This year at NAB 2015 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new mobile Look capture technology, a brand new Color workspace in Adobe Premiere Pro, and Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip. And we haven’t forgotten SpeedGrade: the next release of our professional color grading application includes support for Lumetri Looks created in Premiere Pro – meaning that every color manipulation made in Premiere Pro is rendered identically in SpeedGrade. You will also get more responsive scopes, new SpeedLooks, and general performance and stability improvements.
Our team of color geniuses has done some amazing work. When you see the release you’ll see their attention has been focused above all on Premiere Pro and incorporating the Creative Cloud and mobile workflows into the creative color process. This is all about re-inventing the ways we work with color – and making color tools more accessible, and more flexible than they have ever been. Let’s take a closer look at what’s coming.
Just last April at NAB we introduced SpeedGrade CC, including Shot Matcher, a revised UI, a new Snapshot browser and more. Many of you were excited about the new Lumetri integration in Adobe Premiere Pro CC, which allows you to apply SpeedGrade looks, including masks as effects layers. This innovation made it possible to view your content with the color grading applied in Premiere Pro and “edit to the esthetic.” It also hinted at a deeper integration between the two applications.
Today we are happy to announce that deeper integration will arrive very soon in the October 2013 release of SpeedGrade CC. It’s called Direct Link and allows you to open complete Premiere Pro projects inside SpeedGrade, so you see all your clips, cuts, transitions, and track color-coding in SpeedGrade CC. After applying color corrections in SpeedGrade, save the project and open it again in Premiere Pro in one smooth action – voila! Your color adjustments are all applied. Rather than Dynamic Linking, Direct Link allows you to move the whole project back and forth, as often as you need to. What a quick demo of Direct Link in action.
Since we first introduced Adobe SpeedGrade, the most requested feature has been a round-trip workflow with Premiere Pro. With Direct Link, you see the whole Premiere Pro CC timeline inside SpeedGrade CC.