Results tagged “After Effects”
Adobe unveils Adobe Premiere Clip 2.0, Adobe Capture CC, and advances coming to the professional video tools
Tune in to Adobe MAX Online to see live demonstrations of these announcements and LOTS more.
Adobe Premiere Clip 2.0 is here! This update to our mobile video editing app adds automatic video creation, Sync to Music functionality, Lightroom on Mobile integration, improved editing, and a new streamlined user interface. Learn more and download Adobe Premiere Clip now. Stay tuned here for more details on Premiere Clip 2.0 later today.
A brand new mobile app – Adobe Capture CC – integrates the power of Adobe Hue CC, Adobe Color CC, Adobe Shape CC, and Adobe Brush CC. Now you can turn any photo into a Look, color theme, vector graphic, or unique brush for use in all your creative projects. Learn more and download Adobe Capture CC on iOS and Android now.
And there’s more! Recently, Adobe revealed the next wave of innovation coming to its professional video and audio tools – including expanded support for UltraHD (UHD), brilliant color technology improvements, and new touch workflows. These features will be available in the coming months.
Adobe demonstrates growing industry momentum as customers continue to make the switch to Creative Cloud and Premiere Pro CC workflows. These include the film Deadpool from 20th Century Fox, coming February 12, 2016; Staten Island Summer from Paramount Pictures, edited by Adam Epstein; and award-winning motion picture colorist Dado Valentic who has worked on 60 feature films, hundreds of commercials, and actively engages with fashion industry clients to develop everything from online brand videos to billboards. Watch demos, interviews, and more from Adobe at IBC Show 2015.
In these upcoming releases of Creative Cloud video apps, you’ll get:
Exceptional UltraHD, HDR, and touch integration—Work with UltraHD (UHD) 4K and 8K media and beyond, and high dynamic range (HDR) files across Creative Cloud applications and throughout your creative pipeline. Maintain color fidelity between Adobe Premiere Pro CC and Adobe After Effects CC with the Lumetri effect now also in After Effects. Plus, navigate panels and workspaces with touch and speed your work with gestures on your Microsoft Surface Pro, Windows 8 tablet or Apple track pad.
Creative assets everywhere you work—Access your project or personal assets wherever you are through Adobe CreativeSync technology. Share images, color Looks, and more between Creative Cloud desktop tools including Photoshop and Illustrator, and with mobile apps such as Adobe Capture CC. Drag assets straight from the Creative Cloud Libraries panel inside After Effects and drop them into the Composition panel. Creative Cloud lets you access and apply assets to your projects without interrupting your creative process.
Vibrant world-class marketplace—Search, try out, and license any of the 45-million high-quality royalty-free images through the Adobe Stock service built into the Libraries panels in Premiere Pro and After Effects.
“Color is now everyone’s responsibility in production. Feature updates in Adobe Premiere Pro CC, such as Lumetri Looks, enable filmmakers and editors to control the look of a project throughout the production process, from the initial script to the end, ultimately giving them more creative control. I look forward to what’s coming next in Creative Cloud,” said Dado Valentic, Founder and Chief Colorist at Mytherapy.
“Adobe is refining our workflows to more easily use fantastic image quality and high dynamic range as creative tools. The ability to move the viewer with HDR imagery will be at our users’ fingertips,” said Bill Roberts, Senior Director of professional video product management, Adobe. “We are in a truly exciting age where the consumption experience is changing – we need to deliver tools that empower creative to take advantage of what is coming.”
To learn more about what’s coming next for Adobe Premiere Pro CC, visit the Premiere Pro blog.
To learn more about what’s coming next for Adobe After Effects CC and Character Animator, visit the After Effects blog.
To learn more about what’s coming next for Adobe Audition CC, visit the Audition blog.
To learn more about what’s coming next for Adobe Media Encoder CC, visit the Premiere Pro blog.
Get Inspired by Amsterdam
Bring Amsterdam into your creative workflow, no matter where you are in the world! At IBC Show 2015, #TeamAdobe collected inspirations in the city using Adobe’s capture apps. This library of Amsterdam-inspired production-ready assets is available to you for free. Use these creative assets in your video, photo, and design work. Enhance your video footage with Looks from Adobe Hue CC, animate Shapes in After Effects, dip into unique Color themes, and incorporate interesting textures with special Brushes.
Concert film editor captures emotion of live performances with Adobe Premiere Pro CC
Simon Bryant’s love of music comes through loud and clear with his editing of concert and studio footage for films and DVDs. His work covers a range of genres and he’s been lucky to work with many well-known artists including The Rolling Stones, Ed Sheeran, Coldplay, and One Direction. Bryant is constantly examining what makes a project successful, both from an editing and a film point of view. One key factor that contributes to his success is working with Adobe Premiere Pro CC.
Simon Bryant will be presenting the session “Leading the Eye: Multi-Camera Editing for Some of the World’s Biggest Bands” in the Adobe stand 7.G27 at IBC 2015 on Sunday, Sept. 13th at 1:30 pm and 5:00 pm.
Adobe: How did you get into this career?
Self-taught editor and master educator transitions editors from Avid Media Composer to Adobe Premiere Pro CC
Stefan Weiss will be presenting the session “Streamlining Workflows by Switching from Avid to Adobe Premiere Pro CC” in the Adobe stand 7.G27 at IBC 2015 on Friday, Sept. 11th at 1:30 pm and 5:00 pm and Saturday, Sept. 12th at 2:00 pm.
When it comes to non-linear editing (NLE), Stefan Weiss is fearless. He’s worked in both film and broadcast television, and today enjoys editing documentaries on a variety of topics, from airplanes to reincarnation. Weiss balances his editing career with work as a trainer, focusing primarily on teaching others how to successfully switch from Avid Media Composer to Adobe Premiere Pro CC. Weiss is a member of the German Editors Guild (Bundesverband Filmschnitt Editor e.V.) and an Adobe Certified Instructor for Premiere Pro and Adobe Photoshop CC.
Adobe: How did you get your start?
Global VFX studio produces extraordinary motion graphics and visual effects with Adobe Creative Cloud
Will MacNeil will be presenting the session “Creating Stunning Motion Design Experiences with Creative Cloud and Cinema 4D” in the Adobe stand 7.G27 at IBC 2015 on Monday, Sept. 14th at 5:00 pm and Tuesday, Sept. 15th at 2:30 pm and in the MAXON stand 7.K30 on Monday, Sept. 14th at 3:00 pm and Tuesday, Sept. 15th at 11:00 am.
This blog was originally posted on September 5, 2014.
MPC is one of the world’s leading visual effects and motion graphics studios, with more than 2,000 employees in eight global offices. The studio’s work includes blockbuster films such as Godzilla, the Harry Potter franchise, and Life of Pi, and advertising campaigns for global brands including Samsung, Ikea, and Visa. MPC works with agencies, production companies, directors, and does some direct-to-brand engagements as well. Senior Motion Graphics Designer Will MacNeil, Marketing Manager Zoe Kent, and Creative Director Dave Haupt explain the role of Adobe Creative Cloud in bringing their visions to life.
Adobe: What is important for us to know about MPC?
Talented editor Vinnie Hobbs applies his own personal style to music video and film projects using Adobe Creative Cloud
Vinnie Hobbs was born and raised in Okinawa, Japan, where his parents work as Instructional Systems Specialists for DoDEA (The Department of Defense Education Activity) on a military installation. He spent his teenage years in Japan shooting skateboard videos and editing with two VCRs connected to each other. These early creative explorations set him on a trajectory to become one of the most talented music video editors in the industry today.
Having worked on projects for artist including Nicki Minaj, Chris Brown, and Cheryl Cole, Hobbs recently edited the Kendrick Lamar “Alright” music video, which is the most nominated music video in the 2015 MTV Video Music Awards, including a nomination for Video of the Year. Since high school, Adobe Premiere Pro has been Hobbs’ editing program of choice, and he now enjoys working with a range of desktop and mobile apps in Adobe Creative Cloud.
Adobe: How did you start editing music videos?
SMOSH creates laugh-out-loud video content for a loyal audience that now counts over 35 million total subscribers
Powerhouse digital comedy brand entertains fans with hilarious videos created using Adobe Creative Cloud
SMOSH, founded by childhood friends Anthony Padilla and Ian Hecox, has been entertaining audiences with their unique brand of humor for the past decade and has one of the strongest digital footprints of any media brand in existence today. SMOSH’s main YouTube channel recently surpassed a remarkable 21 million subscribers, it counts more than 35 million subscribers across multiple channels that also include spin-off’s SMOSH Games and Shut Up! Cartoons, and has seen record-setting success with the launch of mobile games, apps and music, as well as merchandise (they even have a calendar!)
SMOSH recently celebrated the release of its first feature-length film, SMOSH: The Movie, which made its debut with a red carpet Hollywood premiere in late July and quickly rose to the top of the iTunes charts following its digital debut. Need more evidence of the rising influence and celebrity of these online talents? The iconic Madame Tussauds Wax Museum chose SMOSH to be THE first digital stars to be immortalized in wax. The figures will tour the country next year.
Ultimate indie artist creates shows from start to finish with help from Adobe Creative Cloud
Kylie Flavell will be presenting the session “Creating Shows from Start to Finish with Creative Cloud” in the Adobe stand 7.G27 at IBC 2015 on Sunday, September 13th at 10:30 am and 2:30 pm and Monday, September 14th at 10:30 am.
Kylie Flavell has the tenacity and talent to make her dreams come true. When it comes to making her hot travel TV shows, including Hooked Up—which has 1.5 million YouTube viewers per episode—she does it all as host, producer, camera operator, editor, color grader, lighting engineer, sound engineer, post-production specialist, and distributor. To help her accomplish her ambitious goals and fuel her creative freedom and passion, she relies on an Adobe Creative Cloud workflow that includes Adobe Premiere Pro CC and Adobe After Effects CC.
Adobe: Tell us about your background.
Flavell: I’m Australian and worked as a magazine editor and publisher. One day I decided to quit my job and run away to live in Italy. While there are people who say life can’t be like it is in the movies, I say yes it can! My generation is the luckiest ever, because literally all we’re limited by is our imagination, and I take that to the extreme.
“Saturday Night Live” short-film team tackles feature film with help from Adobe Premiere Pro CC
Rhys Thomas and Adam Epstein have worked together for years on the short films for the Saturday Night Live Film Unit—Rhys as the director and producer, Adam as the editor. So when Thomas got the opportunity to direct the feature film Staten Island Summer, Epstein was a natural choice to edit. The film, produced by Lorne Michaels, features many recognizable Saturday Night Live faces. While there are some clear differences between delivering content for a weekly television show and working on a movie, there were many similarities as well. One thing that remained the same was the team’s proven editing workflow, powered by Adobe Premiere Pro CC.
Adobe: Let’s start at the beginning—when was the movie shot?
Post house thrives with mix of commercial and film projects produced with help from Adobe Creative Cloud
Coyote Post, a full service post-production studio in Hollywood, has been busy since we checked in with them a year ago. In addition to winning a Cannes Lions Award for the “Wake Up & Smell the Bacon” campaign for Oscar Mayer, a collaboration with production house Dirty Robber, the studio also moved from Silver Lake in Los Angeles to a beautiful new space in East Hollywood. The talented team of freelancers at Coyote Post continues to push the limits of creativity, using Adobe Creative Cloud for editorial, color, and VFX work. Executive Producer Rik Michul and Post Production Supervisor Julie Hansen updated us on the company’s amazing year.
Adobe: What’s the latest with Coyote Post?
Michul: The last year has been a bit of a blur. We’ve worked on several hallmark projects, including the documentary Kobe Bryant’s Muse, several music videos and commercials, and also completed effects and color work for two indie features.
Filmmakers and Adobe Premiere Pro aficionados shine at the American Cinema Editors Student Competition
Each year, the American Cinema Editors (ACE) present the prestigious EDDIE Awards for the best-edited films in the business. To encourage young, up-and-coming editors, ACE also hosts an annual student film editing EDDIE competition. In 2015, two student editors, Aneesa Mahboob and Ben Stringfellow, used Adobe Premiere Pro to edit their films—and became two of the three competition finalists out of a pool of 100 students. Here, they talk about their experiences using Adobe video tools to create their standout film projects.
Adobe: Tell us how each of you got into filmmaking?