Recently Adobe TV posted a beautiful video created by Thomas Bergman of Silbersalz Film, a production company located in Stuttgart, Germany. The film is one of my all-time favorites: their production quality is stunning. Their work illustrates the impact of “creative looks” on moving images, and shows the range of a professional color grading application for shaping narrative visually.
Needless to say, I am proud that the company is an all-Creative Cloud, all-SpeedGrade post house.
This interview was recorded on set at the Silbersalz facility during production on their SpeedGrade film.
I spoke last November with Will Read, a brilliant filmmaker based in London and a keen Creative Cloud and SpeedGrade user. Will was one of the presenters at the SpeedGrade 10th anniversary event we held in Munich in November 2013.
UK-based filmmaker Will Read
In the interview, Will speaks about his integrated approach to filmmaking. His workflow was born from a bad experience with his first film project. Although he had taken great care to shoot that film well, the final result was spoiled by bad telecine work and even worse color grading. He vowed then and there never again to let someone else ruin his images. Will then set out to learn color grading on his own, so that he could marry that expertise with his love of cinematography. The ultimate result was an end-to-end pipeline which gives the maximum amount of artistic control to the minimum number of people.
2013 marked the 10th anniversary of SpeedGrade. Last November in Munich, the city where SpeedGrade was born, we held a special event to make the occasion. We were joined by lots of old friends and new users at the fabulous ARRI Cinema where we watched a some great technical and artistic presentations.
SpeedGrade on the marquee at the famous ARRI Kino in Munich, Germany.
The whole SpeedGrade team was there – a feat, considering we’re spread all over Europe and North America.
SpeedLooks and the SpeedLooks camera patches are included with the new version of SpeedGrade CC, which will be available very soon. I chatted with Jeff August, one of the colorist partners in LookLabs, the company that created SpeedLooks. LookLabs has also created an awesome behind-the-scenes video, showing how they created the camera patches. In the video, you also see our good friend Jerome Sabourin, a DP and colorist who is also one of the founders of LookLabs.
What do SpeedLooks add to the colorist toolset?
SpeedLooks provide an great entry point for any colorist to start their grading session. All SpeedLooks have a defined palette that emulates the emulsion of 35mm film and they deliver beautiful results. Continue reading…
SpeedGrade CS6 has been out for a few months now and we’re already seeing some great third-party additions. SpeedLooks, created by LookLabs, are a great example, and help to illustrate the power of color grading to dramatically transform your images.
I chatted with colorist Jeff August of LookLabs recently to learn more – quick plug: Jeff will be giving an online seminar on color grading for video editors on August 16