Watch a replay of Robbie Carman’s Ask a Video Pro webinar to learn how you can bring creative color into your editing and postproduction workflow: bit.ly/1FFTy5R
Colorist Robbie Carman began his career as an editor, so he knows both sides of the traditional divide between cutting and finishing. But he’ll be the first to tell you that the traditional divide is a thing of the past. With today’s digital workflows, powerful hardware and production tools creative work with color is much more accessible.
At NAB this year, Robbie presented a session that would have been inconceivable even just a few short years ago: “Work Like an Editor, Think Like a Colorist,” where he highlighted the new color workflows between Premiere Pro, SpeedGrade, and Project Candy. Most importantly for many filmmakers and production professionals, he showed how color can be a incorporated into everyone’s workflow – especially with the new color tools coming soon to the Creative Cloud.
Robbie kicked off his NAB presentation with a quote from Expressionist artist Vassily Kandinksy: “Color is a power which directly influences the soul.” Robbie continued, “Everything I do as a colorist, I try to live by this guiding principle.” As a speaker, he has a knack to making complex content easy and engaging.
Watch the presentation below and get inspired by Robbie’s passion – as well as a nice overview of some of the great things coming to Adobe pro video.
And if you want more Robbie (and really, who wouldn’t?) you can watch a replay of Robbie’s Ask a Video Pro session – at bit.ly/1FFTy5R
Just last April at NAB we introduced SpeedGrade CC, including Shot Matcher, a revised UI, a new Snapshot browser and more. Many of you were excited about the new Lumetri integration in Adobe Premiere Pro CC, which allows you to apply SpeedGrade looks, including masks as effects layers. This innovation made it possible to view your content with the color grading applied in Premiere Pro and “edit to the esthetic.” It also hinted at a deeper integration between the two applications.
Direct Link Today we are happy to announce that deeper integration will arrive very soon in the October 2013 release of SpeedGrade CC. It’s called Direct Link and allows you to open complete Premiere Pro projects inside SpeedGrade, so you see all your clips, cuts, transitions, and track color-coding in SpeedGrade CC. After applying color corrections in SpeedGrade, save the project and open it again in Premiere Pro in one smooth action – voila! Your color adjustments are all applied. Rather than Dynamic Linking, Direct Link allows you to move the whole project back and forth, as often as you need to. What a quick demo of Direct Link in action.
Since we first introduced Adobe SpeedGrade, the most requested feature has been a round-trip workflow with Premiere Pro. With Direct Link, you see the whole Premiere Pro CC timeline inside SpeedGrade CC.
Adobe SpeedGrade CC is available now through Creative Cloud!
SpeedGrade CC is the newest version of the color grading and look design application. SpeedGrade CC offers a refined new interface and a host of powerful new features, including Shot Matcher, Film stock emulations, Look Manager, Mercury Transmit, Luma Waveform scope, Snapshot Browser, Continuity Checker, and support for Tangent Element control surfaces. Read an overview of the new features here.
Shot Matcher The revolutionary new Shot Matcher automatically matches the colometry of the source image to the current clip. This can dramatically speed up the process of matching clips shots across scenes. Colin Smith demonstrates this powerful new tool, only available in SpeedGrade CC. Continue reading…
One week ago, on June 13, director Richard Jobson delivered a dynamic presentation on Wayland’s Song, his sixth feature film made entirely using Adobe Creative Cloud (CS6) applications. In this special Ask a Video Pro session, Richard will describe the whole process from planning through to final delivery, including scriptwriting and production scheduling with Adobe Story, ingest and logging with Prelude, video editing in Adobe Premiere Pro, visual effects with After Effects, audio editing in Audition, and final color grading with our special favorite, SpeedGrade. Wayland’s Song premiered this year at the Cannes Film Festival.
Yesterday we announced the launch of the next generation of our creative tools coming this June. Adobe SpeedGrade CC, along with all of the other new desktop applications will be available exclusively in Adobe Creative Cloud.
Adobe Creative Cloud We think the best thing about SpeedGrade is Adobe Creative Cloud. Creative Cloud was first launched one year ago and it has already been more successful than we dared to hope. Continue reading…
Adobe is making it simpler to keep your software up-to-date. And a lot cheaper.
Adobe CS6 has been so well received by reviewers and production professionals around the world, and you now have several options for buying it. Along with boxed versions (or “shrink” as they call it here), and purchasing online, you can also subscribe. That last option is a great model. I encourage you to take a good look at Adobe’s Creative Cloud Membership.