May 24, 2012
A Brief History of John Baldessari
I’m a little chagrined to admit that I didn’t know about artist John Baldessari prior to seeing this short film narrated by Tom Waits. Now I’d like to know more:
[Via Sam Potts]
May 19, 2012
Adobe MAX moves from fall to spring
The next show will be hosted on May 4-8 in Los Angeles, writes CTO Kevin Lynch. According to Kevin, it’ll focus on
- Design and creativity
- Web sites, including the latest on HTML5, JavaScript and CSS
- Digital publishing, video, and gaming, including the latest on Flash
- Applications, particularly for mobile platforms
More details will come out in the months ahead.
Vinyl-tossing trick shots
Does this have anything to do with this blog’s focus? No, it does not. Will you dig it? If you’re not dead inside, I think so. :-)
I plan to show it to our boys–but first I’ll have to explain what “records” were. [Via]
May 10, 2012
A classical flash mob in the Copenhagen Metro
Magical.
According to the YouTube caption,
In April 2012 Copenhagen Phil (Sjællands Symfoniorkester) surprised the passengers in the Copenhagen Metro by playing Griegs Peer Gynt. The flash mob was created in collaboration with Radio Klassisk. All music was performed and recorded in the metro.
[Via Margot]
May 09, 2012
LayerVault adds new features for Photoshop collaboration
LayerVault is a PSD-savvy service for versioning & collaborating on design work, and it’s just added a swath of cool new features (the “Wormhole” mechanism for inspecting changes being especially neat). News site BetaKit writes,
Users can now view edits happening in real-time, and open compatible files directly in the browser, meaning less popping in and out of apps just to make a few minor tweaks. Tools added now let them pick colors and create transferable palettes on the fly, for instance, as well as measure design components with a click.
Here’s a 1-minute tour of what’s new:
May 06, 2012
“It’s a nightmare for old people”
How pitch-perfect is this parody of speeds-and-feeds-based marketing?
[Update: Non-US folks, try this link. (Via Peter Steeper)]
The other day I heard some carrier/handset combo boasting about “wielding the Android 2.2 platform.” It’s so weird: they burned airtime noting a detail that would confuse most people while (I would think) alienating those geeky enough to grok it.
April 30, 2012
Giant pixel-art animation on 5-story LCD glass
“The thing is, I can’t figure if it’s the fish that are cooling me out, or all those uncut diamonds in the bottom of the tank, there.” (Wait, that’s something else.) Check out Patterned by Nature, “a 10 ft. wide by 90 ft. long sculptural ribbon that winds through a five story museum atrium and is made of 3600 tiles of LCD glass. Animations are created by independently varying the transparency of each piece of glass.”
[Via]
April 28, 2012
Waves: A motion & sound installation
The Waves project from Daniel Palacios “is made up of two turbines, supported by a tuning fork structure between which the waves are created.” The strings whip through the air, creating both sound and visuals, and they react to passersby:
[Via]
April 24, 2012
Photoshop CS6 Live Webinars all week
The NAPP guys are hosting live demos/Q&A’s all week (all at noon Eastern time):
- Tuesday: Photography
- Wednesday: Design & JDI Features
- Thursday: Video
- Friday: 3D & Performance Features
- Saturday (all day): Week in Review
Check out the site for complete details.
April 20, 2012
Beautiful high-speed film from India
Poor form to blog Phantom Flex ultra slow-mo two days in a row? Not when the images are this lovely:
I do kind of wonder whether even my staring into my monitor could look epic & meaningful if captured through one of these fly-bys. [Via]
April 13, 2012
Neat: Automatic speech alignment in Audition CS6
The Fremont troll makes a cameo to help demonstrate this new tech:
April 12, 2012
What should we talk about?
I’ll be speaking at the RE:DESIGN/UX conference in San Francisco on Tuesday, May 1. It should be a really interesting show, featuring a lot of savvy designers & creative directors. Each session lead speaks for about 10 minutes, followed by 30-40 minutes of group discussion. Here’s my idea in brief:
TheFuture of Creation
Everyone’s a maker; everyone’s a sharer. Great design software costs a buck. When things are common, we value them less. (No one celebrates breathing.) How do we keep creation special? Let’s talk about what it all means to designers & their tools.
Is that a conversation you’d find interesting? Feedback & ideas are most welcome.
April 11, 2012
Photoshop CS6 in Seattle next Monday
Photoshop PM Stephen Nielson will be presenting CS6 at Adobe Seattle on Tuesday the 17th Monday the 23rd [please note change of date]:
Photoshop CS6 is one of the biggest releases yet, and there is truly something for everyone. The team has been working hard on new features like Blur Gallery, new Content-Aware tools, the Mercury Graphics Engine, new and re-engineered design tools, and so much more!
We’ll have pizza at 6:30, and the meeting will start at 7:00.
April 06, 2012
Bay Area Photoshop meetings next week
- PM Stephen Nielson will be showing off the CS6 beta at Adobe San Jose Tuesday evening starting at 7pm. The registration list is already full (200+ signed up), but you can join the wait list.
- PM Zorana Gee will be presenting CS6 at Adobe San Francisco Thursday evening starting at 6:30. Looks like a few spots remain open on the registration list.
April 04, 2012
Imaging geniuses: Photoshop wants you
If you’d like to develop amazing tech like Content-Aware Fill & bring it to millions of people, the Photoshop team may have a job for you. They’re looking for an experienced imaging engineer to fill the role of Senior Computer Scientist (req. #13612).
I love working with brainiacs like this, and we have a great track record or productizing research (off the top of my head in the last couple of revs of Photoshop: Content-Aware Fill, Content-Aware Scale, advanced blurring, improved sharpening, Puppet Warp, Auto-Align/Auto-Blend Layers, adaptive wide-angle lens correction, and more). I think you’d really enjoy working with the Photoshop team to put cutting-edge ideas into practice.
Photoshop CS6 demo/Q&A tomorrow
Friday’s demo/Q&A (recorded here) was a hit, and more than 400 people have already RSVP’d for this session at noon Pacific on Thursday:
Downloaded Photoshop CS6 beta and got questions? Join Sr. Product Manager Bryan O’Neil Hughes this Thursday, 4/5 for a LIVE demo! He’ll take you on a tour of the new features and share expert tips and tricks. If you have any specific questions for Bryan about the beta, leave a comment below – you may see it answered during the demo session! Sign in as a guest for a special tour of the new features and some expert tips and tricks.
April 03, 2012
Photoshop CS6 demo/Q&A recording now available
In this Ask A CS Pro session, Photoshop PM Zorana Gee shows every major feature in the new public beta release. She not only provides detailed tips, but also addresses common questions from the large live audience. Dozens more questions are covered in the interactive chat pod. [Via]
March 28, 2012
Photoshop CS6 beta: 500,000+ downloads & counting
I’m delighted to see that the Photoshop CS6 beta has been downloaded more than half a million times in less than a week! The response I’ve seen so far has been overwhelmingly positive.
Nice press quotes:
- Gizmodo: “Photoshop CS6: The Best Update In Recent Memory“
- PC Magazine:
- “The future of creative image editing is upon us.
- “You would think that after a program has been the leader in its field for over 20 years, there wouldn’t be much to add. But quite the opposite is the case with Adobe Photoshop CS6.
- “The new version will thrill nearly all categories of users, from photographers to designers.
- “All of this adds up to a superb upgrade that should make anyone serious about image editing salivate over Photoshop CS6.”
- Wired: ”Content-aware brushes, Liquify filter and new Blur tool will amaze. In-app search is a huge time-saver for sifting through giant stacks of layers.”
- USA Today: “We’ve been testing CS6 for the last week, and having lots of fun with the new tools. The new interface is a huge improvement — the images really do look sharper and more pronounced.”
And from some designers I follow on Twitter:
- “I’ll use it for a few days so I can give a better assessment, but so far: ball out of the park.” — Neven Mrgan
- “I’ve been using PS CS6 for a while, and it’s been sweet… The truth is that CS6 has a bunch of changes that make my life a lot better but may piss off some users. Which is great. Adobe did well.” — Sebastiaan de With
- “I think the community at large agrees: PS6 is an incredible update.” — Cameron Moll
Thanks for the kind words, guys!
March 27, 2012
Video: The Adobe Digital Imaging Team at Photoshop World 2012
Straight from the show floor. (I can vouch for background saving drawing cheers.)
Hitchcock on happiness
Unfettered creative impact; yep, seems about right.
March 24, 2012
PS CS6 drops Vista, 32-bit Mac support
I know it’ll seem odd, but Photoshop CS6 supports Windows XP and not (officially) Windows Vista. It’s all about spending finite resources wisely, and Jeff Tranberry explains the thinking in ”Photoshop CS6 Operating System Support…and beyond.”
March 23, 2012
Great places to learn about Photoshop CS6
- Scott Kelby & his crew have created a terrific CS6 learning center, featuring a couple of dozen videos plus a one-page summary of all the new stuff and a summary of “What to Expect if You Skipped CS5 & Now Want CS6.”
- Deke McClelland goes deep with 27 video tutorials Lynda.com.
- Jeff Tranberry is maintaining a list of tutorials, reviews, and other resources.
More great content is going live all the time, so feel free to mention good things we may have missed.
Check out new Content-Aware tech in CS6
Artificial intelligence + your intelligence = good things.
March 21, 2012
Metadata can kill you
How’s that for a salacious, click-baiting title? But this bit from the US Army is eye-opening:
A real-world example from 2007: When a new fleet of helicopters arrived with an aviation unit at a base in Iraq, some soldiers took pictures on the flightline, he said. From the photos that were uploaded to the Internet, the enemy was able to determine the exact location of the helicopters inside the compound and conduct a mortar attack, destroying four of the AH-64 Apaches.
[Via John Dowdell]
March 19, 2012
Come help us make WebKit more kickass
“The better the web, the better tools we can build, and the happier our customers.” With that in mind, Adobe’s putting more & more muscle into advancing HTML standards & helping rendering engines support them.
Adobe’s WebKit Contributions group is improving the web as a platform for applications by implementing features that enable new classes of applications, new levels of application richness, and by improving the tools web developers use to create, debug, profile, test and maintain applications. Features are developed in the open and contributed to WebKit trunk. This group works closely with web application developers and the web standards community to identify opportunities for improvement.
- Engineering Manager – WebKit Development — 11843
- Sr. Computer Scientist – WebKit Development — 11836
- Computer Scientist – WebKit Development — 11835
- WebKit Engineering Intern — 13714
- QE developer for WebPlatform/WebKit — 13989
Just type in the corresponding job number, or simply search for “WebKit.” Hope to meet you soon!
March 17, 2012
[OT] Bay Area Lego shindig tomorrow
On Monday at Pixar (where the lobby is adorned with giant Lego Woody & Buzz), I overheard not one but two groups of fellow nerds excitedly discussing Bricks By The Bay, happening this weekend in Santa Clara. Our boys have been counting the days ever since. Hope to see you there!
March 16, 2012
A kid’s Rube Goldberg monster trap
So great.
[Via]
March 15, 2012
Do not taunt Angry Time Machine
He spoke with the wisdom that can only come from experience, like a guy who went blind because he looked at a solar eclipse without one of those boxes with a pinhole in it and now goes around the country speaking at high schools about the dangers of looking at a solar eclipse without one of those boxes with a pinhole in it. — Not Jack Handey
If you’ve had trouble backing up your Mac via Time Machine–as I did once I installed Lion–do not, for the love of God, push your luck and try to use Time Machine to migrate data from one Mac to another. Just don’t.
Details if you want ‘em:
Post-10.7, I couldn’t update my backups on my Drobo and Time Capsule, nor could I get one to work on the new USB 3.0 drive I bought for the job. When I tried a fresh FireWire drive, however, everything seemed cool. Thus when my new Mac arrived, I tried transferring apps & data via the Migration Assistant.
And now begins the screamin’ & the wailin’: The apps that made it over were all zero KB, and files never transferred. Not a big deal, I thought: I can just re-install apps & move files manually. The trouble is, when I tried to install Apple Motion, I got a series of errors about missing files (ProKit). I tried various work arounds, including installing the FCP X trial. Soon, though, all the Apple apps, as well as iPhoto, were crashing on launch. It seems that the failed app migration stomped a bunch of critical libraries.
Here’s the excellent part, though: Lion’s airbag works great. At the advice of my exhausted Apple friend (who’d been supplying would-be fixes), I finally reinstalled the OS. Fearing the worst (bare-metal, nuke-from-orbit, dogs-and-cats-living-together stuff), I backed up my files and blocked off a bunch of time. I still cannot believe how well it went: restarted the machine, held down Cmd-R, okayed a couple of prompts, and half an hour later 10.7.3 was up and running as if nothing had happened. Everything (open docs, browser history, passwords, etc.) was restored. I’m still kind of holding my breath, but so far, so amazingly good. Hats off to the Apple folks behind this capability.
March 14, 2012
Behind the Splash Screen: Bryan O’Neil Hughes
So, how does one become a Photoshop product manager, and what does one actually do? Bryan briefly tells his story:
Brad Bird on morale
Via his Pixar colleague Michael Johnson:
In my experience, the thing that has the most significant impact on a movie’s budget—but never shows up in a budget—is morale. If you have low morale, for every $1 you spend, you get about 25 cents of value. If you have high morale, for every $1 you spend, you get about $3 of value. Companies should pay much more attention to morale.
March 13, 2012
Who do I fear being at work?
[I find myself making this joke when I actually do connect people who wouldn't otherwise talk (different teams, engineers with customers, etc.). Still, it's an odd job where one doesn't often *build* anything specific.]
March 03, 2012
Star Wars Rorschach
Oh yes:
Does anyone know what software produces animations like these? [Via ]
February 29, 2012
“Confessions of a Printmaker” tomorrow eve in SF
Mark Lindsay will be presenting at Adobe San Francisco tomorrow night starting at 6:30. Mark will discuss:
- Ink Gamut: Knowing the limitations of printed color
- Soft-Proofing: How to anticipate print appearance before printing
- Print Options: Photoshop workflows for inkjet, digital, and offset lithography
- Sharpening: Advanced sharpening techniques for fine printmaking
- Paper Profiles: How to make them, where to get them, how to use them
- Color Management: The best color settings for Photoshop
- Color Correction: Solving basic and tricky color problems
- Special Print Problems: A bag of tricks for a world of problems
- CMYK: The other color space
- Paper: Best selection for outstanding prints
- On Press: Effective press checks
A Photoshop engineer vs. the exploitation of kids
A few years ago, John Penn was invited to attend the Internet Crimes Against Children Conference and share his knowledge as a Photoshop engineer. The experience changed his life. Now he’s a Senior Solutions Architect helping law enforcement agencies around the world use Photoshop to combat the exploitation of children.
February 25, 2012
“Browser UI” action for Photoshop
Looks interesting:
Browser UI is an action that creates a browser window around any size Photoshop document you can throw at it. Simply install the action, choose a browser and play it. Check out the quick screencast if you don’t believe me.
February 23, 2012
A really arcane blogging/tweeting tool request
[Warning: Probably of zero interest to non-nerd bloggers, and even then…]
I like sharing links quickly via Twitter (and thus Facebook), and later–time permitting–I copy, paste, and sort those links into groups that I can share here. Other times I’ll use Instapaper to capture links that I’m not quite ready to share.
Trouble is, it takes a non-trivial amount of time to scan back through either list, then copy/paste/etc. Thus my sharing of links via the blog has dropped dramatically. (Sorry/you’re welcome, depending.)
Would you by chance know of a way to automate converting tweets and/or Instapaper (or similar) links into blog-ready form, making it easy to sort them into piles? Thanks in advance for any suggestions.
February 22, 2012
Photoshop.next sneak: Automatic preset migration & sharing
Also, Cmd-J duplicates multiple selected layers & layer groups; woo! (“JDI,” for the uninitiated, stands for “Just Do It.”)
Behind the Splash Screen: Seetharaman Narayanan
Meet the Photoshop hall-of-famer with his own fan club:
[Via Andrew Kavanagh]
February 19, 2012
What’s the point of having an Adobe ID?
I know, I know: you need another username/password combo like you need a hole in the head. There are real benefits to having an Adobe ID, though (e.g. keeping track of your serial numbers). Jeff Tranberry quickly lists details. [Via John Dowdell]
February 16, 2012
Pixelapse: PSD backup & sharing
Pixelapse promises “Visual version control done right”:
Hit save in Photoshop. Your artwork will be on the Web, ready to be shared in seconds.
Share and get feedback from your team members, or anyone you share the design with.
[Previous/similar: LayerVault.]
February 15, 2012
Friday Demo/Q&A: Mission Mobile
Learn how to create mobile apps or websites using Adobe Creative Suite 5.5 Web Premium software. Join Evangelist Paul Trani and discover the latest tips and tricks on Adobe Dreamweaver and Adobe Air for going mobile fast. We’ll cover how to customize content for different screens, create galleries, optimize graphics, and more.
Prior to joining Adobe, Paul led a team of interactive designers and developers at Starz Entertainment producing multimillion dollar web and mobile campaigns.
February 14, 2012
Valentine’s Special: Remove Your Ex with Photoshop.next
Artificial intelligence: Good.
Your intelligence: Better.
The two together: Best.
To reduce instances of “Content-Aware Fail,” the Photoshop team has been working on ways to let you guide the Content-Aware Fill algorithm. Check out this two-minute preview:
February 13, 2012
RED/Premiere Pro webinar Feb. 23
Join Ted Schilowitz, one of the founders of RED Digital Cinema, and Adobe’s Wes Howell, 10AM PST:
Adobe and RED have collaborated to bring a truly native, color-rich, 4K tapeless workflow to Adobe Premiere Pro CS5.5. Join this webinar to learn how you can enable a robust workflow for editing, grading, and delivering native R3D footage in real time using Premiere Pro.
February 12, 2012
Video: Future Hipsters
Now I’m kind of tempted to get a QR code tat that links to “un gato vomitando.”
[Via Bruce Bullis]
February 10, 2012
A North Korean Photoshop tutorial
“Rotting misery pumpkin”? “Catify” command? Where can I get this version?? [Note: Contains a little off-color humor]
February 09, 2012
Photoshop.next sneak #3: Dashed & dotted lines
Note the presence of controls for “real” stroke & fill (not dependent on the modal layer style dialog) on the options bar.
[Via Rob Cantor]
February 08, 2012
You can put 16GB of RAM in a MacBook Pro
I mention it A) because I just ordered a new machine*, and B) people seem not to know about this capacity. Adobe’s Jason Levine says the upgrade is fast, easy–and now cheap.
I’ve always been a sucka for tons of memory, having jammed an eye-popping 512MB into my first PowerBook at Adobe (2000!). When I priced an 8GB upgrade on Apple.com 3 years ago, it cost $1200–as much as a MacBook + Apple TV. Now Apple will let you go from 4 to 8GB for $200. Strangely, though, they don’t list a 16GB option–which OWC offers for $249.
*This is part of my perverse effort to bring you high-DPI laptops: by ordering a current machine now, I ensure the arrival of a better option moments later. (See also my sales of ADBE and pretty much any other stock or commodity, ever.) I am, if nothing else, a man who *gives*.
February 06, 2012
Photoshop events in NYC this week
- Thursday, February 9 Event Meetup: Hosted at the School of Visual Arts with special guest SVA alum and pro photographer Sarah Silver. Bryan O’Neil Hughes, Photoshop Sr. Product Manager, will demo.
- Saturday, February 11 Event Meetup: Hosted at pro photographer Sarah Silver’s NYC studio. Bryan will demo.
February 03, 2012
Canada sends a (Lego) man to space
“A tip of the hat to America’s hat.” :-)
[Via]
February 02, 2012
Photoshop.next: Sneak peek #2
Background save, anyone? How about massively faster Liquify?
Both of these features have been in the team’s sights for a long time, but they kept getting derailed by things like the Carbon-to-Cocoa conversion effort. Nice to have that behind us.
February 01, 2012
Scott Kelby: “Why I Think Lightroom 4 is Going To Sell Like Crazy”
He writes,
“Your photos look better processed in Lightroom 4. Period… The improvements in Lightroom’s Development module are so significant, and so much better than what we’ve ever had before, that I think you’ll be hard-pressed to find most anyone still using Lightroom 3 in just a few months from now.”
As Bryan demos & notes in the Photoshop sneak below, the same engine is coming to PS, and you can try it out in LR4 right now.
January 28, 2012
Photoshop in Romanian protests
“Text says ‘We want cheaper Photoshop! Down with Comic Sans!,’” reports the excellently named Marius-Remus Mate.

Jon Stewart one mentioned that American troops were teaching Afghan kids to play baseball. Whole families were really getting into the spirit of the game, he said, showing a dad in the stands holding a sign reading “ESPN: Execute Some Pashtuns Now!” Ah Photoshop, you do get around.
January 24, 2012
How warring rabbits led to 3D in Photoshop
Lagomorphs, man–lagomorphs.
January 22, 2012
A marriage proposal in Lego
Margot once sent me a stop-motion valentine involving Lego Chewbacca, so these kids are right up my alley:
January 21, 2012
Glimpses of Guatemala
In brief, stand-out things I saw in my first few hours: A bus with the Virgin Mary on the side and a Confederate flag in the back window; a truck whooshing up on me and displaying a crowd of peeing cows with Stars of David branded on their rumps; another bus whose windshield featured a three-eyed graffiti smiley face above a bunch of unpatched bullet holes; and hopped-up paramilitary pickups laden with soliders and emblazoned with the word “Quiche” (gourmet troopers?).
I snagged photos (of very uneven quality) of some of this and hope to share them soon. I’m finding, though, that photo-editing workflows on iPad remain about as graceful as a toddler–full of both promise & constant painful wipeouts.
January 20, 2012
Robo-publishing engage in 3, 2,…
Well, the day has come, and I’m off to Guatemala. Thanks for all the kind wishes of support & great camera advice! (I ended up grabbing a Nikon 1 from the Photoshop QE folks, but clearly the market is full of excellent choices.)
I promise I’ll try hard to unplug and fully engage with the experience. I’m really trying to tell myself I can get by with just an iPad, though until I’m in the air my hand will keep flying up, Strangelove-style, to grab my Mac.
Regarding the blog, I’ve queued up daily content to carry through to the end of January. After that, it’s likely to be radio silence for a few days at least (well, unless I have some downtime and write up a–DOWN, hand!!).
Catch you on the flipside,
J.
PS–Sorry if your comments get caught in the moderation queue for excessively long periods. I’ll try to check it when I can.
January 16, 2012
Recharging my spiritual batteries
I am a lucky, lucky man.
I’m blessed with a wonderful wife, amazing kids, and a great job. For the last 12 years I’ve somehow gotten paid to spend time with terrifically bright people (customers & colleagues), helping to build the tools I love.
I’m ashamed, though, that I don’t appreciate these things the way I should. Too often over the last few years, I’ve been fried or worse. How can I change that?
Adobe wisely encourages employees to take a sabbatical* every five years. I’ve decided to take a belated one starting today, and on Friday I’m heading to Guatemala to do a couple weeks of service work** through Cross-Cultural Solutions. I have no delusions about saving the world myself, much less in two weeks. If I can improve my perspective, though, making myself more grateful and perceptive, I’ll count this time as a great success.
I’m still figuring out just how active I’ll keep the blog in my absence. I have this crazy fear of/aversion to the prospect of letting people down, of wasting your time by failing to keep content flowing. (I mean, what sane, balanced person would stoke this damn fire every day? ;-)) Maybe that’s part of the perspective I need to gain: the world won’t end without me or my blog. Still, though, I have a big backlog I can queue up…
I’ll ping you with a few travel photography ideas and questions over the next few days–then hit the trail.
Incidentally, I happened upon this quotation today (via Wordsmith) and found it appropriate:
I prayed for freedom for twenty years, but received no answer until I prayed with my legs. -Frederick Douglass, Former slave, abolitionist, editor, and orator (1817-1895)
*Sabbatical length depends on length of service; the longer you’ve worked here, the longer the time off. My current “10 year” one runs for five weeks.
**These things aren’t cheap, and I thought about soliciting donations to support my trip. Truth is, though, many people and causes need help much more urgently. If the spirit moves you, please consider supporting CCS so that another person can volunteer, or support another worthwhile NGO (Doctors Without Borders being my favorite). Thanks!
Video: Cooking with Photoshop
Vintage fun, worth another look:
[Via Veronique Brossier]
January 14, 2012
Minority Report-style window
Very cool, although:
A) I was just thinking “My windows are plenty fragile, but their carbon footprint is too low.”
B) What’s with the prominent “Don’t Touch” sign below this touch screen?
[Via Tobias Hoellrich]
January 12, 2012
Free Russell Brown photo workshops in LA
Russell Brown & artist Bonny Pierce Lhotka are presenting a couple of free half-day workshops next weekend (Jan. 21-22nd) in Los Angeles. [Update: I'm told that the classes are now sold out.]
Russell will lead the class in an introduction to using mobile software Apps with lots of opportunity for creative expression! Props, costumes, tin-type backgrounds, printed backgrounds and a professional lighting kit by Westcott will be made available to help students take fantastic mobile photos. […]
Bonny will teach the “cooking” of aluminum plates to create antiques surfaces that look decades old. After distressing, washing and cooking the plates, participates will compose and alter both the plate and the image that has been printed on a transfer film.
January 10, 2012
Fotoshop by Adobé
Fauxtanical hydro-jargon microbead extraction for the win!!
Behind the scenes:
[Via Jim Geduldick & Serge Jespers]
January 03, 2012
Skitch: Beautifully simple screenshot markup for iPad
Free, too:
More info is on the Evernote team blog.
December 31, 2011
World’s Largest LEGO Christmas Tree
Seems like a nice way to ring out the year: The crew at Bright Bricks (“The UK’s only LEGO Certified Professional”–who knew there were such things?) has put together the world’s largest Lego Christmas tree. Check out a nice set of photos, or just the little vid below:
“Larger-than-life alveoli”
Kind of puts the “creep” back into “crepuscular.”
Check out more photos and details.
December 30, 2011
Crazy magnet-thing levitates your crap
“Isaac Newton just pooped his pants.” Oh my. (Or, as Core77 puts it, “Electromagnets Now Powerful Enough to Repel Good Taste.”) So, now this happens:
I’ll be sure to try one with my un-backed-up hard drive.
December 26, 2011
Mac nerd friends: A little help here?
“Hello, my name is John, and I practice unprotected computing…” (“Hello, John.”)
Until I upgraded my Mac to Lion, I was a rigorous user of Time Machine: I’d plug in a Drobo at work, and I’d connect to a Time Capsule at home. It paid off when my hard drive died & my bacon was saved.
Ever since moving to Lion, though, I’ve been unable to back up. Connecting to either backup produces a “Preparing to back up” cycle that can last for hours or even days. It’s unusable to the point that I think I should just wipe the backups and start fresh.
Here’s where more problems ensue, however:
- Deleting the backup from the Drobo was incredibly slow, to the point that I reformatted the drives and thus somehow rendered them inoperable (!). I need to carve out time to work with Drobo tech support, but I haven’t been able yet.
- I can’t wipe my Time Capsule (which contains other data), and due to space constraints, I can’t start a new Time Machine backup without trashing the first. I fear the process taking more hours or days.
- Okay, fine–for now I’ll just buy a new, fresh, cheap hard drive. Without doing research (!), I grabbed a big Seagate 2TB USB 3.0 drive. “No prob,” I figured, “this thing should be USB 2.0-compatible and more future-proof.” Now, however…
- After reformatting the drive, Time Machine backups continuously fail. Things seems to go great for tens or even hundreds of GB of data–then simply stall out forever. This has happened several times, always at different points, even across reformatting.
- Okay, fine–forget Time Machine, let’s do Carbon Copy Cloner. Unfortunately, even after reformatting (again) per CCC’s instructions, the backup failed ~66GB in. Given the TM failures, I’m not inclined to try again.
So, here’s what I’m wondering:
- Is there something wrong with the data on my Mac–something that would cause old backups to stall & new ones to fail? And if so, is there a diagnostic I can run to find & hopefully fix the problem?
- Is there something screwy with Mac OS support for USB 3.0 devices?
- Is there something screwy with this particular drive?
My Google-fu has failed to provide a solution, so thanks in advance for any guidance you can provide.
December 25, 2011
Merry Christmas, everyone
Wherever you are, and whatever holidays you may celebrate this time of year, I wish you great peace and happiness. Thanks for reading & for making it possible for me to do this fascinating, occasionally frustrating, often greatly rewarding job.
All the best to you and yours, now and in 2012,
J. (+M & the Micronaxx)
December 24, 2011
A marriage proposal via Internet memes
At Christmas (or almost), here’s something awfully sweet:
Of the shoot the groom’s co-conspirators write,
We went to venue a day before to scout the place, discuss how to hide those cameras and look at how to be invisible.
On that day, we were all dressed in black. Talked using walkies. Used wine bottles, glasses, cutleries, vases and flowers as cover. We sat around the restaurant as guests but with our cameras on. And yes, we achieved total invisibility. Audrey walked into the restaurant, sat with her friends and never noticed us.
Not until the prime time when Tim revealed himself with meme place cards that was part of his proposal. That was when all the cameras (all 4 in total) started rolling.
The bride shares an after-action play-by-play on her blog.
December 23, 2011
Globetrotting, robo-dancing Japanese businessmen
As Towelie might say, “I have no idea what’s goin’ on right now…” I kinda like it, though.
Read more about these guys here. [Via Bill Roberts]
December 21, 2011
Time lapse: Sydney harbor
Think we’ve beaten the tilt-shift faux miniature thing entirely into the ground yet? Me neither! Here’s another fun one:
[Via]
December 09, 2011
Students: Enter the Adobe Design Achievement Awards
Students are invited to compete in 13 categories, including Game Design and Development, as well as Application Development and Mobile Design. Since the ADAA competition began in 2001, nearly 25,000 students from 73 countries have been involved; in 2011, a record 4,600 entries were submitted.
Free to enter and open to students, faculty and staff of higher education institutions worldwide, the 2012 ADAA will be judged by a panel of international design experts in three independent judging sessions. Submission deadlines are January 27, April 27, and June 22, 2012.
Semifinalists will be announced after each judging session, providing participants with early visibility into their competition status. In October, finalists will be invited to attend the ADAA awards ceremony in Los Angeles, Calif., where winners will be announced and awarded Adobe software and cash prizes.
[Via]
December 08, 2011
Hidden Gem: Editing Video in Photoshop CS5 Extended
Bryan O’Neil Hughes provides a 2-minute overview:
December 06, 2011
SF Photoshop User Group tonight: Creative Digital Post-Processing
Starts tonight at 6:30pm at Adobe San Francisco (see details):
In this presentation, master photographer Harold Davis explains his complete digital workflow starting with his digital photography techniques. He shows how he uses multi-RAW processing and hand-HDR with layering to enhance original photos.
Along the way, Harold will demonstrate how he uses the LAB color space to improve imagery and create special color effects.
Finally, Harold will discuss how his images are prepared for publication and archived in the books he packages for major publishers, including Focal Press.
There will be ample time for Q&A, so please bring your questions for Harold to this presentation.
November 30, 2011
Alfred for Mac hits 1.0
The brilliant little utility Alfred has reached v1 status after a couple of years of public testing. For me it’s an invaluable way to launch apps & start Web searches quickly (in my case I hit Opt-space from any app, then start typing a name or query) and to get multi-clipboard functionality. For some reason I could never get into the command-line Quicksilver or other multi-clipboard tools, but Alfred hits a sweet spot.
The app is free, but the paid Powerpack (which enables multi-clipboard support and numerous other features) is well worth the £12 price.
November 24, 2011
The future of advertising? Cat videos.
(Come on, it’s Thanksgiving; you weren’t working anyway, were you? Oh, and Happy Thanksgiving!)
[Via Sebastian Marketsmueller]
November 21, 2011
Gone fishing (for turkey)
I’m taking the week off to squire young dudes around chilly Illinois, but I’ve scheduled some blog posts to auto-publish over the course of the week. I mention it because I’ve seen a few comments asking questions or requesting feedback, and I didn’t want you to think that I was working normally & blowing off replying.
November 15, 2011
What’s Creative Cloud & why should you care?
View PSD layers, Illustrator artboards, and InDesign spreads on the Web; share files with teammates; and more. Here’s a 1-minute tour of the new Creative Cloud:
November 11, 2011
Happy Veterans Day from some Adobe vets
A few years ago I was giving some boo-hoo rant about my job’s frustrations to a co-worker when I noticed a little Abrams tank model on his desk. When I inquired he casually answered that he’d been a tank commander in Bosnia, modestly mentioning some of the responsibilities he’d shouldered in his early 20′s. Way to put my challenges in perspective, sir.
In this brief clip, veterans now working at Adobe share thoughts on how their military service experiences have helped shape their careers.
November 09, 2011
SF Photoshop User Group meets tomorrow evening
Come hear photographer Mark Lindsay talk about ”Inspired Compositing and Masking” starting at 6:30pm at Adobe San Francisco. Check out the MeetUp page for details & to vote on topics that Mark should cover in depth.
November 02, 2011
Eye candy: Motion FX for OS X
I can’t claim I find this slick, free app from Autodesk useful, per se–but hey, who hasn’t wanted to spew fire from his eye sockets from time to time?
November 01, 2011
Clarity vs. Obfuscation: Steve Jobs & Occupy Wall Street
I have no intention of making this blog a political one, but I did find interesting Frank Rich’s insight into the phenomenon of Occupy Wall Street protesters mourning Steve Jobs, a multi-billionaire:
Yet those demonstrators who celebrated Jobs were not necessarily hypocrites… Jobs’s genius… was his ability “to strip away the excess layers of business, design, and innovation until only the simple, elegant reality remained.” The supposed genius of modern Wall Street is the exact reverse, piling on excess layers of business and innovation on ever thinner and more exotic creations until simple reality is distorted and obscured.
Just food for thought. (Oh, and if you haven’t read Michael Lewis’s The Big Short, you’re missing out. I’m halfway through his follow-up, Boomerang, and it’s similarly compelling.)
October 26, 2011
Last chance to switch to Premiere Pro CS5.5 and get 50% off
This special offer ends Monday, Oct. 31. It’s a great deal even for someone who just wants Photoshop, since the price of the suite is less than Photoshop alone (!). [Via Todd Kopriva]
Sneak Peek: Automatic replacement of dialog tracks
Dwight Schrute gets outsourced using some clever technology that matches the timing of vocal tracks, letting you swap one for the other. Very cool.
October 24, 2011
Saturday: iPad Photo Workflow & Portfolio Design
If you’ll happen to be in New York on Saturday, check out this session at PhotoPlus (8:45-11:45 AM) from our friends Dan Marcolina & Matthew Richmond.
Dan plans to deconstruct some of his favorite interactive photo experiences including “World Without Photoshop” and the “iObsessed Companion“. He’ll show you how to create a portfolio for the App store by using Adobe Indesign and the new Adobe Digital Publishing Suite. (Here’s their iPad portfolio, Printeractivideo.) He’ll also explain the cross devices benefits of authoring with the unique, in the cloud, toolset called SlideRocket. As a bonus he’ll share some insights from producing the Book iPhone Obsessed, photo editing experiments with apps that includes the use QR Codes for triggering mobile formatted portfolios of work.
Matthew plans to show:
- PhotoSmith and Lightroom workflow
- A handful of mobile/tablet-friendly Web gallery solutions
- Some mainstream options
- Some just good frameworks/snippets for those crafting HTML (example)
- Some non-Adobe photo portfolio apps & solutions for iPad
- Eye-Fi card to iPad/iPhone workflow
- How to build full-bleed Photo ePub files for iPad/iBooks
- Essentially it’s CSS & HTML, hacking away at a example file. Not for the faint of heart but really cool.
October 22, 2011
Video: AlphaDog robot
I propose some new government branding: “DARPA: Hey, What Could Go Wrong?” I’m going to dream of this thing c-c-coming to k-k-kill me:
It can haul 400 pounds of gear 20 miles on a single charge. Read all about it. [Via John Dowdell]
October 12, 2011
Photoshop User Group talks video, Tuesday in SJ
If you’re shooting video with a DSLR (or if you’d like to be), come check out this session (Tuesday, Oct. 18 starting at 6:30pm) at Adobe’s San Jose HQ:
Michael Lewis is a Quality Assurance Engineer at Adobe Systems, Inc. He is currently a member of the Adobe Premiere Pro team, but began his career at Adobe on the Adobe Photoshop team. While he enjoys working for a company that is continually at the forefront of digital imaging, he can still be found on weekends shooting with his favorite Super 8mm film camera.
Daniel Brown worked for Adobe Systems Inc. in the role of “Senior Evangelist” on the Photoshop, Premiere, and After Effects teams applying his experience “in the trenches” to product development, demonstrations, and communication with customers at industry events worldwide.In 2001, Daniel got his first taste of both diving and, simultaneously, underwater photography and has been hooked ever since. He’s been a lecturer at numerous Digital Shootout events and regularly contributes to Stephen Frink’s week-long “Digital Immersion” classes in Key Largo, Florida.
For RSVP details, etc., please see the Evite (linked above).
October 11, 2011
Lightroom 50% off, today only
Check it out. Offer ends tonight, October 11, 2011 at 11:59 p.m. PT; valid in North America only.
October 08, 2011
Optimizing Premiere Pro performance
If you’re a serious video editor and want to know how to set up a great workstation, check out Dennis Radeke’s “Diving into NVIDIA GPU’s and what they mean for Premiere Pro.”
October 06, 2011
The Photoshop Team Remembers Steve Jobs
Great recollections from Russell Brown, Mark Hamburg, and many others.
The Lightroom team on Steve & the Mac
From the team’s Facebook page:
Photoshop was invented on the Mac. The Mac is a key development platform for the entire digital imaging team, particularly Lightroom that was first launched at Macworld. Steve Jobs was a visionary who inspired tech innovation. We are grateful for his contributions and sorry for this loss. – The Lightroom Team
Adobe’s founders remember Steve Jobs

From John Warnock & Chuck Geschke:
“We met Steve Jobs about 3 months after we started Adobe. He called us and said: ‘I hear you guys are doing great things – can we meet?’ He came over to our tiny office in Mountain View and saw the early stages of PostScript. He got the concept immediately and we started about 5 months of negotiations over our first contract. Apple invested $2.5 million into Adobe and gave us an advance on royalties. This allowed us to help Apple build the first LaserWriter. Without Steve’s vision and incredible willingness to take risk, Adobe would not be what it is today. We owe an enormous debt to Steve and his vision.
“We have always had great admiration and respect for Steve. The world is a better place because of him, and his absence will leave a huge hole in the world of technology.”
And from the Adobe.com home page:
“Steve was a unique visionary and his influence as a technology innovator will be sorely missed. This is a sad day for the entire industry, and we offer our deepest sympathy to his family.”— Shantanu Narayen, president and CEO, Adobe Systems
LayerVault: “Simple version control for designers”
The service promises simple cloud backup & versioning of PSDs & other formats:
If the LayerVault guys can crack this particular nut, God bless ‘em. Years ago Adobe Version Cue tried integrating check-in & versioning into Creative Suite apps, but designers didn’t bite. Later GridIron Flow arrived with what I thought was brilliant auto-versioning, but I haven’t seen it get wide adoption. It’s just hard to move people beyond the dirt-simple “final,” “finalfinal,” “finalfinal02,” approach they’ve used for 20+ years.
October 05, 2011
“What’s up, geeks?”
Not a bad way to spend an evening with a customer:
Thanks, Weezer, for rocking way the hell out.
October 02, 2011
Watch this week’s Adobe MAX keynotes live online
See what I and many others have been working on, live tomorrow & Tuesday:
Monday, October 3, 9:30 a.m. – 11:30 a.m. PDT)
Creativity unleashedJoin Adobe CTO Kevin Lynch and guests to learn how Adobe is transforming the creative process across mobile devices, personal computers, and the cloud.
Tuesday, October 4, 10 a.m. – 11:30 a.m. PDT)
Creating the very best user experiencesJoin us as we explore the best solutions for delivering highly expressive and usable experiences, both in the browser and as apps. We’ll look at a variety of technologies and products, highlighting current opportunities, and peering into the not-so-distant future.
Come see us at MAX
In addition to presenting some new technology in the Adobe booth, I’ll be on hand for the following sessions that you might find interesting.
October 01, 2011
Video: Crazy legs
Utterly amazing dancing to “Pumped Up Kicks.” (Make sure to give it a minute.)
It reminds me of this Levi’s classic from ~10 years (!) ago:
September 30, 2011
Rivers Cuomo, Photoshop fan
Solid. Apparently he scans everything into Photoshop Elements & organizes it there:
September 29, 2011
Video: Using tool presets in Photoshop CS5
Julieanne Kost shows off one of the most perennially underused capabilities in Photoshop–namely, the ability to create & use presets that store settings for tools (e.g. common crop dimensions, type styles*, brushes with colors, etc.).
* It’s true, tool presets aren’t as powerful as live type styles (ones where changing the style changes layers to which it’s been applied), but they’re still handy.
September 28, 2011
Demo/Q&A Friday: Mastering the Premiere Pro Timeline
The timeline panel in Adobe Premiere Pro is where the story comes together… In this session you’ll learn essential operations and advanced features like replace edit, creating custom transitions, and using Adobe Dynamic Link to exchange files with Adobe After Effects and Audition. The session is being run by Richard Harrington of RHED Pixel.
September 27, 2011
Get 30% off Photoshop CS5, today only
Check it! (Offer applies in North America only through 11:59pm Pacific time tonight.)
Adobe teams up with Automatic Duck
The move will enhance Premiere Pro’s workflow integration. PM Al Mooney writes:
I’m absolutely thrilled to be able to say that Adobe and Automatic Duck are now partnering with the aim of bringing absolute best-of-breed workflow integration into Premiere Pro. This means that, as we work together, Premiere Pro’s ability to integrate with the industry’s other leading tools using technologies like AAF, XML and OMF will get stronger and stronger. And so Premiere’s ability to be a good citizen in all kinds of broadcast and post-production workflows will get better and better.
Recent/related: Adobe acquires IRIDAS video tools
September 25, 2011
Tom Selleck’s moustache makes every movie better
Now that’s some good image compositing.
[Via]
September 22, 2011
Ooh eeh ooh, MAX looks just like Buddy Holly
Weezer’s playing Adobe MAX the week after next! (If you haven’t yet registered, there’s still time.)
I used to joke that the one good thing I’d done at Adobe was to get Run-D.M.C. to play our party at Flashforward 2000. Seems that once a decade, at least, we’re due for hosting a really good band. (And this time I won’t embarrass myself by trying on shell-toe Adidas & a Kangol hat.)
September 20, 2011
Adobe introduces Photoshop Elements 10, Premiere Elements 10
The apps add a wealth of new features, including what looks like a really interesting “search photos by object” capability. Here’s a 1-minute overview:
For more on details like 64-bit video handling & AVCHD support for high-def output, check out an interview with PM Bob Gager. Each app has a list price of $99, and bundled together they’re $149.
September 14, 2011
Muse (HTML authoring) demo/Q&A Friday
In this Ask a CS Pro session, Muse PM Dani Beaumont will show you how Muse allows you to include arbitrary HTML code in your project. We’ll take a look at how you can easily add elements like Google Maps, YouTube videos, Facebook ‘Like’ buttons and such. We’ll even get a little more edgy and look at embedding Flash slideshows and blogs from platforms like Tumblr.
Friday, noon Pacific time (converter).
September 13, 2011
Wacom introduces a new 24″ Cintiq
The Cintiq 24HD features a generous 24″ display (1920 x 1200 resolution), a 92% Adobe RGB color gamut, a wide viewing angle, and an adjustable stand for hours of comfortable and productive use.
Core77 writes,
The part of the 24HD we’re most excited about is a new physical design feature which incorporates solid industrial design thinking to solve an ergonomic issue: How can we get this massive tablet into multiple working positions that we favor? The answer comes in the form of a well-thought-out base and adjustable supporting arms that move and lock the tablet into a variety of positions.
Adobe acquires IRIDAS video tools
Sounds like some fast, powerful color grading & HDR tools are coming to the Production Premium suite. According to the press release,
The addition of IRIDAS technology includes SpeedGrade, an award-winning toolset for Stereo 3D, RAW processing, color grading and finishing of digital content. IRIDAS offers the only non-destructive tools for primary and secondary color correction that are optimized for multi-core CPU and GPU performance.
Adobe’s video apps have been on a tear lately, with more exciting developments to come. (My wife works in that group & I love getting peeks at what’s brewing.)
Update: The team requests (and is getting lots of) feedback on the acquisition.
September 11, 2011
Recent stop-motion goodness
This cleverness from down under reminds me of vintage Saturday Night Live titles:
[Via]
Elsewhere, Joe Clarke’s Tchaikovsky Timelapse features stop-motion animation of the animator himself at work:
[Via]
September 10, 2011
Fanhattan: Search for shows across Netflix, Hulu, etc.
A friend of mine is just about to start working at Fanhattan. I’d never heard of the service, but having just signed up for Hulu Plus, I was wishing for a way to find out what shows are available there vs. on Netflix, iTunes, Vudu, Amazon, etc. Well, here we are:
The iPad app is pretty dope: Not only does it show you where program X is available, it can launch the needed app and start the show. In my experience it’s not perfect (I can’t get Netflix to launch, and backing out of viewing a show’s details dumps me back at the top level of the app), but the search alone is invaluable–and free.
How these guys plan to make money, I have no idea (premium placements, referral fees?); happily I’ll leave that to my friend to sweat.
September 09, 2011
A new Photoshop Hall of Famer
I’d like to extend warm congratulations to my friend and fellow PM, Bryan O’Neil Hughes, on his induction into the Photoshop Hall of Fame this week. Well done!
I spent my first two years at Adobe bouncing coast to coast (three times in 24 months!), and I found myself pretty strung out and lonely. Bryan & his family welcomed me to California and helped me start putting down roots–something for which I’ll forever be grateful. For my part I helped convince Bryan to turn his charisma & charm in a more public-facing direction, trying out the product management game. (I mean, if they let me do it, for God’s sake, how hard could it be? ;-))
Anyway, Hughes, congrats from all your friends & colleagues on the Photoshop team, and thanks for all you do.
[Related: Bryan's Content-Aware Fill demo that's drawn more than 4 million views--an even drawn a Hughes impostor from College Humor.]
September 07, 2011
Live Q&A on Adobe Carousel, tomorrow at 1pm
I’m doing my best to field lots of good questions coming in regarding Adobe Carousel, but if you want to talk with a real product expert and get a more in-depth demo, come back tomorrow at 1pm Pacific time for a chat with team member Christopher Quek.
Watch today’s Photoshop World keynote, live
I promise it’ll be newsworthy. The show will air 9am-10:30am Pacific time on PhotoshopWorld.com.
September 04, 2011
Type/Illustration: Ridiculous sign pranks
Back in college I had a summer roommate named Johnny, a super bright guy who was studying Arabic en route to Georgetown Law. He was quite well versed in world affairs, able to talk at length about all sorts of crises, etc. That’s why it was all the more bizarre–and delightful–to see him coolly reading the Washington Post each morning, calmly taking out a ballpoint pen, and then drawing puke lines & mustaches on all the world leaders.
Clearly I’m a sucker for that sort of thing, though I’m still slightly embarrassed at how many times I laughed out loud at these sign hacks.
September 03, 2011
Video: MÖBIUS stop-motion sculpture
Nifty:
Twenty-one large triangles animated by Melbourne, throughout Federation Square. MÖBIUS is a sculpture that can be configured into many cyclical patterns and behave as though it is eating itself, whilst sinking into the ground.
The result is an optical illusion and a time-lapse of people interacting with the sculpture and moving through Melbourne’s landmark location throughout the day.
MÖBIUS was animated over two weeks Friday, Saturday & Sundaybetween the 6th and 20th of May 2011.
[Via]
August 19, 2011
Video: Stephen Colbert’s head goes to space
3D printer, weather balloon, GPS-enabled phone, & camera = good times.
August 18, 2011
A PSD for Lion
Jonatan Castro has created a layered PSD file for designers targeting Mac OS X Lion. HTH, as the kids say. [Via]
Grill a Photoshop PM, live today
Bonus for me: it’s not me. ;-) Check out a live chat today at 4pm Eastern/1pm Pacific:
If you ever wanted some one-on-one time with Adobe’s Senior Product Manager for Photoshop, well…today’s your day. We’re doing a special bonus LIVE episode of ‘The Grid” today and Bryan is our in-studio guest, taking your questions on the air about….well…anything!
Send your questions now (and during the show) via Twitter—just include the hashtag #grillbryan, or you can just post a question on Scott Kelby’s blog. Hope you’ll join us for a history-making live event, today at 4:00 pm EDT, on “The Grid.”
[Via Andrew Kavanagh]
August 17, 2011
Demo/Q&A Friday: Introducing Muse
Join us at noon Pacific (time zone calculator):
In this Ask a Pro session, Dani Beaumont, Muse Product Manager, will show you how Muse makes designing websites as easy as creating print layouts. Muse (code name) is a preview of a new product from Adobe that allows designers to design and publish HTML websites without writing code. Dani will showcase the robust design tools, demonstrate how to add interactivity to your site and then show how easy it is to publish your site.
The Connect room will open up 15 minutes before the session starts. At that time please sign in as a guest to join.
August 16, 2011
Muse Hits 120,000 Downloads In One Day
Nice. Thanks for all the lively feedback here and elsewhere. I’m passing your comments along to the team. [Via]
August 14, 2011
LIQUID~DO: Experimental AV art
You can read all about making this art via the molecular-dynamic process of salvation solvation, involving a key component of milk fat, palmitic acid, and C12H25SO4Na (sodium dodetsilsulfonat)–or, like me, you can just zone out with some Sunday-morning prettiness:
[Via Mark Coleran]
August 11, 2011
Save $200 registering for Adobe MAX
Early bird registration has been extended until the end of August, so you can sign up now for the show (Oct. 1-5 in Los Angeles). I’ll be there, and I promise we’ll be showing some really exciting stuff. Here’s more info on MAX.
August 08, 2011
Video: How Businessweek gets made
A fun, tongue-in-cheek, whirlwind tour of the making of a magazine:
[Via]
August 07, 2011
[OT] Mac remote access & Mail advice?
Greetings from rural Illinois, “The Land Connectivity Forgot,” where I’ve just set up my parents’ new iMac. We’ve had some minor hiccups (e.g. repeatedly explaining that an “app store” is neither a physical place nor something that mails you CDs; realizing that N-finger gestures are going to be the source of many panicked “Oh, Jaahn, it disappeared” calls), but overall things are good.
In particular I’m delighted with how well FaceTime is running. I don’t know whether their ISP splurged and added a second upstream cocktail straw, or whether the combo of new hardware/compression has done the trick, but it seems to be a vast improvement over our excruciatingly laggy iChat sessions.
Two questions, though:
- I want to connect to their machine, wake it up, and drive anytime, regardless of whether they’re around. (Yes, they’re cool with this.) iChat requires someone to accept my screen-sharing request. What’s a more robust alternative? Do I have to spring for Apple Remote Desktop? I’ve occasionally used VNC clients, but do those require me to know the other machine’s (static) IP address?
- Why, for the love of God, can’t Mail on Lion import a mailbox (.mbox) from Mail on Leopard? I’ve tried every method I can think of (archiving, exporting), but I always get a “some [meaning all] messages could not be imported” error. I’ve even tried dragging everything into my mom’s Gmail account, thinking I could upload from the old machine & download it onto the newer one, but the messages never seem to reach the server. I’ve tried downloading the new Outlook, but it requires 10.5.8, and the old iMac won’t accept its admin password (needed to run a system update).
Yes yes, #firstworldproblems, to be sure, but any advice would be most welcome. Thanks in advance!
August 04, 2011
Ask a Pro tomorrow: Creating demo reels
This week’s live Q&A:
Carey Dissmore will talk about the importance of demo reels, and provide an overview of the editing workflow in Premiere Pro from the perspective of an editor who is comfortable with Final Cut Pro. Carey will also share the similarities, differences and unique advantages of Premiere Pro, including its tight integration with other products in the Adobe Production Premium bundle such as After Effects, Photoshop and Audition.
We’ll see you Friday, August 5, at 12 p.m. Pacific (time zone converter) in our Connect Room. The room will open up 15 minutes before the session starts. At this time, please sign in as a guest to join.
Video: The Photoshop Experience in San Francisco
(Sounds a little like some acid-rock holdover, doesn’t it?)
If you haven’t yet checked out the Photoshop store at 550 Sutter, you still have from now through Saturday to do so (see the remaining schedule of events). Here’s what it’s like:
August 03, 2011
Chat with Chris Cox this Saturday
How does Photoshop…?
Why won’t Photoshop…?
What does Photoshop mean by…?
When will Photoshop…?
Where does Photoshop…?
Could Adobe…?
Longtime Photoshop engineer Chris Cox will be answering questions as the featured guest on RetouchPRO Live, starting at 4pm Central time this Saturday. The cost to attend is $10. Chris’s brief bio:
Chris Cox’s education is in Physics with a minor in painting – and he’s still not sure how he got this deep into software. He is currently a senior engineer on the Photoshop team responsible for performance, color management, and other random large features. Things he’s done in Photoshop: presets, half the file formats, 16 bit/channel, 32 bit/channel, documents over 30k pixels, files over 2Gig, and more adjustments and filters than he can recall right now.
August 02, 2011
Come to the Adobe HTML5 Camp in New York this Friday
Meet the folks building Adobe Edge, the guys behind the new Expressive Web showcase site, the founders of Ajaxian, and more this Friday starting at 9am at the Hudson Theater on W44th.
July 23, 2011
First-person Pac-Man
If two minutes ago you’d asked me to imagine Pac-Man crossbred with the Karma Police video, I’d have kinda scratched my head. Well, that was two minutes ago.
[Via]
July 22, 2011
Win a Leica, Canon, iPad, & more tomorrow in SF!
To celebrate tomorrow’s Photoshop store launch in San Francisco, the team is giving away Adobe software, Canon and Leica cameras, and iPad 2s.
“Get in early,” they write, “because the first 100 attendees will also receive iTunes gift cards, with some valued at up to $100.” Here’s the Facebook event page, and here’s the schedule of all that’s going on (including Scott Kelby’s “Light It. Shoot It. Retouch It.” session tomorrow).
July 21, 2011
Experience “Photoshop & You” in San Francisco
Laser etching!
Giant posters!
T-shirt making!
Photowalks!
Dogs & cats living together, mass hysteria!
Starting this Saturday & running through August 6, the Photoshop team will be in Union Square, taking over 550 Sutter Street in SF to conduct hands-on training & demos–and it’s all for a good cause.
Luminaries like Russell Brown, Scott Kelby, and others will be on hand to teach & consult. The days are jammed, so check out the full range of events and register for what are going to be popular events. (Russell’s laser-shirt-printing-lab-thing accepts 5 registrations per hour.) Many engineers & other team members will be dropping in, and they write,
We’ll also have some cool Photoshop gear for sale, as well as a special 15% discount off regularly priced Adobe software. The best part? The net proceeds from the sale of Photoshop gear will go directly to Adobe Youth Voices (AYV).
Hope to see you there,
J.
July 19, 2011
Photoshop Elements joins the Mac App Store
I’m pleased to see that the #1-selling consumer photo-editing software, Photoshop Elements, has just become available for download via the Mac App Store for $79. According to the press release, new features include the following:
Adobe Photoshop Elements 9 Guided Edits offer easy-to-follow, step-by-step instructions for creating artistic effects such as Out of Bounds for making photos leap off the page, Pop Art for creating retro-style images, or Perfect Portraits for easy retouching. Users can instantly remove clutter from photos or repair imperfections with one stroke of the Spot Healing Brush, which uses powerful content-aware technology adapted from Photoshop CS5.
Check out the product pages for screenshots & more info.
Reminder: Attend Adobe’s HTML5 Camp, Friday in SF
Sign up here (and/or if you’ll be in Tokyo in August, look here):
- 5:00 pm – 5:45 pm Food and Drink
- 5:45 pm – 6:00 pm Welcome & Opening Remarks
- 6:00 pm – 6:45 pm The State of the Web – Dion Almaer and Ben Galbraith from Ajaxian
- 6:45 pm – 7:30 pm Adobe Dreamweaver CS5.5 and HTML5 & jQuery Mobile – Greg Rewis
- 7:30 pm – 7:45 pm Break
- 7:45 pm – 8:15 pm Google Chrome Evangelist Topic Q&A
- 8:15 pm – 9:00 pm Adobe Edge Demo and Open Discussion – Mark Anders and Doug Winnie
- 9:00 pm – 9:45 pm Deconstructing an HTML5 Project start to finish – Big Spaceship Web Designer
- 9:45 pm – 10:00 pm Wrap-up & Closing
July 15, 2011
Scott Kelby photo workshop July 29
Our friend Dave Cross passes along news of an upcoming photo workshop in Florida:
On July 29, a small group of people will get a very rare opportunity to learn from none other than Scott Kelby. Scott will be teaching a one day hands-on workshop in Tampa called Light it. Shoot it. Retouch it – Hands-on. Students will learn all about studio lighting and portrait retouching from the world’s best selling author on these subjects. Only 12 spots left!
If you’re looking for small-group, hands-on classes on Photoshop, Adobe Certified Instructor Dave Cross has a full range of classes available at the Dave Cross Workshops.
July 12, 2011
YouTube stabilization: Nice!
I read a few months ago that YouTube was planning to offer video stabilization for one’s uploaded clips. It’s not easy to find, but if you go to youtube.com/editor, you can drag a clip into the project timeline, then press the little magic wand icon to show the editing UI. The process is a bit convoluted: Why you can’t just set a flag to stabilize video on upload, or see this UI during the upload/tagging process, I don’t know. Perhaps that’s coming, and meanwhile it’s a little lame to pick nits with a free, fast service.
I’ve tried only one test movie so far, but I’m quite pleased with the results. Here are before & after clips. (Note that stabilizing a clip will result in a second copy on YouTube, requiring you to copy over captions, tags, etc.)
Original:
Stabilized:
July 01, 2011
Gone fishin’
I’ll be taking the week of July 4th off work for some R&R with our family. I’ll try to queue up some interesting content before I go, but please note that I won’t be able to reply to comments (or to free any that get stuck in the moderation queue) until July 11th. Have a fire-crackin’, chip-dip-snackin’, bratwurst-packin’, artery-shellackin’ Fourth!
Photoshop & body image
You may have seen recent headlines like “Photoshopping Sends Unhealthy Message to America’s Youth, [American Medical Association] Says.” The Photoshop team agrees, and you can see the AMA statement plus PM director Maria Yap’s thoughts on the Photoshop.com blog.
June 29, 2011
Help people with disabilities access your PDFs
Check out a live demo/Q&A session this Friday at noon Pacific:
Creating Accessible PDFs using InDesign CS5.5 . In this session Noha Edell shows how to use new features in InDesign CS5.5 to create PDF documents that people with disabilities can access more effectively.
With InDesign CS5.5, you can:
- Ensure content flows in the expected order using the new Articles panel
- More easily add, edit and view alt text attributes that are associated with an image or object
- Be confident that accessible tables and lists are automatically generated
With Acrobat X Pro, you can:
- Add finishing touches to the exported PDF to ensure a successful accessibility full check
- Never forget a step – guided Actions streamline the accessibility verification and checking process
June 20, 2011
Great Photoshop cloning tips you probably don’t know
You’ve cloned & healed things in Photoshop, right? And you had no idea that you could scale, rotate, and flip the clone source before applying it, right? (Well, being the kind of weirdo who’d actually read this blog, maybe you did, but 99% of people seem not to.) If you spend any amount of time cloning or healing but haven’t used the Clone Source panel, do yourself a favor and spend 4 minutes with Brian Wood‘s overview:
June 16, 2011
“Ask a CS Pro” recordings available
It’s great to attend Adobe’s “Ask a CS Pro” sessions live, so you can ask questions of the presenters. The recordings remain valuable, however, and in case they’re of interest, I’ve linked to a whole stack that cover everything from Photoshop & Illustrator to Web & digital publishing to video workflows & optimization.
Read on for the full list. (more…)
June 15, 2011
Ask a Pro: InDesign Explorations in Typography
Check out a live demo/Q&A session this Friday at noon Pacific time:
Join Carolina de Bartolo for Ask a CS Pro and learn how to take command of your text type and set it legibly, hierarchically and beautifully. Carolina will share some of the common and not-so-common ways to indicate paragraphs from her recent book, Explorations in Typography: Mastering the Art of Fine Typesetting.
Please RSVP here.
[Update: The recording is now available.]
June 13, 2011
Sign up for Adobe MAX
Registration is now open to attend Adobe MAX, set to happen October 1-5 in Los Angeles. I’ll be there and… well, you’ll see. Hope you can join us.
June 08, 2011
Ask a Pro: Illustrator color techniques on Friday
On Friday at noon Pacific time, Illustrator PM Brenda Sutherland will provide a tour of useful color tips & techniques. She’ll cover how to:
- Easily swap colors in any type of vector art, including gradients and patterns
- Create new color combinations and experiment with different color harmonies
- Save, organize and access your colors through libraries
- Share color groups with Adobe Kuler, and learn about other amazing but little-known ways of working with color in Illustrator.
You can sign up here.
June 04, 2011
“Lightroom Tips and Tricks” next Thursday in SF
Photographers, if you’ll be in San Francisco on Thursday evening, this session might be up your alley:
Join Lightroom product manager Tom Hogarty for a session on Lightroom tips and tricks. Learn important methods for speeding your workflow, getting the most out of your images and extending Lightroom with key plug-ins. Tom will focus on real world workflows and will and share tips from his experience as the Lightroom product manager since 2005.
May 28, 2011
Video: Unspeakably masterful Tetris playing
What on earth, besides a vague computer graphics connection, does this have to do with the general thrust of my blog? Not a ton, but it’s just a pleasure to see someone do something so well. As Jason Kottke puts it,
It starts getting insane around the 3:00 mark and then, at 5 minutes in, all the blocks turn invisible and he keeps right on going! It’s like he’s playing blindfold speed chess on the hood of a stock car!! I mean, !!!!!
Even more tangential: I love that someone has created “Bastard Tetris,” a game specifically designed to make you feel bad by choosing the worst possible block at any moment.
May 22, 2011
Video: Terrific projection mapping for Hyundai
What amazing options exist for visual storytellers these days.
[Via]
May 20, 2011
Machiavellian thought o’ the day
I’ve heard about totalitarian regimes using Facebook to promote “anti-government” rallies, then simply arresting whoever shows up. Seems like a ruthless manager could take a similar cue: Invite employees to “training sessions” on things like how to use the new travel website, then fire anyone who attends–figuring that if you’re dumb & idle enough to attend such a thing, you mustn’t be worth keeping.
Of course, if that test were applied to people with time to write blog posts like this… uh, forget I said anything.
May 19, 2011
Potential JPEG bug in Lightroom 3.4 and Camera Raw 6.4
Ugh. The bug seems quite rare (affecting JPEG files from one camera found to date), and it should be fixed by next week, but because it could lead to file corruption, the team wants to provide a heads-up. See Tom Hogarty’s post for more details.
May 17, 2011
Orchestral Daft Punk
Just clearing the palate for a sec, enjoying some Irish kids enjoying the heck out of music:
[Via]
May 16, 2011
Let’s grab a beer Wednesday in SF
Designer Shyama Golden (whose portfolio I’ve mentioned previously) has set up a happy hour for designers this Wednesday in San Francisco, 6-9pm. Interesting folks like Sebastiaan de With & former Adobe/now Apple UI designer Johnnie Manzari should be there, and I’m planning to attend. As always I’d love to hear what you’d like Adobe to be doing vis-à-vis mobile devices.
Also a reminder that if you’ll be a bit south tomorrow night, you’re welcome to check out the San José Photoshop User Group meeting; see previous post for details.
May 12, 2011
PUG meeting next Tuesday in SJ
If you’ll be in San José next Tuesday evening, drop by Adobe HQ (map) for a Photoshop User Group meeting featuring Lee Varis:
Lee Varis is a photographer, educator and digital imaging artist, based in LA. He will present a brief overview of his 30 year imaging career and show some of the movie posters and other interesting projects he has worked on in the first portion of the presentation.
For the second half Lee will demonstrate his “10 Channel Workflow”, a radical new image enhancement routine. The workflow is based on applying individual channel luminosity to the color image to manipulate tonal separation and contrast apart from the color. This approach can create sophisticated effects that could not be achieved any other way. Read on for more details.
April 26, 2011
Keep your stylus on a swivel
The interesting little PenMoto project aims to let you switch between stylus & keyboard use more easily. Check it:
If nothing else I want to see a Kill Bill-style shot of design geeks coming down a hallway, flipping handfuls of these things like butterfly knives. (Bahm BAHM bum.) [Via]
April 21, 2011
SliceMaster lets Photoshop save multiple slice sets
Ever wanted to switch among multiple slice sets in Photoshop (e.g. to manage multiple pages within a single PSD)? If so check out SliceMaster from Electric Iris. As the quick demo video shows, the tool lets you associate slices with layers, then switch among them easily. [Via Jeff Tranberry]
April 10, 2011
Get blog updates via email
As an alternative to RSS, Twitter, and Facebook updates that accompany new blog posts here, you can now opt to get notifications (including context excerpts) via email. I’ve added a widget to the right-hand nav area. If you sign up & run into any problems, please let me know via comments. (In case you’re curious, I’m using the Subscribe2 plug-in for WordPress.)
April 02, 2011
Connection (light sculpture)
I’ve long dug the beautiful light work of United Visual Artists. Check out some recent loveliness:
March 30, 2011
Introducing the Photoshop Family Feedback Site
I’m delighted to see the launch of the Photoshop Family Feedback Site (feedback.photoshop.com), a resource for learning about the app & influencing the team with ideas and requests. PM Jeff Tranberry has written an intro & FAQ:
Do you have an idea for a feature that would help your workflow? Is there a small change that could be made to make your life a little easier? Let us know!
We will read every post and use the information and rankings you provide to help inform the future of our products.
This feedback site in not an official support channel. We welcome you to use this site to post questions in search of answers – and hopefully – more often than not, your questions will be answered by either someone from the user community or someone from one of the product teams.
Jeff notes that the feedback site won’t replace the user-to-user forums, but over time it may replace feature request and bug reporting form. ”The advantage,” he writes, “is that customers will have better insight on what requests have been made and will have the opportunity to help rate and rank those requests for future consideration.”
And with that, please let us know what you think.
March 21, 2011
Super Mario as a first-person shooter
Heh–a novel visualization of classic computer imagery:
[Via]
March 19, 2011
“Ask the Web Experts” panel discussion April 5
Whether or not you’ll be in San Jose in a couple of weeks, this may be of interest:
“Ask the Web Experts” Free Adobe User Group MeetingApril 5, 2011 – 6 pmAdobe San Jose – broadcast live via Adobe ConnectOur Experts Panel:
- Sid Maestre, Developer Evangelist, Paypal, Manager, “Bay Area Mobile” User Group
- Doug Winnie, Principal Product Manager, Interactive Design and Workflow Lab at Adobe Systems, Inc.
- Richard Galvan, Product Manager, Adobe Flash Professional CS5
- David Hogue, Vice President, Interaction Design, Fluid, Inc., Co-Manager, “Fire on the Bay” Fireworks User Group
Agenda:6:00-6:15 – Introduction, Raffle ticket sales6:15-8:00 – Discussion of trends in web, mobile, interactive design – examples of good/bad design8:00-8:15 – Break8:15-9:00 – Questions from the Audience, Raffle Drawing
March 06, 2011
Handsome HTML5 from BLITZ
I’ve long admired the work of BLITZ Agency, from the Flash/Wiimote collaborative drawing tool they made several years ago to the lovely CS5 launch materials. Check out their new site (“powered by #tigerblood,” they note) for a great pairing of graphic design with HTML savvy.
Speaking of HTML5 (or “HTML,” as the cool kids now apparently say), there just may be some interesting news coming out this week. Stay tuned.
March 04, 2011
SneakPeek for iPad previews AI, InDesign docs
The $9.99 SneakPeek for iOS enables an iPad to preview Illustrator & InDesign documents, even showing fonts & colors used in the latter. In a comprehensive overview, Adobe evangelist Terry White says, “This app is a must have for the InDesign and Illustrator users out there. It’s also an Art Director’s dream come true.” Nice.
March 02, 2011
“Mr. Stacks” automates storyboard layout in Photoshop
Bryan Denman’s Mr. Stacks “is a Photoshop script that rapidly generates storyboards, stacks, and PDF(s) for CD check-ins, client-ish presentations, and whatever else it is you do. Helping to Nail some of the most monotonous tasks in art direction.” Check it out in action:
February 28, 2011
DesignScene adds Instapaper integration
I mentioned a couple of weeks ago that DesignScene for iPad, a tool for browsing feeds of visual inspiration, really needed support for saving links to Instapaper (critical for me as I surf around looking for ways to link-bomb you). I’m delighted to see that a new update adds just that; thanks, guys!
February 25, 2011
Video: Crafty CGI Sapporo commercial
“A friend just emailed me this Sapporo commercial,” writes reader Trent, “and I thought, while watching it, that this is in John Nack’s wheelhouse.” I’m inclined to agree. (Full-screen viewing recommended.)
February 24, 2011
Behind the scenes with a foley artist
Just as I was graduating from college & researching a design career, I found myself at the Chicago studio of JoBe Cerny, who’s (quietly) known at the voice of the Pillsbury Doughboy & as the silent Cheer detergent pitchman from the 80′s. I found his foley (sound effects) setup fascinating. I similarly enjoyed this glimpse into the world of foley pro Gary Hecker:
SoundWorks Collection: Gary Hecker – Veteran Foley Artist from Michael Coleman on Vimeo.
[Via]
February 19, 2011
Photoshop turns 21!
The date almost got past me, but with a few hours left on this February 19th, I’d like to wish Adobe Photoshop a happy 21st birthday! This being the US, the app can now legally drink, and I trust it’s getting its bits sloshed at the Caravan. You can see the team hoisting a few glasses via Facebook.
What a long, interesting road it’s been, as you can see in this infographic on The Evolution of Photoshop. Thanks as always to the Knoll brothers, Mark Hamburg, Russell Brown, and all the other unreasonably talented folks who’ve brought us the app over the years–and to all the customers who’ve let me play my small part in the Photoshop journey.
February 14, 2011
Save 10% on CS5 apps for Valentine’s Day
From today through Wednesday night (Feb. 16 at 11:59pm PST), customers in North America can save 10% on a full or upgrade version of CS5 Suites & individual CS5 apps for Valentine’s Day. Please use offer code FEBCS10SM at check out on the Adobe.com store.
February 11, 2011
Funky music video generated using Kinect data
…with a side of Processing & Cinema 4D:
[Via Kim Pimmel]
February 09, 2011
Who’s driving the Photoshop ship?
As I’ve mentioned a few times, ever since the CS5 release started coming in for a landing, I’ve been working to develop new mobile applications at Adobe. On Photoshop I always worked with a talented group of fellow product managers, but my blog audience may not yet know them well. I’m overdue in helping to set that right, so I asked them to introduce themselves:
Bryan O’Neil Hughes is the Senior Product Manager for both Photoshop and Bridge and a pinch-hitter for the Lightroom team. Since 1999 he has helped to test, drive, demonstrate, and lead development of Adobe’s professional digital imaging applications. Bryan is the Photoshop team’s primary worldwide spokesman and can often be found leading seminars, user groups, and workshops. Before joining Adobe, he was a professional photographer and retoucher. Beyond Adobe, Hughes is a published photographer, editor, and author. He is also a driving instructor for the BMW Car Club of America. When he isn’t driving very quickly, he enjoys running marathons very slowly [Infinitely faster than I would. --J.].
Zorana Gee, M.B.A, is a Product Manager for Photoshop and Photoshop Extended. She has been on the Photoshop team for over 10 years and involved with Photoshop Extended from the beginning. Zorana is instrumental in the 3D effort as well as driving many other feature improvements within Photoshop. She is a published author of 3D in Photoshop: the Ultimate Guide for Creative Professionals and the iPad app Photoshop 3D Guide. Zorana speaks worldwide representing Adobe and the Photoshop family line of professional products. Outside of Adobe, her time is often spent teaching the art of Capoeira to her community. She has been training and teaching Capoeira for over 12 years and holds a black-belt (equivalent).
Pam Clark is the Group Product Manager for Photoshop where she helps define the future of the product, works with the teams to create each version and then ship it out the door to customers. She is also heavily involved in Photoshop’s social media activities on Facebook, YouTube and Twitter. If you don’t see her in the office (next to mine), she’s probably out miss-hitting balls [Her words! --J.] on the tennis court.
As for me, I still sit with the Photoshop team, and I remain passionate about helping info flow in both directions. I’ll try to keep posting interesting bits, and I’m happy to help pass your thoughts to Bryan, Pam, Z., and the rest of the crew.
February 07, 2011
Russell Brown’s speaking in SF Thursday
[Update: I'm brain dead, and the event is scheduled for Thursday, not Wednesday. Sorry about the confusion. --J.]
Russell Brown’s presentation last month drew the biggest crowd we’ve ever had for a Photoshop User Group meeting in San Jose. In case you missed it and will be around San Francisco Thursday night (6:30 start), you’re welcome to come by Adobe SF (but please RSVP as remaining space is limited):
Using your iPad, iPhone or Galaxy Tab as a Photography Portfolio
In the first part of the evening, Russell will spotlight an collection of useful tips for publishing your photo portfolio to your favorite portable devices. Learn some techniques for exporting images from Photoshop CS5 as an album without having to navigate through iPhoto. Also discover the wonders of PDF export from Adobe Bridge CS5 and see how to publish your own portfolio books to share with others.
Create Natural Toned HDR Images, and the Wonders of Camera RAW & Smart Objects
OK, we have seen the classic over-saturated, and super-sharpened HDR photos, but now it’s time to move to the next level of HDR imaging. Russell will discuss some of his favorite new methods for a new, more gentle and realistic looking HDR toning. This process may have you revisiting some of your earlier HDR shots and processing them again. All these techniques will be done using HDR Pro in Photoshop CS5. Also covered in this part of the evening will be Dr. Brown’s Photoshop tips for working with Camera RAW images in combination with Smart Objects. Learn the true art of Photoshop creativity with these nondestructive techniques.
And to top it all off, Russell will be graciously offering some great raffle items!
February 05, 2011
Slow performance in CS5 with optional plug-ins
If you’ve installed optional plug-ins in Photoshop CS5 and are experiencing slow performance, please check out this tech note.
February 04, 2011
Vintage Photoshop quote o’ the day
“If you have never seen Photoshop, you’ve missed one of those glorious rare moments when software approaches perfection. Adobe is humble about Photoshop, calling it a ‘photo design and production tool,’ but no one who’s used Photoshop is so reserved.”
– Byte magazine, April 1993 [Via Kevin Connor, who's been on the team nearly that long and who was cleaning some old boxes out of his office]
Video: What Would Neptune Look Like if it Orbited Earth?
Brad Goodspeed used After Effects to create an interesting planetary visualization. “The basic idea is, each planet you see is the size it would appear in the sky if it shared an orbit with the moon, 380,000 kms from earth.”
February 03, 2011
Volkswagen: The Force!
Too terrific not to share:
(says the guy who, 10+ years on, still thinks that turning his key to roll all his Golf’s & Jetta’s windows up/down is kinda magical) [Via]
I’ll be on The Big Web Show today
If you’re interested in the intersection of Photoshop & Web/screen design, you might want to tune into The Big Web Show (hosted by Jeffrey Zeldman & Dan Benjamin) today at 12pm Eastern/9am Pacific. Improving the Web design & animation process is what drew me to work at Adobe, so it’ll be fun to get back to my roots.
January 28, 2011
Video: Kids vs. old-school technology
“I recently heard of a grade school child coming across a old corded telephone in a junk shop,” notes blogger Michael DiTullo, “and exclaiming to her parent ‘look, this way you won’t lose your phone!’” I feel this way whenever our little guys try to push a button on my laptop screen by, well, actually pushing it. Related cuteness/puzzlement ensues:
January 26, 2011
“In Soviet Russia, photo ‘shops YOU!”
Somehow I never quite got to this 1987 gem when it made the rounds a few months back. Without further ado, then:
[Via]
January 24, 2011
Esprit de Corps, JNack Style
Headed into the third day of passionate, contentious, and ultimately very rewarding conversations with a new team, I sent them this image. Seems to have struck the right chord.
January 19, 2011
Video: “Minnesota Death Star”
17 seconds very well spent. :-)
January 11, 2011
Adobe employees: “It Gets Better.”
I’m really pleased & proud to see so many friends & colleagues participating in the It Gets Better project. I found the piece below quite moving. Well done, guys, and thanks.
Reminder: Russell talks HDR, iPad portfolios tonight
Russell Brown will be speaking this evening at Adobe SJ. Please see previous entry for details & RSVP info. And yes, by popular demand we’ll plan to record & post the session for those who can’t attend in person.
January 10, 2011
Video: The effects in Boardwalk Empire
I’m always a sucker for behind-the-scenes peeks like this one from Brainstorm Digital:
[Via]
January 05, 2011
Quote o’ the day
“Everything I did in my life that was worthwhile, I caught hell for.” — Chief Justice Earl Warren [Via California's new AG, Kamala Harris]
Plotting a hell-catching, ass-kicking 2011,
J.
Video: CMYKilla!
“Please do not watch this video,” writes Scott Kelby, “if you’re one of those really serious types that’s going to post a ‘Mr. Kelby, I am very disappointed in you…’ comment.” I couldn’t put it better myself.
I found this video funny and really well done, but it contains a Bad Word, so please skip it if that sort of thing bothers you.
(Incidentally, Photoshop does have a dedicated red eye tool.) [Via Barkin Aygun]
January 04, 2011
(rt) Holiday leftovers: Assorted design links
- Aural:
- Tonematrix is a delightful little audio toy from Andre Michelle [Via J. Peterson]
- Alec Baldwin has made the first truly funny NPR solicitation I’ve ever heard.
- “Reclined Jabba, Salacious Crumb Variation”: Star Wars Yoga. [Via]
- This chair + the hot sun would make your butt look like a Whopper.
- “Soylent.PSD”? The TidyPSD service will organize your Photoshop files for $9/apiece (down from $29, I believe).
- Sculpture
- Dig these little traffic-cone “ducks” (second photo down).
- Interesting optical effects created by machined metal “pixels.”
January 03, 2011
Come see Russell Brown talk iPad portfolios, HDR Jan. 11
If you’ll be around San Jose next Tuesday, the evening of Jan. 11, come see Russell Brown present a double session to the Photoshop User Group at Adobe HQ:
Using your iPad, iPhone or Galaxy Tab as a Photography Portfolio
In the first part of the evening Dr. Brown will spotlight an incredible collection of useful tips and techniques for publishing your photo portfolio to your favorite portable devices. Learn some techniques for exporting images from Adobe Photoshop CS5 as an album without having to navigate through iPhoto.
Also discover the wonders of PDF export from Adobe Bridge CS5 and learn to publish your own portfolio books that you can share with others.
——-
Creating Natural Toned HDR Images, and the Wonders of Camera RAW & Smart Objects
OK, we have all seen the classic over saturated, and super sharpened HDR techniques, but now it’s time to move to the next level of HDR imaging.
In this presentation, Dr. Brown will discuss some of his favorite new techniques for a more gentle and realistic looking HDR toning. This process may have you revisiting some of your earlier HDR shots and processing them again. All these techniques will be done using HDR Pro in Photoshop CS5.
Also covered in this part of the evening will be Dr. Brown’s Photoshop techniques for working with Camera Raw images in combination with Smart Objects.
Learn the true art of Photoshop creativity with these nondestructive techniques.
As always we’ll offer free pizza and drinks starting at 6:30, with the session commencing at 7. Please RSVP online if you plan to attend.
December 24, 2010
Not a creature is stirring…
With Adobe taking a break for the rest of the year, I’m going to lay low for a few days, squire around a couple of rowdy tots, and generally enjoy Christmas with the family. Thanks as always for reading the blog and for giving me the chance to work on interesting projects here. I wish you and yours all the best for a peaceful, blessed holiday season. I’ll soon return to pepper your consciousness with silly, bullet-listed ephemera. :-) Until then…
Cheers,
J.
December 22, 2010
Video: It’s a bird, it’s a multi-plane airplane
Oh, now this just doesn’t look safe:
If you like the technique, see also Nike’s “Human Chain” ad:
[Via]
December 21, 2010
(rt) Entirely random design bits
- Cool industrial chops: I dig Tokujin Yoshioka’s Transparent Cell Phone.
- Creatures:
- You can give your cat a Van Gogh’s Ear toy. Really. I have no words for this.
- Owls! Super cute felt iPad sleeves and iPhone cases.
- Playing with light: check out interesting photos and sculptures.
December 20, 2010
Christmas iPad Choreography
Rather delightful:
December 17, 2010
Video: Holiday wishes from Adobe XD
Heh: a little stop-motion fun from the design team in SF:
Update: How could I omit the making-of vids? Thanks to Kim Pimmel (the guy in purple) for the pointer:
December 16, 2010
Video: Modern Times
According to PetaPixel, Modern Times “is a low/no budget film created entirely against a green screen with friends as actors.”
As often happens, I find the making-of video more fascinating than the more polished outcome:
[Via Mark Coleran]
Learn to make iPad magazines, tomorrow at noon
If using InDesign to publish to tablets is up your alley, check out this live demo/Q&A session:
Upcoming Ask a CS Pro: Friday, Dec 17th, 12pm PST: Producing publications with Digital Publishing Suite! Learn how to use the tools and viewer technology of Adobe Digital Publishing Suite to produce publications for the iPad and other tablet devices. Join Chris Converse from Codify Design to learn how to use the designer-friendly Digital Publishing Suite tools now available on Adobe Labs to create compelling content that combine the richness of print design with the interactivity of digital.
Dave Dickson and other members of the Digital Publishing team will be fielding questions alongside Chris. [Update: the recording is now online.]
December 14, 2010
Video: Lego Antikythera Mechanism
Apple software engineer Andrew Carol pieced 1,500 Lego Technic blocks together to recreate a Greek computer that laid lost on a sea floor for 2,000 years:
[Via Deb D'Andrea]
December 13, 2010
Urban Dictionary: PHOBAR
Hah!
PHOBAR: -adjective, Acronym for ‘PHOtoshopped* Beyond All Recognition.’ A play on the the more popular acronym FUBAR: ‘F’d Up Beyond All Recognition,’ PHOBAR** refers to an image, usually a photo of a person, that has been retouched and airbrushed with digital image manipulation software on a computer so significantly, that the person in the photo is barely recognizable.
*Sorry as always, Adobe Legal.
**Not to be confused with a Vietnamese eatery, or CATOBAR, about which I was reading this morning
December 11, 2010
Video: “We Got More”
Gondrian! Escheresque! Inceptionoid!
I can’t help but think of Michel Gondry’s brilliant vid for “Come Into My World,” which you should see if you haven’t. (Give it a minute to get rolling.)
December 09, 2010
Design students: Win a trip to Taipei
The Adobe Design Achievement Awards
celebrate student and faculty achievement. The competition showcases individual and group projects & honors the most talented and promising student graphic designers, photographers, illustrators, animators, digital filmmakers, developers and computer artists.
Prizes include a trip to Taipei, cash, copies of CS5 Master Collection, and more. Check out the site to see details (FAQ) and to submit your entry. (You actually have a while–’til June 24, 2011–but if you’ve got good stuff now, why wait?)
December 02, 2010
A “No Color Management” print utility for Photoshop
For many years Photoshop supported a “No Color Management” printing mode. Unfortunately the option caused user confusion, and it was difficult for Adobe & Apple to continue supporting. In the course of modernizing Photoshop’s foundations (moving to Cocoa, 64-bit, Quartz, etc.) in CS5, we dropped this feature.
There are, however, people who need to print without color management. They print color targets which are then used to generate printer profiles for new printer/paper/ink combinations. These users range from printer manufactures to third-party ink suppliers to power users like Andrew Rodney who supply their own high quality profiles.
Therefore we’ve created the Adobe Color Print Utility, a simple app designed solely to enable printing without color management. This way we’ve been able to simplify the Photoshop printing pipeline (both in terms of user experience & code maintenance) while offering power users a needed tool. Please see the tech note for more application details.
What if Dropbox offered time tracking, versioning, & more?
Answer: You’d have something like the just-released GridIron Flow 2.0. It can save your butt, for free. Why would you not start using it immediately?
The company has radically redefined what was already a unique & very powerful piece of software, enabling file sync & collaboration on top of automatic versioning. Oh, and instead of costing a couple of hundred bucks per seat, it’s now free (!), with paid upgrades if you need more capabilities. Read on for details.
I praised Flow 1.0 as being like an airbag, staying out of your way until it saves your bacon–by automatically versioning your files (think realtime Time Machine, with beautiful Adobe integration). Trouble is, because the app is so unique, it’s sometimes hard for people to wrap their heads around & pay for up front.
The barrier to entry, however, is now zero.
The free product, Flow Essentials, tracks all files in a creative project and displays them in a visual map. You can now define projects and identify teams of people that will be part of the workflow. Flow 2 Essentials enables realtime collaboration, enabling users to add notes to nodes on the map, and to send emails (linking recipient to the node on that map) to the team or a subset of the group. The map allows you to see who worked on each asset, the size of the asset, and any attached notes.
This is all provided, along with 4GB of online Overflow storage (the Dropbox-style part), for free. Unlike Dropbox (of which I’m a fan, by the way), Flow doesn’t require moving assets into specific folders; you can move and rename them while staying synced.
They also offer three premium services, each for $10/month per user, or $20/mo./user for all three (no contract required):
- Time Manager allows you to review the time you have invested on each asset, and provides a control feature to allow amortizing total time across multiple projects. It also displays percentage of time spent in each creative application and offers a manual entry mechanism that allows you to include time that is not file based (e.g. design & client meetings, phone calls, etc.).
- Versioning enables automatic file versioning & allows you to lock, delete, branch or drill down on any specific version. Versions are saved locally by default.
- Overflow shares not only the asset but versions of that asset as well. The premium service adds 50GB to the 4GB of storage provided for in Essentials.
Why am I promoting this app? Do I or Adobe get some kind of kickback for sales? Nope. It’s just that having been a Web designer in a big agency, I know the pain of lost/overwritten files & the drag of filling out timesheet. What’s it worth to help fix those problems? More than the cost of a few coffees a month, I’m guessing.
If you take Flow for a spin, please share your impressions via the comments.
December 01, 2010
Sweet animation software, c. 1990
One, I can’t tell you how badly I wanted to do computer animation in my youth. An Apple IIgs ad featuring a rocket blasting off nearly made my head blast off. Two, it’s hard to imagine that the app below predated Flash by just five years (FutureSplash by less).
[Via]
On a related note, I was struck by David Pogue noting today, “Think of all the commonplace tech that didn’t even exist 10 years ago: HDTV, Blu-ray, GPS, Wi-Fi, Gmail, YouTube, iPod, iPhone, Kindle, Xbox, Wii, Facebook, Twitter, Android, online music stores, streaming movies and on and on.”
Previously: Old-school imaging: Warhol on the Amiga.
Video: Animated paper makes a “Train of Thought”
Leo Bridle & Ben Thomas labored for 9 months to create their all-analog “Train of Thought“:
As often happens, I found the making-of video (in this case involving some Photoshop plus what one imagines were a heck of a lot of papercuts) even more interesting:
November 30, 2010
Adobe goes a little greener
I know it’s small potatoes* in the big scheme of things, but I’m always proud when I hear about Adobe improving its environmental impact. I just saw an internal note about some changes happening this month:
- Eliminating bottled water from all break rooms and kitchens
- Adding dual-flush toilets to restrooms to increase water efficiency
- Moving to paper towels with 100% recycled content
- Offering soy milk and organic, fair-trade coffee in break rooms
- Replacing compact fluorescent lamps in elevator lobbies
Previously: Adobe HQ gets fuel cells, windmills, more efficient HVAC.
*free-range, no-kill, locally grown, hemp-infused, patchouli-scented small potatoes, perhaps
November 29, 2010
I won on Jeopardy, baby (oooh)
Well, I’ll be damned. From tonight’s show, I’m told:

[Via Winston Hendrickson]
Photoshop Elements half off ’til Tuesday
Customers in North America can get the new Photoshop Elements 9 for $49 until Tuesday afternoon:
Offer ends November 30, 2010, at 5:00 p.m. PST. When purchasing through the online Adobe Store, you must enter offer code SAVE2010 in the shopping cart prior to checking out when prompted to do so. To purchase by phone, call 800-585-0774 and mention offer code SAVE2010. Savings are limited to one discount per product per customer.
PS–Sorry if I just embedded Voices Carry in your head.
November 21, 2010
Video: A mesmerizing, fluid-filled dress
When you say, “600 ft. of knitted tubing powered by a pump located in the backpack,” I say, “Christmas for Margot!” Well, perhaps not, but Charlie Bucket is onto something pretty rad. (Instead of resorting to the opposing cliches of either silver body suits or post-apocalyptic ripped sweaters, why don’t movies depict more visually active clothing in the future?)
More info is on what gets my name for URL o’ the year, CasualProfanity.com. [Via]
November 17, 2010
A new BrowserLab team blog
Cross-browser testing tends to suck, and the Adobe BrowserLab team is working to make it better. If you’re interested in hearing their thoughts and providing feedback, please check out the BrowserLab Team Blog.
November 16, 2010
There’s now a Photoshop channel on YouTube
“So I got that goin’ for me, which is nice.” :-) Check it out.
As I mentioned a couple of weeks ago, the Adobe TV team is working to add support for non-Flash-enabled devices (leveraging the HTML5 Video tag). In the meantime the YouTube channel provides an alternate way to access many of the same clips on those devices.
November 14, 2010
Adobe Audition Mac beta now available
You can now download a Mac preview version of Audition, Adobe’s pro audio editor that was formerly Windows-only. According to the Adobe Labs page,
Adobe Audition for Mac brings modern audio post-production to the Mac platform. Familiar tools for audio editing, multitrack mixing and recording meet improved performance, greater workflow flexibility, and new features such as native 5.1 surround support and new effects. Plus, the best-of-breed audio sweetening and restoration tools in Audition make it easy to clean up production audio.
Check out the product page for an FAQ and more.
November 06, 2010
Quote of the Week
“Our greatest glory is not in never falling, but in rising every time we fall.” – Confucius
Taking it to heart,
J.
November 05, 2010
Learn about BrowserLab at noon
Cross-browser debugging: the eternal joy! Things can at least suck less with the help of Adobe BrowserLab. A live Q&A is going on today at noon Pacific:
Learn how Adobe BrowserLab, an Adobe CS Live service, solves this problem by showing you how your web pages look on popular browsers and operating systems – without having them installed. You’ll learn how to preview your content and use the various diagnostics tools that help you pinpoint issues.
November 03, 2010
SF Photoshop User Group meeting tomorrow
In case you’re in San Francisco and feel like joining us:
We are pleased to have visual effects artist Lisa Yimm return for another great presentation.
Join Lisa for a walk-through the workflow and creative possibilities available with Red Giant Software’s Magic Bullet PhotoLooks 1.5 and Photoshop CS5.
PhotoLooks is a unique set of color-correction and image enhancement tools that can speed up your workflow and spark your creativity with built-in presets that help you easily achieve some of today’s most recognizable film and television “Looks” like CSI:Miami, The Matrix, and Band of Brothers.
The event starts at 6:30. Please RSVP & get other details here.
November 02, 2010
Photoshop SJ User Group meeting next Wednesday
Hope to see you there:
Bryan O’Neil Hughes will present “Hidden Gems”, showing lesser known features and workflows in Photoshop CS5. Michael Lewis will give an introductory talk about tips and techniques for shooting DSLR video, useful accessories, advantages/disadvantages of different cameras and file formats, getting the files into a computer, and a very brief look at project workflow and editing.
We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose.
Please see the Evite for details & to RSVP.
October 31, 2010
Brief Mac tips for parents of tots
Here’s a little something to cleanse the palette from all the Flash/HTML5/etc. bits.
The other day designer Khoi Vinh remarked on his young daughter’s iPhone fascination, lamenting the lack of a toddler mode that could do things like override the home button. Like many parents I know, I’m in just the same boat, as our two toddlers abscond with & modify my phone and iPad. I can’t offer a lot of tips, though I heartily recommend the fun little audio app Bebot. 15-mo.-old Henry now drags me the tablet demanding “Bebop, bebop!”
On the Mac, however, I’ve found a very winning combo: Alfred (a Quicksilver-style launcher utility) plus AlphaBaby, a shape, letter, and sound generator–both free. I feel like a missile defense system, where milliseconds of reaction time make all the difference between success & disaster. The Alfred/AlphaBaby combo means that I can simply hit Opt-Space, then type “A” to select AlphaBaby and launch it. Unngh, in your faces, little dudes! :-)
Hope that’s of use to someone. Any other advice and suggestions are welcome.
October 27, 2010
Eye-roll o’ the day
In response to Adobe demoing a new HTML5 authoring/animation tool, I’ve seen a few comments like this:
“Adobe could have been pioneering this about 6 years ago, but better late than never!”
Here’s the thing, guys: I came to Adobe ten years ago specifically to build a Web-standards-based animation tool, LiveMotion, because we were told that ubiquitous browser support for SVG & more was right around the corner. And even before that, Macromedia and Adobe had both deployed timelines (in Dreamweaver and GoLive) for animating with JavaScript, DHTML, SMIL, etc. Point is, some of us have been working for a long time to make things better, and it’s nice to see browsers* making such efforts more viable.
So, please excuse me if I get a little peevish in response to some of the righteous finger-wagging. Thanks for your understanding.
*By the way, speaking of finger-wagging, Adobe isn’t just waiting for browsers to get better. More on that in a bit.
October 25, 2010
Watch today’s Adobe MAX 2010 keynote live
Lots of interesting info will be forthcoming in Adobe’s keynote presentations today & tomorrow. I’ve had a little hand in whipping up some cool stuff for today, and I’m looking forward to seeing other secret sauce unveiled. Check out the sessions live:
Welcome to the Revolution
Monday, October 25, 9:30 am-11:30 am PDT (convert time zone)We are in the midst of a revolution across a variety of screens, new input methods, new formats, and new distribution models. Join Adobe CTO Kevin Lynch as he shares insights, future perspectives, and plenty of demos.
User Experience: The Next Generation
Tuesday, October 26, 10:00 am-12:00 pm PDT (convert time zone)User expectations and experiences are evolving rapidly, and Adobe has long taken the lead in creating the tools and services to design for the future. Join us to be inspired (and, yes, entertained) as we show you the future of building interactive and engaging experiences in ways you’ve yet to imagine.
October 24, 2010
Do you have PSD?
“Qualities of PSD include supernatural powers of imagination and an overwhelming desire to constantly make the world more beautiful.” Heh heh–really cute stuff:
Props to the crew from Hyperakt. [Via Tobias Hoellrich]
October 23, 2010
Nokia + microscope + 3D printer = Tiny stop motion
The folks at Aardman Animations have created “the world’s smallest stop-motion animation character,” filming the results using a Nokia N8 paired with a microscope:
The making-of video (in which After Effects makes a little cameo) is fascinating:
[Via]
October 20, 2010
Fireworks “Ask A Pro” session today
I know that it sometimes seems that Photoshop and Fireworks are at odds (at least per comments left by passionate Fireworks users anytime I ask about PS & the Web), but it really is a great app. If you’re free today and want to learn more, read on.
Join David Hogue for Ask a CS Pro: Fireworks CS5 for Designers & Developers, today at 1pm PDT. If you are new to Fireworks, just upgraded from an older version, a developer who uses it for image slicing and optimization, or a designer who uses other tools and wants to know what Fireworks is all about, join us for an interactive online discussion where we will highlight some of the new features and lesser known features of Fireworks.
October 18, 2010
Wanted: GPU ninja
If you’re a recent college grad (undergrad or graduate studies), and if you’ve got solid chops working with graphics processors, check out this job description (for Seattle or the SF Bay Area). Believe me, there’s no shortage of interesting stuff on which we can collaborate.
October 14, 2010
Photoshop: One million Facebook fans & growing
Put your finger to the corner of your mouth: The Photoshop Facebook page has passed one miiiillion fans. (You hear the footsteps, Bieber? We’re coming for you, haircut.) Adobe director Maria Yap talks about how the page has quadrupled in popularity since last summer, adding:
We hope you’ll join us throughout the week for some fun and giveaways as we celebrate YOU. Today, leave a comment below answering the question, “If we could make one improvement to Photoshop specifically for YOU, what would it be?” We’ll pick 5 random people from the comments to receive a free copy of both Photoshop and Lightroom as a thank you for your dedication. [Note: Please submit the comments via the FB page, not via this post.]
Thanks to everyone for your enthusiasm, support, and passionate feedback!
October 13, 2010
Leonard Nimoy vs. Russell Brown in a Vulcan throw-down
Crazy. According to Flash evangelist Ted Patrick,
At Adobe MAX 2010, Leonard Nimoy will be joining us as Host for MAX Awards and Sneaks. Given his presence at Sneaks, the team is going all out. We have 10 amazing sneaks from Adobe research labs, Colin Moock is hosting Star Trek trivia with Megaphone between Awards and Sneaks, there are some fairly serious costumes in development, and it is sure to be a great time.
In response, Adobe’s Russell Brown–who you will have no trouble believing already had a Vulcan get-up just lying around–writes,
In honor of Mr. Nimoy attending the show, the crazy Russell Brown of Adobe will make an appearance as a Vulcan on Tuesday, October 26th. Look for Mr. Brown at the show!
September 30, 2010
Photoshop sessions at MAX
Adobe MAX is just a few weeks away. I many other Adobe people are working away on cool stuff to show there, so I hope you can make it. Photoshop PMs Bryan O’Neil Hughes & Zorana Gee will be presenting Photoshop CS5, so read on for details of what they’ll be showing (and when).
September 29, 2010
Adobe HQ installs fuel cells
Adobe keeps taking steps to make its San José headquarters more energy efficient. Following the installation of toddler-delighting windmills earlier in the year, the company has installed a set of fuel cells:
Adobe’s ‘Bloom boxes’ are expected to generate approximately 30 percent of the energy required to power the three San Jose headquarters towers. Using the fuel cells, Adobe expects to reduce its carbon footprint by approximately 121.5 million pounds over 10 years, which is equivalent to taking 1,810 compact cars off the road annually.
Cool. Here’s the full press release.
September 28, 2010
DSLR video session this Friday featuring PS, Premiere Pro
Video expert Richard Harrington will be presenting an Ask a CS Pro session this Friday, October 1st, at 10am PDT covering the use of Premiere Pro & Photoshop CS5 Extended for DSLR video shooting. Richard knows the ins & outs of video in Photoshop (yes, there’s video in Photoshop), so expect to learn some new ways of working.
September 24, 2010
Video: OK Go + Dogs
Just look at this dog video. Just look at it. :-)
Someone once said that OK Go is a bunch of video artists masquerading as a band. I think that about nails it. More info is on the band’s site. [Via Margot Nack]
[Update: Gizmodo has more making-of info & pictures. "12 trainers, two furniture movers, 12 dogs, one goat, 38 buckets, and a bunch of furniture..."] [Via]
September 20, 2010
Ask a Pro about Dreamweaver & HTML5
If you’re interested in details on Dreamweaver CS5′s new HTML5 support, check out this session with Web developer David Powers, this Friday, Sept 24th at 11am PDT.
September 19, 2010
(rt) Random design interestingness
- The 1930 Henderson Custom is a gorgeous art deco motorcycle [Via Bill Hughes]
- I dig the mid-century-styled Wooden PC by Design Hara.
- If that’s up your alley, see also Jeffrey Stephenson’s Mid-Century Madness.
- “You have to wonder why no one thought of this a long time ago…” Clever headphone packaging.
September 17, 2010
A deep dive on Photoshop & scalability
A few years ago I posted what turned out to be a popular article on “What’s the story with Photoshop & multi-core?” In it Photoshop architect Russell Williams explains, in accessible terms, some of the challenges involved in splitting up processing tasks across processors/cores.
Now Russell has sat down with Intel architect Clem Cole for a deeper discussion of Photoshop & scalability. They cover everything from the early days of DayStar multiprocessor systems (did I just move some dust in your brain?) to the latest developments around GPUs, OpenCL, and more. [Via Dave Howe]
Video demo: Using a solid-state drive with Creative Suite
That’s one impressive launch-time improvement:
September 16, 2010
Are you the next great Adobe Web PM?
I’m a pissed-off Web designer at heart. I came to work at Adobe because I was sick of software getting in the way of my ideas, and rather than just bitch about it, I wanted to try making things better.
Now there’s an opening for a new Sr. Product Manager, Web Design. Job description highlights:
As the Web Design Product Manager, you are responsible for defining and managing Adobe’s efforts to enable designers to create websites and online businesses. You must have a deep understanding of the design market, web workflows and a passion for creating great products. [...]
You know the ins and outs of web and design workflows, products and related technologies.[...] You are the product champion, an effective evangelist with the ability to inspire others with your vision. At the same time, you must be able to recognize a good idea and act on it, regardless of where it came from. [...] Ultimately, you are decisive, care about the details, and are not afraid to lead. If you don’t like to be the center of attention, you need not apply.
I know the new product that’s in development, and it’s cool. If, like me, you love the Web & want to improve the way visual people create for it, and if you’re up for living in Seattle, drop these guys a line.
September 12, 2010
Video: A World Without Photoshop
Heh–fun from our friends at Chopping Block:
Matthew Richmond shares some details about the project on the team blog.
September 09, 2010
Capturing HDR video using two 5D’s & a beam splitter
Interesting:
Minimal additional details are on Engadget. [Via Foster Brereton]
September 06, 2010
Webinar: “Photoshop From the Ground Up,” Sept. 23
From Adobe Creative Suite User Group of San Jose organizer Sally Cox:
Join us online for our new webinar series, starting with “Photoshop: From the Ground Up – Part 1″ on September 23, beginning at 6 pm. All levels of expertise can benefit from this free series.
These online meetings will cover all major aspects of Photoshop, beginning with the basics. (more…)
September 02, 2010
List: Lens profiles available in LR/ACR
A reader recently asked whether there’s a running list of lens profiles (enabling automatic correction of distortions) included in Lightroom 3.x & Camera Raw 6.x. Why yes, yes there is. [Via Tom Hogarty]
Photography from Iraq: Drawing down & looking back
- As President Obama announces the official withdrawal of US combat forces from Iraq, the NY Times presents an interactive photography retrospective, Drawing Down and Moving Ahead in Iraq.
- The Denver Post starts with images of the withdrawal, then moves back to feature photography from the course of the war. Rough and gripping, and essential to remember.
September 01, 2010
Video: Inflatable Bag Monsters
Super cool street art from Joshua Allen Harris:
[Via Ellis Vener]
August 27, 2010
Video: The Wooden Camera
Camera + computer + 830 wood blocks = groovy.
Here’s more info on the project. [Via]
August 25, 2010
Want to talk Adobe + tablets at Photoshop World?
If you’ll be in Vegas next week and want to give me a piece of your mind, bounce ideas back and forth, etc., please let me know. I arrive Wednesday afternoon and fly out on Friday.
August 24, 2010
Mac Photoshop users needed for benchmarking
The Retouch Artists Photoshop Speed Test is being updated to a new version (2.0) in the near future. Test creator James Alexander is looking for beta testers both to test the action and to provide times for the site’s baselines. Testers need to have standard stock configuration of current Apple machines that are currently being sold on Apple.com.
If you’re interested, please send an email with your system specs. James notes that he welcomes suggestions on what to include in the test, regardless of whether you’re currently able to perform testing.
August 19, 2010
“Ask a Pro” tomorrow with Bryan Hughes
Should be a good session:
Learn about the new features of Photoshop CS5 and get your questions answered in the upcoming Ask a CS Pro Session with Photoshop Senior Product Manager Bryan O’Neil Hughes. Join us this Friday Aug 20th at 12 noon PDT! RSVP here.
That the session will be recorded and posted to the Creative Suite Facebook page soon after the event, alongside recordings of the previous sessions.
Tangentially related: I need to make time soon to help you get to know Photoshop PMs Bryan, Zorana Gee, and Pam Clark better. More to come.
August 18, 2010
Adobe photowalk in SF next Saturday
Tom Hogarty & Bryan O’Neil Hughes are leading a photowalk this next Saturday. Slots have filled up fast, but a few should still be available. Check out the event details if you’re interested.
August 17, 2010
Apple updates 10.6.4 graphics
The 10.6.4 update to Snow Leopard introduced some conflicts with Photoshop and other applications that leverage graphics hardware. The just-released Snow Leopard Graphics Update should help address these problems. If you apply the update and continue to have trouble in Photoshop or other Adobe apps, please let us know.
August 15, 2010
Video: Musical sculptures
Finn’s watching this with me, saying “What is *that*, what is *that*?” I’m not sure I can answer, but Felix Thorn sure makes some interesting stuff.
[Via]
August 14, 2010
Adobe Drive 2 now available on Labs
This one’s admittedly esoteric, but potentially interesting.
Adobe Drive lets Photoshop, Illustrator, and InDesign work more easily with asset management systems. A preview version of Drive 2.0 for CS5 is ready for download from Adobe Labs, enabling you to:
- Open and save files directly from the CMS/DAM server
- Enter check-in or version comments
- View multiple versions of managed files
- Browse/search the CMS/DAM server for assets based on metadata
The interesting part is that Drive connects with third-party systems that support the CMIS standard. I don’t have more details at the moment, but I’d like to see working with Photoshop and Subversion et al. made simpler.
August 09, 2010
Contest: Design a shirt for Adobe MAX
Designers & illustrators sometimes ask how to get their work featured on Adobe posters, etc. Here’s one opportunity:
Win $2000 + a copy of Adobe® Creative Suite® 5 Design Premium software (MSRP US$1899) if your design is chosen the winner in the Threadless t-shirt design competition. Just use your design talents to create a tee inspired by the MAXtopia theme for Adobe MAX 2010. Contest ends August 29th, so don’t delay.
The purpose of the submissions relating to this promotion is to create a stand-alone design inspired by the challenge, not a brand tee. Your design should not have brand names or logos on it.
Visit the Threadless site for rules & other info–and good luck.
August 04, 2010
Please welcome…
As part of our family Egg:Basket Concentration Regimen 2010, I’m delighted to say that my wife Margot Liggett Nack has accepted a program management job at Adobe. (Maybe the talk about Adobe being the second-best tech company to work for* finally wore her down.) She’ll be joining the digital video group in a few weeks to build… The Future (more details later).
As my friend Adolfo notes, “Now Adobe has 50% market penetration among Nacks (or Liggett-Nacks).” Two down, two to go. In any case, welcome, hon!
*Curse your free food, Google!
Reminder: Learn DSLR video workflows tomorrow in SF
Tomorrow at Adobe’s San Francisco office, Adobe evangelist Jason Levine will be showing the “Fundamentals of Working With DSLR Video;” please see the sign-up page and the notes below for more info. If you can’t wait or can’t attend, you might want to check out “Getting Started with Premiere Pro CS5,” a recorded demo/Q&A session with filmmaker Dave Basulto.
For Jason’s session:
Learn the fundamentals of working with DSLR footage natively inside Premiere Pro, After Effects, and Photoshop. From basic import, creating sequences, adding effects and transitions, all the way through export. We’ll also cover questions regarding transcoding footage and using DSLR video with green screen.
Prior to Adobe, Jason was a full-time recording and mastering engineer, working in studios coast-to-coast, engineering hundreds of recordings from Classical to Country, Rock to Reggae. In 2008 alone, Jason presented to over 75,000 people from San Francisco to Singapore, Amsterdam to Auckland, and everywhere in between.
August 02, 2010
Video: Projected Art
This super cool project applied artwork to the exterior of an English mansion:
If nothing else, jump to the Pac-Man section around the 3:45 mark. [Via]
August 01, 2010
Lightroom 3 at CS User Group SJ on Tuesday
Creative Suite of San Jose User Group organizer Sally Cox notes that they’re meeting at 6pm Pacific Time on Tuesday evening to cover Lightroom 3.0.
Adobe San Jose (345 Park Ave.) – or join us online via Adobe ConnectPro. All meetings are recorded, though you must join to view past recordings (membership is free).
Agenda:
6:00-6:15 Introduction
6:15-6:45 Jason Eskridge
6:45-7:00 Q&A
7:00-7:30 New Features
7:30 Break
7:45 Workflow tips
8:15 -8:45 Open Forum for Members
July 25, 2010
Info on Creative Suite extensibility
CS5 is the most consistently, easily extensible Creative Suite yet. If customizing & connecting Photoshop, InDesign, and other apps is up your alley, check out the Creative Suite SDK Team blog for demos, links, and more info.
July 21, 2010
Video: Local layering ideas
Jim McCann is a graphics researcher (you might remember his interesting work with gradient-domain painting), and I’m happy to say he’s joining the Adobe advanced technology staff. He has some ideas about dealing with the limitations of traditional graphical layering models (as seen in Photoshop, After Effects, Flash, etc.):
For more videos & papers on the subject, check out the project page. [Via Jerry Harris]
July 20, 2010
Oily Photoshop action (plus UFOs)
- BP has caught flak for digitally altering an image of their crisis response HQ. ”‘Normally we only use Photoshop for the typical purposes of color correction and cropping,’ [a company spokesman] said in an e-mail. ‘In this case they copied and pasted three ROV screen images in the original photo over three screens that were not running video feeds at the time.’” [Via Noah Mittman]
- Meanwhile UFOs over China are being attributed to Photoshop work. It’s kind of a weird, sloppy article, though: no details are given about how Photoshop (or anything else) could or did produce the video included on the page, and in any event what’s shown is a UFO (that is, an unidentified flying object); it’s just not necessarily an object of extraterrestrial origin. [Via Pete Falco]
- Update: There must be something in the water (no pun intended), as now the controversial action is spreading to golf.
July 19, 2010
Sample interactive content made in InDesign CS5
Speaking of InDesign and rich publishing, here’s an example of the sort of interactive content (here displayed through Flash) that can be generated in CS5. (Click the main image to display the document.)
Ten years ago Michael Ninness brought me to Adobe to work on LiveMotion, and he went on to product-manage InDesign CS5. I’ve kidded him that a decade later, he managed to transplant LiveMotion 1.0′s heart into ID. I’m kidding, but it is cool to see a number of the features and concepts that customers liked back then–e.g. preset animation styles, easy button creation/interactivity assignment–brought forward. Now, unlike then, the content can also integrate with the Flash authoring environment, meaning you can get a fast, code-free start without eventually hitting a wall.
Details on Adobe’s forthcoming Digital Magazine Solution
The folks working on Adobe’s Digital Magazine Solution have posted some additional details on what’s coming:
Late this summer, we’ll post these new publishing technologies on Adobe Labs… Publishers can add interactivity without writing code via InDesign and create monetizable digital magazines for the Apple iPad – with other platforms and devices expected in the future. [...]
With layouts in hand, production teams package the assets using the new Digital Content Bundler utility that allows publishers to import vertical and horizontal InDesign CS5 layouts, add metadata, (article title & description, issue number, etc.) and export them into a new “.issue” format. [...]
Previously we announced the Digital Content Viewer for Apple iPad; in the future we also expect to develop the Digital Content Viewer on Adobe AIR for desktops and other devices.
Check out the whole post for more info & additional links.
July 18, 2010
Video: “Photoshop Handsome”
“Chest pumped elegantly elephantine
southern hemisphere by Calvin Klein…”
There really is a song called “Photoshop Handsome”:
See also a review & lyrics. Madness. [Via Claudio Calligaris]
July 16, 2010
Airlines vs. iPads
The exact times I want to read magazines on a tablet are the exact times I can’t.
What are the odds we can get the publishing industry to throw some blows at the airline industry (or FAA), finally nixing the prohibition on using electronic devices during taxi, takeoff, and ascent/descent? I’m typing this on a plane where I’ve got a couple of paper magazines* stashed, ready for landing–this despite also carrying an iPad. I bought the mags for reading when my laptop is verboten. Wasting paper sucks, but at least this way I can, y’know, actually read the content during my downtime.
For bonus points, SFO’s anachronistic for-pay WiFi needs to die screaming. Paying eight bucks to access the net to then pay for tablet mags was a non-starter.
*A retronym in the vein of “acoustic guitars.”
July 15, 2010
Learn DSLR video workflows with Adobe
On August 5 at Adobe’s San Francisco office, Adobe evangelist Jason Levine will be showing the “Fundamentals of Working With DSLR Video;” please see the sign-up page and the notes below for more info. If you can’t wait or can’t attend, you might want to check out “Getting Started with Premiere Pro CS5,” a recorded demo/Q&A session with filmmaker Dave Basulto.
For Jason’s session:
Learn the fundamentals of working with DSLR footage natively inside Premiere Pro, After Effects, and Photoshop. From basic import, creating sequences, adding effects and transitions, all the way through export. We’ll also cover questions regarding transcoding footage and using DSLR video with green screen.
Prior to Adobe, Jason was a full-time recording and mastering engineer, working in studios coast-to-coast, engineering hundreds of recordings from Classical to Country, Rock to Reggae. In 2008 alone, Jason presented to over 75,000 people from San Francisco to Singapore, Amsterdam to Auckland, and everywhere in between.
Video: Combining Smart Filters with Pixel Bender
Russell Brown is back in action, showing off how to apply Pixel Bender filters non-destructively to raw image data inside Photoshop CS5, creating some cool illustration effects.
July 13, 2010
SJ Photoshop User Group meeting next Tuesday
The San José Photoshop User Group will be meeting next Tuesday evening at Adobe HQ, featuring photographer Suzette Allen. According to the RSVP page:
Suzette Allen is always focused on efficiency, but this time, she will be showing some of the fun things you can do with Photoshop (including painting with CS5!) and the design tools (like making brushes and templates) that take a wee bit of time but can turn into profits as you re-use them creatively in templates. Of course she will show you how to save time with the amazing new features of CS5 as well. Be prepared for a fun and creative evening that will get you inspired to pursue your own creative vision.
Pizza & drinks will be served at 6:30, and the presentation begins at 7. For directions and other details, please check out the Evite.
July 12, 2010
HTML isn’t about Web pages
Or rather, it isn’t just about Web pages. Responding to my post about CSS as the new Photoshop, Neven Mrgan makes some good points about HTML & CSS as a general purpose graphical system:
That assumption is that Nack is talking about creating web pages. I don’t believe he is… This is not the web Zeldman is interested in. It’s no web at all, in fact. [...]
Look at any of Apple’s stores on the iPad – App Store, iTunes Store, iBookstore. Heck, look at the iTunes Store on your computer: it’s all made with HTML and CSS. Why? Because in the year 2010, if you’re going to be describing layouts, it’s not a bad call to describe them using very well adopted, rapidly developing technologies. [...]
There’s no pride or glory in tweaking number after number and reloading a page to make sure my drop shadow looks nice.
On this last point, I’m hopeful that if Photoshop made it possible to copy/export styled text and objects as HTML/CSS, developers would accept the generated code. There are only so many ways to specify box dimensions & borders, right?
More broadly, people are clearly interested in doing demanding, print-quality typesetting using HTML, the better to create things like magazines for tablets. I’m encouraged to see work that enables better text breaking, kerning pairs & ligatures, proportional leading, and more. Onward and upward.
One other thing: I’ve gotten to know Neven a bit after he (justifiably) needled Photoshop for its admitted hodgepodge of UI elements. I’ve never managed to finish my long and detailed response, but in it I talk about how using Web elements (e.g. embedded WebKit) makes it hard–if not impossible–to match everything with OS-native controls. I go on to cite numerous examples of Apple’s Web content not matching Aqua, etc. The point is, the more powerful & ubiquitous Web content becomes, the more we’ll deal with the challenges of making the complete desktop/online experience feel cohesive.
Behind the scenes of “AT-AT Day Afternoon”
Having logged lots of childhood hours with these toys, I really dug Patrick Boivin’s AT-AT Day Afternoon when it made the rounds a couple of weeks ago:
Now he’s shared some background info in a CNET interview & has posted a behind-the-scenes video, briefly showing Photoshop video layers in action:
July 10, 2010
Stephen Colbert + Photoshop save the Gulf!
The secret must be in his flappy-fingered typing style:
| The Colbert Report | Mon – Thurs 11:30pm / 10:30c | |||
| The Economist Photoshops Obama’s Picture | ||||
|
||||
[Via Mordy Golding & John Lin]
July 07, 2010
May I bring you a coffee?
The After Effects team has long done “ship trips,” wherein they hang around a design shop, production facility, etc., watching over customers’ shoulders while generally trying to make themselves unobtrusive/useful (e.g. bringing bagels, etc.). Seeing someone doing real work is different than just talking about what they might like or need.
A number of my colleagues are enjoying some well-deserved R&R this month, so things are a bit quiet at the ranch, and I’m kind of itching to re-connect with the real world of design and production. If you’re a designer in the Bay Area who wouldn’t mind having some spiky-haired, slightly over-solicitous guy hang around your workspace a bit, please let me know so that we can try to sync schedules.
July 05, 2010
Video: The Art of Analog Computing
Heh–good fun with (actual) cut-n’-paste from the folks at Melt Media. (Let’s hear it for flying toasters!)
Photoshop gets its 15 seconds of fame around the 1:40 mark. (For a really deep trip in that vein, see Russell Brown’s Photoshop Space Odyssey.) [Via Marc Pawliger]
Your bugs, you will show me them, please
I’m glad to hear that people seem pretty happy with the Photoshop CS5 update, but there’s always room to improve. If and when you encounter bugs in Photoshop or other Adobe apps, however, please report them via the online bug form.
Also, in case you’re wondering whether anyone actually looks at crash reports that come in, the answer is emphatically yes. It’s really helpful if you take a second to jot down your email address. That way, if we need more info about what you’re experiencing, we can drop you a line. (I know, this should never be necessary, and I know it’s an extra inconvenience, but we’re grateful for any data you can provide to help make the apps better.)
July 02, 2010
“CSS is the new Photoshop” (?)
Shawn Blanc hit on a great, if perhaps deliberately overstated, phrase on Monday that pegs an important trend: Cascading Style Sheets can create a great deal of artwork now, without reliance on bitmap graphics. He points to impressive iOS icons from Louis Harboe among other examples.
He’s not alone: Håkon Wium Lie from Opera predicts that CSS3 could eliminate half the images used on the Web. You can use various graphical tools to generate things like CSS gradients and rounded corners. As people can do more and more in code, it makes sense to ask whether even to use Photoshop in designing Web content.
I think Adobe should be freaking out a bit, but in a constructive way.
HTML’s new graphical richness means great opportunities to generate efficient, visually expressive content. ”What is missing today,” says Michael Slade, “is the modern day equivalent of Illustrator and PageMaker for CSS, HTML5 and JavaScript.”
Of course, this is far easier said than done. As I noted the other day, “Almost no one would look inside, say, an EPS file and harrumph, ‘Well, that’s not how I’d write PostScript’–but they absolutely do that with HTML.” Over the last 15 years, innumerable smart people have tried and failed to make WYSIWYG HTML design tools whose output got respect. And yet it strikes me as unreasonable to say, “Spend a bunch of time perfecting your design in PS/AI, then throw it all away and start again!”
As for Photoshop, we could either teach the app to speak HTML natively (via live HTML layers), or we could translate Photoshop-native artwork into HTML (e.g. “copy this button/text as HTML/CSS”). It’s not yet clear to me, however, how such code would smoothly integrate into one’s projects.
At the moment I have more questions than answers. If you have ideas on the subject, please lay ‘em on us.
[Note: Ideas need not include, "Put your heads in the sand and say that people simply have to switch from Photoshop/Illustrator to Fireworks." FW is a great app, but that suggestion is a non-starter.]
July 01, 2010
Filter Forge 2.0 arrives
The new version of Filter Forge, a visual (node-based) tool for creating your own filter effects, has been released for Mac and Windows. According to the developers, new features include:
- Support for non-seamless filters
- Unrestricted transform components (Move, Scale, Rotate, etc.)
- Full support for HDR colors (they may even have negative RGB values)
- Instant filter search (searches your collection of downloaded filters)
- ‘Bomber’ component for spraying particles (very fast, very versatile)
- Lua scripting (Lua is a fast scripting language also used by Lightroom)
- Photorealistic lighting (shadows via Ambient Occlusion, point/area lights etc.)
Neat stuff.
June 30, 2010
Higher pay hurts performance, & other interesting ideas
- Good: Daniel Pink on motivation (with or without free sandwiches).
- Also good: The RSAnimate project, illustrating interesting ideas.
- Even better: The two combined:
Busted links? Let me know.
One more (hopefully last) bit of current blog housekeeping: Some folks mentioned encountering broken links here following the move to WordPress, and I’ve been working with the blog admins to fix the problems. If you spot any continued problems (broken links or otherwise), please let me know via comments or email (jnack at adobe). Thanks.
June 29, 2010
Blog housekeeping: Notice anything different?
Answer: Hopefully not. We moved this blog over to a WordPress foundation yesterday, but there shouldn’t be any visible changes or disruptions, including to permalinks and RSS subscriptions. If you hit any snags, please let me know.
One somewhat minor, hopefully temporary problem is that comments listed on the right side of the main page no longer include an excerpt. I know that some of my teammates scan that list so that they can jump in with replies when needed, so we’ll try to fix the problem.
Thanks to the folks at blog consultancy Firmdot for making the move so painless.
Design bits: Shape-shifting Bimmers & more
- You didn’t want to want to walk through a 140-meter long PVC habitrail? Uh, okay–then I guess this Spanish guy misunderstood.
- BMW created a shape-shifting car made of fabric? Really? Cool, but man, if getting keyed wasn’t bad enough already…
- Dyson’s bladeless Air Multiplier fans look pretty amazing, though claiming that they end the horrors of regular-fan “buffeting” seems like a stretch (selling the need right in the box, as we sometimes say).
June 28, 2010
Huge multitouch wall at the World’s Fair
The Wall of Chile at the 2010 Shanghai World’s Fair features a 4-by-1.2 meter (13-by-4 foot) display wall that enables visitors to access more than six hours of high-definition video and thousands of photographs.
Here are more info & more projects from the creators.
June 25, 2010
Interesting ideas, beautifully illustrated
If you’ve got 10 minutes–or even one or two–I think you’ll enjoy this little talk by Philip Zimbardo, cleverly illustrated by Cognitive Media:
[Via]
June 24, 2010
Video: The High Line evolves
It’s a little off topic from my usual blogging fare, but I love seeing how New York’s High Line park has evolved & will continue to develop:
I haven’t been back to NYC since the park opened (thanks, kids!), so maybe I can live vicariously through Tom & Bryan. (*cough* You know they’re doing a photo walk nearby on Saturday, right? *cough*)
Here’s some context for the video. [Via]
June 23, 2010
20,000 comments & counting
Lordy, lordy: roughly five years after its launch, this blog has racked up some 20,000 reader comments:

That’s just as I’d have it, and it says more about the Photoshop/Adobe community than it does about me. I’ve always wanted the blog to be about others’ voices as much as mine (okay, almost as much!), and reader feedback has proven invaluable. Whether it’s opining on new product ideas, puking on the app icons, exchanging product tips, or even trying to steal Photoshop, I’m always eager to hear what people are thinking & trying to achieve.
Thanks so much for your generous feedback, and here’s to the next 20,000 (!),
J.
PS–I believe the honor of being #20k goes to my pal Adolfo Rozenfeld, who was in fact remarking on approaching 20k–appropriately meta & self-referential.
Adobe’s bringing pro audio editor Audition to the Mac
I’m delighted to hear that Adobe is bringing Audition to the Mac. As video evangelist Jason Levine explains in the videos below, this professional audio software packs a big, fast wallop. If nothing else, go to around the 3:20 mark in the first vid below to see how you can use Photoshop-style painting and Spot Healing brushes to edit audio (!):
The public beta should be available later this year, and you can sign up to be notified when it’s ready to download.
June 21, 2010
Video: Stop motion animated with wood
“There’s a guy riding his horse, he makes a big tree house, has dinner with a bunch of ghosts and then everything gets cut down by some scissor birds. Very random, very beautiful.” That seems about right.
Check out the behind-the-scenes video for a taste of the crazy amount of work that went into the production.
June 18, 2010
Video: “Lightrails” interactive installation
If you’ve ever wanted to step right into a Daft Punk video, you may be in luck:
[Via]
June 15, 2010
CS5 Summit in NYC next week
Next Friday (June 25th) from 4:30-7:30 pm, Scott Kelby & crew will be joining Adobe folks for a free Photoshop CS5 Summit:
You’ll see exactly how Scott, Matt, Dave, RC, and Corey (NAPP’s own Photoshop team) plug the amazing new features of CS5 right into their daily Photoshop workflow. Plus, you’ll be able to meet one-on-one with Adobe’s own Photoshop and Lightroom product managers (Bryan Hughes, and Tom Hogarty) and get your questions answered direct from the source.
We’ll have drawings for some very cool giveaways, including versions of Photoshop CS5, Lightroom 3, tickets to the Photoshop World Conference, and much more. You’ll have a blast, you’ll learn a lot, and best of all – it’s all free! But it doesn’t happen if you’re not there!
Check out the event page for sign-up & location details.
June 11, 2010
Video performance hotness in CS5
The 64-bit-native CS5 video apps are faster than ever. I just saw this blurb in email:
- On average, 130 different benchmark tests are more than twice as fast in Premiere Pro CS5 than in CS4.
- Working with XDCAM footage in CS5 with a CUDA-accelerated card is more than six times faster than CS4. In software-only mode, it’s still about 33% faster.
- Compared to CS4, working with R3D footage takes about two thirds of the time in software-only mode–and about half the time with a CUDA card.
- Simple rotoscoping tasks take one tenth the time they required in CS4, and the time savings for complex, real-world projects are likely to be even more significant.
I’ll try to point to more details when I see them posted publicly.
June 07, 2010
Upcoming Photoshop, Lightroom, and CS5 video sessions
The folks at Fotocare in NYC will be hosting CS5 and Lightroom 3 sessions in a couple of weeks:
Join us in welcoming Adobe specialists, Bryan O’Neil Hughes and Tom Hogarty as they present Photoshop CS5 and Lightroom 3. In these workshops you will learn the new features in Photoshop and Lightroom. See how to use the new tools to enhance your workflow, making it easier and faster.June 28th:
Photoshop CS5 : 10:00AM – 12:00PM
Lightroom 3 : 2:00PM – 4:00PMJune 29th
Lightroom 3 : 10:00AM – 12:00PM
Photoshop CS5 : 2:00PM – 4:00PMRSVP Required
Email: seminars@fotocare.com
Phone: 212-741-2990
Meanwhile on July 13 the Creative Suite User Group of San José will be hosting their first all-video meeting, and the last of their three CS5 launch events. Event organizer Sally Cox writes,
Join us for product demos, raffles, baked goods and other surprises, it’s all free! Meet us at Adobe San Jose or join us online via Adobe Connect Pro. Sign up here.
June 05, 2010
HOW Now
I’m headed to the HOW Conference in Denver on Sunday. If you’ll be at the show and want to say hello, talk about Photoshop, tablet apps, etc., please drop me a line (jnack at adobe). I’ll be floating around the Adobe booth Sunday evening and midday Monday-Tuesday. I’m told that the uniform consists of black t-shirt plus “stylish jeans” and sneakers. How bold would it be to rock a pair of mom jeans and, I dunno, some British Knights?
Video: LEGO printer
Ah, but does it use PostScript??
(Name CAPITALIZED to avoid abuse from brand pedants.) [Via]
June 03, 2010
Camera Raw 6.1 now available
Camera Raw 6.1 is now available for Photoshop CS5 & Bridge CS5. The release adds lens correction (see previous demo), improves performance, & fixes a crashing bug on OS X. The release includes camera support for the following models:
- Canon EOS 550D (Digital Rebel T2i/ EOS Kiss X4 Digital)
- Kodak Z981
- Leaf Aptus-II 8
- Leaf Aptus-II 10R
- Mamiya DM40
- Olympus E-PL1
- Olympus E-600
- Panasonic G2
- Panasonic G10
- Sony A450
For release notes please see the Lightroom Journal.
June 02, 2010
A note to Fireworks users
Thanks for all the feedback about my HTML layers idea. In the comments I think I can see the exact moment when someone on a Fireworks forum/list linked to the post and suggested that everyone pile on in hopes of getting the feature into FW instead of PS. For what it’s worth, I’ve been asking the FW team for four years to implement some version of this idea. They’ve liked the concept, but for whatever reason the work hasn’t happened.
A request: If you voted in the survey & rated the idea lower in hopes of getting the feature into Fireworks, please revise your vote and assess just the merits of the idea in general. Thanks.
June 01, 2010
Feedback, please: HTML5 layers in Photoshop?
Let’s start by acknowledging that A) I’m possibly totally crazy, and B) what I’m describing may well never happen. I want, however, to present an idea that you might find interesting. Whether it’s worth pursuing is up to you.
[Update: Fireworks fans, please see this quick note.]
What if Photoshop implemented native HTML as a layer type? Just like the app currently supports special layer types for text, 3D, and video, it could use the WebKit engine (which CS5 already embeds) to display HTML content. Among other things you’d get pixel-accurate Web rendering (text and shapes); the ability to style objects via CSS parameters (enabling effects like dotted lines); data-driven 2D and 3D graphics; and high fidelity Web output (HTML as HTML).
On a really general level, I’m proposing that Photoshop enable programmable layers, opening the door to things like much smarter objects–everything from intelligently resizing buttons (think 9-slice) to smart shapes as seen in FreeHand and Fireworks.
If this sounds interesting, please read on in this post’s extended entry.
May 28, 2010
Your eventual decapitation, demoed
Somewhere, a dude you kept at arm’s length in high school is preparing to “take a little off the top” of all of us:
Here’s a bit more info. [Via Mark Coleran]
May 24, 2010
Julieanne Kost demoing CS5 this Thursday in DC
This Thursday (May 27) the Washington DC chapter of ASMP is hosting a talk from Adobe evangelist Julieanne Kost. According to the Web site, the event will feature a giveaway of one copy of Photoshop CS5, plus Julieanne demonstrating the following improvements:
- New selection technologies and tools
- Content-Aware Fill
- New tools for HDR imaging with HDR Pro
- Automated correction of lens distortion in Adobe Camera Raw 6
- Improved raw conversions, noise removal, additive grain in Adobe Camera Raw 6
- Puppet Warp – Transform on steroids
- New brush engine for a natural media look with Mixer Brush and Bristle tips
- Integrated Lab B&W action for an easy and interactive way to convert color images
- Accelerated workflow with GPU-enabled cropping and new, integrated Adobe® Mini Bridge panel
- Improved integration with Adobe Photoshop Lightroom® and much more
PS–So take that, folks who complain that I never blog about East Coast Photoshop events. ;-)
May 22, 2010
Video: Optical illusion o’ the day
Bizarre:
Check out the inventor’s site for more info, including building instructions. [Via]
May 20, 2010
Demo: Illustrator + HTML5
Round 2 in “a little less conversation, a little more action:”
Today during the keynote at Google’s I/O conference, Adobe CTO Kevin Lynch demoed Illustrator and Dreamweaver working together to create interactive Web graphics:
I should hasten to note that although Illustrator has supported creation of interactive, open-standard SVG for 10 years, the exact capability shown here isn’t part of Illustrator CS5. HTML5 is a work in progress, and not everything could make it into the current release, but work continues and we’ll keep sharing details as they become available.
See also from last fall: Sneak peek: Illustrator + Flash + Dreamweaver -> CANVAS
May 05, 2010
My Decade at Adobe
Looking out on the Lake Washington Ship Canal & drawbridge outside of Adobe’s Seattle office today, I’m hit by a profound sense of déjà vu: I looked at the same scene exactly 10 years ago, my first day at Adobe & working in this office.
I’d given up my Flash & HTML design gig, moved out from New York, and joined a team that set out to make a great new Web animation product.
- Back then the open-standard SVG was just about to take over the world (for real!), and we were getting set to support it. We’d export Flash SWF files, too, but fundamentally we wanted to support open standards.
- The browser wars were still blazing away, bringing rapid innovation in HTML.
- We were starting to see hardware-accelerated Web content, and it seemed inevitable that such support would soon be widespread.
Well, you know, funny stuff happens… But here we are, exactly 10 years later, and I’m looking at today’s headlines:
- Adobe CTO Kevin Lynch: We’re Going To Make The Best Tools In The World For HTML5.
- Microsoft is supporting SVG and talking open standards. (Hey, it’s only a decade late; but so it goes…)
- Browser innovation is once again red hot, with Google showing off Chrome speed, and MSFT, Apple, and others leveraging GPUs.
- Flash Player is being optimized for GPUs on mobile & desktop systems.
Interesting times, to say the least.
In the intervening decade I moved coast-to-coast two more times with Adobe, hung up my flamed shoes & the flamed Volvo I bought in Seattle, met & married a great Seattle girl, had two most excellent boys, and got to help design, build, and support five versions of perhaps the most important graphics application in the world.
And now I’m about to take on some brand new challenges. More details to come, soon.
May 02, 2010
CS user group meeting at Adobe SJ HQ on Tuesday
User group organizer Sally Cox writes,
The Adobe Creative Suite User Group of San Jose is holding their first of three CS5 launch party meetings on Tuesday, May 4 at Adobe San Jose. This meeting will focus on Design Premium CS5, and will be broadcast online via Adobe Connect Pro. They will cover all the Design Premium apps, raffle off great prizes and their guest speaker is Chris MacAskill from new sponsor SmugMug.
June 1 is Web Premium, July 13 is Production Premium. Check out the site for more info about these and other exciting events, including an online-only InDesign workshop and a San Jose Photowalk. The best part? All their events are free!
April 29, 2010
Panic’s new Transmit 4 rocks
Hats off to the guys at Panic on releasing the great new Transmit 4! Transmit has been my workhorse FTP app for years, and I’ve been beta testing the new release for several months. (I find it refreshing to help debug someone else’s app for a change!) I think you’ll love the big & small improvements, including the ability to mount servers as disks (enabling things like editing files directly using Photoshop).
As it happens, earlier this year our UI designer Matthew Bice and I went to Portland to spend a day with Cabel, Neven, and their team. (As you’d imagine, Photoshop and Illustrator get a workout in their design and production work.) As John Gruber notes, “their office is like a movie set of a cool software office.” Maybe now that Transmit 4 has been released, they’ll have time to show some of the recent awesomeness they’ve added. Just two quick tastes: They’ve got a Lego version of the famous Panic truck, and they’ve created custom pixel-art bathroom signage. Too bad I can’t find my picture of the burger-with-glazed-donut-as-bun+milkshake lunch with which they tried to explode my heart.
Anyway, congrats on the great release, guys!
April 23, 2010
BrushViewQL displays Photoshop brushes in Finder
Dave Girard from Ars Technica points out BrushViewQL, a Mac OS Quick Look plug-in that displays the contents of Photoshop brush files. Nice.
April 22, 2010
PS CS5 demo, Q&A next Tuesday in SF
The San Francisco chapter of the Advertising Photographers of America is hosting a demo event next Tuesday:
LEFTSPACE, 2055 Bryant, San Francisco
6:00 PM Members (& Guests) Only Networking Social Hour
Special CS5 Cool Features Presentation from 7:00 to 9:00 PM
- Featuring Bryan O’Neil Hughes, Adobe Photoshop Product Manager
- Free Raffle – One extremely lucky winner will receive a copy of CS5 !
- Free Admission, but before April 23, you must RSVP: info@apasf.com
- Event is for APA members only, but each member can also bring 1 guest
April 20, 2010
Ask a Creative Suite Pro Your Questions on Thursday
On Thursday Adobe Creative Suite evangelists Greg Rewis (Web), Jason Levine (video/audio), and Terry White (print, photo, etc.) will be hosting a live chat. Terry writes,
This special Q&A session will take place Thursday, April 22th @ 11 AM PDT (2 PM EDT (GMT-4). and it will take place via Adobe Acrobat Connect Pro. Here’s the URL: http://my.adobe.acrobat.com/askcsproSign on as a GUEST with your real name. While there is no pre-registration required, this session will be limited to 100 attendees. So it’s first come, first served. I advise you to log in 15 minutes before the 11 AM start time as we plan to start on time.
April 18, 2010
CS5 on Tuesday at SJ Photoshop User Group meeting
The San José Photoshop User Group is meeting on Tuesday evening. Event organizer Dan Clark writes,
Now that Adobe has announced CS5, we can tell you more about the upcoming meeting. Bryan O’Neil Hughes, the Photoshop Product Manager, will show Photoshop CS5, including the new Camera Raw, Content Aware Fill brush, new painting brushes, new HDR controls, Puppet Warp tool, and much more.
We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose. To park underneath the Adobe building, use the Almaden Avenue entrance, under the East Tower. If the security guard at the parking entrance asks for an Adobe contact, use Bryan O’Neil Hughes’s name. He’s our contact there (as well as a Photoshop Product Manager).
Please feel free to forward this email to anyone you know who might be interested. If they would like to be on our email list, have them respond to: dan@weinberg-clark.com.
April 16, 2010
I’ll be in the CS5 Webinar today at 2pm EDT
Late-breaking news: I’ll be joining Scott Kelby & crew in today’s CS5 Webinar at 2pm Eastern/11am Pacific. Hope you can join us.
April 15, 2010
Hughes talks JDI today at 1:30PM Eastern
Scott Kelby writes,
Just a quickie: We’ve got Bryan O’Neil Hughes, Photoshop Product Manager, as a call-in guest on our 1:30 PM EDT free Photoshop CS5 Webinar, and he’s going to be talking about Adobe’s JDI (Just Do It) initiative to enhance and improve existing features in Photoshop to make our daily lives easier (and there are a TON of JDI’s in CS5).
Bonus: Scott notes, “We’re giving away another free upgrade to CS5 on today’s show, so don’t miss it!”
April 13, 2010
Photoshop CS5 Ask-A-Pro live this Thursday
My colleagues Julieanne Kost and Bryan O’Neil Hughes will be holding a live Q&A via Twitter this Thursday at noon Pacific (time zone info). Borrowing from the Facebook page:
Now that Photoshop CS5 has officially been revealed, the Twitterverse is brimming with questions. Now is your chance to have your Photoshop CS5 questions answered LIVE on Twitter by Bryan O’Neil Hughes, Photoshop product manager, and Julieanne Kost, Adobe digital imaging evangelist.
Simply follow Photoshop on Twitter, and on Thursday, April 15, from noon to 1 p.m. PDT, tweet your questions to @Photoshop. Be sure to include the #AskAPro hashtag so we can answer your questions.
March 29, 2010
Video: Tron vs. Saul Bass
It seems I’ll never grow tired of this homage-idiom:
[Via] The stills are also viewable in poster form.
[Previously: Star Wars vs. Saul Bass]
March 28, 2010
Video: Tiny robot fiesta
I have no real idea what Julia Yu Tsao and her tiny robots are up to, but I kind of like it.
[Via]
March 27, 2010
(rt) Type: Mohawks, handy utilities, & more
- CopyPasteCharacter.com offers a super simple, handy way to copy oddball text characters.
- Typographic posters: I love the F-as-an-island.
- “TYPOSEXUAL“: Typographical mohawk worn by Oded Ezer.
- “Sign Out” is an interesting project showing signage with the text removed. [Via]
- Enjoy some rich, dimensional type from Michele Angelo. [Via]
March 26, 2010
Video: More Content-Aware awesomeness (joke)
Heh–now even if the dog eats your homework, Photoshop can make things right.
[Via reader Matt] The warm reaction to the demo makes me think a bit of Tenacious D (“I did not mean/To blow your mind…“).
March 21, 2010
A tablet demo too far
I find this concept demo both beautiful & technically impressive:
I have a very hard time thinking, however, that this represents the future of magazine publishing–any more than that such rich short films would take over the magazine world via CD-ROMs.
Sure, hardware’s better and the delivery pipe is fatter, but the cost of producing something visually beautiful & creative remains (and will remain) much higher than shoving text into a template. When moving content online, publishers often trade dollars for pennies, and even high profile sites grind out content for a pittance (e.g. I’ve read that Gawker pays its writers $12 per post).
Then there’s the question of audience demand–especially in terms of increased willingness to pay. If people want this kind of richness, why isn’t it all over the Web right now? I worked on rich, interactive narratives on Urban Desires, a side venture at my old Web agency, more than 10 years ago. All that graphical cleverness came and went, replaced by simple content management systems that enable quick sharing of text & images.
Thinking that tablets will change everything makes me remember an article in The Onion’s Our Dumb Century, ostensibly written in the late 40′s. It breathlessly trumpeted how the new marvel of television would revolutionize society for the better (“Every man a professor!”)–not like that tawdry, shallow radio and those filthy newspapers and books. No, this time everything would be different… It was a great satire of dotcom hype in ’99 and remains a good corrective to tablet hype in ’10.
Believe me, I’m very excited about tablets (counting the days), and I think you’ll really dig how forthcoming Adobe tools will make it much easier (and thus more cost-effective, and thus more plausible) to add richness to content. I just think we’d do well to keep our expectations realistic.
March 18, 2010
If you’re still on CS1 and want to upgrade, now’s a good time
If you own a product from the first generation of the Creative Suite (e.g. Photoshop CS, released in 2003) and want to be able to upgrade it to a more recent version, now’s a good time to pull the trigger.
I’m not hinting about the possible timing of future releases. I am noting, however, that Adobe introduced a “three versions back” policy a couple of years ago. That means that you can upgrade from CS, CS2, or CS3 to the current version (CS4). When the current version goes up by one, so will the cutoff for upgrades. Therefore if you’re holding onto a copy of CS and may want to upgrade it at some point, well, you shouldn’t wait too long.
Video: Why do we climb?
Photographer Alexandre Buisse is a triple threat, making me feel soft, lazy, and photographically underachieving. He brings his lens to some pretty amazing locales, as you can see here (full-screen viewing recommended):
For a less frenetic presentation, check out his site.
March 17, 2010
Video: The end of publishing (?)
Clever:
[Via Adam Pratt]
Lasers, Russell Brown, & you (this summer)
Adobe’s own Russell Brown is planning a 1.5-day, hands-on course teaching advanced painting tips and techniques using the newest version of Adobe Photoshop. The course runs June 5-6 in conjunction with the HOW Design Conference in Denver, CO:
This inspirational event is designed for graphic designers, art directors, and creative directors looking for creative new ways to use Adobe Photoshop in their projects. Photographers might enjoy this event as well and should definitely consider taking this class. Take note, this is not a good class for a beginning user of Photoshop.This class will be focused on advanced painting techniques found in the latest version of Photoshop. There will also be some basic use of Adobe Illustrator in class for those who are interested in avatar mask experimentation. If learning how to use all the new creative brushes, textures and presets in Adobe Photoshop sounds interesting, then this is the class for you!
I’m planning to be there, so I hope to see you in person.
March 16, 2010
Happy 10th birthday to InDesign
Hard as it is to believe, Adobe InDesign is celebrating a decade of shaking up the world of design & publishing. Hats off to the team for having the skills, guts, and fortitude to build such a powerful, game-changing application–and on their behalf, thanks to all the customers who’ve made ID a success. Check out the 10th anniversary site to see in interactive timeline, favorite tips from designers, and more.
Oh, and now photographer/designer Ricky Trickartt crafted this great little birthday cake:
Excellent stuff, Ricky; thanks. [Via his Flickr stream]
Update: See also this superfly cake from the Twin Cities InDesign User Group.
March 15, 2010
Photoshop: The first demo to Adobe (re-created)
What exactly did John Knoll do while pitching Photoshop (then a project he was doing with his brother Thomas) to Adobe back in 1989? In this video he shows that original demo.
March 12, 2010
Video: “The Way Things Go”
Think “That recent OKGO video, but with way more stuff blowing up real good“:
[Via]
March 08, 2010
What motivates you (besides sandwiches)?
A few weeks ago I visited the nearby Googleplex to hear a talk from Daniel Pink, author of Drive: The Surprising Truth About What Motivates Us. His talk is well worth a listen, maybe as background during lunch:
Oddly enough, I make a cameo around the 2:30 mark. I was already a touch nervous about whether it was entirely legit for me to attend, despite being invited by friend & Google employee Marc Pawliger. I’d also heard Daniel on NPR talking about experiments in which subjects had to solve problems on the fly (e.g. how do you stick a box of candles to the wall?)–and of course Google is known for testing people.
Getting immediately called before the audience, therefore, was nerve wracking: Oh my God, these people are going to figure out I’m an impostor, I’m going to eat it on some stupid puzzle, and I’m going to make Adobe look bad by extension. Fortunately, however, the worst that awaited me was some Cheetos (at the expense of a free meal in the vaunted Google cafeteria).
As I say, the talk is worthwhile, and I’ll comment more soon on Autonomy, Mastery, and Progress, especially as I’ve faced my own struggles recently. [Thanks to Marc for hosting me, Google for posting the video, and of course Daniel for the sandwich.]
Lynda.com iPhone app offers mobile PS training
You can put training for Photoshop, Lightroom, and other Adobe apps in your pocket via the new Lynda.com iPhone app. According to the site,
Courses are often divided by chapters, and within chapters, there are individual tutorial movies. These are all listed in order on the course page. Start watching a course by tapping the first tutorial movie title, and the movie will start to play. Once it is over, move on to the next movie.
For links to other Photoshop-training-on-iPhone resources, please see my previous post.
March 04, 2010
Print and ePublishing Conference coming to Seattle in May
Longtime layout and publishing expert David Blatner brought the upcoming Print and ePublishing Conference he’s organizing to my attention, and I’m passing along the news in case it’s up your alley:
Join the world’s top InDesign experts and the Adobe InDesign team, May 12-14 in Seattle for the InDesign event of the year! Find answers and valuable insight on the topics publishing for eBooks, print, interactive documents, and more! Be inspired by fresh ideas and new products. Includes 1-day pre-conference tutorials, then 2-day multi-track conference.
- InDesign CS “X”*: What to Expect
- Boosting efficiency with InDesign’s automation features
- Best practices for a cross-media workflow
- Creating and managing ePub and Kindle documents
- Working with Photoshop, Illustrator, Dreamweaver, and Flash
- XML, XSL, and You
I’ve really had just a glimpse myself, but I can at least tell you that the InDesign team has been working hard on some very slick stuff.
Adobe tops the list of most admired software companies
So says Fortune. Very cool.
Who topped the list for laziest? ;-)
Video: OKGO’s amazing Rube Goldberg contraption
Check out Wired’s story on the making of the video, including behind-the-scenes videos with the crew.
March 01, 2010
Video: Nuit Blanche
A little Monday morning interestingness, in the slowest of slow mo:
See also the greenscreen-heavy making-of video:
[Via]
February 27, 2010
Video: Nobody Beats the Drum
I suppose I’ll always be a sucker for stop-motion music vids. This piece for the excellently named Nobody Beats the Drum is no Fell in Love with a Girl (or Sledgehammer), but it’s good, psychedelic fun nonetheless:
[Update: The funny making-of video is well worth a look.] [Via]
February 25, 2010
Layer Tennis commentary from the players
Khoi Vinh & Nicholas Felton have posted some interesting behind-the-scenes commentary on the Layer Tennis match in which I participated on Friday. It’s fun to hear what was going through the players’ minds & to learn more about what went into each volley. (It turns out the shiny black thing was a Samsung remote, though I still prefer to think of it as a Pez-dispensing 2001 monolith.)
February 23, 2010
Video: A killer Photoshop space odyssey
Man, after 25 years, there’s still only one Russell Brown. The Adobe creative director stole the show during last Thursday’s Photoshop 20th Anniversary celebration, cleverly combining analog & digital. Give it a minute to get rolling & you won’t be disappointed.
February 21, 2010
Video: Photoshop 20th anniversary tribute, made in PS 1.0.7
Aw, shucks–check out this thoughtful & clever Photoshop 20th anniversary tribute made by Giovanni Antico using Photoshop 1.0.7:
I’m sure the team will love it, Giovanni; thanks!
February 20, 2010
Photoshop Tennis art + my commentary now online
I had a ball narrating yesterday’s bout of Photoshop–er, Layer–Tennis. All ten quick rounds are now online (note the little 1-10 nav bar on the right just below the image). I was pleased to make fun of hipsters & Sun Tzu, quote my two-year-old & AJ Soprano, and reference Joy Division & Danzig. (You’ll see.)
Many thanks to hosts Jim Coudal & team, and to competitors Khoi & Nicholas, for a great time. (Coincidentally, given the subject matter of Khoi’s final volley, I was wearing the perfect shirt at the time, featuring a skull shooting lasers out of its eyes.)
February 19, 2010
Check out 20th Anniversary Photoshop Tennis live today
Layer tennis–the popular online sport where designers lob a file back and forth, tweaking and riffing on one another’s work–originated as “Photoshop tennis,” and today designers Khoi Vinh (design director of NYTimes.com) & Nicholas Felton will play a special Photoshop-only match. I’ll be providing running color commentary. Here’s my match preview.
The match starts today at 3pm Eastern Standard Time (noon in California), so grab a free ticket. I hope to see you there.
J.
Photoshop 1.0.7 running on an iPhone!
Always up for a crazy challenge, Russell Brown teamed up with the folks at Ansca Mobile to bring Photoshop 1.0.7 (released Feb. 19, 1990) to an iPhone in 2010!
February 18, 2010
Video: The creators of Photoshop look back (and forward)
After 20 years, Adobe Creative Director Russell Brown sits down with Photoshop co-creators Thomas & John Knoll as well as original Photoshop PM Steve Guttman. If nothing else, check out the 1990 demo (from a much hairier Russell on the morning talk circuit) that kicks things off.
Excellent stuff, guys. From all of us who’ve been touched by Photoshop all these years, thanks for sharing, and for all you did & continue to do.
Photoshop 20th anniversary podcast, more
- Bryan O’Neil Hughes & I got our drink on with Deke McClelland & Colleen Wheeler, foolishly recording the results for a special Martini Hour 20th Anniversary Podcast.
- PhotoshopNews features a gallery of historic Photoshop splash screens, including various once-secret beta screens.
- Check out the Photoshop app icon over time. I still remember how much I liked the 3.0 icon when it arrived, and how disappointed I was when 4.0 dropped back to black and red. (In fact, replacing it may be how I learned to copy/paste icons on the Mac.) To date, no single post on this blog has generated even as many comments as the CS3 icons.
![]()
Photoshop turns 20! Come celebrate with us.
Wow–time flies when you’re becoming a verb, eh?
It’s kind of overwhelming to realize that as of today, Adobe has been shipping Photoshop for twenty years. I’m at a loss to give any kind of proper overview, though I’ll try to do so soon. In the meantime:
We’re having a bit of a bash in San Francisco tonight, and you can join us live. The webcast starts tonight at 7:30 pm Pacific Time (10:30 EST).
Coincidentally, and related in the sense of how much the interaction language of Photoshop has become second nature, reader Ryan Hakes passed along this fun “Cooking with Photoshop” video:
Hope you can join us tonight.
February 15, 2010
Fake Photoshop tip o’ the day
“Well, you didn’t hear it from me, but if you use your Wacom pen to move up, up, down, down, left, right, left, right, select the Brush tool, select the Path Select tool, Start — you’ll unlock the secret cow level, get full powerups, and 30 additional pixels.” — Chris Cox, Photoshop engineer
[Niiice. --J.]
Ian Hickson today: “I was mistaken”
Regarding Adobe blocking HTML5, that is. So, there’s that, then.
Now join me, won’t you, in holding your breath while we wait for various bomb-throwing Mac fan sites to issue a clarification/apology for totally blowing it on this one. (Man, I’m starting to… feel faint… *thunk*)
[Update: I see that Daring Fireball & Apple Insider have posted updates. Thanks.]
February 14, 2010
Adobe is “sabotaging” HTML5??
In a word, bullshit.
Apple Insider–via an article whose writer can’t be bothered even to spell the names of several participants (Ian Hickson, Dave McAllister) correctly, to say nothing of doing other fact checking–accuses Adobe of saying one thing (that it supports the development of HTML5 and other standards) while working to delay & destroy those standards. Wow–so lurid, it must be true!!
Um, no. Here’s a clarifying comment from Adobe rep Larry Masinter:
No part of HTML5 is, or was ever, “blocked” in the W3C HTML Working Group — not HTML5, not Canvas 2D Graphics, not Microdata, not Video — not by me, not by Adobe.
Neither Adobe nor I oppose, are fighting, are trying to stop, slow down, hinder, oppose, or harm HTML5, Canvas 2D Graphics, Microdata, video in HTML, or any of the other significant features in HTML5.
Claims otherwise are false. Any other disclaimers needed?
There are some things that are wrong with the spec I’d like to see fixed. There are some things that are really, really, wrong with the process that I’d like to improve.
I’ve been working on web standards since the beginning of the web in the early 90s, and standards for even longer; long before I joined Adobe. My opinions don’t come from Adobe, and I don’t get approval or direction. I hate to see decades of work on web architecture messed up in the short-term interest of grabbing control of the web platform for a few vendors to own. If you think that position doesn’t match what you imagine Adobe’s position is, well, I’m glad Adobe’s planning to support HTML5 in its products.
As for the HTML standards process: I’ve worked in scores of standards groups in IETF and W3C, as well as a few others here and there, and I’ve never seen anything as bad as this one, with people abusing their official positions to grandstand and promote proprietary advantage. I’ve blogged some about this, but I’d rather fix things along.
I think progress of HTML5 in W3C could be faster if the subsections on graphics and metadata could (if not now, then eventually) be moved to separate subgroups focused on those topics. The organization of work in W3C is determined by the “charters” of working group and the “scope” of he charters, so saying work is “out of scope” even if you are marking a snapshot of the (already published) documents as “Working Draft”, means you might rewrite the “Status of This Document” section to say that it might move. That’s what I was asking for, in the somewhat stilted language of “objection”.
If you want to know who is sending in technical objections, you can see the working group mailing list at http://lists.w3.org/Archives/Public/public-html/. And if you want to see more of my opinions, I’m also on the W3C Technical Architecture Group (TAG) and post there a lot, see http://lists.w3.org/Archives/Public/www-tag/; the TAG often discusses HTML5.
Any more questions about my opinion? My email address should be easy to find.
I should note that I’m not involved in Adobe’s relationships with these standards bodies. Others with more direct involvement will likely share more detail soon. In the meantime, I’m posting this for two reasons:
- A number of people have posted angry, accusatory comments here & via my Twitter feed, demanding an explanation.
- I’m angry and depressed about the total ignorance/laziness of online “journalists” and the sheer credulity of their readers. For God’s sake, guys, do the most rudimentary due diligence before you start defaming people who’ve devoted their entire careers to the advancement of standards. Have enough respect for your profession to take the impact of your words seriously.
Addendum: Here are some comments from an HTML WG member, Shelley Powers, who is not affiliated with Adobe: I’m a member of the HTML WG, but I’m not speaking for the HTML WG, or W3C. I’m only expressing my opinion, and what I know to be facts. I’m also not an employee of Google, Adobe, Apple, Microsoft, or any other company (I’m a writer, for O’Reilly). There is no truth to this rumor. The posting here is inaccurate. Grossly inaccurate I would add. This was an issue that has been under discussion, off and on, on the publicly accessible HTML WG for months. It has to do with scope and charter, not the specifications themselves. The Adobe representative to the HTML WG registered his concerns about the fact that the HTML WG is working on specifications that push, or exceed the group’s charter. This includes Microdata, RDFa-in-HTML, and the 2D Canvas API. Adobe is not blocking any specification. There are dozens of issues that are “blocking” HTML5, if you want to use that term, of which I’m responsible for many at this time. Technically the HTML5 specification can’t advance to Last Call status until these issues are resolved. However, the W3C management can override my issues, and the issues of any individual or company. No one company can block the advancement of any specification without the concurrence of the W3C leadership. All of these issues are based on improving all of the specifications, including HTML5 and Canvas. it’s unfortunate that the HTML5 editor, who is also the Google representative to the HTML WG introduced such wild, and unfounded speculation, causing harm not only to the Adobe representative, but distracting all of us from the work of finishing the HTML5 and other specifications. I would hope that people would seek to get confirmation before posting unfounded accusations.
“Photoshop Amateur Magazine”
Heh–great work from Lunchbreath:

Check out his Flickr stream & Core77. [Via]
February 06, 2010
Sneak peek: Future Photoshop masking technology
In this brief demo, Photoshop PM Bryan O’Neil Hughes shows off some new selection technology that offers better edge detection and masking results in less time–even with tricky images like hair:
(You can see it in higher resolution on Facebook.)
Hopefully this helps explain why we put the Extract filter out to pasture in CS4.
[Update: See also another great mask made with Photoshop :-). (Via Steven Johnson)]
February 03, 2010
iPhone icon PSD template; SF meeting tomorrow
Sebastiaan de With has created a pixel-perfect icon template for iPhone/iPad development. “It’s made up entirely of shape layers and layer effects,” he writes, “and should be completely pixel-accurate.” [Via]
Speaking of using Photoshop & iPhone development, the San Francisco Photoshop User Group is meeting tomorrow (Thursday) night starting at 6:30, with a focus on mobile development:
Marine Leroux of Bamboudesign Inc. will showcase how easy it is to design iPhone apps efficiently with Photoshop. Through a step by step method combined with tips for smart user experience design, she’ll guide you from sketching an app interface to designing it in Photoshop, building libraries and template files to expedite the design process. She’ll define Apple’s design requirements and the workflow between design, development, and publishing of an iPhone app to the App Store.
Interesting time lapse panorama
“Stop motion tilt-shift meets tracking,” says the creator of this video. I’m not sure what to call it, but it’s kind of intriguing.
[Via]
January 29, 2010
If Adobe made an iPad app…
…or apps for other tablets and/or smartphones, for that matter, what would you want it to be?
Believe me, there’s no shortage of ideas here, nor is this something we just started thinking about (quite the contrary). We’re just curious about what you think, need, and want. Any feedback is most welcome.
Thanks,
J.
January 28, 2010
Steve Jobs vs. Gordon Gekko
iPad/Wall Street 2 tie-in FTW!

["There's no reason you couldn't use it to make calls using Skype... Then again, you might look a little bizarre walking through the airport holding this giant clipboard up to your ear." -- David Pogue]
“Ask an Adobe Engineer”: RetouchPRO LIVE with Chris Cox
Well known (infamous? :-)) Photoshop brainiac Chris Cox will be appearing on the RetouchPRO LIVE this Saturday:
Although Chris Cox posts regularly in the Adobe support forums, many of you probably have never heard of him. But every single one of you has a favorite Photoshop feature that he is largely responsible for. Sometimes it seems there’s not an area of Photoshop that Chris hasn’t either written from scratch or vastly improved.On the next RetouchPRO LIVE, Chris will answer questions from the audience about Photoshop’s history, future, and innermost workings.
And we’ll be watching his desktop live, so he can show examples while he explains how Photoshop works.
Saturday, January 30, 4pm CST (see link for other time zones). See the site for details and ticket sales.
January 25, 2010
Star Wars vs. Saul Bass
Fantastic.
[Via] If you’re not familiar with Bass’s work, see classics like the titles for The Man With The Golden Arm.
January 24, 2010
(rt) Type: Awesome alphabets & more
- A is for Awesome: I’m loving these alphabet illustrations by Paul Thurlby.
- “The Godfather of Noise“: letterforms made from audio objects.
- Check out some slick type in the “Wikitype” project (generated from random Wikipedia entries). [Via]
- Bokar is a fun 40′s-style streamlined font.
January 21, 2010
Photoshop magnets upgraded to CS4
The great Photoshop-UI-style magnets that appeared last year have been upgraded to CS4. Very nice, though I’ve always joked that to upgrade one’s icon-emblazoned swag, we should just distribute Sharpies & tell people to black out the “Ps.” [Via]
January 17, 2010
Type-n-Walk (‘n Not Die)
It’s sobering, though unsurprising, to hear that “distracted walking” due to cellphones now routinely lands people in the emergency room. Being a nervous parent who yet can’t help getting bored while his toddler relocates the umpteenth pile of wood chips at the park, I’m always afraid of becoming a cautionary tale: The Guy Whose Kid Fell Down A Well While Dad Tweeted or something.
Now Type-n-Walk proposes a novel (if only partial) solution–a video feed of the real world that runs underneath your text:
[Via Michael Coleman]
January 15, 2010
Trippy, amazing video projection onto buildings
Now this you don’t see every day:
Here’s more info from the creators. [Via]
January 14, 2010
Batch-creating PNGs or CMYK JPEGs from Photoshop
If you’ve ever wishes that Photoshop’s Image Processor script offered the ability to create PNG and/or CMYK JPEG files, you’re in luck: scripter Mike Hale has modified the script to add these options. Thanks, Mike. [Via Jeff Tranberry]
For what it’s worth, we’re trying to implement more features via scripting for exactly this reason: if you want something to work differently, you don’t have to wait on Adobe to change it. Instead, if you’re willing to learn a little JavaScript (or bribe someone who knows it), you can get what you want more quickly.
January 12, 2010
Time lapse: Building an Avatar in Photoshop
Groovy. [Via Jim Geduldick]
January 11, 2010
Adobe HQ installs 20 new wind turbines
The Adobe building & maintenance staff sure keeps busy during company breaks: in the fall they installed more efficient HVAC systems, and over the holiday break they installed 20 Windspire wind turbines at the San José HQ:
Adobe estimates that it can get about 2,500 kWh per year per turbine. Comparatively speaking, the U.S. Department of Energy estimates that a typical U.S. home consumes ~11,000 kWh per year. So these turbines, in the aggregate, provide enough electricity to power about 5 typical U.S. homes.
Considering that wind has always made opening & closing the doors leading to the patio/basketball court inordinately difficult*, I predict good things. Here’s more info on the effort.
* Wind strength & the attendant humiliation always correlate to the hotness of whoever is walking by. Too bad we can’t harness that.
[Update: Here's a rather cool time-lapse video of a wind turbine being assembled. [Via]]
How Adobe (and others) got everything wrong initially
Interesting:
Pyra was started to build a project-management app, not Blogger. Flickr’s company was building a game. eBay was going to sell auction software. Initial assumptions are almost always wrong.
From Ten Rules For Web Startups. [Via]
I’ve heard Drs. Warnock & Geschke talk about how they started Adobe with the intention of selling printing hardware, and how they shopped this idea around and around until they finally agreed to do what customers wanted: just sell them the software. They depict it as something of a forehead-slapping moment that changed everything.
Tangentially related: I’ve mentioned it previously, but I always like this anecdote:
The hands-on nature of the startup was communicated to everyone the company brought onboard. For years, Warnock and Geschke hand-delivered a bottle of champagne or cognac and a dozen roses to a new hire’s house. The employee arrived at work to find hammer, ruler, and screwdriver on a desk, which were to be used for hanging up shelves, pictures, and so on.“From the start we wanted them to have the mentality that everyone sweeps the floor around here,” says Geschke, adding that while the hand tools may be gone, the ethic persists today.
January 09, 2010
Feedback, please: The “Replace Files” dialog in Save for Web
Moving Photoshop from Apple’s Carbon to Cocoa technologies is an enormously long endeavor with many subtleties. The process makes us consider certain functional changes, and for technical reasons not worth elaborating on here, we’re thinking of dropping the Save for Web sub-dialog that lets one choose which files on disk to replace. (Here’s a screenshot.)
We’re not taking about dropping all of Save for Web, obviously–just about making a file replacement operation all-or-nothing. If you chose to export a sliced PSD, selected “Images And HTML,” and replaced the HTML file Photoshop generates, all the images would be automatically replaced.
If that would be a problem for you (i.e. if you’re slicing up images, then saving & electing to replace only some of the files), please speak up. Otherwise, it’s done.
Thanks,
J.
January 08, 2010
San José Photoshop User Group meets Tuesday night
The next Photoshop User Group meeting is scheduled for next Tuesday evening. According to the event page,
- Jim Tierney from Digital Anarchy will demo a range of their products, such as Primatte Chromakey, Knoll Light Factory, Backdrop Designer, Texture Anarchy, 3D Invigorator and more.
- Photoshop PM Bryan O’Neil Hughes will show an in-depth presentation of the new Lightroom 3 Beta.
We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose. To park underneath the Adobe building, use the Almaden Avenue entrance, under the East Tower. If the security guard at the parking entrance asks for an Adobe contact, use Bryan O’Neil Hughes’s name. He’s our contact there (as well as a Photoshop PM).
Please feel free to forward this email to anyone you know who might be interested. If they would like to be on our email list, have them respond to dan@weinberg-clark.com.
Call for Entries: Adobe Design Achievement Awards
The Adobe Design Achievement Awards celebrate student achievement in both individual and group projects. As the awards site says, “Higher education students can submit entries created with Adobe software to earn a chance at winning recognition, travel, Adobe software, and winners receive cash prizes.”
Individuals and groups may win in one of a dozen categories from three media areas:
- Interactive Media: Browser-Based Design, Non-Browser Based Design, Application Development, Mobile Design, Installation Design
- Motion and Video: Animation, Live Action, Motion Graphics
- Traditional Media: Illustration, Packaging, Photography, Print Communications
Individual category winners receive:
- US$3,000 cash, a winner’s certificate, and a 3D award
- Adobe® Creative Suite® 4 Master Collection education version
- Complimentary round-trip economy class airfare to Los Angeles and two nights’ accommodation in lodgings.
- Access to Adobe MAX for the duration of the ADAA ceremony and related ADAA events in Los Angeles, California.
- A one-year mentorship with a design leader.
- Be appointed to an Icograda Youth Advisory Panel.
Check out the prizes page for more info. You can also access ADAA Live! to view previous entries and currently submitted student projects in real-time. [Via]
January 07, 2010
The price of memory vs. the price of gold
Photoshop engineer John Peterson (creator of Photomerge, among other things) made an interesting observation today:
In the CES hype, I noticed that 64GB SD Cards are now available, for $600 a pop.For comparison:
A SD Card weighs about 2 grams. Gold is currently about $36/gram, so the 64GB cards cost eight times their weight in gold.
The card has a volume of about 1.5 cc. Gold has a density of 19.32 g/cc, so a solid gold SD card would take almost 29g of gold, or about $1,000 worth. Of course, the gold card would probably hold its value better over time.
January 06, 2010
Why I must never take vacation
Having returned to work after nearly two weeks off, I walked by a new Greek place yesterday with my friend Hughes and his wife Alex. We each took a sample bit of shoe leather (er, gyro) on a toothpick. Maybe 60 seconds later, we’d walked into a difference restaurant, and I noticed that I was idly picking my teeth. When I saw that Alex also had a toothpick, I started to freak out a little. Where the hell did I get this toothpick, I thought, and how come she has one, too??
Cripes. I was very much in the Office Space “I wouldn’t say I’ve been missing it…” zone. I’m on the mend, but remind me not to make any big personal/product decisions for a while.
Instant love: Cinch & SizeUp
Man, I can’t tell you the last time I parted with $20 so quickly: Irradiated Software’s Cinch and SizeUp are companion Mac utilities that facilitate common window-resizing tasks:
- Cinch ($7) lets you “drag any standard window to the left or right edge of a screen to resize it to fill that half of the screen, or drag to the top of the screen to zoom it full-screen.” [Via]
- SizeUp ($13) lets you perform similar operations via the keyboard.
Done and done. Just yesterday I was playing with CSS Edit, experimenting with some new kid-blog tweaks (a work in progress, but coming right along) and wished I had an easy way to tile the windows. Bingo; cash on the barrel.
Mostly unrelated note: I can’t begin to imagine how or why people use Macs without Default Folder installed. Also, yes, I realize that Windows 7 offers built-in functionality like what Cinch provides. Good for everybody.
January 05, 2010
San José CS User Group meeting tonight
The San Jose Creative Suite User Group is meeting this evening at Adobe HQ starting at 6pm. Group organizer Sally Cox writes,
Park in the Adobe Garage on the Park Avenue side and tell the security guard you are there for the Creative Suite User Group meeting. Our Adobe contact is Sarah Fiedor, if they ask. Our meeting is in the same room as last month, “Park”.
We are having a HUGE turnout, so the guest list was submitted yesterday to make it easier on Adobe Security. We are providing a sandwich bar and of course, baked goods.
World’s largest spherical panorama, plus others
- Jeffrey Martin has created what’s billed as the largest spherical panorama in the world–an 18-gigapixel whopper shot high above Prague. [Via Jeff Tranberry]
- Bernard Custard Gascó passes along some 360º panoramas from Ethiopia, featuring the monolithic Church of St. George and the people of the Mursi Tribe.
- Andreas Hollstroem points out this whopping 26-gigapixel panorama of Dresden.
January 04, 2010
Upgrading Photoshop doesn’t require a previous installation
There’s an eternal misconception that if you buy an upgrade to Photoshop (or other Adobe software) and get a new computer, you must first install your older version(s) before installing the new upgrade. That’s not necessary. The upgrade will look for a valid previous installation, but that’s just a convenience feature meant to spare you having to type in your old serial number alongside your new one.
One other tip, as long as I’m boring you with minutiae: You can paste your serial number into the installer. That might not be obvious as the serial number field is comprised of several small text fields, but the installer is smart enough to spread digits across the fields when pasted. Therefore when getting a new version, I take a moment to type the serial first into a text document, after which I copy it & paste it into the installer. The extra steps may be worthwhile later in case you need to re-install, etc.
December 30, 2009
Interesting green-screen montage
I’m kind of astonished at the amount of digital compositing that now goes on, as shown in this set of clips. Sure, in many of these cases it makes obvious sense, but in others, was it really easier/more cost-effective to do a composite than just to have the crew walk outside? Apparently so.
[Via]
December 25, 2009
Merry Christmas, everyone
Wherever you are, and whatever holidays you may celebrate this time of year, I wish you great peace and happiness. Thanks for reading & for making it possible for me to do this fascinating, frustrating, often greatly rewarding job.
Oh, and our toddler Finn just walked up and would like you to know:
bvvdddgr xzxgm//jgzzzzzzzzzzzzafhh hmmm/k;/;’\dsamnnnnn .mvbj. wq
I’d like to think he’s working on a highly sophisticated encryption algorithm, but somehow I doubt it. :-) (Note to self: Time to fire up AlphaBaby.)
All the best for the rest of ’09 and a great start to 2010,
J.
December 22, 2009
(rt) Photography: Nanosecond fireballs, high-speed fluids, & more
- India: One billion+ people, one 11 ft. mustache. (Yes, but will it bring all the girls to the yard?)
- Funky animated stereo photos of old Japan. [Via Russell Brown]
- Dig the beautiful, sometimes dark, photography & portfolio from Ville Varumo. [Via]
- Splash downs:
- Mark Mawson drops paint in water & beautifully photographs the results.
- More lovely high-speed fluids photography. [Via] @petapixel)
- Speaking of high speeds, here’s an interesting short read on “Rapatronic Nuclear Photographs“–capturing nanosecond fireballs (in the 1940s!). [Via]
- The free Gorillacam app for iPhone looks great. It offers time lapse, burst mode, a bubble level, & more. [Via]
December 19, 2009
“Enhance!” A funny montage of fake image processing
During the screening of Avatar yesterday, the Photoshop team burst into spontaneous laughter when a character uttered the magic word:
At least I did get to give the on-screen effects crew behind CSI some good-natured grief a couple of years back.
[Via Stu Maschwitz & everyone ever]
December 17, 2009
New Photoshop contest from Deke McClelland
Our friend Deke McClelland has been posting a series of videos counting down the Top 40 Features in Photoshop, and now he’s kicked off a related contest:
Create a magnificent piece of artwork that celebrates your favorite features of Photoshop. But you must do so using not fewer than three of the Top 40 Features I’ve posted so far. (Note that you’ll need to be a member of dekeOnline to participate so that you can post your artwork and include comments.)DEADLINE: December 22, 2009, 5p.m. Pacific
Prizes include an Olympus E-620, a free premium subscription to lynda.com, signed copies of all three CS4 One-on-One books, and more. Check out Deke’s site for more information.
Previously: Me on Deke’s Martini Hour podcast.
December 14, 2009
How could we improve Photoshop for iPhone developers?
If you use Photoshop in conjunction with mobile development (iPhone or otherwise) and have ideas on how we could streamline your workflow, please let us know. It’s not as if we lack ideas, but rather than risk biasing your responses, I’ll leave the query open-ended. If there’s feedback you’d prefer to send directly, I’m jnack at adobe.
Thanks,
J.
December 12, 2009
(rt) Type: Ampersandwiches, Aoles, & more
- Mmm–Ampersandwich! Fun shirt for type geeks. [Via]
- “Truth Sucks“: Love the crazy attention to detail, if not the message, in this typography.
- Ouch: a simple, funny remix of the new AOL (er, Aol) logo.
- “COMPUTEA FOAMS“: Vintage type. Stu Maschwitz says, “Lid of a box in my parents’ attic. Font Of Win.”
- I dig the clever, minimalist type on a self-promo tee for a personal trainer.
December 11, 2009
Download Photoshop help as PDF
Here’s a small but potentially useful bit of info: you can download a PDF copy of the help for Photoshop CS4 by clicking the “View Help PDF” link in the top-left corner of the app help page. (And, what the heck, here’s the direct link.) The same is be true for other Adobe applications.
This is obviously handy if you’re frequently working offline. In the future, you’ll be able to download help content right from within the new Adobe desktop help app, currently available for testing via Adobe Labs.
PS–You can redistribute the content & more as it’s tagged with a Creative Commons license.
December 08, 2009
Psst… want some Uggs?
You know, I’ve heard that Ugg boots can let us warm and comfortable. So If you want to buy some gifts to you lovers or friends.I think is a right choose.
Ugh. Apparently spammers now know the answer to “2+2.” Unfortunately it seems that Movable Type’s* anti-spam features (at least as we’re using them) are completely ineffective. When I try to batch-delete these messages, the server times out with an error.
Anyway, if you’re subscribing to the blog’s comment feed, sorry about this.
*No need to tell me to use some other blog software, thanks; that’s not my call.
December 04, 2009
Video: Tablet publishing demo
The team at Sports Illustrated has created an interesting mockup of how the magazine could be made interactive on a tablet. It’s worth hitting the fullscreen button:
Here’s more info on the project.
I’ll admit, when I’ve seen InDesign adding interactive authoring features, integration with Flash, placement of video content, etc., I’ve raised my eyebrows a touch. Seeing how publishers would like to evolve their offerings, however, the logic & direction seem much more clear. (As I’ve heard InDesign PM Michael Ninness remark, “Print isn’t dead, but print only is dying.)
December 03, 2009
Video: Excellent stop-motion paper animation
“Somewhere a Kindle is ashamed…” Check out Going West from Maurice Gee:
[Via]
December 02, 2009
Illustration: Great marriage proposals
- Check out this excellent 8-foot illustration featuring Guy Shields’s hidden message. [Via]
- It reminds me of how our friend Matthew (of Chopping Block fame) popped the question a few years back. (Their later, wordless baby announcement was pretty inspired, too.)
- “Watch her surname change before your eyes!” Here’s a pretty great save the date postcard from Josh Korwin and Alyssa Zukas.
December 01, 2009
A color perception optical illusion
Should you encounter someone who doubts the importance of context in color perception, you might try whipping out this little demonstration:
[Via]
November 28, 2009
SJ Suite User Group meets on Tuesday
If you’re in the Bay Area on Tuesday, you might want to check out this gathering at Adobe HQ:
We will have a short but info-packed ColdFusion demo by Sid Maestre, manager of the Bay Area ColdFusion User Group. Then our panel experts will each show you some cool tricks for each of the Creative Suite Design Premium apps. We will take your questions and comments after the presentation.
So many of you have responded “yes” to attending, so we have moved to a larger meeting room – “Park”. Remember: parking is free in the Adobe garage. Jot down Sarah Fiedor’s name, as she is our Adobe contact. Let the Security Guard know you are there for the CS user group meeting.
More info is on the group meeting page.
Save $129 on Lightroom
It’s $169.99 on Amazon right now (US only) instead of $299; just thought you’d want to know. :-)
[Update: I'm told the deal may not last long, so I suggest pulling the trigger quickly if you're so inclined.]
November 27, 2009
Adobe sneak peek: Major GPU acceleration for video
Adobe video specialist Dennis Radeke shares quite a few details about how Adobe is leveraging graphics processors (GPUs) to greatly accelerate common operations in Adobe video apps. Taking this together with After Effects & Premiere Pro going 64-bit, I think a lot of Adobe video customers will be very happy. Check out his post for more info.
Inevitably this news will raise questions about what’ll happen with Photoshop. I can’t get into a lot of details, but here are a few points offhand:
- We’re working together with other Adobe teams, including the video & Flash teams, on core GPU & multicore acceleration technology. That’s how we’ve started delivering GPU-based features, including Pixel Bender in Photoshop.
- It’s a long and tricky road, as folks who ran into driver incompatibilities, etc. in CS4 can attest.
- To that point, we think technologies like OpenCL are exciting, but they’re young. Dennis notes that some new features are NVIDIA-only right now and points out, “Given a choice between doing it with CUDA or not doing it for a while [while waiting for] OpenCL, we chose the former.”
- Obviously we want Adobe apps to run as well as possible regardless of your configuration. Just as they used to optimize for both PowerPC and Intel/AMD chips, Adobe engineers continue to work closely with multiple manufacturers (Intel, AMD, NVIDIA, and others) to wring the most out of their hardware. Again, this is where standardization will help, but it does take time.
November 24, 2009
Would you miss “copy” being added to layers in PS?
We’ve heard a number of requests (e.g. here, here) for the ability to make Photoshop stop adding the word “copy” to layer names when duplicating layers. Out of curiosity, does anyone actually like this behavior? If not, it should be easy enough simply to stop adding “copy.” If some people really like the existing behavior, however, we’d do well to add a preference.
Therefore please speak up if you like the existing behavior. If you’d be happy with “copy” going away, great, but no need to speak up.
Thanks,
J.
November 23, 2009
Photoshop “vs.” Fireworks: Quick clarifications
Thanks for all the feedback in response to the survey I posted earlier today. I feel I should clarify a few things.
- I’m touchy about hearing things like “As soon as Adobe bought Fireworks, the PS guys would be trying to kill it. Good job, mission accomplished.” To set the record straight, Adobe bought and revived Fireworks. To the best of my knowledge the app hadn’t gotten much love, to say the least, in its last couple of years with Macromedia. (Did they add anything in Studio 8?) And when Adobe was in the process of acquiring Macromedia, I spoke up strongly in support of Fireworks. Just thought you should know.
- The list I posted isn’t a promise or a hint that the Photoshop team will undertake any–much less all–of this work. As I say, it’s just my aggregation of some of the suggestions I’ve heard a number of times. I thought it would be handy to collect them for your input.
- Likewise, it isn’t a hint about the future of Fireworks or anything else. Sometimes a survey is just a survey.
- Believe me, we’re sensitive to the subject of “bloat,” and I’m actively pitching ideas (here’s one) for how the apps can better integrate without just duplicating one another. Having said that, we can’t err too far in the other direction, saying that if one app does something, no others can do it (or do it well). It’s possible for apps to have different core missions and yet have tools & capabilities in common. (To that end, people flamed us for not moving animated GIF import from ImageReady to Photoshop, feeling it was a conspiracy to force them to buy Fireworks. Damned if you do, damned if you don’t.)
- People have always complained that Photoshop does too many things. I guarantee that whoever added text for the first time got an earful about it not being a “photographic” feature, and probably caught static from other Adobe teams. So it goes. Of course, people always say, “Stop adding anything new… except this handful of things for me, personally.” And they always push us to “simplify” and “just reduce” the application, yet they flip out if you take away their cherished anachronism. I always think of the Onion article, “98 Percent Of U.S. Commuters Favor Public Transportation For Others.”
- We have serious ideas about how to break this logjam, but there are no silver bullets, and it’s not going to happen overnight. But it is happening.
- Finally, a couple of practical tips: Here’s a Lorem Ipsum generator for PS, and here’s the GridMaker panel.
Feedback, please: Graphic & Web design enhancements in Photoshop
I am, at heart, a Web designer, and I came to Adobe to improve the ways software could help design and build Web content. Therefore I’m keenly interested in advancing Photoshop’s graphic & Web design chops.
Below you’ll find some of the ideas that have bubbled up in discussions on this blog and elsewhere. The list isn’t exhaustive (I tried to keep the length reasonable), and it’s not a promise or a hint about what might be in development. Think of it as just a quick straw poll to gauge temperature.
DRAWING
- Better vector drawing tools
- Better control over strokes and fills, including dashed lines
- Better Illustrator integration (e.g. make using Illustrator inside Photoshop as easy as double-clicking to edit a symbol in Flash or Illustrator)
RICHER/SMARTER OBJECTS
- Buttons with states (editable Up, Down, Over, etc.)
- Intelligent widgets (e.g. buttons that resize smartly (a la 9-Slice); button bars that automatically scale/add buttons when resized; arrows with variable heads that orient themselves to path direction; etc.)
- Ability to edit widget skins & to switch among skins (e.g. flip a button from Mac to Windows, or iPhone to Android)
- Intelligent, skinnable charts (including ones with live data feeds)
FILE ORGANIZATION/MGMT.
- Linked files (edit one document & have the change reflected in several documents that link to it)
- Symbols (reusable objects that can be dragged in from a Library panel)
- Type styles (edit a style definition in order to update multiple type layers at once)
OUTPUT & INTEGRATION
- High fidelity Web output (e.g. dashed lines that convert to CSS definitions)
- Pixel-accurate Web rendering (i.e. text and objects that appear exactly as they would in a browser)
- Better integration with Flash and Web authoring tools (e.g. components that translate with code & behaviors intact)
To help measure your interest, I’ve put these ideas into a quick survey. Please take a minute to let us know which ones are most interesting, and feel free to add comments via this post.
Thanks, and looking forward to hearing your thoughts,
J.
[Update: I've posted some clarifications in response to comments below.]
November 17, 2009
Incredible wildlife encounter for NatGeo photog
This is your head.
This is your camera.
This is your head & camera inside the mouth of a giant leopard seal…
Paul Nicklen gives new meaning to “stay frosty“:
Amazing (even more so when viewed in high def). [Via]
November 14, 2009
Creepy image science: Your face as a puppet
Girls will be boys and boys will be girls through this funky facial mapping/animation software. NPR’s Science Friday writes:
“Like a digital video puppet, the facial expressions of one person can be cloned in real time and mapped onto the digital face of another person. Barry-John Theobald, computer scientist at the University of East Anglia, explains the technique and Steven Boker, of the University of Virginia, explains what facial cloning can reveal about human nature.”
Check it out:
[Update: The embedding code seems to be spazzing out at the moment, so I suggest watching the video on the SciFri site.]
November 13, 2009
Milton Glaser on drawing
It’s easy (especially for me) to get hung up on digital tools, so I found it refreshing to spend 4 minutes listening to Milton Glaser talk about drawing–especially about how, in his opinion, art schools have let digital training compromise the fundamentals.
[Via]
November 12, 2009
(rt) Illustration: Retro posters, profane pterodactyls, & more
- Vintage posters:
- Neat Russian posters from the ’70s.
- Cool 60′s-style posters celebrating the International Year of Astronomy.
- Offbeat:
- Killer! Big-Headed Papercraft Self Portrait using Photoshop + 3D. [Via]
- View the source of this page for a bizarre Easter egg.
- Creepy & excellent: The skeletons of Charlie Brown, Hello Kitty, & others. [Via]
- “We did it for the show.” (“America’s dream family” indeed…) The shirt is now available for purchase. [Via]
- Excellent pixelated Halloween costume (“Low Resolution”). [Via]
November 11, 2009
SF PUG Thursday: Optimizing Photoshop performance
Tomorrow evening (Thursday), all-around smart/interesting guy Adam Jerugim from the Photoshop team will be speaking at the San Francisco Photoshop User Group meeting:
The talk will focus on Photoshop performance best practices to help enable users to get the most out of Photoshop with their current hardware setup. In addition, there will be guidance provided for users that plan on buying new hardware or upgrading their existing Photoshop & Lightroom systems. Information will also be provided about tools you can use to optimize your specific workflow, GPUs, and running 64-bit applications.
Our speaker, Adam Jerugim, has been part of the Photoshop engineering team for the last 10 years and is mainly responsible for performance and hardware compatibility testing. In addition to being an avid photographer, he is also working to complete his MFA in Digital Arts and New Media at UC Santa Cruz.
See the event page for more info. For a slide deck from Adam & co. on the subject of optimizing Photoshop performance, see previous.
November 09, 2009
Thanks for the raw processing feedback
Wow–what an amazing online community: I’m overwhelmed by all the detailed & generous feedback I’ve been receiving in response to yesterday’s query. Yes, there’s plenty of brain-dead self parody out there, but I’m really pleased by the number of people eager to help make things better.
I’m kind of buried in the resulting mail just now, so sorry if it takes me a little while to reply.
November 07, 2009
Illustrator + Map Data = Interactive Flash
Illustrator PM David Macy points out a couple examples of converting static graphics into dynamic and interactive experiences bound with data and published through Flash. He writes, “These were created using an Illustrator plugin called MAPublisher that can import GIS data and export interactive SWF.
- First is an interactive map of US unemployment published on Forbes.com.
- The second, simpler example is a map of The Who’s 1997 Quadrophenia Tour in Europe.”
November 03, 2009
A pair of visual juxtapositions
- Who’s a tender little death’s head, then? ‘Till Death Do Us Part. [Via]
- The Lions & Lambs* logo nicely pairs these moral foes.
Utterly tangential: In March, Stephen Colbert said, “I’m coming in like a lion, and going out like a lamb-fed lion.”
November 02, 2009
San José Photoshop User Group next Tuesday evening
The San José Photoshop User Group is meeting next Tuesday, Nov. 10, at the Adobe SJ office (map). Pizza and drinks kick off at 6:30pm, with talks beginning at 7. The meeting will feature two speakers. As group organizer Dan Clark writes,
Jim Tierney is from plug-in maker Digital Anarchy. He will demo a range of their products, such as Primatte Chromakey, Knoll Light Factory, Backdrop Designer, Texture Anarchy, 3D Invigorator and more.
Jim McCrary was Chief Photographer at the A&M Records photo studio for many years. He shot over 300 album covers along with related publicity and advertising work. Among his many classic album covers are Carole King’s “Tapestry”, Lee Michaels’ “5th” and Joe Cocker’s “Mad Dogs and Englishmen” and many others. From 1974 through 1990 he operated his own studio on La Brea Avenue in Hollywood, specializing in technically difficult photographic still-life problems, as well as difficult personality portraits.
The meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose. To park underneath the Adobe building, use the Almaden Avenue entrance, under the East Tower. If the security guard at the parking entrance asks for an Adobe contact, use Bryan O’Neil Hughes’s name. Please RSVP to Dan Clark. See you there.
October 24, 2009
New Filter Forge 2.0 for PS beta
Filter Forge, the node-based tool for visually creating Photoshop filters, has announced a beta of version 2.0. According to lead developer Vladimir Golovin, new features include:
- Support for unlimited HDR colors (including negative colors!) across the entire rendering pipeline.
- Bomber component for spraying image particles in a controlled manner.
- Gamma correction options — our first step towards a gamma-aware workflow.
- Instant filter search for people with large filter collections.
- Median, Maximum, Minimum and Percentile components — the latter allows custom-percentile filtering.
- Polygon and Ellipse components (“sounds boring but they are very flexible”).
October 17, 2009
Video: Photoshop used for age progression
A brief video from CNN shows how the National Center for Missing and Exploited Children uses Photoshop as part of their age-progression efforts (where reference photos of missing kids are digitally altered to reflect the passage of time). The video is light on specifics, but it’s great to be reminded of the positive uses of technology:
Embedded video from CNN Video
I had the chance to visit the NCMEC folks in Virginia a couple of years ago, and I came away deeply impressed with the thoroughness & passion they bring to their mission. Photoshop team members like John Penn continue to work closely with them in hopes of improving how Photoshop for their needs. [Via Adam Pratt]
[Tangentially related: a tutorial on performing age progression in Photoshop.]
October 11, 2009
New Adobe Community Help available on Labs
The new Adobe Community Help AIR application is a preview of Adobe’s next-generation product help experience. According to the download page on Adobe Labs,
This beta release is configured to work with Flash Builder and Flash Catalyst content. The Community Help AIR application lets you:
- Access up-to-date definitive reference content online and offline
- Find the most relevant content contributed by experts from the Adobe community
- Comment on, rate, and contribute to content in the Adobe community
- Locate code examples with integrated code search
- Download Help content directly to your desktop to use and search offline
- Use dynamic navigation based on search results to find related content
- Enjoy content updates and feature enhancements without reinstalling the AIR app
Check out the Community Help beta and send us your feedback. Please keep in mind that this is a beta release and it contains bugs and incomplete features. For known bugs, please see the release notes. We suggest that you use it for testing and exploratory purposes only.
October 09, 2009
Death, shooting, & other diversions

Despite essentially never taking vacations ever (heck, despite barely leaving throbbing San José*), I’m actually getting out of the house for once and am headed to Death Valley with my buddy/fellow PM Hughes**. Laden with heavy artillery (photographic & otherwise), we’re off to shoot Bodie, the racetrack playa, and other sites; four-wheel through the infamous Goler Wash; make stuff blow up real good; and generally consume mass quantities of meat, propane, beer, and road flares. Last time I caught some shrapnel in the lip; this time, who knows?
I’ve scheduled a few posts during my absence, and provided we’re not kidnapped by hillbilly cannibals/ex-hippies/black helicopters, I’ll be back next week. Provided we are kidnapped by hillbilly cannibals/ex-hippies/black helicopters, well, so long & thanks for all the pixels.
* The Hose/The Ho’
** Couldn’t get Hogarty from Lightroom this time as he’s busy pounding the app
Adobe’s Photoshop.com iPhone app goes live

I’m pleased to see that Photoshop.com Mobile for iPhone has gone live on the App Store (see screenshots).
[Update: Don't be confused by the name: the app is useful for on-phone editing, not just uploading/sharing.]
According to the product page, with the app you can:
- Transform your photos with essential edits like crop, rotate and flip.
- Correct and play with color by adjusting the saturation and tint, enhancing the exposure and vibrancy, and converting images to black and white.
- Use the Sketch tool to make photos look like drawings, and Soft Focus to give photos a subtle blur for artistic effect.
- Apply dramatic changes with effects such as Warm Vintage, Vignette and Pop. Edits or changes can be undone or redone so you can experiment without the worry of losing your original photo.
- Upload photos to Photoshop.com. The app provides the ultimate digital photo wallet, providing access to your entire Photoshop.com library. Photoshop.com offers 2GB of free online photo storage (equal to more than 1,500 photos).
The app is free. Happy shooting!
October 08, 2009
Chuck & John & Barack
As was announced a couple of weeks ago, Adobe co-founders Charles Geschke and John Warnock have been honored with the National Medal of Technology and Innovation. Though adding my two cents is obviously just a bit anticlimactic, congrats & thanks again, gentlemen.

Thanks to Andrew Keith Strauss for the inspired photo illustration (see larger, or see the untouched original).
October 07, 2009
Hats off to Seetha
Let me be possibly the first person ever to ask, What’s up with all the mustachioed, middle-aged Indian dudes + lens flares? ;-)
Adobe engineering heavy hitter Seetharaman Narayanan was honored last week at Photoshop World, becoming the newest member of the Photoshop Hall of Fame. Congrats, Seetha! (Somewhere in the depths of the PS code base, his hands caked with Cocoa, he nods a quick acknowledgement.)
I like to imagine Seetha walking through the show floor in slow mo, firing double finger-guns like the engineer featured in this Intel ad*. I couldn’t help but notice the similarity between the lens flares added in the video and in “Seetha’s fan club,” juxtaposed here (slightly larger version). And no, I didn’t touch either image besides resizing them.
Well, whether it’s old-school filters, Don Julio, or something else that keeps Seetha’s mojo flowing, we’re grateful for his efforts & wish him more success.
* I’m a little sad to learn (via Wikipedia) that the “Ajay Bhatt” featured in the Intel spot is an actor. Here’s the real guy. Perhaps someone should set to work lens-flaring (and mustache-ifying) him. [Update: And, what do you know, 20 minutes after I posted this, John Eakin sent me this image. Nice.]
October 06, 2009
Adobe’s first iPhone app now available
It’s certainly not the flashiest (no pun intended) application, but I’m happy to see that LiveCycle Workspace Mobile for iPhone is available via the iPhone App Store. This simple app gives customers an easy way to review & approve items (expense reports, purchase orders, loan applications, etc.).
Now that the ice has been broken, look for more iPhone apps from Adobe to show up soon.
October 03, 2009
New iPhone-based Photoshop training apps
The folks from Adobe Press have introduced Adobe Photoshop CS4: Learn By Video. The application introduces the most essential topics in Photoshop CS4. Users can:
- Take a quick tour of the Photoshop CS4 interface
- Mark any movie for later viewing
- Share tips and comments with others
- Quizzes: Test yourself! Track your progress and review problem topics.
- Stay up-to-date on Adobe Press news through the Twitter group
The companion video package features 19 hours of training from Gabriel Powell and Mikkel Aaland, as well as quizzes & review materials.
In a similar vein, Richard Harrington’s Understanding Photoshop: Quick Fixes (iTunes link) offers the following:
- Includes 17 training videos edited specifically for the iPhone or iPod Touch.
- Offers easily viewable screens, with zooms and close-ups of the action.
- Includes hands-on files & interactive quizzes.
- Includes search, a quick reference guide, commenting, and a Twitter client.
These are just the apps I’ve encountered so far. If you know of other good ones, please mention them via comments.
October 02, 2009
Watch MAX keynotes, streamed live from LA
At risk of driving you criminally insane via ceaseless MAX/PSW references, let me plug the live streaming of the MAX keynotes. I’m not kidding when I tell you there’ll be some very interesting news.
Join 10 minutes early and participate in the backstage behind the scenes action. Seats/connections are limited, so registration is required. Participants will also be able to connect with the community during the webcast through Twitter at #adobemaxgs
- Monday, October 5, 9:20 A.M -11:00 A.M. PST–Technology as the Engine of Reinvention
- Tuesday, October 6, 10:20 A.M.-12:00 P.M. PST–The Flash Platform and the Community
October 01, 2009
Video: Sneak peek of new Photoshop technologies
Russell Brown showed off some new “from the labs” painting and warping technology during today’s Photoshop World keynote address, and now he’s posted a recording of the demo on Facebook. Check it out!
[Update: Terry White has posted videos of the keynote itself.]
[Update 2: I've belatedly figured out how to embed a Facebook-hosted vid, so it's now inline in this post. Use the fullscreen option to see it in higher resolution.]
PS World keynote live blogged; MAX Companion app
The Photoshop World keynote is going on right now & getting live blogged on the Photoshop World site.
And if you’re attending Adobe MAX, check out the MAX Companion AIR application. It lets you view session info, see your personal schedule, view a map, and tweet session highlights. [Via Kevin Lynch]
September 30, 2009
No PS World, MAX for me this year
Lots of folks are pinging me on this, but I’ve opted to play Mr. Mom this year & will enjoy the proceedings from afar. I’m happy to say that I’ve helped some folks prep a few really cool demos, and I got some news today that has me rocking back and forth (SNL surprise party-style, wishing I could say more. Soon, soon…
Have a ball,
J.
September 29, 2009
Hand-colored film from 1899
Jason Kottke writes, “Each frame of this 19th century film by the Lumière brothers was hand-colored to create an early color moving picture.”
It would be fun to try something similar using video layers in Photoshop Extended.
September 26, 2009
Photoshop Elements 8 announced for Mac & Windows
I’m a few days late in sharing the news, but I’m delighted to see that Photoshop Elements 8.0 for Mac & Windows has been announced. I’m a little pressed for time at the moment, so I can’t elaborate on the features, so please check out the feature list & videos posted by Adobe evangelist Terry White. Congrats to the team on a great release!
September 25, 2009
Conan-shop: PS does Late Night
Heh–I love that they worked in the Photoshop app icon.
I hope someday to incorporate that corny stock camera shutter sound into the app itself… p’TCHAAAw!
September 18, 2009
Adobe co-founders to be honored by President Obama
Wow–very cool news from Washington. According to the Merc,
President Obama Thursday picked Adobe Systems co-founders Charles Geschke and John Warnock to receive one of the nation’s highest honors bestowed on scientists, engineers and inventors — the National Medal of Technology and Innovation.
Geschke and Warnock were chosen “for their pioneering contributions that spurred the desktop publishing revolution and for changing the way people create and engage with information and entertainment across multiple mediums including print, Web and video,” according to a White House press release.
The pair, who will receive the award at an Oct. 7 White House ceremony, founded Adobe in 1982 and serve as co-chairman of the San Jose software company known for its editing, graphic design and Web development tools, which include its widely used Acrobat and Photoshop products.
Congrats, Drs. Warnock and Geschke! Your many fans will be there in spirit.
Related/previous:
September 06, 2009
Sunday Type: Big grass, free fonts, & more
- Dig the crazy, viscous, dimensional lettering of Alex Trochut (under the “Works” link; yes, nav is annoying, but don’t let that stop you). [Via]
- Grass-type gets big in Here Lies Street-Art by D.O.C.S.
- Glyphs runneth over in this Typographic Sculpture from Richard J. Evans [Via Marc Pawliger]
- Free fonts:
- Mårten Nettelbladt heavy-duty MISO is handsome–and gratis. [Via]
- Designfeed lists Quad & others. (Oh Quad, I have plans for you.)
September 05, 2009
Feedback, please: Mobile authoring with Photoshop
Are you now, or do you plan to start, designing mobile applications, Web content, etc. using Photoshop? If so, what kinds of changes would streamline the process? Are you looking for templates, better shape/drawing tools, linked file support, automated resizing/output for different screens, better handoff to other apps, etc.?
Note that Adobe’s Device Central application (screenshot) is probably hanging out on your hard drive, and you can use it to display your PS artwork on a variety of handsets. When you’re in the Save For Web and Devices dialog in PS, hit the “Device Central” link in the lower-left corner. I was motivated to ask for info because the Device Central guys in particular are looking for feedback on how to evolve that app.
Thanks,
J.
[Update: If you're doing this kind of work, you may find this doc on Strategic Mobile Design (PDF) interesting. --J.]
September 01, 2009
Housekeeping: CAPTCHA mechanism changed
I saw a number of complaints about the CAPTCHA system (i.e. the wavy text used to deter spam-bots) causing problems in the browser. The blogging admins have now switched it to use the more accessible “What’s 2+2″ system I previously had installed. If you experience any problems with the new mechanism, please let me know (jnack at adobe.com, in case commenting isn’t working for you). Thanks.
August 31, 2009
InDesign turns 10!
Wow, has it been that long? The tool that started with great hype & some big teething problems has matured into an industry-standard, multi-channel (print, PDF, & Web), automated publishing powerhouse. Congrats, guys! Adobe evangelist Rufus Deuchler and longtime print maven David Blatner share some brief reminiscences.
August 30, 2009
Fixing Adobe’s broken customer service
The quality of Adobe customer service has really taken a dive lately (I know: I end up fielding/escalating a lot of cases that come in through blog comments). Now company VP Lambert Walsh has posted an open letter to customers (PDF), saying in part
Our customers have experienced a level of service that is inconsistent with what they expect and deserve. This is unacceptable and we sincerely apologize for the inconvenience caused. We are working diligently to resolve these issues.
Lambert provides a little background on what happened & offers some email addresses for getting help while the system gets fixed.
August 15, 2009
(rt) Interesting Miscellany
- The Evolution Of Photoshop: 1988 – 2009: Splash screens, toolbars, & more.
- iPhone:
- This augmented reality subway/tube app looks amazing. Check out a quick video demo.
- iPhone apps for designers, listed by CreativePro.com. Tools for color palettes, billing, information architecture, & more.
- Museum of Forgotten Art Supplies (Did you know: Quick Mask in Photoshop is red to be like rubylith.)
- Gaussian Goat: “…if human vision could perceive all of an object’s possible quantum mechanical states” at once.
- This workstation “looks… designed to kill the occupant using the monitor, gravity, and some kind of release switch.”
- Slightly disturbing:
- A 3,000-year-old Michael Jackson statue? (via @MediaStorm)
- Most unnerving track lighting ever? (“I got a feeling/Someone is watching meeee…”)
- Neat: Google uses Flash to add perspective to maps. (via @jdowdell)
August 14, 2009
“One day, I’ll Photoshop you out…”
A little Friday comedic brilliance from Colin Nissan at McSweeney’s: It’s Weird To Think That One Day I’ll Photoshop You Out Of These Very Vacation Photos:
I feel like you and I are entering such a fun, playful phase of our relationship − I really love getting close to you like this. Speaking of which, you’ve been pressing our faces together in a lot of shots, which is so sweet. The thing is, you have no idea how many more hours of clean-up that generates…
[Via Craig Ferroggiaro]
August 13, 2009
(rt) Illustration: Mad Men, illusions, & more
- Mad Men returns Sunday! Dyna Moe’s killer illustrations are worth another look. You can also make your own Mad Men avatar. (Mine kinda looks like my dad.)
- Odosketch is a fun little “natural media” Flash drawing toy. [Via Dave Dobish]
- I couldn’t believe this optical illusion until I took it apart in Photoshop. Dang… still can’t really believe it.
- Mona Lisa from cups of coffee. (via @MediaStorm)
August 12, 2009
Goodnight, Suite RISC…
It’ll probably come as no surprise that Adobe is following Apple’s lead & going Intel-only with the next generation of the Creative Suite. That is, CS4 is the last version that’ll run on PowerPC-based Macs. You can read the details in the FAQ on Adobe.com.
By the time the next version of the Suite ships, the very youngest PPC-based Macs will be roughly four years old. They’re still great systems, but if you haven’t upgraded your workstation in four years, you’re probably not in a rush to upgrade your software, either. Bottom line: Time & resources are finite, and with big transitions underway (going 64-bit-native, switching from Carbon to Cocoa), you want Adobe building for the future, not for the past.
[Previously: My fond reminiscences on PowerPC.]
PS–More info about other Adobe apps (Flash Player, Adobe Reader, etc.) will be available soon. [Update: The Lightroom team has confirmed that the next Mac version of LR will be Intel-only.]
August 10, 2009
Housekeeping: Threaded comments, Tweeted headlines
- I’ve now gotten threaded commenting enabled, so it’s possible to reply to a specific comment & have your remarks appear right below the target comment. (Here’s an example.) I haven’t gotten to fool with any formatting options, so suggestions from CSS/Movable Type ninjas is more welcome. Thanks to Pavel Ushakov from Firmdot for getting me this far.
- I’ve started experimenting with Twitterfeed, using it to auto-tweet titles & links when I post an entry here. I’m still finding my way, so I hope you find this practice useful, not obnoxious. Comments & suggestions are always welcome.
August 08, 2009
Linked Smart Objects (kinda)
Geoff Badner, the art director to whom I owe the start of my career, recently asked a good question:
I know I can do multiple iterations of the same Smart Object within the SAME document and have it change all instances, but what about Smart Objects placed across DIFFERENT documents? That would be pimp.I ask because I’m designing an iPhone app and it uses the same modules over and over across different screens. There are dozens of screens and each time I needs to change a button or text field in a module, I need to fix it one at a time in each file. Sucks!
I know. My quick advice: You can convert any layer to being a Smart Object (or place a file as one), then choose “Layer->Smart Objects->Replace Contents…” That way you can suck in another file as an update/replacement. If it’s a command you perform frequently, you can assign a keyboard shortcut to it.
Upshot: Edit your external file, then hit Shift-Cmd-R (or whatever) once per Smart Object instance to replace each. Kinda clunky, I know, but depending on the edits you do per SO, this approach may be more efficient.
Someday Photoshop needs to support proper linked files, period. (Dirty-ish little secret: it already does, in the form of video layers; your MOV, etc. source files are never embedded in a PSD.) For that to happen, it needs the right infrastructure–a Links panel, the ability to resolve broken links, etc. None of that is rocket science, but it’s worth taking the time to get right.
August 03, 2009
Videos: Photowalks, Meet the Engineers
- The Lightroom team is working on a series of videos that briefly introduce team members & share a bit of their history and perspectives. First up is Web module developer Andy Rahn. To meet more team members, check out Jeff Schewe’s visit with the Lightroom engineers.
- From all accounts, the recent Worldwide Photowalk was a great success. Lightroom PM Tom Hogarty led the SF walk while Photoshop PM Bryan O’Neil Hughes led the one in San Jose. Here’s a brief taste of what went on. (Hope to see you there in person next year.)
August 02, 2009
Deke’s “Photoshop Top 40″
Our old friend & true Photoshop guru Deke McClelland has begun posting his list of the top 40 features in Photoshop–beginning with #40 and working up to #1–one weekly video at a time. The Lynda.com folks write, “Some are tools, others are commands, still others are conceptual. All are invaluable. Learn these 40 features and you’ll know Photoshop.”
Deke posts a new video each Tuesday. Check out this page for an updated list of everything that’s gone live so far.
August 01, 2009
Masking & Smart Filters
When you’re using Smart (re-editable) Filters in Photoshop, you can apply a single mask to all the filters on an object. Why, then, doesn’t the app let you mask each one independently? This question came to mind when photographer Ellen Anon said,
But my main request is that each Smart Filter needs its own mask. PLEASE!!!!
I know. There’s no question about the desirability of this support. The details are tricky, however.
The fundamental problem here is how to make filters live-update as you alter their source data. If you’ve read my post on The Secret Life of Smart Filters, you know that we purposefully chose to impose some indirection, making it harder to feel like you should be seeing filters updating in real time as you paint.
Let’s say you’ve created a Smart Object, and you’ve applied Filter A & then Filter B. The source data that B will process depends on the results of A (including A’s mask, if one existed). If each filter had its own mask, then painting on A’s mask would demand one of two things:
- B either has to keep running/updating as you paint (read: slow, at least in a lot of cases) or
- B must be shut off while you’re painting, then later re-enabled (when?).
The more filters you stack, the more demanding they are, and bigger your brush and/or file, the more processing wallop would be required to keep things interactive. And even if it were all infinitely fast, there’s the big challenge of how to deal with filters that transform/offset pixels (see aforementioned post).
These aren’t impossible problems, but they aren’t easy to solve, either. We don’t want to set you up for a crappy experience.
July 31, 2009
“Anatomy of a Feature”
Brent Simmons, developer of the excellent NetNewsWire (my tool for finding all this ephemera), offers his take on the Anatomy of a Feature. If you’re at all curious about the sausage-making process of software development, you might be interested in just how much thought goes into even the most trivial-sounding changes.
I’d kind of shudder to read/write an equivalent essay set inside a big company, where affecting something like one’s own app installer can require petitioning a dozen people–often without success. The phrase “up-at-dawn, pride-swallowing siege that I will never fully tell you about” comes to mind.
Just yesterday I found myself calmly declaring that if getting Future Feature X into PS.next requires slapping down my credit card and building the Web hosting myself*, so be it. (Know this, suckaz: We. Shall. Prevail.)
* Enabling Configurator for CS4 involved my getting a six pack of Negra Modelo and recording each menu item in Photoshop, then copying/pasting/reformatting/commenting the code, one at a time, 800 times over the course of several evenings. Elegant, pleasurable? Not so much. But no one ever said it was gonna be easy.
July 27, 2009
Spam-weasels rip my flesh
Damn… Maybe it shouldn’t surprise me, but apparently spammers can defeat Movable Type’s built-in CAPTCHA system. Because I’d set comments to auto-publish after they passed that checkpoint, a few spams (now deleted) snuck past the goalie. Sorry about that.
I’m now experimenting with “trusted commenters” in MT, and I just flagged the last 2000 or so commenters (going back as far as March) as trusted. Hopefully if you’re a regular reader/commenter, your remarks can appear right away. We shall see.
Note that you can subscribe to a comments feed via RSS. As for threaded comments, I’ll tackle the needed mods soon, bambinos permitting.
Stop-motion coolness
- Tom Wrigglesworth and Matthew Robinson take a bunch of HP printers clubbing. [Via]
- In A Wolf Loves Pork, Taijin Takeuchi sends 2D frames scampering all around 3D space. [Via]
- Inspired by that effort, The PEN Story celebrates 50 years of Olympus’s groundbreaking Pen cameras.
July 24, 2009
Mark Hamburg returns to Adobe
Well, that didn’t take so long, did it? :-)
After 17 years on the Photoshop & Lightroom teams, Mark Hamburg left Adobe last year to join Microsoft and work on improving the Windows user experience (as he found it “really annoying”). I’m happy to say that after that brief sojourn, he’s returning to the Adobe Digital Imaging team. Welcome back, Mark! [Via]
Oh, and to ZDNet’s Mary Jo Foley, who wrote at the time of Mark’s departure:
Microsoft’s competitor to Adobe Lightroom gets another champion… My bet is Hamburg will be instrumental in helping Microsoft bring to market its Photoshop Lightroom competitor.
Er, not so much.
(rt) Type: Awesome lettering, awful acronyms, and more
- Lettercult has assembled an awesome collection of hand-lettered type. (Here’s my fave.)
- The taste of what? Oh boy–Deeply unfortunate can re-design from Tango. (via @Coleran)
- Geekery to go: Typography manual for iPhone. (via @kottkedotorg)
- “It’s a medium, not a grande.” Fun coffee-related type from Brooklyn. (via @daringfireball)
- Helveticons: Vector icons intended to complement Helvetica Bold. About a buck per icon. (via @jcroft/@tdominey)
- Artists & technicians used a Toyota to draw each letter of a font, then made it freely downloadable. (via @therealmikewong)
July 23, 2009
Blog commenting
Housekeeping note: This blog’s commenting system remains a work in progress. As you may have noticed, we’ve moved to a new CAPTCHA system, and valid comments now publish immediately after you submit them. I’m hoping that the latter, taken together with threaded commenting (still working on that one), will make it easier for people to talk back and forth without waiting on me.
If you encounter any problems posting comments, please let me know.
Update: Dammit, something is apparently busted, and if you’ve submitted a comment in the last ~24 hours (and don’t see it published), it hasn’t reached me. I’ve asked the admins for an update ASAP.
Okay, it seems things are working again, Please do let me know if you experience problems commenting.
July 19, 2009
Adobe Updater improvements planned
The Adobe Update Manager has been a source of grief & ridicule for too long. The good news is that a bunch of folks are working hard to fix it. Check out the details if you’re interested, and feel free to send the team feedback on their plans.
July 17, 2009
Blog server updating; commenting offline
The blogging infrastructure folks are pushing another big update live this weekend, so my ability to post & your ability to comment are likely to be restricted for a while (up to 72 hours). I’ll post a note when things are supposed to be working properly.
I’m looking forward to using the new platform, and in particular to enabling threaded commenting (should be good for those spirited back-and-forth debates). We shall see.
July 15, 2009
Vive la différence
Interesting observation from Daring Fireball the other day:
“So I think Gnome and KDE are stuck with a problem similar to the ‘Uncanny Valley.’ By establishing a conceptual framework that mimics Windows, they can never really be that much different than Windows, and if they’re not that much different, they can never be that much better. If you want to make something a lot better, you’ve got to make something a lot different.”
It’s kind of a drag to see other image-editing apps just imitate Photoshop. I certainly understand the rationale for doing so, but their creators are tying their own hands. Why not break some really new ground? That’s what Mark Hamburg & the Lightroom team did, rethinking a lot of problems from the bottom up.
July 14, 2009
Adobe doc team launches blog
The Adobe Learning Resources (documentation) team has created Phosphors, a new blog focused on help & tutorial content for Photoshop, Camera Raw, Lightroom, and Bridge. They’ve just posted some tips on backing up a Lightroom catalog.
July 13, 2009
Upcoming Bay Area design events: Tomorrow & Saturday
- Reminder: The San Jose Photoshop User Group is meeting this Tuesday, July 14, at Adobe HQ. Please see the event page for agenda details & other info.
- The Society of News Design is holding a free event at Adobe SF next Saturday, July 18. Stamen Design, IDEO, Story4 and others will be presenting. Here’s the 411. [Via Terry Hemphill]
July 04, 2009
Set the Controls for the Art of the Son
A little housekeeping note: I’ve been taking advantage of vacation + the wait for baby “El Segundo,” using the time to queue up lots of links & scheduling them to auto-publish. So, if
- you happen to see me publish big news in what looks like quick succession with the usual doses of ephemera, and/or
- it appears I’m blogging instead of caring for a newborn,
please don’t think it makes me a terrible dad! (I’ve got that latter part covered through things like indulging play with a rusty, severed car antenna. ;-))
Autopilot, engage,
J.
July 03, 2009
PS User Group San Jose to meet July 14
The next meeting of the San Jose Photoshop User Group is scheduled for July 14. Group organizer Dan Clark writes,
Photoshop questions? Samples of your Photoshop work? Bring either to our next meeting. We’ll have an evening of Photoshop show and tell, as well as answers to your questions. Let’s see some tough questions and nice work! Please send questions and sample files ahead of time to: dan at weinberg-clark.com
For complete info & directions, check out the event page.
Notes about PS printing performance
Recently an iMac user asked about ways to speed up large scan & print jobs in Photoshop:
In your opinion, would a Mac Pro significantly accelerate the processing [while printing]? Is the printing engine in Photoshop multiprocessor aware?
I put the question to Photoshop printing engineer Dave Polaschek, and here’s his reply:
While Photoshop’s printing code isn’t multi-threaded & is mostly disk-bound*, another core may be used by the OS for color management if you’re printing in “Printer Manages Color” mode. More cores won’t hurt.
That said, the disk (or better, disks) in a Mac Pro are significantly faster than the disk in an iMac, which will help since every printed job is spooled to disk. Plus you can put more RAM in a Mac Pro, which will help in preparing the image for printing.
As with most things in Photoshop, the two biggest gains you can get in speed are:
1 – Put in as much RAM as you can afford and the machine can hold. When friends are buying new Macs, I tell them they should have an absolute minimum of 1G of RAM per core, and 2G per core will still be a noticeable improvement over that. For running Photoshop with big images, I’ve found some operations which run over 10x faster since I moved from 4GB to 8GB of RAM in my quad-core Mac Pro just because it keeps all the images and intermediate data in memory.
2 – Put in the fastest disk (or RAID array – four 500GB disks in a RAID array are cheaper and faster than a 2TB disk, and the default controller in my Mac Pro could do RAID with no new hardware) you can afford after you’re done buying RAM. When we do have to read or save a file, or spool something to disk, that fast disk will mean less time spent looking at progress bars.
[Question via Colin Smith]
* In other words, the speed of printing depends on how quickly data can be moved to/from your hard drive.
July 02, 2009
Feedback, please: Copying hex values
Designer/Twitter crazy person Sam Potts made what I thought was a good suggestion earlier today:
The Copy Color as HTML in the color panel is awesome. Everyone uses it all the time. However, times have changed and my guess is that most of the people who use this are writing their colors in CSS. So you always have to delete the color=”" part after you paste it into a style sheet.It would be awesome to simply have a “Copy Color Hex Code” option and get #CCFF00 instead of the full color=”#CCFF00″ tag.
Or, to cover both bases, add to the panel menu:
Copy Color as HTML —> color=”#CCFF00″ as it is now
AND
Copy Color as CSS —> color:#CCFF00
I know it’s a tweaky query, but if you have a preference, please chime in.
June 30, 2009
Adobe is closed this week (and what that means)
I just saw Daring Fireball point to an SJ Merc story relaying the rather banal news that most Adobe offices are closed this week. So they are*. I’m no expert on company expense management, nor am I a corporate spokesperson (see blurb at right), but I feel like sharing a little perspective.
Let me first mention that these Adobe shutdowns are nothing new. I’ve worked here for 9 years, and the company has done the shutdowns off and on throughout that time–at least since ’01 or ’02. I didn’t hear the news of this one and say (as DF does) “Uh-oh.”
Mr. Gruber reasonably asks, “At a software company, shouldn’t every week be a productive week?” Sure, but I’ll bet you know what it’s like to work near holidays: it’s harder to make progress when lots of your colleagues are out of the office. If that’s going to be the case, why not just schedule a break & save a bunch of money on facilities, security, and so forth?**
I’d rather have everyone be gone at once (and thus more likely back at once) than to run at reduced strength for weeks on end.
Gruber also writes,
And I can only guess that on some, if not most, teams, there is subtle (or even not so subtle) pressure to keep working from home on whatever your current project is.
Nope. As I understand it, a few teams with time-sensitive projects may get permission to work through the break, but everyone else is taking the time off. Because the breaks aren’t a surprise, most teams built them into their schedules a long time ago (just as they do with holidays). Adobe offers very generous PTO benefits, to the point that people don’t use up enough time off. A week-long shutdown is a way of saying, “No, seriously, guys–we want you to take some vacation. Get the hell out of here, enjoy yourself, and come back refreshed.”
Anyway, my inbox for Monday shows 70 mails, vs. 300+ for a typical day. Clearly somebody is taking vacation seriously. Collectively we’re taking it all in stride.
* So why am I continuing to blog? For one thing, I’m drumming my fingers with nervous energy, waiting for a baby to arrive, and I need the distraction.
** For a company of ~7,400 employees, saving a week’s worth of summertime energy & other infrastructure expenses translates to real money. Meanwhile Adobe HQ (already the first existing LEED Platinum-rated green building) is upgrading this week to even more energy-efficient HVAC. The 20-story yellow crane I saw yesterday can’t do its thing while people are inside/below.
June 27, 2009
P-Shop the News
It won’t be everyone’s cup of tea, but I’ve been getting a ridiculous amount of enjoyment this week from this episode of “Auto-Tune the News”:
I’ve gotta meet these guys & learn more about how they manipulate video to create their little mash-ups.
June 25, 2009
Photowalk with Adobe folks
As part of Scott Kelby’s Second Annual Worldwide Photowalk, Adobe folks are leading four walks, hosted and joined by members of the Photoshop, Lightroom, Bridge and/or Camera Raw teams. Lightroom PM Tom Hogarty writes,
Space is limited, so sign up quickly to walk and shoot with Adobe’s digital imaging team:
- San Francisco, CA (Led by Tom Hogarty, Lightroom/ACR Product Manager)
- San Jose, CA (Led by Bryan Hughes, Photoshop Product Manager)
- Seattle, WA (Led by Tina Carter, Digital Imaging Support Engineer)
- Stillwater, MN (Led by Melissa Gaul, Lightroom Technical Evangelist)
- Hamburg, Germany (Led by Sven Doelle)
Enjoy!
June 24, 2009
Hughes on PS TV; Julieanne on PS
- My friend & fellow PM Bryan O’Neil Hughes recently sat in with the Photoshop TV guys, and you can see him in the current episode (starting around the 11-minute mark). Bryan discusses Configurator, some future directions for Photoshop, and more.
- If you’re not yet subscribing to Julieanne Kost‘s great Photoshop blog, you might want to check it out. She provides bite-sized sets of tips each day (or thereabouts), and the tips are nicely categorized. You can also read her blog right inside Photoshop CS4 if you’d like.
June 22, 2009
Stop-motion excellence, rodeo-style
If a wee bit of the old Copland* doesn’t get your juices flowing on a Monday morning, then you might want to check yourself for a pulse, my friend. Check out the following (clicking the full screen button highly recommended):
Of this very cool project, creator Eleanor Stewart writes, “I created a music video for the classical music work ‘Hoedown’ from the Rodeo Suite by Aaron Copland. It is a stop motion animation in which various characters, inspired by Cowboy and Western films, come to life from the musical score. It was made for my final year degree in Visual Communication at the Glasgow School of Art.” [Via]
* Extremely tangential, ostensibly bonus info: The Photoshop team includes a few veterans of Apple’s mid-90′s Copland OS effort & the subsequent switch to OS X. In talking about “demoware,” I recently asked engineer Russell Williams, “Didn’t you guys do Mac OS Copland in Director? ;-P (That was always the half-joking rumor, anyway.)” He replied, “No, it would have been much smaller and faster if we had. :-) Also, the early developer releases of ‘Rhapsody’ (roughly OS X minus Carbon, or Classic plus Cocoa) were shipped on the Copland kernel, so it actually worked.”
June 21, 2009
RSS for comments now available
I’m experimenting with a new RSS feed that should enable you to follow comments on this blog via your news reader of choice. The feed appears to be rolling along, and I welcome feedback and advice. (And please tell me if you experience any problems with it!)
My eventual goal is to facilitate more conversation via blog comments. Right now you have to wait for me to approve each comment, and tracking conversations is hard. Through threaded commenting (due soon), RSS, and eventually site membership (a bit farther off), non-spammers should be able to talk back and forth more quickly & freely.
Incidentally, if you have a recommendation for a good way to track outbound clicks, please let me know. Right now I have no idea how many people click the various random links I provide, and I’d like to get a better sense of what content is popular. Google Analytics doesn’t seem to offer a solution, and I haven’t yet moved my main RSS feed to FeedBurner, so I’m not sure whether it can help.
June 20, 2009
“Ask Tog”
A couple of weekends ago, in the course of reviewing/culling hundreds of JDI feature suggestions, I was getting a little crispy. Amidst lots of good suggestions and the occasional chunks of profanity & ignorance, I saw the following:
“Ask Tog.”
Tog, in case you’re unaware, is Bruce Tognazzini, the pioneering interface designer who’s worked at Apple, Sun, and other companies. He largely defined what it means for a UI to be “Mac-like.”
Without more info, I can only guess at the commenter’s tone & intention. For all I know it was breezy & trying to be helpful. In the context of some other remarks from Mac users*, however, I read it as lazy shorthand for “You suck. Be more like Apple” (without any useful, actionable details, of course).
As it happened, I’d been reading AskTog.com earlier in the day and saw the following:
20 years ago, there was a simple application on the Mac for doing basic edits on photos. It was called Photoshop. Today, Photoshop is a powerhouse of sophistication, capable of working miracles in the hands of a professional. Adobe has been in lock-step with their users, increasing Photoshop’s sophistication even as their users increased in theirs… A new user can become productive in Photoshop in 10 minutes, even if it takes another 10 years to learn everything.
Now, I’m sure Bruce could point out plenty of shortcomings in the Photoshop UI–as I often do–but it was still nice to read his observations. I don’t take them as some kind of absolution, and of course we’ll keep grinding away at usability issues (more details on that soon), but hearing some recent props from the original Mac interface guy felt good.
* Personal fave: “Make the mac version look like a mother f______ macintosh program. Jesus f___.” Classy, constructive, and specific, just like I like ‘em.
Adobe MAX 2009 info, registration now available
Registration for the Adobe MAX 2009 conference (October 4–7 in Los Angeles) is now open. From the site:
We are in a software revolution fueled by social computing, client and cloud, and the spread of rich media across screens and devices. For four unforgettable days this October, MAX 2009 will bring together thousands of designers, developers, and decision-makers to shape the future. Join us.
One highlight is our friend Dr. Brown’s RussellBrown@MAX three-day, hands-on course. Check out his site for more info.
You can save $200 by registering now. The MAX site features an interactive session listing & much more.
June 19, 2009
Why it’s worth registering your software
Short story: It’s a free information backup that can help us help you later.
People periodically send me all kinds of customer service-oriented questions (inquiries about pricing, upgrade eligibility, lost discs, etc.). I do my best to get these things sorted out, and often the customer service folks need to ask for proof of ownership. Even if you’re twice as organized as I am, digging up a receipt or credit card record from several years back can be difficult, if not impossible.
Things tend to go much more smoothly if you’ve first registered your software with Adobe, as you serial number & other info are then on file. You’re ensuring that your proof of ownership doesn’t get lost.
Oh, and you tend to get some nice freebies in the bargain. (Here’s what’s available when registering CS4.)
June 16, 2009
The Photoshop icon, moving in Post-Its
The PS icon makes a cameo in Bang-Yao Liu’s awesome “Deadline” stop-motion Post-It extravaganza:
If that’s up your alley, see also Yellow Sticky Notes, in which Jeff Chiba Stearns chronicles his life through the little squares. [Via]
June 15, 2009
Blogging upgrades coming
For the last four years, Adobe Blogs ran atop a sputtering ColecoVision powered by toejam biomass–or at least that’s what it felt like. Everyone who experienced timeouts while commenting & other weirdness knows a bit about that.
Now, however, we’re finally running on a modern setup. We’ll move shortly to Movable Type 4.25, and I’m looking forward to some nice upgrades. In particular, it should be possible to enable threaded commenting, making it much easier to track back-and-forth conversations. (I’ve never liked jamming my replies into the middle of others’ words, so hopefully this’ll offer a better way.) It’ll also be possible to subscribe to comments via RSS, and I’m looking into spam-resistant ways to enable immediate comment publishing.
I’m thinking of moving Feedburner so that I can gauge how many people subscribe via RSS (would you believe I’ve never had any idea?). I won’t pull the trigger on that, though, until I’m sure you won’t be asked to change your feed subscription more than once.
If you have any requests or suggestions about this whole process, please let me know.
Thanks,
J.
Adobe BrowserLab accepting more testers
Just a quick note: BrowserLab, Adobe’s cool hosted app for comparing the rendering of HTML pages across browsers, is currently open for more testers to join. (Because the service is being tested right now, membership is limited to a fixed number of members.) If you’re interested, sign in now.
[Update: Well, that didn't take long: they're closed again. In case you didn't make it in now, don't worry: more slots will open up in July. Thanks to everyone for their interest.]
June 14, 2009
Sunday Motion: Chips, dips, bloops, & blips
- The art for Frito Lay’s “Made for Each Other” spots seems way too good for (and almost entirely related to) chips n’ dips. Check out the companion site for more.
- I know the Panic Sale! is over, but video lives on in hilarity. (From the echo to the green-screen spill, that’s some serious A2detail, all simulating inattention to detail.)
- Bloopy things undulating in space:
- Jorinna Scherle makes some interesting “audioreactive 3d-environments.”
- “Bubblegum” signifies… what, I’m not exactly sure–but it’s fun to watch. [Via]
- From the ongoing tilt-shift chronicles:
- Dig Keith Loutit’s “Bathtub IV.”
- Codebreaker’s used the technique to create a music video.
June 13, 2009
The Photoshop Marketplace is live
Adobe has just launched the Photoshop Marketplace, designed to offer the most up-to-date listing of Photoshop resources–everything from plug-ins & books to communities & events.
According to the site, Marketplace:
- Allows you to discover a variety of companies, products, services, events, and communities related to Photoshop
- Provides information about each offering, including number of click-throughs, ratings, reviews, and comments
- Enables you to share an offering with a friend directly from Photoshop Marketplace
- Gives you various ways to browse and search for offerings
- Enables you to rate and review offerings
- Offers easy access to updates via RSS feeds
Anyone can publish information about solutions related to Photoshop, including details about events, hardware, software, training (for example, books or DVDs), communities, etc. For more info, click on the “Become a Publisher” box on the main page. (The site admin suggests reading through that section in the FAQ.) [Via Allison Goffman]
Unintended humor
Occasionally I have to laugh at–not with–the comments I receive here. This week’s gem:
can i have the full version of adobe photoshop cs4 for free,cause this is our business that’s why i need it.
Wow, that’s awesome. It’s for your business? Well, coming right up, then!
Coincidentally, from the “having no concept of/respect for others’ intellectual property” department, reader Torben Brams passed along this little gem.
June 11, 2009
If a chip architecture fell in the forest…
…would anyone hear it? Not if it’s PowerPC, apparently.
I’m kind of amazed at the absolute lack of discussion of the fact that Snow Leopard (Mac OS X 10.6) will be the first Mac OS in fifteen years not to support PowerPC. The one mention I’ve found was a CNET article. Jeez–nobody wants to pour one out for the dead homie*?
I dunno; maybe I’m just a little sentimental. For what it’s worth,
- I remember being a freshman in college & hearing about this amazing new RISC design–seeing a chart showing the 601, 603 & 604, and finally the 620 aiming higher and higher. Mac über Alles!
- We named the 7100/66 in our computer lab “Rocket Sled”–66MHz of musclebound fury, suckkaz.
- I just about danced when Exponential announced the oh-my-God-533MHz X704 chip in 1996. I even printed out their press release & hung it on my door to shame my Mac-hating friends. (God, I was totally mental…)
- Being a real fanboy, I talked up the “megahertz myth” to anyone who’d listen (and to everyone else for good measure).
- Years later, working on Photoshop, I knew PS performance engineer Chris Cox had some sort of incredible machine in his office (could it be the mythical “G5″?), but of course it was hush-hush and only he could see it.
Ah well. It was a good ride. Thanks to everyone at Apple, IBM, Motorola, Metrowerks, all the independent software vendors, and everyone else who made it all possible.
One last thing: I have to laughing at all the articles cheering Snow Leopard’s 6GB** reduction in install footprint, all without mentioning the loss of PowerPC support. At it happens, we could cut the installed size of Photoshop on Mac in half by dropping PPC support. (Of course, packaging 32- & 64-bit binaries together will push it right back up. Too bad those first Intel Macs had 32-bit chips.)
*Quite a difference from when Adobe got crucified for going Intel-only with Soundbooth. And yes yes, I know that time changes things, but I’m still picking carbonized bits out of my hide on that one.
** I hate bloat, and everyone likes getting storage space back. Of course, 6GB of storage will set you back roughly 50 cents at Fry’s.
June 07, 2009
RetouchPro Live with Steve Caplin this Wednesday
RetouchPro.com is hosting another live session: “Perfecting the Montage” is slated for this Wednesday at 12 noon Chicago time (other time zone info).
Watch live in your Web browser as internationally recognized photo-illustrator Steve Caplin creates an original photomontage and answers your questions about masking, compositing, and anything else that happens to come up.
Check out the site for more info & to sign up for future session notifications.
Monitor lust
(which I don’t mean as a complete, imperative sentence)
- “Sharp has developed a full HD LCD panel that mixes the hue of each pixel from a palette of five colours rather than the usual three. The result, the company claimed, is the ability to render faithfully the colour space of the unaided human eye.” Each pixel “not only has the usual red, green and blue colour elements but also cyan and yellow sub-pixels too.” This news led to a long email discussion among Photoshop engineers about rods & cones, the Purkinje effect, the hard-wiring of mouse brains, and so on. (I’m not kidding, and it’s one of the reasons I love working on the team.) [Via Jerry Harris]
- NEC’s huge CRV43 LCD display offers a gently curving, 43-inch, 2,880 x 900 resolution panel–for a mere $8,000. Looks really cool, though I’m surprised the resolution isn’t higher. (My 17″ MBP offers 30% more vertical resolution.) [Via]
June 06, 2009
You can stop asking for an “Add” mode in Photoshop
…because it’s already in there: “Linear Dodge (Add).” Seriously. Please tell a video-editing/compositing friend. :-)
I’m not entirely sure about the naming history–that is, why Photoshop doesn’t just call Add “Add.” I think it has something to do with the fact that Calculations in PS already has “Add” and “Subtract” functions, and at the time the blending mode was introduced, the team didn’t want to cause confusion with Calculations.
Of course, confusion has ensued regardless, so maybe it’s time to simply switch the blending mode name to be “Add (Linear Dodge).” Just know that if we do that and people still ask for Add, my head may literally explode.
May 24, 2009
Julieanne Kost makes Fast Company’s Top 100
I’m delighted to see that our globetrotting colleague & friend Julieanne Kost, Adobe Evangelist, is #67* on Fast Company’s list of the 100 Most Creative People in Business. Congrats, Julieanne! They could not have picked a nicer, harder working, more down-to-earth person to honor. Check out Julieanne’s photography, tips on Photoshop & Lightroom, her book Window Seat, and her blog (available inside PS CS4) for more info.
* “So, according to this, do you know who she’s more creative than?” my boss Kevin started to ask in his staff meeting, meaning to mention Brian Eno (#83), Zaha Hadid (#68) and other luminaries. “You mean besides all of us in this room?,” I asked.
May 19, 2009
“Ask A Photoshop PM”
For years now The Onion has been running their “Ask A {So-And-So}” series of articles (e.g. “Ask A Navy SEAL“), in which a bizarre choice for an advice columnist replies to every inquiry with complete non-sequiturs. Last night my fellow PM Bryan O’Neil Hughes asked me a family-related question that I somehow turned into a discussion of a planned Photoshop feature. “You know,” he said, “this whole thread is straight from the Onion’s ‘Ask a Photoshop Product Manager’”:
Dear PS PM, I’m having trouble choosing a good gift for Valentine’s Day. I just want to do something special for my boyfriend. Do you have any ideas?PS PM: So, you want to start through Camera Raw or Lightroom, making sure you’re converting to DNG. I really recommend that you preserve the fidelity of your image’s 16-bit data and embrace a Smart Object workflow….once in Photoshop….
Worldwide Photowalks, live online retouching
Brief notes on upcoming events:
- Scott Kelby & his crew have announced their Second Annual Worldwide Photowalk. The event is set for Saturday, July 18th, and plenty of details are on the site, including a list of the ~200 cities already signed up. Check out Scott’s brief FAQ for more.
- RetouchPro.com is launching RetouchPRO LIVE, a two hour real-time retouching demonstration and Q/A event. Chris Tarantino is slated to present the first installment on Wednesday, May 27, at 8pm CDT (0200 GMT on the 28th). Doug Nelson of RetouchPro writes “Tickets are only $10, and attendees will watch Chris Tarantino do a beauty retouch in real time using PS CS4. I’ll be along as host and interviewer. If there’s enough time afterwards, Chris will answer questions from the audience about his technique or working as a professional retoucher.”
May 18, 2009
Cooliris enables fast, 3D-enhanced Web browsing
In the past I’ve enthused about “PicLens,” a Web browser plug-in that enables crazy-fast 3D slideshows for Flickr, Facebook, and more. PicLens was renamed Cooliris, and the team behind it keeps adding slick features. I was delighted to see that the plug-in now supports the Safari 4 beta, can browse local files, display image metadata, and more. Check out the features page for more info.
May 17, 2009
Blog server update seems to be working
The fact that you’re reading this text indicates that this weekend’s blog server upgrade has gone according to plan. If you experience any weirdness (e.g. problems posting comments), please drop me a line (jnack at adobe); thanks.
Photoshop engineers talk GPU: Birds, biplanes, mules, & more
A couple of senior Photoshop engineers have offered sometimes colorful perspectives on the challenges inherent in tapping into graphics processors’ great potential.
- TGDaily spoke to Photoshop architect Russell Williams and me about Photoshop and the GPU. To illustrate the bottleneck of reading data back from the GPU, Russell “compared this scenario to a company that would like to print local papers in San Jose, but decides to go with a printer in New York. ‘You will have to fly the data to New York, and it’s returned on a bi-plane.’”
- Imaging Resource conducted a similarly themed interview with Jerry Harris. “It’s hard to actually achieve that theoretical goal when running in parallel,” he said. “So it’s sort of like working with a bunch of mules. You might work with two of them but four or five, forget it. They don’t want to behave. Where a GPU is more like a stream of fish you see in the ocean or a flock of birds. They just seem to do better with more of them. More naturally suited.”
PS: I should reiterate that we’re quite actively engaged with the GPU makers. We’re working together to tune both the hardware & the software sides of the equation, and I see encouraging signs.
May 15, 2009
Bloginator: Salvation
Cue Neil Young warbling “Tonight’s the ni-iiiight…”
Well, after many years of discussion, planning, and pauses, Adobe’s blogging infrastructure team is due to push us live to a new system (based on Movable Type 4.25) tonight. Much goodness should result (at a minimum not having the server crap out when you’re trying to post a comment), though from about 10pm Pacific time (0600 GMT) I won’t be able to post anything for a while. More importantly:
Commenting will be disabled until the transition is complete, and you’ll experience errors if you try to post a comment.
I’ll post the all-clear when things are back to normal. And if that doesn’t happen & you never hear from me again, well, it’s been real!
May 13, 2009
Old-school imaging: Warhol on the Amiga
Let’s hear it for flood fill! [Via]
I lusted after an Amiga or a Mac back then. It took several years to talk my folks into getting an Apple IIgs (2.8 MHz, suckkaz!). I’m reminded of a tweet I saw yesterday: “Going to take some pictures that will blow your mind today. With an Apple Quicktake. Oh yeah, 0.3 Megapixels of pure digital SEX.”
In other news, David Hockney now draws with an iPhone. I mostly dig the tiny easel that supports it.
May 08, 2009
I, Twit(ter)
I have the attention span of… wait, hang on… uh… {spinning beachball pupils}… shiny thing shiny thing, start two emails, open three tabs… ah yes–the attention span of a sugar-smacked third grader. Therefore I’ve tried to keep Twitter at arm’s length, to say the least. I’ve felt like Old Man (Jon) Stewart shaking his fist at the technology, digging how McSweeny’s has characterized it:
Twitter seems to be, first and foremost, an online haven where teenagers making drugs can telegraph secret code words to arrange gang fights and orgies. It also functions as a vehicle for teasing peers until they commit suicide.
As my friend Hughes says, “It’s like reading someone’s life in fortune cookies–and about as nutritious*.”
Ah, but now, for whatever reason, I’ve taken the plunge and am on Twitter as jnack. It’s a little like a dog catching a car, though: now what does he do with it? People seem happy I’m there, but I’m not quite sure what they’re expecting.
I’m curious what you, as a reader of this blog, would like to see.
- Should I create separate profiles in order to separate kid-related stuff from Adobe-related stuff? Or do you actually want to hear about our toddler celebrating bacon?
- Should I post content on Twitter first (offering immediacy without context), then take the time to group things here as I always have? (I’ve structured this blog as one I’d want to read. I’d generally prefer to have fewer, better links than to have more random ones, and I’d prefer to have a sense of what to expect before clicking.)
- Should I look into pulling my feed onto the blog as some sort of sidebar? (I have no idea what’s possible, just that it’s gotta be doable.)
- Are there tools that you’d recommend to make Twitter more useful? So far Tweetie seems good, and I’m playing with Birdhouse and Twitterific on my iPhone.
I don’t just want to hear myself talk. It’ll be worth tweeting only if people are actually getting something useful out of the effort, so I welcome any thoughts or advice you’d like to share.
Thanks,
J.
*What a perfect tweet, say I, having immediately become the pusher-man.
May 07, 2009
Innovation vs. Affirmation
Nothing groundbreaking here, just an anecdote & observation.
Yesterday I bumped into Bill Hensler, Adobe’s VP of engineering for video products, and somehow conversation turned to his time as a Motorola intern back in the ’80s–back before even Gordon Gekko was rockin’ a mobile phone. “We did a lot of focus group research,” said Bill. “You know who wanted a mobile phone back then? Nobody. People would say, ‘Why would I want to be interrupted at a restaurant or a ball game? It’s bad enough when people call during dinner.’”
It’s easy to want customers to gift-wrap directions, and Adobe certainly puts rigor into its data-gathering process. (For example, teams go on the road & present customers with a list of potential features, then ask them to stack-rank the ideas, allocate $100 of engineering effort among them, etc.). That approach helps affirm one’s next couple of steps, but it’s obviously not a recipe for bold leaps. (“If I had asked my customers what they wanted, they would have said a faster horse,” noted Henry Ford.)
I mention this as someone who’s been advancing a few “crazy” ideas for some time, often to the sound of crickets. Sometimes, though, you’ve gotta say, “They’ll like us when we win.”
May 05, 2009
PICT support in Photoshop: An update
Thanks for the quick and detailed feedback on whether to drop support for PICT files in Photoshop. Going forward our plan (at least for the foreseeable future) is to keep reading these files, but not to keep writing them.
For the sake of completeness, I’ll mention that I don’t think Photoshop will continue to read QuickDraw-based PICT files (as QuickDraw is unsupported in Cocoa/64-bit). I don’t expect that to matter, thought: Photoshop CS4 dropped QuickDraw PICT support on Windows & no one has mentioned it. Additionally, no one who commented in response to my query talked about using this flavor of PICT; rather, people talked about using raster PICTs, and Photoshop will still support opening those.
May 04, 2009
Some thoughts about the PSD format
Here’s what I think people want to know: Is Photoshop’s PSD format a goofy, antiquated piece of crap, and by extension is Photoshop slow, clumsy, and/or outdated?
No. (Read on for details.)
April 30, 2009
Dook dook dook… More wet-whistled podcasting
Reprising the session from a couple of weeks ago, I again joined Deke McClelland & Colleen Wheeler for a Martini Hour podcast. This time we were joined by Adobe creative director Russell Brown. Both conversation & sidecars flowed freely, though only the latter stayed within predictable boundaries.
April 28, 2009
Jon Stewart on Photoshop
Regarding the low-level fly-over of NYC by an Air Force One 747 trailed by fighter jets–an act that inadvertently terrorized New Yorkers:
“Hey, you know another way you could’ve gotten that picture… Photoshop. Remember? We did it? [showing obviously faked picture of Joe Biden flying the plane] Remember?? Oh, but that’s right, Photoshop can look so fake–when the look of terror on so many people’s faces today, you can’t fake that.”
My wife made exactly the same suggestion upon hearing the news earlier in the day.
Update: Here’s the clip:
| The Daily Show With Jon Stewart | M – Th 11p / 10c | |||
| Mistakes on a Plane | ||||
|
||||
April 27, 2009
Best practices, PSD to CSS?
What exactly is the best way to construct a Web page comp in Photoshop, then convert it to a clean, CSS-based HTML layout? To many designers the process remains a black art.
At Photoshop World I got to chat with the guys from WebAssist, a developer with a distinguished track record of extending Dreamweaver, Flash, and Fireworks, about their new CSS Designer Starter Kit for Photoshop. In describing the $19.99 training product, the company writes:
If that sounds appealing, check out the feature tour on the product page.
Elsewhere, PSDTUTS lists a set of 30 Brilliantly Flexible Templates & WordPress Themes. Each one goes for $15 or so. Meanwhile, PSDtoWordPress will have a real person do just what it says, for a fee. [Via] Adobe Blogs use Movable Type, so I can’t evaluate either offering, but I certainly see the appeal: I found skinning this blog fairly painful.
For “effortless conversion of your Photoshop designs into standards-compliant, CSS-rich webpages,” check out MediaLab’s SiteGrinder 2. The plug-in runs entirely within Photoshop and promises to require no hand coding. Check out the product’s feature tour for more info.
If you know of other good tips or resources in this department, please feel free to share them.
Update: How I could have failed to mention Fireworks, I don’t know. FW offers excellent PSD import, and in CS4 its CSS-generating chops are better than ever. See John Wylie’s notes on Exporting CSS and images in Fireworks CS4 for more details. [Via Kevin Stohlmeyer]
April 19, 2009
BlendFu: Brushing + previews
Numerous sites (including Adobe’s own Exchange) facilitate the sharing of Photoshop brushes, but BlendFu caught my eye for its inclusion of a cool Flash-based preview engine. You can load up a brush tip, then vary brush engine settings (e.g. size, scatter) & lay down some sample strokes. Groovy. [Via Freddy Wang]
Incidentally, I continue to long for a day when a background synchronization agent (a la the one that syncs contacts & bookmarks between a desktop & an iPhone) would observe the creation/modification of all Adobe app files (brushes, swatches, actions, styles, etc.) and sync them with an online repository.
- Your settings–i.e. that little layer of DNA that makes your copy of an app yours–would be backed up at all times, period.
- To share any bit of content (e.g. a set of brushes), you’d simply check a box, then optionally add some metadata (keywords, description, etc.).
- You could browse & use others’ shared content right from within your app. For example, in the Brushes panel you could type “airport signage” to get matching brushes–no need to leave the app, start downloading & installing files, etc.
Note: I’m not hinting at anything specific, just sharing a very long-standing desire to plug the “Photoshop Nation” that much more directly into the software itself, helping people continuously improve the tools for themselves & for others.
April 18, 2009
Remaindered Links, Vol. 2
Everything must go…
- 19 great ads. The Hoover & Amnesty International pieces are my favorites. [Via]
- George Lucas frozen in Carbonite
- Design history:
- Current Apple design owes more than a small debt to 1960′s Braun, it would appear. [Via]
- Cold War Calculators rounds up just one thing. Check out the book. [Via]
- Post-It note sculptures [Via]
April 16, 2009
Remaindered Links, Vol. 1
I obviously scan a ton of content in order to create this blog, and rather than just spray random links, I like to group them & add a little context. The process consumes more time than you’d think, though, and I’ve managed to rack up hundreds of links that just haven’t fit into other posts. Therefore, being on vacation this week, I’m clearing out a bunch of old, random, potentially interesting stuff that would otherwise go unmentioned.
- Customers mistake familiarity for superiority [Via]
- David Byrne goes to IKEA
- Eastern Bloc:
- "Svimvear!!" Sweet Russian fashions of the ’80s
- Weird Serb Christmas tank.
- Modular pie-cosahedron [Via]
- Arrogance + Humility = Design
- An alarm clock you have to chase
- Terrible iPhone concepts [Via]
- Automotive:
- Hubcap creatures [Via Bryan O'Neil Hughes]
- Hood ornaments
- Great examples of urban camouflage [Via]
- Now-defunct musicians Fine China have the best band URL I’ve ever heard.
Funky error messages o’ the day
Check out what Daring Fireball calls the “Jedi Mind Trick Error Dialog in Dreamweaver.” I have to smile a little thinking about similar alerts that could pop up from time to time: “Photoshop is not messing with picutres of your exes. Nope, don’t know where you heard that. [OK]*”
Elsewhere, I just stumbled upon this old weirdness in the bowels of my hard drive. It’s a screenshot I took ~15 years ago, squirreled away, and forgot until now. Props to that old developer for having a sense of humor.
* Absolutely tangential, and in no way work-related, but tied to the “don’t sweat it vibe”: Peter Bjorn & John’s “Nothing To Worry About” video.
April 15, 2009
Questionable uses of Photoshop
- Sex, Lies, and Photoshop: Jesse Epstein interviews retouchers and talks about, among other things, the French government’s desire to mandate the disclosure of image manipulation. [Via Marc Pawliger] Much related conversation ensues on The Online Photographer blog. This reminds me of a Kurt Vonnegut/Kilgore Trout story in which unrealistic body images pave the way to interplanetary conquest.
- The Danish Press Photography Union has excluded photojournalist Klavs Bo Christensen from the judging for this year’s Press Photo Awards due to excessive post-processing (in Danish*; here’s a machine-translated version.) Again T.O.P. features discussion. [Via Zalman Stern]
- Government in action:
- “Women in Israeli govt? Not if Photoshop can help,” reports the Seattle Times. [Via Margot Nack]
- AP Suspends Use of U.S. Army Photos Over Digital Alteration
* Does “råfiler” mean “raw files”? If so, cool. I’m always a fan of the “a with the little hat.”)
April 12, 2009
Suggestions for making feature requests
Developer Garrett Dimon has posted a nice set of suggestions for making feature requests. None of them are likely to come as a surprise, but it’s still a good refresher of things to bear in mind.
I mention this, by the way, not just as someone on the receiving end of feature requests, but as one who frequently makes them. Working with other teams at Adobe, we frequently pass along what we’ve heard from customers plus our own ideas for other products. Interacting with teams like Flash Player, I have to remember that they’re just as overwhelmed with good suggestions as we are on Photoshop, and that everyone comes to them asking for “just this one thing.”
Before I came to Adobe, I’d frequently craft suggestions for Adobe, Macromedia, and other companies. (In fact, I think they hired me in part to say, “Okay, smart guy–let’s see *you* do it!”) Garrett’s suggestions ring true in my experience. [Via]
[Update: I meant to mentione that the Acrobat.com team has kicked off ideas.acrobat.com to help gather community feedback & conduct discussions. We're thinking about similar options for Photoshop. --J.]
April 11, 2009
Adobe podcasts, sober & otherwise
Not long ago, I was snatched off my bike, thrown in the back of a dirty Econoline van (is there any other kind?), and taken to the undisclosed location of Martini Hour, the imbibing-positive podcast featuring long-time Photoshop expert Deke McClelland & editor Colleen Wheeler. Over the course of a half hour or so, we talk about sidecars (.XMP & otherwise), “the labyrinthian nature of Photoshop” (not in the David Bowie/Muppet-sense), Eyes Wide Shut, and more.
Here are the regular & high quality versions of the file.
Elsewhere, photographer & author Derrick Story sat down with the man who oversees Photoshop & Lightroom engineering:
The perfect blend for a Photoshop discussion: an expert who oversees the Photoshop engineering team, and who is a photographer too. Meet Winston Hendrickson, Sr. Director, Engineering, Digital Media, forAdobe.During this chat in a conference room at Adobe headquarters, Winston and I talk about what’s happening under the hood for Bridge, ACR, and Photoshop. He explains lots of goodies such as, the difference between the Lightroom and Bridge “databases,” the similarities between the Develop module in Lightroom and the sliders in ACR, improvements in Photoshop, and some great lesser-known features such as Camera Profiles. Terrific, informative interview.
The chat, downloadable directly here, runs 29 minutes.
April 10, 2009
Friday Photography: NYC, Morlocks, & more
- “Danish photographer Peter Funch stakes New York City street corners out for two weeks at a time, taking pictures of passersby from the very same spot.” He then uses Photoshop to composite the results into single images. I love the mass of yawners. [Via Dave Dobish & VSL]
- Tomato-upon-dog? Nothin’ wrong with that.
- Sony Photographer of the Year Awards 2009 features, as expected, some winning pix. Dig this one from Amit Madheshiya. [Via Emma Wilkinson]
- Photojojo shows a simple technique using old photos that might, as a side effect, land you in “a nightmarish half-life of Morlocks, flux capacitors and Michael J. Fox”–oh my.
- Al Vinjamur shares his large & impressive wildlife photography portfolio. [Via Ken Lawson]
April 09, 2009
Scripters needed for ESTK review, testing
Adobe is developing a new version of the ExtendScript Toolkit for use with CS4, and the development team is looking for input. Program manager Elba Sobrino writes:
I am collecting the names of any external developers who may be interested in installing and testing this new ESTK CS5 with their CS4 products, including InDesign, After Effects, Photoshop, and Illustrator. Please contact me directly if you’d like to participate and provide your feedback.
April 08, 2009
Bay Area PUG meetings this week, month
The San Francisco Photoshop User Group is meeting tomorrow night, and the San Jose chapter is meeting on Tuesday the 21st. Here’s the agenda for both meetings:
Photoshop Product Manager Bryan O’Neil Hughes will deliver a presentation on the many new technologies released since CS4, including the DNG Profile Editor, Pixel Bender, updates to Camera Raw/Lightroom and a recent performance update to Photoshop CS4. Additionally Bryan will show and discuss some hidden gems for photographers in CS4.
The new version of Bryan’s Black & White book is now out, so he may well show some interesting B&W techniques.
To RSVP & for details, check out the San Francisco and San Jose meeting pages.
Photoshop PM baby boom continues
We’re delighted to learn that young Gareth David Clark Graham, the 2.0 launch from our fellow product mgr. Pam Clark & husband Greer, has come into the world. The little hombre is 8 lbs 6 oz, 21 inches, and quite sleepy, but everyone is doing great. Congrats, guys! Now it’s up to Margot & me to round out the explosion in July (Project “El Segundo” remains on track), bringing the total to six MicroPMs in sixteen months (!). (No word yet on whether the babies will join together to form one large, Suite-steering megachild.)
April 07, 2009
Do you use PICT?
Do you read/write the old PICT file format in Photoshop? We’re not aware of current workflows that have any dependency on the format, but if you have one, please speak up ASAP.
As we move Photoshop forward, we need to keep pruning dead branches off the tree (rather than spend time rewriting them for Cocoa, 64-bit, etc.). We’d like to drop PICT support unless there’s a good reason to keep it around.
[Update: Thanks for the quick & copious feedback. I got a kick out of reader Gordon Williams's suggestion that the Photoshop team put old features "On Notice," Colbert-style.]
[Update 2: Based on your feedback, the plan is that in the future, Photoshop will keep reading, but will no longer write, PICT files.]
April 05, 2009
Adobe User-to-User forums upgraded
The folks responsible for managing the Adobe User-to-User Forums are excited to announce that the legacy Adobe and Macromedia forums have now been integrated onto a single platform, and they asked me to help spread the word.
Notable highlights:
- Integration of Adobe ID for true single sign-on to all forums
- Updated look and feel, more consistent with other forum systems
- Email participation, including starting a new discussion and alerts
- RSS feeds for many parts of the forum (topics, users, announcements, etc.)
- Improved moderation capabilities (hosts can delete inappropriate content)
- Rich text options: inline images and videos, file attachments, code samples
- Improved search capabilities:
- Wildcard searches (Multiple or single character)
- Fuzzy Search (e.g. searching for “foam” also retrieves “roams”)
- Proximity, weighting, date range, specific user
Want to chat at NAB?
If you’re planning to attend the NAB tradeshow in Las Vegas in a couple of weeks and would like to discuss your ideas for Photoshop vis-à-vis film & video production, drop me a line. I’m planning to be in town at least part of Monday, Tuesday, and Wednesday & would love to hear your thoughts. The company is planning a number of events at the show, so check out this list for more details.
April 01, 2009
Filter Forge for Mac arrives
Filter Forge , the Photoshop plug-in that lets you build your own filters, is now available for the Mac as well as Windows. Filter Forge consists of a node-based editor used for assembling a series of mathematical operations into a filter. The tool is available in a variety of editions, ranging from $6 (!) to $209 (regularly $299). $69 gets you access to the nearly 6,000 filters already generated by users.
March 26, 2009
New Wacom Intuos4 rocks!
If you have the slightest interest in computer drawing tablets, you need to see this thing.
Back in college, probably 15 years ago (dang…), I somehow persuaded my parents to let me buy a Wacom tablet for my Mac. The device blew my mind, and I remember spending the whole day at the dining room table, drawing & painting in Photoshop and Painter. I knew it was a transformative tool.
I felt echoes of that sensation playing with Wacom’s new Intuos4 tablet. The new device shows the results of some close collaboration between Wacom & Adobe during its development.
Until now I’ve never really been satisfied with the feel of the contact between the tablet surface & pen nib, as it’s always felt to me more like plastic-on-plastic than pen on paper. The new surface, however, feels great. My wife tried it and immediately said, “Oh, it feels just like a Sharpie.”
The Intuos4 introduces a clever, iPod-style TouchRing. A button in the center lets you cycle the behavior of the ring, letting it change brush size, rotate the canvas, move up/down through the layers stack, and more (screenshot). Being recessed, the ring is much less likely than the previous TouchStrips to get activated accidentally as you drag your hand past it.
The tablet also supports a very cool on-screen “pie menu” that supports quickly switching tools & running commands. Pressing a key on the tablet invokes the menu contextually, under your cursor, and you can configure the commands associated with it (screenshot). It’s similar to the “tooldial” from Logitech’s deceased NuLOOQ device. Frankly I’ve always been bummed that Adobe apps haven’t offered this kind of menu, so it’s great seeing Wacom step up to the plate.
The tablet design team flew down from Portland a number of times during development to consult with Adobe teams. As we don’t design hardware, it was fun to play with the various plastic mockups to evaluate feel & functionality. Wacom’s Joel Bryant writes,
We worked with Adobe to understand what features we could add that most complemented the direction you were going with CS4 and get validation on some of the ideas that we had such as the ExpressKey Displays. One direction that was totally changed based upon Adobe feedback was using the Touch Ring vs. the existing Touch Strip design (customer research had them with even preference). From the Adobe perspective, the Touch Ring fit much better with the CS4 Rotate Canvas feature especially. So we actually made that change directly based on Adobe feedback.Also, the defaults for the different ExpressKey and Touch Ring modes were based directly on Adobe feedback and we worked collboratively with Jerry Harris to get the right code into Photoshop to support it. We actually went back and forth with the Adobe team a few times with prototypes to validate that the overall Intuos4 design did indeed have synergy with the CS4 design.
I don’t want to gush all day, so I’ll wrap by saying congrats to the Intuos team on an excellent release. PC Magazine has posted a detailed overview, so check it out if you want a deeper dive.
March 24, 2009
New version control system for Photoshop
The folks at PixelNovel (whom I’ve mentioned previously for their FlickrShop & ComparePSD tools) have created Timeline–what appears to be a very cool Subversion-based version control system for Photoshop. As they describe it:
Timeline works as a Photoshop plug-in and features a unique user interface that allows you to always see the file’s history and save and get file versions without switching from the main Photoshop window. The plug-in is free of charge.Together with the Photoshop plug-in the users get their own online space on the PixelNovel server.
One of the key features of the Timeline version control system is the web interface to your account. You (or your clients) can view all versions of your files online on any computer with Internet access, the comments for the versions, and also download individual versions in the PSD format.
This means that you can access your projects from anywhere in the world – either using Adobe Photoshop or any web browser.
As noted, the plug-in is free, and you pay for the service based on usage. I haven’t gotten to try it myself, but I like the idea, and the development team is eager to recruit beta testers. Check out their site for more info. [Via Anatoly Paraev]
Stop-Motion Photoshop
Heh–now this you don’t see every day: a pen & paper simulation of working in Photoshop:
The video was created by 15-year-old Josh Sunshine with a little assist from padre/Photoshop author David Asch (who used Photoshop Extended to color-correct the piece).
Man, thank goodness none of this stuff was available when I was younger. I’d probably still be holed up in my parents’ den!
March 13, 2009
GridIron Flow saves Adobe designer’s bacon
A number of folks on Adobe’s internal design team have been putting the beta of GridIron Flow through its paces. Among other things, Flow can automatically version your files (much like Apple’s Time Machine, but continuously as you work and without relying on an external drive).
I just saw this comment from designer Cynthia Fong:
Yesterday, I accidently saved over a file that I didn’t want to, so I opened
it in FLOW and retrieved my previous version. SWEET!
I’ve always said that the beauty of Flow is that it’s like an airbag–totally unobtrusive unless and until you need it. The software does lots of other things, too, but I think its file protection features will be the first to pay off for most people. You can download the free beta from the GridIron site.
(For the record, I don’t have any formal tie to or vested interest in these guys. I just dig what they’re up to & would have loved it in my previous life as a Web designer. If I could somehow clone myself, I’d go work on Flow in addition to Photoshop.)
Tangentially related: my new 17″ MacBook Pro just arrived yesterday (yeah!), and Time Machine did its usual scary-good job of facilitating transfer from one machine to another. The fact that I have last week’s browser history on a machine that showed up yesterday is pretty amazing. (FWIW I’d previously hit a file permissions problem when backing up to my Drobo, but these steps from MacFixIt got me sorted out–and I didn’t even manage to nuke my hard drive via Terminal. Thanks, guys.)
March 09, 2009
Come speak at MAX in October
The Adobe MAX conference is already starting to take shape for this fall (Oct. 4-7 in Los Angeles), and the organizers are looking for good speakers. I’m told that the proposals are pretty geek-heavy so far (lots of emphasis on tools, how-tos, etc.), and we’d like to get more folks talking about their work & creative processes.
Check out Ted Patrick’s call for sessions & labs proposals for more info. And for inspiration, check out some of the presentations from MAX 2008.
New Quark->InDesign migration guide available
The InDesign team has posted a detailed guide (PDF) to chucking QuarkXPress and moving to InDesign CS4. It’s part of a comprehensive set of resources (links to trainers, customer success stories, etc.) available from Adobe.com. [Via Lynly Schambers-Lenox]
February 27, 2009
Cut&Paste competitions underway, in SF tomorrow
The Cut&Paste Digital Design Tournament is back in action, coming soon to a city near you. Here’s a video overview:
Tomorrow night things get underway in San Francisco (7pm, 101 Henry Adams St.). Check the site for other cities/dates/times.
February 24, 2009
Tuesday Illustrations: Pea Pea Dancing & more
- Kid bits:
- Conduct Happiness’s Pea Pea Dance and other drawings are ruthlessly cute.
- Kid Kong: Fun illustrations on these baby blocks make your child seem like “a vengeful god” wreaking havoc on unlucky citizens. [Via]
- Someday I’d love to have my son do a portrait like this of me (sans goatee, etc.).
- Joey Ellis made a set of nifty Letter Monsters to help his son learn the alphabet. [Via]
- I love Johnny Beerens’s water storage tank embellishments.
- The Smoking Gun’s Mug Shot Metamorphosis shows the evolution of a tattooed face. [Via]
- Obama sushi. Really.
February 19, 2009
GridIron Flow arrives in public beta
Last year I described GridIron Flow as offering “Ridiculously cool workflow management.” Now at last you can download the beta and give the team feedback. I’ve grabbed a copy and am really looking forward to giving it a spin.
February 15, 2009
Sir Mix-A-Lot’s “Photo Shop”
Proposed new tagline: “Photoshop: Now Anaconda-Approved.” [Via Abbas Rizvi] And yes, I do feel slightly weird juxtapoxing this with a baby announcement. “This is the strangest life I’ve ever known…*”
[Update: For readers outside the US, here's the YouTube link (while it lasts).]
A Valentine’s treat: New baby PM
Terrific news: just after midnight on Valentine’s Day, one little Miles Lewis Hughes was born to mom Alex & dad (Photoshop PM) Bryan. Congrats, guys!! The wee man (photos one, two, and three) is doing great, and his birth weight was recorded as "One (1) MacBook Pro 17." :-) Taking after the old man, Miles is keeping a list of proposed "Just Do It" tasks. Early entries include Feed Me, Change Me, and Stop Jabbing Me In the Dang Heel. The team can’t wait to meet him.
February 13, 2009
Layer Tennis starts today
It’s game on in about 3 minutes (less by the time you see this). For the uninitiated:
In the coming weeks, we’ll be hosting a series of live design events called Layer Tennis…
Two competitors will swap a file back and forth in real-time, adding to and embellishing the work. Each artist gets fifteen minutes to complete a “volley” and then we post it to the site live. A third participant, a writer, provides play-by-play commentary on the action, as it happens.
Enjoy!
February 11, 2009
SF PUG meeting tonight
Sorry for the late notice, but if you’re in the SF Bay Area this evening, you might want to check out the meeting of the local Photoshop User Group. Kate Chase will be speaking about the business photo retouching & portfolio review, and as always the pizza is on the house. Complete details are here.
New blog from the Adobe installer team
A couple of months ago, some of the managers from the group that builds Adobe’s installer technologies posted their notes here. Now they’ve started a dedicated blog in order to communicate more readily with customers.
From speaking to them, I know they’re eager for readers to be open and candid while recognizing the spirit that’s intended here: providing greater transparency, listening to the community and improving the experience for Adobe customers.
February 10, 2009
Motion goodness: Killer batteries, vegetables, and Elvii
- The titles for Novaya Zemlya take the postcards-in-space aesthetic to the extreme.
- “Early… and terrifying”: the stop-motion Jolly Green Giant.
- Happy New End features a giant Elvis robot, among many, many other things.
- Dig the collage stylings of Mysh and Mashko’s animation The Battery Menace.
- No motion graphics are involved, but this depiction of base-jumping/wingsuit madness deserves a nod just for the cinematography. [Via Joe Nack]
February 01, 2009
Adobe magnetism
Heh–now these I dig: the folks at Brazil’s Meninos are selling sets of magnets styled like the palettes (panels) in Illustrator and Photoshop. As Gizmodo notes, “These magnets can make a whiteboard full of photos look like a screenshot of Photoshop or Illustrator.” (The same guys also offer a fun set of iPhone-inspired coasters.) [Via Lori Grunin]
The project of course recalls the recent “Photoshop adbusting” stunt in Berlin, and it makes me think of the little lapel pin sets of Photoshop icons through history that the Adobe Japan office commissioned a couple of years ago. That’s the kind of unique stuff that I’d like to see offered through the Adobe merchandise site. [Update: I didn't notice that the merchandising site says that its use is, for whatever reason, restricted to Adobe employees. Tattoos, however, remain a free-for-all.]
January 30, 2009
Animated Miscellany
- Adobe XD dude Ethan Eismann rounds up some good animated infographics. (Sorry, but the Royksopp song will be getting into your head; nothing I can do about it.)
- Lernert Engelberts & Sander Plug “built a duo glass harp and learned to play this 18th-century musical instrument in less than 8 weeks. Instead of a classical piece or suchlike, we have chosen the classic 20th-century pop song ‘No limit’ by 2unlimited — easily the worst song ever!” [Via]
- Yuval and Merav Nathan have made a terrific stop-motion piece for Oren Lavie’s “Her Morning Elegance.”
- What is up with Cadbury these days? In any case, let’s hear it for advanced eyebrow stylings. (The balloon scratching makes it.)
January 27, 2009
Adobe Groups
I periodically get questions about whether Adobe-oriented groups exist in a certain region, about how to start up such a group, etc. Now the company has launched groups.adobe.com, a resource meant to "give the Adobe community a place to connect, find one another, and locate communities of people who share their interests." Community mgr. Rachel Luxemburg talks about how the site works & how to get started.
January 26, 2009
Pirated Photoshop carries badness
“Mac trojan horse discovered in pirated Photoshop,” reports Macworld. Yeah, well, what can I say? I’m just mentioning it an an FYI (and so that everyone can stop sending me variations on the link ;-)).
January 23, 2009
Feedback, please: What next for Adobe Bridge?
I think the title pretty much sums it up. We have lots of ideas, but rather than lead with those, I’d really like to hear what you want. The floor is open. [PS: When commenting, it would be helpful to know what version you're using today.] –Thanks, J.
[Update: Wow, thanks for all the great feedback so far. I'm hoping to get a chance to go back in and reply to various comments, but I may end up rolling info into a new post.]
Layer Tennis to return shortly
Layer Tennis (née Photoshop Tennis) is coming back! As summarized by Kottke:
Layer Tennis, the online Photoshop/Flash battle series, is gearing up for another season, starting on Feb 13th and running for twelve weeks. At the end of it all, there will be a single elimination championship tournament. Sign up for season tickets to keep informed and to be able to vote on the outcomes of matches.
In the meantime you can check out "volleys" from previous matches (e.g. this one).
January 13, 2009
InDesign Cmd-H issue fixed in 10.5.6
The InDesign folks asked me to pass along the news that a problem that bedeviled ID CS3/CS4 users on Mac OS X 10.5–namely, that the Cmd-H keyboard shortcut wouldn’t work (or couldn’t be undone)–has been fixed by Apple’s 10.5.6 update. Thanks to all the folks at Apple and Adobe who worked together to get things sorted out. [Via Michael Ninness]
January 12, 2009
Frailty & Jibber Jabber
I sure extract value from the MacBooks Adobe has bought for my use: as I log 12 hours/day on them (sad? impressive? both?), my hands tend to wear crescent-shaped marks into the finish. Now, however, my 17″ MBP’s ability to take a charge has crapped out, meaning that the slightest jiggle to the power cord means instant system shut down. Gooood times! Thus I type this from my wife’s 13″ MB. It makes me realize how dependent I am on a single piece of machinery.
I’m excited about the 17″ system Apple announced last week. The ability to stuff in 8GB of RAM is particularly welcome, though for the $1200 price of adding those last four gigs, you could buy two complete Mac Minis (or a regular MacBook plus an AppleTV!). Mmm, yeah, gonna sit tight on that option for a little while. I was also a little disappointed not to see a quad-core processor option (Acer will sell you one with an 18″ screen for $1800). On the other hand, I suppose I don’t need Whopper-style grill marks on my thighs (hard to explain at swim lessons).
In any case, here’s hoping my regular machine can be brought back to life soon (as it contains all my blog drafts), and that the new ones start shipping soon. In the meantime, Jason D. Moore has just posted an interview we did over the weekend, in case you’re interested.
January 08, 2009
Mo’ good events
- Mordy Golding & the crew at MoGo Media are putting on The Adobe Creative Suite 4 Launch Tour, featuring presentations from Adobe & independent creative professionals. They’ll be in NYC Jan. 16, Chicago Jan. 21, and LA Feb. 19.
- Next Wednesday the 14, the Professional Photographers
of Santa Clara Valley are hosting my fellow PM Bryan O’Neil Hughes, talking about Lightroom 2 and Photoshop CS4, starting at 7pm.
January 07, 2009
New Photoshop contests
Lately I’ve come across some Photoshop-centered contests that might be up your alley:
- Planet Photoshop has kicked off their first Planet Design Contest, offering a pass to Photoshop World, among other prizes. Corey Barker writes,
You are presented with three tutorials that have been selected from the vast library of tutorials here on Planet Photoshop. After watching the tutorials, your assignment is to use the techniques you learn from one or all of them to create an original piece of artwork. Feel free to be as creative as you want. Just think of these tutorials as a springboard as you proceed to create your original art.
The entry deadline is January 15.
- Meanwhile PhotoshopCafe is running “Photoshop — The Concert,” with CS4 Design Premium, an NVIDIA Quadro CX card, and more up for grabs. Colin Smith writes,
Make a poster for a concert with a Photoshop-themed band! The twist? You have to use a tool from Photoshop as the title of the band. (Think of a concert poster with a band that has a Photoshop-themed name, such as “The Healing Brushes,” etc…) Props for wit and cunning! Use any original artwork you desire. You may use any tools or platform you choose, but you must use Photoshop for at least 50% of the Image editing/design.
The deadline for is January 31.
- Lastly, PSDTUTS is showcasing the winners of their recent movie poster design challenge.
January 05, 2009
PUGs (Photoshop User Groups) in SJ, SF this week
The PS User Groups in San Jose and San Francisco are busy this week, holding a pair of events. Tomorrow night the San Jose group meets:
Vincent Isola from Genesis Photography will talk us through a typical capture to ready-to-print workflow. The following topics will be covered in detail:
- Explain color management thought process and workflow and importance of screen to print matching.
- Convert raw files.
- Open images to be worked on in CS3 and prep for print.
- Explain printer drivers and cover color management options.
- Discuss different paper types and their characteristics.
We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose. If the security guard at the parking entrance asks for an Adobe contact, use Bryan O’Neil Hughes’s name. Please RSVP to Dan Clark.
On Thursday the group in SF meets:
Come join the 2009 kick-off of “Photoshop till you drop” – a San Francisco-based user group for Photoshop fanatics. We’ll kick off these meetings with Photoshop Product Manager, Zorana Gee who will take us through a tour of all the new features in Photoshop CS4 and even a taste of 3D in Photoshop CS4 Extended. Her demo will include (but not limit to) new GPU enhancements, time-saving workflow improvements with the new adjustments and mask panels, greatly improved stitching capabilities for both panoramas and a stack of images and a whole bunch of little things that make a huge difference.
The event starts Thursday at 6:45 PM at Adobe’s San Francisco office (601 Townsend St.). Please RSVP here.
December 31, 2008
Year-end motion bits: Kaleidoscopic creatures, Mad Men, & more
- Contraptions:
- “Set up two mirrors at an angle, throw a bunch of animals in it, tape it from above so it looks like a kaleidoscope, and voila! Instant awesome art.” Check out Souvenir de Chine by Körner Union.
- This series of clocks spells out a set of words twice a day.
- oobject features a a gallery of kinetic building facades. I particularly like A facade of apertures, moving in synch with museum visitors.
- Motionographer rounds up a list of this year’s Emmy nominees for Main Title Design.
- Among the nominees are the Mad Men opening titles, which were recently treated to an excellent Simpsons parody.
December 30, 2008
Photoshop & hidden menu items
David Pogue asked a good question the other day:
Is there any way to make CS4 stop hiding menu
commands it doesn’t think I want? Or is every menu selection an additional
click now…?
I knew what had happened. By default Photoshop doesn’t hide menu items. If you use the workspace switcher (screenshot) in the upper-right corner of the app, however, you may end up changing more than panel (palette) locations. You may apply a menu configuration that hides certain menu items.
In CS4 the "Basics" workspace hides some of the more advanced/esoteric menu items. The idea, of course, is to slim down the application so that it’s less overwhelming to new users. Once you’ve applied this workspace, menus will be shorter & will feature an entry for "Show All Menu Items" at the end. Photoshop does pop a dialog box asking whether you want to apply a workspace that changes menus and/or shortcuts, but I think it’s one of those dialogs that makes people say, "Uhhhh… I don’t really want to think about this… so, ‘Yes’?"
Long story short, to get things back to normal, just choose the "Essentials" workspace (which is the default). Photoshop will reset panel, menu, and keyboard shortcut settings.
Frankly this area of PS remains a work in progress. We’ve been slowly building up ways to customize your work environment (workspaces, editable keyboard shorcuts & menu configurations, and now Configurator), but I don’t feel we’ve really "tied the room together" yet. I’d like to see Photoshop (and other Suite apps) ship with workspaces that truly present "everything you need, nothing you don’t" on a moment-by-moment, task-by-task basis. Lightroom takes this approach with its modules, but I think we can go much farther. (And let me add, lest anyone freak out, that I imagine all of this being optional. No one wants to compromise the very general, highly flexible work environments the CS apps present today.)
December 24, 2008
Christmas Eve
Recent scene from the Nack family couch:
Margot: “So, do you post every day?”
J: “Yeah, pretty much.”
M: “Will you not post on Christmas?”
J: “Okay.”
M: (hopeful) “Aaaand… maybe not Christmas Eve?”
J: “Hey, let’s not get crazy…”
I’m planning to take a couple of days off from the ol’ blog, giving the eyeballs & RSS feeds a needed rest. Before doing so, I wanted to say thanks for reading, and to wish you and yours a most joyous Christmahanukwanzaa season. :-)
All the best, and stay frosty,
J. (intermittently partying with M. & the boy, and wikicheting the paper way)
December 23, 2008
OS percentages
Last week I requested feedback about operating system usage among Photoshop CS4 customers, and I said I’d share the findings here. Having gathered some 1,200 responses, I can share a few notes I found interesting.
I was curious mainly about how rapidly Windows-based customers are adopting 64-bit operating systems. You get both 32- and 64-bit flavors of Photoshop in the CS4 box, but plug-in developers need to know when a critical mass of customers will demand 64-bit compatibility. Of current CS4 customers running PS on Windows:
- 39% (!) are using Vista 64
- 8% are planning to migrate in 3-6 months
- 9% are planning to migrate in 6-12 months
- 23% are planning to migrate "at some point"
- 20% are not planning to migrate
I should point out that this poll is hardly scientific–more like sticking your finger in the air to gauge wind direction. Still, I was struck by the high number of people using Vista 64. Of course, the data come from people who bought CS4 in its first two
months, and who are motivated to read my blog and to answer surveys.
My take is that Windows-based customers aren’t in any rush to install Vista on existing hardware, but that when they do buy new machines, they’re going with Vista 64. In any case, it’s great to see people moving forward. The sooner customers drop old technologies, the sooner we can lop off (and stop maintaining) old code.
Here’s another wrinkle in the numbers: among visitors to this blog, Mac browsers account for just
over one third, yet 68% of survey respondents say they run PS
on a Mac (with 60% running it primarily there). I take this to mean Mac
users are disproportionately likely to respond to an OS usage survey. The
same may be true for Vista 64 adopters (who are proud of their choice and
want you to know about it).
If you’d like to see the raw data collected, be my guest.
December 18, 2008
“Use Old Shortcuts” plug-in now Universal
In October I documented the keyboard shortcuts that have changed in Photoshop CS4. I also posted a ZIP file containing a plug-in (Mac)/registry entries (Windows) that remap the channel keys to CS3 behaviors. Unfortunately the plug-in was Intel-only, so PowerPC-based users were out of luck. We’ve now updated the archive to contain universal (Intel & PPC) code. Sorry about the snag. (There’s no need to re-download unless you’re using a PPC-based Mac and want the old shortcut behaviors.)
December 15, 2008
Adobe MAX on Adobe TV
Recordings of the sessions at last month’s Adobe MAX are now appearing on Adobe TV. 16 sessions are now available, with 20 new ones planned to go up every week. [Via Bob Donlon] I’ll be linking to a few key ones in particular as they go live.
December 02, 2008
Notes from Adobe installer management
As I mentioned recently, I asked some of the Adobe staff responsible for designing, building, and managing the company’s installers to provide feedback on the concerns and criticisms we’ve heard regarding CS3 and CS4. In this post’s extended entry, first Barry Hills & then Eric Wilde from the Suite engineering group share their thoughts. –J.
November 22, 2008
Lego together Pixel Bender filters
Like the idea of creating ultra-fast image filters for Photoshop, Flash, and After Effects, but prefer visual authoring to coding/math? Check out Conduit for Pixel Bender, a node-based editing tool for creating and tweaking PB files (see screenshot). I’ve taken it for a spin, and even a math-stooge like me can snap together some interesting stuff.
Conduit for PB is presently in beta testing & can be pre-ordered for €50. It exports PBJ files for use in Flash Player 10 but doesn’t yet generate PBK files or use in Photoshop. Hopefully that support will appear shortly. Meanwhile you can test drive Conduit Live, the free version of the authoring tool, snapping together filters to run on low-res image or video.
See also the free Pixel Bender Toolkit for writing & exporting PB files. [Via]
November 20, 2008
Recent motion goodness
- To make this crazy Toshiba ad, says reader Travis Owens "the creators had to store 20TBs of snapshots."
- I’m not totally sure what it has to do with eating candy bars, but a new Snicker’s spot features metal creatures running wild in the streets. [Via]
- Gnarls Barkley goes hand-drawn superheroic in their new video.
- YouTube Contest Challenges Users To Make A ‘Good’ Video, says The Onion. [Via]
November 18, 2008
Installer issue mini-update
On Thursday I said that I’d gather information from the Adobe installer team and post it here when it’s ready. On Friday and over the weekend, some senior Adobe folks involved in the installer effort started reaching out to Pierre (whose blog post occasioned the need for a response) and John C. Welch to talk through the details.
I appreciate that people are eager for more info, but it seemed only wise/courteous to try to learn more before posting a reply. The timing just now is tough: many of us have been at Adobe MAX from 7AM-10PM since Sunday, so communication is taking a little longer than usual. When I’ve had more time to pull together a proper post, I’ll share it here. (In the meantime, I’d love not to get crucified for trying to do the right thing.)
Thanks,
J.
November 17, 2008
Tokidoki + Free MAX Access
I just got a quick heads-up from the Illustrator team:
Special Offer — Free Pass to Adobe MAX on 11/17 for tokidoki
Come see renowned illustrator Simone Legno from tokidoki at Adobe MAX in San Francisco Monday, 11/17
Space is limited to the first 200 who sign up. Register now at the website below and use the following promo code: CRC998
Registration for Legno’s session will open at 4:00 pm on Monday, November 17. Registration is located at Moscone West, Level 1, 800 Howard Street, San Francisco, CA
Sounds great, and I hope to sneak into the session myself.
[Via Terry Hemphill]
November 14, 2008
CS4 & solid-state drives (SSDs)
There’s an misleading line in the system requirements listed for Photoshop CS4 and other Adobe CS4 products: contrary to the statement that CS4 “cannot install on… flash-based storage devices,” the apps install and run perfectly well on solid-state drives (SSDs), such as those available in the MacBook Air and the new Sony VAIO.
I’m told that the line was written to let customers know that they can’t install on removable flash-based media such as Compact Flash cards. (Yes, people try weird things, then get mad when those things don’t work.)
On a related note, I expect to get some questions about performance impact of using SSDs together with Photoshop. I don’t have any numbers or recommendations to share at the moment, though our performance testing lead has been testing a high-end Fusion-IO drive (160GB,
~$7200 retail).
November 13, 2008
Installer rant
Lots of people are writing me to mention a blog post that rants about the CS4 installer. Yes, I know about the post, thanks. I’m going to work with the installer folks to create a response.
November 11, 2008
MAX Awards People’s Choice voting now open
The Adobe MAX Awards Finalist Gallery is now live and People’s Choice voting is open. You can check out the finalists’ submissions and then click to vote. Adobe’s Lisa Hanna writes,
The voting will close on November 18th at 12:00 noon PST. The People’s Choice winner will be announced that evening at the Sneak Peak and MAX Award Ceremony at MAX. There is no limit to voting and it is open globally.
If you are attending MAX, the Finalists will be displaying their award submissions Monday evening, Nov. 17th from 6:30 – 8:30 pm in the Community Pavilion, Moscone West Level 1. Please drop by and introduce yourself.
November 09, 2008
Kim Jong ‘Shop
The popular & long-running News of the Weird eventually has to retire stories (e.g. ill-informed guys playing Russian Roulette with a semi-automatic pistol) that have repeated themselves out of weirdness. I’m starting to get that feeling about shady government attempts to digitally manipulate reality.
Recently we had the Chinese antelope, followed by Iranian missiles. Now, apparently, the North Korean news agency has engaged in "communist photoshopaganda"–making ailing leader Kim Jong-il appear fit enough to stand with his troops.
When the Dear Leader does kick the can (if he hasn’t already), maybe the propagandists will engage in a whole "Weekend at Kim’s" series, propping up his remains in all kinds of fun contexts. (He’s already got the Elvis specs & a slammin’ physique, so the possibilities seem endless.) [Via Jerry Harris & many others]
November 03, 2008
MAX snax
The Adobe MAX show (Nov. 16-19th in San Francisco) is shaping up to be a whopper, set to break previous attendance records. There’s still time to register (deadline is the 14th), and I hope to see you there. (I’ll be presenting Photoshop & Bridge CS4 on Wednesday the 19th at 2pm.)
If user experience/interface is your thing, be sure to check out the Adobe XD (Experience Design) segments. They’ve posted a list on INSPIRE, their new publication.
October 28, 2008
Me & Woz, down by the schoolyard
Quick–which of the following doesn’t seem to belong?
- Steve Wozniak, co-founder of Apple
- Peter Max, Pop art icon
- Rudolf Frieling, Media Arts Curator @ SF MoMA
- Me (!?), guy without Wikipedia page/icon status (this biz notwithstanding)
Somehow I’ve gotten tapped to serve as a judge with these guys for a digital art contest connected to Macworld:
The Macworld Conference and Expo Digital Art Gallery is now accepting artwork submissions. Images chosen will be exhibited at Macworld being held at Moscone Center in San Francisco January 6-9, 2009.
This competition is open to all Macintosh digital artists in the United States and the cost to enter is $20.00 per artist with a 3-image limit. Artists may enter in either the Student or Hobbyist/Professional category.
I’m kind of tripped out (and flattered) to have any association, however tangential, with a guy whose signature adorned the Apple IIgs after which I lusted in 7th grade. If the contest is up your alley, don’t delay: the deadline to enter is this Friday, Oct. 31. More details are on the site.
October 23, 2008
iPhone bits
I know they’re slightly OT from my usual fare, but you may dig ‘em:
- Cooliris (formerly known as PicLens), the super cool hardware-accelerated browsing plug-in that I’ve praised many times, now makes a version for iPhone. The power of the little GPU in the phone is incredible, and seeing things like this, I’m inclined to agree with John Gruber: “It is our flying cars.”
- David OReilly has created the delightful little iHologram, an animated cat that seems to be jumping off the screen in 3D. [Via]
- Even sweeter? iPhone cupcakes!
October 17, 2008
A quick CS4 housekeeping note
Hoping to make it easier to find CS4-related info, I’ve created a category–blogs.adobe.com/jnack/cs4/–where all such posts will live.
October 16, 2008
Bay Area + Bridge?
We’re planning some customer visits, so if you’re located in the Bay Area and might like to chat face-to-face about Adobe Bridge, drop me a line. We’d like to learn more about how people use the app across a variety of workflows, and to discuss the app–past, present, and future. Whether or not the timing works out for this set of visits (we’re targeting the week of the 27th), it would be good to be in touch.
Thanks,
J.
October 13, 2008
Smoked “J”
Okay, this has nothing to do with anything, really, but you may find it amusing.
I’ve been eagerly awaiting Apple’s next batch of MacBook Pros (my current 17" is nearly 2 years old), and tomorrow they’re due to announce new hardware. In particular I’ve been awaiting the next batch of GPUs, and I’m eager to see whether they go farther with multi-touch technology. (For CS4 we worked with Apple to enable the new gestures on MacBook Pro/Air models to let you zoom, pan, and rotate images in Photoshop and Bridge, and I can’t show off this support with my current rig.)
Anyway, I awoke this morning to discover that the letter "J" (aka the thing I now have to keep on a text file for copy and paste) had stopped working. No warning, no other affected keys–and no J (kind of a big deal for me, for obvious reasons). I’ve had keys occasionally get stuck in the past, but in this case lifting the key and cleaning underneath had no effect. In fact, the key popped off entirely, leaving me with this somewhat disconcerting sight of a glowing stump.
Now I have to explain to my boss that no, really, it’s completely coincidental that my machine broke right before the new ones are announced–I swear. (Mm, yeah, good luck with that…)
October 07, 2008
ADIM & MAX
Next month’s Adobe MAX conference is shaping up to be a great show. These sessions seemed worth a mention:
- Russell Brown has adjusted his popular-and long-running ADIM (Art Directors Invitational Master Class) to coincide with MAX. It’s "the essential two-day, hands-on instructional course that brings top art directors, designers, illustrators, and photographers together to learn advanced tips and techniques using Adobe products." ADIM takes place Sunday & Monday, Nov. 16-17th, and plenty of details are on Russell’s site.
- Dr. Woohoo will be presenting three sessions talking about using Flex+AIR to automate CS3/4. (Here’s some background on that subject if you’re interested.)
- I’ll be covering Photoshop CS4 on Wednesday the 19th 2-3pm, and Bryan Hughes will be giving his PS session 3:30-4:30 that day. You can find other Photoshop-related sessions by clicking the "By Session" tab, then choosing Photoshop from the product drop-down.
October 06, 2008
See CS4, LR2 in person at Adobe HQ
If you’ll be in the San Jose area next Tuesday, Oct. 14, you’re welcome to join us for the next meeting of the area Photoshop User Group. Info, pizza, and drinks are on the house, and event details are below.
Bryan O’Neil Hughes, from Adobe Systems, will show presentations on the new Lightroom 2 and the even newer Photoshop CS4. We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose. To park underneath the Adobe building, use the Almaden Avenue entrance, under the East Tower. If the security guard at the parking entrance asks for an Adobe contact, use Bryan O’Neil Hughes’s name. He’s our contact there (as well as a Photoshop Product Manager). Please RSVP via Evite, and feel free to forward this invitation to anyone you know who might be interested. If you would like to be on our email list, send a note to dan@weinberg-clark.com. See you there, Dan Clark and Tom Upton
October 04, 2008
Last chance to move up from PS7
With the CS3 product cycle, Adobe instituted a "3 versions back" policy on upgrades. That is, you can upgrade to the current version of Adobe tools from any version up to three versions back. In the case of CS3 that meant Photoshop 7, CS, and CS2. With CS4 it’s of course CS through CS3. The upshot is that if you want to upgrade from Photoshop 7, the window is closing, and you’ve got until October 15 to do so.
September 30, 2008
Hughes You Can Use & More
Despite my being "the Rachael Ray of Photoshop PMs" (chatty & overexposed), I’m hardly the only one helping to steer things around here. Just last week my fellow PM Bryan O’Neil Hughes was talking with hundreds of journalists, photographers, and partners at Photokina, alongside Tom Hogarty from Lightroom and our boss, VP Kevin Connor. Meanwhile Photoshop PM Zorana Gee was on tour in Japan, demonstrating Photoshop to several hundred local journalists–even drawing some audible oohs & aahs from a normally very reserved bunch.
Bits you might find interesting from Photokina:
- Bryan spent about 10 minutes demoing CS4 to Dave Etchells of Imaging Resource. It’s a nice tight overview that shows off things like the ability to select, then hide part of a 3D model (in this case to paint the interior of a car).
- He also sat down with Thorsten Wulff for a brief interview.
- Elsewhere on the show floor, Kevin chatted with the guys from Calumet Photographic about Photoshop and Lightroom.
Grim corporate design humor o’ the day
My wife now has the distinction of being (an obviously unwilling) part of the largest bank failure in US history. (As their ads would say, “Woohoo!”) The Design Fail blog predicts the natural evolution of the Washington Mutual logo and brand.
Meanwhile Adobe HQ apparently features what appear to be gallows up on the roof. Talk about some killer Halloween spirit. (Too bad I could never talk building management into using all those LEDs up there to spell out Jenny Holzer’s messages. Now that would unnerve people.)
September 11, 2008
Photoshop GPU advice
In the wake of various sneak peeks, I’m seeing a fair number of questions about what kinds of graphics cards (GPUs) will be required or recommended for running Photoshop going forward.
We’ll have more to say once the new version is announced, but very generally I can say
you’ll want at least 128MB RAM on a card that’s Shader Model 3.0 and OpenGL 2.0 compatible. Of course, more brawn is always welcome, and if you anticipate working with numerous large documents and/or 3D, having 512MB RAM on your card is a good idea.
For what it’s worth, I’ve been demoing by tossing around an enormous image on a 2-year-old ATI Radeon 1600 card (256MB) in a MacBook Pro, and it does just fine. If your GPU doesn’t meet Photoshop’s requirements, you won’t lose any features you have today, but certain new things won’t be enabled. As I say, we can get into more details soon.
September 08, 2008
PS World keynote features more PS.next sneaks
Adobe’s Terry White traveled to Photoshop World and recorded a video podcast of the keynote presentation, during which Adobe VP Johnny Loiacono and I offered some sneak peeks of the next version of Photoshop, as well as a few Adobe Labs projects expected to follow closely behind the new release. [Via] Photographer, artist, and author John Paul Caponigro summarized the demos, and the Photoshop-specific content starts around the 16-minute mark, running 20 minutes or so.
September 07, 2008
Obscure shortcut tips o’ the day
At Photoshop World this week, an attendee asked me why, after switching from Windows to Mac, she was having trouble changing layer blending modes via the keyboard. It turned out the choice of OS had nothing to do with it. Rather, she was missing a subtlety in how these shortcuts work: their target depends on which tool is active.
- With the Move tool (V) selected, you can:
- change a layer’s blending mode by hitting Shift-plus/minus, cycling forward/backward through the available options;
- apply a specific mode via Shift-Opt/Alt-letter (e.g. Shift-Opt-O for Overlay);
- change layer opacity by hitting number keys: "5" sets it to 50%, "6" to 60%, etc., while "55" sets it to 55%, "66" to 66%, and so on. (Insert joke about "666" erasing your hard drive.)
- With other tools selected (Brush, Eraser, Gradient, Clone Stamp–anything that can be applied with its own blending and opacity options), these shortcuts apply to the tool options instead of to the layer. Therefore you can quickly alter your brush opacity by tapping the number keys, but to change the opacity of the layer, you’ll have to switch to the Move tool.
- For completeness I should point out that you could also switch to another tool that doesn’t have it’s own blending options, such as Crop, and have the shortcuts apply to the layer. Really, though, it’s easier to say that Move = layer, and brush = brush where these shortcuts are concerned.
Hopefully that’s of some value/interest. For reference, here (bottom of the page) is a list of the specific blending mode shortcuts. For further geekery I recommend scoring a copy of the Photoshop Power Shortcuts book on which I collaborated with Michael Ninness. Skim it and you’ll quickly see why finding shortcuts for new functions in PS is, ah, non-trivial.
August 23, 2008
“Dear Adobe…”
Dear Adobe is a site devoted to rants & raves (but mostly rants) directed at the Big Red A. You can "Submit Your Gripe" and vote others’ contributions up or down. Although much of this stuff is hard to hear (in part because some of it echoes what’s said privately at Adobe), the site is a valuable exercise. It has driven lots of conversation here: I count 30+ emails from yesterday alone, and that was just among Photoshop team members. We’re listening, and in response to a request from Adobe VP Dave Story, site creator Erik Frick quickly created a Top 25 list (thanks, Erik).
Some thoughts, in no meaningful order:
- About the CS3 installers and updater: We know. Painfully. We could blame it on trying to mash together Macromedia & Adobe in one rev while moving to Mac Intel and Vista simultaneously, but at the end of the day things never should have happened as they did. That’s as much as I personally can say about it.
- Just because it would be unprofessional of me or others to rant about this or that aspect of the company in public, don’t for a second think it’s not happening behind closed doors. As I remind my teammates, "I swear because I care"–and I care a lot, at high volume. It is, to borrow a phrase, "an up-at-dawn, pride-swallowing siege that I will never fully tell you about."
- Similarly, it may look like all we do it ladle on more features (more coats of paint on a creaking house). What’s not apparent is that we–Photoshop at least–are devoting a large chunk of our resources to architectural work that will yield greater speed, stability, and extensibility. I’ll share some more specifics on that soon.
- Russell Williams wrote, "Of course the top engineering item, ‘Stop creating new features and make
your software fast, stable and straightforward,’ really means ‘stop creating
new features except for the ones that really help me.’" Everyone likes to complain about "bloat" while asking for just one or two "wafer-thin" features. Apps will inexorably grow more powerful, and it’s extraordinarily difficult to remove features, but we are taking real steps to make things better.
- Re: "Consistent interfaces. Sweat the details. Designers notice how much you fake this crap." That’s nice. Have you noticed how much more aligned things became in CS3, and how much further that’s been taken in the CS4 betas now revealed? We’re actively making things more consistent, and that will necessarily entail change, pain, and thus bitching. So it goes.
- Re: "Please allow cross-platform upgrades! Thanks to you, I can’t switch from PC to Mac :-(" Sure you can. (How is word not getting out about this?)
- I’m told that the requirement to close your browser during CS3 installation is related to a desire not to overwrite a color settings file that could be in use by Firefox. I agree that it sucks, but at least you know the rationale.
- In response to "You f___ing f___ers should be in jail just for calling that software," Caleb Belohlavek wrote, "Anyone who uses the f-bomb as an adjective and an noun together is tops in my book." He also celebrated, "God help me, your the MILF of the software world. And I love you for it." (I would have thought that some of our apps are GGILFs by now…)
[Via Joe Lencioni & others]
August 17, 2008
Recent motion graphics action
- It’s Imperial Fleet Week SF: The Death Star Over San Francisco. I love how blasé everyone is, totally ignoring the crazy death-machines around them. [Via]
- Guinness keeps producing terrific spots, now painting with light. (How much do you want to get a bunch of friends together to try this?)
- Luchador tennis! Architecture in Helsinki’s new video gets animated using embroidery.
- The titles for We’re Here to Help play with the visual language of government forms (with results groovier than that description would suggest).
August 13, 2008
I can has monster laptop?
Lenovo has just trotted out the ThinkPad W700, a new portable (luggable?) machine geared towards pro photographers and graphic artists. This warlock features:
- Quad-core processor
- Up to 8GB (!) of RAM
- Up to three internal hard drives
- Integrated screen calibrator
- Mini Wacom tablet (!)
- Both SD and CompactFlash card slots
- 17" monitor with 24-bit Dream Color (2.3 million colors)
HDMI video output[Thanks to Bob Rose for the correction]- NVIDIA Quadro FX 3700
Adobe’s Robert McDaniels remarks, "With a 17min battery life and a mere 4" thick and 48lbs case, it also doubles as a space heater, pumping out 52K BTUs per min." Reminds me of the similarly girthy ThinkPad I named "Battlepig" when I started on the Photoshop team. I’m pretty fond of the Mac 17-inchers I’ve been rocking ever since then, but I’d love to see Apple answer the challenge (especially from the integrated tablet). Engadget features more info and a video demo. [Via Tobias Hoellrich, from whom I snatched the subject line as well]
August 08, 2008
888!
Apropos of absolutely nothing Adobe-related, happy 08-08-08! I’m especially into the date as I was born at 10:08 on this day 33 years ago. I celebrated my birthday on 8-8-88 watching the first Chicago Cubs night game on TV. (It being the Cubbies, they got rained out.) I’m told the series of 8′s is auspicious, so I wish you happiness, good fortune, and delightful pixel-wrangling. And with that, I’m closing the computer to have some good times with the family here in Illinois.
August 05, 2008
Thanks!
I recently got word that I’ve been selected to receive an incredibly nice honor–induction into the Photoshop Hall of Fame. I’ve hesitated to mention it for fear of sounding like a shameless little self promoter; on the other hand, it would be worse to seem ungrateful, so to all the folks at the National Association of Photoshop Professionals, thanks so much! I am honored indeed.
I do feel kind of sheepish about this–not through any false modesty, but because there are dozens of incredibly talented, hard-working folks who’ve logged many more years than I have on the Photoshop team, and who right now continue to gut it out in all kinds of unglamorous ways. I can flap my gums all day, but it’s their work that really makes the difference. They deserve the credit and exposure, so maybe I can get cranking on some profiles so that you can get to know more of the peeps behind PS. In the meantime, thanks, guys, for letting me represent you.
J.
PS–Here’s a trippy little twist: having returned to O’Hare this morning to pick up luggage we’d abandoned at midnight (following an epic and awful rain-delayed flight with infant), I walked up behind none other than NAPP chiefs Scott Kelby and Dave Moser. I got to thank them in person for the honor and to wish them good shooting as they teach Chicago Bears bigwigs about sports photography.
August 04, 2008
Photoshop Express adds new features
The peeps behind the Photoshop Express online image editor have been keeping busy, adding drag-and-drop upload, more printing and editing options, and more. According to Macworld,
A couple of the new updates use Adobe’s AIR technology. The Photoshop Express Uploader enables photo uploading from the desktop of any Internet-connected computer. AIR is also behind a feature that “bridges the real-time, dynamic capabilities of the Web with the computing power and data capabilities of the desktop computer,” according to Adobe.
Another handy feature is the ability to drag and drop photos directly from your photo application into Photoshop Express. Users can now also print photos through Shutterfly.
Dynamic slideshows can now have music created exclusively for Photoshop Express. For organizing, the addition of tags allows for easy viewing and searching by name, party, venue, subject and anything else you find useful.
A one-click Resize tool with presets for mobile, Web, e-mail or online Profiles is now available and you can now download photos from anyone’s public album and keep a collection of their favorites.
All of the new features are available immediately by logging into the Photoshop Express Web site.
July 31, 2008
Thursday Illustrations: Human mirrors & more
- Gizmodo hosts a mostly great collection of gadgets P-shopped into fine art. [Via Gary Cohen]
- The loose & sketchy quality of Ad Media Studio’s site is a refreshing antidote to the polychromatic perfection of most Web sites. So, for that matter, is Bjork Ostrom‘s torn-paper site. [Via]
- Dig the simple, efficient problem-solving in Ruben Parra’s logo.
- I love James White’s lines & sense of color. If you do as well, check out his posters for sale.
- Using people to create symmetrical illustrations: Human Mirror, brought to you by the same guys who staged the excellent Frozen Grand Central earlier this year.
July 15, 2008
Photoshop of Horrors
The Daily Show has always put Photoshop to great use*, but now they take things further in response to the Iranian missile manipulation incident. (And who knew that CNN was now demoing the Clone Stamp?) From last night’s episode, in two parts:
See also lots o’ good riffs on Boing Boing. (Shouldn’t it really be a Persian LOLcat, though?) [Update: Engadget readers show off their gags. [Via Adam Jerugim]]
* Personal fave from years back: A photo showed American Special Forces guys teaching Afghan kids baseball while the kids’ somewhat confused dads looked on. TDS modified the image to show a guy in the stands holding a banner that read, “ESPN: Execute Some Pashtuns Now.”
July 09, 2008
A quick housekeeping note
Just a thought: If you’re not into the links I share here, that’s fine. Please don’t feel compelled to take time out of your day (and mine) to write in and say so. Just ignore the stuff, as plenty of others seem to find it interesting. (I don’t know why this gets under my skin so much, but I’m amazed that people devote energy to writing "You suck." It’s like the "F You" bits in Catcher in the Rye. They’re gonna write it on my tombstone.)
Incidentally, in the last seven days I’ve posted a very long post about the future of Photoshop; news about Apple fixes that affect CS apps and Flash Player speed-ups, insight into the Lightroom UI, and more. It’s not *all* just stuff I steal from Kottke et al. >;-P
[Update: Thanks for all the kind comments. The flow of ephemera will continue, though I'll look into whether our blog server can support multiple RSS feeds per blog. That way I could separate the links from the more strictly Photoshop-/Adobe-related content, and you could subscribe to one, both, or neither. --J.]
July 02, 2008
On Democracy & Hockey Pucks
Our friend Scott Kelby has been posting some interesting surveys to determine what his readers would like to see in future versions of Photoshop. Now I’ve replied to some of those thoughts in a guest blog post on his site.
Also, on the extremely off chance you aren’t already hearing enough from me, Harris Fogel of Mac Edition Radio has posted the interview we recorded back at Photoshop World. (The secret to my maintaining this blog? Gross dereliction of other work duties.)
July 01, 2008
Mac 10.5.4 update improves CS3 support
Good news: Apple has just released the 10.5.4 update to OS X Leopard, fixing some incompatibilities with Creative Suite applications:
- A problem introduced in the 10.5.3 update that could cause file corruption with files saved from Photoshop and other applications, has been fixed.
- Navigation Services issues that could cause InDesign to crash have been addressed. InDesign evangelist Tim Cole has provided more details, and the InDesign team has released their own ID 5.0.3 update today (Mac|Win; InCopy Mac|Win).
June 26, 2008
Photoshop vids of interest
- And Now For Something Completely Different: Photoshop ninja/uncannable rhyme animal Deke McClelland puts his skills to the test, dropping 101 Photoshop Tips in 5 Minutes. As he says, "It’s bold, it’s brash, it’s ridiculous. It’s a podcast with serious issues. Enjoy." The KBSC geek (and occasional Nada Surf fan) in me certainly did.
- "Have we created an unattainable image of perfection?" Diet.com explores The Photoshop Effect and the Photoshop guns hired to tune up celebrities. (The video has racked up nearly 900,000 views in just 10 days.) [Via Steve Johnson]
- Related: Glossy magazines face an airbrush ban over concerns about promoting unrealistic body images. [Via Gary Cosimini]
- Photoshop gets used in a music video–not just in the production, but in the video itself. (Hey, gotta love the use of those CS3 video layers.)
June 22, 2008
Quick Tips: Shuffling presets, flattening Bridge
A couple people have written recently to request features in Photoshop and Bridge, not knowing that what they’re seeking is already there:
- A digital painter named Gracie Rafferty asked for the ability to reorder brushes. To do so, choose Edit->Preset Manager, then rock out. The same goes for gradients, patterns, swatches, etc. You can delete individual items by Opt/Alt-clicking them, which also works in the Brushes palette.
- Eric James Wood would like to move from iView to Bridge and asked for a way to see the contents of multiple folders at once. That’s possible in Bridge CS3, but the UI is quite subtle. Open up the Filter panel in Bridge, then click the little "no folders" icon at the top of it. That’ll instruct Bridge to show you the contents of the current folder & all the folders nested within it. From there you can select, rate, rename, hand off to Photoshop, etc.–everything you’d do with files that live in the same folder.
June 20, 2008
Feedback, please: Scripting the Suite
"I’m trying to understand how to make life better for script developers," writes Adobe developer evangelist Mark Niemann-Ross, "and a couple of minutes of your time would tell me worlds about your needs. When you’ve got five minutes to spare, please point a browser at this survey. Thanks!"
[Update: Mark replies to some tea-leaf-reading about doom (or lack thereof) for AppleScript support.]
Use Bridge to extract metadata
I’ve gotten a few inquiries lately about whether it’s possible to extract metadata from images and other files using Adobe Bridge. Short answer: Absolutely. Try John Hake’s workflow automation scripts, one of which (Metadata_BR.jsx) extracts metadata from selected files and generates Comma Separated Value (CSV) reports.
To do more with Bridge automation, check out this Flash-enabled JPEG export script, and download the Bridge SDK to write your own scripts. [Via David Franzen]
June 19, 2008
Mo’ betta colors, from Firefox & HP
(Dang, now I have that Ice-T song "Colors" in my head)
- HP’s new monitor eats your mere 16.7-million-color display for breakfast. For $3,499, the 30-bit (10 bits per RGB channel) DreamColor LP2480zx promises up to a billion colors per pixel. The display is aimed especially at people doing cinema post production & was produced in collaboration with DreamWorks Animation SKG.
- Firefox 3 is the latest web browser to support the colour managed display of photos with embedded ICC profiles, points out Rob Galbraith. "That’s the good news. The bad news is it’s turned off by default. Here’s how to turn it on." (For why all this matters, see previous.)
PS–The topic of color also makes me think of some cute profanity.
June 08, 2008
Come break Photoshop (in a good way)
The Photoshop team is recruiting for a color-savvy Quality Engineer:
Are you a specialist in digital imaging science? Do you possess an in-depth knowledge of color management? Are you eager to bring your experience and analytical skills to a dynamic testing environment?
The Photoshop team is looking for an eager Quality Engineer who specializes in the area of digital imaging science and possesses an in-depth knowledge of color management. You need to exhibit potential in the areas of understanding QE methodologies and approaches, which encompasses scripting and automation capabilities. You must also be able to work independently to complete deliverables and tasks on time, have excellent communication skills and work well in a team environment with members of all functional groups.
Be prepared to detail your expertise and experience, answer some technical questions, describe details of imaging science and be able to speak to your color management background.
For more info see the PDF, and if you’re interested in applying for the position, please send your info to recruiter Juliya Alvarez.
June 03, 2008
File-saving issues on Mac OS 10.5.3
I’ve been getting quite a few inquiries about problems saving files from Photoshop directly to
network drives when using the recently released Mac OS 10.5.3. (I’m told the issue can affect InDesign and maybe other apps as well.)
The short story is that we’ve been working closely with Apple to troubleshoot the issue and have identified the cause. Apple is working on a fix, and we expect they’ll release it in the next System Update.
The slightly longer story is that saving directly to a network is a generally bad idea. Here’s what I’ve heard from a contact in engineering:
Directly writing to a network filing system adds a level of complexity, which includes timing issues, network noise, performance, and other potential issues. We’ve occasionally run into bugs with different configurations/combinations, but as there are too many variants for us to reliably test and certify all the clients, servers, hardware and software, we recommend the safer course of working with files locally and then copying them up to a file server when you’re done. While directly reading/writing to network file systems should work in theory, and while we do some limited testing in the most popular configurations to verify that it does, we can not certify that it will work reliably in your configuration.
I know that’s not what you may want to hear, but it’s a long-standing advisory. Saving files locally, then transferring them, offers better performance as well as greater reliability.
May 29, 2008
Good intentions gone awry
Note to self: "Blog first & ask questions later" is a really bad approach.
On Saturday I posted a blog entry in which I tried to clarify some details of what we’ve been developing in Photoshop. Unfortunately, looking back, it’s clear I did a poor job of communicating what I intended. In particular I regret the way I went about pointing out some errors I’d seen in stories.
Let me give you a little context about how things unfolded. A few weeks ago I demonstrated some "potential future Photoshop technology" (more on what that means in a minute) during Adobe’s meeting with financial analysts. Some folks at NVIDIA saw that demo and asked whether we’d mind repeating it at a press gathering they’d scheduled for last Thursday. We said sure, and I got busy testing everything on a system they supplied.
On Friday I saw Theo Valich’s story on TG Daily covering the demo. One detail jumped out at me: "The package is expected to be released on October 1." As anyone who’s dealt with Adobe will tell you, we very rarely share details about when most products are expected to ship. In fact, during my demo I’d noted a number of times that I was just showing some possible future technology, not announcing a new version, timing, etc.
Throughout the next day and a half, I kept getting Google Alerts linking to articles that repeated and amplified the news, occasionally misstating various details. I started getting mail from colleagues to the effect of, "You said what??"
At that point, watching the story morph and replicate, I decided to try to nip things in the bud by sharing some clarifications. Given that we were in the middle of a long holiday weekend, I opted to act quickly–too quickly. I ended up overreacting, and whereas I should have dropped a line to at least some of the various media outlets, I called them out here. The irony is that I was complaining about people blogging too quickly without checking all their facts, and in the process I was blogging too quickly without checking my facts!
On Sunday I got a quick & courteous note from Jonathan Fingas of Electronista thanking me for the clarifications & noting that they’d updated their story. Similarly I heard from staff at Gizmodo & TG Daily noting that they’d made updates. I greatly appreciate that, and in the future I’ll find a much better way of pointing out needed changes.
As for the content of my post, I know there’s been some lingering confusion, so let me try to clarify a few points for the record:
- I didn’t say whether the next version of Photoshop would or would not be called CS4. Instead, I was simply trying to point out that what I was showing was a technology demonstration that was independent of a particular version.
- Similarly, I didn’t say that GPU-enabled features would or would not ship in the next version of Photoshop. Think, "I can neither confirm nor deny…" When developing any product, details are always subject to change, and it’s always possible that some unforeseen roadblock will appear. That’s why we try so hard to wrap a lot of caution tape around any future-looking statements: we’re excited to be showing you some of what we’re building, and we hope you are, too, but we want to manage expectations & not over-promise anything. Make sense?
- Lastly, I didn’t say that the next version Photoshop would or would not ship on a particular date. My (badly made) point was that nothing had been announced, so the fact that a date of "October 1" kept getting repeated should be taken with the appropriate grain of salt.
In short, I just meant to say that we weren’t promising any particular features at any particular time–nothing more, nothing less. Hopefully needless to say, we’ll work as hard as we can to bring you the good stuff sooner rather than later.
May 28, 2008
Adobe product tryouts unavailable in June
According to an FAQ on Adobe.com,
During the month of June 2008, certain product trials that are launched for the first time (regardless of when they were installed) will function for only one day instead of 30 days, due to an error in a line of code that counts down the remaining days in a trial. You will not experience this issue if you have launched your trial before June 1, 2008, or do not launch it until July 1 or thereafter.
Therefore product trials are unavailable for download from Adobe.com at the moment. Customer Service says, "If you tried to use an Adobe trial in June and it expired after one day, please visit www.adobe.com/go/trialupdate for more information."
May 27, 2008
Interested in testing the next Adobe Bridge?
The Bridge folks are looking for more input & testing coverage on the next version of the software, so they’ve asked me to pass along the following note:
Bridge Customers,
We are looking for a few interested Adobe Bridge users to join our Prerelease Program. We need customers who use Bridge in their workflow regularly and want to provide constructive feedback to the Bridge team on monthly prerelease builds of Bridge. If you are interested, please complete the prerelease request form. Be sure to select ‘Adobe Bridge’ from the product list.
Note: A non-disclosure agreement will be required and space is limited, so unfortunately we won’t be able to accept all who apply.
Thanks for your interest in Adobe Bridge!
May 24, 2008
“Oct. 1″ (aka, “Just make something up”)
It seems that news of the demo I did the other day (a repeat of what we’d shown publicly three weeks earlier) is bouncing all around the online tech press. People are excited that the Photoshop team is exploring ways to make the app feel faster and smoother, and that’s all good. What’s irritating, though, is just how much bogus info is getting invented, passed around, and swallowed without question.
Gizmodo is repeating info found on a site called TG Daily, stating that "Photoshop CS4" (a term that I’ve never heard anyone from Adobe use publicly) "is expected to be released on October 1." Uhh… expected by whom? And based on what?
I didn’t say anything about schedule. In fact, I never said that any of this stuff is promised to go into any particular version of Photoshop. Rather, as with previous installments, it’s a technology demonstration of some things we’ve got cooking–nothing more.
Doesn’t matter, though: Someone pulled a date apparently out of thin air, and now everyone who can copy & paste is dutifully repeating it. The fish story grows with the telling, too. In addition to repeating the date, Electronista is inventing new details (e.g. "CS3 has already had limited support for graphics processing units (GPUs) for certain filters"; sorry, no; "An upcoming wave of video cards with special physics processing will also help, Adobe explains"; nope, didn’t say that; and more). Where do people get this stuff? It’s particularly annoying to see made-up info presented as a response from Adobe–to questions that were never asked. (Contacting Adobe PR, or me directly, to confirm some detail isn’t exactly tough.)
I’m not feeling a lot of confidence in the tech press these days. People just make up whatever they want, creating a bunch of expectations & misperceptions that people like me have to try to unravel. There’s no disincentive to doing so: the sites still get their ad impressions, and clearly bloggers and readers are all too happy to take what they read at face value.
I don’t know what to tell you, as the quest for ad bucks is eroding journalistic standards across the board. "Caveat lector," and I’ll keep trying to share actually legitimate information here.
J.
PS–I found this warez link kind of hilarious. Not only are people inventing product info in order to entice you to download a bunch of unknown executable code onto your machine (something from the Eliot Spitzer Memorial Hall Of Unprotected Terrible Ideas); now they’re actually using Photoshop to design fake Photoshop packaging! (Screenshot here in case the shady server disappears.)
May 17, 2008
Interesting news & video visualizations
- Spectra is an interactive 3D news presentation from MSNBC. Although I’m not convinced that putting news onto flying postcards will boost anyone’s concentration or retention, I dig the aesthetics and the attention to detail. I couldn’t get the Web cam access to work with Flash Player 10 on my system, and the inability to click on stories of interest is annoying, but maybe you’ll have better luck. Here’s the direct link.
- Steven Wood’s Tag Galaxy uses the Papervision3D library for Flash to explore Flickr photos via virtual planetary systems.
- I’ve mentioned the very cool, very fast, and free PicLens browser plug-in a number of times. In addition to working with Flickr, Google Images, etc., it’s been upgraded to search YouTube. Check out the video demo.
- TimeTube visualizes YouTube content via a timeline, list view, flipbook and map view. [Via]
May 14, 2008
Secure copyrights & metadata permanence
The subject of copyright is always high in photographers’ minds, especially in light of Orphan Works legislation & rampant image “borrowing” online. Consequently there’s an ongoing burning desire for secure metadata that can’t be stripped away from images.
Last summer I posted a guest blog entry from Russell Williams on why Photoshop doesn’t provide secure metadata. Now Adobe metadata expert Gunar Penikis has posted about the Economics of Trust and Permanent Metadata. If this subject is of interest to you, check out Gunar’s thoughts & the comments that follow (and feel free to add your own perspective).
May 12, 2008
Who builds Photoshop, and the frequency of updates
Via Daring Fireball I caught this little blurb from Panic‘s Cabel Sasser:
A company like Adobe, which has hundreds of engineers working on
Photoshop, releases ONE version every two or three years, and maybe a
single bug fix release in the interim. For the most part, we’re all
cool with that, myself included! :)
I’m glad to hear the last bit, especially as I love Panic’s Transmit and Unison software–models of simplicity and refinement. The rest is kind of funny, though: in reality we have only a couple dozen engineers working on Photoshop. (If you added in every person who tests Photoshop and Bridge, localizes them, builds the installers, manages the process, etc., you could get to more than a hundred people–but only with some effort.) Relative to our feature set and code base, the team runs very lean.
As for the shipping schedule, it’s been 18-24 months between major releases for quite some time. I don’t mean to take a casual comment in a forum overly seriously. It’s just that I’ve been thinking about the Photoshop (and Suite) shipping schedule, wondering whether it’s too long, too short, or both.
On the one hand, the richer Suite apps get and the more of them there are, the more time people would like to settle into using them. It’s generally easier to absorb upgrading a number of applications at once, then living with them for a while, than it was to handle continual unsynchronized updates (the pre-Suites world). Through this lens, 18 months looks short.
On the other hand, we’re increasingly living in a world where "software is a relationship, not an artifact" (as I think Tim O’Reilly put it). An application like Google Maps or Photoshop Express could be updated seamlessly, simultaneously for all users, every hour if desired. Through that lens, 18 months looks awfully long.
I’d like to get to a point where we can have it both ways. I’d like the core team to be able to go off and spend several years retooling essential pieces of plumbing, making changes that won’t become visible for a few versions. At the same time, I want to wake up in the morning and have Photoshop be smarter & more feature-rich than when I went to bed. Some things should be updated every 5 years; others, every five minutes.
Obviously this isn’t the kind of change a team makes overnight, but we’re getting there. Building on what we’ve got percolating, functionality like peer-to-peer help will become possible. More on that foundation soon.
PS–Re: people banging on Panic for more frequent updates to their inexpensive tools, I’m reminded of an observation attributed to Edward Tufte: "The sense of entitlement increases as the price of the service or product decreases."
May 07, 2008
Chris Cox starts a performance blog
If it’s in Photoshop and it goes fast, there’s a very good chance that Chris Cox has had something to do with it. Chris is, among a great many other things, the go-to guy for optimizing many functions in the app. (At various times we’ve known there’s some kind of crazy-exotic Apple hardware in Chris’s office–something that would emerge many months later as the G5, etc.–and that he’s busily tuning the app for it but can’t tell us any of the details.) In any case, he has started a blog on C++ performance. If that’s up your alley, I recommend subscribing to the feed.
[Semi-irrelevant personal aside: After so many years of consulting Chris to learn about HDR imaging, color management, GPUs vs. CPUs, and so on, I'm taking some pleasure in sharing my meager (yet superior) knowledge of CSS with him, hipping him to groovy tools like Xyle scope. I've gotta enjoy the moment while it lasts!]
May 06, 2008
Area Man’s Bacon Saved by Time Capsule
Hats off to all the Apple folks responsible for Time Machine: I’m pleased to report that restoring my Mac from the data stored on my Time Capsule went off without a hitch. Performing a synch with the drive was easy, and after a couple of hours everything was just where I left it–right down to my Dock icons, desktop picture, and app preferences. (James Duncan Davidson provides more detail on a similar (albeit planned) experience.) I was especially pleased to see that all my NetNewsWire clippings & tabs came back in place.
I’ve encountered only a little strangeness so far:
- In Adobe Contribute, my local drafts are present, but the app preferences seem to have gotten partially lost. I’ll pass my info along to the CT team. I did lose some material I’d worked on over the weekend (as Saturday night’s Time Machine backup failed for unspecified reasons), but the rest of the drafts look recoverable.
- Photoshop held onto my serial number, but it asked to be reactivated (which transpired successfully)
- Update: iTunes lost my authorization info. Hopefully I haven’t now burned another authorization. Also, Ambrosia’s iSeek and Snapz Pro have lost their registration info. QuickTime Pro seems unaffected.
Thanks to everyone who provided suggestions below. The Letterbox add-on for Apple Mail seems to do a great job enabling Entourage-style three-pane viewing, but I haven’t tried it extensively. I’m really torn about leaving my old friend Entourage, especially as Mail apparently doesn’t offer the ability to accept/decline meetings sent through the Exchange server. Efficient incremental backups sound pretty appealing, however.
I’m now going to try using Time Machine with a Drobo. It seems that it’ll be possible to store a large photo collection (which wouldn’t fit onto the laptop drive) alongside the Time Machine data file. If anything interesting develops, I’ll pass along the info.
May 04, 2008
Product testing, the hard way
I hope never to verify the effectiveness of an airbag using my face, or the completeness of my life insurance at the cost of my life. I guess I won’t get a pass on testing the promise of my new Time Capsule, however.
Today the hard drive on my inordinately hard-working MacBook Pro bit the dust. I’d had no signs of trouble whatsoever, but I admit the machine did take a spill from several feet up a few months ago. (Let’s just say the Slingbox is working out better than the idea of perching a laptop on a music stand.) That jolt didn’t cause it to skip a beat, however–not even to disrupt the show that was streaming.
This morning, however, my apps started running really slowly, with the Mac beachballing so hard that I finally had to hold down the power button. After that, no más: just an endless gray startup screen. The guys at the local Mac “genius bar” (not geniuses, but not bad) confirmed that this critter is toast.
Thus far the Time Capsule (acquired in the nick of time, evidently) has been a bit of a mixed bag. For my tastes it’s a little off the mark from “As simple as possible, but no simpler”–omitting the second half of that phrase. I haven’t found a way to set backups to be nightly, not hourly, so I have to do them manually. (Otherwise the system would presumably be trying to copy my multi-gigabyte Entourage data file over wireless every hour–not a good use of CPU and bandwidth.) I also don’t see a way to store a superset of data on the Time Capsule (i.e. keeping a large image collection there but not on my local Mac). Overcoming the latter obstacle may not be that hard, as it seems possible to mount the disk as a normal server, but I haven’t had a chance to test it out. And finally, like just about every Apple networking system I’ve tried (AirTunes, Apple TV, iChat AV, etc.), the Time Capsule doesn’t get along with my Cisco VPN connection, meaning I have to shut it down before connecting.
All of these little beefs will melt away, of course, if the TC saves my bacon. I guess we’ll see once I get a new HD or a new machine. (This post comes to you from my wife’s MacBook.) I’m really curious to see whether it’ll be possible to restore things like the list of tabs and clippings I have in NetNewsWire, as that plus my Adobe Contribute drafts constitute all my pending blogfodder. (Without all that stuff, expect a dry period here for a while.)
Crossing fingers,
J.
May 03, 2008
SF Photoshop User Group kicks off this week
I’m pleased to see that this Tuesday marks the first San Francisco meeting of the San Francisco Bay Area Photoshop Users Group. According to the Evite, here’s what’s planned:
Photoshop Power Users with Kelly McCathran: In this session we will wow you with some new hot features and double wow you with some little known and under utilized tools… Adobe Bridge: Batch renaming multiple files; The Image Processor to batch convert to different file formats; Photomerge for building Panoramics. Creating and Batching Actions; Vanishing Point Filter; Placing Smart Objects; Image Warping; Patch & Spot Healing Brush Tools; Red Eye Removal Tool; History palette and painting with snapshots; Layer Masks; Setting the best Preferences Tips & Tricks as well as Keyboard Shortcuts.
Kelly McCathran is the Service Provider Evangelist for Adobe. Her mission is to maintain relationships with the top print shops in North America. To fulfill that roll, she is the primary contact for printers to get the support, training and information they need to successfully work with Adobe’s line of products. In addition Kelly is a Certified Technical Trainer and an Adobe Certified Expert in InDesign, Photoshop, Illustrator, Acrobat, GoLive and PageMaker. Kelly has traveled North America and abroad teaching applications to the largest print shops in the world.
The meeting starts at 5:30pm at the Adobe SF office (601 Townsend St.). If you plan to attend, please RSVP to info@photoshopusers.org so that they can get the right amount of pizza and drinks.
April 24, 2008
Notes on tuning Photoshop performance
At the Photoshop World show a couple of weeks ago, PS co-architect Russell Williams & performance testing lead Adam Jerugim presented a session on tuning application performance to a packed house (see photo). Adam has now passed along their presentation slides (6.5MB PDF), including notes.
Related topics:
- Russell contributed a guest entry about What’s the story with Photoshop & multi-core?
- Russell’s co-architect Scott Byer posted his notes after giving a similar presentation at last fall’s Photoshop World
- Scott’s post from late ’06, 64 bits…when?, remains a useful overview of that subject
April 21, 2008
Lasers, big hair, & other motion graphics goodness
- The Imaginary Forces kids look like they had a ball putting the aesthetics of children’s books into motion for the titles of Nim’s Island.
- "Lasers, Boombox, Muscles, Keith Haring, 80s beats"; yep, that’s about right. Bizarre & wonderful. [Via]
- Peliculas Ponder offers a magical view of the world from the Madrid Metro. [Via]
- Things get hairy–really hairy–in for the video for The New Pornographers’ Myriad Harbor. Montreal-based Fluorescent Hill kicked out the illustrated jams. [Via]
- Peep this terrific musical rollercoaster for Zürich Chamber Orchestra. [Via]
- I dig the simple shapes and sound design in the Wallpaper Design Awards animation. [Via]
April 20, 2008
New Photoshop scripting tutorials
If you know some JavaScript and have thought of applying your skills to Photoshop automation, you might check out Trevor Morris’s Intro to Scripting Photoshop and follow-up practical example.
Trevor, who both offers a set of free scripts & does scripting for hire, is right that scripting is a very powerful yet underused part of the Photoshop story. It’s a key part of the moduarlity & customizability I always mention as a key area for us to develop in the future, and we’ll keep working to make it easier & more powerful.
Photoshop team script wrangler Jeff Tranberry reports that he’s posted the class materials from the "Photoshop for Geeks" session he & Tom Ruark presented at Photoshop World. He also reports that the very useful Dr. Brown’s Services set of scripts have been updated to v1.9.4 and are available for download. [Via]
April 09, 2008
Turning 1,000
This little milestone may be of interest only to me, but I’m kind of amazed to be writing my 1,000th post on this blog. In the 969 days since I’ve started this journey, quite a lot has gone down. Needless to say, if you weren’t reading this, I wouldn’t bother writing it, so thanks for all the encouragement. I’ve felt like looking back over the effort to date & thought it would be fun to dig up some of the meatier posts.
Since August 2005 I’ve gotten to announce an unprecedented public beta of Photoshop; introduce Lightroom (twice); welcome a competitor and lots of new friends; mourn the loss of others; fan and then help defuse controversy; celebrate new integration; share some tips (e.g. Photoshop Text; Killer B&W); momentarily crack the TechMeme Leaderboard; and more. Oh, and somehow in there I became the #1 search term for "cs3 serials," giving me a chance to throw Yiddish & Spanish at pirates ;-).
I’m proudest of getting to share some perspective on the challenges of developing Photoshop, hopefully giving some insight into the problems we wrestle every day (which are, of course, what make the job fun). I’ve gotten to wax on many times about the sheer size of Photoshop & what it means we must do:
- Photoshop, as seen through Johnny Cash (with follow-up/clarification)
- Simplicity vs. Power in Photoshop
- Photoshop & "The Paradox of Choice"
- Get lean. Stay hungry.
- Psst–wanna see Photoshop 15?
Somewhat related, I’ve tried to illuminate reasons why [cue the Stones' choir] You Can’t Always Get What You (Think You) Want:
With the help of some friends, I’ve gotten to to share some techier bits:
- What’s the story with Photoshop & multi-core?
- Is Photoshop CS3 a 64-bit app?
- Tuning Photoshop for peak performance
Readers have provided timely, concrete feedback on some specific ideas (e.g. User-powered help and kuler inside Photoshop), providing data we can use to push to get things built. You’ve offered a wealth of opinions on how to move applications forward:
- Photoshop + Fireworks: Where to from here?
- FreeHand no longer updated; moving to Illustrator
- Iconfactory talks, Illustrator listens
And then periodically I get to muse a little aloud:
- Trilobites & Kilobytes (on the impermanence of digital bits)
- How far would you go to get the shot?
- "Most of your pictures suck"
- Genericide: Xeroxing "Photoshop"
- lol i can yoose photoshop
That’s probably more than enough nostalgia for one evening, so I’ll wrap it up. Thanks again for having me. Feedback on where you’d like to see all this go is always welcome.
Oh, and one more thing: despite it having netted me a great portrait, I think I’ll never blog about icons again! ;-P
April 05, 2008
Going Green in Design, Tuesday at Adobe
This coming Tuesday evening (April 8), we’re hosting another meeting of the San José Photoshop User Group. Instead of just talking about the normal ins and outs of software, three speakers will be talking about adopting environmentally sound work practices in the graphics industry. If you’re in our neck of the woods, feel free to swing by (6:30-9pm). Details are below.
This will not be a typical user group meeting, but it’s certainly a topical subject. We’ll begin with a general talk about working green in the graphics industry and cover the issues involved. These include the carbon footprint of using the Internet, printing to read and to judge color, keeping devices on and plugged in, printing too many pieces with chemically toxic inks and coated papers, commuting to work alone, etc.
We’ll also talk about the power of the consumer and the end user to affect change by rethinking how they work and by either influencing their managers or, if they are the buyers, by choosing green vendors. We’ll show a tool that will be available to AIGA members that calculates the carbon footprint of a project and offers different combinations to reduce the damage.
We’ll have three speakers. The first is Phil Nail of AISO.net. His company has done a lot of research on the environmental damage of using computers and the internet. He offers web hosting solutions that are entirely powered by the sun. Son Do, from Rods and Cones, will talk about waste reduction by using applications correctly in a color-managed environment, and also with softproofing. Peter Montgomery of Moquin Press will talk about what an environmentally responsible printer can do and why it’s important to use them. He’ll offer suggestions on what to ask to select the right printer. If there’s time, we’ll do a sidebar on book publishing through a company like Blurb that uses digital presses and enables a customer to print only the number of books or brochures needed.
We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00, in the Park Conference Room of Adobe Systems’ East Tower, 321 Park Avenue, San Jose. To park underneath the Adobe building, use the Almaden Avenue entrance, under the East Tower. If the security guard at the parking entrance asks for an Adobe contact, use Bryan O’Neil Hughes’s name. He’s our contact there (as well as a Photoshop Product Manager). If you’d like to be on our email list, send a note to dan at weinberg-clark.com.
See you there,
Dan Clark and Tom Upton
April 04, 2008
Photoshop Express revises terms of service
In response to customer feedback about terms of service, the Photoshop Express team has made some changes. Here’s the note I received from them this afternoon:
We have revised the terms of service for Photoshop Express beta. Revisions were made in context of user feedback. The original terms of service implied things we would never do with the content within Photoshop Express. Thus, revisions were made to clarify our intent:
- Adobe’s Rights – Adobe has retained only those limited rights that allow us to operate the service and to enable you to do all the things the service offers. If you decide to terminate your Photoshop Express account, Adobe’s rights also will be terminated. We don’t claim ownership of your content and won’t sell your images.
- Shared Content – We clearly state the rights you’re granting other users when you choose to publicly share Your Content.
The terms of service will not take effect until April 10th, in order to give you time to review and choose to continue using the Photoshop Express beta under these new terms.
Thank you for your feedback on Photoshop Express beta. We value your input and support in improving the service for all users.
April 01, 2008
Photoshop Express off to a rocking start
When you show up as an answer in Wait Wait Don’t Tell Me‘s lightning round, people must be starting to take notice. :-)
Adobe’s Photoshop Express service tore out of the gate last week:
- 1 million+ visitors to the PX homepage on the first day
- More than 3 million images uploaded to PX on the first day (3.5 terabytes of data!)
Adobe VP Doug Mack says, "This was way more than the team expected for the beta launch (pretty exciting). With all this activity all at once, the service slowed down, but it’s now back to running nicely as things have normalized. If you found it slow, you may want to come back and check it out this week."
Doug reports that on day 1, "Service ramped up so fast that account verification emails and sharing emails were literally flying out of the service. As the email traffic ramped from literally ‘zero’ to ‘full tilt’ in just a matter of hours (basically starting at 9am EDT), many email services and spam filters thought we were spammers and some gray listed us. We worked with them so they knew we were legit and had it sorted out by lunchtime."
In case you signed up but didn’t get a new account verification email, please try going back to the site; try logging in with the account you set up; and choose the option to have the email resent. You’ll get an email with a new key to activate the account.
One other thing to note: Even though the beta is listed as US-only (due to the incomplete state of the server infrastructure), the service is being used around the world. Doug writes:
- We’ve been seeing a high level of activity around the clock. We have not seen things go quiet through the middle of the night at all.
- Either we have some serious photo-loving insomniacs in the US, or people are ignoring the "US Only" beta period and we are already global, like it or not.
- Just a reminder that the beta is US only. And while anyone around the world is welcome to try the beta, the experience will be nothing like that of when we expand to beta globally (as right now, they are accessing US-based servers)
March 27, 2008
A note about PS Express terms of use
Amidst all the positive, enthusiastic responses to the launch of Photoshop Express, I’ve seen some concerns about the terms of use. This item in particular draws attention:
8. Use of Your Content. Adobe does not claim ownership of Your Content. However, with respect to Your Content that you submit or make available for inclusion on publicly accessible areas of the Services, you grant Adobe a worldwide, royalty-free, nonexclusive, perpetual, irrevocable, and fully sublicensable license to use, distribute, derive revenue or other remuneration from, reproduce, modify, adapt, publish, translate, publicly perform and publicly display such Content (in whole or in part) and to incorporate such Content into other Materials or works in any format or medium now known or later developed.
This afternoon I got the following note from the Photoshop Express team:
We’ve heard your concerns about the terms of service for Photoshop Express beta. We reviewed the terms in context of your comments – and we agree that it currently implies things we would never do with the content. Therefore, our legal team is making it a priority to post revised terms that are more appropriate for Photoshop Express users. We will alert you once we have posted new terms. Thank you for your feedback on Photoshop Express beta and we appreciate your input.
I’ll post an update when I know more. [Update: See the revised terms of service.]
Web conference for free & share big files on Adobe’s dime
Alongside Photoshop Express, Adobe has been quietly and vigorously building out some interesting online collaboration and sharing tools. (“Watch Out – Adobe Is Slowly Building an Online Empire,” says ReadWriteWeb.) Here are a pair that can help you work with colleagues and clients–for free.
- "Brio" is the codename for the next version of Adobe Acrobat Connect (once known as Breeze), the screen/voice/document-sharing system that runs through the Flash Player. Brio lets you
collaborate in real time with up to two partners. Terry White writes,The only catch is that Adobe hopes that by trying this FREE version out, you’ll get so hooked that you’ll want more and you’ll want to step up to the full version of Connect Pro for your business or organization to get rid of the limits. However, you’re not obligated to do so. So you have nothing to lose. Account setup is painless and if you already have an Adobe ID, it takes about 1 minute to set up your BRIO account.
- "Share" is a free Web-based service that allows you to share, publish and organize documents easily. According to the Adobe Labs site,
Each document you upload to your Share account is assigned a unique website address. To share a document with someone, select the document you want to share, enter the person’s email address and an optional message, and set whether the files will be publicly accessible or restricted only to the recipients. Recipients will get an email with a link they can click on to download the document. You can also link to your documents, or embed rich Flash® previews on your own website, blog or wiki.
On Entrepreneur.com photographer Danya Henninger says,
"We use it to send large files to clients. We can deliver the product online. I just got into the Adobe Share beta. It worked out perfectly."
[Via Karen Tomlinson]
March 26, 2008
Photoshop Express RIA arrives!
I’m happy to report that Photoshop Express, Adobe’s new online tool for organizing, editing, and sharing images, has launched in beta form. Some highlights at a glance:
- Includes tools for applying spot healing, distortions, sharpening/softening, color tweaks, image filters, and more
- Offers 2GB of space for storing images
- Supports tie-ins to Facebook, MySpace, and Picasa
- Runs in any browser on Mac, Windows, or Linux using the Flash Player (v9) [Update: Sounds like there are some beta-ish glitches in some browsers]
- Will include an AIR-based desktop version (useful for editing images offline) and printing services
- Will remain free, with paid service adding more functionality
Adobe’s Terry White gives a great intro with screenshots, and you can jump right into using Express by hitting the “Test Drive” button on the right side of the landing page. More info is in the press release, this CNET overview, and more stories that are popping up by the minute. [Update: Kelby Training has created an online learning center for Express.]
[Update 2: Here's what Adobe SVP John Loiacono has to say about Photoshop Express, software as a service at Adobe, and more.]
Enjoy!
March 24, 2008
Photoshop Elements 6 for Mac now shipping
I’m pleased to report that Photoshop Elements 6.0 for Mac is now shipping. The new release runs natively on both Intel- and PowerPC-based Macs & offers a wealth of new features. As Macworld sums up the highlights,
New features in Photoshop 6 include “Photomerge,” which lets users create group shots by combining the best facial expressions and body language from an entire group of shots. The software has three edit modes — Guided, Quick and Full. Guided Edit mode is new, offering step-by-step help for users. New tabs provide access to many of Photoshop Elements’ features. Color to black-and-white conversion has been improved.
A new copy runs $89.99 (upgrade $69.99), available via the Adobe.com store.
A pair of cool new Photoshop plug-ins
- People are raving about Nik Software’s Viveza plug-in for color correction within Photoshop. The tool uses Nik’s unique U-Point technology for placing a control element onto the document, then tweaking hue, saturation, contrast, etc. on the canvas. Here’s a quick video intro to the basics. Scott Kelby loves it, and the plug-in picked up a Best of Show from Macworld at PMA. It’s $249 diretly from Nik.
- onOne Software, publishers of tools like Genuine Fractals and Mask Pro, have announced Focal Point for selectively blurring images, adding vignettes, and more. I’ve mentioned ways to simulate lens blur & tilt-shift photography using Photoshop, but Focal Point goes further in offering an interative "lens bug" widget for fine control. The plug-in is scheduled to ship next month and will cost $159.95. [Via]
March 19, 2008
“Am I Hot Or Not” for Websites
CommandShift3 (heh, great little Mac-nerd name) describes itself as "like Hot or Not.
Except, instead of clicking on hot babes, you click on hot websites." In other words, screenshots of two sites are presented for your review, and you click the one whose design you prefer. It’s fun to think about why certain sites are more appealing than others, and I’ve found myself clicking through to explore more than a few of the contestants. Note the leaderboard that shows particularly strong sites from the week, month, and all time.
March 13, 2008
Bitin’ my style
Ah, this new generation, always trying to one-up us:

[Claws, tail, and Gene Simmons-style tongue not included] ;-)
And not that you asked (or that I need another blog to feed), but the sleep-filled life and times of the new guy are chronicled on my (or rather, his) site.
March 12, 2008
Quick tips for your Photoshop work environment
The following tips are a tad esoteric, but I’m passing them along in case they’re of interest/use:
- When you press F in Photoshop and enter Maximized or Full-Screen Mode with Menu Bar, the background surrounding the image goes to gray; press F again (taking you into Full-Screen Mode (no menu bar)) and the background will change to black. Not long ago a customer who does retouching at a large magazine asked for the ability to change the background color in Photoshop windows. In order not to pollute his color perception, he wanted to view images against a particular shade.
It turns out the capability is already there: right-click (Win)/Ctrl-click (Mac) to set the background color to gray, black, or a color of your choosing; here’s a screenshot. Alternatively, you can grab the Paint Bucket tool, then shift-click the background to make it take on whatever foreground color you have selected. Each screen mode can have its own background color. New to CS3 is the abilty to cycle through gray, black, and custom colors by pressing Shift-F. This little trick gave rise to my CS3 Stupid Photoshop Trick: going "clubbing" in Photoshop by holding down
ShiftSpace-F* while singing the "do-DE-do-DOO-do" riff from The System Is Down. (Trust me, you’re not missing out.) - On the Mac OS you can drag the little "document proxy" icon in any document’s title bar (screenshot) in order to move the document around, provided you don’t have any unsaved changes. Dave Girard from Ars Technica swears by this capability as a quick way to move files between Photoshop, Bridge, Maya, and other applications. In this short video he shows a folder being revealed in Bridge, then documents being moved among apps without requiring a trip back to the Finder or Bridge.
*D’oh–sorry, I typed the wrong modifier; now fixed. I need to stop writing these things at 3am (no kidding).
March 11, 2008
A tip on Photoshop Mac stability
According to an Adobe tech note, it’s possible that the Adobe Version Cue CS3 3.1.0 update won’t get installed correctly, leading to a damaged framework file that can cause Photoshop to crash. To fix the problem, you can download this small updater and run it. If you’re not able to run the script (e.g. you don’t have admin privileges on your machine), you can go into Photoshop preferences (Cmd-K), then go into File Handling and uncheck "Enable Version Cue." The tech note mentions other Adobe CS3 apps, but I’ve tried the fix only with Photoshop. In any event running the updater is a good idea.
March 02, 2008
Please welcome Mr. Finnegan Nack
“‘Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!’
He chortled in his joy.”
I could not be more proud (or tired!) in announcing that precisely 18 hours ago, my inimitable Margot launched
our greatest collaboration—one Mr. Finnegan Liggett Nack (“Finn” to future pals). The wee master (a full 9lb, 7oz) stormed into town after a whirlwind labor—kicking off around 10pm last night, and stepping onto the world stage at 4:54am Pacific. I promise not to turn the blog into JNack’s Kiddie Kavalcade, but a handful of photos are here in case you’re interested. [Update: The little man has his own blog now, too.]
Right now the small guy is practicing his nursing (c’mon, sucking isn’t that hard; just pretend you’re in marketing!), and this marks my first (but hardly last) blogging-at-crazy-kid-induced-hour post. I actually did have the presence of mind to bank a few posts ahead of his arrival, but I expect my publishing schedule to be erratic for a while. Now excuse me while I keel over in a happy, spent pile. :-)
[Update: Wow, thanks for all the kind wishes! What an amazing experience...
By the way, regarding his name, we freestyled on a lot of contenders. Mashing up a lot of teammates' names, we (okay, I) thought that "Seetharaman Narayanan Shig-Zorana Nack" would be pretty cool. :-) ]
February 29, 2008
Make Photoshop sample colors outside the app
Thanks for all the feedback and suggestions about improving Photoshop’s color-picking tools. I’ll reply to many of the comments once I get a few free cycles.
In the meantime, I notice that many people are asking for Photoshop to gain the ability to sample colors from outside the application. That capability is there already: grab the Eyedropper Tool, then simply click and hold on a document, then drag elsewhere on the screen. Notice that the foreground color on the toolbar keeps updating as you move your mouse. When you let go, the sampled color will be your foreground color (or background color, if you were holding Opt/Alt when you clicked). I’ve confirmed that this behavior works on the Mac, and I believe it’s the same on Windows, but I don’t have a machine handy on which to check.
Clearly this behavior isn’t very discoverable, but I’m not sure what would make it easier to find. Some commenters noted that the color picker in Flash and other former Macromedia apps makes it easier to sample colors from outside the app: when you mouse away from the preset color swatches, it keeps sampling colors under the mouse. That’s true, though I’ve often found that behavior annoying (i.e. I end up sampling things I didn’t intend to sample).
I’m glad the topic has come up, and I’ll bounce some ideas around with the UI and engineering folks. Hopefully there’s a way to get the best of both worlds.
What color-picking tools do you like?
The Color palette in Photoshop (see screenshot) is, to be charitable, a bit long in the tooth. In particular, the little color ramp at the bottom is awfully small (occupying just 0.00072% of the screen real estate on at 30" monitor; yes, I did the math).
We certainly won’t break what’s working or force you to use a larger color picker than what’s there today. Having said that, there’s clearly room for some innovation.
What kind of color-picking tools would you like to see in Photoshop? Are there good examples you can share? We’ve already batted around the idea of revealing kuler-like functionality in Photoshop (see very rough mockup). What else would be cool/useful/powerful?
Thanks,
J.
February 19, 2008
Happy birthday, Photoshop and Lightroom
Is today, February 19th, "The Most Important Date In Digital Imaging History"? That’s the case Jeff Schewe makes on Photoshop News. On this date in 1990, the first version of Photoshop shipped to the world; exactly five years ago we saw the debut of Photoshop’s Camera Raw plug-in; and one year ago today, Adobe Photoshop Lightroom 1.0 made its official bow. Jeff posts all kinds of good info on the site, and in a sidebar he asks "Where were you on 2-19-1990?" (I thank goodness that no digital cams were on hand there to capture my hairdo.) For a bit more info and color, see Lightroom PM Tom Hogarty’s post on the occasion.
February 17, 2008
New $20,000 Adobe design challenge
Adobe has teamed up with Cut&Paste for the "See What’s Possible" challenge:
Compose an engaging 15-second or less animation or motion graphic video of the Photoshop brand logo that illustrates the theme of “See What’s Possible.” The winning work must incorporate and close with the Adobe Photoshop logo and will be used by Adobe as part of an upcoming Photoshop marketing campaigns.
The grand prize is $20,000 (USD) and Adobe Creative Suite 3 Master Collection (BYO forklift & Brinks truck). "But this challenge isn’t just about winning," says John Fiorelli, executive director of Cut&Paste. "All submissions will be publicly showcased on CutandPaste.com where contestants can share their skills with not only fellow designers, but fans, recruiters, and potential clients."
You’ve got until the Ides of March (specifically, 11:59 p.m. Pacific Daylight Time on March 15, 2008) to submit your work, and it needs to be created predominantly with Photoshop, Flash, and/or After Effects. Full details are on the site. Rock out! [Via]
February 15, 2008
Some days it’s not even worth chewing through the restraints…
…at least, not with a ridiculously persistent head cold. Then, however, the Interwebs kick up some crazy little gem that makes it all good. I got this piece of spam today and was unreasonably amused (names omitted to protect the guilty):
Dear John, I am a recruiter for the xxxx Casket Company and I am interested in networking with you. I am currently seeking a 2 Product Managers (Wood Product Line, Accessories Product Line). Our headquarters is located in [BFE], Indiana, which is commutable from both [cold places where you no longer live]. xxxx Casket Company is more than the world’s leading producer of premium caskets and cremation products, we set the standard for success and productivity. [...] I am hoping that you might know of other Product Managers that I could network with that might be interested in exploring these exciting job opportunities! If you are interested in this position, I also welcome that conversation. Here are a couple of websites that might be helpful when passing along my contact information: [xxxx]. I appreciate your help in advance and look forward to hearing from you! Sincerely, [xxxx]
Man, what am I still doing here typing? Who in his right mind wouldn’t give up Photoshop for Wood Casket Accessories Product Line Manager? It’s the job of a lifetime–specifically, the end of many other people’s lifetimes. My ship has finally come in–woo hoo! Adios, suckkaz!! ;-)
You Suck at Photoshop #6 posted
Enjoy. (Meanwhile I’ll work on forgetting connections made between Liquify & the human digestive system. ;-)) [Via Gary Savelson]
February 14, 2008
New Adobe Magazine available
Volume 2, Issue 1 of Adobe Magazine, the company’s quarterly design and technology mag, is available for download. The new issue features Photoshop being used for concept art, architectural illustration, and scientific imaging. Other highlights:
- Talent for Good - Poster power: Listen to seven diverse designers talk about the power of a poster and how they can be used to inquire, compel, and provoke while maintaining a civic responsibility.
- New Interactive Spaces: Watch New York-based FeedTank encourage people to think creatively by building public interactive experiences.
- Awakening the Web: Explore the new UNIQLOCK site, and see how the creativity of Tokyo based Projector thrives in a world of technological restrictions.
- Digital Imaging Wonders: See how the imagination can take on an infinite variety of shapes, from landscape illustrations to hyper-real scientific images.
February 10, 2008
New video shows GridIron Flow in action
Last month I waxed the car of GridIron Flow, a new workflow management technology designed to work with Photoshop, the Creative Suite, and other tools. Since then the product picked up a Best in Show nod at Macworld, and now you can see it in action in a video on their site. In it company CEO Steve Forde shows Flow managing a workflow spreading across Photoshop, Illustrator, After Effects, and InDesign.
Flow isn’t yet shipping, but GridIron is accepting sign-ups for beta testing.
New Filter Forge Freepack for Photoshop
The guys behind Filter Forge, the visual node-based filter creation tool, have released "Filter Forge Freepack 2 – Photo Effects," meanwhile announcing a 20% discount for their flagship product. According to the folks at PhotoshopSupport.com, "The theme of the second Filter Forge freepack is photo effects and enhancements. The free plugin comes with seven filters, each capable of giving any photo a unique look and feel."
Filter Forge is presently Windows-only (Mac version promised), so I haven’t yet given it a spin. I’d fire up my copy of Vista via VMWare, but now it’s telling me that because I haven’t run it in a while, "You may be the victim of software counterfeiting!”–and thus refusing to function. Ah, good ol’ copy protection…
February 08, 2008
Wine offers improved Photoshop-on-Linux support
Wine, the open-source compatibility layer for running Windows programs on top of Unix-style operating systems, has been updated to offer improved support of Photoshop CS2. Using the latest updates (of which another has been posted today), it should be possible to run PSCS2 for Windows on top of Linux.
Wine release manager Dan Kegel reports, "As of wine-0.9.54,
Wine is able to install, activate, and run the retail version of
Photoshop CS2 well enough for the average early adopter to use
(with caveats, e.g. you have to install the Times32 font first,
and ImageReady and Bridge aren’t supported yet)." Check out WineHQ’s Photoshop page for more details.
[Pre-emptive, comment-saving non-disclosure: No, I don't have other info/plans to share concerning Photoshop on Linux, and yes, we know that Linux folks would like a fully native PS on Linux implementation. Just thought I'd spare you some typing. ;-)]
February 03, 2008
Adobe ACE Exams available for CS3
I’ve been asked a number of times over the past few months for news on when Adobe Certified Expert exams for CS3 would be ready for trainers, authors, and others wishing to document their proficiency in Adobe tools. I’m therefore happy to report that the exams have been updated. Thanks to Jim Mendes for the heads-up.
February 02, 2008
You Suck at Photoshop 5, Russell Brown, and more
- Depresso-guru Donny is back with Episode 5 of You Suck At Photoshop, offering some sarcastic advice: "You know, if you want to use your Magic Wand, that is awesome. You can go grab a juice box and a Fruit Roll-Up and we’ll see you in about six hours…" It naturally all ends in (very funny) tears.
- Original Demo Gangsta Russell Brown really doesn’t suck at Photoshop and has dropped a whole crop of new videos. PhotoshopNews has the details, and the vids themselves start about halfway down this page (look for the "New" flag).
- And hey, big news from the crew at Photoshop User TV: the show is moving to real, big screen TV via Fox Business News Channel. Scott Kelby has the details. Quite a milestone, guys–congrats!
February 01, 2008
Random greatness: Slingbox & NetNewsWire
Even at my most, random er, eclectic, I try to keep this blog focused on Adobe-related things (photography, illustration, scientific imaging, typography, and so on). I love great design wherever I find it, so in this case I thought it would be worth giving props to a couple of excellent non-’Dobe-related tools I’ve found recently. Read on if you’re interested.
• Slingbox is a little contraption that connects to your TV and converts the signal to streaming video. That enables you to watch live TV, recordings on a TiVo or other DVR, or even (apparently) Apple TV content via your computer, whether you’re in your house or on the road.
Why is that a good thing? In our case, instead of buying an additional TV to go upstairs for use while working out, my wife scored us a Slingbox AV. Now any of our laptops can get plopped onto a stand and used to control the TV. The streaming quality is good, to the point that a standard-def signal arguably looks better on my 17" laptop screen than on the 40" LCD TV. We’re glad not to have an additional TV (and cable box, and wiring, and remotes) clogging up the scene when they’re not needed.
The only downside is that what you stream is the same as what’s on your TV, meaning that two people can’t watch different shows on different devices. On the upside, I’ve confirmed that it’s possible to connect to the box from the road, then quietly pop up on-screen menus in front of one’s spouse’s episode of What Not to Wear. Well, at least I thought it was funny…
• NetNewsWire is a killer RSS feed reader for the Mac. I know, I know–what rock have I been living under, right? And yet RSS reading remains a niche behavior, so it’s worth evangelizing tools that make it a pleasure.
I’ve been subsisting on RSS reading in Safari for the last couple of years, and I can’t believe how much better NetNewsWire makes things. Listing all the feeds & being able to browse them without leaving the app is solid, but God is in the details, and developer Brent Simmons really sweats the small stuff. The app is chock full of handy little shortcuts for popping links open in Safari, shooting links via email, and more. It’s also fastidious about respecting behaviors that have become second nature in Safari (putting focus on search, popping new tabs, and so on).
I won’t claim the app saves me time, as my saved cycles get rolled into more browsing, but it’s certainly far more efficient than my previous methods. So, get ready for even more tangential ephemera (oh boy).
PS–See Adobe evangelist Terry White’s detailed Slingbox review if you’re hungry for more insights into that system.
January 26, 2008
“Steve Guttenberg did not invent the printing press…”
So says an angry, angry little man in "Printing’s Alive," a funny, foul-mouthed viral video made by Montreal-based Pazazz Printing. [Via]
The vid is particularly funny if you’ve had occasion to interact with some of the crustier, more ink-stained members of the printing community (and no, I’m not gonna mention any names). I remember a few years back visiting printers in Chicago who were out for blood, riled up about some incredibly nuanced aspect of Illustrator output (wanting fourth-digit decimal precision in a certain field, I think). Fortunately the Illustrator PM at the time, Lydia Varmazis, was the type who could write PostScript by hand, lending her amazing powers to chill these dudes out. The transformation was night and day, and I felt like we should’ve filmed a pilot for The Nerd Whisperer right then and there.
Speaking of funny and profane, You Suck At Photoshop episodes 3 and 4 have been posted for your enjoyment. [Via seemingly every person & blog ever]
January 22, 2008
Let’s dis some designs
Nothing seems to bring people together quite like mutual dislike, it seems. :-)
- “Everyone who loves to bitch about crappy design now has RedesignMe,” says Core77, “a meeting place not just to complain and point out flaws, but to offer suggestions on how said crappy design could be better, and at best, push a redesign.”
- Design Police: Bring bad design to justice with the help of these handy labels. (Nice to see that “Unnecessary use of Photoshop effect” made the cut. ;-)) [Via]
- Gene Gable has amassed quite a collection of vintage badges, and towards the end he dogs the Photoshop family logo (hey, what can I say) and terrible PS filter abuse.
- Not so much ranting about design as using design to rant: Sh*tlist stationery. [Via Maria Brenny]
Happy airing of grievances,
J.
January 20, 2008
Bill Gates, the Adobe IPO, and more
I always enjoy learning about the history of Adobe, and this video celebrating the company’s 25th anniversary revealed some bits I hadn’t known. Among them: investor Bill Hambrecht talks about how, during the Adobe IPO process, Bill Gates called looking to buy some stock. "I thought, ‘Okay, now I know we’ve got a good one,’" he says. And yes, they let Bill buy some.
In looking at the culture shaped by company founders John Warnock & Chuck Geschke, long-time Macromedia (and now Adobe) veteran John Dowdell had this to say recently on his blog:
Adobe’s social culture is very strongly influenced by the values of its early years — Warnock, Geschke, Xerox PARC, PostScript, the wildly democratizing effect of desktop publishing, the years of work towards portable documents. These events set Adobe’s corporate culture, and shape it to this day. I had heard of this cultural environment when I worked at Macromedia, but really saw it, very strongly, after the acquisition. There’s an idealism, an academic approach towards technological democratization, that you can still see inside Adobe today.
I’ve heard one other bit about the early years (though now I can’t find the source*) that seems worth passing along. I read that when employees would arrive at their desks, they’d find disassembled shelving units, a screwdriver, and some screws. The message: unlike at PARC or other big companies, here you do it yourself if you want it to get done. There’s no room for slacking, and you see quickly the results of your efforts. I’d like to see us bring back that tradition.
* If I’m misremembering those details, I’d welcome any clarification from folks who were there.
January 15, 2008
GridIron Flow: Ridiculously cool workflow management
Unless you buy After Effects plug-ins, you’ve probably never heard of GridIron Software. That’ll change. This small Ottawa-based developer has unveiled one of the slickest, most potentially transformative applications I’ve seen in years. My enthusiasm comes from what it could mean to Photoshop & Creative Suite customers.
Called GridIron Flow, the new software is designed to give you “Mind of God” knowledge of where your files are, how they’re related, how long you’ve been working on them, etc. It consists of two things: a system process that runs in the background, tracking events while consuming minimal resources; and a front-end application (see this pair of screenshots) that displays files & data about them.
Let’s say you copy some vectors from Illustrator and paste them into Photoshop. Flow, running invisibly in the background, notices the event and sees that there’s a relationship between the AI and PSD files. When you pop open the Flow browser, you can see a connection between the files–even though Photoshop & Illustrator themselves don’t store or track a link.
If you then place the PSD into, say, After Effects, create an AEP file, and then render an FLV, Flow will create a workflow map–a chain of connections from one file/project to the next. Right-click any of these files in your Finder/Explorer & Flow will show how they’re related. If you try to move or delete a file, Flow will pop a message to mention that the file is related to others, offering to show the relationship. Upshot: fewer broken links due to accidentally misplacing assets.
Okay, that’s cool, but it gets more interesting. Now let’s say you edit your PSD a little, save, edit, save, etc. Flow (not unlike Apple’s Time Machine) can be automatically versioning your files. Although only the current version shows up in your Finder/Explorer, in the Flow UI you can see previous versions. You can use a movie-style scrubber to move your project back in time.
Here’s why this is a big deal: All the data collection and versioning is automatic and invisible, which is the only way designers will benefit from it. Creative people want to create, not type in metadata, fill out timesheets, etc. If you force them to do data entry; to work in highly regimented projects; or to use wonky, restrictive tools for check-in/check-out, they’ll generally kick like mules. (I know: I did just the same thing.) The beauty of Flow is that it’s like an airbag–unobtrusive unless and until you need it.
I think that if you’ve ever used multiple design tools together, when you see Flow in action you’ll get the value in a hurry. (I’m told GridIron will post a demo video soon, as that’ll make things much clearer.) I’m waxing their cars pretty hard, so let me say for the record that I don’t have any formal relationship with these guys. I was really excited by the concept when I saw an early version last summer, and we’ve been talking with GridIron about how to make Adobe tools play really nicely with Flow.
If this sounds like it’s up your alley, check out the additional feature notes on their site, and maybe sign up for the beta program that’s starting this spring.
PS–The GridIron guys have created a cute little video that sets up the problem they’re trying to solve. I like that “goatee” has become universal shorthand for “designer.” ;-)
January 10, 2008
Adobe announces Universal Binary PS Elements 6
I’m on the road this week and hence a little slow on the draw, but I’m delighted to see that Adobe has announced Photoshop Elements 6.0 for Mac, due to ship in the second quarter of the year. More details are on the new features page, as well as in the press release.
One key detail that’s not clearly mentioned is that yes, Photoshop Elements 6 runs natively on both Intel- and PowerPC-based Macs (i.e. it’s a Universal Binary); same goes for the version of Adobe Bridge that ships with Elements. I’ll see whether we can clarify the product pages.
[Update: Macworld has posted a First Look at the new application. Lesa Snider King writes, "All in all, it looks like Adobe has hit the mark of making photo editing easier than ever. Elements 6.0 seems to be the perfect 'next step' choice for anyone wanting to do more with their photos, while giving them plenty of room to grow. [Via Meredith Mills]]
December 30, 2007
Photoshop news: Video training, printing tips, and more
- Congrats to Scott Kelby & his whole crew on the launch of their new video training subscription service. It looks like a terrific resource for the design & photography community. Annual subscriptions cost $199 ($179 for NAPP members), or you can pay $19.95 a month ($17.99/mo. for NAPP members). Previously, Scott writes, "Our online classes used to be around $70.00 each." Check out Scott’s blog post for all the details.
- Photographer and Photoshop/Lightroom expert Ian Lyons has posted a wealth of info on the subject of printing from Lightroom on OS X Leopard.
- Design a video game cover, win fame and prizes. That’s the promise of PhotoshopCAFE’s 8th annual design challenge. Organizer Colin Smith writes, "This is possibly the largest and longest running design contest on the web.
By the time we are done the prize pool will total somewhere above $12,000 in prizes. Best of all, it’s all for fun. There is no entry fees and no one makes a penny (except the winners). It’s a true community event." You can also check out last year’s winners & finalists.
Speaking of Photoshop contests, I groaned while watching Die Hard 4 last night and said to my wife, "Man, they must have been feeding the screenwriters ‘Preposteroni, the Pasta for Hacks.’" I was all proud of my little funny, but upon Googling the term I found that, yep, someone already thought of it–and amidst a Photoshop contest, and on my birthday, no less. ;-P
December 26, 2007
What’s Russian for “Photoshopping”?
Ah, Russia–home to 50-rouble copies of your favorite Adobe apps. Photoshop team member Heather Dolan recently returned from a service trip there & reports that pirated software remains ridiculously easy to obtain. When a street merchant learned that she was from Adobe, his response was to double his asking price for the Creative Suite! (You’ve kind of got to admire the chutzpah…)
Even so, Adobe’s business grew by 260% in Russia this past year. And what’s more fun, Photoshop was honored at the KinoBlender film awards. Moscow-based Adobe marketer Olga Manannikova writes, "This award was conferred on the brand ‘Adobe Photoshop’ for most often and successful unintended mentioning in Russian movies in 2007." The team attended the event & got a groovy little trophy & everything. [Via Winston Hendrickson]
We have quite a few Russian folks on the Photoshop team (Irina, Domnita, Nikolai, Iouri, Alex, plus others who’ve moved on). I asked localization czar
Iouri Tchernoousko how to render the product name in cool-looking Cyrillic characters. Ta-da:
ФОТОШОП
Iouri noted, "In Russian, you say it pretty much just like you would in English, but in a much lower tone of voice. :)"
As long as we’re on the subject,
- I dug this illustration in the NYT, from artist Valentin Kalininskiy. Achieved with the help of ФОТОШОП, maybe?
- Check out this crazy monitor-testing routine. (Do Russian Circuit Cities keep crossbows lying around? And whose consumer electronics need to survive ball-peen hammer attack?) I’m sure I could ask a friend to translate, but the language barrier adds to the inexplicable fun. :-) [Via Ellis Vener]
December 24, 2007
Cool new Photoshop plug-ins
Lots of good plug-ins have emerged in the last few months:
- Alien Skin has unveiled Image Doctor 2.0, a set of tools that tackle a variety of retouching tasks. The Smart Fill feature in particular promises some nifty results (roll over the image). They’re offering a 10-20% discount via PhotoshopSupport.com. More info is in their press release.
- Nik Software has announced the new Color Efex Pro 3.0. Offering “52 filters and over 250 effects,” the software’s U Point control system “lets you identify and isolate objects within a photograph by placing a Control Point on the object or area to be affected.” I got to see it in action at PhotoPlus this fall, and it does look cool indeed. [Update: Get a discount & learn more via photographer/instructor Moose Peterson. [Via]]
- The guys behind Filter Forge, the visual editor for creating your own Photoshop filters, have announced Filter Forge Freepack 1, “a set of seven photorealistic metal textures and effects.” They plan to release seven Freepacks over the course of the coming year; see details.
- Mr. Retro is now offering Vol. I-IV of their Machine Wash image filters in a single bundle for $49.95. [Via] These filters came in for some love in designer Cameron Moll’s well-known series on “That Wicked Worn Look.”
- onOne Software (publishers of numerous former Extensis products) have announced that their plug-ins are now Leopard-compatible. The goods include Genuine Fractals, Mask Pro, PhotoFrame, PhotoFrame, Intellihance Pro, and PhotoTools.
- Pixels Vistas’ PhotoLift plug-in adjusts local contrast in images. According to developer Matthew Hollingworth, it’s “like ‘clarity’ in Adobe
Camera Raw, but on steroids.” The plug-in is Windows-only for now, with a Mac version on the way.
December 21, 2007
All I want for Christmas is my dang RAM back
I’ve recently become fascinated–fixated, maybe–by watching my Mac’s resource usage numbers. I’ve got a pretty cherried-out MacBook Pro (top of the line a year ago), and yet more often than not the system lags as I hear my hard disk thrashing.
I’ve traced the problem, I think, to Microsoft Entourage and Rosetta. I can boot up my system & see a nice big swath of unused memory (all green) ready to rock. Almost immediately, however, the blue "inactive" memory slice starts ticking upwards, at a rate of several megabytes per second. I rebooted my machine this week, then took a shower; when I was done, here’s what I saw (note the blue). I’m running just a Web browser on a system with 3GB of RAM, and yet I’m down to 16MB free? Super!
The problem seems to be that the invisible Entourage "Database Daemon" app bleeds memory like a stuck pig. Killing the process arrests the inexorable growth of the blue inactive memory. I don’t know whether the fault lies with Entourage or with the Apple Rosetta emulation technology on which it runs. Doesn’t matter much to me, though: my expensive computer bogs terribly as a result.
Facing this situation, some of my colleagues have given up and moved to Apple Mail. I’m sure Mail is great, but it doesn’t play well with our Outlook-centric calendar system, and I’ve got 8 years worth of mail organized in Entourage. Switching horses isn’t a small matter.
Now I’m drumming my fingers more than ever, waiting for Microsoft to release–at long last–their Intel-native upgrade to Office for the Mac. I couldn’t care less what other features it offers, as long as it stops bringin’ me down (ELO-style). It’s kind of sad to hit that point: I was once a great fan of Entourage (so much better than Outlook), and of its Mac Outlook Express forebear. It was thoughtfully designed, replete with useful shortcuts, and able to handle whatever I threw at it. Alas, the app hasn’t received much love in many years.
So come on, Office team: tell me to keep hope alive! The new year–and new software–can’t come soon enough.
December 16, 2007
Printing tips for Photoshop, Lightroom
Adobe’s famous Russell Brown has created three new video tutorials meant to help get the best results when printing from Photoshop CS3 (with the 10.0.1 update) to various popular printers:
- Printing to the Epson Stylus Pro 3800
- Printing to the HP Photosmart Pro 9180
- Printing to the Canon Pro9500
Russell points out that many of steps shown in the HP & Canon tutorial steps can apply to other printers from those manufacturers. Links to the latest drivers from each manufacturer are on Russell’s site (scroll down to the Photoshop CS3 Tutorials section).
Meanwhile Lightroom PM Tom Hogarty has posted info about printing on Mac OS X Leopard with Lightroom 1.3.1. Tom talks about geeky bits like the Mac’s transition from "Tioga" printer drivers (introduced in 10.0, now unsupported) to CUPS-based drivers (now required). The upshot, says Tom, is that for proper results you should "seek out a fully Leopard compatible printer driver from the printer manufacturer."
December 13, 2007
LL Cool P: Ladies Love Cool P’shop
There’s an interesting article on TechCrunch, saying that according to software usage tracking company Wakoopa, "women spend about twice the time in Photoshop than men." [Via]
I’m not sure how they arrived at this stat, and I don’t see evidence of a gender-based usage difference in Adobe’s internal research numbers. Here’s a funny one, though: women responding to those surveys seem more likely than men to have pirated Photoshop. In fact, whereas women comprise 46% of the legal responders, they comprise 64%–nearly two thirds–of the suspected pirates!
This finding prompted a chorus of "Aaarrghs!" from the women of Adobe Research, not to mention some ill-advised plays on the word "booty." ;-) [Via Claiborne Brown, Julie Baher, & Bryan Hughes]
December 11, 2007
Preview Illustrator, ID docs on Leopard
Mac OS X Leopard introduced a rather handy feature called Quick Look, offering the ability to preview a number of file formats right in the Finder, without opening additional apps. (Select a file, then tap the spacebar–slick.) Unfortunately Illustrator (.AI) and InDesign (.INDD) files aren’t supported right out of the box. That’s where the $15 SneakPeekPro comes in, adding EPS, AI, and INDD file support to Quick Look. I’ve taken it for a quick spin, and it seems to work just as advertised. [Via]
As someone helping steer Adobe Bridge, I was initially concerned that Quick Look might erode Bridge’s reason for being. After all, if you’ve got quick previews in an app you’ve already launched (the Finder), why launch another?
Now that I’ve lived with Leopard for a month, however, I feel confident that each tool has its place & its unique value. Bridge offers rich metadata display and editing; file rating & filtering; richer PSD previews (no composite required); Camera Raw integration; hand-off to Photoshop, InDesign, and other Suite apps (for automated vectorization, contact sheets, Web galleries, etc.); integrated slide show; floating Compact Mode; and quite a bit more not present in the Finder/Quick Look. That’s not a knock on the latter, of course; as I say, different strokes for different folks.
We now need to keep working on Bridge’s launch time (making it feel as much like a no-brainer to launch as a Quick Look window) while revising the interface to help people discover the good stuff that’s already present. And, wouldn’t you know it, that’s what we’re doing. :-)
[Update: John Gruber points out this free QL plug-in for displaying the contents of ZIP files. Works great for me.]
December 10, 2007
Sculpting liquid metal & more
- Sachiko Kodama & Yasushi Miyajima have created Morpho Towers, a beautiful ferrofluid sculpture–liquid metal that moves together with music. Check out the amazing video. [Via]
- NY MTA employee Luis Torres makes sculptures using recycled Metrocards; here’s the photo set. [Via]
- I stumbled across the detonated (artificial) head of Ferdinand Marcos–kind of a post-apocalyptic Mt. Rushmore. A little digging unearthed more info about its destruction, with before & after pics, via the BBC. [Via]
- Celebrating pulp & paper, the Canadian ’67 way. [Via]
- “Artist William Burge has found a way to artfully reattach all of the little pieces that have fallen off his 1968 Volkswagen Beetle,” says AutoBlog. Check out the resulting VW “Phantoms” ultra-modified sculpture-Bug.
- In another metal insect-related vein, peep Mike Libby’s clockwork bug sculptures. [Via]
- Lindemann Glass sculpts some amazing glass sea creatures. [Via]
- I imagine the nihilists from The Big Lebowski enjoying this bench with seat made from pencils. [Via]
December 09, 2007
Stir-fried Wikipedia, with pimento
Knowing how I love to wikichet, my boss Kevin shared a little anecdote from China back in July:
I kid you not, “wikipedia” actually was the English translation for one of the dishes at a Chinese restaurant I just ate at in Beijing. Apparently, this restaurant believes that a wikipedia is some kind of mushroom, because there were two pages of the menu devoted to mushroom-focused dishes, and wikipedia seemed to be sprinkled liberally throughout.
He pointed out the restaurant’s site, but as it’s in Chinese it proved unhelpful, and I never got around to posting the story. Now via Boing Boing I find that another dude made the same discovery–and this time he brought a camera. Turns out that “wikipedia” goes great with everything from BBQ eel to bean curd.
In other funky Asian/English language news:
- My photographer friend Clare is dating a guy from Okinawa, and he points out that the now-ubiquitous term “bokeh” (lens blur) refers not just generally to fuzziness in Japanese, but also Alzheimer’s disease in particular. The usage is apparently insulting.
- From China comes the amusingly (and unintentionally) bizarre Benign Girl. [Via]
December 04, 2007
Wacom’s Cintiq monitor/tablet gets smaller, more affordable
I’ve long admired Wacom’s Cintiq line of pressure-sensitive flat-panel monitors, and I’ve watched professional animators and retouchers really rock out on them. At 20"/$1999 and up, however, they’ve remained mostly in the league of dedicated pros. Whenever I’d see Wacom folks, I’d encourage them to find a way to make the technology more broadly accessible–only to get a knowing, "Patience, grasshopper," smile and wave.
That’s why I’m really happy to see the Cintiq 12WX debut. It’s built around a 12.1" LCD, and its $999 price should help make on-screen drawing a reality for many more artists. The tablet weighs 4.4lbs–roughly 2/3rds the weight of my MacBook Pro–and the 1,280 x 800 pixel resolution should make it useful as a secondary monitor.
PhotoshopSupport.com has more info, specs, and photos. On the whole it’s great to see this new option for digital artists.
Solid state drive goodness (via Arlo Guthrie)
Every now and then I try to share info related to hardware developments that may eventually impact Photoshop (e.g. What’s up with Photoshop & 64-bit computing?). Lately I’ve been hearing more questions about solid state drives. As Photoshop architect Russell Williams notes,
The access time to get a
random piece of data would be significantly less [than for traditional hard drives]. A disk has to move
the read/write head to the correct track and then wait for the right spot
on the disk to spin around (not unlike Arlo waiting for the right spot in
the chords to come around again so he could sing the chorus of Alice’s
Restaurant).
I’ve spotted some related news that’s worth passing along:
- Price drops are ahead for solid-state drives, reports CNET. [Via Adam Jerugim]
- Think your latest Compact Flash card is spacious? BiTMICRO can now pack up to 1.6 terabytes of storage in a 3.5″ disk. [Via John Peterson]
- Meanwhile the ioDrive from Fusion-io “provides access rates comparable to DRAM with storage capacity on par with disks — being able to improve both memory capacity and storage performance by 100x.” The price? A cool $19,000 or so for the highest end (640GB) model. (A Slashdot wiseguy chimes in, “640GB ought to be enough for anybody…”) [Also via Adam]
Now, I should note that we can’t yet characterize the performance impact of using these exotic tools (the team is accepting hardware donations ;-)), but we hope to be able to share more info after we’ve done some testing.
November 28, 2007
Photoshop ethics & pistols & kittens
…these are a few of my favorite things.
- "When is Photoshop unethical?," asks Freelance UK. I’d make it "When is Photoshop use unethical," in the sense that "Guns don’t kill people; people kill people." The article doesn’t really break any new ground, I think. For something a little meatier, check out rules and guidelines from Reuters governing the use of Photoshop, posted in the wake of the 2006 image manipulation scandal. [Via John Dowdell]
- Providing a different take (from an artistic as opposed to journalistic perspective), Scott Kelby shares his Photo Editing "Code of Ethics."
- In any case, whatever you do, please don’t use Photoshop to defame nice old cat ladies. They’ll send you to the psych ward for that! [Via]
November 27, 2007
Epson posts Leopard compatibility info
Just a brief note, but one of interest to folks printing from Photoshop on the Mac: Epson has posted an FAQ and schedule for compatibility with Mac OS X Leopard. As always, it’s a great idea to make sure you’re using the latest driver for your hardware/OS combo.
Thanks to Bryan O’Neil Hughes pointing this out. For reference, see also the details on printing fixes & changes in Photoshop 10.0.1. Bryan and the team continue to track the issues & user experiences reported here and on other forums, so thanks for the feedback. We plan to share more details on what we’ve learned here later in the week. In the meantime, feel free to drop Bryan a line to report issues if you’d like.
[On a related note, if you use HP printers with the Mac, see MacNN's article HP verifies Leopard printer driver delivery via OS.]
November 23, 2007
Delicious leftovers: 3D, Photoshop, & much more
As many of us Americans remain lolling around in a turkey-stuffed haze, I’ll do my part to distract from the inlaws by trotting out a smorgasbord of stuff I’ve been amassing over the last few months–stuff that’s just never quite made it to the table on its own.
To pretend this all has something to do with my job, let’s start with the Photoshop bits:
- Some useful PSD-handling tools have been announced:
- PixelNovel has announced the useful-sounding ComparePSD tool (haven’t gotten to kick the tires yet myself). More info is in their press release. These guys also make FlickrShop for uploading directly from Photoshop to Flickr. [Via]
- If you’re a fan of Layer Comps–a really simple, lightweight way to store multiple design variations within a single PSD file–check out this Layer Comps plug-in for InDesign . [Via]
- In other Photoshop news:
- Thomas Knoll gets a lifetime innovator award.
- Fishing and Photoshop don’t mix. [Via Rob Corell]
- Face/Offs
- FreakingNews.com features rather unsettling partial face transplants, each mashing up the mugs of two well-known individuals. [Via]
- Oh, and taking it up another notch, Selfkiss features people kissing themselves through the power of Photoshop. (NB: Not for the terribly squeamish.)
- Typewriter bits
- Jeremy Mayer creates typewriter-based sculpture. A bit more info is here. [Via]
- Chris Dimino’s press forms typewriter-shaped waffles.
- Andrew Macrae makes ASCII art using a typewriter. [Via]
- Japanese curiosities
- A green roller coaster? Okayama’s pedal-powered Skycycle seems to be just that. [Via]
- We’re stuck with Howie Mandell while these guys get a “Human Tetris” game show? Can we at least bring back American Gladiators? (Don’t tell me you don’t miss the pugil sticks.)
- Vehicles
- Something Awful rocks out imaging (and P-shopping) all kinds of alternate Transformers. [Via]
- An unnamed Brazilian ad agent sculpts choppers from old watches.
- Business Week readers rag on the world’s ugliest cars. (Featured: Pontiac Az(z)Tek. Oddly absent: Chevy Assalanche.) [Via]
- Car Design News’s Studio Photos collection seeks to provide the perfect 3/4 shot of any car, nicely isolated on a plain background. [Via]
- This crazy 1873-vintage monocycle looks amazing. [Via]
- Automotive sweetness goes VDub in CNET’s Beetlemania gallery.
- Sculptures
- The hard-core plane geek in me vibes with these MotoArt tables, constructed from reclaimed bits of aviation history (e.g. a bomb + a B-52 turbine = the “Get Bombed” table). [Via]
- I love this crazy little creature made from rolled-up newspaper [Via]
- Art Lebedev’s “Copilcus piggybank” reshapes the traditional slot–because “‘Plus’ savings are far better than ‘minus’ savings.” [Via] They also make the way-cool Folderix folder-shaped flash drive.
- Crafty ads
- This ad for the BC Highland Games cleverly meshes 2D & 3D. You can almost feel the hernia.
- Worth1000 fine art ads. Dig the Shout & Diet Pepsi entries especially.
- I’m feeling these simple yet effective ads for Off bug repellant.
- The World Wildlife Fund uses a balloon to depict your car’s pollution cloud.
- You want a zoom? Leica’s got it.
- From the ever-growing world of whack-job printers:
- Target’ll get you printing on toast. [Via]
- To keep things smaller, try printing on peanuts. [Via]
- Finally, here’s an amazing 3D rendering of “The Last Elf.” CG Arena provides details on the model’s creation. [Via]
Now, if that doesn’t leave you feeling logy, head back to the Remains of the Bird. ;-)
November 22, 2007
Roses are #ff0000…
Inspired by shades of Fall:
- Dustin Spicuzza has created one seriously geeky love note. [Via]
- To ensure a proper coffee:cream ratio, MyCuppa offers a Pantone-like matching system. [Via]
- Speaking of that system, check out Chris Glass’s crafty Pantone leaves. [Via]
- Chris notes that his work was inspired by this Pantone matching photo set.
- I’ll neither confirm nor deny squandering my time with certain furry little dudes; all I’ll say is "Hex LOLcats."
Firefox 3 to enable better color online
Here’s a little reason to give thanks this year: the forthcoming Firefox 3.0 (now in beta) will enable color-managed browsing. That is, the browser will read color profile information saved in images, take your monitor’s particular characteristics into account, and adjust the pixels on the fly to give them the proper appearance.
The look of images differs between managed and unmanaged applications (screenshot of the same image in Safari vs. Firefox 2), so FF getting on board with color management is great news for designers & photographers who value consistency. For more background on why this is an important advance for the Web, see my notes on the color-managed Safari coming to Windows.
Now, if we can get Internet Explorer & the Flash Player on board, it’ll be Snoopy Happy Dance time for everyone. ;-)
Happy Turkey Day,
El Tryptophan
November 17, 2007
Of Skylines & Silhouettes
- Claasen & Partner make the Berlin Bulb, depicting the city’s skyline on illuminated glass. Paris, Munich, and other cities are due to follow. In a related vein, see also their Moby Dick Tub Tattoo. [Via]
- Mounir Fatmi has created three variations of Save Manhattan–skylines comprised variously of books, VHS tapes, and speakers. Two copies of the Koran cast shadows that recall the Twin Towers. (Click the small black dots beneath the image to see & read more.) [Via]
- I’d love to see The Adventures of Prince Achmed–the oldest surviving feature-length animated film, made in Germany in 1926 using silhouette animation. Assorted stills are scattered around the Web. [Via Maria Brenny]
- Speaking of German silhouettes, Axel Broetje’s animated Fische und Schiffe won a 2007 Adobe Design Achievement award for student work.
November 16, 2007
Details on printing fixes in Photoshop 10.0.1
As I mentioned last month, the Photoshop team has been working to address printing problems reported by customers using Photoshop CS3. My fellow PM Bryan O’Neil Hughes has been driving this effort, and he and the technical writing team have posted a detailed explanation of the changes made by the update. Bryan’s introduction is below.
In Photoshop CS3, we made a significant effort to improve the printing experience for our users. This resulted in many changes to the printing code, improvements to the print interface, new color management functionality, and support for new features in the latest printer drivers and operating systems. Throughout the project, we worked closely with printer manufacturers to ensure the best possible integration with their devices.
A number of issues have come to our attention since we shipped CS3, and we are now releasing a maintenance update to address many of those that are without an easy workaround. We have also discovered that some problems can be averted by minor refinements to a user’s workflow and we have done our best to describe some of those here. Please read on in this document for specifics. — Bryan O’Neil Hughes, Photoshop Product Manager
November 14, 2007
Printing with your ashes, light, & liquid metal
- If you take this whole digital photography thing way, way too seriously, consider making a print from your ashes. [Via Rob Corell]
- Philips encourages kids to paint on the wall with light. Engadget has a bit more info. [Via Tom Attix]
- Martin Frey has developed SnOil (Snake + Oil), a physical interactive display that utilizes ferrofluid, a liquid that reacts to magnetism. See it in action. [Via]
- Speaking of ferrofluid, NatGeo has posted a really striking pic of the juice from Felice Frankel. Here’s a bit more info about how she made it. And check out Wohba! for some intriguing videos. [Via]
Call for Entries: Adobe Design Achievement Awards
The Adobe Design Achievement Awards, created to honor great new student work, are now accepting entries.
The loot on tap is not too shabby: Individual category winners in each of 12 categories receive $3,000 cash, a winner’s certificate, round-trip airfare to New York City and two nights’ stay; tours of professional studios; and a copy of the Master Collection (BYO forklift on that one ;-)). Plenty of other prizes are up for grabs, too. You need to be a full-time student to enter, and the work has to be fresh (done after May 1 this year). Submissions will be accepted online through May 2, 2008.
See the FAQ for more info, and also check out the 2007 winners. [Via]
November 12, 2007
Drobo: Storage a-Go-Go
"Every once in a while," enthuses my fellow Photoshop PM Bryan O’Neil Hughes, "a piece of hardware comes along that is truly a must-have; within days of using it, you suddenly wonder what you ever did without it. I can’t imagine not having a TiVo, an iPod or a Web-enabled cell phone…and now I can add my Drobo to that list as well." I’ve included the rest of Bryan’s review as a guest posting in this post’s extended entry. –J.
November 11, 2007
Let There Be More Light
- The always-interesting United Visual Artists have erected the beautiful Triptych light installation in Paris. [Via] The blazes of orange light make me think of Danny Boyle’s Sunshine. For lots more UVA bits, see previous.
- Michael Young’s Sticklight is available from design company Innermost.
- Finkbuilt (Finkbuilt? How do I end up on these sites?) has a tutorial on making one’s own lightsaber. Meanwhile eBay hosts auctions for Graflex flash guns like those used to create the original lightsaber props. [Via]
November 08, 2007
I like big bits (and I cannot lie)…
Do you think gigabytes are the new megabytes? Do you think 4 gigs of RAM is an appetizer? Do you covet more RAID than an exterminator? If so, we’d like to meet you.
We’re always looking for new ways to make Photoshop faster, so we’d like to talk with people who put the application through big workouts. If you’re interested in helping speed up Photoshop for your needs, please contact my colleague Adam Jerugim, the performance testing lead for Photoshop. He’ll take things from there.
[Related: If you haven't already, check out the latest performance tuning guidance from Adam & engineer Scott Byer.]
November 03, 2007
Go to Maui, courtesy of Photoshop User
The good folks at Photoshop User Magazine have announced a call for entries into this year’s Photoshop User Awards. The grand prize winner gets to go on a five-day photo shoot in Hawaii with the assistant of his or her choice, and the winners in each of 11 categories get their work shown in the magazine while picking up a prize package valued at over $2,500. So step to it! [Via]
October 26, 2007
Adobe apps on Leopard: What you need to know
Just minutes ago, Apple’s Mac OS X 10.5–"Leopard" to its friends–went on sale. Congrats to everyone at Apple on what looks like a terrific release.
So, what does this mean in terms of running Adobe software? The good news is that most Adobe apps don’t require updates in order to run well. That is, the CS3 versions of Photoshop, Illustrator, InDesign, Flash, Dreamweaver, Fireworks, and other apps are good to go for Leopard right now. Rock out.
The CS3-generation applications that require patches are After Effects, Premiere Pro, Encore, and Soundbooth (due to go live in early December), and Acrobat 8/Reader 8 (due in January). Although Adobe is working on these updates, here’s a key line from the Adobe Leopard FAQ (PDF):
Does Adobe recommend running Production Premium or Master Collection before its
updates are available?A. Yes, we are comfortable recommending this. Our testing revealed a few issues in specific
workflows when running the video professional applications on Mac OS X Leopard. Many
video professionals would not encounter these issues on a day-to-day basis, but we want to
provide updates in December 2007 to address these issues and meet our standards of quality. You can evaluate the issues by visiting www.adobe.com/go/support and searching the online
knowledgebase for more information.
What about older versions of Adobe software? The FAQ says,
While older Adobe applications may install and run on Mac OS X Leopard, they were
designed, tested, and released to the public several years before this new operating system
became available. You may, therefore, experience a variety of installation, stability, and
reliability issues for which there is no resolution. Older versions of our creative software will
not be updated to support Mac OS X.
I can’t speak for other app teams, but while we naturally concentrated our testing on Photoshop CS3 (and beyond), we also tested CS2 a fair bit. The only significant problem we discovered is that Photoshop CS2′s Web Photo Gallery module can crash while running under Leopard. We plan to post an updated version that fixes the crash, but that won’t go up until Monday. In case you’re impatient, I’ve attached the file here.
And that, in a nutshell, is it. Have fun.
[Update: Adobe evangelist Terry White is one of the most deeply knowledgeable people inthe world when it comes to the Creative Suite applications. He's been logging his Leopard upgrade experiences on his blog: see The Road To Leopard, parts 1, 2, and 3. On the whole, things seem to be going really well.
Per a note in Terry's third installment, I've gotta say, I'm deeply disappointed that Time Machine now apparently won't support backups across a wireless network. Good thing I rushed out and bought a new AirPort base station in February, along with a new USB hard drive (given that the base station doesn't support the Apple-designed FireWire standard)--all in anticipation of wireless household backups. Here's hoping the planned functionality will be enabled in an update.]
October 25, 2007
"Designed in California"
Sometimes I see an article that I wish I’d written, as it just nails something I’ve been thinking for a while. Joel Spolsky’s piece on the phrase "Designed by Apple in California" neatly captures my thoughts–especially on the idea of California as an idea (very resonant for someone growing up in rural Illinois). Thank you… thank you for giving a damn.
As for the Zune team apparently aping Apple’s phrase with their "Hello from Seattle," I feel like pulling the Conan O’Brien move that occurs roughly 2:20 into his brilliant visit to ILM, stamping the whole effort "SAD!" [Via]
PS–The "Hello" thing was charming in 1998, too.
October 24, 2007
Human flipbooks, Lego films, & more
Of stop motion & time lapses:
- 150 t-shirts + 150 iron-ons + one heck of a lot of precision ironing = the Human Flipbook, created for sandwich chain Erbert & Gerbert. [Via Dustin Black, "Chief Simian Liaison" @ Colle+McVoy]
- Ironic Sans tells the story of Art Binninger, a Star Trek fan who made stop-motion animated Star Trek parody films from 1974 until Paramount put the smack down in 1986. [Via]
- The boxes be flyin’ in "Platform," a stop-motion film. (The stack’s got kind of a Q*bert look to it.) [Via]
- Legos fly together Busby Berkeley-style to create the Millenium Falcon. [Via]
- CNET hosts a gallery of more Lego stop motion. Bohemian Rhapsody ain’t bad.
October 17, 2007
Logo Design = Bullet Magnet
Having just stumbled, sleepy & scruffy*, out of an NYC taxi, I’m amused (and more than a bit sympathetic) to see the drubbing being doled out to the city’s new taxi logo. Having absorbed, oh, ~850 flame-throwing drive-bys about the Photoshop family logo and the CS3 icons, I can empathize with the poor suckas who created this taxi thing, or who just had the, ahem, pleasure of playing the messenger. Sam Potts points out the typically blistering comments visited on the work (and on his & other designers’ takes on it):
Why not open it up to ACTUAL high schoolers? Seeing the work they do, I’m betting they can come up with a much more clever solution than these half-brained doozies some wanna-be designer came up with on his bathroom break.
— Posted by Real Designer
Yeesh. I’m reminded of a joke James Darnell passed along in conjunction with the Photoshop logo flare-up: "How many graphic designers does it take to screw in a lightbulb? Any number really: one will do the work and the rest will stand around saying I could’ve done a better job." God help anyone with the guts to put their work up on LogoPond & the like.
I do get a kick out of Sam’s bullet-riddled taxi design. Travis Bickle would feel right at home. [Via Sam]
* Red-eye flights seem to be the universe’s way of punishing my chronic failure to learn that, boy oh boy, it sucks to spend one’s night wedged between ripe, sullen strangers. You’d think I’d get the hint by now.
October 15, 2007
Tuning Photoshop for peak performance
Fast performance, as I’ve said before, is the best possible feature: it just works, without requring you to learn anything or to change how you work. Not surprisingly, it’s always at the top of customers’ lists of requested features.
The Photoshop team works hard to tune the application to run as well as possible for the majority of users, but the ways in which each person uses the can differ pretty wildly. For example, do you tend to open files with small pixel dimensions and lots of layers, or do you tend to work more with large, nearly flat documents? The optimal application settings & hardware setups may differ based on your needs & style of working.
To help shed some light on these topics, Photoshop co-architect Scott Byer & performance lead tester Adam Jerugim presented a popular session at Photoshop World last month. They’ve posted some notes on Scott’s blog, and just this morning Scott uploaded a revised & expanded version of the presentation slide deck (PDF).
October 10, 2007
Fixes for Photoshop printing due soon
[Update: Photoshop 10.0.1 for CS3 is now available. Here's more info.]
We know that many people have been unhappy with printing from Photoshop CS3 (overwhelmingly on Windows), and we’ve been working on changes that will make things work better. Unfortunately the process isn’t as quick as we’d like, given the sheer number of hardware, printer driver, and operating system combinations. We’ve made some changes & will be issuing an update to Photoshop CS3, but it’s not quite ready to be shared with the world at large.
If, however, you’re experiencing printing problems & would like to test the current code, please drop me a note [update: get the update]. I’ll then ask our pre-release coordinator to send you an invitation, after which you can download the latest build and send us your feedback.
I’m sorry that things have been more painful than they should be, and I hope this process helps get fixes into the hands of those who need them.
Thanks,
J.
InDesign vs. Photoshop Smackdown
Pitting Adobe’s imaging & page-layout flagships against one another seems a little wonky (kind of a Celebrity Deathmatch, minus the clay & gore), but by doing so Peachpit’s Mike McHugh shows off some of the power hidden in InDesign. The battle, in six rounds, hits the following:
- Recoloring Grayscale Artwork
- Recoloring RGB Artwork
- Creating Reflections
- Applying Special Effects
- Creating Vignettes
- Generating Contact Sheets
I wouldn’t necessarily agree that ID beats PS on some of these points (cough), but the core imaging juice shared between the two enables ID to perform some neat tricks. And when it comes to generating contact sheets (with a hand-off from Bridge), InDesign just trounces Photoshop–as well it should. [Via]
[Update: Mordy Golding has posted an Illustrator vs. InDesign Smackdown on his blog.]
October 09, 2007
Create grids easily in Photoshop, Fireworks
Grid-based Web design has gained currency as a best practice, as articulated by various experts. For example:
- Mark Boulton talks about why to use a grid, and he offers Five Simple Steps to designing grid systems.
- NYTimes.com design director Khoi Vinh shares his approach.
- Mark & Khoi elaborate on their techniques in the SXSW presentation “Grids Are Good” (8MB PDF).
Now Andrew Ingram has stepped up with GridMaker for Photoshop, a script that enables easy creation of a grid comprised of Photoshop guides. He’s also created a version for Fireworks using a Flash-based panel. Many thanks for your efforts here, Andrew.
Elsewhere Matthew Pennell has created a Web-hosted approach to grid generation, complete with a nice set of draggable sliders. It would be cool to see someone combine these approaches, using a Flash UI inside Photoshop to drive the guide-creation script. [Via my old roommate Khoi Uong; doppel-Khoi powers, activate!]
October 08, 2007
Keywording improvements in Bridge 2.1
People managing large asset collections–especially photographers with lots of photos–have long requested finer-grained control over the way keywords are applied to & stored within their files. Now a new technote on Adobe.com documents the changes & improvements in Bridge 2.1:
The keywords panel is enhanced significantly in the Adobe Bridge CS3 2.1 release. The primary enhancement is the addition of support for nested keyword hierarchies. In previous versions of Bridge, only a single level of nesting was supported. Bridge also now allows the hierarchical information to be written with the keywords. There are also new ways to find keywords quickly in your keyword hierarchy and to add new keywords at any level in the hierarchy. Additionally, Bridge now provides a way to import and export the keywords defined in the keyword panel.
Check out the doc for more details, and please let us know if there are ways in which you’d like to see keywording further improved in Bridge and/or Lightroom.
October 07, 2007
Let’s honor socially significant design
Through a design competition called cause/affect, the SF chapter of AIGA seeks to "celebrate the work of designers and organizations who set out to positively impact our society." If you’re using your design skills for the betterment of life, the universe, and everything, or if you know of someone who is doing so, consider submitting your work (see the FAQ for details). The deadline is November 9, and the awards ceremony will be held in SF on December 4. [Via]
October 03, 2007
Details of online Photoshop Express emerge
Last night at MAX, Adobe’s Geoff Baum got on stage during the sneak peek session to show off a bit more of Photoshop Express. Boy, things have come a long way in the few weeks since the sneak at Photoshop World, and last night’s demo showed Healing Brush- & Liquify-like tools running via the app’s Flash interface. CNET’s Martin LaMonica has details & screenshots. (Update: Here’s a video recording of the session:
[Via Stephen Shankland])
The company is still being somewhat coy (as is par for the course when previewing technology), but as info firms up, I’ll pass it along.
Gratuitous addendum: I like seeing that former LiveMotion/Vanishing Point developer Steve Troppoli continues the Boston office tradition of inserting one’s fly Volvo into demos. Somewhere, the Flavawagon (which lives forever, in tiny form, within Photoshop’s Web Photo Gallery) smiles.
September 30, 2007
New Adobe vids: Russell Brown, Layers, & more
- Adobe’s Russell Brown has teamed up with xTrain to create Dr. Brown’s Photoshop Laboratory. For more on the free classes they’re doing together, check out the xTrain site. Here are direct links to his recent tutorials on 3D, Black & White, and video in Photoshop CS3.
- Russell has posted a whole set of video experiments created using PSCS3 Extended in Dr. Brown’s Video Gallery.
- Layers Magazine has launched Layers TV–"The How-To Podcast for Everything Adobe." Hosted by Cory Barker and “RC” Concepcion, the podcasts are also available via iTunes.
- Hitting the century mark and going stronger than ever, the NAPP‘s Photoshop User TV celebrates its 100th episode. Congrats, guys! Thanks for rocking out to make such a great community resource.
- And, perhaps hiding right under your nose, the Flash-powered Bridge Home (part of Adobe Bridge CS3–see screenshot) delivers info and training content (including more than 200 CS videos) right to your desktop. Seems that someone is discovering the service, however: according to manager Jennifer Deming, Bridge Home racked up more than 125,000 unique visitors this month. More info on Bridge Home is in Terry White’s podcast.
September 29, 2007
New Adobe Magazine available
A new issue (download) of Adobe Magazine, the company’s quarterly PDF for designers, photographers, and other creative folks, is available for download. Designed by São Paulo-based Kiko Farkas, this issue includes:
- Natural Synthesis: Discover how London-based artists use Adobe Photoshop to capture unique versions of reality.
- The Incredible Shrinking Screen:
In many countries, efficient and intelligent design is the king in mobile branding. - Fine Filmmaking:
Los Angeles director Jacob Rosenberg works within a budget, without creative limitations.
More than 100,000 folks are already subscribing to email updates for the magazine. You can join the list via the site.
What’s in *your* histogram?
Heh–this is one of the cooler things I’ve seen in quite a while. David Friedman of Ironic Sans has hidden a picture in an innocuous-looking gradient. Can you find the image? It’s fun to poke at the pixels a little to see what you can discover. To see the hidden image plus the steps for hiding it, check out the follow-up post. [Via Marc Pawliger, Tobias Hoellrich, & Jeff Tranberry]
Elsewhere in the realm of genius through illegibility: check out this recruiting ad for Lunar BBDO, rendered in typographic dingbats. (That that, Google math nerds. ;-)) For more on steganography (hidden writing) of all sorts, check out the Wikipedia entry.
September 23, 2007
Photoshop Tennis returns
I’m excited to see that Coudal Partners’ Photoshop Tennis (background)–now rechristened Layer Tennis–is due to return, after a long absence, this coming Friday. Emphasizing not just what two designers can do head-to-head with a PSD file, the contest is gearing up to be more community-driven. According to the site, "You’ll be able to download the raw elements from every match to remix or remash any way you like and then post a link back to your creation."
All matches take are due to take place on Fridays, live at 2pm Chicago time (GMT+6, meaning 3pm in NYC, Noon in SF and 7 in London). Upcoming matches:
September 28th
Shaun Inman vs Kevin Cornell
Commentary by John GruberOctober 5th
Neil Durden vs Mathew Star Thomas
Commentary by Debbie MillmanOctober 12th
Chuck Anderson vs Steven Harrington
Commentary by Jason Kottke
September 22, 2007
RapidFixer CS3: Powerful add-on for Bridge
The new RapidFixer extension for Adobe Bridge CS3 helps unlock the power of Camera Raw. Created by photographer Peter Krogh & developer Tom Nolan, RapidFixer adds quick adjustment strips to the Bridge interface. Now, instead of needing to pop into the Camera Raw dialog to apply image adjustments (converting to black & white, say, or bumping up exposure by 1/3 stop), you can use RapidFixer to tweak settings on one or more files.
Peter provides a nice overview of the tools in this video–adjusting white balance, applying vignettes, and more. At around the 2/3rds mark he shows some interesting modifications that facilitate working on photographic negatives.
I don’t shoot massive numbers of images, but I’ve found RapidFixer extremely handy in reviewing and tweaking my shots. If you’re crunching a large number of images via Bridge & Camera Raw, you’ll likely find the $49 price of RapidFixer a bargain.
September 18, 2007
Adobe-Leopard Non-Issue o’ the Day
Various people have been wondering about this statement:
“CS3 hasn’t fully been tested under [Mac OS X] Leopard,” Adobe Chief Executive Bruce Chizen told Reuters in an interview. “If it doesn’t work, we will make the necessary adjustments.”
Here’s my take: It’s impossible to say that something has been “fully tested” on a platform that is not yet finished. Therefore, until Leopard ships (expected this Fall), Adobe can’t say with confidence that everything is A-OK. Once Leopard hits the streets, if the various product teams discover that something isn’t working well on the new OS, they’ll work on addressing the problem.
In the meantime, lots of folks at Adobe and Apple continue to work together, as they always do, to make things work as well as possible out of the gate. (The same is true with Microsoft & Windows updates.)
Anyway, I hope that provides a little peace of mind.
September 17, 2007
Photoshop gets a new logo
I’ve been remiss in not sharing the news sooner, but I wanted to give it a chance not to get overshadowed by the Photoshop Express excitement. In any case, I’m pleased to report that the Photoshop family of products now has its own logo and tagline: See What’s Possible™.

As you no doubt know, “Photoshop” has grown far beyond the side project of Michigan grad student, and even beyond a single application, to encompass a range of functionally different apps–Photoshop CS3, Photoshop CS3 Extended, Photoshop Lightroom, Photoshop Elements, Photoshop Album Starter Edition, and soon Photoshop Express–that all share a solid core of imaging smarts. As the press docs say,
To represent this rich family of products, Adobe is introducing the Photoshop visual logo.
This logo will soon appear in all Photoshop-related marketing, so keep an eye out for it. The
Photoshop logo on a product, service, or technology, represents the rich legacy, technical
quality, and attention to detail that has made Photoshop the gold standard in digital
imaging.
Or, as The Dude might say, “It really ties the room together.” ;-) Here’s a quick screenshot of the main variations on the logo. [Update: Jeff Schewe has posted a giant version, complete with E.T.]
So, whaddya think?
J.
PS–In light of the above, I can’t resist passing along a totally different example of “Photoshop branding.”
September 15, 2007
Cool Recent Art, Pt. 2
- Portrait of the Artists as Minifigs: the Young Woz & Jobs Lego set. [Via] (For a little Apple/MS balance, the weirdos commenting about Bloods & Crips might enjoy Bill Gates thug life; the splayed fingers really make the shot.)
- Also comprised of small blocks are these unusual mosaics:
- Albanian artist Saimir Strati creates huge portraits using nails and toothpicks. Check out the making of his 880-pound Leonardo nail mosaic on his site. [Via]
- 19-year-old David Alvarez has depicted Ray Charles using 2,000 Post-Its.
- David Litwin depicts Stephen Colbert using Rubik’s Cubes. Here he talks about the project. [Via]
- Slightly visually related: Frustrated that Google Maps wouldn’t flag the Royal College of Art, Robert Sollis created the "Google Carpet" to get the job done. [Via]
- Nicholas Kolyas creates lovely, minimalist cut paper and currency cities. [Via]
- Like Nicholas, Kako Ueda works in paper. The beautifully detailed Memento Mori looks to have crawled out of Donnie Darko’s subconscious–or possibly a Gnarls Barkley video. [Via]
- Jason Bruges Studio’s Wind to Light –a system of 500 mini wind turbines–beautifully "explore[s] the power of the wind in the city, visualising it as an ephemeral cloud of light." [Via]
September 12, 2007
Photoshop comes to the iPhone (!?)
Hmm, let’s see: start with one high-res newfangled multi-touch display; add a powerful graphics processor; and throw in built-in telephony. The result: handheld iPhonetoshop?
Er, maybe not yet, but Scott Kelby & co. had fun making a 2-minute spoof that played during the keynote address at Photoshop World. You can see the very funny results in Terry White’s latest Creative Suite Podcast (direct link to video; “Photoshop CS3 for iPhone” starts at 3:10). [Update: Here's just the spoof itself--easier to see and hear, though you can't hear the crowd reaction.] And hey, maybe OnStar-style Photoshop support (“Would you like me to unlock that background layer for you?”) could have some legs. :-)
Other demos captured in the podcast include the Flash/Flex-powered Photoshop Express (starting around 16:10), 3D hook-ups from Daz3D (23:45) and Strata (29:10), as well as an example of Photoshop Extended turning flat medical imaging data into a translucent floating 3D skull (37:40).
PS–If the Flash Player ran on the iPhone, might we see Photoshop Express running there as well? Hmm–it’s an interesting prospect, anyway.
September 10, 2007
Good training for scripting Photoshop
At Photoshop World on Friday, Jeff Tranberry & Tom Ruark from Photoshop engineering presented a very popular four-hour session on scripting Photoshop. Despite having printed out 150 copies of their training hand-outs, they found that the pile disappeared very quickly. A number of attendees asked me for info on where they could find the materials, so I’m pleased to report that Jeff has posted them on his Web site. The info (freely downloadable by anyone) ranges from basic to more advanced & includes a number of sample scripts.
Jeff notes that people can ask questions via his feedback form. For additional resources, he points out Deke McClelland’s Photoshop CS2 Actions and Automation title (6.5 hours of video training from Lynda.com) and Chandler McWilliams’s Adobe Scripting title.
September 09, 2007
Cool Recent Art, Pt. 1
//NA// I’ve been coming across all kinds of interesting artwork lately:
- Shout at the devil: Brian Dettmer has sculpted a skull using melted heavy metal cassette tapes. Rockin’ like Dokken. [Via]
- Andrew Huff points out Michael Levy’s gut-busting Deep Fried Liberty (see details). I want to see Lou Dobbs suck one of these down on air while supplying “the facts, not fear.”
- What if people walked around with their names floating above them, World of Warcraft-style? Aram Bartholl & Evan Roth give it a shot. [Via]
- Jethro Haynes creates rather amazing shoe art. Here’s a particular fave. [Via]
- The book Dictator Style catalogs the design tastes of colorful despots–what PJ O’Rourke calls "felony interior decorating." [Via]
- The Want/Need glass reminds the user to sip, not guzzle. [Via]
- I found myself enjoying an NYT slideshow covering new architecture in the Netherlands. Unfortunately it concluded with the line, "Mr. Neutelings and Mr. Riedijk have fashioned a serious critique of a world saturated in advertising, and marketing images, and reaffirmed architecture’s heroic stature, according to Nicolai Ouroussoff"–making me want to throw up a little in my mouth. The accompanying article thankfully bypasses the pedantic crap.
- On a less pretentious note, peep this Dutch satellite dish-pimping.
- Canon may be taking its time in revving the 5D, but in the meantime, can I interest you in a sewn felt Pentax? [Via]
- An uncredited YouTube vid shows the faces of women in Western art morphing into one another. [Via]
- D*Face subverts a simple pole with Missile Strike. [Via]
September 03, 2007
A little Labor Day reading
//NA*// On the off chance that, like me, you’re getting a little much-needed downtime, I thought I’d share some interesting but hard-to-categorize links I’ve encountered recently:
- Here’s a novel approach to selling Photoshop plug-ins: a developer is auctioning the source code for Cinematte, a plug-in for removing green screens & similar backgrounds. [Via Tom Hogarty]
- On a more precompiled note, how about a "Brutality Filter"? New Mr. Retro filters are available (press release). See ‘em in action here.
- Photo blogger Jason David Moore recently profiled me. (I didn’t even know I had a favorite curse word.)
- The World’s Best Logos & Brands blog has a (very) short history of the Adobe logo. [Via]
- If you’re stumped, give the Idea Generator a spin. Seriously, wouldn’t you like to see a Transparent Morphing Saxophone? (Goes well with the Brutality Filter, I’m told.) [Via]
- I’m keeping it Victorian these days, but I can dig this MIT-designed water-walled house. On a slightly related note, researchers are also exploring how to use water as insulation within windows.
- Of Audis & iMacs: The ConceptCar blog notes similarities between the new iMac design & the latest crop of Audis.
- Box.net has created a plug-in that facilitates sharing large images right from Photoshop. Their slogan? "Put your junk in the box." (I kid you not.)
- Ars Technica features info on battery life preservation–relevant to everyone who schleps around one or more rechargable devices (which, I’m guessing, is everyone who stops by here). I’m paranoid about being without power, but I’ll be damned if I run my batteries down & store them in a freezer. ("Nothing more useless than an unloaded gun.") [Via]
- News.com reports on companies that put image sequences on subway walls. (I wonder if this is what Interpol had in mind.) In a lower-tech vein, peep subway gum art. [Via]
* As in "(Largely) Non-Adobe" — a note to those who’d rather skip anything not 100% tied to Photoshop
August 29, 2007
New Photoshop Hall of Fame inductees
It’s great to see that two very worthy guys–Andrew Rodney & Kevin Connor–have been inducted into the Photoshop Hall of Fame. Andrew has been helping mere mortals untangle color management issues for years, and Kevin (boss’s boss to yours truly) has been guiding the Photoshop ship since version 4.0.
[Kevin's headshot on Photoshop News apparently comes from his "Young Seinfeld" period. ;-) He now looks a bit more like this. Oddly enough, Google Images pulls up evidence of a possible horrifying past career (scroll to the bottom of the poster)--maybe something to discuss at our next 1:1.]
In any case, congrats to both Andrew and Kevin. The honor couldn’t be more deserved.
August 24, 2007
New Wi-Fi camera coolness
It’s been a great week to be a photographer, with Canon and Nikon upping the ante across their ranges of products. Apart from the big sensors, “live view” enhancements, and other good stuff in the 1Ds Mk III, D3, and other new cameras, my eye gravitated to some wireless network-oriented features Nikon has announced. From DP Review:
Now, with the new Nikon Wireless Transmitter WT-43, the era of the multi camera network has arrived. Not only can one transmit (‘push’) images to servers and remotely control the camera from afar, the WT-4 also enables remote browsing of the camera’s image thumbnails as well.
In a wireless environment, networks of up to 5 D3 and D300 cameras can be established. At a sports event, for example, photo editors could browse all thumbnails on each camera simultaneously, selecting (‘pulling’) the images they need, while the photographers continue shooting.
Hmm–that sounds pretty darn cool. Does this spell an end to young guys sprinting down sidelines with sacks of CF cards, delivering them to some dude shielding his laptop in a sleeping bag? Time will tell. As with so much technology, of course, I’m sure it’ll keep compressing our perception of “fast enough.” [Update: Rob Galbraith has more details and a photo of the transmitter.]
August 23, 2007
Grab your whammy bar: It’s time for Photoshop Hero
Heh–fans of the insanely popular Guitar Hero series of games may enjoy this bit from Penny Arcade: Photoshop Hero! (Aside: Yes, Photoshop engineers, this is why I keep trying to jam Flash palette support into the app. ;->) [Thanks to Mark Kawano, Bruce Bullis, Rob Corell, David Parent, and all the other folks who suggested this link]
August 16, 2007
Adobe does Pynchon, one letter at a time
One year ago, Adobe & digital artist unveiled the San Jose Semaphore–24,000 LEDs that form "a multi-sensory kinetic artwork that illuminates the San Jose skyline with the transmission of a coded message."
Now the code has been cracked and is revealed to be spelling out an entire novel, Thomas Pynchon’s The Crying of Lot 49. "The Pynchon book, written in the mid-1960s, is set in a fictional California city filled with high-tech campuses. It follows a woman’s discovery of latent symbols and codes embedded in the landscape and local culture, [Semaphore creator Ben] Rubin said."
Evidently the code does not, as second-generation Photoshop team member David Parent suggested, consist of "Be… sure… to… drink… your… Ovaltine. Son of a bitch!"
August 13, 2007
Photoshop Guru Awards: Call for entries
If you’re attending next month’s Photoshop World in Las Vegas, and if you’ve been kicking out the jams in PS, round up three of your best pieces and enter the Photoshop World Guru Awards –but hustle, as the deadline is Wednesday at midnight. Categories include Artistic, Photography, Photo Restoration, Commercial, Photo Montage, Photo Retouching, and Illustration. [Via]
Speaking of Photoshop World, the crew has added five sessions on Photoshop Extended. The "Extended Special Interest Track will teach scientists, medical practitioners, data analysts, engineers, researchers, and other technical professionals to advance scientific knowledge and find treatments for medical conditions." In addition, Adobe will be hosting a Birds of a Feather workshop specifically for professionals interested in using CS3 Extended for engineering, architecture, construction, and mechanical design.
I’m back, with a chuckle
I can’t claim to have returned from Ireland tanned (perma-cloud keeps everyone’s skin 255/255/255–my people!) or rested (a week of piloting a minivan down the “wrong” side of roads no wider than a cocktail straw leaves me shaking with PTSD), but I’m certainly ready to fire up the blog again. I plan to share some photos shortly. In the meantime, I’ll shake off the cobwebs with some a few things that made me smile today:
- The kids at freeloveforum have created a brilliant parody of the breathless promo videos that we technology companies (Adobe, Apple, etc.) can’t resist creating. With MS Paint, “the future… is in the past!” [Via Alistair Lee]
- “Where do you live, anyway, a Simpsons cartoon?” Elsewhere Mike Johnston of The Online Photographer shares his salty thoughts when looking at “Photoshop excess.” (See also his previous parody of clueless photoblog commenters.)
- “PMS 187 runs deep in my veins…” My art director pal Maria at Hallmark passes along the frisket-slashing stylings of the Original Design Gangster. Pour out a 40 for the dead homie…
- Update: Poor Eric Clapton. If someone photographed my every movement, I’m sure they’d catch stuff far dopier than this. Still, it’s kind of funny to see the ol’ guy flummoxed by his lens cap. Maybe he should spend more time hanging around with Graham Nash. [Via Zalman Stern]
August 01, 2007
Erin Go Bragh (or, see you soon)
Even the most uncannable blog animal needs to recharge his batteries once and a while. I’m terrible about taking time off (clearly), but for once I’m giving it a shot, planning to spend the next week and a half in Ireland with my family. All this chatter has reduced my stock of blarney to dangerously low levels, so I plan to return to the source for a reload. Therefore I expect the blog to go mostly, if not completely, dark until mid August. [It depends in part on connectivity while on the road (in 1984 we were lucky to get hot water, though things are said to have changed dramatically), and in part on my ability to kick the 'Net habit for a few days.]
In the meantime, you can keep busy visiting some of the blogs from which I so liberally borrow links (not an exhaustive list, so sorry if I’ve omitted anyone):
Design
- Core77 (industrial & other design goodness)
- Drawn.ca (great illustration, updated daily)
- Boing Boing (self-impressed but periodically interesting)
- Kaliber10000 (assorted designishness)
- Design Meltdown & CSS Beauty (focused on great Web craft)
- Jon Hicks (interesting links from the designer of the Firefox logo)
Photography
- The Online Photographer (brings a unique perspective and edge)
- Ben Long (low volume but well written photo-centric insights)
- Photoshop Support (general PS-related news)
- Rob Galbraith (photography and photojournalism news)
Photoshop
- Scott Kelby (Photoshop impresario, probably needs no introduction)
- Photoshop News (in a quiet period this summer), sister site of Lightroom News
- Lightroom Journal (LR team blog)
- MXNA, the Adobe News Aggregator (Flash- and Web dev-heavy)
- Technorati feed for "Photoshop" (hit the "View All" link)
- Terry White (Adobe evangelist/man about town)
You also might want to check out this site’s category archives, as I’ve tried to group most posts by topic (e.g. photography, illustration, typography, etc.). Otherwise, see you on the flipside, and wish me luck capturing a few good images of the old country.
J.
July 16, 2007
Photoshop: Show us where it hurts
Faster performance is the best possible "feature": you don’t have to learn a thing in order to get the benefits. Consequently, the Photoshop team is in a never-ending quest to make the application run as fast as possible. What’s important to one person, however, may be irrelevant to another, and we need to do periodic reality checks to make sure we’re focusing on the right areas.
To that end we’ve created a survey to identify your priorities for improving the speed of Photoshop & Bridge. Performance expert Adam Jerugim writes, "The survey is an opportunity
for users to give us – the Photoshop engineering team – specific feedback that we
can then use to make PS a better and more productive tool for everyone." If you’ve got a couple of spare minutes (shouldn’t be more than 5), please let us know your priorities for making things faster.
Thanks in advance,
J.
July 14, 2007
iPhone: Not just a cat toy anymore
I know, I know: the world needs more iPhone commentary like it needs another folk singer. Having said that, I’m happy to have won a multi-week battle of wills with AT&T* and to have finally activated my iPhone. Now instead of just using its shiny screen to create little reflection-pals for my cat to chase (which works great, by the way), I can get down to business.
I have to say, the iPhone is a tour de force. Inevitable quibbles aside (too minor to detail here), both the interface and the industrial design are magnificent. I’m not talking just about the well known UI innovations, such as green/yellow/red traffic conditions overlaid on a Google Map; I’m talking about things like a ringer on/off switch on the side. It’s finding these little details done right that makes me beam. Like an appreciative designer once said when pulling the handles in my VW: "Dampened… They didn’t have to do that… but they did."
So, hats off to everyone involved in designing and building the iPhone. Thank you for giving a damn. It’s an inspiration and a reminder of why we do what we do (we being anyone who aspires to go that extra mile for good design).
J.
*One remaining fly in the ointment: Even though I’ve been auto-paying a ~$85 cell bill with AT&T for more than seven years–meaning that they’ve squeezed some $7,000 out of my pocket, without a single late payment–they required me to put down an $800 security deposit when switching my phone plan to accommodate the iPhone. What exactly are they securing–my lasting animosity? I will be sorting this out, but after 35 minutes on the phone with them just to make the switch, I had to get back to work.
July 10, 2007
Security update for Photoshop available
Adobe has posted a security update for Photoshop CS2 and CS3 that addresses a potential vulnerability reported earlier this year. We’re not aware of anyone having been affected by the vulnerability, but obviously we don’t want to leave it unpatched, so it’s a good idea to take a minute to run this update. It consists of revised versions of the plug-ins that read BMP, PNG, RLE, DIB, and Targa files.
July 09, 2007
Let there be light (emitting diodes)
- The latest Diesel runway show features holographic fashion critters cavorting with self-serious models. [Via] Seems like it would go well with this video dress. [Via]
- The LEDs of the Nocturne installation use less energy than a domestic dishwasher, yet they light the length of the Queen Elizabeth II Metro Bridge with 16.5 million colours; makes me think the Adobe HQ-mounted San José Semaphore could stand a splash of chroma.
- United Visual Artists use LEDs to create some really impressive displays at concerts and elsewhere.
- Lichtfaktor paints with light, in the spirit of Picasso. Click through for some witty, beautiful stuff. [Via] It inspires me to fool around with Photoshop’s new paint-on-video features, combined with the various Lighten/Dodge/Add blend modes. On a related note, see previous: Pikapika lightning doodle project; Graffiti Research Labs’ giant laser.
- Tripping the light envelope: Japanese artist Kohei Nawa’s PixCell deer is festooned with glass beads, giving it a second skin. More objects in the series are here.
- Frank Buchwald has designed a pretty foxy lamp (with kind of a wormy-Matrix-sentinel-thing happening). [Via]
- rAndom international’s light printing machine crawls the wall, leaving an impermanent trace.
- CNET says that paper-thin LEDs are coming soon, opening all kinds of new possibilities.
New Dr. Brown scripts for Photoshop
Adobe’s resident character-in-chief Russell Brown has unveiled a new revision to his popular set of image-processing scripts for Photoshop. Downloadable from his site (installers for Mac, Win), these latest scripts buff up an already robust set of tools. Numerous enhancements to the Image Processor that ships with CS3 are visible in the 1-2-3 Process tutorial movie. In the Stack-A-Matic movie you can see an automated way to blend images using stack modes, as well as useful keyboard shortcuts installed by the script. The core functions run in both Photoshop and Photoshop Extended, while the stack- and time-based functions work only with Extended. The scripts are free for download.
June 27, 2007
Why Photoshop doesn’t provide secure metadata
Certain feature requests come up over and over, and customers wonder why Adobe doesn’t address them. In many cases it’s a matter of time, resources, and priorities
(i.e. good idea, we just haven’t gotten there yet). In other cases, however, there are conceptual issues that make addressing the request impractical or impossible.
One of those cases concerns something that seems simple: letting Photoshop users apply copyright & other info, then lock it so that it can’t be removed. Photographers in particular request this capability year in and year out. Unfortunately there are good reasons why things don’t work as desired. If you’re interested in the details, read on for an explanation from Photoshop architect Russell Williams.
June 26, 2007
PicLens sweetness upgraded, now does Windows
As I’ve noted a few times, I really dig PicLens, the free browser utility that enables cinematic slideshows for Flickr, Google Images, and other popular image sources. The great thing is that the capability is totally unobtrusive, appearing only when you roll over images that can be viewed as a slideshow.
I’m therefore happy to pass along a bit of great news: PicLens has been updated to v1.5, and for the first time it’s available on Windows, via Firefox. Bust a move on over to their site and grab a copy of the new goods.
(And, for the record, I don’t know these guys personally, nor do I get any kickbacks. It’s hard to do revenue-sharing on "free." ;-))
June 25, 2007
Unusual sculptures (Pt. II)
- "Dusasa I" shines with the light of a thousand discarded soda cans. It was crafted by Ghanan El Anatsui.
- Suellen Parker builds clay sculptures, then uses Photoshop to project her digital photos onto their surfaces. The NYT hosts a video showing her process, and you can find more pieces on her site. [Via Erma Noxley]
- Nathan Sawaya is a master Lego sculptor. CNN tells his story (via print and video) & features a gallery of his pieces. [Via] (Speaking of Lego art, peep Lego Starry Night. [Via Maria Brenny])
- The Underwater Sculpture Garden is Jason Taylor’s project to "create a unique space which highlights environmental processes and celebrates local culture." Some of the forms remind me of the crazy heads I recently encountered in my rural Illinois hometown. [Via]
- Joe Pogan builds metal sculptures from found objects. [Via]
- Martin Klimas captures sculptures as they shatter. [Via] (This is the kind of thing we’re often tempted to re-create with truck stop schlock purchased en route to Death Valley.) [In a semi-related vein, see the previous previously Burning Bulbs.]
- Oliver Herring turns photos into sculptures. [Via]
- Damien Hirst has sculpted a $100mm diamond skull. [Via] "’That’s when you stop laughing,’ Hirst says. ‘You might have created something that people might die because of. I guess I felt like Oppenheimer or something. What have I done? Because it’s going to need high security all its life.’" If only there were a pomposity assassin, this dude would be the one needing high security.
Bleedin’ for the ‘Dobe
Wow–I’ve known a few people to shave/dye an Adobe "A" into their hair, but this is really something else: an Adobe tattoo (not a Photoshop job, I think!). I must officially throw the Adobe gang sign out of respect. ;-)
Photo GPS nerds might enjoy learning that Angelina Jolie has tattooed the coordinates of her childrens’ births onto her arm. Is that better or worse than adorning oneself with a Decepticon head? [Via] In any case, it’s gotta beat getting the Zune logo, no?
June 19, 2007
Safari brings color-managed browsing to Windows
Hello, my name is John, and I’m a recovering color management hater… (“Hello, John…”)
Coming from a background in Web design, I spent many years regarding color management–that is, the process of changing an image’s colors on the fly so that the appearance will match across systems (monitors, printers, etc.)–as a royal pain. I mean, until 1998 things were good–or at least pretty simple. You’d design on a Mac and make things look a little bit light, or design on Windows and make things look a little bit dark, then check on the other platform (ideally on a bunch of different systems) and call it a day. Split the difference & everyone seemed happy. (And printing? Who needed that?)
But then in ’98 Adobe had to get all clever, adding color management in Photoshop 5.0. Suddenly every image started complaining about not having a color profile, or having the wrong profile, or… something… and it kept asking me (!) to make the right call. Worse, images no longer looked the same in Photoshop as they did in Web browsers (or even apps like Illustrator, which for various reasons had different default settings).
Things have improved a bit (fewer cryptic messages, consistent defaults in at least some Suite apps), but big problems remain. Apple’s Safari Web browser respects color management profiles, but others don’t. Here’s a screenshot of the same image open in Safari & Firefox. If you spend time in Photoshop or Lightroom massaging an image to look just so, it’s pretty irritating that the colors go all over the map when viewed online. The lack of reliable color also leads to bad prints, according to Smugmug.
Now, though, there’s an interesting development: Photographer Rob Galbraith reports that Apple’s newly released Safari 3 beta for Windows is color managed–bringing color management to Windows browsers for the first time. I never thought I’d say it*, but this is great news. Now there’s a cross-platform way to present accurate color images on the Web. Check “ICC Profile” in Photoshop’s Save for Web dialog to include the info needed for color management to do its thing.
CNET follows up with more details and reports that Firefox may follow suit in version 3.0, due later this year. Why Microsoft hasn’t taken the opportunity to lead here, I don’t know, but hopefully they’ll get in the game as well with Internet Explorer.
As for Adobe, I’m not sure what will happen with the Flash Player. Right now it’s not color-managed, and most Web designers wouldn’t know an ICC profile if it bit them on the calibration puck–hence they’re not asking. They do know, however, how much it sucks that colors shift when going between Photoshop and Flash, and they’d like a solution. I’m hopeful that we can make the right thing happen.
* Coincidence that this is blog entry #666 for me? With JN cheering for color management, the End must be near… >;-)
[Update: In response to requests for a tutorial on the subject, Adobe forum-wrangler John Cornicello recommends this set from Gary Ballard.]
June 17, 2007
New design contests, sponsored by Adobe
-
San Francisco radio station KFOG is raising money for area food banks with their "Live from the Archives" CD compilation. They need a cover design, and the grand prize winner gets $1000 and the Creative Suite 3 Design Premium. There’s also a Suite up for grabs for whoever displays the best use of Adobe software in his or her entry. If you’re game, check out the contest details.
- The Cut&Paste Digital Design Tournament pits designers against one another in live, on-stage showdowns around the country. "Over the course of several fast-paced, single-elimination rounds," they write, "eight designers using the latest tools will be whittled down to one champion. now accepting entries for its 2007 series." All contestants receive CS3 Design Premium (!). Other loot includes a Wacom Cintiq tablet/monitor and the CS3 Master Collection (truck for hauling it not included). [Via Terry Hemphill]
June 16, 2007
Photoshop+Matlab=Art
One of the sleeper features making its debut in Photoshop CS3 Extended is its ability to interface with MATLAB, the number-crunching toolkit from Mathworks. The capability was added for developers & technical users, but now it’s been turned to art. Dr. Woohoo (aka Drew Trujillo) has created Color Combinatorics, integrating the two apps in pursuit of beautiful color harmonies. He writes,
For me, it simply means that we can now ‘drive’ Photoshop by writing code in MATLAB while taking advantage of a *very* powerful engine with a superior supporting set of libraries (called ToolBoxes). Think of MATLAB as giving you the ability to write your own plug-ins for Photoshop.
You can check out a finished piece (9,261 sets of 3 colors) on Flickr, along with other interesting pieces. Drew has written up a whole pile of notes on integrating Photoshop & MATLAB, so stop by his site to learn more.
Elsewhere in the world of interesting generative graphics:
- Drew’s In The Mod project analyzes the works of famous painters, and it now lets you download color swatches in the Adobe Swatch Exchange format (compatible with Photoshop, Illustrator, and InDesign). [Via]
- Robert Hodgin and the Barbarian Group, creators of the beautiful Magnetosphere, have turned it into a visualizer for iTunes. It’s freely downloadable from their site.
- Leon Hong has made some groovy bits using Processing.
Pirates play with fire
I recently came to the sad realization that fully two thirds of my blog traffic is drawn not by my incisive wit or fascinating Web finds (is any? ;-)), but by geniuses looking for free CS3 serial numbers. Somehow I became Google’s top hit for "cs3 serial," and my stats reflect it. Lame.
Now I see that attempts to steal Photoshop can result in machines turned into spam-spraying zombies. So, not only are people sticking it to software inventors; they’re sticking it to everyone else (and themselves) by coughing more pollution into the Net. How’s that for a crummy little cherry on top? Additional info. [Via John Dowdell]
June 14, 2007
New Adobe Magazine available today
A new issue of Adobe Magazine, the company’s quarterly PDF for designers, photographers, and other creative folks, is available for download. Designed by London-based Precursor, this issue includes:
- Reverie & Technology: Artistic dreaming and digital imaging
- The New Collaborators: The audience speaks—and creates
- The Games People Play: Addictive, sticky online fun
- Shades of Green: Print gets eco-friendly and eco-mean
Featured artists and contributors include Jean-Francois Rauzier, Maggie Taylor, Brad Johnson of Second Story, and many others. You can sign up to receive future updates via email, and editions translated into French and German will be available soon.
June 11, 2007
Commenting broken on Adobe blogs – now fixed
The blogging admin folks report that a new CAPTCHA plug-in is causing some havoc, making it impossible to submit comments.
Okay, things now seem to be working correctly. If you run into problems commenting, please drop me a line (jnack at adobe).
June 08, 2007
Printing in CS3: The inside scoop
Hang around the Photoshop booth at a trade show for 20 minutes and you’ll get a very clear message: the task of simply printing a photo to a desktop printer, getting just the results you saw on screen, is much harder than it should be. After you’ve heard the hundredth question about setting up color management, then getting Photoshop and one’s printer driver to play well together, you’ll really want to get this situation sorted out.
The good news is that we’ve been thinking about these problems for quite a while; the less-good news is that solving them takes time and coordination. Adobe has been working with the printer vendors, as well as the Apple & Microsoft operating system teams, on plans to improve the printing experience. [Update: Please see this follow-up post.]
For the CS3 cycle we brought on a new printing expert, Dave Polaschek, to buff up Photoshop’s printing code. He’s been able to make some visible improvements (e.g. a print preview that’s color managed), and to do quite a bit more behind the scenes. In response to some questions about how PSCS3 prints (especially on Windows), I’ve asked Dave to contribute a guest blog post. Read on to hear his thoughts.
June 06, 2007
My life as a CS3 icon
Well, it was probably bound to happen: after getting irradiated with 500+ comments on the CS3 icons late last year, I have now turned into a series of Adobe icons myself!
This portrait was created by the talented and innovative Greek illustrator Charis Tsevis (profile, portfolio). I mentioned his work in January & was delighted to receive this image in return. It’s now hanging on the Photoshop floor and is being creatively desecrated by passersby (devil horns, soul patch, and probably more added by now). Charis creates photomosaics using Photoshop (tutorial in Greek, but worth scrolling through) and Synthetik Studio Artist.
Speaking of the CS3 icons, at least they didn’t cause epileptic seizures (so far as I know) or draw the kind of scorn reserved for the new London 2012 Olympic logo: "[V]ariously derided as an uninspiring emblem, a puerile mess, an artistic flop…
the emblem was likened to a ‘broken swastika’ and a ‘toileting monkey.’" Jeez–maybe they should have gone with a two-letter mnemonic ("LO?" "OG?") and drawn less of a beating. [Via Thorsten Wulff]
June 05, 2007
Getting Punchy (or, What’s in a name?)
Sometimes finding the right words for a feature is a bit of a challenge. "Unsharp Mask," for instance, is a perfect example: a classically trained photographer may immediately get the reference, while other users are left saying, "Sooo… To sharpen something, I choose ‘Unsharp…?’" Working vocabularies vary by user.
We ran into a one of these cases with the local contrast enhancement control added to the just-released Camera Raw 4.1. Figuring that "local contrast enhancement control" was a tad wordy, the team went looking for alternatives. One candidate was "Acutance"–a term familiar to some photographers, but far from universally understood. The candidate I really favored was "Punch": the slider tends to make an image look punchier. Unfortunately, the prospect of translating this idiosyncratic term into French, German, Japanese, etc. made it lose ground. The simpler "Clarity" ultimately prevailed.
In the course of the conversation, Camera Raw engineer Zalman Stern offered some good quips. "We could always translate "punch" to "Umami" in Japanese…," he wrote. And later: "I was mostly joking in suggesting ‘Punch.’ But to take it to the next
level of impossible-to-translate, we obviously need two sliders, ‘l337′ and ‘Teh Suck.’ The latter only has negative values of course. The
documentation can link to urbandictionary.com." :-)
Bonus, unrelated Zalman quote, apropos of something totally different: "Writing a compiler in Visual Basic seems more the sort of thing one does to impress Jodie Foster than a sound technical decision…"
June 02, 2007
Use Core Image inside InDesign, Illustrator
The peeps at RogueSheep have unveiled Magma Effects, a $50 InDesign plug-in that leverages Apple’s Core Image technology. The result is that you can stack up fast, non-destructive image effects (blurs, glass, etc.); here’s a screenshot. [Via] They’re also developing a version for Illustrator, downloadable now in beta form. It would be cool to see these guys package up the filters for Photoshop (something we’ve wanted to do, but which hasn’t yet fit into a release cycle). [Previous/related: Use Photoshop effects inside InDesign CS3.]
CS3 screensavers available
If you like the colorful packaging of the Creative Suite 3 applications but find the desktop wallpaper versions a little too static, check out the new CS3 screensavers, ready for download from Terry White’s blog. I found the preview display a little jerky on my Mac, but the problem disappeared once I enabled Flash inside QuickTime (via System Preferences). [Via Jane Brady]
June 01, 2007
Bridge CS3 update (2.1) adds features, fixes
Adobe Bridge CS3 has been updated to version 2.1 (download for Mac | Win) . In addition to squashing late-breaking bugs, this release includes a number of enhancements (quoting from the Read Me):
Multilevel Keywords
Organized your keywords into groups and subgroups as deep a hierarchy as you want by using the multilevel support in the keywords panel. Bridge now includes keyboard shortcuts for applying single keywords or parent keywords. Advanced options allow for storing hierarchy into the file metadata. Easily import and export keywords using tab-delimited file formats.
Improved Cache Management
Control the size of the Bridge cache of thumbnail and metadata information to better improve responsiveness. The cache can also be compacted to improve performance.
General Improvements
- Preference control over video and audio file previews
- Improved scrolling and renaming performance
- Usability improvements to custom workspaces
- Improved overall stability
These updates can be found via the Help > Updates menu from within Photoshop and other CS3 apps. The automatic update system has been serving up a record load (seven different updates this week), so you may want to try using the Web links above if you hit any snags.
May 31, 2007
Better sharpening, more in Camera Raw 4.1
Adobe Photoshop Camera Raw 4.1 for Photoshop CS3 is now available for download (Mac | Win) from Adobe.com. In addition to supporting 13 new cameras, this release brings welcome improvements to sharpening and noise reduction. Jeff Schewe has posted a great & highly detailed overview of what’s new. If you want the cheap n’ cheerful overview, here’s what the Read Me* file has to say:
Clarity
New Control available in the Basic panel. Clarity adds depth to an image by increasing local contrast. When using this setting, it is best to zoom in to 100% or greater. To maximize the effect, increase the setting until you see halos near the edge details of the image, and then reduce the setting slightly.
Sharpening Improvements:
Additional controls available in the Detail panel. The zoom level must be set to 100% or greater in order to view the effects of these controls.
Amount
Adjusts edge definition. Increase the Amount value to increase sharpening. A value of zero turns off sharpening. In general, set Amount to a lower value for cleaner images. The adjustment locates pixels that differ from surrounding pixels based on the threshold you specify and increases the pixels’ contrast by the amount you specify. Press Alt (Windows) or Option (Mac OS) while dragging this slider to view the sharpening on a grayscale preview.
Radius
Adjusts the size of the details that sharpening is applied to. Photos with very fine details may need a lower radius setting. Photos with larger details may be able to use a larger radius. Using too large a radius will generally result in unnatural looking results. Press Alt (Windows) or Option (Mac OS) while dragging this slider to preview the radius effect on edge definition.
Detail
Adjusts how much high-frequency information is sharpened in the image and how much the sharpening process emphasizes edges. Lower settings primarily sharpen edges to remove blurring. Higher values are useful for making the textures in the image more pronounced.
Masking
Controls an edge mask. With a setting of zero, everything in the image receives the same amount of sharpening. With a setting of 100, sharpening is mostly restricted to those areas near the strongest edges. Press Alt (Windows) or Option (Mac OS) while dragging this slider to see the areas to be sharpened (white) versus the areas masked out (black).
* Hah–I will get someone to read the contents of a Read Me! (Talk about an ironic name. Those things are like reader-repellents.)
May 28, 2007
Sculpting unusual substances
Maybe it’s the BBQ warming up next to me, but I’ve got weird sculpture (food-based and otherwise) on the brain:
- Jennifer Maestre makes amazing pencil sculptures. [Via Reen Bodo]
- Crazy for Corks provides examples (crazy and otherwise) of how to reuse wine corks. [Via]
- You may have been a good smuggler once, but now you’re dark chocolate… Find out how to make a Han-Solo-in-carbonite chocolate bar. (There’s also a queso version, si quieres.) [Via]
- If that’s up your alley, check out this life sized cake-Skoda (and accompanying TV spot).
- Cara Barer photographs books turned into sculpture.
- Devorah Sperber plays visual tricks using spools of thread. [Via Clare McLean]
May 26, 2007
Use Photoshop effects inside InDesign
Wherever possible & useful, Adobe apps try to share code libraries that enhance integration. By picking up Photoshop and Illustrator libraries, for example, Flash CS3 is able to import & convert these apps’ files, much like After Effects, Premiere Pro, and other apps that use the libraries.
InDesign has long been able to place PSD and AI files, even turning on and off layers, applying layer comps, etc. to reconfigure files on the fly. In CS3, however, InDesign has also integrated the code that enables Photoshop layer effects (glows, bevels, drop shadows, and more). This means that you can apply these effects to native InDesign artwork, making it possible to apply & adjust effects without bouncing back to Photoshop. Over on CreativePro.com, Anne-Marie Concepcion & Pariah Burke talk about ways to take advantage of these capabilities.
If there are other places you’d like to see the apps share code, please let us know.
Graffiti a go-go
Takin’ it to the streets (no Michael McDonald required):
- Kiev’s Інтересні казки ("interesting cases") crew produces all kinds of bright graffiti. More images are here. [Via]
- If you enjoy that work, check out Brazilian twins Os Gemeos.
- Time Magazine–not usually the go-to source for fresh urban style–offers a gallery of street art. [Via]
- Dan Witz creates delicate works on walls, like this one from his hummingbirds series. (Note the airbrushed shadow.) Gotta love this big adverb, too.
- "Urban primitive" artist Billy has created an art car for Hyundai.
May 25, 2007
CS3 wallpapers available
Like your computer desktop, but wish it were a more insane chromatic freakout? You’re in luck: a variety of CS3 wallpapers are available via Terry White’s Creative Suite podcast site. Also available: closing eyes, mashing fists into eye sockets, enjoying the fireworks. ;-)
(FWIW, I dig the aesthetic; I just dig busting chops a little, too.)
May 24, 2007
Flash extends Bridge, adds JPEG export
Adobe Bridge is designed to be highly extensible–first via JavaScript and HTML, and now (in CS3) via Flash/Flex SWF files. SWFs can function as panels inside Bridge, letting developers write network-aware modules that can leverage the full power of Bridge (previewing images, reading/writing metadata, etc.). Bridge PM Gunar Penikis has posted a useful example of a SWF extending Bridge:
Once loaded into the Bridge startup scripts folder, the BridgeExportToJPEG extension will demonstrate a Flash UI panel in Bridge (screenshot) that is functional in driving Bridge to create JPEGs and manipulate XMP metadata. All the thumbnails that are created in Bridge are JPEG based, so it is possible to export these thumbnails as JPEGs — for example if you want to create a JPEG catalog, or quickly send JPEGs of your RAW files.
To install this extension in Bridge, download it, then launch Bridge, go into Preferences, choose Startup Scripts, and then press Reveal to pop the folder open in your Finder/Explorer. Then drag the script & SWF into that folder & relaunch Bridge. It’ll then be possible to show the panel by choosing Window->Show Export to JPEG.
Granted, the interface is "engineer art" (less polished than what you’d generally find in an Adobe app), and it’s possible you’ll run into bugs/limitations. Even so, we think the component offers some useful functionality, as well as source code you can modify as you’d like. Thanks to Bridge team member David Franzen for whipping it up.
For more info on extending Bridge, check out the Bridge SDK. For more examples of Flash extending Bridge, stay tuned.
May 22, 2007
New Photoshop Action Pack available
Photographer, author, and scripter Ben Long has updated his popular set of AppleScripts, taking the Photoshop Action Pack to version 3.5–adding CS3 compatibility and a new action in the process:
The Photoshop Action Pack lets you
control Photoshop CS, CS2 and now CS3 from Apple’s Automator,
allowing you to create complex automated image processing workflows.
Through Automator’s drag-and-drop interface, you can easily build
stand-alone applications, droplets, Finder plug-ins and watch folders
that automate all sorts of normally tedious operations. With the
addition of the Photoshop Action Pack, you can use Automator to drive
Photoshop.
As with previous versions, the Photoshop Action Pack v3.5 is
free, although donations are gratefully received through an attractive PayPal button.
On a semi-related note, Ben has also posted an interesting article containing tips on night photography. I could stand to take some of this advice, in order not to produce more images that look like they’ve been doused in soggy Fruity Pebbles. (At least they’re good for testing noise reduction technologies.)
New Photoshop plug-ins: Genuine Fractals, YouSendIt
- onOne, the publishers of resizing tool Genuine Fractals and other Photoshop plug-ins, have gone native with their tools, offering Universal Binary versions of Mask Pro, PhotoFrame Pro, and Intellihance Pro along with Genuine Fractals. They’re offering some free UB updates as well as a plug-in suite that includes all four tools.
- The file transfer experts at YouSendIt have created a Photoshop plug-in that automates the process of sending large files, directly from Photoshop. Sounds pretty cool, though I haven’t gotten to check it out. I’ve always wanted a way inside Photoshop and other tools to say, "Okay, these three open files–bang, send ‘em to my client, zero fuss."
May 18, 2007
New Adobe Exchange goes live
Last year the Adobe Web team integrated the former Macromedia and Adobe Exchanges into a single content repository. A number of customers complained about slow performance and difficulty navigating the new site, so the Web team has been hard at work conducting interviews & building a revised system. The new Adobe Exchange launched today as a beta, using an HTML interface in place of the former SWF UI. (You can find Photoshop-related content here.) If you have feedback for the Web team, please let them know via the Exchange forum.
May 15, 2007
Photoshop, meet JPod
We’ve often heard Photoshop namechecked in pop culture, from The Daily Show to CSI, Desperate Housewives to Casino Royale. Until now, however, I hadn’t seen it appear in a novel. Photoshop staffer Zorana Gee reports,
I was reading Douglas Coupland‘s new book (JPod) on my flight home from
Michigan and was pleasantly surprised to find that on page 258 is a
reference to most of Photoshop 7.0 engineers and managers (taken from the
splash screen).His book is filled with random and often gratuitous references to many
mundane things we often face/see/are bombarded with in this ‘internet-era’ -
so our splash screen names have managed to infiltrate into the subconscious
minds of our customers…cool. :)
Say it with me: Seetharaman Narayanan, Seetharaman Narayanan… ;-)
May 13, 2007
Bought Photoshop, but really want Extended?
In the last few days, a couple of people have remarked that they’ve purchased Photoshop CS3, only to realize later that they really want Photoshop Extended. There’s no upgrade path that lets you go CS3->CS3 Extended for less than the price of the CS2->Extended upgrade, but you do have another option: Adobe Customer Service can work with you to return your standard license, then purchase an upgrade to Extended instead. They point out that only customers within the 30-day money back guarantee window can return/swap product; more details on that.
May 12, 2007
New Filter Forge: Make your own Photoshop filters
The crew behind Filter Forge, the Photoshop plug-in that lets you roll your own filters, have announced three new versions of the application. Filter Forge consists of a node-based editor used for assembling a series of mathematical operations into a filter. $99 gets you access to the repository of community-generated filters; $199 gets you standard filter creation; and $299 buys the ability to enable more advanced modules (e.g. 32-bit processing). I haven’t gotten to try it yet myself (no Mac version yet, as far as I can see, and I’ve yet to install Parallels or the like), but I love the idea of democratizing the creation and sharing of Photoshop components.
May 11, 2007
Helping the Help: Photoshop now on LiveDocs
The Help files that ship with Adobe products seem to catch a lot of slings and arrows from users. There are some fair points to be made, and one small team of writers can never be as specific, detailed, or personable as the many third-party books out there. This is especially true when the Adobe writers are trying to finish their work far in advance of shipping the product, in order to have time to localize the content into multiple languages.
The reality is that the people using the apps day in and day out (y’know, real customers) are likely to have plenty of good ideas and info to contribute. Recognizing this, the documentation team is now publishing the help content via LiveDocs–the user-editable Web publishing system rolled out by Macromedia. This has two important results:
- Adobe help content is now accessible via search engines. So, even if you think the Help menu is made of Kryptonite and prefer to look for documentation online, high-ranking hits from the Adobe materials can be found there.
- More interestingly, the content is open to comments from users. On this page, for example, user Shangara Singh asks for clarification about noise reduction in Camera Raw, drawing a reply from the documentation team. Elsewhere people can flesh out topics, add tips, and so forth. I plan to do so myself in a few spots.
Like most things, this is just one step, but I really like the direction of baking more community into our apps. Whether it’s help content, scripts, palettes, or anything else, we have to get out of the business of Adobe trying to do everything & make it easier for people with the know-how to share it with one another. More thoughts on that to follow.
May 09, 2007
200+ CS3 videos on Adobe Design Center
I knew the training and documentation folks had been busy, but I didn’t realize to what degree: more than 200 short videos covering the CS3 family are online in the Adobe Design Center video workshop. You can also tap into this content via the desktop by using Bridge Home (screenshot).
May 08, 2007
CS3 tryouts now available
I’m pleased to relay the news that 30-day tryout versions of the Creative Suite 3 family are available for download from Adobe.com. (Photoshop Extended is here.) Only English versions are ready at the moment, but other language versions should follow in a few weeks, via the same URLs.
May 07, 2007
3D printing goes to our heads
Russell Brown has a certain Jobsian knack for not only seeing interesting possibilities, but for getting folks to jump in on his crazy little journeys. A few months back, Photoshop 3D engineer Pete Falco and I accompanied Russell on a field trip to Monterey, CA-based Cyberware. There Steve Addleman was most hospitable as he scanned our domes (pix here), turning them into digital files compatible with Photoshop CS3 Extended (quick clip of Russell’s gourd spinning in PS).
Ah, but why stop there when you can look fantastic in plastic, thanks to a 3D printing machine? Russell persuaded Steve Chapman of Gentle Giant Studios to then render our busts, leading to quite possibly the vainest objects in my entire life. I kept trotting out the damn things at our recent housewarming ("Honey, they’re conversation pieces; they need a spotlight"), only to get them firmly shooed back into an obscure bookcase.
And yet that’s not the half of it: Russell re-teamed with these guys at last month’s ADIM conference, scanning the attendees and turning them into action figures–some 130 full color, custom made heads in all. Right on! The only question: How can they top it for next year?
Tangentially related at best:
- Materialise MGX produces consumer goods through what looks like an amazingly high-fidelity 3D printing process.
- Evil Mad Scientist wants to make 3D printing cheap and sweet–by printing on sugar. [Via]
- The NYT has an interesting article about rapid prototyping, but I waited too long to post it and now it’s behind a subscriber login. I’m providing the link in case you have access.
- Speaking of 3D heads, Hoss Gifford’s got a whole chorus of ‘em fashioned into a synthesizer.
- And speaking of unusual heads, here’s Oliver Laric’s rendered in IMG tags. (Try resizing your browser window and watching the effect.)
May 06, 2007
Guidance on migrating from ImageReady
ImageReady is dead; long live ImageReady.
The Web optimization companion to Photoshop has reached the end of its road with the arrival of CS3. ImageReady 1.0 introduced great new capabilities in 1998 (cutting literally hours per project from the Photoshop->DeBabelizer->GIFBuilder process my shop had been using)–something for which I’ll always be grateful. In the time since then, however, customers made it clear that they wanted IR’s functionality inside Photoshop*.
The vast majority of what debuted in ImageReady (slicing, N-up optimization, multi-layer selection, variables, animation, frames to layers, etc.) has, by popular demand, been integrated into Photoshop. A few remaining things (image-based rollovers, Web content palette, SWF export) haven’t made the journey. Therefore Adobe tech support has created a document that details what is & isn’t in Photoshop CS3, noting where to find things & suggesting alternate ways to get certain functionality (e.g. rollovers).
*Incidentally, for the conspiracy-minded out there, it’s worth noting that we decided to migrate IR into Photoshop & to discontinue it as a standalone app right after the CS1 cycle (late 2003)–and not, in other words, because of Adobe acquiring Macromedia and Fireworks.
Upcoming CS3 events
The folks behind the Adobe CS3 Creative License Conferences have asked for a little help in spreading the word, so I’m passing along detailed info in this post’s extended entry. Synopsis: there are one-day sessions in six N. American cities between now and mid-June ($79), plus two-day sessions in NY and LA towards the end of June ($199). Beyond training, attendees will receive access to Lynda.com resources, discounts to Adobe Max, and more. Read on for the full details.
May 04, 2007
CS3: Switching platforms, free upgrades
Q. Can I switch my product from Windows to Mac or vice-versa?
A. Yes. Just call Adobe Customer Service (800-833-6687 in the US; 020 7365 0733 in the UK; more country-by-country numbers here) for assistance. The process, as I understand it, involves signing an agreement stating that you’ve destroyed the product on one platform, and in return Adobe will send you the product for the other platform. According to the service folks, there may be a cost involved; verification of product is required; and restrictions apply.
Q. Why are Customer Service hold times so long?
A. The CS3 launch is far and away the single biggest in Adobe’s history, and during the first week or so I heard many stories of long waits on hold. I’m not surprised that the phone lines were slammed, and although I’m not hearing the reports now, you may want to open a Web support case instead of calling, or contact us during non-peak business hours.
Q. I purchased a CS2 product after CS3 was announced. Do I qualify for a free upgrade to CS3?
A. Yes. Again, call Customer Service in your region to discuss the details. Verification of CS2 product is required and restrictions apply. When in doubt, call; these folks are there help.
May 03, 2007
Home movies, straight from your inkjet
Here’s one of the weirder applications of Photoshop (and Premiere): using the archaic Filmstrip file format (do we even still support that? apparently so) together with a desktop inkjet & box cutter, Jesse England was able to print his own Super 8 & 16 film. Madness! (The results remind me a little of the fetishization of the lo-fi PXL-2000.) [Via Gary Cohen]
Elsewhere in the world of because-we-can printing, the crew at Evil Mad Scientist has created a CNC (computer numerical control) toaster, good for burning one’s face onto bread. (I wonder if Epson will start making archival-quality papadums.) These guys link to a similar project at Olin College, this time using a laser to put Elvis onto white bread (goes great with PB, bacon, and banana, I’m told). Oh, and you can use lasers to geek out your matza–guaranteed to repel any potential mate within 50m. [Via John Peterson]
[Mentioned previously: Your Name On Toast]
April 27, 2007
Photoshop security issue reported; details pending
Security firm Secunia has reported a vulnerability with Photoshop CS2 and CS3, whereby a malformed bitmap file (.BMP, .DIB, .RLE) could cause a buffer overflow in the application. Unfortunately I don’t have more useful info to add at the moment, and I’m heading to Death Valley for the weekend & will be out of the loop for a bit. I’ll post more details as I get them. In the meantime, I’d suggest steering clear of files in these formats created by unknown/untrusted parties. (The good news here is that the formats are pretty uncommonly used in Photoshop, to the point where I can’t remember the last time a customer mentioned them to me.)
April 24, 2007
Photoshop Extended wins Vidy, more at NAB
I was really pleased to hear film & video peeps’ response to Photoshop Extended last week at NAB, and today we got some more good news: NewBay Media (publishers of Digital Cinematography, DV Magazine, and more) awarded Photoshop CS3 Extended their "Vidy" & "Top Innovation" awards. Thanks, guys! Meanwhile Adobe Soundbooth took home DV’s Black Diamond award.
As long as we’re being a little immodest, I’ve seen some other great comments in recent days:
- "It’s simple, really," writes Jim Heid in Macworld. "If digital imaging is an important part of your creative life, you’ll want Adobe Photoshop CS3. The new version provides so many improvements in so many areas that no serious digital photographer, video artist, or designer should be without it" [emphasis added].
- "This upgrade is a no-brainer if you’re a regular Photoshop user," says CreativePro’s Ben Long. "The combination of enhancements to staple features, such as Curves and the Clone Stamp, combined with powerful new additions like the Black and White conversion and Camera Raw enhancements, mean that there’s something for everyone in this update."
- PC World lists Photoshop among "The 50 Best Tech Products of All Time."
- Elsewhere, MacDirectory had this to say about Adobe as a whole:
- "Beyond all the products enhancements and features revealed at the CS3 launch, the one thing that made the strongest and possibly most important impression was Adobe’s attitude. They retained all the enthusiasm and drive of a company that’s battling for market share. They know what their customers need and they deliver that and far more. With each new version, their products are not only richer, but also faster. They are not only a market leader, but remain one of the market’s leading innovators. When Adobe required Macromedia, many of us were concerned that the sudden lack of competition in the electronic design marketplace would lead to a creative lull in product development. Instead, it appears that the energies of two great companies have combined to bring us even more dramatic advancements."
- And lastly, I spied some nice props on the forum : "Chris Cox, I promise you that you will have made a massive contribution to the field of astrophotography with the release of CS3. Your new image stacking + stitching algorithm is going to allow for immense advances in alignment, noise correction, and overall image optimization. This is a hugely powerful tool, and a significant advance over currently available software. I can tell you personally that it will likely save me several hundred manhours of labor per year. Can’t wait to get my hands on a fresh copy. Thanks Chris – this is going to be marked as a watershed moment in astrophotography development."
This all seems to be going over well, according to the analysts at PiperJaffray who surveyed customers at this month’s sold-out Photoshop World. [Via Scott Kelby]
April 23, 2007
Ad bits: DIY Pepsi cans, custom Wii’s, more
Having worked at a couple of interactive ad shops, I’m always interested in seeing what’s being created these days:
- Pepsi is running a contest to design the next Pepsi can (more info in the press release). Watching the site, my wife remarked, "Now there’s a sound I don’t like to hear in isolation–that wet, pouring sound…"
- Speaking of unique packaging, Nintendo is offering a chance to win custom-painted Wii consoles. [Via]
- How about a scrumptious Whopper? Er, maybe not: food photography, advertising vs. reality. [Via]
- In response to visual chaos, São Paulo goes ad-free, with eerie results (photo set). [Via]. I’m headed there in two weeks & will keep my eyes peeled for the lack of ads. In a somewhat similar (but voluntary) vein, Clear Channel is trying out commercial radio without the commercials.
- Lastly, here’s a solid–and I do mean solid–ad for Reynolds Wrap.
April 22, 2007
Creative misuse of Photoshop layer alignment
By now we’ve probably talked your ear off about the useful things enabled by Photoshop’s layer alignment code–snapping together two or more layers, making it easy to blend group photos, for example; stitching together complex panoramas; and making crisper HDR merges.
After attending NAB this week, however, Photoshop engineer Mike Clifton came up with a crafty (and, to be honest, not "as-designed") use for the Auto-Align Layers command: stabilizing a chunk of video. First, he shot some deliberately horrible footage out the window on our floor. He then used Photoshop’s new Import Frames as Layers command* to turn the video frames into Photoshop layers. Lastly, he selected all the frames and chose Edit->Auto-Align, telling Photoshop to line them all up. To our surprise, the results are not half bad: check ‘em out here (before, after, and cropped).
Now, to be clear, I wouldn’t sell Photoshop as a video stabilization tool, as tools like After Effects are already capable in that regard. That said, half the fun of building this stuff is in seeing the clever ways people will deploy it, and this strikes me as one of ‘em.
*Brought over from ImageReady, actually, but new to Photoshop.
April 21, 2007
Alternate CS3 icons available
After the, eh, spirited discussion of the Adobe CS3 iconography that ensued last year, I’m a little hesitant to mention the subject again. That said, designer Adam Betts has posted an attractive set of alternate CS3 icons, free for download. The imagery is based on the CS3 product packaging, which wasn’t publicly visible when the initial discussion of the icons transpired. I think they’re rather handsome. [Via Mike Downey]
[Update: Flash PM Richard Galvan points out another set.
[Update 2: My not allowing comments wasn't intentional; that's what I get for scrambling to post during a 30-minute layover in Denver... Anyway, comments are open now.]
April 20, 2007
Going to FITC? Want to talk?
I’m headed to the airport at 5am Saturday morning (yeah! all glam, all the time, this gig–though I’m not complaining), off to the FITC (neé Flash in the Can) conference in Toronto. If you’ll be there and feel like talking about Photoshop, Flash integration, or any related topics, drop me a line. I’ll also be speaking on Monday afternoon, giving an overview of Photoshop CS3.
April 17, 2007
Clean-up script for CS3 Mac betas available
Adobe has posted a clean-up script for Mac that will remove vestiges of the Photoshop CS3 public beta as well as other pre-release apps. It’s important to run this script (and not just throw the app folder into the trash!), and/or to use the application uninstaller, before installing the shipping version of CS3 apps. An equivalent script will be posted for Windows later in the week. (I’m told that tech support is seeing fewer installation problem reports on Windows because people are used to uninstallers on that platform).
I’m attending NAB in Las Vegas at the moment, so staying on top of developments is tricky, but I’ll post more info as I get it. Thanks for your patience as I work through approving a backlog of comments.
April 15, 2007
CS3 shipping; AE/Premiere ready for download
I’m delighted to say that the biggest and best release in Adobe’s history is now shipping! Adobe Photoshop, Photoshop Extended, Illustrator, InDesign, Flash, Fireworks, Dreamweaver, Bridge, Contribute, Device Central, and Version Cue are now available via the Adobe.com store and can be downloaded in tryout form shortly. The CS3 editions of After Effects, Premiere Pro, and Soundbooth will be shipping this summer, and they’re available as pre-release downloads from Adobe Labs.
One important note: If you’ve installed a beta build of Photoshop, Flash, Soundbooth, or other CS3 software, you must first uninstall the app(s) before installing the shipping versions:
- On the Mac, the uninstaller is in Applications/Utilities/Adobe Installers. Note: You cannot uninstall by dragging CS3 applications to the trash; instead, you must use the uninstaller.
- On Windows XP, uninstall via Add/Remove Programs in the Control Panel.
- On Windows Vista, in the Programs section of the Control Panel, select Uninstall a Program.
If you experience problems with the uninstall or the install, you may need to use the Adobe CS3 Clean Script which will be available within a few days. [Update: The Mac version is available now; Windows is due shortly. --J.]
April 14, 2007
Wireframes, giant Donkey Kong, and more
//na// Whether or not the medium is the message, it certainly influences it. People love turning computer bits into big physical forms:
- Design Observer catalogs examples of computer GUI made real (masking tape folders, huge scrollbars, etc.).
- The various "Web 2.0" trends are imagined as a supermarket in this clever video. I want to go around saying "Quakr, Quakrrrrr" but I think I’d get kicked out of the house. [Via]
- Thomas Raschke makes groovy wireframe sculptures.
- Speaking of wireframes, British artist Benedict Radcliffe has created an amazing 1:1 scale Subaru Impreza wireframe sculpture. Not only is it not a Photoshop job; it apparently it even got a few parking tickets! Via John Peterson, who writes "It’s s ort of an extreme example of the cursor-kite or the giant red Google pushpin."
- And speaking of vehicles, check out this life-size model car. Having carved myself up plenty while modeling, I fear equivalently large X-Acto knives. [Via]
- And finally, for those of you that love primates and/or small Italian laborers, there’s a 4-storey Donkey Kong made from Post-It Notes. [Via Veronique Brossier]
April 13, 2007
Do Bloods & Crips get Pantone chips?
Who knew that Pantone is into snuff films? The company has gotten inkthirsty, urging customers to bust caps into outdated formula guides, then rewarding them for their trouble. Whoever creates the best video of colors getting clipped (ba-dum, tssch) will win an iPhone & other loot. More info is in Pantone’s press release. Please tell me that someone will get Sean Penn involved…
In more tranquil color-related news:
- Designer Veerle Pieters gives some good advice on picking palettes.
- Tangerine is a little Mac app that provides "a universal color palette system," making it possible to manage and apply color schemes across apps. [Via Bryan O'Neil Hughes]
- Colorstrology aims to pair you with "your personal birth color." I, apparently, get "Azalea." Meh. Can’t I get something cool, like Gunmetal, or White Chocolate?
- Color in Motion imagines colors as characters, acting out the qualities of each & giving a little background info.
- KolorWheel turns iPods into color scheme picker. The idea, apparently, is that you can hold the ‘pod next to an object while picking colors. [Via]
Now, how can I get Ice-T out of my head?
April 12, 2007
Photoshop CS3: Canine Edition
Hey, you know who’d probably like multi-touch input? Dogs, apparently.
That video reminded me of a little anecdote: Not long after I joined the Photoshop team, I was treated to the very unique experience of having Jeff Chien and Todor Georgiev (who really should start Todor & Jeff’s Image Science Hut) simultaneously trying to explain high-powered image science concepts in their respective accents (Taiwanese & Russian Bulgarian*, respectively). When I’d fail to grasp what one was saying, the other would get frustrated and break in–not exactly making things better (though not for lack of trying). I was a little bewildered, bemused, and unable to believe that these guys would spend their time trying to educate me, of all people.
Anyway, Todor started to explain color matching by holding a CD on three fingers, saying, "It is like a table, you see? You remove a leg, it becomes unstable…" He illustrated his points by explaining the human perceptual system, noting that whereas a person would respond to certain colors, "If I show this to a dog, the dog will not like it. I show it to a fish, the fish will not like." At that point I interrupted to say, "But Todor, we’ve already sold it to all the humans; dogs are our next target market!" "Okay okay," he replied, "You want dog version, I’ll give you dog version…"
So, do be careful what you wish for. ;-)
PS–These Reactrix guys (of the dog/ball demo) have an interesting reel on their site, showing more applications of their technology.
* D’oh; Sorry, Todor, and thanks to Marc Pawliger for the correction.
April 11, 2007
New podcasts: JNack Explains it All
On the insane off chance that you aren’t hearing enough from me already, you can tune into some new podcasts:
- Inside Digital Photo is a new program from Popular Photography & Inside Mac creator Scott Sheppard. In the latest episode (recorded at Photoshop World last week) I spoke with Scott about all things Photoshop, Bridge, Camera Raw, and Lightroom. Scott also recently spoke with Lightroom peeps Tom Hogarty & George Jardine.
- Tips From the Top Floor is a digital photography podcast hosted by Christoph Marquardt. We chatted today about Photoshop, hitting features big and small & talking a bit about the future. (Look for the various subscription links below the intro text, or click little Play button to listen right on the page.)
- I also spoke with Justin Seeley of PhotoshopQuicktips.com, demoing some of the new CS3 features for a video podcast. I don’t yet see it on the site, but I’d expect it to appear there soon.
April 09, 2007
Nice demo of Quick Selection in PSCS3
Martin Evening has posted a great intro to using Photoshop CS3′s new Quick Selection tool together with the new Refine Edge* dialog. He demonstrates using the tools together with a gradient map adjustment layer (a venerable tool that might get some "I-did-not-know-that"’s on its own) to replace the background in a photo. Additional details, plus his downloadable PDF overview of Photoshop CS3 and Bridge, are on PhotoshopNews.com. [Via]
* What Martin quite modestly doesn’t mention is that it’s because of his urging–and engineer Jeff Chien’s late-stage efforts–that Refine Edge works not only on selections, but on channels & layer masks as well. Seeing this demo makes me glad he talked us into it.
April 07, 2007
Handy CS3 configurators
With all the new products Adobe is introducing, figuring out which Suite configuration(s) make sense based on your needs can be a bit challenging. The company created a Flash-based app that lets you view configurations according to job function ("I want to make videos, plus print some stuff…"), but I like the way Web developer Mark Eagleton (not affiliated with Adobe) cuts to the chase with his little configurator: pick the apps you want & view the different pricing options for getting them. Nice, and right to the point. (Thanks, Mark.) [Via John Dowdell]
PS–No word yet on a CS3 Retroencabulator…
April 05, 2007
What my parents hear when I talk about work
When you talk to loved ones about techy stuff, do you imagine it sounds to them something like this? The video, pitching a device called "The Retrooencabulator," may or may not be a gag, but it’s brilliant either way. Now, as I get ready to take a stage at Photoshop World, I can only hope my demo doesn’t sound like so much mumbo jumbo… [Via Michael Tapes]
The vid reminds me of my first real Web job, when my company was designing a site for Brisk Iced Tea. (Remember those claymation ads?) I was so proud that I called my folks and walked them through pulling up the site. Even the most basic terminology can be a problem:
- Me: "Now click the window with Bruce Lee in it…"
- Them: "Oh, there’s no window."
- Me: "What? I mean, you see Bruce Lee, right?"
- Them: "Oh yes."
- Me: "Okay, now click the window he’s in…"
- Them: "But he’s not in a window, he’s in a temple of some sort…"
- [Continue like this until I finally realize that they're looking for a literal, physical window, and have no idea what the little box around the Web site is called. Aaaaand, cut.]
[Update: Okay, it's gotta be a gag; see also this Chrysler video. Sometimes during a long press tour, PMs will challenge one another to sneak little phrases into their demos ("the ol' college try," "gonna end in tears," etc.), just to keep it interesting. Now I really want to hear Chad Siegel talk about InDesign's sinusoidal magneto-reluctance...]
April 04, 2007
Let there be light
//na// Hitting Opt-Shift-Y*, switching to Luminosity:
- Rock and Royal makes crazy bespoke lighting–chandeliers & mosaics as skulls, pistols, globes–you name it. [Via]
- The folks at the Baltimore Museum of Industry really like light bulbs. I mean, they really like ‘em–to the tune of collecting more than 50,000 historic bulbs. Catherine Wagner spent two years in residence there, photographing "A Narrative History of the Light Bulb." Here’s a small gallery of her images. [Via]
- Enjoy wearing clothes, but wish they consumed more natural resources? Try Lumigram’s luminous clothing. [Via]
- The crew at Universal Everything created a "software-based realtime wind tunnel" to make bits of light silhouette the new Audi TT. [Via]
* In a blog full of obscure nerdery bits, this is quite possibly the most obscure and nerdy thing I’ve yet said–quite an accomplishment, don’t you think?
Becoming a pencil; more
//na// Interesting art bits to pass along:
- Most disturbing. Art supply. Ever.: Pencils made from cremated humans. I have no idea what to say. [Via]
- Less outlandish body art: peeling manuscript as tattoo. [Via]
- Flickr is hosting a photo set on Swiss graphic design.
- Veerle Pieters showcases the tasty illustrations of Catalina Estrada.
April 02, 2007
JPEG 2000 – Do you use it?
As you may or–as seems overwhelmingly likely–may not know, Photoshop ships with a plug-in for reading and writing JPEG 2000-format files. Compared with the regular JPEG format (technically known as JFIF), JPEG 2000 offers advantages such as support for higher bit depths, more advanced compression, and a lossless compression option. Adobe developed the plug-in in anticipation of cameras entering the market with native JPEG 2000 support on board.
The thing is, that hasn’t happened, nor have we seen other widespread adoption of the format in places we know Photoshop is being used. Therefore with Photoshop CS2 we made the call to stop installing the plug-in by default, but to continue making it available via the product CD. What’s probably not obvious is that existing features keep consuming resources to maintain & test, even if no features are added to them. As we plan for the future, we need to retire features that no longer make sense & focus instead on capabilities that matter.
So, do you use JPEG 2000? If so, please give a shout and let us know how & why you use it.
PS–Note that support for JPEG 2000 as a file format by itself & support for the compression options it offers are two separate things. PDF supports JPEG 2000-compressed images, so we wouldn’t remove that support. I’m just trying to gauge the value of supporting standalone JPEG 2000 reading and writing.
[Update: We're not planning to change Photoshop's JPEG 2000 support strategy anytime soon. Thanks for all the feedback. We've got what we need, so I'm switching off comments. --J.]
Ctrl-Z your wrinkles away
Nerdery for the masses: Oil of Olay taps into the world’s love of Undo in this crafty new ad. [Via]
The piece reminds me of a concept from an ad agency that was pitching Adobe. They showed a sequence of images of Michael Jackson in reverse chronological order, running from scary-present-MJ to Jackson Five-cute. The caption: "Multiple Undo."
On a related note,
the crew at PhotoshopCafe had fun creating spec ads for Photoshop. I really like the Biblical Sampson bit. "Go ye forth and bringeth down the house," indeed… [Via Colin Smith]
March 27, 2007
What’s unique to Photoshop Extended?
I’m often asked what features of the CS3 release are unique to Photoshop Extended. This edition starts with all the capabilities of Photoshop CS3* and extends them (hence the name) with the following:
- Opening/placing 3D files (specifically .3DS (Max), .OBJ (Maya), .U3D (Acrobat 3D), Collada, and KMZ (Google Earth), then adjusting their view options (rotation, camera parameters, render mode, cross section, etc.). Animation data in these files is preserved. Photoshop does not include 3D modeling tools, but it is possible to turn planar geometry from Vanishing Point into a simple 3D model or 3D layer.
- Painting directly on the textures of 3D files & updating the models. (I’ll try to post or at least link to a demo of this working as it makes things clearer.)
- Opening/placing video files (essentially anything that QuickTime supports) and image sequences, treating these as video layers that you can scrub back and forth and on which you can paint, erase, run filters, etc. Some details:
- PS Extended includes a revised Animation palette, more consistent with what you find in After Effects.
- Basic GIF-style frame animation is in both Photoshop and Photoshop Extended, as it was in CS2. In Extended you can toggle the mode of the Animation palette between frame mode & timeline mode.
- PS Extended features new a Render Video dialog that lets you render files in whatever formats QuickTime supports, or as image sequences. If you have Flash 8 Professional or Flash CS3 Professional, the video export list includes FLV.
- The “frame offset” option in the new Clone Source palette makes it possible to clone/heal from one point in time to another and is unique to Extended, whereas the rest of the palette is the same in both editions.
- The ability to import video frames as layers is in both editions of Photoshop CS3, because it was previously in ImageReady.
- Support for painting and layers in 32-bit/HDR files. Merge to HDR is enhanced in both editions, as is basic HDR editing (e.g. using Levels). The rationale for dividing the HDR enhancements is that the photography-centric parts appear in both editions, whereas the aspects geared towards film, 3D, and technical work are in Extended only.
- MATLAB integration: It’s possible to access Photoshop CS3 Extended directly from the MATLAB
command prompt in order to grab image data from Photoshop, use
MATLAB to run different image processing routines, and then return the image data to
Photoshop to view the results. - Measurement & counting tools: Photoshop Extended makes it possible to set a scale for the image (e.g. 512 pixels = 30cm), then take measurements of selections and rulers.
- This includes tools inside Vanishing Point for taking measurements in perspective.
- Measurement scale is specified via the Analysis menu, which is unique to Extended.
- The Count Tool (nothing to do with this guy) is a simple but effective way to annotate an image (e.g. while counting blood cells)
- DICOM format support, enabling the app to open files from medical imaging devices (CT scans, X-rays, etc.).
- Image stack analytical filters, which make it possible to stack multiple images into a single Smart Object, then run a filter across the range of images. For example, an astro photographer might take a range of high-ISO images, then run Mean or Median across the range. (It also makes for a great “disappearing tourist” demo…)
There’s a great deal more about Photoshop Extended online, and as I say we’ll endeavor to provide some video demos ASAP as they’ll make a number of points clearer. That said, I hope this list provides a useful summary. For reference, none of these features were included in the Photoshop public beta. [Update: I've revised the video section in hopes of being a bit clearer.]
* A note about naming: The products are, officially, “Photoshop CS3″ and “Photoshop CS3 Extended.” That is, there’s no “Photoshop Standard” per se. That’s why you may see us refer to “the regular version,” “the standard version” or something similar, but not “Standard” with a capital S.
(CS)Three is a Magic Number
With strains of Schoolhouse Rock in my head, I’m delighted that the big day has arrived: Photoshop CS3 and the entire CS3 product line have been announced!
13 full new applications… six new Suites… a fistful of new technologies (Device Central for mobile authoring, Acrobat Connect for conferencing, and more)… It’s all a bit overwhelming, I know. There’s so much news coverage this morning that I don’t yet know where to point you. So, a couple of suggestions:
- The live webcast this afternoon (starts at 3:30pm Eastern/12:30pm Pacific) will feature lots of news and demos.
- Here are PDFs of what’s new in each app, as well as a quick tour of Photoshop CS3.
I’ll of course be posting plenty more in the hours, days, and weeks ahead (when the actual job doesn’t intrude, you know ;-)).
March 26, 2007
Creative Suite Podcast: 2 million downloads
Terry White, one of Adobe’s in-the-field application pros, reports that this week the video-enabled Creative Suite Podcast has reached its 2 millionth download, averaging 16,000 downloads per episode. With more than 100 episodes now online, the podcast has become a great resource & was named a 2006 iTunes People’s Choice Award winner. Keep up the great work, guys.
In other video/podcast news:
- A few weeks back I did a little video interview with the folks at 49Sparks, talking for 10 minutes or so about all things Photoshop. "Why is he wearing a military flight suit?," some may ask. Well, why isn’t everyone?
- My fellow Photoshop PM Bryan O’Neil Hughes recently spoke with the crew at PhotoWalkthrough.com about the CS3 beta, panorama creation, and more.
- Mike Wong from onOne notes that their set of free Lightroom processing presets are now accompanied by a 25-minute video (broken into chunks) from author Jack Davis.
March 25, 2007
Stupid-fast new printer technology
If haste makes waste, the team motto at Silverbrook Research must be, "Let’s get wasted!!" Offering "a price/performance ratio that is off the charts" according to Lyra Research, the new Memjet printing technology (video) is many times faster than anything else on the market (60 pages per minute of 1600-dpi, full-color printing). Somewhere a forest groans; somewhere ink salesmen smile.
These Aussies have apparently been (quietly) going berserk filing patents over the last few years, as described in this profile of the company & founder Kia Silverbrook. The Memjet site has a bit more info on the technology. [Via Jim Pravetz]
March 23, 2007
What’s in your logo?
//na// Friday logo nerdery for your delectation:
- Even if you don’t have tastes-great/less-filling debates about Paul Rand vs. Saul Bass (and God help you if you do), there’s plenty to enjoy in this Logo design history. Many of the logos are available for download in EPS format. Too bad there’s nothing about the old Adobe logo–the one that looked like rolls of paper for a printing press. [Via]
- Cutting to the present, Graphic Design USA features a look at recent logo trends (and not just the bloopy "Web 2.0" schtick).
- Logotypes.ru is a carnival of copyright infringement, and I’ve loved it for years, downloading & spoofing many famous designs. (The first rule of Logotypes is you do not tell your legal department about Logotypes.)
- Speaking of spoofs, Mike Judge’s future-satire Idiocracy features all kinds of logo & brand remixes. [Via]
- Logopond offers a plentiful feed of design inspiration. Viva Napalm Riot & this little devil-mouse.
- Okay, it’s not logo-related per se, but check out the NYC Transit Authority style guide from 1970. It’s amazing that if it weren’t for the date stamp on the gallery, it would be hard to know that this isn’t a current design document. Is that a good thing (viva timeless Helvetica!) or a bad one (when in doubt, we punt and go with clean-n’-unobjectionable)? [Via]
March 21, 2007
Know when to fold ‘em
//na// If those mammoth screens get to be too much, rest your scalded eyeballs with the help of some paper:
- Thomas Allen makes dioramas from the covers of old pulp novels. Seems like they’re popping up (er, sorry) everywhere, from the cover of James Ellroy novels to the pages of (I think) GQ. [Via] Turning old images into "2-and-a-half-D" creations reminds me of The Kid Stays in the Picture, a film that achieved a similar effect using old photos plus Photoshop and After Effects (popping characters off their backgrounds, panning across them to introduce a sense of depth).
- The folks at the ni9e blog have fun (and no doubt baffle stewardesses) making paper-based visualizations of SkyMall demographics.
- If you’ve got more time (and skills) than money, thank your waiter with some cash origami. [Via]
- Okay, it’s not cash, but check out this amazing folding chair (the name doesn’t do it justice). Doesn’t it seem like the Apple campus should be full of these? (Well, maybe if they were off-white.)
- [For more paper goodness, see previous.]
(Upon hearing this blog entry’s title, my wife remarked, "I know when to walk away…")
March 20, 2007
Medical/scientific meet-up at PSWorld
The folks organizing Adobe’s presence at Photoshop World (just two weeks away) would like to pass along the following heads-up:
Birds of a Feather Meeting – Medical & Scientific Research Professionals
April 4, 5:00 – 7:00 pm
Hosted by Adobe – Open to Conference Attendees and Medical Professionals and Research Professionals
Attend this session to see the newest features in Photoshop CS3 and Photoshop CS3 Extended developed specifically for customers who use Photoshop for image analysis, visualization and communication. You’ll get to meet the team from Adobe that is charged with developing new features for the medical and research communities and hear from some leading customers in the field and how they use Photoshop in their work.
Attendees will be eligible to win Photoshop CS3 plus other great prizes.
Special Guests: Stephen R. Snow, DDS – with Snow Dental Care & Cosmetic Dentistry; Eric Wexler, MBA – Research Scientist with Bristol-Myers Squibb Medical Imaging; Joseph M. Bailey, MD – Montgomery Radiology Associates; and Robert Hurt – Visualization Scientist – Spitzer Science Center.
Track: Special Event — Room: 207 in the Convention Center
A registration form, plus more info on these guests, is on the Photoshop World site.
March 19, 2007
Human-powered cursors, Laser skate art, more
//na// Having survived both the Ides & St. Pat’s with toga & liver intact, I feel like celebrating with some assorted design inspiration I’ve uncovered recently:
- Multi-touch might be passé before it even gets here; what we really need are giant, human-powered cursors. [Via]
- Similarly, why do digital photomosaics when there’s Rubik’s cube pixel art? [Via] And speaking of cubes, you can put your own photos onto them in Photoshop using the Panos Cube plug-in (10 bucks). [Via]
- In the late 90′s the flat, vectorish Flash aesthetic popped up everywhere (print, TV, etc.). Now in a retro touch, here’s a Flash-style preloader watch. [Via] See also the Russian-designed Sand-Time Watch.
- Speaking of preloaders, the one at Coca-Cola’s M5 site adds a fresh touch, running through the years from BC to AD (a small thing, sure, but hey, it’s a preloader).
- Flickr is hosting an excellent collection of laser-cut skateboard decks. This one in particular grabs me. [Via] (See also previous: more on laser etching + skating skulls).
- Amka will put your art on a skate deck using vinyl, and they offer large-scale vinyl printing as well. [Via]
- "Octopus" is… well, it’s one thing to do with your flatbed scanner. On a rather sweeter (and beautifully illustrated) note, see Octonauts [Via] In the real world, scientists have photographed a giant glowing squid — not to mention a six-fingered guy named "El Pulpo."
March 17, 2007
Acrobat makes people throw cameras
…but in a good way. John Dowdell discovered that the swoopy, groovy packaging art for Adobe Acrobat 8 was created by tossing cameras into the air, using a long exposure to capture motion. Check out the story on the Camera Toss blog. More camera-tossing action is all over Flickr: here’s a slideshow, and images from Jens Ludwig (whose shots are among those to grace Acrobat) are here.
March 14, 2007
Solid recent Web sites
//na// I’m often inspired by other designers’ work, so I thought I’d pass along some recent Web design finds:
- The Levi’s Copper site makes use of an interesting image & navigation structure, using one huge image as the background. (Click Male or Female.) Gotta love the ants. [Via]
- With their ant-sized people, I love the section-intro cards at Baseline Selects.
- Jonathan Yuen’s site gently and beautifully unfolds to reveal his work. [Via]
- Ferm Living is all about subtle touches–smooth transitions, shifting backgrounds, subtle vignetting. [Via Maria Brenny]
- VIRB is kind of a MySpace, without all the visual suckage. It looks darn nice, even down to individual member pages (like this).
March 13, 2007
Adobe CMM released, ready for download
I’m pleased to announce that following a successful public beta period on Adobe Labs, the Adobe Color Management Module (CMM) has been completed & is now available as a free download. In a nutshell, the CMM turns the color converter part of the Adobe Color Engine (ACE) into a library that can be used by non-Adobe apps. This means you can use a single color management engine across your workflow, enabling more consistent display and output of colors.
Props & thanks to Lars Borg, Peter Constable, Ken Kameda, Manish Kulkarni, Rick Wulff, Daniel Taborga, and everyone else who helped bring the CMM to the community.
March 12, 2007
Photoshop developer kitchen @ PSWorld Boston
My fellow Photoshop PM Ashley Still asked me to pass along the following:
Attention All Photoshop Developers!
How’s your Mac Intel migration going?
Interested in new APIs for CS3?
Here’s a great opportunity to make sure your plug-ins are ready to go for CS3. Members of the Photoshop engineering team will be flying out to Photoshop World (in Boston) on April 3rd and hosting a developer workshop to assist with writing CS3 plug-ins.
Details & information on getting signed up.
When: Tuesday,
April 3, 1:00 – 5:00 pm
Where: Room 201 – Convention Center
NDA required: No! This is a non-NDA session
Sign-up: http://www.photoshopworld.com/page-dev-registration.html
If you have questions, email ashley at adobe.com
March 09, 2007
Agile development comes to Photoshop
The Register hosts a Q&A with Photoshop co-architect Russell Williams about how the team changed its ways in the CS3 development cycle, making product quality paramount, improving the team’s work/life balance (i.e. fewer "Photoshop widows/-ers" who never see their loved one), and yet still delivering a rich set of features. In brief: rather than building all the features up front, then spending the rest of the cycle fixing them, the team moved to a more incremental development model, insisting that bugs be fixed as we went along (not allowing them to build into a late-stage "bugalanche"). The article is a good read if you work in product development, or if you just want some inside geekery on how this stuff gets done.
Russell addressed the engineering side, so I thought I’d add some product management perspective. Overall I’m pleased with how things have gone, but no approach is perfect, and it’s worth noting some of the challenges we faced. [Continued in this post's extended entry]
"416 megapixels ought to be enough for anybody…"
I wonder if that statement will sound laughably outdated someday. Until then, the new 416MP scanning back from Better Light is mighty impressive. According to CNET, each 2-minute exposure generates a 794MB file that can provide 300 pixel-per-inch resolution for a poster measuring 34" x 45"–all for a cool 23 grand. Put that in your Flickr account and smoke it. [See also 160 megapixels or bust.]
March 07, 2007
Announcing two flavors of Photoshop CS3
Adobe is announcing today that there will be two editions of Photoshop CS3–Photoshop CS3 and Photoshop CS3 Extended. From the press release:
In addition to the highly anticipated Photoshop CS3 software for designers and professional photographers, Adobe will also deliver Photoshop CS3 Extended, a completely new edition of Photoshop which allows cross-media creative professionals to stretch the limits of digital imaging. Photoshop CS3 Extended includes everything in Photoshop CS3 plus a new set of capabilities for integration of 3D and motion graphics, image measurement and analysis. Photoshop CS3 Extended also simplifies the workflow for professionals in architecture, engineering, medical and science.
Now, because the products haven’t been formally introduced yet (that’s what the March 27 event is all about), I can’t get into a lot of details about the features (or price, or Suite configurations). But I can pass along what’s in the press release:
- Film and video specialists can perform 3D model visualization and texture editing, paint and clone over multiple video frames.
- Animators can now render and incorporate rich 3D content into their 2D compositions.
- Graphic and web designers can create an animation from a series of images – such as time series data – and export it to a wide variety of formats, including QuickTime, MPEG-4 and Adobe Flash® Video*.
- Architects, medical professionals and scientists will enjoy increased support for specialized image formats so they can easily view, annotate, and edit images in their native format.
- Scientific researchers can create animations from medical images for presentation purposes, and architects can make accurate measurements of objects in their 3-D images.
So, in a nutshell, Photoshop CS3 Extended includes everything that’s in Photoshop CS3, plus support for 3D, video, and measurement. The point is not to turn Photoshop into After Effects, Premiere, Maya, etc. Rather, the idea is to extend what you can do with the application, being smarter and more flexible about bringing in 3D and video, letting you use Photoshop’s unique painting and compositing tools in new ways. It allows Adobe to address specialized needs in a way that was never practical in the past, with a one-size-fits-all Photoshop.
About the name:
- The products are called "Photoshop CS3" and "Photoshop CS3 Extended."
- There is no "Photoshop Standard," and there is especially no "Photoshop Pro," "Photoshop Advanced," "Photoshop Premium," or the like.
Why is the name a big deal? Simply put, we don’t want to express or imply
the message that Photoshop CS3 isn’t advanced or pro, or that "This extended version is the one everyone
would get, if only money were no object." The standard version of Photoshop will be the right choice for many people. Extended is there for people with specific needs, who want to push the tools & their skills in new ways.
What do you think? I’m extremely excited about this evolution in the history of Photoshop, and I wish we could give you a demo of exactly what’s coming, but we’ll be there soon enough.
–J.
[Update: A bit more info has been posted on Adobe.com.]
* This relies on Flash Professional being installed, as it supplies the FLV codec.
March 06, 2007
What Is In the Box?
"Step 1: Make a SWF of a box…"
Adobe has posted a little teaser site, complete with a short video (no, not that video)… [Via] In <cough> completely unrelated news <cough>, the company has announced that we’ll be announcing (not shipping) the CS3 product line on March 27th. (I’m just relieved that neither Justin Timberlake nor the producers of SE7EN seem to be involved.)
March 05, 2007
Dilbert does Photoshop
Heh–I enjoyed reading this bit in Scott Adams’s FAQ, passed along by Photoshop engineer John Peterson:
Q. Do you still draw the comic on paper?
A. Most cartoonists still use paper, at least for most of the work. They typically finish it off on Photoshop after scanning the inked work. Photoshop might be used for the lettering (using a font of your own handwriting) or adding shading and effects.
About 2 years ago I had some hand problems (from overuse) and switched to drawing directly to the computer, which is easier on my hand. I have a computer monitor that allows me to draw directly to the screen (as opposed to a tablet on the desk). It’s the 21SX by Wacom. It cut my production time in half. It’s different from drawing on paper, and there’s a learning curve of a few months to get it down. But once you do, it’s amazing. I use Photoshop for the entire process now. Then I hit a few keys and e-mail it
to United Media.
The ability to erase pointy hair in the real world is still pending. ;-)
March 04, 2007
Escher in Lego; Wood & wire
//na//
- This Lego rendering of MC Escher’s Relativity is a grand slam on the geek meter–and just about the coolest thing I’ve seen all week. See also the artists’ treatment of Escher’s Ascending and Descending. [Via]
- Thomas Raschke makes excellent wire frame sculptures–kind of the old Adobe Dimensions come to life.
- Michael Salter is all about styrofoam sculptures, large and small. [Via]
- Dig the bloopy shapes and shifty eyes of Brendan Monroe’s wooden sculptures. [Via]
- I found myself really enjoying the colors & characters in Oliver Jeffers sketchbook (top item, left column). [Via]
March 03, 2007
Converting JPEG to DNG
In discussing non-destructive JPEG editing in Lightroom and Camera Raw, I mentioned that it’s possible to convert JPEG files into DNG–a format previously limited to raw data from camera sensors. Why do the new tools allow this, and why might it be useful? Here’s some perspective from Tom Hogarty:
It’s been almost a year since Lightroom introduced the ability to convert TIFF and JPEG files to the Digital Negative (DNG) format. This does not mean that Adobe is magically converting output-referred TIFF/JPEG files into mosaic data that has all of the flexibility of native raw files. These converted JPEG/TIFF files are not raw files at all.
So, why allow the conversion?
As Lightroom and now Adobe Camera Raw provide non-destructive editing of JPEG and TIFF files, the DNG format offers benefits as a non-destructive editing format in addition to its position as a raw standard. DNG is designed to efficiently store the XMP metadata block and image preview associated with a non-destructive edit. As non-destructive editing capabilities grow, the DNG format has the architecture required to grow with those capabilities regardless of the source format. For example, a JPEG image converted to DNG and non-destructively edited three different ways will be able to store three sets of editing instructions and three distinct previews for each edit.
Does this lessen DNG’s position as a raw format standard? Absolutely not. The core of public DNG specification is a standard method of storing and describing raw data. Most recently, Leica and Pentax have joined the ranks of camera manufacturers supporting DNG files natively and there are a substantial percentage of professional photographers converting their proprietary raw files to DNG for workflow or archival purposes.
So, editing a JPEG in Lightroom or ACR, then making it into a DNG, allows you to create an envelope that packages up the original bits, the editing sauce, and a rendered preview that any application can see (i.e. DNG = before + after + settings). And, unlike a regular JPEG that contains editing data, a DNG isn’t going to be mistaken for any old file. It stands out as something with special editing properties.
Having said all this, converting JPEG to DNG is useful, but it’s not a panacea: it makes files larger (at least for now), and it’s not something I think everyone should run out and do. (I haven’t found a need to do it myself.) It’s an option, however, and one that could grow more useful in the future.
March 01, 2007
Motion bits: Gnarls & mo’
//na// Some great animation & motion graphics bits have crossed my path recently:
- After blowing minds with their Crazy video last year, Gnarls Barkley now does the Zelig mockumentary thing in Smiley Faces. (Dig Baron von Counterculture’s Groovy Purple Dirigible.) Brilliant, and painfully catchy.
- Design shop Foreign Office shows off the in-movie ads & graphics they created for Children of Men (one of my favorite films last year). State-sanctioned suicide never looked so good. [Via Marc Pawliger]
- The beautiful HP "Hands" campaign continues with this lovliness featuring Brazilian author Paulo Coelho. People ask me why I work on Photoshop, what I dream of for the future. This vision starts to hint at it. [Via]
- Hand-focused, but on the other end of the tech spectrum, check out the amazing VW Phaeton "What the Hands Can Do" ad. [Via]
- Similarly human-powered & great: the Human skateboard.
- I could really go for more Kirin craziness in this job (being, as I am, disrespectful to dirt). [Via] Oh, haven’t had enough yet? Try Fruity Oaty Bars (see also behind the scenes on that one). That should do the trick.
So, what’s this about a hosted Photoshop?
By now you’ve probably seen a whole bunch of stories about how Adobe is planning to put a version of Photoshop online in the next six months or so, based on remarks from CEO Bruce Chizen. Here’s the original CNET story, as well as a distillation of the quotes from Bruce.
I view this evolution of Adobe imaging as a logical (and exciting) extension of what we’ve been doing for several years. The company recognized that one size doesn’t fit all, and that it’s possible to leverage core imaging technology & experience to build a variety of related solutions. That’s what has led to Photoshop Elements (starting with core PS editing, removing pro-level complexity, adding hobbyist-oriented creation & sharing tools) and Photoshop Lightroom (leveraging Camera Raw, metadata, and workflow experience). A Photoshop-branded online editor lets us start bringing the tech to new customers–much like the new Adobe Remix reaches new customers using Adobe Premiere technology.
To set expectations properly, I think it’s important to mention that by "Photoshop-branded" we don’t mean the professional version of Photoshop. The tools being discussed here are targeted at the consumer market–especially all the people using social networking and media sharing sites.
Exciting times are ahead. And meanwhile, we’re working hard to keep opening doors to the online world in Adobe desktop apps. The upshot is that Adobe imaging technology can migrate to the Web, and the Web can transform and enhance desktop tools.
February 27, 2007
Lightroom FAQ for RawShooter customers
A number of photographers have written in this week, asking for details about how customers of Pixmantec’s RawShooter Premium (which Adobe acquired last summer) can get a free copy of Lightroom. Lightroom Product Mgr. Tom Hogarty posted a brief FAQ a few days ago that address these questions. For convenience I’ve reproduced it here:
Q: When will Photoshop Lightroom 1.0 be available for RawShooter Premium customers?
A: The Photoshop Lightroom offer email for RawShooter Premium customers will be distributed by February 23rd with instructions on how to obtain a free downloadable copy of Lightroom 1.0.Q: Can RawShooter Premium customers get started with Photoshop Lightroom before receiving the offer email?
A: Yes, please download the 30-day trial version of Lightroom. The offer email will provide instructions on how to obtain the serial number that will license the trial version of Lightroom.Q: Where can I find documentation for Photoshop Lightroom?
A: Tutorials and documentation for Photoshop Lightroom can be found in the Adobe Design Center.Q: Who do I contact if I don’t receive an offer email by February 23rd?
A: If you are an owner of RawShooter Premium (RawShooter Essential users do not qualify for this offer) and you do not receive an offer email by February 23rd please contact Adobe Customer Service in your region for further assistance.Q: How can I convert my RawShooter Premium settings to Lightroom or Photoshop Camera Raw compatible settings?
A: A free settings conversion tool will be posted on Adobe Labs on March 5th for use by RawShooter Premium customers.
Hope that helps,
J.
February 26, 2007
I got yer Web conference discounts, right here
A couple of interesting Web-centric conferences are coming up this spring, and ways to save money registering each have popped onto my radar. I’m passing along the info in case it’s of interest:
- Web Design World San Francisco runs March 26-28th at the Moscone Center. I’ll be presenting a half-day workshop called Photoshop CS3 Bootcamp. If you register by the end of day Feb. 28 (i.e., Wednesday), you’ll save $200; use code SPNAC.
- On the other side of the country, the new DX3 Conference (Design/Deploy/Develop, organized by Lynda.com) is due to hit Boston May 15-18. Register by March 24th to save $200, and use code
FAL628BS to shave off another $100.
By the way, on a Lynda.com-related note, the folks there have just posted 6.5 hours of training on Lightroom, presented by Chris Orwig.
February 22, 2007
Adobe, minivans, promiscuity (?!)
Heh–if that doesn’t get your parental antennae buzzing, I don’t know what will. ;-) I got a kick out of seeing these characterizations of Adobe, spied by John Dowdell, in a pair of articles:
- "In the software world, if Oracle Corp. is the monster truck of corporate acquirers, showily flattening competitors as flash pots explode," writes Olaf de Senerpont Domis, "Adobe Systems Inc. is the humble minivan, patiently trundling from point A to point B." I think there’s some truth in that. Headquartered in unassuming San José (the minivan of cities), Adobe doesn’t do a lot of the chest-thumping I see from other companies–a modesty I’ve always appreciated. And having (grudgingly) swapped a Miata for a minivan during college, I can tell you: respect the van.
- "Going forward, the Gartner trio predicts, Adobe will promiscuously embed collaboration features across its product lines," reports Stephen Swoyer. Facilitating collaboration has been a passion of mine for a long time (e.g. getting feedback tools into Photoshop’s Web gallery engine in CS1; embedding Flash in Photoshop CS3), and we’ll keep cranking away, but now it sounds so much more… salacious. ;-)
When the Adobe-Macromedia deal was announced, a designer remarked, "Adobe will make Macromedia grow up, but Macromedia will take Adobe out clubbing." So, we may be rocking a minivan here, but you know there are hydraulics under there…
February 20, 2007
Automotive visualizations
I’ve come across some crafty ideas from the automotive world, visualized in Photoshop, 3D, and sheetmetal:
- BMW tweaks nature to demonstrate why they don’t do front wheel drive.
- Volkswagen drives home their power-to-weight ratio in this series of GTI ads (see larger).
- Vive le blur: Recent design school grad Ian Hart created some rather excellent Ford Mustang ads as a student project. He writes, “Constructed from GE Lexan EXL semi-transparent resin, the billboard accurately blurs the scene behind it regardless of day, weather or season.” [Via]
- Peugeot & Microsoft challenged designers to devise cars of the future, and you can see a gallery of the winners here. Peugeot will build the winning entry as a full-scale concept car, and MSFT will feature a drivable version of the car in one of its Xbox 360 games.
- No Photoshop necessary: Automotive artist Billy Gibbons (aka one of the bearded dudes from ZZ Top) has created the weirdly wonderful Bus Ball [Via]. It reminds me in some way of Heatherwick Studio’s groovy rolling bridge (video).
February 18, 2007
Can photographers be plagiarists?
That’s the subject of an interesting illustrated essay on Slate this week. A father/son team of photographers has been accused of ripping off the work of another shooter–apparently after first calling him for advice on vantage points, film, etc. The essay talks about ways photographers have played off & riffed on one another’s work over the years, even to the point of reproducing it wholesale (e.g. Sherrie Levine photographing Walker Evans’ famous Depression-era prints–making her an "appropriation artist"). At what point does homage cross the line? It’s interesting food for thought.
Side note: I do have to ask what, exactly, makes this photo so special? Maybe if I weren’t totally insecure about what I shoot, I could let this go, but… I’d like to be enlightened about why a photo like this one is considered gallery-worthy. It makes me think of that empty plinth getting mistaken for the actual artwork.
February 17, 2007
How the Healing Brush came to be
The new issue of Computer Graphics World features an article from Adobe VP of engineering Dave Story, discussing the origins of the Healing Brush*. He writes,
The inspiration for the Healing Brush came from something you might hear in a Physics 101 lecture: When you place a piece of metal on a heated surface, heat diffuses through the metal until it reaches a steady state. But what does heat diffusion have to do with pixel restoration? More than you might think.
Dave mentions Poisson image editing and the Laplace equation, but overall he keeps the discussion out of the techier weeds. If you eat that stuff for breakfast & want something more bracing, you could try this math-heavy 1-pager on covariant image reconstruction from Todor Georgiev, who is featured in Dave’s write-up.
*On the off chance you’re unfamiliar with this technology, here’s a PDF for background on the Healing Brush.
February 15, 2007
Adobe Magazine returns
Adobe Proxy, the quarterly design magazine from available in PDF format, has been rethought and relaunched as–dramatic flourish –Adobe Magazine. The new (historic) name should make the publication easier to find, and the format & content have been revised for easier browsing. From the mag:
Many of you told
us you don’t have time to read the
magazine cover to cover. That’s
why we’ve designed all articles in
the new Adobe Magazine to give
a quick shot of inspiration and
instruction. You’ll see innovation
in the fields of photography,
publishing, interactive, and video,
and you’ll get specific details on the
techniques and software features
used to create it.
You can download the current issue (cut & curled by guest designer Josh Berger of Plazm), as well as sign up for notification of upcoming issues. The mag is also available in French and German. [Update: I've added links to French and German. The UK sign-up page, which lists other countries in the popup, is here. I believe the main page will be updated with these links.]
Master & Photoshop Commander
The long-standing Photoshop actions system (which debuted in PS4) makes it pretty easy to record a series of commands, then play them back. Photoshop scripting (intro’d in PS7) lets developers do much more sophisticated automation, but it needs to be written by hand and is consequently much harder to create. Thus there’s been a demand for a system that would let users use conditional logic in Photoshop (e.g. processing an image one way if it’s taller than it is wide, and another if it’s wider than it is tall), but without having to learn/write scripting.
To fill this gap, scripter Andrew Hall has created Photoshop Commander, a free add-on designed to put fairly sophisticated automation tools into the hands of non-programmers. He explains,
Photoshop Commander is a Photoshop Script for CS2 and CS3 that creates powerful programming capability in Photoshop, using simple dialogs that anyone can work with and understand. Photoshop Commander provides a comprehensive easy-to-use menu system that allows non-programmers to create sophisticated workflow automations all without the need to understand a single line of programming code.
The script (which is free and is being released under the Creative Commons license), and a heap of accompanying Flash tutorials can be downloaded at
http://www.ps-scripts.com/bb/viewtopic.php?t=1363.
If you check out the first 10 minutes of the tutorials you will get some idea of what it can do and how it works.
Check it out, and let Andrew know what you think (via the comments section of the download page).
Photoshop: Dolla dolla bill, y’all
It’s all about the ducats: Today’s NY Times features a photo of artist (er, medallic sculptor) Joseph Menna using Photoshop and a Wacom Cintiq pressure-sensitive monitor to create a portrait of George Washington, along with a story about how the Mint is planning to issue $1 coins that feature images of dead presidents. Nice to see Photoshop being used to design currency outside of a dorm room (oh!).
February 13, 2007
Mainly in the Plane
Farewell and adieu to you fair Spanish ladies*.
Farewell and adieu, you ladies of Spain…
You know what’s wonderful about Spain? This is the kind of thing you see out your bedroom window. Know what’s less great? One look is all you get–the rest of the time being booked solid. (If you think I talk a lot here, try 7 hours’ worth yesterday.) You can take the Hyatt out of the boy, but you can’t take the boy out of the Hyatt–literally.
Still & all, it was great to spend a day chatting with & teaching a boatload of authors & trainers from around Europe. A bit selfishly, I love the fact that Spanish seems to be less widely studied here than English, German, or French. For once, my poquito of high school Spanish let me avoid feeling like the monolingual ugly American in the room. In fact, in a jewelry store in Barcelona I observed a German guy awkwardly telling the shopkeeper that he, uh, didn’t speak Spanish. "Hah hah, my Teutonic amigo," I thought, "We’re in the same barco now, eh? Más o menos?" And now I’m flying home at last, so you can be done with my little travel anecdotes (well, almost; a few photos are yet to come).
[Apropos of nothing: the flight attendants on Spanair are decked out in rather deviant-looking black leather gloves. (Spanish gloves of Spanish leather?) You could be forgiven for thinking you'd wandered into a Eurythmics video.]
*Note: Management reserves the right to substitute a gaggle of pasty software-folk in lieu of said fair ladies. No warranties expressed or implied. Vaya con Dios.
February 12, 2007
Help improve Dreamweaver, Flash -> Win fame, glory
Okay, maybe not fame, but how about $1000 or a copy of Creative Suite 3? Those are the prizes (5 of ‘em) being raffled to folks who help Adobe improve our Web tools by the Adobe user research team. They’re using a technology called ClickStream (more about them & their privacy policy) that records how often menu items, tools, etc. are used in each application, from which we can gain insights into what’s important & should be improved. If you’re interested, please see the note below from researcher Sharma Hendel. Cash and software aside, I think it’s a great (and pretty painless) way to help improve the tools that thousands of people use every day. [UPDATE: Sorry, I didn't notice that participation is limited to US residents. Lame, but I guess doing business across borders is harder than it should be. --J.]
I’m a user experience researcher with the Flash & Dreamweaver teams and I’m looking for Flash and Dreamweaver users to help us out with a massive project. If you’re a regular Flash or Dreamweaver user and would like to help out, please check out the information below.
This is a product improvement study with folks who use Flash or Dreamweaver several times per week. The project entails downloading and installing a small program that anonymously collects information about the features you use in Adobe products and other applications. All eligible participants will be entered in a prize drawing either $1000 or one of 5 copies of Creative Suite 3 (to be released later this year).
If you are interested, please take this survey to determine eligibility. Then download the ClickSight™ software – a program developed for Adobe by Clickstream Technologies. (Mac Users: Currently, ClickSight runs only on Windows PCs. We will be conducting a Mac-based study later this year. If you are a Mac user and would like to be involved, please email info@clickstreamtech.com).
Thanks! You are helping make our Web applications even better!
Sharma Hendel (shendel at adobe dot com)
User Experience Team
February 09, 2007
Printing on water & more
- The Jeep Waterfall is a totally fantastic, “3,000 valve, 20-pump contraption” that essentially prints images onto falling water–much as an inkjet would onto moving paper. The eye-popping video is well worth a watch.
- Taking a similar concept in a horizontal direction, the AMOEBA device uses wave generators to print letter & pictures on water. Each one is visible for just a moment, and a new one can be shown every 3 seconds. There’s a brief video of the device in action, but I find the still image is more impressive. [Aside: I think my life would be greatly enriched by a background audio track of breathless Japanese narration.]
- If that $10k/gallon inkjet business has gotten you down, you might like hearing about the ZINK inkless printing system. It promises a zero-ink printing process by embedding dye crystals in the paper itself. [Via the Elements team]
- ToughPrint promises waterproof inkjet paper, suitable for making, say, a map, then taking it hiking in the rainforest (as one does). [Via]
February 06, 2007
The Dutch curse Dreamweaver (?!)
No no, they don’t, really! Actually, the folks I’ve met seem quite fond of it, especially when given a taste of what’s planned for the upcoming release. That said, my heart skipped a beat when I opened a design mag in Amsterdam yesterday and read the headline, “Cursus: Adobe Dreamweaver.” “Oh man, these guys must think the Adobe-MM integration is going sour,” I thought–then quickly pulled it together. “Cursus,” I learned, are “courses.” So, may the Netherlands be full of cursus for Dreamweaver for years to come!
Here in Milan (yet another place I’ll see exclusively from the window of a cab; 20 hours from wheels down to wheels up), I’m talking up multimedialità (such a nice sound); learning that Nack, Germany really does exist (nestled in Rheinland-Pfalz, says Thorsten Wulff); and finding out that my surname is a common first name in Cambodia (hello, Nack Ath). Sorry; so much for not making this As the Nack Turns…
February 02, 2007
Killer titles, man-headed monkeys, & more
Some good bits from the world of motion graphics:
- Carlo Giovani has created a beautiful little stop-motion animation using his 3D paper models. [Via]
- Ever since seeing Kyle Cooper (creator of the SE7EN titles, among other things) speak at Cooper Union several years ago, I’ve had a new appreciation for intro title sequences in movies. "Forget the film, watch the titles" is right up my alley.[Via]
- Along similar lines, check out 10 Kick-A Opening Credit Sequences. [Via]
- File under "More corporate weirdness-for-weirdness’-sake": GE has evidently commissioned Little Samurai, a fun bit of beautiful animation that must be (?) theoretically related to lightbulbs, locomotives, nuclear power, or some other GE endeavor.
- If Jill Greenberg’s simian science tripped your trigger, you might enjoy the creepy Basement Jaxx Where’s Your Head At video.
February 01, 2007
"We’re huge in Christmas Island…"
Heh–I got a kick out of checking out the latest download stats for the Photoshop public beta. In the first month and a half of the beta’s availability, Adobe Labs has served up
364,491 unique downloads, including 22 to tiny Chrismas Island–not bad for a place with a population of 1,600!
Being (still) somewhat jetlagged, these little bits keep me laughing. File it alongside seeing Harvey Keitel scream "Donnez-moi un croûton!!" (Tuesday, Paris), watching South Park dubbed into German (last night), and hearing Adobe Web tools evangelist Greg Rewis declare today, during a demo in Munich, that although customers thought that "Fireworks ist tot. Nein! Fireworks lebt!!" (Any grammatical/transcription errors are mine, not his. :-))
January 31, 2007
Useful Photoshop layer-handling scripts
Last week Ralf Berger, co-creator of Photoshop’s Vanishing Point tool (and formerly eng. manager for LiveMotion), asked me whether Photoshop offered a way to clean up files by deleting empty layers. I knew that the Layers palette fly-out menu contains a command to delete hidden layers, but not one for blowing away those with no pixel content. After a nudge towards the Photoshop JavaScript guide (installed in the application folder, btw), Ralf whipped up this script for deleting blank layers. I’m posting it here in case it’s useful. (You may want to right-click/Ctrl-click the link to download the script, then put the file into your Photoshop folder under Presets/Scripts.)
On a related note,
I came across a Trevor Morris’s trove of handy-looking little scripts. And for more PS scriptiness, including a good discussion forum, check out PS-Scripts.com.
January 30, 2007
HD Photo format coming to Photoshop
Microsoft & Adobe have been working together on a plug-in that will offer support for HD Photo (née WMP*–Windows Media Photo), the new Microsoft-developed imaging format, in Photoshop. HD Photo offers advanced compression (both lossless & lossy) and improved dynamic range relative to the standard JPEG format. Timing won’t permit us to have support into the CS3 box, but we’ll find a way to get it out there. My manager Kevin Connor noted,
"What’s good about HD Photo is that it was designed specifically for digital photography, with a good understanding of how digital photography usage is evolving," Connor said. "It will certainly take time for HD Photo to be as broadly accessible as JPEG–if it ever is quite that broad–but there can be reasons even today why a consumer might prefer to use HD Photo."
As with JPEG2000, which Photoshop began supporting in 2003, our goal is to ensure that support exists in Adobe apps ahead of customer demand. That way, as images begin appearing, you’ll be good to go.
*The new name is far nicer, no?
January 28, 2007
Shout-outs for Umlauts
Greetings from snowy Sweden (-9° C & loving it!). I arrived last night with Caleb Belohlavek, a director on the Suite team, to start a series of visits with the press: nine cities in two weeks (gah!). I want to keep this blog focused on Photoshop, photography, design, and the like, not making it into "As the Nack Turns." That said, in case you see posts filed at 3am, or lighter posting until mid-February, you’ll know why. For some personal bits from the trip thus far, read on.
Stockholm is gorgeous ("the Venice of the North," they say), and from the moment we landed I was charmed to see an old Volvo 240 wagon soldiering on down the taxiway. I’m having fun with the language–because hey, who doesn’t like a nice voiceless dorso-palatal velar fricative, not to mention A’s with stylish headwear? I especially enjoy the process of inserting the word "kronor" into progressively more absurd contexts ("Oh man, I slept weird on the plane & now my kronor is out of whack…")–but that could be the jetlag talking. By watching English-language shows with subtitles, I’ve picked up the words "funkinga" (“funky”; thanks, James Brown retrospective), "narko" (“dope,” via Deadwood clip), and "dog" ("dead," via WWII documentary). Maybe I’ll pick up tips from some local bloggers; er, maybe not.
I got to walk around and take some snaps–at least until my cold camera started throwing an error message. Not wanting a repeat of last year’s snafu, I stuffed the cam into my jacket, and later at the hotel I let my memory cards warm up at their own pace. Fortunately only one or two shots seem to be MIA, but I continue to doubt the robustness of digital cameras (or at least mine) in the cold. If you’d like to see the shots (featuring the world’s coldest pizza), they’re here.
Tomorrow is all about work, then off to London and endless city-hopping. For now, though, take it from me: reindeer is delicious. :-)
Genuine Fractals Universal beta available
Good news from the plug-in developer front: onOne software has announced that a beta of Geniune Fractals is available in beta form, and that it’s compiled as a universal binary that runs natively inside Photoshop CS3 on both Intel- and PowerPC-based Macs. The beta also works with previous Photoshop and Photoshop Elements versions for Mac and Windows. To try it out, you need to request access via this form. Additionally, onOne has announced that they’ll be offering free compatibility updates to their other plug-ins (MaskPro, Intellihance, etc.).
If you’re a developer and want to make your Mac plug-ins Intel-compatible, please check out the CS3 mini-SDK. And please let us know if you need folks to test your new code; we’ll be happy to spread the word.
January 24, 2007
Fun with Apple: iHop & icons
Apropos of our friends up the road:
- Icons as icons: Greek designer Charis Tsevis has created a Heroes of the Electronic Revolution series, in which he depicts Steve Jobs as a mosaic of icons (Illustrator 10 makes a nice skin tone, evidently). Check out the full-sized version to see the details. Maybe we can get icon-Steve together with glyph-John Warnock. ;-)
- Apple, via Photoshop: Worth1000 is running a contest to depict the next Apple product. I’m kinda partial to the iHop ("Jump Around"). [Via]
January 22, 2007
Russell Brown’s PUG recording now available
In case you couldn’t attend last week’s Photoshop User Group meeting in San Jose–or if you did attend but just don’t want the dream to end*–you can check out the session online (recorded with the help of Acrobat Connect–neé Breeze) here. After an initial two minutes of futzing around with the technical setup, Dr. Brown’s antics run for an hour or so. Because of the length of the recording (note to self: next time don’t simply shut the laptop, or you will record 10 hours’ worth of silence), it may take a little time to start streaming.
If you have suggestions or requests for future PUG meetings, feel free to post them here or drop me a line directly.
[* Results may not be typical. No warranties expressed or implied. Your viewing pleasure may vary.]
January 18, 2007
Rock n’ Pshop
- Put down the gat, pick up a brush: Rappers now battle with Photoshop, not guns. (More Healing Brush than Slice Tool–I can dig it.)
- Liberty rocks on in this statue-remixing contest on Worth1000.com [Via]
- The Hard Rock Cafe had a similar, if slightly edgier, idea.
- Speaking of remixing, Pioneer has introduced the DVJ-1000, a turntable that lets DJs scratch with video DVDs just as they would with music on vinyl. "Digital video scratches, loops and instant cues are all possible," they proclaim. I’d love to see a video demo of this thing in action. (Maybe it’ll pop up at a future Flashforward or the like.) [Via Jody Rodgers]
January 15, 2007
A new Contact Sheet script for Photoshop
Photoshop’s Contact Sheet plug-in is, to be charitable, a little long in the tooth. Therefore scripter X Bytor has stepped into the breach with ContactSheetX, a script that’s freely downloadable from SourceForge & that works in CS2/3. Among other things, the script supports page numbering, more flexible font selection, and the ability to use templates. Features, screenshots, and other details are in this PDF, and there’s a forum for asking questions & requesting enhancements. X thanks the photographers at The Icon and Warner Bros. for support and funding of this project.
Russell Brown to show CS3 Tues. night at Adobe
Fresh off his jam-packed presentations at Macworld last week, Adobe’s own Russell Brown will be presenting the Photoshop CS3 beta tomorrow night, Jan. 16, at Adobe (map). As usual with these Photoshop User Group meetings, Pizza and drinks kick off at 6:30pm, and the presentation is due to start at 7pm.
If you plan to attend, please shoot an RSVP mail to Dan Clark (dan at weinberg-clark com) so that we can order the right amount of chow.
To park
underneath the Adobe building, use the Almaden Avenue entrance, under
the East Tower. If the security guard at the parking entrance asks for
an Adobe contact, use my name. Hope to see you there!
January 11, 2007
Design bits: 3D sketching, Airswitches, & more
//na*//
- "To what question is the answer a £68,000 Volkswagen?," quipped British journalist Jeremy Clarkson. I have similar thoughts about the Mathmos Airswitch–a light that can be turned on/off and dimmed/brightened by the proximity of your hand. Then again, it’s kind of cool for its own sake. [Via]
- Designed by the same folks at two create, the 3D drawing pad looks pretty fly (tough to tell without using it, of course).
- Nanda’s Clocky is an alarm clock that not only rings, but also runs and hides to force you to get up. [Via]
- Forget Dogs Playing Poker; how about fish playing horns? (And apparently someone decided that a fish does need a bicycle.)
- Ten bucks gets you a set of plastic spoons that change color in your microwave when your food reaches 120F–kinda great, although Gizmodo foresees dire results. [Via] The invention made me think of that unfortunate Genera Hypercolor clothing from the ’80s; Googling for it led me to discover temperature-sensitive Eclipse wall paint. (How does $349 per gallon grab you?)
- Geostationary Banana Over Texas is, if nothing else, aptly named. The site’s navigation sucks, so here’s a photo. (Speaking of bananas, how great are these Japanese juice boxes?) A bit closer to earth, if only in terms of practicality, C|NET talks about proposals for flying power generators; see images.
[* Non-Adobe. Some folks like the non-Adobe-heavy bits I post here, while others couldn't care less. Others, you'll certainly want to skip this one. :-) For the record, I do think this stuff is relevant for this blog, as I view design+technology as inherently Adobe-related.]
January 10, 2007
iPhone quip o’ the day, plus more from Macworld
From Victor Allen at Juxt Interactive: "I’m going to wait for the iPhone Shuffle. You just clip it to your ear and call people at random." Hah!
Hopefully I’ll get to walk the floor at Macworld today. I’m excited that the new AirPort base station can hook up to a hard drive to enable wireless backup, though I’m annoyed that it evidently doesn’t support the Apple-developed (and JNack-purchased) Firewire standard. Adobe-wise at the show,
- Russell Brown is showing good bits from Photoshop CS3 in the Adobe theater
- Tim Brook notes that the company is now shipping Flex Builder for the Mac
- Chad Siegel and I will be showing Photoshop CS3 beta and giving an InDesign CS3 sneak at the Apple store at 3pm today
- Finally, I don’t know what all will be shown from the upcoming video Production Studio, but I caught a 20-minute demo from Bob Donlon yesterday, and I can tell you hands-down it was stupid cool. Apparently there will be some demos at the Adobe booth; I’ll try to post details on timing if possible. If you care about digital video at all, or just about beautifully integrated Mac software, you’ll want to check ‘em out.
January 08, 2007
Come say hey at Macworld, Apple Store this week
If you’ll be in San Francisco this week, we’d love to see you at the Adobe booth at Macworld (starting tomorrow). I’ll be booth-babing Thursday and Friday afternoons 1-4pm ("Does this tradeshow shirt make my app look big?"), and on Wednesday afternoon from 3-4pm I’ll be presenting the Photoshop CS3 beta at the Apple Store in SF. I’ll be joined by InDesign PM Chad Siegel, who just may have some Intel-native page-layout kickassery to show. (Okay, it’s more than "may.") Hope to see you one place or the other.
[Update: Whether at home or in person, you can play the Macworld Drinking Game.]
January 06, 2007
A tribute site for Bruce Fraser
Photographer Stephen Johnson has created BruceFraserLegacy.com, a Web site for gathering info about our departed friend. Bruce’s wife Angela writes, "This site is a work in progress, so keep checking for new additions. If you feel you’d like to add something, please let Steve know (steve at sjphoto dot com)." The site links to numerous photos, including some sparkling eclipses that Bruce captured.
If you happen to be attending MacWorld this week, you’re invited to attend a celebration Bruce’s legacy at an upbeat, inspirational multimedia event on Wednesday Jan. 10 (full details at PhotoshopNews.com). Graham Nash and single-malt Scotch will be on hand. I think Bruce would raise a glass in approval. :-)
Microsoft gets stony; Kodak goes berserk
It’s alternately funny, sad, or both when companies struggle to play against type & redefine their brands. During my first month at Adobe, I got a horrible sunburn as I stood for hours on a pier in San Francisco, passing out Razor scooters and "Splatterpunk" temporary tats to 13-year-olds at the X Games. "And this will help LiveMotion succeed… how, exactly??," I thought as I slowly carbonized like a pig on a spit. While Macromedia was releasing killer ads, Adobe was buying magazine spreads featuring a dude snowboarding down a volcano. Yeesh…
Microsoft is now making some interesting efforts to redefine its image. Last year saw the hilarious and dead-on "Microsoft iPod" self-parody video, and now they’re getting way out there with Clearification, a site chiefly featuring the brilliantly stony ramblings of Demitri Martin. Somehow, on some level, the site is theoretically related to Vista. Somehow. Anyway… [Via] Elsewhere they’ve posted the slightly incomprehensible MsDewey.com (hey, the world loves attractive women) [Via], not to mention an online comic book about Office. [Via]
And now Kodak–evidently mad as hell & not going to take it anymore–has released "Winds of Change." In it a distinguished looking gentleman proceeds to flip out Howard Beale-style, going off about how the company isn’t "playing grab-ass anymore." It’s kind of great, and judging from the number of times I’ve seen the link sent around this week, it’s doing that whole viral thing.
[Via Ben Long, Katrin Eismann, and others]
Slightly related: Slate ad critic Seth Stevenson slags the Intel Core 2 Duo ads: "[They] feature perhaps the least-hip hipsters I’ve ever seen. What are these people wearing? Denim culottes? Green velvet suit vests? A snap-brim hat with a feather in the band? They look like they’re in a high school ska band. Word of advice, Intel: Do not attempt to make computer processing chips cool. It’s a losing battle." (Hey now; you just need some toasted bunny suits…)
Ah, well; no one gets out alive. :-) At the end of the day, at least none of us have assaulted U2 in the name of celebrating banking services. (Excuse me while I go wash my brain…)
January 05, 2007
Microscopic photography; Shattered rocket
Two scientific/technical imaging entries today:
- Teacher/researcher/photographer Tracy Anderson has posted a beautiful gallery of close-in photography. Highlights include Scotch tape ripping, Velcro being pulled apart, and the trappings of an Amazon warrior squirrel. [Via] See also a nice infrared shot from Tracy.
- A Fox News helicopter captured this rather spectacular video of a Russian rocket body bursting into flames as it re-entered the atmosphere over Denver. The story is here. [Via]
December 23, 2006
Sculptures in light
This is the season of lights, so it seems fitting to illuminate some recent finds:
- United Visual Artists has created Volume, a super-cool interactive installation that "responds spectacularly to human movement, creating a series of audio-visual experiences." Tons of great photos are on their site (note the little slideshow controls under the main image), and you can see the movement in this video (also in high res from Motionographer). [Via]
- The Orb is a high-speed glowing sculpture, formed by 64 LEDs spinning at 1600 RPM. [Via]
- Architect Rand Elliott has been commissioned to create POPS, a 66-foot, LED-clad pop bottle that will sit alongside Route 66. Metropolis Magazine has the story, along with shots of Elliott’s work, including a wireframe of POPS and the 100-foot-high Beacon of Light at the Oklahoma Health Center. See also shots of POPS being erected. [Via Jack Liggett]
- Closer to earth but still fun, the Flying Spaghetti Monster is made of Christmas lights [Via]
December 19, 2006
Soundbooth Beta 2 now available
Released on Adobe Labs in October, the Adobe Soundbooth beta seems to have drawn a pretty amazing response. (The announcement was the #3 post on the MXNA aggregator this year.) Now Soundbooth PM Hart Shafer reports that Beta 2 of Soundbooth is available for download from the Labs site. Hart lists a variety of fixes and improvements in this release, and as always, the door remains open for feedback prior to shipping.
December 17, 2006
In Memoriam: Bruce Fraser
I’m terribly sorry to relay the news that our dear friend Bruce Fraser passed away yesterday. His friend Stephen Johnson says that Bruce was resting in his own bed,
surrounded by people that loved him. It was a very peaceful passing. It remains awfully rough for those left behind.
I’m not sure what to say, and I know that others will write better, deeper remembrances than this one. Bruce’s work touched untold thousands of people, whether directly through his teaching and writing, or indirectly through his guidance of Adobe, Epson, and other companies towards better, smarter solutions. The outpouring of well wishes in response to news of Bruce’s illness only hints at the reserve of goodwill and gratitude that so many feel towards him. As one of those many beneficiaries, I can share a few thoughts.
Many of the merits of Camera Raw owe a debt to Bruce. The move from ACR 2.0 to 3.0 was a huge one, filled with twists, turns, and tradeoffs. Bruce was among a handful of folks to whom I could drop a line at nearly any hour, asking for guidance. Back would come a deep, thoughtful, often impassioned reply, making his arguments plain. We’d often disagree, but that’s part of what made the dialog fun and valuable. No matter how well Bruce got on personally with many folks at Adobe, I never had to worry that we’d get a free pass on anything. I will always, always be grateful for that.
This whole past product cycle, we’ve felt Bruce’s absence as he battled his illness. Any number of times I thought of him and wished we could duke it out about favorite topics–DNG, Camera Raw editing JPEGs, color management for the Web, and so much more. I write this through a shifting blur of emotions–anger and sorrow at the loss, sympathy for Bruce’s wife and loved ones, gratitude to have known him, relief that he is now at peace.
A tribute to Bruce’s life and work is planned for Macworld, to be held Macworld on Janurary 10th, 2007. PhotoshopNews will post more details as they become available.
[Update: Rick LePage and Jason Snell have posted rememberances of Bruce.]
77 Million Paintings by Brian Eno
“What I’m really doing when I work generatively is I’m making seeds," says musician and visual artist Brian Eno, in this profile on Apple.com. Then I’m planting them, in the case of ‘77 Million Paintings,’ in your computer. Then the seed grows into all the different kinds of flowers it can produce.” The result is his 77 Million Paintings project, visual and sound art created with the help of Adobe Director, Photoshop, and Illustrator, and designed to be experienced on one’s own computer or via a live, ever-changing installation. This three-minute video from the project site gives a taste of the work & the ideas behind it.
According to the Apple site, more than 300 Eno paintings — most of them scratched or inked onto slides — were digitized for 77 Million Paintings. Collaborator Nick Robertson painstakingly scanned and retouched every one using Photoshop and a Mac. Of the travelling installation they write, "Eno and his team have designed and constructed several configurations for the live shows, including a massive pyramid of monitors enveloped by mirrors. ‘The floor and sides of the room were mirrored and the pyramid was effectively turned into a diamond,’ says Robertson." A few additional photos of the live installation are here.
[For more on generative art, see this post on Josh Davis's work with Illustrator scripting.]
Is it real, or is it ILM?
As you may know, Photoshop co-creator John Knoll has been a visual effects supervisor at Industrial Light and Magic for many years. (My friend Phil says, "It’s a little intimidating to use Photoshop in front of one of the guys who wrote it." I know your pain, man.) Now ILM has produced a beautiful Flash piece showcasing their work on the latest Pirates of the Caribbean, detailing some of the processes & techniques that bring scenes and creatures to life. [Via]
December 14, 2006
Bruce Fraser receives Lifetime Achievement Award
Photographer, Scotsman, color mangement guru, Pixel Genius, and friend to everyone in digital imaging (whether directly or through his work to improve the tools of our trade) Bruce Fraser has been honored with the first Lifetime Achievement Award from the National Association of Photoshop Professionals. As one who’s experienced Bruce’s amazingly generous outlays of time and effort in helping guide Adobe and other companies towards the solutions customers really need, I can think of no one more deserving of this accolade. Congrats, Bruce, from all your friends and admirers at Adobe.
December 12, 2006
Poetry in motion
- The Time Fountain uses strobing LEDs to let you interact with water in slow motion. Check out the amazing video. [Via]
- Furniture maker DB Fletcher has devised some insanely cool, radially expanding tables, presented in videos on their site. (There’s gotta be a pun here about leaving leaves in the dust, but I’m wisely avoiding it. Well, I was…) [Via]
- Watchismo features a beautiful "tourbillon" wristwatch from Richard Mille. [Via]
- The intro copy is a wee bit self important, but TAG Heuer’s belt-driven watch (!) is a piece of work–and far cooler than their blinged-up, €100,000 Diamond Fiction Watch.
- For more chornographic goodness, see also the Core77/Timex contest on The Future of Time.
December 08, 2006
A bright future for Fireworks
Nearly a year ago I posted a blog entry called "Photoshop + Fireworks: Where to from here?" Customer response was immediate and overwhelming, making it my most commented-upon entry (thanks for all that feedback, by the way). At the time people were a little freaked out that Adobe would bury Fireworks, but I’m pleased to say that just the opposite has happened.
The app is finding new life as a great environment for rapid prototyping & quick interface development. At MAX in October the team demonstrated Fireworks creating an MXML layout for use in Flex, and now the Adobe Edge news letter has posted "A sparkling future for Fireworks." I’ll let you check out the article for complete details, but based on the comments made here, I think folks will really dig the enhanced Photoshop and Illustrator integration, among many other things. [Via]
Adobe Color Management Module b2 now on Labs
Adobe has released a second beta version of the Adobe Color Management module, now available as a free download from Adobe Labs. (For background on the CMM project, check out this intro post.) Customer response has been extremely positive so far, and I’m pleased to report that because of this feedback, we’ve added support for device link profiles. (Hey, maybe there’s a future to this whole Labs/openness thing… ;-)) As always, if this technology is useful to you, we look forward to hearing your thoughts about it.
December 06, 2006
Dreamweaver will chop off your hand…
…if you’re on the DW team and break their build, that is! Engineering and QE would be nowhere without a little hazing, and it seems that each team has its own rituals for dealing with folks who make code changes that screw up the project (i.e., break the daily product build). Unfortunate Photoshop engineers are sometimes known to have a stuffed Space Monkey hanging, albatross-like, from their office doors. The Dreamweaver team is sharper edged, though, and in this video from team member Dominic Sagolla, we see what happens to codebreakers in their world (in this case, newly minted PM Kenneth Berger).
November 28, 2006
Xerox intros self-erasing paper
The folks up the road at Xerox PARC (onetime home of the Adobe founders) have been busily developing a new kind of paper that erases itself after 16 hours or so. The idea is to reduce waste by letting people reuse some of the large percentage of paper that’s printed & recycled in short order–often on the same day. More details are in the press release.
The story provides some background on the research that gave rise to this technology: “What she has discovered is a notable change in the role of paper in modern offices, where it is increasingly used as a medium of display rather than storage [emphasis added]. Documents are stored on central servers and personal computers and printed only as needed; for meetings, editing or reviewing information.”
It’ll be interesting to see what, if any, role this technology plays in a world of email, electronic paper, etc. “I worry that this would be like coming out with Super 8 just before the video camera,” says consultant Paul Saffo. Time will tell. [Via]
PS–At the other end of the permanence spectrum, tattooing has become so popular that even Chinese fish are doing it. No word on whether "Shanghai Ink" will be airing soon. [Via]
November 23, 2006
"’Shopped, not Stirred"
Growing up, I clipped a newspaper’s list of all the James Bond films to date, keeping the yellowing paper taped to our refrigerator until I’d seen & checked off every one. So as you’d imagine, it was kind of a thrill when, during the new Casino Royale last week, one of the characters said, "It’s amazing what you can do with Photoshop these days." Hot damn! And apparently I wasn’t hallucinating, as Digit Magazine has taken note. [Via] [Update: The Bond films' classic intro sequences are here. [Via]]
‘Tis the season for Photoshop making cameos, it seems. Photoshop engineer Russell Williams writes, "Last week’s CSI featured a murderer who’s a news photographer who kills to
hide the fact that he’s composited his Iraq war pictures with Photoshop. At
one point the police officer questioning him says something to the effect
that ‘I’m surprised an adrenaline junkie like you would want to waste his
time with Photoshop.’" (What, the clone tool isn’t adrenaline-packed…?) Our PR folks report that the app popped up recently in Two And A Half Men as well as Desperate Housewives. And The Daily Show continues to rock out, even featuring a montage of 10 years of P’shopped photos–now sadly yanked off YouTube.
We have in fact visited folks in Hollywood and talked about Photoshop’s role in their work & the stories they tell, but as far as I know these mentions are purely organic.
J.
PS–Much to her delight/chagrin, I think I’ll now start referring to my wife as Pixels Galore. ;-)
November 20, 2006
Adobe Design Awards: Call for entries
Offering "international prestige and valuable prizes," the 2007 Adobe Design Achievement Awards are now accepting entries from student designers, photographers, illustrators, animators and digital filmmakers. The press release has more info, and the site lists offical rules & so forth. Loot includes $5k per winning entry, Adobe software, plus a trip to San Francisco for finalists to participate in the awards ceremony. You can also check out the gallery of winning 2006 entries. [Via]
On a similar note, the Pixel Awards (not connected to Adobe, as far as I know) have showcased their set of 2006 winnners. They have a sign-up form if you’d like to submit in ’07.
November 17, 2006
Design cage match tomorrow in SF
Okay, I’m slow on the draw in mentioning it, but if by chance you’re near San Francisco and feel like watching designers rumble, check out Cut & Paste, going down tomorrow night. The tournament-style competition "pits eight of the city’s best graphic designers against each other in an elimination battle of creativity, technical expertise, and wit. The competitors will work live on stage, in front of an audience and panel of expert judges. An MC will host the festivities and a soundtrack will be provided by hometown favorite DJs." Each round is 15 minutes, and designers have to create artwork totally from scratch. There’s also an audience design contest.
Tickets are 10 bucks, and Puma is raffling off a bike to advance ticket holders. (Puma makes bikes…?) Anyhow, it should be fun, and I hope to see you there.
November 13, 2006
10.4.8 boosts Photoshop 35% on Mactel
Apple’s recently released 10.4.8 system update includes a number of enhancements to the Rosetta processor emulation technology. Now Macworld’s benchmarks add some specifics, reporting a roughly ~35% improvement running Photoshop CS2 on Intel-based Mac systems.
This is pretty great news. I mean, when’s the last time you got a free update that made your machine 35% faster at something? Our engineering and QE folks worked closely with Apple as the new code was developed, testing frequent drops for compatibility and performance. (See, it’s knowing/doing this kind of thing that makes me flip out when people start making up nonsense.)
Now, obviously–obviously–the preferred solution is to get Photoshop & other PPC apps to run natively on Mactel ASAP, and of course we continue to work hard on that front. (Just figured I’d spare anyone the trouble of writing "Git-r-done!!" or words to that effect. ;-)) In the meantime, it’s great to see Rosetta making strides to let people be more productive on these new systems.
[Update: Mike Downey reports that Flash 8 runs roughly 10% faster due to the update, and Steve Kilisky says that After Effects can run up to 15% faster.]
New Photoshop training videos
- Photographer and workflow expert Peter Krogh has created new video training that addresses Adobe Camera Raw, DNG, Bridge, and Peter’s RapidFixer extension for Bridge, as well as interfacing with iView Media Pro and more.
- As Help Desk Director for NAPP, Pete Bauer has heard just about every Photoshop question a dozen times. Maybe for the sake of his sanity, he’s committed the answers to the Photoshop CS2 FAQs for Lynda.com–a set of 120 or so short movies that address each common question.
- Speaking of Lynda, they’ve added Deke McClelland to their stable of talent.
- In conjunction with the Creative Suite 2.3 and Acrobat 8 launch, the folks at Total Training offer new training in high definition.
- The Online Photographer has posted a review of Bruce Fraser’s Real World Sharpening in Photoshop CS2. (I’m kind of fascinated by this trend in specialized publishing. Could there be a Real World Open Dialog coming soon? ;-))
November 02, 2006
Scrybe: Impressive Flash-based RIA
Scrybe, described by C|NET’s Rafe Needleman as the "demo of the gods," is a forthcoming Flash-based rich internet application that promises to handle calendar tasks, manage to-do lists, and gather Web clippings. I haven’t gotten to try the service myself (the site is accepting applications for private beta testing, just begun), but the 7-minute video demo (at links above) is damn impressive. Rafe has posted a review:
"It’s like using a Macintosh: these UI cues make it much easier for your brain to follow what your hands are doing with your mouse… The other huge benefit: Scrybe works offline. I’ll say that again: It’s a Web application, but when you’re not online, it still works. You can view your calendar, add things, move items around, print and so on. This shouldn’t be a big deal, but it is, since other online applications don’t work at all when they’re not connected. When Scrybe goes online, it synchronizes the data from your local machine to the Web."
I’m most intrigued by the thoughtful little innovations that seem to be spread throughout the app–multiple time zone management; easy printing of compact, foldable calendars; one-click gathering of Web clippings; and more. I think that it, along with other forthcoming Flash-based RIAs I’ve gotten to preview (more news soon), will really start to redefine the world’s understanding of what the Adobe Engagement Platform can do.
Adobe Color Mangement Module now on Labs
The Adobe Color Mangement Module (CMM) is now available on Adobe Labs for community review and testing. So, what is this thing? In a nutshell, it’s the color converter part of the Adobe Color Engine (ACE), transformed into a library that can be used by non-Adobe apps. The upshot is that you can use a single color management engine across your workflow, enabling more consistent display and output of colors.
ACE is built into Adobe products and therefore can’t be used by non-Adobe products (Quark, etc.). This project takes a chunk of ACE (the color conversion engine) and packages it for use by applications that support external color management modules (using ColorSync on the Mac OS and ICM2/WCS on Windows). In-house color ninja Peter Constable adds, "Adobe hopes users will find the Adobe CMM a useful tool to
enable consistent, reliable, and accurate color in all parts of their color
workflows."
If the CMM sounds useful to you, please grab a copy, kick the tires, and let us know what you think. A dedicated discussion forum should pop up on Labs in another two weeks.
October 28, 2006
Why no PowerPC support in Soundbooth?
A few days ago Adobe introduced Soundbooth, a free download (in beta form) from Adobe Labs. Notably, and happily, the app not only supports Mac OS X, but also runs natively on Mactel systems. More controversial, however, has been the news that the app runs only on Mactel systems, not those using a PowerPC.
"The elimination of PowerPC support in Photobooth [sic] raises major issues," writes Macintouch. I’m a little puzzled: how is it that people can refer to the "elimination" of something that never existed–namely, PPC code in Soundbooth?
Here’s the reality: Apple’s migration to Intel chips means that it’s easier to develop for both Mac and Windows, because instead of splitting development resources optimizing for two different chip architectures, you can focus on just one. That’s all good, and it makes Mac development more attractive. Users benefit from having developers’ efforts go elsewhere (features, performance tuning, etc.), rather that into parallel, duplicate work. In the case of Soundbooth, the team could leverage Adobe’s expertise in building great audio tools for Intel chips (namely Audition) to bring the app to market faster and with a richer feature set.
Now, if you were Adobe and had started developing a new application at exactly the time when Apple told you, "This other chip architecture is dead to us," would you rather put your efforts into developing for that platform, or would you focus elsewhere?
This logic seems lost on a lot of online posters, who leap to some fairly outlandish conclusions. "Oh my God, next thing you know, Photoshop and the other apps won’t run on PowerPC, and the next thing you know, they’ll kill Mac versions altogether and just tell us to run Windows using Parallels!" At what point Adobe will burn Snuggle the Fabric Softener Bear in some dark pagan ritual isn’t specified, but that must be the natural next step, right??
Come on. As regards Photoshop, Flash, Dreamweaver, Illustrator, etc., these apps have been tuned for PowerPC for many versions, and therefore continuing that support is a very different matter than creating support from scratch. To put the freaking out to rest: the next versions of the CS and Studio apps are being built as Universal apps, and they’ll run great on PPC. Someday Apple, Adobe, and everyone else will stop supporting PPC, as they did with 68k chips, OS 9, etc.–but not anytime soon.
Macintouch writes, "There are 10 or 20 million active PowerPC Macs and no excuse in the world for abandoning them and forcing people to buy new Intel Macs to run applications." Doesn’t it seem like something would have to exist before it could be abandoned? "That’s completely contrary to Apple’s whole approach to the Intel migration," they write. And again, in order to migrate, you have to start somewhere (namely, on the PPC). Soundbooth is a fresh start, not a migration.
If you’re a Mac user, I think it’s important to ask yourself, "Would I rather encourage software developers to bring their titles to the Mac, or would I rather jump down their throats given any opportunity? If Adobe were to bring other Windows-only apps to the Mac, would I be happy about that, or would I rather give them hell for focusing on features & functionality rather than a discontinued chip architecture?"
I have to ask myself, Why on earth am I devoting part of my weekend to writing all this? Why not blow it off and get out of the house? Maybe I should, but as a die-hard Mac user I feel like someone has to speak a little truth to the Mac community–or rather,
to that vocal little group of
zealots and forum trolls. So here’s my message for those folks: You’re hurting the Mac platform. You’re hurting the Mac community. You need to crush a little aluminum foil against those antennae of yours, because you’re hurting everyone concerned. You’re making it harder (and less appealing) for people of goodwill to make the effort to support the Mac.
In economics, Gresham’s law states that when both legitimate money & counterfeit money are in circulation, the bad stuff tends to remain in circulation while the good stuff tends
to be hoarded or exported. This applies to politics and to online conversations: extreme voices drive out (or at least silence) more moderate, level-headed thinking. I’ve bothered to write this, and to risk catching a lot of slings and arrows, because it’s important that someone stand up and say, "Whoa, hey, simmer down. Take another look at the situation, and let’s take a second to accentuate the positive."
At the end of the day, instead of supporting only Windows, Adobe is bringing a new app to the Mac. As a Mac user, I think that’s great news, and I suspect the vast majority of Mac users do, too.
Grabbing the Aerobie and heading out the door,
J.
[Update: Soundbooth PM Hart Schafer shares his perspective on the question of making Soundbooth support PPC. Suffice it to say, it's not a "flip the checkbox in Xcode and you're done" kind of thing.]
Paint blows up real good
The Sony Bravia "Paint" ad (also available in high res–requires QT7) looks like someone doused the Bellagio fountains with a tanker full of Punky Colour. The spot took 10 days and 250 people to film, not to mention 5 days and 60 people just to clean up. (Putting your eco-worries to rest, they say, "A special kind of non-toxic paint was used that is safe enough to drink.") [Via Paul Ramsbottom]
Meanwhile Turkish film studio Imago New Media has created OÏO, featuring paint "catapulted into the air, filmed by a high-speed camera and then composited with other catapulted paint footage." Here’s a clip. (The soundtrack has "deservedly obscure James Bond score" written all over it.) [Via]
See also the first Bravia spot (high res), featuring colored balls cavorting around SF.
October 26, 2006
Remembering our friend Hans
It’s with enormous sadness that we learned this week of the passing of Hans Grande, a dear friend to many, many Adobeans; a stellar product manager; and an all-around excellent fella. There’s a huge lump in all our throats, but at the wise suggestion of his wife, I’d like to take a moment to remember and celebrate his life.
Hans joined Adobe in 2002 as a PM on the Creative Suite team. Although we worked in different teams & disciplines, our paths would cross periodically, and I remember thinking, "Man, I’m not sure I understood all that MBA science he just laid on me, but I’m glad to have that guy on our side!" When the Macromedia deal was announced last year, Hans took the reins on leading the planning activities. Once again, although he was in the "clean room" and thus couldn’t talk much to the rest of us about the plans, I remember thinking, "Well, whatever he’s doing in there, I think those Macromedia folks are going to be impressed." I couldn’t think of a better rep for that tricky assignment, and I knew he’d do Adobe proud.
Both Hans and I got married last year, and as we each dealt with the planning details, we’d compare notes. I told him, "Oh man, this whole business of marrying a project manager is great–highly recommended, if you have the means!" He laughed and replied, "Yeah, but I’m marrying another product manager, and you know how that’s going to go: we’ll have all kinds of brilliant ideas for the wedding, and none of them will ever get implemented!" I knew, though, that somewhere between driving the next great Adobe business initiative & going for long training rides with other Adobe cyclists (a real underachiever, this guy), he’d get it all put together.
I wish I’d gotten to know Hans better. I wish we’d acted on more of those tossed-off oh-hey-let’s-grab-lunch suggestions. I’m grateful that he came into the Adobe world for a while, and for the wonderful influence he exerted on so many folks here. Maybe we can best honor him by picking up the phone & actually having that lunch, making that connection. I know it would make Hans smile.
Introducing Adobe Soundbooth, now on Labs
Sneak-previewed on Tuesday at the Adobe MAX show, the new audio-editing application Adobe Soundbooth is available in beta form on the Labs Web site. "Built in the spirit of Sound Edit 16" (my trusty, lightweight sidekick for many years), Soundbooth is geared towards:
- Editing audio quickly
- Cleaning up noisy audio
- Visually identifying and removing unwanted sounds
- Recording and polishing voiceovers
- Adding effects and filters
- Easily creating customized music—without musical expertise
It’s a professional application, but it’s simpler and more streamlined than Audition, Adobe’s tool for audio professionals. In other words, it’s the kind of thing a Flash developer can grab and start using immediately. Soundbooth PM Hart Shafer has posted his intro, and there’s also a press release.
By the way, note that in addition to supporting Windows, it runs on the Mac. Intel-natively. (And so does Flex Builder, for that matter.) In fact, given that it’s brand new, the app is Mactel-only. I’m a little disappointed that I can’t run it on my PowerBook, but I understand why the team has decided to focus entirely on the future.
October 25, 2006
Photoshop mobile authoring sneak, more
At risk of swamping you with MAX coverage, I wanted to pass along a bit more info. Jen deHaan has posted in-depth coverage of the Day 2 keynote, and Matt Woodward offers complementary coverage (PDF). Jen’s notes mention some new hooks for doing mobile authoring from Photoshop:
- Using Photoshop.next, Bill has Café Townsend open. Before he hands it over to the developer, he wants to make sure the design looks correct.
- In Photoshop, he selects "Save for Web and Devices."
- He clicks the button at bottom to preview content, and it opens mobile emulator — a newer version of mobile emulator that we’re working on. Making sure that image size, display, alignment is OK for the designer. Can check that it works on a variety of devices. You can change things like brightness, make sure that the contrast is OK when the phone is indoors, outdoors, etc.
This, like the Photoshop/Dreamweaver and Photoshop/Flash integration shown yesterday, elicited spontaneous applause from the crowd–always music to a product manager’s ears. :-)
New Photoshop-Dreamweaver integration previewed
During yesterday’s MAX keynote, Flash evangelist Greg Rewis gave a sneak preview of some integration we’re planning between Photoshop and Dreamweaver.
In numerous visits to Web shops, designers made it clear that instead of always exporting a whole Photoshop file to the Web, they’d often like to grab just a chunk of it and drop it into an HTML composition. Greg showed that in a future version of Dreamweaver, it’ll be possible to copy a chunk of data from Photoshop, paste it into Dreamweaver, and have the built-in Fireworks optimization engine pop up with compression options. Better still, Photoshop passed along enough info that DW knows the location of the source PSD & can tell PS to re-open that file.
Jen deHaan has posted an excellent, detailed write-up of the keynote, including info on Fireworks improvements (e.g. the much requested better PSD import); the After Effects "puppeting" demo; the new Soundbooth application (more on that soon); and much more. Flashmagazine offers good coverage with photos. [Via]
$100,000,000 in seed money for Apollo developers
During a packed keynote address at Adobe MAX yesterday, the company made a rather interesting announcement: according to (and buried in) the press release, "Adobe also plans to invest approximately $100 million in venture capital over the next 3-5 years in companies leveraging Adobe platform technologies, particularly companies delivering applications via Apollo, as part of Adobe’s commitment to building an ecosystem for the Adobe® Engagement Platform."
Tschka-tschka-ehWHAT? As they say in Congress, "$100M here, $100M there–pretty soon you’re talking about real money." I wasn’t hired for my math skills (at heart, I remain a simple unfrozen caveman Web designer), but this kind of money strikes me as a huge vote of confidence in the platform & the developer community around it.
My podcast on Apple-Adobe relations, more
Last week a group of Mac developers–Rich Siegel of Bare Bones, Jayson Adams of Circus Ponies, and Paul Kafasis of Rogue Amoeba, and I–sat down (virtually) with Chuck Joiner of MacVoices. We discussed the state of software development on the Mac, as well as the future of the platform, hosted apps, and more. You can hear the hour-long podcast here. (For the impatient: my comments largely boil down to "Lots of work is ongoing, but on the whole, things are all good.")
[On a slightly related note, Apple announced these fire-breathing bad boys yesterday. My 17" is on its way! (Laptop-induced scoliosis, schmoliosis. Come to JNack...)]
October 24, 2006
Flash-based RIAs for cartographers
Here’s a pair of interesting examples of using Flash technology to build hosted applications for a very specialized market:
- Developed at Penn State, ColorBrewer is designed to facilitate selecting good color schemes for maps. To that end it makes it easy to test drive various options using a sample map. The warning icons, indicating whether a particular scheme works well for colorblind users, monochrome copiers, etc., are a nice touch.
- UW Madison’s TypeBrewer, meanwhile, is "an online map design tool that lets mapmakers explore typography in a semi-structured environment." It can preview more than 300 unique combos of typeface options; check your machine to see whether you have the fonts being previewed; and even generate a downloadable Illustrator template from the results.
From my perspective it’s cool to see the rise of highly focused, easy-to-use complements to larger design apps, developed in a way that makes them accessible to anyone with a computer, regardless of platform. [Via Colin Fleming]
[Update: If this kind of thing is up your alley, you might also want to check out Digital Vector Maps, purveyors of fine stock maps for Illustrator. [Via]]
October 22, 2006
Microsoft "Mimesweeper"
Microsoft UX dude Dave Vronay has a great sense of humor about his company’s occasional struggles to make Windows elegant and usable. In his mock-apologetic list of features that didn’t make the cut for Vista, he mentions "Mimesweeper," a more politically sensitive version of the venerable Minesweeper game. "Just like wandering around Paris, the goal is to figure out where all of the mimes are without actually encountering one." Sadly, he reports, the game came to naught, as did the, ah, highly discoverable "Safe Delete" feature. [Via] [For more tech parody see previous.]
Splice Music: Flash-based networking for DJs
Splice Music is an interesting example of using Flash-based tools to build a social network. Aimed at aspiring DJs, the site echoes the spirit of JumpCut, the video mash-up service that Yahoo! recently acquired, and the Flash-based sequencer offers some fairly sophisticated audio tools. It’s cool to see a site embracing rich internet app technology to bring creative folks together.
Here’s
an example song sequencer interface (press play button to hear and drag clips around). The site enables users to:
- Remix existing songs by other DJs
- Drag and drop sound clips
- Embed remixes in a blog or web page with an HTML snippet they provide (similar to YouTube)
- Rate songs as well as sounds that compose a song, and search a database of community-rated sounds
- Record new sounds directly within the UI
- Browse existing sounds via tags
- Click on a sound in the sequence to see metadata about that song (BPM, community rating, length, tags, etc)
- Create detailed artist profiles
- Add friends
[Via Rob Christensen]
October 20, 2006
Contribute rocks for blogging
I know I’m not an unbiased source, given that I work for Adobe, but I have to take a second to plug the new Contribute 4, released earlier this month. Until now I’d never used any flavor of Contribute, though having been a Web designer I’ve always liked the idea of a tool that let clients do their own updates/grunt work. I grabbed the release build of v4.0 ("C4"? Hmm–too explosive) on the weekend and, after taking a couple of days to switch gears, have been on a tear with it ever since. Being able to compose blog entries offline in a WYSIWYG editor, then publish them in one click, just crushes my previous approach (typing raw text in a Movable Type interface).
By the way, on a blogging-related note, Adobe’s acquisition of Serious Magic brings with it Vlog It!, an app designed to make video blogging similarly easy. The built-in Teleprompter & green-screen capabilities sound particularly sweet. I don’t have any inside info on Adobe’s plans here, but a combo of MacBook Pro + built-in iSight cam + some green construction paper mean you may be seeing more of me here soon. (Wait, don’t unsubscribe that feed already…!)
October 15, 2006
The "Adobe Mouse": half price, now does Windows
Earlier this year Logitech announced the NuLOOQ Navigator (crazy name, cool device), a button/dial combo that’s designed to sit in your non-dominant hand (i.e. the one you aren’t mousing/drawing with) and provide quick access to tools, zooming, panning, and more. There are some brief video overviews on the product site, showing how you can bring up a little on-screen tool dial that’s context-aware (displaying options relevant to the app & tool you’re using at the moment).
Now they’ve made the product much more affordable (chopping the price to $79.99) and made the product compatible with Windows while adding support for a number of additional apps (iTunes, iMovie, etc.). These moves make the device much more of an impulse buy, and I hope it sells like hotcakes (er, Krispy Kremes, or Tickle Me Senseless Elmo, or whatever people are buying like mad these days).
Win a Photoshop User Award, fly to Rome
Want a free trip to Rome? If you win Best in Show in the Photoshop User Awards, the National Association of Photoshop Professionals will send you on just that. According to site, "The Best of Show winner will go on assignment for Photoshop User magazine to Rome, Italy to create a cover image for the magazine. Photoshop User will provide round-trip airfare for the winner, and an assistant of their choice, along with hotel accommodations, hotel transfers, and daily expenses. The cover they create will be used on the cover of Photoshop User magazine." Other good loot goes to winners of the 11 categories.
Sweetness. Check out the full details (categories, rules, etc.) in the press release.
October 13, 2006
PUG Life this Tuesday: Wicked painting technology & more
The Bay Area Photoshop User Group is meeting this Tuesday, Oct. 17, at the Adobe San Jose office (map). Pizza and drinks kick off at 6:30pm.
Computer scientist Nelson Chu is visiting from Hong Kong and plans to demo his badass painting technology (scroll down for videos). We’re also planning to present an overview and demo of Lightroom Beta 4, as well as a tour of the new Acrobat 8 and the collaboration tools in Acrobat Connect (formerly Breeze).
Hope to see you there,
J.
Photoshop gets NASCAR’d out
Heh–hot on the heels of the Uncyclopedia Photoshop gag, the wisenheimers at Coloribus have announced that to combat piracy in emerging markets, Adobe will release a version of Photoshop slathered in corporate sponsorship. Hmm, yeeeah, this just might work… I’m imagining integrating the Flash Player into Photoshop to power interstitial ads. “The Brush Tool–but first, Will and Grace weeknights at 6 on Action 13!!” Or, maybe not. ;-) [Via Russell Brady]
October 06, 2006
“Aperture war”? Gimme a break.
To dignify or not to dignify, that is the question…
Normally I prefer to let random piles o’ nonsense pass by unremarked, but this one has been Dugg, and the resulting traffic makes me feel like saying something.
So, an anonymous article says that an unnamed Adobe exec “vented ire and shock* ” at an unspecified company meeting. Very racy!
For what it’s worth, I don’t recall anything like this happening, and other folks don’t, either. That said, it’s hard to prove a negative, especially without names, quotes, etc. In any case, it would have been nice if someone–anyone–had approached Adobe for confirmation or comment, instead of taking the story at face value.
Here are a couple of tips for any self-styled business news source:
- Include bylines (y’know, so we know who’s saying what).
- Feature actual quotes and sources (ditto).
- Don’t suggest that big, publicly owned, successful companies would do manifestly stupid, self-defeating things like “dropping or delaying support for Apple’s new Intel platform products with the upcoming version of Adobe Photoshop CS3.” Mactel nativeness is expected to motivate a lot of folks to upgrade, and if Adobe could flip a switch and make it happen tomorrow, we would–Aperture and anything else notwithstanding.**
Now, does the Lightroom team want to kick Aperture’s butt? You bet! And can we safely guess that the Aperture team wants to wipe the floor with Lightroom? Hell yeah! And is this all good for customers? Absolutely. I know both companies to be full of bright, passionate, ethical people, and some healthy competition benefits everyone.
So listen, my Mac brethren: We’re working like mad on this Mactel thing (with Apple’s excellent ongoing help) because it’s the right thing to do for customers. Everyone knows that, and assertions that Adobe would do something petty and stupid just to irk Apple–well, they’re not worth the pixels they’re printed on. (It was a pitch in the dirt, but I felt I had to set the record straight.)
Oh, and one more thing: news we share over the next weeks and months is going to confound a lot of critics. Stay tuned.
And now, back to work.
J.
——-
* Incidentally, Aperture wasn’t a surprise to Adobe. As I said at the beginning, it’s something we’d expected for a long time. Apple had likewise anticipated Lightroom.
** Not convinced? Here’s a little history: When the PowerPC first came to the Mac, Adobe released a free plug-in for Photoshop 2.5. And when the G5 was released, Adobe released a free update for Photoshop 7, despite the fact that CS1 was roughly six weeks away. We spent time this year trying to do the same for CS2, but it wasn’t in the cards.
October 05, 2006
The best printer since on sliced bread
First you could print on paper, then on clothes, mugs, stamps, then on furniture… and now comes printing on food. The Zuse Toast Printer claims to pump imagery right onto your morning carbs. Hmm, I wonder how you’d color-manage toast out of Photoshop… At least the consumables (!) would be cheaper than regular inkjet paper, and if the printer shipped with a clipart gallery of famous faces, you could probably make a bundle selling the output on eBay.
I wonder, do elephants eat toast? If so, maybe you could recycle the Zuse output into a different sort of paper (not one I’d care to see color managed). [Via]
October 04, 2006
lol i can yoose photoshop
What’s more fun and (amazingly) even less productive than screwing around in Wikipedia all day? Screwing around in Uncyclopedia! This parody of Wikipedia has an excellent take on “Photoshop or, as they want you to call it, Adobe® Photoshop® Image® Enhancement® Creation® Software®” (gah!). Among the bits:
A huge advantage was the simplistic and easy-to-grasp feature set — essentially, anything you would ever want to do graphically is about a single mouse-click away. You could easily undertake even the most challenging task and your workflow would be so smooth and processes so intuitive that you would actually *gain* time at the end of your project!
>;-) And do mind those Murphy’s Laws of Photoshop Phoniness. [Via Mark Hamburg]
September 29, 2006
Visual Trickery, Vol. III
- Bad Maggie, no biscuit: The Mighty Illusions blog features two takes on Margaret Thatcher’s face, highlighting the way our brains interpret shapes differently based on orientation and context. (Try scrolling the page slowly, so that you see only the first pair of images before looking at the second, inverted pair.) [Via]
- Artist Harvey Opgenorth does “Museum Camouflage,” placing himself in front of well known pieces of art, using thrift-store salvage to blend into them. [Via] He shares some theory on it here. (Reminds me of that wallpaper shirt from Garden State.)
September 28, 2006
Seetharaman Narayanan (three times fast!)
Heh–the fascination goes on: the excellently named killer coder and all-around good sport Seetharaman Narayanan of the Photoshop team has been interviewed by David Friedman of IronicSans. Seetha talks about his fan club, history with Photoshop, and enjoyment of “Playboy’s number one Party School in 1987″ (wha? though it does help explain why I once got a feature into PS in exchange for a bottle of Don Julio). Now that Boing Boing has picked up the news, we just need someone to make a techno remix featuring the phrase “Seetharaman Narayanan”… [Via]
September 14, 2006
Photoshop 9.0.2 update available for Mac & Win
The Photoshop 9.0.2 update is now available for Mac OS X, along with the previously posted Windows update. (Both were initially posted together, but we found that a printing change made for OS 10.4 broke something on 10.3. That’s now been addressed, but if you are running a pre-10.4 system and already applied the earlier 9.0.2 update and have encountered a printing crash, you’ll want to reinstall CS2, then apply the new 9.0.2 update. Sorry for the lameness.)
9.0.2 is a small update, and fixes included in the Mac side include these:
- Photoshop no longer crashes when encountering unsupported file types through the Acrobat Touchup workflow.
- Supported files that incorrectly produced an “unsupported color space” message now open as expected.
- TIFF files with layer data greater than 2GB now open correctly.
- A printing issue that could cause banding when using inkjet printers with Mac OS X v.10.4 has been resolved.
September 09, 2006
OptiPaint: Paint Digitally With Real Brushes
Ooh, now here’s a cool development: the OptiPaint system promises to let users paint with real brushes, sponges, water, and even their fingers, then have the results appear inside Photoshop. The system consists of a translucent painting surface, tilted slightly towards the user, on which you draw with water while a video camera below captures your movements. (Graphics.com has a bit more info). [Via Marc Pawliger]
The system is far from cheap ($2495!), and the underlying technology dates back to the mid-80′s. That said, I got to play with one for a few minutes at Photoshop World yesterday, and I was surprised at how gratifying it is to work with real, physical art materials, rather than a mouse, trackpad or stylus. I was struck by a clear sense of “Yeah, this is out things oughtta be.”
OptiPaint makes me want to learn more about systems that offer rich tactile input. Project Sumi-nagashi aims to offer “touchable fluid digital painting,” letting users feel the viscosity of digital paint and the texture of the canvas. The demo video, showing the system’s linear induction motors moving objects on the surface, is a trip. And elsewhere SensAble technologies offers a variety of systems that enable force feedback in 3D space. It all gets my little wheels turning about ways these technologies could dramatically change the way artists work with Photoshop. [Via Nelson Chu]
August 30, 2006
Flex Your Textures: New plug-in & free downloads
- Luxology, makers of the super cool modo 3D modeling package, have introduced imageSynth, a $99 plug-in for creating tiling textures within Photoshop. Check out the 4-minute video intro to see this interactive approach to tile generation, or see the press release for more info.
- If you’d rather stick with Photoshop’s built-in tools, check out Dave Nagel’s Texture Generators, a set of 15 actions for creating paper and other rough textures. Dave’s article for Digital Producer Magazine links to the actions and walks through how to use them.
- And if you’re looking for textures that are good to go as-is (or that can be used as nice seeds for imageSynth, etc.), check out Texture King, a great set of free images offered by site creator REH3design. [Via]
- [Update: Enrique Flouret from The Photoshop Roadmap offers a tutorial on texture creation using the new Filter Forge toolset.]
August 27, 2006
Kinetic Sculptures, Paper Tigers
- Dutch artist/engineer Theo Jansen makes unbelievable kinetic sculptures; it’s as if da Vinci had access to PVC. This video (a BMW ad, as it happens) shows off some of his walking machines in motion on the beach. Wired covers the genesis and evolution of Jansen’s work, and you can see his two-ton Animaris Rhinoceros Transport on the move in this video. Many more photos are on his site. [Via] [For more on kinetic scuplture, see previous entry.]
- Thomas Demand is a photographer who replicates regular scenes with cardboard and paper. [Via] His efforts to make the tiny seem large strike me as an exact counterpoint to people making the large seem small via tilt-shift lens or Photoshop.
- Along marginally similar lines, someone (perhaps preparing for a future career as prison escapee) has fashioned a set of amazingly intricate paper guns. [Via]
- And I know I mentioned them not long ago, but Richard Sweeny’s paper sculptures really are worth a look. [Update: so are Peter Callesen's.]
August 24, 2006
Photoshop 9.0.2 update for Windows available; Mac due shortly
The Photoshop 9.0.2 update for Windows is available on Adobe.com. It fixes a handful of irritating issues that weren’t caught for the 9.0.1 update:
- Menus now respond correctly after a single click.
- Undo/Redo work properly when multiple documents are open.
- Photoshop no longer produces a program error when encountering unsupported file types through the Acrobat Touchup workflow.
- Supported files that incorrectly produced an “unsupported color space” message now open as expected.
- TIFF files with layer data greater than 2GB now open correctly.
If you haven’t updated Photoshop CS2 with the previous 9.0.1 update, no worries: 9.0.2 contains those fixes as well.
We expect the Mac version of 9.0.2 to follow shortly. The Mac and Windows updates both got posted via the automated update system last week, but we quickly discovered that a fix for a printing issue on Mac OS X 10.4 caused a crash on systems running OS X 10.3 and earlier (doh!). We pulled the update off the server and will repost it as soon as the 10.3 printing crash is fixed. If you’ve already updated and aren’t affected by that crash, you’re all set (and won’t need to install the updated 9.0.2). If you are affected by the crash, you’ll need to reinstall Photoshop CS2, then apply the revised 9.0.2 update. Sorry about the confusion and hassle there.
August 13, 2006
I, for one, welcome our new aesthetic overlords…
Creepiness Level = Orange (Elevated): Some Israeli researchers have proposed a tool that, after analyzing a library of beautiful faces, can adjust anyone’s features to make them more beautiful. Umm… no, please?
Yes, my livelihood comes from making a tool that’s used to propagate standardized ideals of beauty, but somehow having the computer make the call on am-I-hot-or-not, then “fix” my various deficiencies, starts getting uncomfortably weird–a little too Fitter Happier. I’m reminded of a quote from Francis Bacon: “There is no excellent beauty, that hath not some strangeness in the proportion.” Here’s hoping it stays that way. [Via Russell Williams]
August 11, 2006
Pimp My Pigeon: GPS birds over San Jose
“This is the strangest life I’ve ever known…”
First the Onion’s parody of razor featuritis becomes reality; then San Jose starts getting kind of cool; and now the digitally instrumented pigeon concept has come to pass. According to C|NET,
“Several pigeons, equipped with pollution measurement and GPS devices, were released at the ZeroOne Festival in San Jose, Calif., on Aug. 8. The birds… will be feeding data to the site via SMS. The data provides the location, carbon-monoxide levels and identification for each bird.”
Full, insane details at the PigeonBlog. (And if the pigeons start actually blogging, I’m headed to a shack in Montana…)
PS–Hopefully the birds will not be immolated by large, fire-breathing machines set to prowl the city tonight. Curiouser & curiouser.
August 03, 2006
Adobe flashes San Jose
Dang… who said Adobe HQ & San Jose could be cool? According to this press release, the company is due to unveil a huge LED sculpture early next week. Evidently multimedia artist Ben Rubin (creator of grooviness like Listening Post) has been commissioned to light up the SJ skyline:
“Located within the top floors of Adobe’s Almaden Tower headquarters, Semaphore consists of four ten-foot wide illuminated disks composed of 24,000 Luxeon® LEDs donated by Philips Lumileds in San Jose… The giant illuminated disks rotate to a new position every eight seconds and pulse out a message using a visual coding system that is intended to be deciphered. An online audio broadcast will provide a soundtrack of spoken and sung letters, numbers and musical tones that may help decode the message.”
Wow. The Adobe building is quite nice, but it’s a bit on the cold side (former Macromedians said it “looks like a bank“). And as for San Jose… Feh. But now, it’s like my teammate/neighbor Hughes said: “SJ Grand Prix?!…art festival?!…what’s going on around here!? I signed up for strip malls, traffic and urban sprawl…no one said anything about culture!”
I can’t wait to see the work, and I’ll pass along photos when they’re available. I just wonder whether we could get Jenny Holzer to be a guest artist. Now that would be edgy…
Protect me from what I want,
J.
July 27, 2006
Big Pixels: L, XL, and XXL
Computer displays are growing ever higher-resolution, with ever-tinier pixels. So how about going in the opposite direction–representing data in ever-larger chunks? Three takes:
- The PingPongPixel project digitizes images, then re-creates them on a 64 sq. ft. surface using 2700 shaded ping pong balls (each a 38mm pixel). Each rendering takes roughly two and a half hours to form.[Via]
- Going a step larger, check out the video for Faithless’ I Want More. Well-disciplined schoolkids create huge portraits by flipping the pages of large books. The footage of this massive choreography apparently comes from a documentary about North Korea.
- And for some really enormous pixels (of a sort), how about human-sized Space Invaders? Give it up for a squad of French kids schlepping around an auditorium all day to create this simulation.
Maybe the next step is to go from a particle to a wave: a team at Akishima Laboratories has found a way to print on waves, forming any English letter, if only for a moment. [Via]
July 26, 2006
10 free Photoshop plug-ins
Extreme Tech magazine has posted an overview of 10 free Photoshop plug-ins, yours for the downloading. The list includes Luce (for lighting effects), various Flaming Pear tools, Dust & Scratch Remover from Polaroid, Virtual Photographer, Border Mania (no relation to politics), Camouflage & Night Vision, and Auto FX Mosaic. [Via]
In a plug-in-related vein…
- Filter Forge brings the spirit of the late, sometimes lamented Filter Factory into the 21st century. The tool offers “a visual node-based editor allowing you to create your own filters – textures, effects, distortions, backgrounds, you name it.”
- Artlandia’s SymmetryShop and SymmertryWorks for Photoshop and Illustrator look like pretty slick and powerful ways to jam out repeating artwork. They’re not cheap, but for textile & clothing designers, I can imagine them being invaluable.
- Macworld has posted a roundup of review of five Photoshop plug-ins (Exposure, FocalBlade, iCorrect Edit Lab Pro, PhotoKit Color, and Noiseware Professional).
- You might want to check out the comprehensive Photoshop-Filters.com, as well as the Photoshop Blog’s list of plug-ins & plug-in resources. And the Photoshop product pages list a variety of plug-ins as well.
July 10, 2006
Reminder: PUG Life (PS user group) tomorrow
The Bay Area Photoshop User Group is meeting tomorrow, July 11, at the Adobe San Jose office (map). Pizza and drinks kick off at 6:30pm.
Guest speakers are photo illustrator Stephanie Lim (more details in previous entry) and Gerry Davis, a photographer and business and copyright lawyer. Gerry has offered to do a short talk on copyright issues for photographers and illustrators. He’ll be going over the benefits of the copyright law, what is protected and what is not, why registration is important and how to go about registering your images.
If you plan to attend, please shoot an RSVP mail to Dan Clark (dan at weinberg-clark com). Hope to see you there!
Rotoshop, Darkly
In anticipation of the debut of the new film A Scanner Darkly, animator Greg Geisler points out that the team behind the film has created a site that showcases their work and provides artist bios. The animators use the home-grown tool Rotoshop, and the NY Times has posted a 3-minute audio slideshow that gives a little insight into the process. On a related note, RES magazine has announced the winners of the Adobe-sponsored trailer remix contest.
July 03, 2006
Lo-Fi: How to create a pixel portrait; tracing photos
- Craig Robinson has posted a tutorial covering how to use Photoshop for pixel portraiture. He uses techniques to give himself hairstyles from Lennon to Bono. [Via] By the way, if you like this kind of pixel art and have somehow missed the work of eBoy, check ‘em out.
- Greg from TheManWhoFellAsleep has devised an interesting approach to tracing photos, creating a kind of hybrid 2D/3D look (reminds me a little of stencil art). “Yeah, I know,” he writes, “Anyone can trace a drawing. But so what? I am doing it, and you’re not.” Well, okay then. Actually, I love the candor. Art museums wouldn’t drive me half as crazy if many artists said, “See this totally arbitrary thing I’m doing here? I just happened to think of it first, and now I’m a ‘genius’ with a permanent income stream. Sucks to be you.” [Via]
June 25, 2006
PUG Rock 07/11
The Photoshop User Group in San José is meeting at Adobe HQ (map) on Tuesday, July 11, featuring guest speaker Stephanie Lim, a photo illustrator at the San Jose Mercury News. Event organizer Dan Clark writes,
Fueled by high-octane pigtails and a steady diet of frozen yogurt, Stephanie Grace Lim is a photo illustrating designing machine. She has won hundreds of awards for her photography, illustrations and design. Among them, acclaim from Nikon, Society of News Design, National Press Photographers Association, California Press Photographers Association, Associated Press, National Headliner Awards, as well as winning Michigan College Photographer of the Year and a Pulitzer Prize nomination. In winter of 2007, Sherpas plan to scale the mountain of toys in Stephanie’s cubicle at the San Jose Mercury News.
We’ll have pizza and drinks at 6:30, and the meeting will start at 7:00 in the Park Conference Room. Now, excuse me while I get “PUG Life” tattooed on my abs. (You know I like the blackletter…)
June 13, 2006
Photoshop TV @ Adobe: The Interview
Okay, maybe we’re not talking Nixon/Frost-type historical significance, but a bunch of us had fun chewing the fat with Matt Kloskowski in the latest installment (Episode 34) of Photoshop TV. The chat with Photoshop co-architects Russell Williams and Scott Byer, as well as me and Matt, starts around the 24:30 mark. (Incidentally, despite appearances to the contrary, Adobe HQ was not hit with a nuclear blast during the shooting. Rather, the building’s power-saving light system cut out, necessitating a little spontaneous hand-waving.)
On a related note, the Photoshop TV team has announced that they’ve reached 2 million downloads in a month. Congrats, guys!
[Update: Photoshop engineer John Peterson (known for Photomerge, Merge to HDR, warping, and more) writes, "The 'I didn't know it could do that' remarks in the PhotoshopTV spot reminded me of the #1 funniest line I've ever seen in a report from our users studies group: '...[T]he test subject was not aware of this feature (even though it was implemented by her husband).’”]
WDDG: Lo-fidelity all-stars
Heh–I love passing along great design and photography, and I think that the WDDG’s new site fits the bill, if in an entirely unusual way. Amidst a sea of handsome, interchangable sites, this willful awfulness really clears the palette. (Yes, Corporate America, this is what your Web designers crank out while on speakerphone during those interminable calls with you. No, seriously, that’s how this came about.) Now, despite having cranked out lots of solid work, WDDG founder James Baker wonders whether the forthcoming real company site can ever match up…
(Okay, okay–you want some more traditionally great work? Check out this collection from Arnold Newman, who passed away last week at the age of 88.)
June 09, 2006
SiteGrinder 2 turns PSDs into HTML/CSS
MediaLab, makers of the popular PSD2FLA Photoshop-to-Flash conversion plug-in, have introduced SiteGrinder 2.0 for converting PSD files into interactive HTML pages and Web galleries. Some of the capabilities match things Photoshop and ImageReady already offer (e.g. slicing, creating rollovers), but SiteGrinder goes further by generating scrolling text boxes, CSS-styled text from Photoshop text layers, multiple pages from Layer Comps, and more. The site lets you see the product in action and check out example pages it has generated. I’m no CSS ninja*, so I can’t evaluate the quality of the generated code, but overall this looks like a pretty slick product.
All this makes me curious about what kinds of similar support, if any, we should add to Photoshop in the future. Past efforts to generate CSS have gotten pretty well ripped apart, and I don’t know whether any machine-generated code would ever please purists. And similarly, for the last six years GoLive has offered the ability to turn a PSD into a stack of DIV, but I’ve never met a soul who’s tried the feature. (Maybe it was ahead of its time–or at least the browsers–in 2000, or maybe it’s too hidden.)
So, I’m wondering: should we be working on ways (export from Photoshop/Fireworks, import via Dreamweaver/GoLive, etc.) to turn PSDs into images+CSS, or is that not a big need?
* I can’t get my blog comments to alternate colors, for crying out loud.
May 31, 2006
What’s the future of GoLive and FreeHand?
All kinds of confusion, speculation, and declaration are bouncing around the blogosphere and online media at the moment concerning the future of Adobe GoLive & FreeHand. Here’s the official statement from Adobe:
Q. Is Adobe going to discontinue GoLive and FreeHand?
A. No. Adobe plans to continue to support GoLive and FreeHand and develop these products based on our customers’ needs. Clearly Dreamweaver and Illustrator are market leading when it comes to Web design/development and vector graphics/illustration. Customers should expect Adobe to concentrate our development efforts around these two products – with regards to future innovation and Creative Suite integration.
Being a public company, Adobe employees generally have to remain mum about future product developments (for good reason, since we have to be wary of affecting the stock price). For that reason, we’ve done a pretty bad job of communicating our plans, especially to passionate GoLive and FreeHand users. Folks here are working to make that better, and we’ll share more info as it’s available.
Regarding GoLive, both it and Dreamweaver offer some really unique capabilities. GoLive has always emphasized strong visual design tools (a layout grid, etc.), and there are interesting ways to use those capabilities going forward. I won’t presume to speak for either the GL or DW teams & won’t get into more detail, but there are clearly ways the two codebases can complement one another.
Regarding FreeHand, I feel I need to make a couple of points.
- Macromedia did not ship a new version of FreeHand following the MX release in 2003. I don’t have further information on why the company took that approach (I didn’t work at MM at that time), but it was a decision made independent of Adobe.
- In addition, last year Macromedia–again independent of Adobe–made the decision that it would no longer include FreeHand in Studio. Although the announcement was made following the Adobe-Macromedia merger announcement, it was prior to that deal closing. In other words, it was done at at time when Adobe and Macromedia were not permitted to interact and plan together.
So, while FreeHand may not share the same strategic place in our product portfolio as Illustrator, it hasn’t been discontinued and we’ve now at least put some clarity on that. Now, excuse me while I go to another meeting to plan ways to make Photoshop & Fireworks play well together. :-)
QuickTime 7.1.1 available, fixes Mactel installer freeze
Good news: Apple has updated QuickTime to version 7.1.1, addressing the issue that caused the Photoshop and Creative Suite installers to freeze on Mactel systems. You can download the update from the QuickTime download page, or via the Software Update utility.
Photoshop TV visits Adobe HQ
The guys at the NAPP have included a quick visit to Adobe San Jose in Episode 32 of Photoshop TV. (It starts at 16:30, or a little before halfway, for the impatient.) Host Matt Kloskowski chats a bit with engineers Russell Williams, Scott Byer, and Edward Kandrot, as well as me (who managed to keep my customary on-camera persona, Pasty McStammers, in check). A more in-depth version of the interview may be posted in a later show. The video streams via Flash & is also available via this iTunes link. [For a photographic take on our scintillating den, see also Jeff Schewe's earlier A Visit to Adobe.]
May 27, 2006
Infinite mosaics
Andries Odendaal (of Wireframe fame) has created has created Information, an endlessly zoomable series of photomosaics. The renderings have a certain Chuck Close quality to them (<a href=right?), and they show off sponsor Getty’s collection in a great light. [Via Mark Kawano] See also the other components of the 10 ways project.
I also happened across some of Jim Bumgardner’s mosaic portraits built from Flickr tags, the makings of which are covered in his book Flickr Hacks. I like the efforts to plot photos according to time. (Some of the visuals remind me of the graphical depictions of one’s own DNA available from various companies.)
For a mosaic of another sort, check out Technology Smiling, a rendering of the Mona Lisa done in computer parts. [Via]
And elsewhere in the world of visualization, Sala at Aharef.info has posted graphical views of Web site tags. I’m not entirely sure how to interpret the results, but they’re easy on the eyes. Take a look at your site via the same applet, here. [Via Marc Pawliger]
May 26, 2006
Can’t install Photoshop? Here’s some info.
Late last week, customers began reporting that once they’d applied Apple’s QuickTime 7.1 update, they were unable to install Photoshop or the Creative Suite on Mactel systems. Apple and Adobe engineers have been working together* since then to diagnose the problem.
The tech docs for the installer freeze and activation failure are being pushed live now and may not yet be available, so in the meantime, here’s some key info:
Topic title:
Photoshop CS2 installation freezes Intel-based Mac
When you install Photoshop CS2 on an Intel-based Mac with the QuickTime 7.1 update installed, your Mac freezes. Apple is working on a QuickTime fix. Until it’s available, use the following solution, or contact Apple at 1-800-APLCARE (in North America) or go to http://www.apple.com/contact/phone_contacts.html for a list of international Apple support phone numbers.
- Restart the Macintosh and hold down the Shift key immediately after you hear the chimes.
- Release the Shift key when the Apple logo appears. When the Macintosh is in Safe Boot mode, the words Safe Boot appear on the logo.
- Insert your Mac OS system CD and perform an Archive and Install of OS 10.4.x, and select the option to Preserve Users and Network Settings. For instructions, see the documentation that came with your Apple computer, or contact Apple.
- Reboot the computer in normal mode. Note: Do not install the QuickTime 7.1 update.
- Install Photoshop
Obviously this approach isn’t ideal, and if you can sit tight, Apple should have an update ready soon. We’ll post more info as soon as it’s available.
Thanks for your patience,
J.
* Sorry, conspiracy wingnuts: Apple and Adobe are on the same side & closely collaborate on these things. The truth bores sometimes, I know.
May 24, 2006
Adobe gets del.icio.us
Adobe folks have started populating del.icio.us, the popular shared bookmarking application, with interesting bits relevant to Adobe apps & users. The root is http://del.icio.us/adobe, and from there you can go to more specific areas (e.g. del.icio.us/adobe/Photoshop or del.icio.us/adobe/AfterEffects). Luanne Seymour, a member of the group doing this work, hastens to point out that this effort has just begun & the set of links isn’t yet comprehensive. That said, it’s growing every day.
Hopefully this is just the start of Adobe using more creative ways to connect customers. Much, if not most, of the strength of the apps lies not in their features, but in the communities around each, yet while you’re inside Photoshop, Flash, etc., you’re effectively in isolation. Other good efforts are continuing (LiveDocs, the U2U forums, the to-be-united Adobe and Macromedia exchanges, etc.), but getting to these things still requires excessive geek-cred. We’ll work on finding simpler, more seamless ways to reveal and interact with what & who are out there.
May 21, 2006
Remixing, Darkly
May 15, 2006
Photoshop CS2 update (9.0.1) now available
[Update June 2, 2007: If you're here because you're trying to rip us off by somehow stealing Photoshop (via serial number, keygen, crack, etc.), keep moving; you'll get no satisfaction here. Adios. --J.]
I’m pleased to report that we’ve just posted the Photoshop 9.0.1 updater for Photoshop CS2 (Mac/Win). In addition to addressing a crummy PDF offset bug, this release means that:
- After editing an image in Photoshop CS2 via Acrobat Touchup, the image no longer gets re-positioned.
- Photoshop no longer hangs for several seconds when using painting tools with quick strokes.
- A program error that could appear when mousing over high res doc with Brush Tool has been fixed.
- Documents containing a large number of text layers now open more quickly.
- An error that could cause a crash on Mac when launching, or when opening or saving a file, has been addressed.
- Problems related to palettes on Windows (slow redraw, palettes go white, possible crash) have been addressed.
- TIFF files from certain scanners can now be opened correctly.
- XMP metadata from AI & PDF files is now retained in Photoshop.
- Slow performance when toggling layer visibility has been fixed.
- Info palette numbers now display and update when moving a curve point in Curves via the cursor keys.
- Problems opening certain TIFF and PSB files greater than 2GB in size have been resolved.
- The Merge to HDR command now functions properly when using high-ASCII characters in user login.
Dot releases (updates) like this are much like detention in high school–a kind of penalty box that keeps you away from what you really want to be doing (building the Next Great Transformative Thing and all). They’re also a drag since cracking open the shipping app brings a risk of breaking something else, so quite a few testing cycles go into making sure everything is solid. In any case, we hope you weren’t experiencing any static with CS2 thus far, and if you were, this update should set things right.
[Update: As probably wasn't clear enough in the last paragraph, I was going for humor, not whining. Fixing bugs that have been hurting customers is clearly the right thing to do, and we're glad to have taken the time to do this update. (And again, sorry we didn't catch these problems before shipping.) I just don't like the idea that dot releases are an expected fact of life, and that one shouldn't buy or use a product until after a first dot release, service pack, etc. has been issued. The goal of any developer should obviously be to avoid the need for a bug-fix update.]
May 08, 2006
Devo does Photoshop, &c.
April 19, 2006
Amazing turnout at PS User Group meeting
I just wanted to say a quick thanks to the 200 (!) or so folks who trekked over to Adobe San Jose last night for Julieanne’s Photoshop & Lightroom session. And thanks especially to photographer/impresario Dan Clark for organizing the event. Attendance for this event was the best yet, overflowing the overflow room we set up after the 165-seat main room got packed. The “pizza rebate program” (whereby a percentage of your Adobe license fees is returned as cheese & sauce) is always a draw, but it was particularly great to see the huge interest in Julieanne’s presentation & the discussions that followed. If you have suggestions for future guests or topics, please let us know.
April 17, 2006
Talking integration at FITC
I’m putting the “Eh” back in “JNack” this week, heading up to the FITC show in Toronto on Thursday. If you’re planning to be there, please come say hey. Much as we did at Flashforward Seattle, a number of product managers are hosting a roundtable discussion on improving the integration of Adobe’s Studio, Creative Suite, & DV applications. The last conversation spawned some good thinking (e.g. a suggestion that Photoshop & Illustrator offer a “Flash-safe” working mode & enable preflighting images before export), and I’m looking forward to this one. I’m also planning to give a Photoshop CS2 presentation on Saturday morning (nothing too elaborate, but hopefully a good refresher in case you’ve missed what we’ve been doing in the last couple revs of Photoshop).
April 15, 2006
Performance tweak plug-in for CS2 Mac available
We’ve posted Disable VM Buffering, an optional plug-in for Photoshop CS2 (Mac only) that addresses painting pauses on machines with more than 4GB of RAM. From the ReadMe:
The Disable VM Buffering plug-in can be installed to eliminate pauses during painting on Macintosh machines with more than 4GB of physical RAM installed. It will have no effect on machines with 4GB or less of RAM. On machines with more than 4GB of RAM it can eliminate pauses during painting operations at some cost in performance with very large documents.
More details about the plug-in and why you may or may not want to install it are on the download page.
April 10, 2006
Photoshop User Group in SJ on April 18
If you’re in the Bay Area next Tuesday evening, please join us at Adobe’s San Jose HQ (map) for the next meeting of the local Photoshop Users Group. Photoshop Evangelist Julieanne Kost will be on hand to demonstrate techniques in Photoshop and Lightroom. Pizza and drinks will be on hand at 6:30, and the presentations will begin at 7pm; come to the East Tower lobby.
April 03, 2006
Ultrashock PS tutorials; new VP surfaces; more
March 31, 2006
MoOM & more
March 25, 2006
Logo thievery o’ the day
It’s a bit off topic, but consider it a little payback to all the comment-spammers out there. This morning I received a comment linking to a “Vasu Infotech,” who must be big hockey fans, having boosted the logo of the Colorado Avalanche. I’m actually kind of charmed by the total nakedness of the theft (as blatant as when someone did a “Save As” in IE years ago & copied the NEC site my team had built). So here ya go, spammers: you officially get one past the goalie, and it’s so that I can call out your cheesy, design-biting ways.
[Update: Since their site seems to have punked out (hah!), here's a screenshot.]
March 20, 2006
Why do I have to pay for the Photoshop SDK?
A. You don’t! Technically, you never did, but a few years back a policy change meant that in order to request the SDK, you needed a paid membership in the Adobe Solutions Network. There are lots of good reasons to join the ASN (co-marketing, tech support, product discounts, etc.), but you shouldn’t have to sign up just to get the SDK. So, some time back (at least a year ago) we changed the policy so that you can simply make the request via the SDK via a Web form.
We’ve also split the SDK between two different versions, Basic and Advanced. The Basic SDK includes everything you’ll need except the File Format and File Import/Export information. For that, you’ll need to make a request through the link provided above so that we can do the additional paperwork to get you the Advanced SDK (still no charge).
We haven’t done a good job of communicating this change (in fact, some of the old info still exists & needs to be updated), so I thought I’d blog it here. [Update: There's also a user-to-user forum for discussion of SDK-related issues.]
March 16, 2006
Greased Lightbox
Photographer/developer Joe Lencioni‘s interesting little project Greased Lightbox lets Firefox display clicked images in an attractive floating overlay. Once this script is installed, clicking on an image link (e.g. from Flickr or Google Images) displays the image like this. Greased Lightbox is based on Lightbox JS, and using it required first installing Greasemonkey for Firefox (or this thing for Safari, which I couldn’t make work).
February 22, 2006
Let’s talk integration at Flashforward
We’ve obviously got integration on the brain, so if you’re attending next week’s Flashforward conference in Seattle, we’d like to talk in person. There’s a session on Tuesday, 5:15-6:30, that Mike Downey (Flash PM), Phil Guindi (Illustrator), Steve Kilisky (After Effects), I, and other Adobe folks plan to attend. If you’ve got time and want to give us a piece of your mind on integration, please swing by.
Photoshop + Fireworks: Where to from here?
Now that Adobe and Macromedia have come together, we’re busily planning our next moves, and it would be great to get your input. Fireworks Product Manager Danielle Beaumont has posted a message saying that Fireworks is alive and well at Adobe, and we’re working to define the best course for each app.
It might help to define the players:
- Fireworks offers a hybrid raster/vector editing environment for creating and editing designs for use on screen (typically the Web). Rather than going as deep into vector or bitmap editing as Illustrator or Photoshop, Fireworks opts to bring together a mix of tools for each function, plus symbols (edit once, update many), slicing and optimization, CSS menu generation, and more.
- Photoshop is “the professional image-editing standard“–or, if you prefer, a ten-foot-tall, two-ton son of a gun who could eat a hammer and take a shotgun blast standing (or something like that*). Photoshop offers an unmatched range of capabilities for image manipulation, plus basic vector drawing tools, gallery and contact sheet creation, and a set of Web optimization functions.
So, some questions:
- If we could do one thing to improve the process of making graphics for the Web, what would it be?
- Are there tasks (e.g. rapid prototyping of Web and app interfaces) at which we should target Fireworks more than Photoshop? (Or, to take the other side, would you rather there be a single über-app with a customizable interface?)
- Do we need to improve integration between Fireworks and Photoshop (e.g. better file format compatibility, Jump To), or does it work well enough?
- What about compatibility with Dreamweaver? What tasks could/should we improve?
- Are there interface elements or ideas from one app that we should emulate in the other?
By the way, we’re not, as I’ve seen suggested a couple of times, going to rip out the Web features we’ve developed in Photoshop. I’m not sure what motivates this idea, but I’m guessing it’s based on 1) a desire to make the positioning of the apps more distinct, and/or 2) a desire to avoid/reduce “bloat” in Photoshop. Re: 1, rather than crippling Photoshop for the many people who use it all or some of the time for Web design, let’s make Fireworks stand out by adding kick-ass, never-before-seen features. (Of course, it’s to identify these that we need your help.) Re: 2, I have more to say, but in the meantime consider this.
And with that, I’ll wrap up and open the floor to discussion. We’re really looking forward to hearing your thoughts on the future of these two applications.
Thanks,
J.
* This is, of course, why I will never be allowed to write our marketing copy.
February 17, 2006
Stamps in motion
Now that you can upload images from Adobe Bridge and have them turned into stamps, what’s next? How about motion stamps? A Dutch company has started creating plastic stamps that use lenticular technology to capture animation (sorry, cornball music not included in actual stamps… but give ‘em time). Can DIY animated stamp creation be far behind?
[Related: HumanEyes software for capturing & printing images with depth.]
Mordy on Illustrator, FreeHand
Mordy Golding, Illustrator expert and formerly Illustrator product manager (now living back in NY, never having been satisfied by CA bagels & lack of filthy-washcloth-style humidity), has posted an interesting interview with… himself. In it he muses on the future of Illustrator & FreeHand, among other things. I should be very clear in saying that I have no particular insights into any such plans (way too much going on in Photoshop-land for me to pester the vector guys right now), so I’m not endorsing or refuting any of Mordy’s points. I mention the article, however, as it may shed light on some of the questions & realities that are considered when planning a product roadmap.
February 11, 2006
Wikichet
[OT] Wikichet (as in ricochet): the process of bouncing from subject to subject in Wikipedia (as in, “Just this morning I somehow wikicheted from George Blanda to Attila the Hun to Tony Little“–which I did).
February 08, 2006
Upcoming Creative Suite Breeze presentations
Just a quick note: Adobe has announced an upcoming set of online seminars that will cover Live Trace & Live Paint in Illustrator CS2, typography in InDesign CS2, workflow management with Bridge, and more. The Breeze-based presentations, scheduled for Feb. 21-23rd, will feature live Q&A with the hosts (and will, I’d imagine, be available online for later viewing). [Via]
February 05, 2006
Cut cut cut; Readymech
Maybe it’s a monkeys-on-typewriters thing (i.e., read enough RSS feeds & you’re bound to hit on some overlaps), but I keep seeing patterns in projects. This time it’s paper cutouts:
- Cut cut cut is a competition to download and print a template (PDF), assemble it into a paper van, then customize & share the results. Some of the entries are pretty cool. (Having this creative outlet might’ve saved me a lot of time & a heck of a lot of paint on my old car.) We’ve gotta try this download-and-improve approach on the next batch of Adobe packaging. [Via]
- Readymech is a series of “free, flatpack toys designed to fit on an 8.5”x11” and to be printed on any printer.” The PAL9000 wants a hug. From Fwis.
Of course, if paper gets passé, you can always print out magnets, or maybe some nice living human tissue.
February 04, 2006
Get your widget on
Like Konfabulator (now rechristened Yahoo! Widgets)? You can now bang out your own components using the Widget Creation Script for Photoshop. I gave it a quick whirl and, sure enough, it works like a charm. Here’s to Adobe Bridge team alum Ed Voas & co. keeping up the good work.
[Thanks to Thomas DeMeo for the link.]
[Update: Gah--I had a typo in the original link. Thanks to Joe Lencioni for the heads-up.]
February 02, 2006
Six Degrees of Samuel L. Jackson; Photoshop Crosswords
- Worth1000.com is running a Six Degrees of Samuel L. Jackson Photoshop contest. In Sam We Trust…
- On a related note, PhotoshopSupport.com reports that Worth1000 has launched a new book of tutorials.
- Photographer Tony Hertz has created PhotoshopCrosswords.com, offering monthly puzzles comprised of Photoshop-related terms. (Man, I really suck at crosswords.)
February 01, 2006
Adobe on Mactel: an FAQ
We’ve posted an FAQ concerning Adobe’s plans to ship Intel-native (Universal) Mac applications. Highlights:
- Yes, we are working on Universal versions of our tools. The FAQ includes a list of those being converted.
- No, we don’t plan to update CS2/Studio 8 to be Universal. That means native support will come in a future version, which is some time off. (The FAQ cites an 18-24 month historical cycle for product updates. CS2 shipped in April 2005, Studio 8 in September.)
- Yes, most of today’s applications will run in Rosetta (the emulation layer for PowerPC code running on Intel), though that’s not a configuration Adobe has tested extensively. The Version Cue server component won’t run on Rosetta.
- The Lightroom beta, made available first on Mac, will be available in Universal form very soon.
It’s important to make a few things clear: We’re working really hard, together with Apple, to make this conversion. Apple staff are on site at Adobe every day and have been for quite some time, helping our teams make the required move to the Xcode development environment & taking our feedback on how to make Xcode support large projects like Photoshop.
Everyone–Mac users, Adobe, and Apple–wants to get Adobe apps running natively on Mactel as soon as possible, but doing so while maintaining their quality will take time. If we knew how to do this more quickly, we would do it.
I’d like to make one other point: in the first 18 months that Mac OS X was in the market (starting with the shipment of 10.0.0), Adobe released (by my recollection) 13 OS X-native applications. That averages out to better than one release every six weeks for a year and a half. Name another company that showed up for the game on that scale. Please bear that history in mind the next time someone on a user forum starts raising doubts about Adobe’s commitment to the Mac.
January 31, 2006
New podcasts: Photoshop Killer Tips, InDesign Secrets
In a bit of synchronicity, two Adobe-related podcasters just announced their new offerings:
- The NAPP‘s Matt Kloskowski has introduced Photoshop Killer Tips (Web/iTunes), described by its creator as “short and sweet–just a quick 60-90 second video tip each day (Monday through Friday).” It’s been running (‘casting?) for three weeks, so the site already features a number of tips.
- InDesign Secrets (Web/iTunes) is a new resource from authors David Blatner and Anne-Marie Concepción, covering all aspects of page layout and production in Adobe InDesign.
These new programs join the growing ranks of design-oriented podcasts, alongside The Russell Brown Show (Web/iTunes), Photoshop TV (Web/iTunes), Attention Photoshoppers (Web/iTunes), and more. If you’ve found related podcasts useful, feel free to pass along their info via the comments.
January 25, 2006
New open source Adobe imaging library
There’s a new Generic Image Library available for download from Adobe Open Source page. The developers write, “It is a library that abstracts image representations from algorithms on images and allows one to write the algorithm once and have it work for image in any color space, channel depth, interleaved/planar pixel organization, etc., with performance similar to hand-coding for a specific image type.” If image science is your bag, this might be worth a look.
American Trainwreck Awards, starring my blog
[Low news value here, but I've got to say it] If you’re reading this via RSS, great; if not & you’ve stumbled across the main page of my blog, my apologies for the Indiana Jones-style eyeball-melting that ensued. Changes to the CSS shared among several Adobe blogs have made the site look, uh, not so good. The IS folks are investigating, and hopefully the proper appearance (if not a better one) will be restored soon. [Update: Thanks to Tobias Hoellrich for settings things right. Now, I need to find something the Dreamweaver team needs so that I can swap it for some CSS-wrangling help...]
January 24, 2006
RapidFixer for Bridge now available
Photographer Peter Krogh, author of The DAM Book and various scripts for Adobe Bridge, has released RapidFixer, a powerful Bridge add-on that lets you modify Camera Raw settings directly in Bridge, without stepping into the CR dialog box. According to Peter the script is particularly useful for large shoots of images shot in changing light, and you can see it in operation on DAMUseful.com.
January 23, 2006
Blink: Judging a site, judging an app
Oh boy–yet another reason to check out Malcolm Gladwell’s ubiquitous Blink: The Power of Thinking Without Thinking. Canadian researchers report that Web site visitors draw conclusions about the quality of a site in the first twentieth of a second. Among other things, Gladwell posits that more information is not always better, that rapid assessments are sometimes more accurate than the fruits of months of study. Maybe our well-trained consumer subconscious can keep us out of trouble–away from a phishing site, say.
I found myself thinking about my customary reaction to the usability work of Jakob Nielsen–i.e., some amount of distrust & desire to pick it apart. Mr. Nielsen is of course a sharp and insightful guy, so why am I likely to approach articles on less familiar sites like UX Magazine, Airbag Industries, and WeBreakStuff with a more open mind? I think it’s that after all these years, I still can’t see Nielsen’s willfully undesigned UseIt.com, with its Windows 3.1 color scheme & unhelpfully wide paragraphs, without thinking, in that first blink of an eye, “This guy doesn’t care about aesthetics, about style.” And thus, “Not my people.”
There’s an Adobe angle here, I think, insofar as this kind of phenomenon applies to software. Typically, given a choice between putting resources into flashy UI vs. putting them towards a specific solution (a new tool, format supported, etc.), I and many others will favor the latter. In doing so, however, we risk playing all the notes but missing the music. Whether an app keeps pace with contemporary style gives immediate, sometimes unconscious cues about its quality, freshness, and relevance.
In CS2 the palettes have been subtly modernized (okay, very subtly), but that’s the tip of the iceberg. The newly announced Production Studio features a significantly smartened UI (here it is in action in After Effects), and Project Lightroom breaks new ground for Adobe, making use of animation and transparency.
So, suffice it to say that we’re moving in the right direction, prioritizing visual polish alongside refined interaction, and I’m looking forward to working more with the Experience Design (XD) team from the former Macromedia. Now, if we can just work on that new “junkyard wars” bundle packaging of ours… ;-)
[Study links via Style Gala and CF Journal]
January 15, 2006
This is how we hypnotize you…
Names to memorize, names hypnotize, names to make your mouth ex-er-cise…
At last, the secret of Photoshop’s staying power can be revealed: it’s the hypnotic power of those interesting names on the splash screen as the app boots up. Seetharaman Narayanan, Seetharaman Narayanan… Just his name alone has inspired all kinds of madness. I remember on my first visit to Adobe walking past offices and thinking, “I’lam Mougy… Grace Ge… why do I know these names?,” not realizing the extent to which the splash screens had bored into my brain. One look & you’re hooked. [Of course, customers' names can hypnotize right back: my wife is transfixed by "Martin Evening."]
The practice of listing team members’ names on the splash screen goes way back, but in recent years it’s fallen on hard times. Officially, the names just don’t fit anymore, as modern apps rely on armies of engineers, QE’s, researchers, designers, translators, and (yes) us marketing schmoes, among many others. But it’s a bit deadening, I think, not to see the connection to real folks. Photoshop has defied the trend, adding randomization so that everyone’s name can be listed at least some of the time. And I smiled seeing that Lightroom proudly lists its crew at launch.
Without pulling the curtain too far back (Jeff Schewe’s penchant for posting photos of well-known engineers in Speedos notwithstanding), I’m all for helping connect names and faces to the tools they create. I hope this blog helps in that effort, as have Jeff’s stories about Photoshop, Bridge, and Lightroom development. Similarly, the Flash team’s making of Flash 8 video gives insight into their process, and the app itself even includes pictures of the team. Let’s keep this trend alive.
January 14, 2006
LiveSurface for Vanishing Point
At Macworld this week I met a developer named Joshua Distler, creator of LiveSurface, a cool set of templates designed for use with Photoshop CS2′s Vanishing Point tool. The image library includes Illustrator templates plus VP-savvy images. You can see it in action, or download a sample by joining the email update list.
January 10, 2006
Photoshop-savvy LED keyboard
I’d seen a variety of Photoshop-tuned keyboards, but Artemy Lebedev’s Optimus keyboard takes things to a new level. It uses OLED technology to change the display of keys on the fly (even allowing for animation, according to the witty FAQ). Check out keys tuned for Photoshop. Too cool. [Link via James Michaelsen]
PS–Elsewhere on the site I spotted an interesting bit about the printing origins of “cliché” and “stereotype”. Heh–I had no idea, and I do enjoy the occasional cliché (see “takes things to a new level,” above). (More from Wikipedia here and here.)
January 06, 2006
Come say hey at Macworld
If you’ll be at the Macworld show in SF next week, please swing by the Adobe booth and say hi. Members of the new, improved, grand-unified Adobe will be staffing the pods as well as giving theater presentations on using Studio 8, Creative Suite 2, Flash with After Effects and Illustrator, and more. Some points of possible interest:
- Creative nutjob Russell Brown will be on hand to give out copies of his new & improved Russell Brown Show CDs. He’s due to present in the Adobe theater Tuesday-Thursday at 11:15 and Friday at 1:15, so get there early. And fellow evangelist Julieanne Kost will be showing something interesting at 3:45 each afternoon. [Update: Yes, that would be Lightroom]
- Come network with (other) InDesign experts on Wednesday evening, 6:30-9pm at the Adobe SF office (formerly Macromedia HQ), 601 Townsend St. Author Sandee Cohen will be there, along with (I’m told) “Amazing raffle prizes and free pizza.”
- The User Research team invites you to stop by their pod (located behind the information booth) to learn more about their work and, if you’d like, to sign up to participate in upcoming research. If you won’t be at the show, you can always sign up at www.adobe.com/usability.
- The Apple User Group Advisory Board is having a meeting on Monday at the Argent hotel where Adobe’s Terry White will be speaking.
- On Wednesday morning there’s an Adobe Professional Association & User Group Leader Breakfast, 7-10am in the Argent Hotel. Terry White, Dave Helmly & Kurt Zevas will be presenting.
December 29, 2005
Ephemera: PSNews milestone, SI blog, iPods, etc.
My colleague John Dowdell sometimes features “Remaindered Links,” entries that bring together links that may be of interest. So, in that vein, here’s some ephemera I’ve enjoyed over the break:
- Bruno Giussani ponders “the iPod of spin”–i.e., how far one can stretch things to be “the iPod of this” and “the iPod of that”–set off by a newspaper christening “the iPod of toilets.” Okay, it’s a lazy phrase, but product designers & marketing hacks could emulate worse. [Via]
- The Smithsonian Institute has kicked off a new blog called EyeLevel. The blog features thoughtful, detailed posts that mention–among many other things–Malcolm Gladwell, the strangeness of Edward Hopper, and Pennsylvania’s relationship with Cheez Whiz. [Via]
- OpenType, SchmopenType: Levi Hammett takes text design in a new direction with Dairy, a font (of sorts) that spells out your text in milk crates; try it and see. [Via]
- The brilliantly random Found Magazine now offers an RSS feed. Oh yeah. (Looking at the traffic log of blogs.adobe.com feels a bit like browsing these inscrutable found bits. Why would someone keep searching for “subtly knife”…? Is it somehow related to armored bear battles?) [Via]
- The Sundance Channel yesterday featured a fun, 2-minute overview (produced by Athletics) on “China Girl,” a color calibration system used in film. Looking down the row of monitors lining an Airbus on Tuesday, I was reminded of just how much color varies across devices (even those from the same manufacturer, installed at the same time) and how sorely the world needs a solution (the–wait for it–”iPod of color management,” maybe?).
- And finally, since kicking things off in April 2005, PhotoshopNews.com has served more that 1,000,000 unique visitors. Congratulations, guys!
8:00 PM | Permalink | No Comments
December 28, 2005
Potential Bacon-Savers
In response to yesterday’s post about losing images in the cold, a number of folks have suggested possible remedies for future data loss:
- Nick Wilcox-Brown recommends PhotoRescue, saying “It has saved my skin on more occasions than I care to remember.”
- My fellow Photoshop PM Tom Hogarty mentioned Camera Salvage.
- Peter Krogh suspects that the problem was due to file system corruption, not cold weather–particularly as I’d been sloppy in handling the memory card (removing it from the Mac while it was sleeping, then inserting it with the new shots before waking the machine up). That seems possible, though having lost images in similar weather with a different camera, card, and computer, I remain a bit suspicious.
Whatever the case, you may want to bookmark these sites for a rainy (or snowy) day in the future, and do read up a bit before going shooting in the cold.
December 20, 2005
Reader speeder; UX Mag; Antarctica
- Macworld features some tips on making Adobe Reader launch faster. As Adobe has been saying for some time, launch time is a key area of focus, and overall you should find Reader 7 a good deal quicker to start up than previous versions. Even so, you may want to try these hand-tuning strategies.
- PhotoshopNews features an article and some great photos from the just-completed trip to Antartica. Note to self: Invent galactically successful, category-defining software that becomes verb; continue pushing limits of digital imaging; enjoy fruits of said labor. Tons of great images are here.
- The brand new UX Magazine launched yesterday, “created to deliver a central place to discuss the critical disciplines that all enhance user experience.” The content is necessarily sparse at the moment, but I like the CSS-savvy design, and it could grow into a great resource. This blurb let me know they’re guys after my own heart: “Last but not least, we’re not happy. We never are. Never ever. We look at things and go ‘bah!’—out loud, numerous times a day. We just had to stop being so bloody picky and launch the damn thing.” It’s tough, but real artists ship.
How could I make this blog better in ’06?
With four months having passed since I started blogging, I could use your help. Are there things about which you’re hearing too much? Too little? I want to make sure this blog is worth a damn (specifically, worth your time to read), so if you have feedback for sorting the killer from the filler, I’d like to hear it.
Thanks,
J.
December 16, 2005
CONEheads & Stealth Cats
Well, this takes the whole photo-sharing thing to the next level, eh?: Berkeley robotics professor and sometime-Eraserhead doppelganger Ken Goldberg has developed CONE, a prototype for a portable, solar-powered robotic observatory that can photograph animal activity, then upload the data via satellite connection. Collaborative algorithms manage requests for control from multiple users.
[Via]
On a slightly related note, November’s National Geographic magazine featured some great images of ocelots, captured via remotely triggered cameras. Building on the great stuff in the print edition, the online version features a couple cool shots.
December 15, 2005
New Adobe podcasts from Russell Brown
Adobe’s own inimitable Russell Brown has begun delivering audio and video podcasts. To check them out, search for “Russell Brown” via iTunes. Russell says he plans to post new content over the next few weeks. (See also: links to other Photoshop podcasts.) [Update: Thanks to Jeff Tranberry for supplying the direct link to Russell's podcasts.]
December 14, 2005
Get America 24/7 free with PSCS2
I just got a heads up on a little promotion from the Adobe Store: if you buy or upgrade Photoshop CS2 and enter coupon number 8m11ja05 just prior to checking out, you’ll get a copy of the beautiful America 24/7 coffee table book for free. From the publisher:
America 24/7 reunites the team that started the popular A Day in the Life series of photography books, Rick Smolan and David Elliot Cohen. More than 25,000 amateur and professional photographers snapped photos accross America during a one-week time period with digital cameras. From the million-plus photos submitted, 25,000 were chosen and compiled in this book. The result is an amazing array of subjects, but all shot with a consistency of tone.
This coupon will expire January 31, 2006, and is only valid in the US and Canada only.
December 13, 2005
Sacre Rouge
I’m trying to put the Carmen Sandiego in “CS” this week, visiting Adobe offices and customers in Europe. Now, fond as I am of watching the planes land at SJC, I’m going to go out on a limb and suggest that the Adobe Paris office has a bit better view, no? (The NY office has it pretty good, too, with the Empire State Building looming off one side and Bryant Park below on the other.) The mood in the office is upbeat, and folks are looking forward to meeting their new, former-Macromedia colleagues (with whom some had already collaborated to show Flash-Premiere-After Effects integration).
December 12, 2005
PhotoStamps now live in Elements
Direct upload to PhotoStamps.com has gone live in Photoshop Elements and the free Photoshop Album Starter Edition, with Bridge integration to follow. I had a great experience with the service this summer, creating a stamp for use on wedding thank-you notes. People were amazed, and several clipped and saved the cancelled stamps. (I finally convinced them that the stamps were legit, though I’m not sure they’ll ever believe that I didn’t fake the rainbow. ;-))
December 09, 2005
Clutter Reel
I had to smile at this paragraph in a Slate article on Charles Schwab’s new Waking Life-style ads:
These spots aim to stand apart from the muddled crowd. “We actually made a ‘clutter reel,’ ” says Ben Stuart, VP of Brand Strategy and Advertising for Schwab, “to show how the category was filled with all these stock clichés of wealth. Adirondack chairs. Sailing. Burled walnut paneling. Not only are these images tired, they also lack both credibility and relevance with most consumers.”
Is it just me, or could one create just such a reel with all the clichés being used for digital photography tools? Yes, the underlying concepts are enormously important, but if I hear or (wince) have to say workflow one more time–much less non-destructive, seamless, integrated, efficient, broad, archival, etc.–I may burst into flames. ;-)
Yours in seamlessnondestructiveintegratedefficientworkflows,
J.
December 05, 2005
Welcome, Macromedia!
They say a watched pot never boils, and I was starting to wonder if this day would ever arrive, but it looks like Adobe and Macromedia are now one, with the Macromedia and Adobe sites being updated accordingly (including the Adobe Store offering new bundles). At this point not a lot of info has been communicated internally, so I’ll be brief until we know more. I think this is an extremely exciting time, and I can’t wait to start collaborating with folks from Flash, Dreamweaver, and all the other great Macromedia teams. Welcome to the Big Red A, guys; it’s going to be a great ride.
December 03, 2005
New book: Secrets of Adobe Bridge
Adobe Bridge has received some pretty extensive coverage in CS2 books, focusing largely on the photography workflow aspects. Now Adobe’s own Terry White has written Secrets of Adobe Bridge, devoted entirely to this application and its role in the Suite (e.g. browsing multi-page PDFs and InDesign docs, tracking font and color usage through metadata, collaborating via Version Cue, etc.).
December 01, 2005
Call for student entries in Design Achievement Awards
The Education team is now accepting entries for the 2006 Adobe Design Achievement Awards. Each winner gets 5g’s, seven Adobe apps, a trip to Toronto, and no trip to San Jose (a reward unto itself ;-)). Here’s the downloadable poster and the press release.
November 30, 2005
The DAM Book now shipping
Photographer Peter Krogh has just published The DAM Book: Digital Asset Management for Photographers. I haven’t seen a finished copy yet, but I’ve attended Peter’s lectures & can vouch for his insight into how new technologies like DNG facilitate open workflows (e.g. batch-adjusting color in Camera Raw, then passing DNGs with embedded previews and metadata to iView Media Pro).
[See also: Peter's related DAMUseful.com and the publisher's site for the book.]
November 24, 2005
Thanksgiving Feature: Menu Customization
Maybe I’m addled from downing too much of the turkey fixings (and it’s barely even noon), but I’ve been thinking about restaurants’ penchant for adding absurd descriptors to otherwise ordinary food. On a roadtrip out east last week, I noted menus offering:
- Pan-Seared Chilean Sea Bass
- Lamb Lettuce with Toasted Goat Cheese
- Iowa Caramel Custard
Okay, the fish may be neither Chilean nor bass (discuss!); I have no idea what lambs have to do with lettuce; and having gone to high school in Iowa, I can tell you it’s not synonymous with gourmet desserts. But now that Photoshop CS2 supports menu customization, I’m thinking we should take a cue from restaurateurs. How about:
- Puréed Liquify filter
- Vector Confit on a Bed of Merged Layers
- Braised Shank of Smart Object
- Dodged & Burned Creme Brulée
- CCD-Fresh Megapixels in a Chromatic Noise Reduction
Or perhaps not. ;-) Really I just wanted to say thanks for reading, and to wish you and yours an extraordinarily happy Thanksgiving.
Fondly,
El Tryptophan (master of the Sleeper Hold)
November 23, 2005
LayerMatch 2005
The LayerMatch 2005 site takes a novel approach to depicting the evolution of Photoshop Tennis matches. A Flash interface makes it possible to shuttle back and forth through the evolution of a PSD (sort of like clicking among states in the History palette, or switching among Layer Comps).
And if this kind of collaborative design exercise is up your alley, see also Designologue.com, a site that combines written & visual dialog.
November 22, 2005
Plenoptic Cameras: [whistle type=low & appreciative]
I’d heard Todor and Jeff talk about plenoptic camera research, but it wasn’t until reader Joe Lencioni mentioned this Stanford work that I followed up. Wow. If nothing else, check out this video demonstrating how images can be refocused after the fact. (For background, Todor notes the word “plenoptic” was coined by Ted Adelson in this 1992 paper.) Wired News coverage is here.
Being more an Arts & Letters guy (read: math Cro-Mag), I tend to dwell on the social aspects of technology, and I wonder how photographers might react to these developments. There’s already a vocal minority of strident anti-raw shooters who say, “Raw is for when you plan to get the shot wrong.” That is, the post-processing flexibility that raw enables lets bad photographers sweep ever more mistakes under the carpet. What would they say about something that forgave flaws in focusing? It’s also funny to note that as technology like this makes it possible to keep more items in focus, technology like Photoshop’s Lens Blur works in the opposite direction, letting you add a “Bokeh” effect to otherwise crisp shots.
Personally, I’d love to see the concept of taking multiple captures in single pass used to enable greater dynamic range. Wouldn’t it be great to effectively auto-bracket shots simultaneously, instead of in quick succession?
November 18, 2005
Bridge 1.0.3 now available
Among other fixes and improvements, this update adds a check to confirm that Camera Raw is correctly installed (something that had been a source of confusion). Go to Adobe.com to grab the installer for Mac and Windows. Let us know via the Bridge forum how it goes.
November 17, 2005
Pringles can -> Macro lens??
If you ever find yourself living in a post-apocalypic, Mad Max-style hellscape *and* needing a new macro lens–or if you just like to tinker–know that evidently a Dremel, a can of Pringles, and some elbow grease are all that stand between you and that sweet new glass. No word, however, on the efficacy of Jalapeño vs. Spicy Cajun flavor… (Going to these lengths somehow reminds me of Jack Handey’s observation, “Most people don’t realize that large pieces of coral, which have been painted brown and attached to the skull by common wood screws, can make a child look like a deer.”) [via Tobias Hoellrich]
Seen any good $495 Photoshop books lately?
I’d heard long-time author David Biedny, creator of the Attention Photoshoppers podcast, mention that his out-of-print work was commanding a premium, but it wasn’t until today that I saw what he meant. A photographer on the ProDig list noted that Photoshop Channel Chops is selling for $495 at a used book store. Some quick Googling reveals that the title commands $199 and up on Amazon. Dang; I haven’t read the book myself, but it must be quite the resource.
Of course, this sets my mind in motion. I tend to accumulate samples from lots of publishers, so I wonder what gems linger on my bookshelf. Psst, buddy, how much’ll you give me for this sweet Illustrator 6 Visual QuickStart Guide? Flash 4 Magic, maybe? Or how about a vintage LiveMotion Classroom in a Book? (Anyone, anyone? Bueller…?)
Not quitting my day job,
J.
November 13, 2005
C(omedy)MYK
Print designer humor by the numbers :-). (Me, I need my jokes in multiples of 51–as in, I’m so pale & pasty I’m 255/255/255, with a little checkerboard in the background.)
November 11, 2005
New Automator actions for Photoshop
Author Ben Long has posted a major update to his Photoshop Action Pack, a set of 56 actions for Photoshop CS and CS2. Leveraging Mac OS X 10.4′s Automator technology, these actions build upon Photoshop’s built-in batching & can integrate with other applications (FTP upload, CD/DVD burning, etc.). Newly added actions include Add Watermark & Bleach Bypass, as well as a variety of bug fixes.
November 09, 2005
Chris Ware in Berkeley on Saturday
If you happen to be in the Bay Area on Saturday and like comics and/or retro design (or if you’re just a giant NPR dork like me), you may want to check out Chris Ware and Ira Glass speaking at Berkeley this Saturday. I’m looking forward to it. [More links to Chris's work are here and here.]
November 06, 2005
Digital Canvas Awards; Photoshop TV; PSWorld Japan
Our friends over at the National Association of Photoshop Professionals are keeping plenty busy these days:
- At PhotoPlus Expo in New York they announced the 2006 Digital Canvas Awards, “the first worldwide competition exclusively for Adobe® Photoshop® users.” Check out the contest site here.
- Photoshop Radio, we hardly knew ye: the broadcasts have already been upgraded to be Photoshop TV, now streaming as Flash Video and downloadable via iTunes.
- And sometime in the wee hours this morning, my boss Kevin Connor touched down in Tokyo. He’ll be giving the keynote address in the first ever Photoshop World Japan. Good luck to the whole crew. Maybe next year we can get Jeff Schewe to fly over and meet speaker Hiroyuki Hayakawa for an Intercontinental Battle of the Beards. ;-)
November 02, 2005
Yugo // Jello
I should no doubt preface this bit with the “[OT]” disclaimer, but as there’s a design/photography angle, let’s pretend it’s all germane to this blog.
- The absurdly talented Yugo Nakamura has produced Honda Sweet Mission, “a kind of enhanced podcasting site.” Yugo writes, “We made an experimental interface system for a program broadcast by
TokyoFM. Posted MP3 data is analyzed in the server and its volume history is visualized to Avatar motion. I’m sorry that all language is Japanese, you will not able to know what they
are speaking.” No, but it sure looks cool, and the groovy pixel-globe is another idea on burrowing through a large set of images. - Liz Hickock sculpts San Francisco out of Jello. Yes. (Take that, Richard Dreyfuss ;-)) Stunning.
November 01, 2005
New wide-format Wacom; tablet tweaks in CS2
Our friends at Wacom have announced a new, wide-format member of their professional tablet line. The new 6×11″ Intuos3 looks like a great match for the aspect ratios of modern monitors.
We’ve been adding features to Photoshop to improve the experience for tablet users. The Intuos 3 offers touch strips for two-handed input, so in Photoshop CS2 we changed zooming to center on the mouse cursor. Now you can be painting with one hand, and zoom in on those pixels using your other hand. (Tip: You can also zoom using a mouse wheel, or the two-finger input on a PowerBook trackpad; hold Opt/Alt while using the wheel to zoom. To make this behavior the default (instead of panning), enable the new preference “Zoom with Scroll Wheel.”)
The painting engines in Photoshop CS2 and Illustrator CS2 also support the barrel rotation properties of the new 6D Art Pen. And to make things better for those using a Cintiq or TabletPC, we made it possible on Windows to move the menu bar to the bottom of the screen. That way menus pop up, rather than down, meaning your hand is less likely to get in the way.
If you’re using a tablet and have ideas on where we should take things from here, please let us know.
October 23, 2005
Welcome, Apple.
What a week it’s been. Sunday through Tuesday I was experiencing the energy and excitement of the Macromedia developer community at MAX, soon (we hope) to be part of the Adobe world (come on, EU commissioners! :-)). Then on Tuesday I got the call that Apple wanted to give us a demo of their new photo-centric application. We’d been hearing about this thing for three and a half years, so I headed to NY a day early.
And, well…?
Aperture is a cool product, no question. Apple’s designers have a great aesthetic, and their marketing is second-to-none. (This is the company, after all, that can sell the iPod Shuffle’s lack of screen as a lifestyle choice.) Aperture zips around on quad G5′s with four GPUs, and I’m looking forward to getting it onto my PowerBook 17″ to see how it might run in the field.
As Apple is the first to say, Aperture is not designed to be a Photoshop competitor. It has a number of very slick features (I dig the Web gallery creator in particular), but if you’re looking to do something as simple as make a selection and sharpen someone’s eyes, you’re out of luck. That’s not a knock–just a reflection of what Aperture is and is not. Fortunately Apple has a one-click method of sending a PSD to Photoshop for further editing.
I’m obviously downplaying competition between these apps because, as I’ve written previously, inventing deathmatches where none exist does us all a disservice. Having said that, however, I’d be blowing smoke not to acknowledge that Aperture does compete with Adobe Bridge and Camera Raw. The capabilities of Photoshop (of which Bridge and ACR are a part) are vast, so there’s bound to be some overlap, and Aperture joins a long list of products (Capture One, RawShooter Essentials, Nikon Capture, Canon Digital Photo Pro, etc.) that also offer raw browsing and editing. Bridge and ACR aim to provide the best possible workflow in conjunction with Photoshop, but you’re free to mix and match.
And you know, to the degree that Aperture stirs things up, I’m excited. CS2 wouldn’t be all it is today without the apps I mentioned keeping us on our toes, and the more tools offer solutions for photographers, the better off customers will be. So in the spirit of the Apple of yore, I say Welcome Apple. Seriously.
J.
October 17, 2005
Excitement at MAX
The first day of the Macromedia MAX show is nearly in the bag, and man, it’s pretty exciting. Just sitting amidst 3,000 enthusiastic, animated designers and developers in the keynote presentation opens your eyes to the passion of this user community. As Macromedia folks and partners from SAP and elsewhere unveiled a range of new solutions and concepts (tons of coverage tracked here), the people around me were audibly buzzing with ideas. I’m eagerly looking forward to the deal being finalized so that we can start working together more closely.
Pimp My Bridge
As you probably know, Photoshop CS2 and the other Creative Suite apps ship with Adobe Bridge, the browsing and workflow management hub of the Suite. What you may not know is that Bridge has been designed with extensibility in mind. The app’s JavaScript extensibility layer enables everything from tiny widgets to services like Adobe Stock Photos. So, I thought it would be useful to link to some resources and examples:
- The
Bridge scripting guide documents the app’s JavaScript extensibility layer. You can write and debug these scripts using the ExtendScript toolkit that ships with all the CS2 apps, and you can discuss script development with others on the Bridge scripting forum. - Adobe Studio Exchange features a set of Bridge scripts, including Import from Camera. You can of course upload your own scripts to share with community.
- The Adobe Solutions Network (ASN) offers a variety of Bridge extensions. For various accounting reasons, we can’t just give these away (believe me, we’ve looked into it), but paying ASN developers can incorporate this code into their own scripts, then redistribute them.
- Peter Krogh’s DAMUseful.com (from which I stole the title of this entry) features the Pimp My Bridge page, as well as Peter’s Rank and File script for facilitating interoperability with iView Media Pro and other apps.
- BarredRock Software offers a variety of scripts, including one that offers much-requested extraction of metadata to a spreadsheet.
- PhotoshopNews.com offers a favorite to display PhotoshopNews in Bridge using the on-board Opera browser engine. Other developers have used this capability to tie Bridge into asset management systems.
- Jakub Kozniewski offers the Flash-based CS UI builder, a visual way to assemble JavaScript interfaces for Bridge and the other CS2 apps. [via Jeff Tranberry]
I plan to update the list as more examples and resources become available. In the meantime, if you have others to share, please send ‘em our way.
October 15, 2005
Photoshop brushes are cool and all…
…but how about this thing*? Rogue genius-types at MIT Media Lab have developed the I/O Brush, “a new drawing tool to explore colors, textures, and movements found in everyday materials by ‘picking up’ and drawing with them.” The ability to sample and apply a short video sequence is particularly brilliant. [link via K10K.net]
If you like that, check out the Pixel Roller, a “paint roller that paints pixels, designed… to print digital information such as imagery or text onto a great range of surfaces.”
On a personal note, it was the chance to work with alpha geeks like this that drew me to Adobe. When I first encountered the LiveMotion team, I heard that engineer Chris Prosser had built himself a car MP3 player (this was a couple of years before the iPod). Evidently he’d disassembled an old Pentium 90, stuck it in his trunk, connected it to the glovebox with some Ethernet cable, added a little LCD track readout, and written a Java Telnet app for synching the machine with his laptop. Okay, I thought, I don’t want to do that, but I’d like to hijack the brains of someone who could. Chris has now moved on to After Effects, and I get to pester the likes of Thomas Knoll, Chris Cox, Arno Gourdol, and the rest of the team, trying to get some pet idea or other implemented.
* Caution: Features the most grating soundtrack since that Canon 20D video.
October 13, 2005
Behind the scenes on “24″
A few weeks ago we got to spend time with the team behind the scenes at Fox’s 24, as well as the folks at CSI, Without a Trace, Scrubs, and other shows. Art departments have to be endlessly resourceful, and we got a kick out of hearing about some of the creative ways they put Photoshop to use. I don’t want to risk giving anything away, but I did get clearance to mention something from a past episode of 24.
A scene called for the crew to put a burned-out car down in a ravine, but they couldn’t get the necessary permits from the city. So, production designer Joseph Hodges took a picture of the car, brought it into Photoshop, gave it a good beating (burning the paint, removing a door), and then printed it on a large piece of cardboard. The next day he stuck it down in the ravine where the actual car was to go. When the rest of the crew arrived they started to flip out, saying, “Hey, they told us not to put the car down there!” The illusion was clearly good enough to fool people standing on the site, and it worked perfectly for the scene.
Thanks to Rodney Charters, Director of Photography, Joseph Hodges, and the rest of the crew who let us be flies on the wall as they rehearsed, shot, and designed components of the upcoming season.
October 11, 2005
Monitor, or Ultra-Monitor?
Continuing my recent megapixel fixation, check out this insane, 19200 x 2400 monitor [link via Airtight Interactive]. Aside from the obvious expense and physical demands of this kind of configuration, such a wide layout would impose some new UI challenges (e.g. look at the control elements spread all the way to the right and left). Of course, with higher DPI displays coming and resolution-independent UI support coming from Microsoft and Apple, there’s plenty of work ahead (if nothing else, so that your Photoshop toolbar doesn’t end up being 8mm wide on screen).
See you at Macromedia MAX, PhotoPlus Expo?
On Sunday a number of us are headed to LA for the Macromedia MAX show, and on Wednesday I’ll be flying to NY to meet up with a large Adobe contingent at PhotoPlus Expo. If you’ll be attending either show and feel like saying hello, please do. At MAX I’ll be just a fly on the wall, soaking up info in various sessions. At PPE I’m slated to be at the Adobe booth each day roughly 10-1:30. Hope to see you there. (For reference, I look like this. And yes, this is what happens if you let a bunch of product managers screw around with nice camera equipment. It willget cheesy.)
October 09, 2005
Comic Life
Mac developer plasq has released an updated version of their slick, fun, and super easy Comic Life application. The tool makes it a cinch to create layouts, add text and photos, and publish results to the Web.
If Adobe apps tend to be grand organs, Comic Life is a flute. Now, I would never want to give up any of the range and flexibility of our tools, but it’s refreshing to see a light, elegant solution for a very specific task. This question keeps gnawing at me: As our tools grow ever more capable, do they have to keep getting more complex? If each app’s main environment needs to strive for letting you do anything at any time, are there areas where we could focus on specific tasks? Hmm–this deserves an entry of its own. In the meantime, if you have ideas, please let us know.
October 07, 2005
The sound of one pixel blinking
Counterpoint to the megapixel wars: what if you could alter only one pixel per day? Cameron Adams has developed Pixelfest, a collaborative effort to create “art/design/garbage” through numerous people making tiny contributions. Give it a whirl, or check out a time lapse movie of the project’s development.
(link via Guerrilla Innovation)
October 05, 2005
Genericide: Xeroxing “Photoshop”
Photoshop was big in pop culture last weekend: on both The West Wing and Desperate Housewives, I’m told, characters mentioned Photoshop by name. Right on. The only catch: the West Wing character asked someone to “Photoshop” something out of picture.
You might think Adobe would be all for the verbing of “Photoshop,” but that’s not the case. It turns out that if a company doesn’t actively protect a trademarked name, it can lose the rights to it. That’s why you see TiVo and many others having to advocate mouth-twisting usages like, “Honey, would you record ‘Extreme Deathmatch 9000′ on the TiVo® DVR?” (You’re not even supposed to call the beloved plastic things “Legos.”)
I’ve been asked several times for the technical term for the process of a product name getting, er, generified, and it seems there isn’t a proper one. That said, “Genericide” seems reasonable.
On a related note, see if you can guess what’s indicated by this infographic. (Where I grew up in Illinois, it was pronounced “paahp.”)
Oh, and one last thing: Friends don’t let friends put a capital “S” in the middle of “Photoshop.” That usage really waves the nitwit flag, you know? :-).
September 27, 2005
New Photoshop Elements 4 announced; what about Mac?
We’ve just announced the new Adobe Photoshop Elements 4.0. As you’d expect, it offers numerous crafty new features, and in early reviews people seem impressed.
So, what about the Mac version? In short, we’ve said that it’s in development (e.g. see the last line in the first paragraph here). We haven’t been any more specific than that, largely because as a public company Adobe has to be very careful about forward-looking statements. (Technically speaking, if you asked me whether we were going to start selling garden gnomes tomorrow, I don’t think I could say yes or no.)
And so, fellow Mac users, please don’t jump to any conclusions. We don’t have a new Mac version to announce, nor can we provide details on when we might have one or what it would contain. That said, Elements Mac development continues, and in the meantime the great Photoshop Elements 3.0 for Mac is available now.
Frogoshopping, Tennis, and Smackdowns (oh my)
The always-entertaining Worth1000.com features a great frog-modification contest. I’m humbled by these folks’ skills.
These contests remind me of the Photoshop tennis matches that people started playing a few years ago (tossing a PSD back and forth, adding layers to riff on your partner’s work). The original site is taking a break, but many fun matches are documented in the rather generically named Photoshop: Secrets of the Pros.
Along similar lines, Adobe and Aquent are sponsoring Studio Smackdown 2, which puts designers head to head using Flash and the Creative Suite. Should be good.
September 26, 2005
Your type can look better
As things get easier and faster, do they have to get crummier? No, but if we’re not careful, it’s easy to sacrifice depth and craft for breadth.
Ten years ago, print designers couldn’t understand why I couldn’t replicate their leading and kerning in HTML. Ten years later, I wonder how many designers bother to kern at all.
But beyond resurrecting these fundamentals, new technology lets us do better. OpenType technology allows for much richer character sets, and numerous faces in the Adobe Type Library support this new functionality. Access to alternate characters can help put an end to the kind of blunder I saw in a national magazine several weeks back, where supposedly handwritten parchment featured three identical “g”‘s in a single word.
To see the benefits in action, check out this tutorial from Russell Brown, and this one from Deke McClelland.
(On related fronts, the new Flash Player features much improved text display. Also, Typetester is a little online utility for comparing screen fonts [link via Newsight]. And Linotype has released FontExplorer X, with an iTunes-like ability to organize, preview, and purchase fonts.)
Two in the hand
Wow–now this you don’t see every day. A small company called Tactiva has unveiled a rather eye-popping demo of a device that lets you use both hands while working in design software.
The appeal of using two hands at once (instead of essentially pointing with a stick and grunting, as is done with a mouse) isn’t new; the latest Wacom tablets feature touch strips for non-dominant hand work, and Logitech and others sell a variety of pucks and other devices for the same purpose. But the Tactiva device takes things to a new level by displaying a ghosted image of your actual hands overlaid on the UI, as well as providing force feedback when you interact with on-screen objects.
The device faces plenty of obstacles to adoption (no manufacturers yet, potential $1000 price point, need for support in applications that assume a single input control). Yet I keep thinking about it.
What do you think? Just a neat parlor trick, or the future of computing, or something in between?
September 21, 2005
The Illuminated Continent
Think you’ve got a lot of digital photos to manage? National Geographic photographer Mike Fay & crew flew some 60,000 miles at low levels over Africa, snapping a high-res digital photo every 20 seconds. The tiny Cessna contained more than 2 terabytes of storage for capturing the GPS-stamped data. You can read more here and check out the interactive features, including Flash videos and a high-res PDF map. And if you happen to be on Windows, you can check out the way this content has been
integrated into Google Earth.
September 20, 2005
The elevator supports Undo!
Okay, you know you’re spending too much time at work, or on computers, or both when you get excited about something like this. I discovered this morning that the elevators in the new Adobe tower support undo. That is, if you’ve pressed a floor button by mistake, you can press it again to deselect the floor. Who knew? This reminds me of Photoshop quality engineer Pete du Fosse realizing that he was working too much when he found himself holding a hand over his microwave’s keypad, getting frustrated when no tool tip appeared.
[This is probably also the time when my bosses question the value of letting me blog on work hours. ;-)]
September 09, 2005
Photoshop weblogs, podcasts, and more
Last week, Photoshop engineer Scott Byer mentioned some great resources for Photoshop-related info, including Photoshop News and Rob Galbraith’s site. I subscribe to those sites and wanted to highlight some others:
- Photoshop author and trainer Jan Kabili frequently highlights techniques, new books, and articles at The Unofficial Photoshop Weblog.
- Long-time author David Biedny has started the first (to my knowledge) Photoshop-centric podcast. (For those new to subscribing to downloadable audio programs, David points that in iTunes you can choose Advanced->Subscribe to Podcast, then paste the URL “attentionphotoshoppers.libsyn.com/rss”.) [Update: I've learned that Photoshop User magazine is also podcasting, as is Inside Mac Radio. I've recorded segments for both this week.]
- We haven’t yet gotten her blogging, but Julieanne Kost, along with Daniel Brown and Tim Cole, maintains a wealth of info at AdobeEvangelists.com.
The links below aren’t Photoshop-specific, but I enjoy them as well:
- Digital Photography Review is frequently updated with news of digital cameras, in-depth reviews, and more
- Macromedia’s indefatigable John Dowdell covers wide-ranging developments related to Flash and Web technologies.
- Dynamite designer Jon Hicks (known for the Firefox logo, among other things) makes me wish I knew CSS. He also blogs periodically about design and Web technologies. (And if you’re on a Mac, check out his beautiful and useful PimpMySafari.com.)
September 03, 2005
Katrina: Help a displaced designer
The good folks at The Chopping Block are doing their part to help victims of the hurricane by starting DisplacedDesigner.com:
“… Many of the displaced–-creative people like us–-will have to start from scratch. We wish to help by offering these people a space from which to earn a living, to re-establish self-sufficience… to get back on their feet. With this in mind, we have started this resource–a place where displaced individuals can be matched with those of us with some extra studio/office space, a desk (or table), a computer/phone/internet connection, or a handful of square feet from which they can start to work and continue to earn a living…”
Please do what you can to help & to spread the word.
Thanks,
J.
September 02, 2005
Speaking Plainly, Part II
Okay, my turn: for some reason we haven’t been able to explain the deal when people are considering upgrading to the Creative Suite. I’ve seen lots of confusion in forums, emails, etc. lately, so, here goes:
Q. Can I upgrade from Photoshop to the Creative Suite?
A. Yes.
Q. Which versions?
A. All versions.
Q. If I upgrade Photoshop to the Suite, and later I decide I want to upgrade just Photoshop, can I do that?
A. Yes. As long as you still own that earlier copy (say, PS7) and have the serial number, you’re golden.
Q. What if I get an application (say, InDesign) for the first time as part of the Suite, and later I want to upgrade just that application (not the whole Suite). Can I do that?
A. No. For various legal reasons, a Suite isn’t a collection. So, you can’t upgrade just one piece of it.
To recap, if you owned Photoshop previously and want to upgrade to the Suite, you will have a choice of upgrades in the future. And if you owned InDesign, Illustrator, etc. on their own, you could upgrade them on their own in the future, even after upgrading the Suite. It’s only apps that you didn’t own outside of the Suite that need a Suite upgrade to move forward. Make sense?
If you have further questions or hear conflicting info, please let me know: jnack [at] adobe [dot] com.
Speaking Plainly: Thanks, Google
Someone smarter than I should devise a “Law” (call it “Carlito’s Last Theorem” or something) that says that as you throw more marketing weenies (like me) at the task of communicating, the message becomes logarithmically more bloated and impenetrable. We can’t just spit it out.
So, I had to smile when I read this warning dialog that accompanies Google Desktop 2.0:
Please read this carefully. It’s not the usual yada yada.
When you use Advanced Features, you may be sending non-personal usage information and information about websites you visit to Google.
For example, Google Desktop sends Google information about the news pages you visit in order to personalize the news you see in Sidebar. We use other non-personal usage data, including crash reports, to help improve Desktop’s performance. Please note that none of this data actually tells us who you are; we use it merely to improve Desktop’s ability to give you the information that’s most relevant to you.
Ah, nice. So even while they’re busy taking over the world, Google manages to keep it real & respect its users’ intelligence. I can dig it.
August 25, 2005
Network Publishing, Flickr-style
John Watson has crafted a very cool magazine cover generator that combines photos from Flickr with text you enter. Give it a spin, or check out some examples. [Link via MAKE Magazine]
I have a special affinitiy for this kind of thing. I managed to talk my way into AGENCY.COM as a designer, but having no formal training, I often found myself slinging GIFs in menial graphics production. Having determined that creating the same graphical text 200 times in a row does, indeed, kind of suck, I built a graphics engine using Macromedia Generator. It let teammates or even clients themselves enter text into an HTML form, then get back a GIF. Upshot: Let the creative folks spend their time creating, instead of being a bottleneck for production. That’s the idea behind the new Variables feature in Photoshop CS2, as well as Adobe Graphics Server and Adobe InDesign Server.
August 24, 2005
The Killing’s Gotta Stop
Has anyone else had enough of these “Microsoft Acrylic is the [Photoshop/Flash/Illustrator/FreeHand/Fireworks/etc.] Killer!” articles? Is the technology press so bored that they have to invent conflicts?
If I were Microsoft, I’d be deflecting these assertions like crazy. Why? Because they set unrealistic, misleading expectations that end up reflecting poorly on new products.
Background: When InDesign 1.0 was in development, it got dubbed by some Adobe’s “Quark Killer.” (This was before my time here, so I don’t know the origin of the phrase, but I do know that I’ve never heard anyone here use it.) When the 1.0 product shipped and didn’t “kill” an app that had been established for more than a decade, it was assumed to be a failure. Well, 5+ years later, InDesign is doing just fine, thanks.
It’s also false to assume that new apps need or want to kill others. I was a Flash developer in the late ’90s, so when Adobe offered me the chance to work on LiveMotion, I jumped at the chance. Did I want to “kill” Flash? Of course not! I enjoyed working with the format enough that I wanted to make the ecosystem of authoring tools bigger and better. But hey, sure enough, LiveMotion got dubbed the “Flash Killer,” setting up conflict and disappointment. (And now, that unfortunate moniker has now passed to another unreleased product.)
So, back to the subject at hand. I think Macromedia’s John Dowdell said it well: of course Microsoft will create tools to target its next-gen OS; it’s not a zero-sum game; and different strokes serve different folks.
As Max Fischer would say, “The killin’s gotta stop, ese.”
August 18, 2005
Adobe Photographers Directory now in Bridge
With all the action surrounding the launch of Creative Suite 2, it was easy to overlook what I think is a very cool new service: the Adobe Photographers Directory. The Directory is designed to put clients in touch with the right photographer for a task (say, fine art in Chicago).
I mention it now because the new Adobe Stock Photos 1.0.3 update has just been released (check “Updates” from the Help menu in Photoshop or Bridge), and it adds a link to the Directory to the Bridge Favorites panel. For now the link launches an external browser, though in the future we plan to display the directory directly inside Bridge, as shown here. (Speaking of which, Photoshop News has created its own little installer for ading a PS News link to the same area; see story.)
August 15, 2005
Good Evening, Mr. and Mrs. America & All the Ships at Sea…
So, it’s time I stepped up and got this blog of mine rolling. First, a basic intro: I’m John Nack & am insanely lucky to work as a product manager for Adobe Photoshop. (If I wake up to find I’m actually still slinging breadsticks at the Olive Garden in South Bend, Indiana, well, it was fun while it lasted.) Prior to joining the ‘Dobe five years ago to work on LiveMotion 2, I was a Flash and graphic designer at AGENCY.COM New York.
What’s my plan? I’ll blog as often as seems useful on things relating to Photoshop, imaging, and the Suite. I aim to be brief and keep things interesting (All Killer, No Filler). Updates are likely to be erratic for a while at least, so subscribing to the RSS feed seems like a good idea.
Being new to all this, I’d be grateful for your input on what you’d like to see in this space. Comments should be up and running, or you can drop me a note: jnack {at} adobe.com.
Now, let’s begin.
J.
Terms of Use | Privacy Policy and Cookies (Updated)



