig this one. ;-)) And later I found a video of the techniques in action.
    • Only slightly more permanent, the sparkling sculptures in the Harbin international ice and snow festival are built to chill. [Via] China Daily features photos from the opening ceremonies.
    • Elsewhere in cold China, check out this frozen waterfall. [Via]
    • The Musée d’Orsay features the work of Etienne-Jules Marey, who did pioneering work photographing air at the start of the 20th century, using imaging plus one of the first wind tunnels to reveal previously unseen details of air’s fluid dynamics. [Via]
    • Whereas those vintage photos are presented in frustatingly small form, the Paris School of Mines features large images of the city during the 1910 flood [Via]

    [For more snowy goodness, see previous.]

    11:59 PM | Permalink | No Comments

    January 01, 2007

    Photography to welcome a new year

    • Milk’shroom: From Germany comes a terrific image of milk dropping into coffee. [Via]
    • Like perhaps millions of others, I’ve seen some of Steve McCurry‘s famous and arresting images, but like many I didn’t know his name.  I know it now, as the always-excellent blog The Online Photographer highlighted the arrival of Looking East, a book of Steve’s portraiture. Do be careful, though: his site contains a rich portfolio and could well suck you in for ages (and it did me). [Via]
    • Through T.O.P. I was reminded of the work of Jill Greenberg, whom they’ve named Photographer of the Year.  Her crying tots aren’t my cup of tea, but for whatever reason I really groove on her monkey portraits. See more of them here.
    • My own amateurish bits suffer by proximity, but the windy CA weather dropped a few groovy branches in our yard last night, and with a macro lens borrowed from the ‘Dobe, I had fun creating a few shots.  I’ve posted them (1, 2) via Zoomify, exported from CS3, as well so you can see the details. [Note: We'll fix that "zoomed way out by default" bug soon, I promise.]
    • Someday, I’m afraid, you’ll read that I crashed and burned on Hwy 101 while transfixed by the comings & goings at Moffett Field, former home of the Navy’s lighter-than-air fleet.  In the meantime, the NYT is selling a beautiful print of a Zeppelin over Manhattan. On a related note, "Personal Blimp" refers not just to a product mgr. stuffed with HoneyBaked Ham (it was delicious) , but also to a small new airship being designed in Massachusetts. [Via]

    Oh, and by the way, Happy New Year! :-)

    11:54 PM | Permalink | Comments [3]

    December 30, 2006

    Atmospheric photography

    • Marc Pawliger passed along this gallery from PhotoAstronomique.net, containing some interesting time lapse stuff.  Shots like this one make me remember how much I have yet to learn about my camera.  As the text is in French, I can’t read much of it, but I think "Arc de brume" sounds great. [Update: Here's the site in English.]
    • Seeking atmosphere of a different kind, Nicole Bengiveno has captured some beautiful impressions around NYC.  (The music may or may not be your cup of tea; I preferred to nuke it and focus just on the visuals.) [Via]
    4:02 PM | Permalink | Comments [3]

    32-bit/HDR improvements in Photoshop CS3

    Photoshop CS2 introduced the application’s first support for 32-bit high dynamic range (HDR) imaging.  The support was pretty limited, consisting of the Merge to HDR command (for combining bracketed shots into a single image) and some basic imaging functions (cropping, cloning, conversing from 32 to 8 or 16 bits per channel).  Even so, about a year ago examples started popping up of HDR experiments (not solely connected to Photoshop, of course, but helped along by CS2).  In the time since then more good resources on the subject have emerged.

    The Photoshop CS3 beta includes some improvements in the HDR realm.  Some more functions (e.g. Levels) are enabled for 32-bit images, and the Merge to HDR command, although superficially similar to the one in CS2, contains a variety of improvements.  It benefits from the new image alignment code; preserves a more complete set of source data; and uses improved algorithms for merging the data.

    Trevor Morris has kindly supplied an HDR photo created with the CS3 beta, as well as the source frames.  He says, "I could never get it to work in CS2, but it worked flawlessly in CS3, and I was quite pleased with the results."  He writes,

    This photo was shot inside the Christ Church Cathedral, located in Fredericton, New Brunswick, Canada.
    For this particular shot, I used a tripod and remote to capture 12 exposures, from 1/125s to 20s, with a Nikon D70 @ f/16, ISO 200, FL 18mm. I combined the exposures using Merge to HDR, increased the local contrast, and gave the image a slight saturation boost.

    Give it a whirl with your bracketed shots, and please let us know whether it works well for you.

    11:03 AM | Permalink | Comments [17]

    December 27, 2006

    Mechanical insects & more

    Interesting design/photography bits:

    • Graham Owen creates insanely realistic flies for fishing.   (I’ve spent a good part of the Christmas break cat-fishing; wonder what Graham could do in the way of a felt mouse.)  He even offers a step-by-step tutorial on creating flies.  [Via]
    • And if that’s not realistic (or weird) enough for you, there’s Mike Libby’s Insect Lab,"an artist-operated studio that customizes real insects with antique watch parts and electronic components." [Via]
    • Speaking of animals+electronics, the Woofer‘s name works on two levels.  I wonder if he’s related to this pup.
    • Artist Cai Guo-Qiang gets crazy with animals real (dead wolves a go-go; an unfortunate tiger going out like St. Sebasian) and imagined (explosive dragon skeleton) [Via]
    • The NYT features some beautiful shots of northern Japan’s disappearing world of draft horse racing.

    [See also previous bits]


    8:13 AM | Permalink | Comments [6]

    December 26, 2006

    Photos of the Year 2006

    • The NYT has posted its Year in Pictures, featuring images of war, politics, sports, and more.  It’s amazing how quickly events can fade from our (or at least my) consciousness, often just months after they occur.
    • MSNBC has some terrific galleries from this past year.  (Bet you’ve never seen a bull doing a headstand before.) See also Time’s collection.
    • The Photography Blog features an interview with German photographer Gerd Ludwig, named Photographer of the Year at the Lucie Awards.  His journeys through the former USSR produce images both grim & transcendent.   (On going digital, "I turned my film fridge into a wine cooler," he says.) [Via]
    • Chernobyl is the subject of an intense and difficult portfolio from Paul Fusco. I found it among Slate’s excellent collection of interactive essays from Magnum photographers.  See also Martin Parr’s take on the "flotsam and jetsam of the Western world."
    • Mexican crime photographer Enrique Metinides captures a rough world–supermarket shootouts, wounded actresses, and more.  Additonal work is featured in the Anton Kern Gallery [Via]
    • Slight non sequitur: I don’t know why I find the idea of a wooden digital camera so charming, but I do. [Via]
    9:21 AM | Permalink | Comments [1]

    December 21, 2006

    Ten thousand bucks a gallon… for ink

    "Give away the razor, make money on the razor blades…" I say, the razor guys need to convince you to ink your face/legs, ’cause the real money is in inkjet refills.

    Popular Photography’s Michael McNamara has posted some interesting observations on the state of inkjet prices in the world market.  Note: I don’t mention this to suggest that these products are overpriced.  The rate of innovation in desktop printing has been terrific, and as Michael notes, these inks enable creation of prints that "technically blow away minilab and online quality, plus last five to ten times longer on display."  It’s simply interesting to do the math on commodities that are, drop for drop, among the most expensive any of us will likely encounter. [Via Russell Williams]

    7:59 AM | Permalink | Comments [1]

    December 14, 2006

    Photos of Adobe at night

    Photoshop engineer Chris Bailey says he was killing time recently, installing Linux on a bunch of Adobe servers, and snapped some cool shots of the Adobe San Jose courtyard/basketball court/bocce ball enclave. (And as with all things Flickr, if you’re visiting through Safari, you owe it to yourself to download the free, cinematic PicLens viewer.) Chris also captured some time-lapse shots of the ever-present, always slightly unnerving low-flying planes overhead.

    For more shots of the friendly confines, see Jeff Schewe’s story, A Visit to Adobe.  And here’s the same courtyard from space.

    9:26 AM | Permalink | Comments [1]

    December 10, 2006

    3.8 Gigapixels of Half Dome; Great Flash panoramas

    The folks at FlashPanoramas.com sell a utility for displaying spherical panoramas via the Flash Player.  They’ve now updated their technology to take advantage of the new full-screen mode enabled in the latest rev of Player 9.  Check out some very cool examples, or get the tool for €39.95 from their site. [Via]

    Elsewhere, Greg Downing & co. at xRez.com are working on Extreme Resolution panoramic image creation.  Check out this 3.8 gigapixel* spherical panorama of Half Dome, displayed via the Google Maps API. 
    Although the subject is nearly a mile from the camera position, you can zoom in and see a climber on the face of Half Dome, as well as someone standing on the visor & and hikers along the Merced river in the valley below.
    Wicked!  "By the way," Greg writes, "Photoshop large document format [PSB] was a lifesaver on this project!"

    The xRez site shows off more examples and goes into plenty of technical geekery for those so inclined.  Greg’s own site offers other interesting bits on HDR panoramas, and this QuickTime slideshow nicely demonstrates how various elements of a scene can be displayed at different exposures.   (Aside: Is that thing a naval mine or an interrogation droid or…?)  A test render of 3D objects lit with an HDR lighting map shows the power of sampling this data from a scene, then feeding it into a 3D rendering package.

    *According to Wikipedia, a single gigapixel contains 250 times the data captured by a 4MP sensor. (Of course, at any given moment Wikipedia might claim that I personally have invented over 350 uses for the peanut–but I think it can be trusted in this case.)

    9:59 PM | Permalink | Comments [2]

    December 08, 2006

    New digital photography guides from Adobe

    Adobe has commissioned a number of digital photography guides from industry heavy hitters, covering everything from metadata to color management, digital workflow to black & white conversion. The complete list with links is in this post’s extended entry, so check ‘em out when you have a sec.

    (more…)

    9:30 AM | Permalink | Comments [31]

    Tethered shooting in Lightroom; ACR versioning

    • At photography shows I’m frequently asked by pro photographers for support of tethered shooting in Lightroom–that is, the ability to have a high-end camera tethered to one’s workstation, and to have the images flow in as they’re shot.  The good news is that what’s requested is largely possible already.  London-based fashion photographer/author Martin Evening has posted a great intro to shooting tethered in Lightroom.  [See also Martin's overviews of the Lightroom Library and Develop modules.]
    • Photographer and author Ben Long has posted a Windows
      version of his Adobe Camera Raw Version Control package. By duplicating and managing XMP settings files, this free set of
      applications makes it simple to create and manage multiple versions
      of the same raw document. This means you can
      easily create multiple XMP files for the same image, and easily
      switch from one to the other.  Also check out the free (though donation-supported) Mac version.
    8:18 AM | Permalink | No Comments

    November 26, 2006

    The Colour & the Shape

    Adobe kuler (which seems to be getting much love) has put color on my brain.  With that in mind:

    • Colour By Numbers is a 72m-high light installation in Sweden. You can program the colors using a phone (just call +46 (70) 57 57 807), then watch the results in a live video feed on the site. [Via]
    • Photographer Constantine Manos captures the nation’s rich palettes in American Color.
    • COLOURlovers is "a resource that monitors and influences color trends," providing news and interviews as well as tools for browsing and rating palettes.  They recently interviewed Dr. Woohoo (aka Drew Trujillo), creator of the In The Mod color analytics tool, among other grooviness.
    • Moto Colors makes it possible to browse Motorola phones by color, and to create, ah, abstract designs in the corresponding colors.  (Click and drag once you’ve picked a color in order to paint.)  [Via]
    • It’s possible to trick your eye into seeing color on a B&W photo, as in this Spanish castle illusion.  To create your own version of the illusion, follow the steps of this tutorial, complete with a Photoshop action. [Via]
    8:51 PM | Permalink | No Comments

    November 24, 2006

    Animals photographed in the womb, & more

    • Using a combination of three-dimensional ultrasound scans, computer graphics and tiny cameras, a team of filmmakers has been able to show the entire process of animal gestation from conception to birth.  Here’s the article and amazing photo gallery.  [Via]
    • Created in After Effects & Lightwave by XVIVO for Harvard biology students, The Inner Life of a Cell depicts mighty mitochondria and the like doing their thing; check it out in high- or low-res Flash video. [Via]
    • Among the more unusual images I’ve seen, here’s the sun shot through the Earth, displaying neutrinos that pass through the planet’s mass.
    • Speaking of celestial imagery, this month’s National Geographic features stupendously gorgeous images of Saturn–just a hint of which can be found on their site.  [See also previous]
    • Rick Lieder must have the patience of Job, and it pays off in his insect macrophotography at BeeDreams.com [Via]
    • BibliOdyssey has posted The Concept of Mammals, a collection of antique critter renderings. "As was the fashion of the time," they write, "the animals were placed in contrived settings and often given human facial qualities, which only serves to heighten the sense of bizarre. And thankful we are too." [Via]  The site is jammed with other good bits, including claws, shells, whales, and more. (And if stuff trips your trigger, check out Albertus Seba’s Cabinet of Natural Curiosities.)
    7:15 PM | Permalink | No Comments

    November 23, 2006

    Pleasures of the Flesh… with Toast

    Clearly the smell of slow-cooking turkey meat wafting down the hall is getting to me, and soon enough I’ll give this laptop a much-deserved break.  But before that, here’s a wee cornucopia of hopefully interesting bits:

    And with that, I wish you good eating, good health, & a day free from turkey frying disasters. [Via] Happy Thanksgiving!

    –El Tryptophan

    11:04 AM | Permalink | No Comments

    November 14, 2006

    Tipping cows, Bending Light, & more

    • Postcard Polaroid features, well, just that–a blog-ful of Polaroid snaps sent in by readers, often with little magic marker witticisms.
    • In a related vein, Photojojo has a cool idea (and tutorial) for turning a single photo into a large mailable mosaic.  And in their Awesomeness section (heh), they sell The Mailable Photo Frame, a self-contained 4"x6" sleeve with its own stand.
    • If that’s up your alley, you might like MOO’s Flickr MiniCards–an easy way to print tiny, sharable copies of your images.
    • Through Joe Lencioni’s excellent Shifting Pixel, I found Bending Light Magazine, home to numerous lovely Flash galleries like this one. I especially liked these discoveries. (“I’ve got a fever… and the only prescription… is more cowball.”)
    • I escaped rural Illinois without ever having tipped a cow, though I was chased by a few. Too bad I didn’t think to shoot them (with a camera, of course).  Rachel Sudlow did; Cowscapes is the result.
    • Borut Peterlin does some cool portraiture.
    7:06 AM | Permalink | Comments [1]

    November 11, 2006

    Photographic sculptures, giant graffiti, & more

    10:53 AM | Permalink | No Comments

    Panoramas: Cubism, Holgas, and DIY planets

    • "Holga Cubism": Susan Bowen is a fine art photographer who creates panoramic collages using a cheap plastic Holga camera.  She writes, "The long overlapping images are created by only partially advancing the film between exposures – the overlapping occurs in the film itself. It delights me how well these mostly unplanned juxtapositions capture my experience of a particular time and place and at the same time have an identity all their own."   Check it out. [Via]
    • Danish photographer Hans Nyberg took a series of panoramas at Photokina , including a pair showing the Adobe booth
      He reports, "For fast action panoramas we shoot 3 or 4 images with a fisheye.
      Many of us use the Canon 5D today with a Nikkor 10.5mm fisheye (with an adapter).
      They are stitched with software like PTGui." Here are some more.
    • Photojojo (no relation, we presume) has a fun tutorial on How to Create Your Own Planets Using Your Panoramas. [Via]
    9:59 AM | Permalink | Comments [1]

    November 01, 2006

    Creating professional HDR images

    Ryan McGinnis of Backing Winds has posted a solid intro to creating high dynamic range images in Photoshop.  "Photoshop CS2 has a little-known (it seems) built-in HDR assembler," he writes, "that, while lacking the ‘make my photo look like an acid-trip‘ tone-mapping features of Photomatix, is capable of creating extremely realistic or extremely surreal HDR images." He ends up with a beautifully exposed image of the interior of a cathedral, although it would be nice to get a bit more info on how he (very capably) tone-mapped the 32-bit file down to 16bpc. [Via]

    I mentioned the article to Photoshop engineer John Peterson, who worked on the Merge to HDR feature.  He points out a few things:

    • Instead of opening images via Camera Raw, setting their parameters, and then choosing Merge to HDR, you can simply select them in Bridge and choose Tools->Photoshop->Merge to HDR (or from within Photoshop, choose File->Automate->Merge to HDR).
    • Merge to HDR and Camera RAW have a secret handshake where M2HDR tells Camera Raw to always zero out the exposure-related parameters (Exposure, Shadows, Brightness, Contrast) and guarantee linear output.
    • "The alignment feature doesn’t usually work so great" – Fair enough, and we have some good ideas on how to improve it.
    • "You don’t need to adjust the histogram…it has no effect on the final image" — This is true, although it does set the exposure value for the finished document.

    Speaking of HDR, here’s an otherworldly photo of an Italian cathedral.  And John P. speaks highly of the Merge to HDR chapter in Mikkel Aaland’s Photoshop CS2 Raw.

    9:40 AM | Permalink | Comments [5]

    October 31, 2006

    I want your skulls…

    …and no, I’m not just quoting the pitchfork-wielding villagers now surrounding my office*. ;-)

    In honor of Halloween, I thought I’d pass along a couple of snaps from Photoshop engineer Joe Ault, who captured a ghoulish hot rod mod during a recent car show: see the pistoncarb heads and whole car.  Note to self: must get more flavaful ride.

    Elsewhere, on Sunday night my wife Margot & I carved pumpkins with our newest Photoshop PM, Bryan O’Neil Hughes & his freshly minted fianceé Alex (double congrats, guys!).  I opted to go with my favorite luchador, while Margot went more Día de los Muertos & Bryan did "Pumpkin Pi."  Here’s the gallery.

    In a related vein:

    • Mao Ze Tongue: The SF Chronicle has hired 12 artists to make downloadable last-minute masks.
    • Here’s a great little skull I found on Logopond.
    • If you like the history of the graphic arts, or if you just enjoy slightly weird old imagery, check out Gene Gable’s collection Of Evil Witches and Dancing Pickles.
    • Along those lines , the Today’s Inspiration blog features a whole mess of vintage Halloween-related art.

    Happy Halloween,
    J.

    [ * Speaking of that chaos, thanks for all the feedback. I greatly appreciate the level-headed comments, and I've gained some good perspective from them. --J.]

    2:26 PM | Permalink | Comments [2]

    October 30, 2006

    American Tough Guys

    • Held aboard NYC’s USS Intrepid, pro arm wrestling contest The Big Apple Grapple is captured by photographer Clayton James Cubitt. Sadly, no one makes the insane Stallone-face from Over the Top.
    • Scott Pommier features bikers, skaters, and the occasional man-rodent showdown in his portfolio.
    • Backyard wrestling?  Yeah, that’s probably gonna end in tears. [Via]
    • Okay, he’s not American, but this iguana isn’t kidding around.
    • Neither American nor particularly tough, Walking the Cabbage (which is not a euphemism, apparently) challenges ideas of acceptable behavior by, well, walking a cabbage around China.  More info here. [Via]
    6:08 PM | Permalink | Comments [1]

    October 21, 2006

    Colossal images through Photoshop & Flash

    • Jean-François Rauzier has developed techniques for creating "Hyperphotos"–panoramas that can be printed some 30′ x 10′. "When looking at a Hyperphoto," says his press release, "at first you think you’re
      looking at an enlargement of a panoramic photograph.
      Not quite. Look more closely and you absorb a strange
      atmosphere that distances the viewer from the real world
      and sucks you into a universe of dizzying amplitude.
      Each Hyperphoto is a gigantic hyper-realist puzzle,
      created by assembling hundreds of close-up shots
      taken with a telephoto lens." 

      Jean-François reports that although he tried other software, Photoshop was the only tool capable of handling his 30-40GB images.  He displays them on his site using Flash, though for sheer scale I’d love to see one in person.   More info (in French) on his process is here and here.

    • Rob Galbraith has the story of HAL9000, an Italian team that has created a whopping 8.6 gigapixel stitched photograph of an Italian fresco.  They won’t go into the details of how they stitched 1,145 Nikon D2X frames into a 96,679 x 89,000 behemoth, but it looks like they use the excellent Zoomify technology to make the results visible (a la Google Maps) via Flash.  Check out the results on their site.

    Hmm–using Photoshop and Flash together to make sharing high-res imagery a snap; seems like something the Grand Unified Adobe might want to consider… [pulling chin thoughtfully]

    2:30 PM | Permalink | Comments [7]

    October 19, 2006

    Liquid Sculpture, Touchdown Jesus, & more

    • Martin Waugh produces gorgeous images of fluids in motion–something he calls Liquid Sculpture.  As you’d expect, creating the images depends on high-speed photography.  Related: Marc Pawliger points out the 10-nanosecond exposures needed to capture nuclear fireballs.
    • ¿Donde esta la biblioteca? Right here, in a series of beautiful photos.[Via]  Some of the shots could have benefitted from HDR, and it’s too bad they don’t include pix of the rad new Seattle Public Library (or maybe ND’s Touchdown Jesus). Still, it’s a great collection.
    • "This seems more like a John Nack item…" writes John Dowdell, and so it is, but I’ve been delayed in posting it (dang actual job slowing me down): Little People is "a tiny street art project" that leaves tiny figures around London. [Via]  It makes me think of the miniature food sculptures of French pastry chef/photographer team Akiko Ida and Pierre Javelle.  For my part, I used to carry around a GI Joe head that I’d photograph in all kinds of situations (say, the middle of Death Valley).  I named him Sgt. Goldbug, after the little Richard Scarry creation who’d hide somewhere on every page.
    • Speaking of food, Worth1000 features some deeply unappetizing Photoshop food mash-ups.  (Of course, these are not quite as nauseating as that McDLT ad with Jason Alexander.)
    9:10 AM | Permalink | Comments [2]

    October 06, 2006

    Lightning photographer narrowly escapes crisping

    Non-carbonized British photographer Kane Quinnell is lucky to be alive after snapping this rather spectacular photo of lightning near his home. He tells the Daily Mail about being launched several feet into the air as lightning connected with the house next door. [Via] For his trouble he’ll be featured in an Australian weather calendar.
    Elsewhere in the Daily Mail you can find an extremely cool shot of the International Space Station and shuttle Atlantis silhouetted against the sun. Be sure to click the image to see the shapes in more detail.
    [For more lightning photography, see previous.]

    11:32 AM | Permalink | Comments [1]

    Camera Raw 3.6 beta now available

    As promised, the next rev to Adobe Camera Raw & the DNG Converter has been on an accelerated development schedule, and now beta releases of both have been posted for Mac (Universal) and Windows. New (preliminary) support in this release includes the following cameras:

    • Canon EOS 400D / Rebel XTi

    • Leica D-LUX3
    • Leica Digilux 3
    • Nikon D80
    • Panasonic DMC-LX2
    • Pentax K100D

      These join the cameras just added in ACR 3.5:

    • Kodak EasyShare P712
    • Nikon D2Xs
    • Panasonic DMC-FZ50
    • Panasonic DMC-L1
    • Sony A100

    As always, please take a second to ensure that you install the plug-in into the correct spot:
    Mac: /Library/Application Support/Adobe/Plug-ins/CS2/File Formats/…
    Win: \Program Files\Common Files\Adobe\Plug-ins\CS2\File Formats\…
    The full list of 140 or so supported cameras is on the Camera Raw product page.

    10:20 AM | Permalink | Comments [4]

    October 04, 2006

    Lucha Loco; Bomber Boneyards

    • What blanco niño doesn’t like to to don a rasslin’ mask and live the life of a luchador? (Call me El Tryptophan, master of the sleeper hold.) Er, maybe it’s a Jack Black/Jack Nack thing. In any case, Lucha Loco is a set of more than 120 portraits of masked Mexican wrestlers, complete with biographical bits. (“I teach Tae Kwan-Do. I’m black-belt. And I’m also in sales,” says Dr. Muerte. See also Super Porky and others in the gallery.) [Via]

      For more lucha goodness, check out these pix from the Golden Age of Mexican cinema (viva El Santo!).

    • Night photographer Troy Paiva (aka Lost America) has posted a beautiful gallery of shots taken at an airplane boneyard at El Mirage Dry Lake. Joe Reifer has another good set from the same spot.
      Meanwhile TerraServer hosts a satellite photo of the place the AMARC boneyard. [Via] And Flickr features a photoset of a derelict communication outpost, remnants of the Cold War DEW Line. [Via]

    • Okay, this has nothing to do with anything besides pointy metal things flying through the air, but FYI in case you’re planning to judge any javelin competitions: you may want to wear some sturdy insteps.
    8:10 PM | Permalink | Comments [1]

    September 29, 2006

    Crazy umbrella-cam/Flickr browser

    I’ve mentioned some unusual cameras before, but this one takes a Special Jury Prize for Weirdness: The Pileus System is a functioning umbrella that can also capture still images and video, upload them to Flickr, and project other users’ creations onto the umbrella’s skin. Uploads are automatic, and twisting the grip browses Flickr and YouTube for related tags.
    Marginally related: UMBRELLA.net is an art project that links umbrellas via Bluetooth, making them light up in one another’s presence. And the iBrella consists of “a Pic Microcontroller, a 2-Axis Accelerometer, Hall-Effect Sensors and a Gyroscope”–all so that you can gesture wildly and thereby control your iPod.

    8:58 AM | Permalink | No Comments

    September 23, 2006

    Flying with your cam? Better bring a pistol.

    Having borrowed some nice photo gear from the Photoshop QE locker this weekend, I’m getting acquainted with the travel pains it brings. New TSA rules mean anything from hassle (at best) to smashed glass, lost lenses, etc. This state of affairs drives quite a bit of commentary from photogs, culminating with a rather brilliant suggestion: why not ensure the safety of checked gear by packing a starter pistol in each camera case? Check out the post for full details, and happy shooting (ba-dum, tssch!). (Hmm, I wonder if a Jerky Cannon would suffice?) [Via Andrew Shebanow & William Gregory]

    2:06 PM | Permalink | Comments [2]

    September 20, 2006

    HP camera puckers up

    As in-camera processors get faster, what can they be used for besides grabbing more and more pixels? HP has one answer: apply slimming right in the camera. Heh–I wonder what else they could do with this (maybe reverse the effect to make me look yoked on the beach?). [Via Tom Attix]
    Of course, doing too much in camera can alienate some photographers. Earier this summer, Fuji’s in-camera facial recognition feature earned the comment “If You Think You Need This, Kill Yourself” from The Online Photographer. Then again, some purists still swear that no significant work has ever been done with a zoom lens, so what can you do?

    10:54 PM | Permalink | No Comments

    September 19, 2006

    160 megapixels or bust

    Got 28,900 Euro burning a hole in your pocket (or 45,500 CHF for all you Confoederatio Helvetica types)? If so, you can be the top kid in the canton with this 160MP crowd-pleaser from Seitz. The new device offers Gigabit Ethernet output & is said to capture 300MB of data per second, producing images of 21,250 x 7,500 pixels. And the megapixel arms race goes on… [Via Chris Quartetti]

    9:29 AM | Permalink | Comments [2]

    Camera Raw 3.5 now available

    Adobe Camera Raw 3.5 has been released for Mac and Windows. Newly supported cameras:

    • Kodak EasyShare P712

    • Nikon D2Xs
    • Panasonic DMC-FZ50
    • Panasonic DMC-L1
    • Sony A100

    A couple of notes:

    1. The DNG Converter is now available as a universal binary for Intel-based Macintosh hardware.

    2. The new camera support added to Adobe Camera Raw 3.5 is not officially available in Adobe Lightroom beta 3.
    3. The Nikon D80, Canon 400D/Rebel XTi., and other new cameras were introduced too recently to make the cut for this release, but we’re speeding up the development of ACR 3.6 to accommodate these new models.

    As always, please take a second to ensure that you install the plug-in into the correct spot:
    Mac: /Library/Application Support/Adobe/Plug-ins/CS2/File Formats/…
    Win: \Program Files\Common Files\Adobe\Plug-ins\CS2\File Formats\…
    The full list of 130 or so supported cameras is on the Camera Raw product page.

    8:07 AM | Permalink | Comments [7]

    September 18, 2006

    9/11 and photo manipulation: No Photoshop needed

    Last month the world debated the integrity of photography in an era of easy digital manipulation. This month, attention turns to the interpretations we (photographers, viewers, writers) attach to images.
    Magnum photographer Thomas Hoepker recently published a photo of young New Yorkers appearing to chat and relax while Ground Zero burned across the river behind them. Columnist Frank Rich saw in the image a symbol of American denial, disbelief, and demand to move on. Hoepker replied, adding context and asking some searching questions (“How would I have looked on that day to a distanced observer? Probably like a coldhearted reporter, geared to shoot the pictures of his life”). And the couple on the wall responded, hotly denying any lack of seriousness. [Via]
    So many kinds of truth here…
    What if the people in the photo had been caught sharing a smile while New York smoldered in the background? Well? In the city that Friday, my friends and I went out for beers near a lifeless Times Square; on the weekend we shopped for a new PC. Was that all wrong? You could give money, blood–but what the hell else could you do? If the folks in the photo were cracking the tension, I don’t think I can condemn them.
    And what about the claim that the subjects represent something fundamental about America–a shortness of attention, a need to escape from tragedy? In the summer before 9/11, the country obsessed over shark attacks, pop stars, and missing white women on cable news. Now it’s stingray attacks, pop stars, and missing white women on cable news. Do the particulars of the conversation in that photo, whether serious or trivial, determine whether the photo is emblematic of something deep and troubling about our culture? You tell me.
    For me the conversation throws the debate over digital manipulation into greater perspective: the battle for truth is fought on many fronts, and compared to the questions over what meaning can and should be assigned to images, the technical side starts to look straightforward. The bits matter, but we see in them what we want and need to see.
    Related: Slate hosts a gripping and well produced Magnum Photos essay on 9/11. Susan Meiselas talks about seeing teams of doctors rushing around, slowly realizing how little they could do.
    [Update: See also this daguerreotype of 9/11. [Via]

    7:06 AM | Permalink | Comments [2]

    September 16, 2006

    Sweet sassy molassey, that’s some big glass!

    Maybe the photography gods are trying to tell me to suck it up & buy a decent zoom lens already: after looking at this 1700mm f/4 monstrosity from Carl Zeiss, a 70-200 f/2.8 looks positively svelte. “Developed for long distance wildlife photography,” says Zeiss, this 563lb (!!) warhammer ain’t playin’. As my boss Kevin said, “You don’t lug that thing around; you put an engine on it and drive it home!” [Via Chris Quartetti]
    [Update: As Bryan notes below, the side of the lens contains what appears to be Arabic script. Folks at T.O.P. offer more detail & comments.]

    10:49 AM | Permalink | Comments [1]

    September 13, 2006

    Tilt-Shifting Tragedy

    Earlier this year, tilt-shift photography & its Photoshop-simulated cousin drew considerable attention. Both approaches can be used to provide a narrow depth of field, making large subjects (e.g. Vegas) seem small and toylike.
    Now a pair of photographers have brought that technique to bear in portraits of tragedy. Fred R. Conrad’s image provides a different perspective on the pit at Ground Zero. I find the sense of miniature Fisher-Price innocence unsettling. Meanwhile David Burnett renders the aftermath of Hurricane Katrina. (The latter shots are much more impactful viewed larger, in case you have a copy of the print edition handy.)
    On a related note, illustrator John Mavroudis provides an rare glimpse behind the scenes of creating a New Yorker cover–in this case the 9/11/06 cover. [Via]

    6:33 PM | Permalink | Comments [2]

    September 10, 2006

    Future Imperfect, Past Imperfect

    5:20 PM | Permalink | Comments [1]

    September 04, 2006

    Caber tosses, severed Yak heads, &c.

    When not enslaved in some email gimp-dungeon, Photoshop/Lightroom folks like to fire up the ol’ cameras:

    • Sporting a heeuuge craaanium as I do, I figured I’d fit right in at the Highland Games in Pleasanton*. So I did, and I came away with this gallery of caber tossing**, a “hairy coo” (w/drawing of same), birds of prey–oh, the obligatory white guys showing some leg.

    • Adobe pro photography evangelist George Jardine (of Lightroom podcast fame) just returned to San Jose with terrific galleries of China and Tibet. Sadly, at least one Tibetan hairy coo didn’t fare as well as its Scottish counterpart.

    * The Games’ site seems about as archaic as the games themselves.
    * It’s tough not to make it look like the tossers are getting gored by giant cigarettes; apparently someone at Worth1000 agrees. My wife suggests the games be sponsored by a new brand of smokes, “Pall Maul.”

    1:00 AM | Permalink | Comments [2]

    August 21, 2006

    Presenting the Photoshop CS2 “Fauxtography” Edition

    Sometimes I feel that Adobe is a bit like the guys who make radar guns and radar detectors–with one hand working on tools for detecting image manipulation, and with the other enabling ever more seamless manipulation. Cartoonist JD Frazer finds humor in the latter with the “Photoshop Tool Palette for ‘Creative’ Freelancers.” (As it happens, a while back at least one large newsroom used ResEdit to hack tools out of Photoshop–not, of course, that there’s a technical cure for human/ethical problems.) [Via Mike Richman]

    12:55 PM | Permalink | No Comments

    August 13, 2006

    Can you trust what you see?

    I’ve refrained from commenting on the Reuters Photochopping debacle, figuring I didn’t have much new or valuable to add to the discussion. I’m not sure I do now, but Jim Lewis’ Don’t Believe What You See in the Papers offers good perspective on the long history of manipulated (and manipulative) news photography. He links to Dr. Hany Farid’s interesting tampering gallery, where the chronology suggests that fakery is growing more common.
    As I’ve noted previously, Adobe has been working with Dr. Farid & his team on technology to detect digital manipulation. Its arrival in mainstream tools will take some time, and even then it’s powerless against images that mislead in other ways. I’m reminded of the aerial shots in the immediate aftermath of the 1989 Bay Area earthquake, zoomed in on a single burning block that suggested more massive devastation; or Fox News’ decision last year during an LA blackout to zoom in on a fiery exhaust plume at an area factory–never mind that it’s that smokestack’s natural state 24/7.
    A lack of context and clarification may be ultimately more damaging than faked pixels, given that it’s subjective & maybe impossible to prove. Technology may help sniff out forgeries, but it has to go hand in hand with the audience seeking out multiple, diverse sources of news.
    [Update: Rob Galbraith has collected a variety of additional perspectives on the topic.]

    11:58 PM | Permalink | Comments [1]

    August 05, 2006

    Was It Done With a Lens, or a Brush?

    Thursday’s NYT covers the growing interest in high dynamic range photography (HDR). Though the field and tools are in their adolescence, HDR techniques are enabling photographers to create some unique visuals. The article quotes Photoshop engineer John Peterson, who helped bring HDR support to CS2, and whom we’re keeping busy moving forward. For more examples & tutorials on HDR, see this previous entry. [Thanks to everyone who passed along this article.]

    7:58 PM | Permalink | No Comments

    August 03, 2006

    Photoshop Action Pack 3.0 now available

    Photographer and author Ben Long has released version 3.0 of his Photoshop Action Pack, leveraging Automator & AppleScript on Mac OS X. v3 includes 11 new actions – Add Layer, Add Empty Adjustment Layer, Add Graphic Watermark, Channel Mixer, Duplicate Current Layer, Paint Daubs, Photo Filter, Resize to File Size, Scale to X by 10%, Swap Colors, Exposure, and Reduce Noise – while improving batch processing with Camera Raw. If you like the scripts and find them useful, please kick Ben some bucks through his online tip jar.

    1:19 PM | Permalink | Comments [2]

    Photos from Underground

    As a kid I loved the books of David Macaulay (Castle, Pyramid, etc.), and his Underground opened my eyes to hidden worlds that lie deep beneath city streets. Now photographer Joe Nishizawa reveals the huge, otherworldly spaces below Tokyo in this photo essay for PingMag. Additional images are available on Joe’s site.
    In a similar vein, I used to love visiting the captured U-505 submarine on display in Chicago, and now a Russian photographer reveals the subterranean world of a former Soviet submarine pen. [Via]
    Ostensibly related:

    10:29 AM | Permalink | No Comments

    August 01, 2006

    Blood, Guts, Adobe, & Octane

    A fair bit of what I post here is somewhat tangential to Adobe, but this time the subject is literally, physically tangential to the company–or just about. Sunday saw the second annual running of the San José Grand Prix and featured Champ cars screaming past our downtown HQ at a buck 80, rattling windows, dental work, and everything else with their 750hp turbocharged engines.
    I walked around the building with my Rebel XT, and though no one from SI is going to fear for his or her job, I came away with a handful of shots I liked. My 17-85mm glass left me thinking–to paraphrase Roy Scheider in Jaws–”We’re gonna need a bigger lens.” Note to self: sell left kidney, do more curls, and then step up to a suitable monstrosity. You can see more images courtesy of Adobe engineer Winston Hendrickson and his 300mm lens. [Update: Craig Schamp, also part of Adobe engineering, used Lightroom to produce this gallery.]
    By the way, a word to the wise: If you ever find yourself spinning out in a Grand Prix, then attempting to re-enter the race & getting T-boned, do not try to punch the other dude while he’s still wearing his helmet. Watching all this transpire down below, someone remarked, “We went to a car race and a hockey game broke out!”

    1:37 AM | Permalink | Comments [2]

    July 26, 2006

    Goofing on trendy logos, bad authors, & photobloggers

    Life’s not much fun if you can’t laugh at yourself a bit. (Heck, I used to call LiveMotion Crouching Vector, Hidden Bitmap.) In that vein…

    • The crowd at Yay Hooray has fun reinterpreting famous logos according to the lickably gradiated, bloopy “Web 2.0 look“. (And they remember to drp some vowls while they’re at it.) [Via] [Update: Hah--even Adobe couldn't escape.]

    • Night of the Living Photoshop Books: Tongue firmly in cheek, Mike Johnston takes aim at some of the less-than-excellent titles out there (e.g. “How To Create Totally Alarming and Incredibly Tasteless Pastiche Monstrosities Using Photoshop”). Later he lists some titles he actually does recommend.
    • Same dude, different screed: Mike eviscerates know-nothing photoblog commentators in this wicked parody.
    7:05 PM | Permalink | No Comments

    July 16, 2006

    Lightning, battleships, long exposure, and more

    A fistful of photography:

    • Photographer Michael Bath has been capturing severe weather for almost twenty years and has posted hundreds of photos, as well as a range of tips, on his site. In a related vein, the Daily Mail features the interplay of lightning & a rainbow. [Via]

    • “Using such varied subjects as parliamentary sessions, soccer games, outdoor military exercises, and erotic unions,” long-exposure photographer Atta Kim “suggests that it is possible for us to perceive the passage of time in radically different ways. The NY Times features an article on Kim’s work, and the International Center of Photography discusses the show and offers a gallery of Kim’s images
    • Few customers keep Photoshop honest quite like the Times. When you’re pumping 2500 images a day through the newsroom, you have zero tolerance for hiccups and incompatibilities, and the staff have shared a lot of valuable perspective over the years. In “Talk to the Newsroom,” photo editor Michele McNally tackles readers’ questions on everything from the gear used to what staff are (and are not) allowed to do in Photoshop.
    • Slate & Magnum continue their excellent Today’s Pictures series. I’d call this one “Old Women on Rascals with Battleship” (from the “America, Americana” series).
    • “If You Think You Need This, Kill Yourself”: Er, well, that’s not pulling any punches. Mike Johnston takes a rather dim view of in-camera facial recognition.
    • Having your work ripped off sucks, but I guess I’d be pretty flattered if an image I took became African currency. [Via]
    7:44 PM | Permalink | Comments [1]

    July 11, 2006

    Adobe’s acquisition of Pixmantec: an FAQ

    Following up on the announcement that Adobe is acquiring Pixmantec, we’ve posted an FAQ document (60KB PDF). A couple of key points:

    • Registered customers who purchased RawShooter Premium will be able to download the shipping version of Lightroom 1.0 for free

    • Although RawShooter Essentials & RawShooter Premium are being discontinued, there will still be an update to add support for the Canon 30D.

    For convenience, I’ve included the text of the FAQ below:

    Q: Why has Adobe acquired Pixmantec?

    A: One of the great advantages of working with raw images is that, as the technology for raw processing continues to improve, the quality you can bring out of even your older images continues to improve as well. It is for this reason that Adobe continues to invest in our own raw processing technology. The acquisition of Pixmantec will allow Adobe to accelerate our rate of improvement and sets us up to deliver the world’s best raw processing solutions. Combining the best of Adobe’s existing raw technology with the best of Pixmantec’s technology will deliver noticeable improvements to photographers. More importantly, the expertise of Pixmantec founders Kenneth Tang Laerke and Michael Jonsson—developed through their work creating the RawShooter products as well as through their work on Capture One software—will be a great complement to our own expertise and promises substantial technology advances in the future.

    Q: What are the plans for the RawShooter line of products?

    A: The RawShooter | Premium product has been discontinued and is no longer available for sale. The free RawShooter | Essentials product will remain available as a download from the Adobe Web site until shortly after Lightroom 1.0 is released as a shipping product. The RawShooter | Color Engine will be taken off the market as soon as existing obligations to partners are fulfilled.

    Q: Will there be special pricing for those who have invested in RawShooter | Premium?

    A: We have listened closely to the opinions shared by customers on the Pixmantec forums and although Lightroom will provide a much broader range of functionality than RawShooter | Premium and will be offered at a higher price point, we will be offering a free downloadable version of Lightroom 1.0 to all customers who have purchased RawShooter | Premium.

    Q: Why does Adobe plan to discontinue the RawShooter products?

    A: Pixmantec has strong technology which has significant value for making Adobe’s own raw processing solutions better. Adobe already offers multiple workflows for processing raw images. Adobe Bridge and Adobe Camera Raw—both included with Adobe Photoshop® CS2—allow for efficient processing of images within an environment that supports a wide range of graphics file formats. The new Lightroom software—currently in public beta for Mac and soon available for Windows—provides a photography-centric environment that will handle the full workflow from import, sorting, developing, and storage, through to presentation and output. In addition, some level of raw support is also available in Adobe Photoshop Elements and in the free Photoshop Album Starter Edition. The Raw Shooter products do not offer any significant functionality that is not already, or will not be shortly, offered in these other products, so continuing this product line would only cause confusion for our customers.

    Q: What level of support will Adobe provide for existing RawShooter customers?

    A: Pixmantec’s primary customer support offering has been an online forum where customers can post questions to be answered by other customers or by Pixmantec staff. We will support these forums for the foreseeable future.

    Q: Lightroom is currently available only for the Mac platform, and RawShooter is available on Windows. Do you plan to turn RawShooter into your Windows version of Lightroom?

    A: No. Our Windows version of Lightroom is already well under development and will be available as a public beta shortly. We will be taking the best technology in RawShooter and incorporating it into both the Mac and Windows versions of Lightroom, as well as into Adobe Camera Raw as it appears in Photoshop and other products. Incorporating RawShooter technology will take development time and may not be available within immediate versions of Lightroom. Customers who would like to be notified when the Windows beta of Lightroom becomes available should visit http://labs.adobe.com/technologies/lightroom/ and click on the “sign up” link.

    Q: Will Adobe continue to provide camera compatibility updates for the RawShooter products?

    A: No. Because these products will be discontinued, we will not be focusing our efforts on any updates. Based on strong feedback from the community, Adobe will make an exception for the Canon EOS 30D and will add support for this model to the RawShooter | Essentials product this summer.

    Q: After the discontinuation of the RawShooter products, which Adobe product will be the right choice for RawShooter customers?

    A: Of course, customers can continue to use the existing RawShooter products for as long as they like, but they may want to move to another product to gain compatibility with raw formats from future cameras. The most appropriate Adobe product for RawShooter users will be Adobe Lightroom, because it provides efficient raw processing within a photography-centric environment. With its image management and flexible print and Web output options, Lightroom provides a more complete workflow than what is currently offered by RawShooter, and its modular architecture will allow it to expand to do even more in the future. Current RawShooter customers are encouraged to participate in the free Project:Lightroom beta program, so that they can make sure that the features they like most about RawShooter are included in the shipping version of Lightroom. Though only the Macintosh beta is currently available for download, the Windows beta will be available soon, and Windows customers are already encouraged to participate in the online forums to have their wishes known. To participate in the beta, customers can visit http://labs.adobe.com/technologies/lightroom/.

    Q: Will Adobe support the effort I’ve put into editing images in RawShooter Premium with their current line of raw processing software?

    A: Adobe is investigating the technical possibility of providing a conversion of RawShooter | Premium settings to match those of Adobe Camera Raw and Adobe Lightroom as closely as possible. Because the controls are different between applications, the results may not produce an exact match to the original.

    6:05 PM | Permalink | Comments [1]

    July 03, 2006

    Camera Raw Version Control

    Author/photographer Ben Long has created Camera Raw Version Control, a “simple package of droplets and Automator actions [that] let you easily create and manage multiple versions of your raw images.” Since ACR edits are stored as tiny, easily portable XMP files, this method lets you create versions with almost no hit to your disk space.
    Ben has been busy elsewhere as well, updating his Photoshop Automator Actions to v2.2 (offering full compatibility with Intel-based Macs as well as 2 new actions) and producing an excellent Digital Camera Buying Guide for CreativePro.com:

    • Part 1: Budget, SLR vs. point-and-shoot, and resolution

    • Part 2: Exposure controls (program modes, shutter speed, aperture, white balance, and ISO)
    • Part 3: Light meters, lenses, image stabilization, autofocus, and flash.
    8:58 PM | Permalink | No Comments

    June 26, 2006

    Building the Brain Trust: Adobe acquires Pixmantec

    Though by now you may have seen the news elsewhere, I’m happy to report that Adobe has announced plans to acquire the raw image processing technology of Pixmantec. (More details are in this FAQ.)
    Adobe Camera Raw is already the overwhelming favorite raw converter (see p.23), and we’re delighted to have one of the world’s best raw-processing developers, Michael Jonsson, joining Thomas Knoll, Mark Hamburg, & the rest of the ACR/Lightroom team. It’ll be great to see what this incandescent group can do together, and we’re looking forward to being joined by business-savvy Pixmantec co-founder Kenneth Tang Laerke as well.
    Welcome aboard, guys!

    10:20 PM | Permalink | Comments [1]

    June 19, 2006

    Angels & Insects

    Maybe it’s because dachshund-sized moths like to lay eggs on the side of my apartment, or because I used to draw the occasional beetle, but I find the photographic project Angels & Insects arresting, though far from comforting. [Via] In a similar vein, Attracted to Light, from Brooklyn-based twins Doug & Mike Starn, explores the interplay of light, darkness, and these airborne sweater-wreckers. You can flip through the book and check out images from the project online. [See also previous entry on PS & insects.]

    1:10 PM | Permalink | No Comments

    June 14, 2006

    Your photos -> Your furniture

    Sure, you can upload images from Bridge & Photoshop Elements to create custom stamps, photo books, and more, and Neighborhoodies & co. let you customize just about anything. But–and I know you’d been hankering for this–the long national nightmare of not being able to print your photos on furniture is finally at an end, thanks to ClothUK. Better start saving those shekels now. [Via]

    9:32 PM | Permalink | Comments [1]

    June 13, 2006

    “Raise that flag, my man–Respect!”

    Jimmy Smits, Geraldo Rivera, and a pair of us pasty ex-Midwesterners rubbed elbows with a couple million jubilant New Yorkers this Sunday at the annual Puerto Rican Day Parade in NYC. I’ve posted a gallery of some of our snaps. We didn’t see this dude, but the giant papier-mâché heads and skull-faced kid (see gallery) more than made up for it.

    9:06 PM | Permalink | No Comments

    June 05, 2006

    Photography with a conscience

    Mike Johnston & co. at the consistently excellent Online Photographer blog have been posting a great series, Top Ten Greatest Photographs Ever Made. In the latest entry, Mike examines the interplay of gritty real life (a migrant mother, a deformed child) with classical imagery (the Madonna, the pietà), and he discusses the ways that photographers like Eugene Smith compose images that transcend the story at hand. It’s an unusually literate blog & well worth a read.
    Representing the ongoing efforts of conscientious photographers, The Press Photographer’s Year showcases some of the most arresting photojournalism from the last 12 months. The slideshow interface makes it tough to navigate/link to specific image, but stick with it; there’s much that demands to be seen. [Via]

    5:16 PM | Permalink | No Comments

    June 03, 2006

    Photographers Directory gains traction, gets props

    Launched a little over a year ago, the Adobe Photographers Directory is continuing to grow into a great resource for pairing photographers with designers, art directors, and anyone else wanting to commission work. According to the APD team, every month some 2,000 photographers are getting contacted for business as a result of the directory. They also report that:

    • The directory is now available in 5 languages: English, French, German, Italian and Spanish

    • 3,500 pro photographers have joined the directory representing:
      • Partnerships with 28 pro photography associations in 10 countries

      • Photographers from 35 countries
      • 36% of the invited photographers
    • 43,000 (on average) unique visitors a month go the directory, with the majority coming from the link in Adobe Bridge.

    The Webby Awards have dubbed the directory an Official Honoree in Services Category–nice props that follow a WebAward it earned last year. If you’re a pro photographer, or if you’re in the market to hire one, we hope you’ll find good things via the directory. As always, feedback is most welcome.

    11:03 AM | Permalink | No Comments

    May 30, 2006

    Through a cold lens

    A macro lens made from a Pringles can? Someone’s been there, done that. A pinhole camera made from an airplane hanger? Sorry–beaten to the punch. So how’s an enterprising photo geek to distinguish himself? How about taking photos through a lens made of ice? Evidently unimpressed with Scientific American’s challenge to light a fire with a lens made entirely of ice, photographer Matthew Wheeler fashioned his own very cold lenses and has posted a gallery of images. I couldn’t find a demonstration or other info on the gear used, but some googling did turn up an article and video depicting the “excruciatingly painful” lens-making process. [Via]

    8:03 PM | Permalink | Comments [1]

    May 08, 2006

    Camera Raw 3.4 now available

    Adobe Camera Raw & the DNG Converter have been updated to version 3.4 and can now be downloaded for Mac and Windows. New camera support (bringing ACR’s total to 113 or so 121!) includes the following:

    • Canon EOS 30D

    • Epson R-D1s
    • Leaf Aptus 65
    • Leaf Aptus 75
    • Olympus EVOLT E-330
    • Olympus SP-320
    • Pentax *ist DL2
    • Samsung GX-1S

    As always, please take a second to ensure that you install the plug-in into the correct spot:
    Mac: /Library/Application Support/Adobe/Plug-ins/CS2/File Formats/…
    Win: \Program Files\Common Files\Adobe\Plug-ins\CS2\File Formats\…
    [Update: Geoff Stearns asks, "Should I bother updating even if I don't have any of the new cameras? Are there any bug fixes or other tweaks to the existing cameras?" To which Thomas Knoll replies, "There are nearly always at least minor bug fixes with any camera raw update." Cue NBC's "The More You Know" riff.]

    6:25 AM | Permalink | Comments [3]

    April 30, 2006

    Infrared hoops; NYC in HDR

  • Sports Shooter discusses photographer Tom Dahlin’s use of a modified Canon D60 to capture basketball shots in infrared. More images are in the gallery. [Via] Funny–these images kind of remind me of the cut scenes from 1987′s Double Dribble.
  • Photoshop diva Katrin Eismann has posted some of the work she and her SVA students did last semester, using HDR to capture New York. She writes,

    My panos were all shot in the middle of a very, very bright day in Manhattan. What I find interesting about HDR is it has extended the time of day that I can shoot and still get interesting results. Normally, a photographer would not seek out the brightest most contrasty locations possible, as I did when I went to Lincoln Center and Columbus Circle in the middle of the day. HDR lets me see into the shadows and show the highlights while producing incredibly rich files. The so-called limitation that the subject should not be moving is a plus for me. New Yorkers are always moving, coming and going and the transparency of the people underscores this energy.

    The small Web gallery can’t quite do justice to the originals, as several were printed out approximately 5′ wide using an Epson 2400 with roll paper.

    4:42 PM | Permalink | Comments [2]
  • April 29, 2006

    Hipsters, robots, lightning, & more

    [Never mind that beeping sound; the blog is backing up to unload some good bits that've been buffering.]

  • Weekly Shot describes itself as “new kind of group photoblog and photo challenge,” encouraging regular sharing & peer review. Yes, it’s likely to be infested with damn, dirty hipsters, but it looks like fun. [Via]
  • Making out with the Terminator is par for the course in Worth1000′s latest Photoshop contest: inserting robots into fine art [Via]. [Slightly related: Drawn.ca links to a whole mess of robot sculptures.]
  • Cabinet Magazine interviews photographer John Cliett on his work to document the Lightning Field, a large piece of land art in New Mexico. The article talks about the challenge of not owning one’s images (and would-be most famous work), interpreting another’s art, and more. [Via]
  • The excellent Online Photographer blog shares some recent finds: the Klemantaski Collection offers a great set of vintage motorsports images, and Carl de Keyzer tackles Siberian prison camps and much more (click the Books section).
  • If you thought that touch screen prototype was slick, check this out: UnitedVisualArtists has created what looks to be a wicked synthesis of LEDs, 3D cameras, and motion tracking. [Via]
  • Continuing the wicked worn theme, Photoshop brush makers have been busy creating Botched Ornaments [Via] and Handwritten Letters [Via].
  • If you want to keep up with (or stay away from) what the cool kids are doing, see Step Inside Design’s take on Design Trends of 2006. [Via ] [Also for reference: Current style in Web design.]
    9:42 AM | Permalink | No Comments
  • April 27, 2006

    Send us your poor, your tired, your haloed images…

    …yearning to blend free. We’d like to ask your help in improving HDR (high dynamic range) imaging in Photoshop. The halos produced by many current HDR conversion techniques (see the Flickr HDR pool for some examples) are kind of cool and wonky, but to make HDR more than a fad, we need to produce more reasonable results. With this in mind we’d like to get sample images–particularly ones with which you’ve gotten better results converting 32->16/8 bits using another package than you have using Photoshop. Photoshop engineer John Peterson writes,

    I’m looking for cases where the “other leading brand” is doing a better job than Photoshop. I’d like to get three or four really good cases of this from customers that are (potential) heavy users of Merge to HDR. I’d be interested in JPEG or raw source files, plus the HDR result file from the other application. JPEGs should be generated by the camera, not via Camera Raw. f-stop should be held constant, exposure should differ by two stops or so, and resolutions in the 2-6 MP range would be sufficient.

    If you’d like to work with us on this, please shoot me a mail & I’ll get you in touch with the right folks on our end. Thanks!

    6:50 PM | Permalink | Comments [7]

    April 10, 2006

    Kite aerial panoramas

    A few months back I wondered whether someone would attach a digital camera to a pigeon. No luck so far, but how about 360° panoramas taken from kites? Photographer Scott Haefner has rigged up a Nikon Coolpix with fisheye lens to a kite, from which he snags shots like this one of Stanford’s Hoover Tower. Images go through PTMac & PanoTools on their way to Photoshop and final output.
    Finding this work led me to learn about kite pano pioneer George Lawrence, whose 17-kite “Captive Airship” helped document the aftermath of the 1906 San Francisco earthquake. Scott plans to try to replicate the shot using modern equipment, while another team plans to recreate the shot using a replica of the original camera and a helicopter. A number of Lawrence’s photos are currently on display at SFMOMA.
    By the way, through the magic of Wikipedia I learned that Lawrence was the great-grandfather of Adobe blogger Thomas Phinney. Small world!
    PS–So, maybe the pigeon-cam thing has yet to pan out, but you can still glimpse the world from the perspective of a bear, armadillo, or other critter. [Via]

    9:05 AM | Permalink | Comments [1]

    April 05, 2006

    Let No Man Scare You

    Humble packing tape gives rise to ghostly forms in the work of photographer and sculptor Mark Jenkins. The Morning News presents a gallery of his pieces, along with an interview that’s well worth a read (not the usual art house banality). As we think of higher & higher tech ways to preserve creations for the ages, it’s refreshing to hear from someone at peace with impermanence. You can see lots more from Mark on his site and here. [Via]
    [Update: YouTube features Jenkins casting his head by wrapping it in tape--and, amazingly, not asphyxiating himself or Van Gogh-ing an ear. [Via]

    8:44 AM | Permalink | No Comments

    March 18, 2006

    Faking tilt-shift with Photoshop

    Heh–a little trend seems to have grown up around giving aerial photos the appearance of miniature models, first by using tilt-shift lenses & now via Photoshop.
    Photographer Olivo Barbieri’s work drew some attention a few months back, inspiring folks without tilt-shift lenses (or helicopters, for that matter) to find other ways to produce similar effects. Writer Christopher Phin whipped up a simple Photoshop tutorial, and now there’s a Flickr photo group devoted to tilt-shift fakery (here’s a good set) [Via]. A similar technique has been applied to a movie, and Boing Boing provides more good examples here.

    11:47 AM | Permalink | Comments [2]

    March 13, 2006

    Photoshop Automator Actions 2.0 released

    Hardworking author/scripter Ben Long has returned with version 2.0 of his popular Photoshop Automator Actions. In addition to introducing 22 new actions, Ben writes, “The biggest improvement is a new architecture that makes it much speedier, and that eliminates the problem of Photoshop having to open all of the documents in a batch at one time.” I’ve heard plenty of good feedback from folks using the scripts in production, and they’re a great example of nice Photoshop/Mac OS integration.
    By the way, if you’re interested in automating Photoshop and plan to attend next week’s Photoshop World in Miami, check out Matt Kloskowski’s Photoshop for Geeks session. I was amazed that the previous installment of Matt’s talk drew more than 100 people to an 8:30pm session (!). It was a great vote of confidence in our efforts to make Photoshop more extensible, and as before my pal Jeff Tranberry from PS development will be on hand to answer questions & gather feedback.

    11:49 PM | Permalink | No Comments

    March 08, 2006

    Goodbye to Gordon Parks

    Novelist, self-taught pianist, semi-pro basketball player, composer, director of Shaft–and somehow he still found time to be a groundbreaking photojournalist at Life for more than 20 years. I didn’t know the name Gordon Parks before he passed away yesterday at age 93, but since then I’ve learned a bit about his amazing and far-reaching life. The NYT offers an overview and slideshow; NPR features an audio report from Parks’ 90th birthday; and PDN hosts a gallery of his work with accompanying text. His life spoke to the transformative power of photography, and to the idea of “Not allowing anyone to set boundaries, cutting loose the imagination and then making the new horizons.”

    4:39 PM | Permalink | Comments [1]

    March 04, 2006

    Funky tripods

    I couldn’t attend PMA with the rest of the crew this year, but amidst the big camera announcements, they spied some funky accessories:

    • The MonsterPod doesn’t suck–literally or figuratively. Rather, its “Viscoelastic Morphing Polymer Super Grip Base” (three times fast, please) sticks onto just about any surface. I wonder if you can stick it to The Man…
    • The Joby Gorrilapod takes a different approach, wrapping its prehensile legs around all kinds of things (including the human head). [Via]

    I recently went a slightly simpler route myself, opting for a tiny, lightweight Manfrotto, the better to irritate dinner companions when going for those natural light shots.

    9:40 AM | Permalink | Comments [1]

    February 19, 2006

    Photoshop and HDR imaging on Flickr

    Though by now I’m sure it’s so six days ago, it’s been exciting to see all the discussions this week around the growing mainstream use of high dynamic range photography. Photoshop CS2 marks the app’s first steps into 32-bit imaging, enabling the creation of HDR files by merging multiple exposures (typically 10-12 bit for most raw files) into single images. While HDR editing has been immediately embraced by film and special effects pros, it’s only recently that a good number of photographers are taking notice. Flickr now features an HDR pool containing some striking stuff. [Via]
    Chris Cox, the engineer who’s been implementing much of Photoshop’s HDR support, groans when seeing some of this early experimentation, concluding (rightly) that we need to improve the algorithms and interface to avoid weird halos when mapping from HDR to lower bit depths. I reply, however, that a good chunk of the appeal of HDR now is attached to the slightly bizarre results the techniques produce. I mean, look at the popularity of everything from Lomos to Lens Babies. Part of me thinks that when HDR is really mainstream (captured directly in a single frame, and easily manipulable), we’ll have lost some of the happy accidents occurring today.
    For more on HDR, see this intro from Jon Meyer and this tutorial from Michael Reichmann. The best is yet to come.

    12:05 PM | Permalink | Comments [2]

    Photography: Playing with food; Retouching; more

    A lazy Sunday morning means a chance to catch up with photography around the Web:

    • French pastry chef/photographer team Akiko Ida and Pierre Javelle play with food, creating miniature sculptures and tiny narratives. If you’re put off by their site’s dicey navigation, samples of their work can be found elsewhere. [Via]
    • Michael Wolf’s Honk Kong portfolio goes exactly the opposite direction, throwing any sense of scale out the window (many thousands of them). [Via] The sense of unreality reminds me of these airborne shots from Mexico City. [Via]
    • The NYT features Inez van Lamsweerde and Vinoodh Matadin’s portraits of great performers of 2006.
    • The Times also offers some great shots from the Olympic opening ceremonies.
    • Retouchers at Fluid Effect present before & after samples of famous people. [Via] I’m always amazed that these folks permit their unretouched selves into the wild… See also the work of Glenn Feron, as well as Madonna before & after.
    • Fine art photographer David Maisel explores geometry & color from the air. [Via]

      10:22 AM | Permalink | No Comments

    February 15, 2006

    Julieanne Kost’s Window Seat

    Adobe’s own Julieanne Kost, globetrotting evangelist for Photoshop and Illustrator, has released her new book, Window Seat: The Art of Digital Photography and Creative Thinking. PhotoshopNews features a nice overview; the O’Reilly site shows some before and after images; and in this sample chapter you can get a taste of how Julieanne uses her work to illustrate both the process of deciding what to do & the techniques for getting it done. Congrats, Julieanne!

    11:48 AM | Permalink | No Comments

    February 12, 2006

    Jazzlife

    Fans of jazz, photography, or both should check out Jazzlife, a lavish coffee table book that collects the 1959-60 work of William Claxton in nearly 700 large-format pages. The Taschen site lists this 17lb. bad boy for $200, but Amazon’s got it for $126. WNYC’s site features a brief slideshow from the book, though the scale of the book brings out the real power of the images.

    7:11 AM | Permalink | No Comments

    February 06, 2006

    Digital infrared photography with Lightroom

    Think you’re serious about digital photography? Would you hand over $450 and your $1500 digital SLR for an irreversible, warranty-voiding conversion to shoot only digital infrared photos? By that measure I’m a total piker, but photographer Michael Reichmann has taken the plunge. In describing the challenge of converting these files to black & white, he writes, “There is a Santa Claus after all. Adobe’s new Lightroom can do just what’s needed. The program has a very sophisticated monochrome conversion capability, and an even more sophisticated ‘Auto’ function built into it that optimizes tonal distribution during grayscale conversion.” Maybe this is a hint of things to come, as camera companies look farther beyond the megapixel arms race & towards features that open new creative possibilities (and without voiding your warranty, either). [Via]

    4:28 PM | Permalink | Comments [3]

    February 02, 2006

    The Snow Show

    Today’s NYT features photos and narration covering “The Snow Show,” a collaboration between artists and architects to build an all-snow installation in Sestriere, Italy, ahead of the Olympic Games. The accompanying article details some of the difficulties involved in the work (making me glad to stick with pixels). The project’s official site features some cool (d’oh) photos of the current work & previous installations, including a snow penal colony (who knew?).

    3:16 PM | Permalink | No Comments

    January 29, 2006

    The Scanner Photography Project

    Duct tape + a cardboard box + a cheap flatbed scanner = the surreal images of The Scanner Photography Project. Artist Michael Golembewski has combined a scanner with a large-format camera to produce a device that can mix still and moving elements into a single frame, producing some occasionally bizarre results. (Put that in your Lens Baby and smoke it.)
    I especially like the molten vehicle shots, and the animation gallery shows how the camera makes a nice British bus ride resemble some kind of German Expressionist nightmare.
    [Thanks to Adobe Edinburgh's David Metzger for the link.]

    4:28 PM | Permalink | Comments [12]

    January 27, 2006

    Return of the DRÖMKÖK

    That brilliant Ikea “Dreamkitchens” site (mentioned last year) is back for a new spin in 2006. In addition to featuring new rooms of freeze-framed chaos, the site smoothly ties in a short Flash video intro. Wicked. [Via]

    8:00 AM | Permalink | Comments [1]

    January 26, 2006

    Beautiful photos from China

    Seeing work this lovely, I’m tempted to punt on photography & try converting my lenses into something more useful, like a Pringles can… [Via]

    4:56 PM | Permalink | Comments [5]

    January 25, 2006

    Panoramas in motion

    If you’re interested in panoramic photography (see previous entries), check out World in Motion VR. The site features a technique I hadn’t seen before: QuickTime VR panoramas where the camera is moving, recording the scene over time. Here’s one of many examples (make sure to let it load a bit, and remember that you can click and drag as the video plays). It’s a trippy effect–”Double hand touch for drama!” The site also features more traditional but no less cool still panoramas (like this one from a glacier). Lastly, DIY gearheads may be interested in how to make a video panorama system on the cheap. [Via]

    6:48 PM | Permalink | Comments [4]

    January 08, 2006

    Bizarre cam o’ the day

    Well, you don’t see this every day: satuGO (“See Aim Throw captUre & GO”) aims to create a bouncable digital camera for “combining your love for bouncing balls and your obsession for taking pictures.” (Hmm… “It’s a floor wax and a dessert topping!“) Sadly, the site doesn’t feature shots taken with the device, but I can’t help but be intrigued. As a kid I used to fool with my parents’ old 35mm, holding the shutter open while spinning a flashlight on a lazy susan. And with a fair number of people tossing cameras to produce interesting shots, maybe there’s a market for this after all. [Via]

    5:25 PM | Permalink | Comments [2]

    January 03, 2006

    New Year’s Panoramas

    The Panoramas.dk site features a collection of great New Year’s Panoramas, captured just a couple of days ago. The sound that accompanies several is a nice, immersive touch. (Is it just me, or with the London crowd can you hear a British accent in the countdown? And what’s with the Lisbon pano apparently being captured by GI Joe nemesis Destro? (scroll around and down in the pano)) [Via]
    Oh, and by the way, Happy New Year from Adobe!
    [Update: Andrew Nemeth points out his gallery of panoramas that feature binaural stereo audio. And Marco Trezzini passed along VRWay.com for additional panoramic resources.]

    5:15 PM | Permalink | Comments [2]

    January 01, 2006

    File Magazine; BLIR

    • File Magazine bills itself as “A Collection of Unexpected Photography.” I like the high-speed photography gallery in particular, plus galleries from Holga & Lomo and Diana cameras.

    • BLIR is “dedicated to promoting the work of emerging artists in the fields of painting, drawing, graphic design, illustration and photography.” The main page navigation design errs on the subtle side; the controls live under the little color bars by the logo.
    10:00 AM | Permalink | Comments [1]

    December 31, 2005

    How far would you go to get the shot?

    I’ve often heard photographers discuss the ethics of altering a photo–debating, say, whether it’s acceptable to use Photoshop to remove a Coke can from a landscape shot. Had they noticed the can before taking the shot, of course, they’d have kicked it out of the frame. These heated discussions of the “purity” of the captured image strike me as a little sterile, especially when great pre-digital masters altered images freely.
    So here’s a potentially meatier topic: Would you set up a great shot at the expense of personal injury to others? And to what end?
    Photographer Liu Tao has been accused of lying in wait to capture shots of a man wiping out when his bike hit a submerged pothole. He defends himself by noting that his images embarrassed the government into fixing the pothole, and that without the change people would still be getting hurt. Photography can effect social change, but where’s the line between documentarian and participant, and how does one know when to cross it? [Via]

    8:45 AM | Permalink | Comments [9]

    December 27, 2005

    Happiness is a Warm Cam

    …or rather, a warm Compact Flash card. Score it Illinois winter 1, JNack 0. Short story: take care when shooting digitally in cold weather.
    Longer story: On Friday my wife and I hiked around my snowy little hometown, filling a 1GB CF card via my Canon Rebel XT. The weather was brisk (maybe 35 degrees F) but sunny and not uncomfortable, and we captured plenty of images I’d love to have back. I kept the camera inside my jacket much of the time, and reviewing the shots in the field, everything seemed fine. Sadly, when I popped the card into my Mac, the photos were nowhere to be found. Bridge could display a few image fragments, but nothing usable transferred. The next day I reformatted the card in the camera and happily shot indoors for another couple hours; then things hit the wall. I got errors in the camera, and neither it nor the Mac could reformat the card. The card now resides in a trash can, and much of two days’ worth of shooting exists only in my memory.
    I should note that I have no special expertise in this area, and I haven’t yet gotten to consult teammates who likely know a good deal more. The card itself claimed to be “unfazed by… arctic cold” (hmmm…); memory is generally supposed to work well in the cold; and it appears that Canon rates their cameras for shooting at freezing and above, so I thought I was in the clear. I might chalk this up to a fluke, but last Christmas I lost another batch of images taken in the same area (different card, different camera), so I suspect the technology is more fragile than we’d like to think.
    In any event, it’s not a complete bust: I was able to salvage a few interesting shots of trains, real and imagined.

    7:06 AM | Permalink | Comments [6]

    December 26, 2005

    Photos of the Year

    A number of media outlets have collected the best photojournalism of 2005 into Flash galleries:

    I wasn’t able to find a similar gallery from the New York Times [Update: The Times has posted its Year in Pictures], but a Google search turned up the NPPA giving the Times the nod for best use of the Web. Scroll to the bottom of the press release for links to numerous galleries, including those for the Newspaper Photographer of the Year.

    2:07 PM | Permalink | Comments [1]

    December 18, 2005

    Angel’s World

    The NY Times features an article on photographer Angelo Rizzuto and a slideshow of his images. From 1952 to 1966, Rizzuto left his apartment each day at 2pm to document the people and streets of New York, concluding every roll with a grim self-portrait. His work and troubled life are chronicled in the new book Angel’s World by Michael Lesy.

    4:36 PM | Permalink | Comments [1]

    December 12, 2005

    Photographers Directory now in French, German, Spanish

    The Adobe Photographers Directory is now available in French, German and Spanish, in addition to the English version launched earlier this year. Visitors can search by location (20 countries and growing) and more than 40 photographic specialties. The directory is accessible directly from Bridge in the supported languages, and from Adobe.com.

    9:28 PM | Permalink | No Comments

    December 11, 2005

    Striking images from the UK

    An uncredited photographer for Getty Images captured an amazing shot following this morning’s explosion at a fuel depot in southeast England. See also a satellite image of the event. (I happened to be landing at Heathrow via a redeye flight & saw the enormous column of smoke off the right wingtip, luckily at a much greater distance.)

    9:09 AM | Permalink | Comments [2]

    December 09, 2005

    New plug-ins from Alien Skin, GridIron, Akvis

    • Longtime Photoshop developer Alien Skin has announced Exposure. “Foremost a film simulator,” the plug-in can “quickly and easily evoke the vivid colors of Velvia®, the rich blacks of Kodachrome®, or the sensitivity of Ektachrome®,” as well as facilitate cross processing, push processing, and glamour portrait softening. [Via] I remember talking to the brilliant photo-illustrator Sanjay Kothari about how he’d simulate film stocks and processes. He asked for just this sort of tool.

    • After Effects developer GridIron Software has announced Nucleo, applying the company’s expertise in multi-machine rendering to speeding up single machines with multiple CPUs and/or multi-core processors. Rendering and preview tasks are said to be sped up by as much as 300%. [Via]
    • Akvis has updated its Coloriage plug-in for black and white colorization. The tool also looks interesting for trying out color schemes in a photo, colorizing a hand-drawn sketch, and more; see the tutorials on their site. [Via]
    6:50 AM | Permalink | No Comments

    December 04, 2005

    Photo sharing, early 20th century-style

    Today I was flipping through prints of a couple hundred shots I’d uploaded to Kodak via the Adobe Photoshop Services built into Bridge. I didn’t realize, though, that Kodak has been in the custom-photo-thing-you-can-mail business for some 100 years. The Morning News features an article about the “real photo postcards” craze (c.1907) brought about by the introduction of a preprinted card back that allowed postcards to be made directly from negatives. The accompanying gallery features some beautiful, ethereal images, and I like this weirdo’s sense of humor. [More background here and here.]

    1:11 PM | Permalink | Comments [1]

    December 02, 2005

    You spin me right ’round, DRÖMKÖK, right ’round

    Ikea’s “Drömkök åt alla” (“Dreamkitchens for everyone”) site brings a fresh spin (sorry) to the Bullet Time photography aesthetic, letting you rotate through a series of rooms [link via Mike Downey]. sto.pp, the post-production company that did this work, features a behind-the-scenes article here.

    9:53 AM | Permalink | Comments [3]

    December 01, 2005

    Magnum now on Slate

    Solid: Slate Magazine now offers a daily feature showcasing the photojournalism of Magnum Photos. You can check out this introductory overview on the project, or jump directly to the images.

    8:11 PM | Permalink | No Comments

    November 23, 2005

    Bottle VR

    Photographer Thomas Mottl deploys the underused QuickTime VR to show the world from inside a 2-litre water bottle. [via] For plenty more VR science, see VRMAG.

    12:05 PM | Permalink | No Comments

    November 19, 2005

    Jack Naylor; Jan von Hollenben; Pigeoncams

    • Photographer Jan von Holleben brings a lush take to the shot-from-overhead perspective (also used by Robin Rhode) in his Dreams of Flying series.
      [via]
    • NPR featured a story about collector Jack Naylor, who at age 87 is selling his more than 30,000 cameras, images, and other photography ephemera–and asking a cool $20 million. I haven’t found a good online resource about Naylor, but the NPR site features a small gallery of spy cameras and more.
    • Seeing this, I wonder who’s going to bring the pigeon-with-camera idea into the digital age. Pigeon’s-eye-view is one thing, but I want to see it go airborne. Hmm, maybe someone at Make will take the challenge. (And if it really takes off, you know someone will create StuffOnMyPigeon.com).
    6:03 PM | Permalink | Comments [1]

    November 01, 2005

    Musings at MoMA

    The New York Museum of Modern Art’s New Photography ’05 features some dynamite recent work. My wife and I checked it out last Sunday following PhotoPlus East.
    Robin Rhode brings a new spin to stop motion animations–literally. He sometimes works on vertical surfaces but other times rotates the scene 90 degrees, as in He Got Game (here’s a closer view of one frame) and Brick Flag.
    We also enjoyed the work of Carlos Garaicoa, who explores structure, progress, and the lack thereof in his native Cuba. He combines 2D photography with extremely delicate 3D pin-and-thread overlays that outline the architectural vision, contrasted with what remains of it. For example, the uncompleted half of an abruptly halted circular apartment block hangs in space, carefully laid out in silver thread. I can’t find examples online (not that they’d do it justice, actually), so it’s well worth seeing in person.
    Obligatory computer dork remark: These ethereal overlays struck me as uncannily similar to the grids one can create in Vanishing Point. And the process of drawing by combining pins and threads seemed like a literal interpretation of what people said about early vector-editing software.
    One other bit: The Morning News has posted New York Changing, a gallery and interview with photographer Douglas Levere, who rephotographed Berenice Abbott’s pictures of 1930s New York. If you’re interested in the city, the site is well worth a look.

    10:01 AM | Permalink | Comments [1]

    October 06, 2005

    I got your megapixels, right here

    Wow. Leaf has announced new digital camera backs, the larger of which generates images of 6726 by 5040 pixels (that’s 33,899,040 total pixels for those playing at home). Each frame from this beast tips the scales at around 200MB.
    Having come from the world of Web design, I was amazed at the size of files that get tossed around in Photoshop. Web designers are still debating whether requiring a 1024×768 monitor is okay, and in the mobile space that resolution must sound incredibly luxurious. Meanwhile, Photoshop CS raised max document dimensions to 300,000 x 300,000 pixels and the max document size to somewhere between 4 and 8 exabytes (!).
    It’s a pleasure and a challenge to develop an application that can work smoothly across a huge range of image sizes. This diversity makes it hard to choose defaults that address all uses, so you may want to tune Photoshop (Mac/Win) to your needs.

    2:22 PM | Permalink | Comments [1]

    September 21, 2005

    Photography events this week and next

    Speaking of National Geographic, if you happen to be in the Bay Area next week, the Aurora Forum is presenting what looks to be an interesting panel discussion on documentary photography and democratic ideals. The panel includes photojournalist Chris Rainier, whom I was privileged to have assisted (a very small bit) in the launch of Cultures on the Edge.
    And if you happen to be in LA this week or DC next, check out the film festival for All Roads, “a National Geographic initiative supporting films by and about indigenous groups and under-represented minority culture filmmakers.”

    11:48 AM | Permalink | No Comments

    September 19, 2005

    Adobe Photographers Directory wins WebAward

    Just a little patting of our own backs: the Adobe Photographers Directory has won a WebAward. Congrats to the folks at Euro RSCG 4D and Adobe who’ve made it happen. Now that the directory is linked from Adobe Bridge, we hope that more photographers and designers, ad agencies, and other clients will find each other through it.

    9:53 AM | Permalink | Comments [3]

    September 17, 2005

    Stop motion & SLRs

    Editors Guild Magazine features an interesting article about the new movie “Corpse Bride” being shot with a digital SLR, the Canon EOS-1D Mark II. “[P]erhaps most significantly, it’s the first movie to choose digital cameras over film cameras based on the criterion of image quality.” [link via Rob Galbraith DPI]
    This reminds me of the much lower budget but also clever “Between You and Me”, shot entirely with a Canon 20D. Dig the creative misuse of shiny technology.
    [Update: On a related note, check out the stop motion used in the video for Sia's haunting "Breathe." A similar technique was used for Sam Bisbee's "You Are Here." [links via Kottke.org.]]

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