Posts in Category "Announcements"

2015 release of SpeedGrade CC available now

The Adobe SpeedGrade CC (2015) update is available as part of your Creative Cloud membership. This update includes a number of new features and enhancements.

As described in our NAB Reveal blog post, the focus in this release was on color workflows, including the new Lumetri Color in Adobe Premiere Pro and our new mobile Look capture app, Adobe Hue CC. With SpeedGrade itself, the priorities for this release were on performance and compatibility with the new Lumetri color tools in Premiere Pro.

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New Features
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New Color Workflows in CC 2015

Introducing Adobe Hue CC

We’re pleased to announce that “Project Candy” is not just a project anymore. Today, Adobe Hue CC, our new Look capture app, is available on the Apple App Store. We were thrilled with response to Adobe Hue when we first revealed the technology at NAB and we’re even thrilled-er now that it’s available to everyone! We hope it opens new doors to color for you and we truly can’t wait to see what you do with it.AdobeHueCC_logotype[1]

What is Adobe Hue CC?

Let’s be clear right up front: Adobe Hue CC isn’t just a new app; it’s a new kind of app. Similar to other Adobe “capture apps” like Shape and Brush, it allows you to grab elements from the real world in a format you can use right away in your creative work. Where Shape captures the outlines of things, and Brush captures textures, Adobe Hue captures color and light which it saves as Looks– files you can use to enhance the appearance of video content.

Adobe Hue CC is a fantastic entry-point into the new color 2015 workflows. The Looks you create with Adobe Hue are automatically added to your Creative Cloud libraries and, thanks to Adobe CreativeSync, available to use within Adobe Premiere Pro CC (2015), After Effects CC (2015), and Premiere Clip.

 

How does Adobe Hue work?

Rather than snapping a picture, Adobe Hue creates a snapshot of just the color and light in a scene. As soon as you point it at something (or load an image from your Camera Roll or Creative Cloud folders), you will see a slowly rotating array of colored balls. This shows you the distribution of color and light available in that scene (or photo).

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Horizontally, the colors are arranged around the rotating axis in the same positions you would find them on a traditional color wheel. The vertical axis shows the amount of light: Darker tones are lower down in the image, the lighter ones higher up. If you are familiar with a 3D Histogram, you will see the similarities with the Adobe Hue capture screen.

After you tap the capture button, a simple edit screen opens where you can make two decisions.

  • Accept (or change) the midtone-shift for your Look
  • Accept (or adjust) the intensity of the Look

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The reference image in the top half of the screen shows how the Look impacts the image. You can tap and hold the reference image to see the “before” (without the Look) and compare that to the image with the Look applied.

Tap any color ball to make it the midtone (a small highlight ring shows you which one is selected). Changing the midtone shifts the whole Look, so the impact can be pretty significant, especially on neutral tones in the target image. The slider lets you make the whole Look stronger or more subtle.

Once you like it, tap Save and the Look is saved to your library where the magic of Adobe CreativeSync makes it available to use in Premiere Pro, After Effects, and Premiere Clip.

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How do Looks work?

A Look is not a filter: it does not subtract colors from your target image. Nor is it an overlay of any kind. A Look is actually a complex set of saturation adjustments that shift color and light across the whole picture. The results are richer video images with a distinctive visual style.

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Whether you are new to working with color, or an old hand at grading, Adobe Hue CC gives you a great place to start: capture experiences from the world around you and bring those emotional qualities right into your video projects. The impact is immediate. And you don’t have to stop there: open up the new Lumetri Color panel in Premiere Pro to make additional adjustments until you have exactly the Look you want. Want to bring the whole thing into a dedicated color grading environment? You can use Direct Link to open your Premiere Pro project in SpeedGrade.

Like the other color tools being introduced in the 2015 Creative Cloud releases, Adobe Hue CC is all about opening the doors to new ways of working with color.

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Ready to get started with Adobe Hue?

DOWNLOAD Adobe Hue CC from the App Store

LEARN how to capture custom Looks and apply them to your video projects

CHECK OUT the mobile and desktop workflows available with Adobe Hue CC

VISIT the Adobe Hue Help pages and Community Forum if you have questions

 

Adobe Hue CC is a free app that syncs with your Creative Profile through your Adobe ID. It is currently available for iPhone and iPad devices running iOS 8 and later.

 

What’s coming next to SpeedGrade and Creative Cloud? (Hint: it’s going to be colorful)

This year at NAB 2015 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new mobile Look capture technology, a brand new Color workspace in Adobe Premiere Pro, and Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip. And we haven’t forgotten SpeedGrade: the next release of our professional color grading application includes support for Lumetri Looks created in Premiere Pro – meaning that every color manipulation made in Premiere Pro is rendered identically in SpeedGrade. You will also get more responsive scopes, new SpeedLooks, and general performance and stability improvements.

Our team of color geniuses has done some amazing work. When you see the release you’ll see their attention has been focused above all on Premiere Pro and incorporating the Creative Cloud and mobile workflows into the creative color process. This is all about re-inventing the ways we work with color – and making color tools more accessible, and more flexible than they have ever been. Let’s take a closer look at what’s coming.

 

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What’s coming in the 2014.1 release of SpeedGrade CC

We’re really proud of the development of SpeedGrade since the launch of Creative Cloud. A lot of engineering muscle went into creating the industry’s first integrated editing and color-grading pipeline with Direct Link, which allows users to move Premiere Pro projects in and out of SpeedGrade without the hassles of transcoding or XML translations. This kind of seamless integration is revolutionizing how color work is done and brings professional color grading into easy reach of everyone who edits video.

Now that the hard work is done, we’ve turned our attention back to the creative tools, which are the heart and soul of SpeedGrade. This includes, new Curve adjustments, awesome new Grading Layer Grouping, hover previews for Looks, and a whole bunch of enhancements. For those of you with Blackmagic video I/O cards, such as the Decklink line, we’re delighted to announce that the wait is over. SpeedGrade now offers enhanced Mercury Transmit with support for 4K output and, let me repeat it, Blackmagic cards.

Altogether the new features and enhancements add up to really smooth workflows, whether you are  a seasoned pro or just starting out with color grading. Let’s dive in and learn more about the 2014.1 release – coming soon to Creative Cloud on your desktop.

 

Refreshed UI

Like all of the Creative Cloud video applications, the new release of SpeedGrade offers a refined new user interface with support for HiDPI displays, including Windows 8.1 systems.

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The color scheme is more subtle and UI elements have been simplified. For example the Effects menu has been organized to make it easier to find what you are looking for. Click the “+” icon at the bottom of the Grading Layer panel to see it.

Curve adjustments

The first thing you see in the new Effects pop-up menu is “Curves.” Click it to reveal two new color tool options: RGB Curves and Hue & Saturation Curves. Click either one to add a new grading layer – the Curve controls open in the grading panel. In both cases you can drag the curve line, adding (or removing) control points until you get the result you want in your image.

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With RGB Curves, the leftmost curve controls the Luma, which is like a ganged adjustment of all three (R, G, and B) channels.

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The Hue and Saturation curves allow you to boost or mute any part of the color spectrum. Add control points and drag the line to apply your adjustments.

You can use Curve adjustments on their own, or combine them with any other grading layers, Looks, or LUTs. This brings us to the next awesome feature …

Grading Layer Grouping

From the very earliest days, SpeedGrade has used layers (rather than nodes) for adding and combining grading adjustments. With the 2014.1 release we’re taking layer-based grading to the next, um, “level.”

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With Layer Grouping, you can now collect parts of your grade (or “Look,” as we call it) and collect them together. Not only does this allow you to organize complex Looks better, it also means you can adjust the opacity of a group of grades at once. This makes it easy to combine multiple Looks and effects and create a kind of “Look remix” out of them.

You can now multi-select individual grading layers, for example to save as a new Look, or to copy, just those parts of the grade. And then there’s drag and drop with Look presets – which brings us to the next feature …

Hover preview Looks

Now when you hover over a Look thumbnail, you see how that Look will impact your image, right in the Monitor. This makes it incredibly easy to test out Looks. To apply the Look, all you have to do is click on it (no more forgetting to press Enter and wondering later what happened to your Look …). Alternatively, you can drag the Look thumbnail into the grading layer stack, where it will appear as a new Group, and is automatically applied to the image.

Words don’t do this justice: you have to try it out yourself to see how smooth this really is. We think you will love the new Look workflow.

Better Direct Link

We have added audio support for Premiere Pro projects inside SpeedGrade, so now you have sound with your color. This is great since soundtracks or dialog often provide cues for transitions in lighting.

Performance with masks is now also improved, making it easier to work with masks in general, and multiple masks in particular. Related to this, SpeedGrade’s tracking, which is actually a pretty slick piece of engineering under the hood, is now significantly faster.

We also improved Autosave, both in Direct Link and in native SpeedGrade mode, so you can work with confidence.

As noted above, we have enhanced Mercury Transmit to support output to 4K monitors and adding support for Blackmagic cards.

New SpeedLooks

Last but not least, SpeedGrade sports four new SpeedLooks, giving you even more options for sophisticated color grading presets that perform really well across different types of footage and lighting conditions. Did I mention that you can group this with grading layers to instantly create new custom Looks?

Summing up

SpeedGrade is about three things: precision color science, efficient and flexible workflows, and the freedom to play with light and color. We’re excited about this release and we can’t what to see where you take it in your own work.

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Availability

The new updates to the Creative Cloud video apps and Adobe Anywhere for video are expected to ship in the coming weeks.

Adobe will host MAX, The Creativity Conference,  Oct. 4-8 in Los Angeles, to share even more amazing innovations coming to Creative Cloud across desktop, mobile, services and community. To be among the first to know when these and other Creative Cloud updates are available, follow us on Twitter @creativecloud or join us on Facebook.

Visit the Creative Cloud video page for links and news from Adobe at IBC 2014 from September 12 – 17

If you can’t make it to IBC, please join us for a special Ask a Video Pro session on Friday, September 12 at 10 am PT (7 pm CEST). Live from Amsterdam, Jason Levine will demo the new features coming to the CC video apps, including SpeedGrade

 

What’s coming next in SpeedGrade CC

A lot has changed since SpeedGrade became part of the Adobe CC family. Innovations like the Direct Link workflow with Premiere Pro, introduced at IBC 2013, have transformed the color workflow and changed the way editors and colorists collaborate to deliver unique looks and consistent color correction. With the next major update we’re introducing a number of great new features that refine the Direct Link experience. Additionally, we’re introducing new broadcast-standard scopes, answering to the fast-growing community of SpeedGrade users in broadcast and corporate production (see what’s new in this SpeedGrade overview video).

 Improved Direct Link experience

Full control over all tracks in your sequence
While we remain adamant about never changing an edit in while you are in SpeedGrade, a couple of items stood out in the user feedback we collected in the last six months. It was clear that turning adjustment layers on and off in SpeedGrade is crucial to a fast and efficient workflow between Premiere Pro and SpeedGrade. In the new release, you can do that by clicking the eye icon in front of each track. In fact, you can show or hid any type of track this way. That will be handy when titling is already integrated with your sequence, but you wanted to focus on the footage instead. It will also be helpful when multiple video tracks are present but you only wanted to see one at a time.

SpeedGrade CC continues to evolve with an improved Direct Link workflow for even easier integration with Premiere Pro

SpeedGrade CC continues to evolve with an improved Direct Link workflow for even easier integration with Premiere Pro

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SpeedGrade CC (7.2) Update

The SpeedGrade CC (7.2) December 2013 update will be released today. This update focuses on performance enhancements and bug fixes for the Direct Link workflow. This SpeedGrade update is just one of the pro video updates coming today, including releases of Adobe Media Encoder CC, After Effects CC, Prelude CC, and Adobe Premiere Pro CC. Please make sure you install Adobe Premiere Pro CC (7.2) before using Direct Link with SpeedGrade CC (7.2).

SpeedGrade CC (7.2) will be available for download via the Creative Cloud desktop application. Continue reading…

SpeedGrade CC (7.1) Update

Today, the Adobe SpeedGrade CC (7.1) update was released. This new version includes Direct Link integration with Adobe Premiere Pro CC (7.1).

If you are checking for updates in the Creative Cloud desktop application, and the updates don’t appear, restarting the application can force it to check for recent updates. In general, updates will appear in the Creative Cloud desktop application within 24 hours of being made available.

Ideally, you should install the updates automatically as described above, but you can also directly download the update packages from the download page for Windows or Mac OS.

If you have difficulty with this update, please bring questions and issues to the SpeedGrade forum. Don’t ask questions in the comments on this blog post, which fewer people will see.

NEW

  • Direct Link integration with Adobe Premiere Pro for smooth round tripping between editing and grading
  • New Adobe Premiere Pro timeline for projects opened via Direct Link
  • Support for multiple masks within a single .look (grading layer stack) for faster workflows and easier copying of complex looks.
  • Linked mask layers within grading layer stack for greater control and precision
  • Support for all file formats supported in Premiere Pro via Direct Link workflow (see Known Issues below for formats currently not supported)
  • New welcome screen provides option to open an existing Premiere Pro project or start a native SpeedGrade project
  • Selected SpeedLooks now included with SpeedGrade. These include camera patches for matching various high end cameras create a common starting point for grading and SpeedLooks for adding a cinematic look. Continue reading…

Coming Soon to SpeedGrade CC – Direct Link and more

Just last April at NAB we introduced SpeedGrade CC, including Shot Matcher, a revised UI, a new Snapshot browser and more. Many of you were excited about the new Lumetri integration in Adobe Premiere Pro CC, which allows you to apply SpeedGrade looks, including masks as effects layers. This innovation made it possible to view your content with the color grading applied in Premiere Pro and “edit to the esthetic.” It also hinted at a deeper integration between the two applications.

Direct Link
Today we are happy to announce that deeper integration will arrive very soon in the October 2013 release of SpeedGrade CC. It’s called Direct Link and allows you to open complete Premiere Pro projects inside SpeedGrade, so you see all your clips, cuts, transitions, and track color-coding in SpeedGrade CC. After applying color corrections in SpeedGrade, save the project and open it again in Premiere Pro in one smooth action – voila! Your color adjustments are all applied. Rather than Dynamic Linking, Direct Link allows you to move the whole project back and forth, as often as you need to. What a quick demo of Direct Link in action.

SpeedGrade CC now offers Direct Link integration with Adobe Premiere Pro CC

Since we first introduced Adobe SpeedGrade, the most requested feature has been a round-trip workflow with Premiere Pro. With Direct Link, you see the whole Premiere Pro CC timeline inside SpeedGrade CC.

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SpeedGrade CC Now Available

Adobe SpeedGrade CC is available now through Creative Cloud!

SpeedGrade CC is the newest version of the color grading and look design application. SpeedGrade CC offers a refined new interface and a host of powerful new features, including Shot Matcher, Film stock emulations, Look Manager, Mercury Transmit, Luma Waveform scope, Snapshot Browser, Continuity Checker, and support for Tangent Element control surfaces. Read an overview of the new features here.

Watch the SpeedGrade CC introductory video.

Top New Features in SpeedGrade CC

Shot Matcher
The revolutionary new Shot Matcher automatically matches the colometry of the source image to the current clip. This can dramatically speed up the process of matching clips shots across scenes. Colin Smith demonstrates this powerful new tool, only available in SpeedGrade CC. Continue reading…

Learn about the whole Adobe filmmaking workflow

One week ago, on June 13, director Richard Jobson delivered a dynamic presentation on Wayland’s Song, his sixth feature film made entirely using Adobe Creative Cloud (CS6) applications. In this special Ask a Video Pro session, Richard will describe the whole process from planning through to final delivery, including scriptwriting and production scheduling with Adobe Story, ingest and logging with Prelude, video editing in Adobe Premiere Provisual effects with After Effects, audio editing in Audition, and final color grading with our special favorite, SpeedGradeWayland’s Song premiered this year at the Cannes Film Festival.

(updated June 20)

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SpeedGrade CC – arriving in June in Adobe Creative Cloud

Yesterday we announced the launch of the next generation of our creative tools coming this June. Adobe SpeedGrade CC, along with all of the other new desktop applications will be available exclusively in Adobe Creative Cloud.

SpeedGrade CC
SpeedGrade CC brings some really cool new features, including a redesigned user interface, which puts all the tools you need right at your fingertips; Shot Matcher, for matching different clips automatically; Mercury Transmit, for external monitoring via AJA and Matrox cards; a Luma Waveform display for accurate color balancing, a Snapshot Browser for saving and loading reference images (including images imported from Photoshop CC), film stock emulations, Look Manager, and more. For an overview of the new features, check out our SpeedGrade CC preview post from last month, or the Reveal videos we did for NAB.

Adobe Creative Cloud
We think the best thing about SpeedGrade is Adobe Creative Cloud. Creative Cloud was first launched one year ago and it has already been more successful than we dared to hope. Continue reading…