Posts tagged "Adobe Premiere Pro CC"

A Closer Look at the Lumetri Color Panel

With IBC around the corner, we are pleased to announce the key features in the next release of Adobe’s pro video & audio tools. Find out what’s coming:

This past spring we brought powerful new color workflows into Adobe Premiere Pro with the Lumetri Color panel, and extended your desktop workflow with Adobe Hue, a new type of mobile app that allows you to translate color and light information from a real-life scene into a Look. Today, we are pleased to announce that this control panel is now available in Adobe After Effects, allowing you to bring your color-graded footage into After Effects with complete fidelity, and the ability to continue to tweak the color until you have exactly the look you want.

The Lumetri Color panel combines Speedgrade technologies with Lightroom-style controls, bringing color correction and grading directly into your editorial workflow. Here, we’ll take a closer look (pun intended) at the Lumetri panel to show how you can build a Look, starting with a real-life inspiration, all the way through professional color grading in Premiere Pro, and seamlessly continue your work in After Effects.

Here’s the clip from a travel show that we’re going to work with:


It’s a nice shot with great dynamic range – but rather neutral and emotionally not evocative. It’s already linear, but still rather flat looking. Let’s start by using inspiration from the real world to produce a look for this shot.

Continue reading…

New Color Workflows in CC 2015

Introducing Adobe Hue CC

We’re pleased to announce that “Project Candy” is not just a project anymore. Today, Adobe Hue CC, our new Look capture app, is available on the Apple App Store. We were thrilled with response to Adobe Hue when we first revealed the technology at NAB and we’re even thrilled-er now that it’s available to everyone! We hope it opens new doors to color for you and we truly can’t wait to see what you do with it.AdobeHueCC_logotype[1]

What is Adobe Hue CC?

Let’s be clear right up front: Adobe Hue CC isn’t just a new app; it’s a new kind of app. Similar to other Adobe “capture apps” like Shape and Brush, it allows you to grab elements from the real world in a format you can use right away in your creative work. Where Shape captures the outlines of things, and Brush captures textures, Adobe Hue captures color and light which it saves as Looks– files you can use to enhance the appearance of video content.

Adobe Hue CC is a fantastic entry-point into the new color 2015 workflows. The Looks you create with Adobe Hue are automatically added to your Creative Cloud libraries and, thanks to Adobe CreativeSync, available to use within Adobe Premiere Pro CC (2015), After Effects CC (2015), and Premiere Clip.


How does Adobe Hue work?

Rather than snapping a picture, Adobe Hue creates a snapshot of just the color and light in a scene. As soon as you point it at something (or load an image from your Camera Roll or Creative Cloud folders), you will see a slowly rotating array of colored balls. This shows you the distribution of color and light available in that scene (or photo).


Horizontally, the colors are arranged around the rotating axis in the same positions you would find them on a traditional color wheel. The vertical axis shows the amount of light: Darker tones are lower down in the image, the lighter ones higher up. If you are familiar with a 3D Histogram, you will see the similarities with the Adobe Hue capture screen.

After you tap the capture button, a simple edit screen opens where you can make two decisions.

  • Accept (or change) the midtone-shift for your Look
  • Accept (or adjust) the intensity of the Look


The reference image in the top half of the screen shows how the Look impacts the image. You can tap and hold the reference image to see the “before” (without the Look) and compare that to the image with the Look applied.

Tap any color ball to make it the midtone (a small highlight ring shows you which one is selected). Changing the midtone shifts the whole Look, so the impact can be pretty significant, especially on neutral tones in the target image. The slider lets you make the whole Look stronger or more subtle.

Once you like it, tap Save and the Look is saved to your library where the magic of Adobe CreativeSync makes it available to use in Premiere Pro, After Effects, and Premiere Clip.


How do Looks work?

A Look is not a filter: it does not subtract colors from your target image. Nor is it an overlay of any kind. A Look is actually a complex set of saturation adjustments that shift color and light across the whole picture. The results are richer video images with a distinctive visual style.

adobe-hue-feature-thumbnails-01 adobe-hue-feature-thumbnails-02 adobe-hue-feature-thumbnails-03

Whether you are new to working with color, or an old hand at grading, Adobe Hue CC gives you a great place to start: capture experiences from the world around you and bring those emotional qualities right into your video projects. The impact is immediate. And you don’t have to stop there: open up the new Lumetri Color panel in Premiere Pro to make additional adjustments until you have exactly the Look you want. Want to bring the whole thing into a dedicated color grading environment? You can use Direct Link to open your Premiere Pro project in SpeedGrade.

Like the other color tools being introduced in the 2015 Creative Cloud releases, Adobe Hue CC is all about opening the doors to new ways of working with color.



Ready to get started with Adobe Hue?

DOWNLOAD Adobe Hue CC from the App Store

LEARN how to capture custom Looks and apply them to your video projects

CHECK OUT the mobile and desktop workflows available with Adobe Hue CC

VISIT the Adobe Hue Help pages and Community Forum if you have questions


Adobe Hue CC is a free app that syncs with your Creative Profile through your Adobe ID. It is currently available for iPhone and iPad devices running iOS 8 and later.


Thinking Like a Colorist

Watch a replay of Robbie Carman’s Ask a Video Pro webinar to learn how you can bring creative color into your editing and postproduction workflow:

Colorist Robbie Carman began his career as an editor, so he knows both sides of the traditional divide between cutting and finishing. But he’ll be the first to tell you that the traditional divide is a thing of the past. With today’s digital workflows, powerful hardware and production tools creative work with color is much more accessible.

At NAB this year, Robbie presented a session that would have been inconceivable even just a few short years ago: “Work Like an Editor, Think Like a Colorist,” where he highlighted the new color workflows between Premiere Pro, SpeedGrade, and Project Candy. Most importantly for many filmmakers and production professionals, he showed how color can be a incorporated into everyone’s workflow – especially with the new color tools coming soon to the Creative Cloud.


Robbie kicked off his NAB presentation with a quote from Expressionist artist Vassily Kandinksy: “Color is a power which directly influences the soul.” Robbie continued, “Everything I do as a colorist, I try to live by this guiding principle.” As a speaker, he has a knack to making complex content easy and engaging.

Watch the presentation below and get inspired by Robbie’s passion – as well as a nice overview of some of the great things coming to Adobe pro video.

And if you want more Robbie (and really, who wouldn’t?) you can watch a replay of Robbie’s Ask a Video Pro session – at

What’s coming next to SpeedGrade and Creative Cloud? (Hint: it’s going to be colorful)

This year at NAB 2015 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new mobile Look capture technology, a brand new Color workspace in Adobe Premiere Pro, and Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip. And we haven’t forgotten SpeedGrade: the next release of our professional color grading application includes support for Lumetri Looks created in Premiere Pro – meaning that every color manipulation made in Premiere Pro is rendered identically in SpeedGrade. You will also get more responsive scopes, new SpeedLooks, and general performance and stability improvements.

Our team of color geniuses has done some amazing work. When you see the release you’ll see their attention has been focused above all on Premiere Pro and incorporating the Creative Cloud and mobile workflows into the creative color process. This is all about re-inventing the ways we work with color – and making color tools more accessible, and more flexible than they have ever been. Let’s take a closer look at what’s coming.


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Using Direct Link with Color Presets

This week I wanted to share a video created by reTooled, showing how to work with look presets in both Premiere Pro and SpeedGrade using the new Direct Link integration.

I spoke with Josh Weiss about reTooled and the color presets they have created for Adobe Premiere Pro and SpeedGrade. Continue reading…