Posts in Category "SpeedGrade Tools"

Getting to know Direct Link

SpeedGrade CC 7.1 introduced Direct Link, a new type of integration which connects the editing and color grading workflows. We wanted to explain what Direct Link is, how it works, and how to get the most out of this cool new feature.

Direct Link vs. Dynamic Link
With Direct Link, the whole Premiere Pro project (.pproj) can be opened in SpeedGrade. No file conversions or XML-based translations are involved; you get the complete native Premiere Pro timeline, except that it’s in SpeedGrade.

Dynamic Link works between two applications running in parallel on the same machine (and sharing the same memory). Dynamic Link is great for doing work on specific clips. You get immediate feedback and can make changes on the fly moving back and forth between After Effects and Premiere Pro while you perfect a composition within your editing project.

Color grading is rarely done this way. Although you may do several color grading passes over the course of your postproduction workflow, color work is generally done on a whole project, for example to match shots to each other or apply creative looks across scenes or an entire project. Continue reading…

NEW SpeedLooks and camera patches in SpeedGrade CC

SpeedLooks and the SpeedLooks camera patches are included with the new version of SpeedGrade CC, which will be available very soon. I chatted with Jeff August, one of the colorist partners in LookLabs, the company that created SpeedLooks. LookLabs has also created an awesome behind-the-scenes video, showing how they created the camera patches. In the video, you also see our good friend Jerome Sabourin, a DP and colorist who is also one of the founders of LookLabs.

What do SpeedLooks add to the colorist toolset?
SpeedLooks provide an great entry point for any colorist to start their grading session. All SpeedLooks have a defined palette that emulates the emulsion of 35mm film and they deliver beautiful results. Continue reading…