Results tagged “After Effects”
Editor Davis Coombe takes on ambitious editing project for larger-than-life documentary using Adobe Premiere Pro CC
Screening at the 2015 Sundance Film Festival, Being Evel recounts the true story behind American icon Robert “Evel” Knievel. The feature documentary, co-produced by A&E IndieFilms, History Films, and HēLō, with post production by Milkhaus, goes behind the scenes to reveal the dramatic life and lasting legacy of one of the world’s most famous daredevils. Davis Coombe, the creative director at Milkhaus, cut the film in Adobe Premiere Pro CC, with extensive visual effects created and composited using Adobe After Effects CC.
Editors use Adobe Creative Cloud for editing and visual effects on Park City At Midnight premiere
The Park City At Midnight film lineup at the 2015 Sundance Film Festival comprises fun genre movies that most festival goers can’t wait to see. Among this year’s highlights: Cop Car, a thriller/comedy starring Kevin Bacon, directed by Jon Watts and co-written by Watts and Christopher D. Ford. Andrew Hasse and Megan Brooks teamed up to edit the film using Adobe Premiere Pro CC, with visual effects generated in Adobe After Effects CC and Adobe Photoshop CC.
Adobe: Tell us more about Cop Car.
Hasse: Shot in Colorado on ARRI ALEXA cameras, Cop Car is a “Coen-esque” thriller that has a ton of humor as well as dramatic action. Bacon stars as a sheriff whose car is stolen by two kids who take it on a joy ride. He delivers a great performance—Bacon is perfect as the center of the film. The film is fun, and was even more fun to work on.
Editor Andrea B. Scott cuts hip-hop fashion documentary using Adobe Premiere Pro CC
Hip-hop is more than a musical genre, it is an entire subculture that includes unique musical and vocal styles, dance moves, and distinctive fashion. Director Sacha Jenkins created Fresh Dressed, screening at the 2015 Sundance Film Festival, to document the history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar industry. The film is produced by CNN Films and accomplished editor Andrea B. Scott cut the film using Adobe Premiere Pro CC.
Adobe: What is Fresh Dressed about?
Scott: Fresh Dressed outlines the evolution of hip hop fashion, featuring in-depth interviews with people crucial to its evolution, supported by a lot of great archival materials. The vibe is thought-provoking while still being fun and energetic. Viewers will recognize familiar faces and musical tracks.
Award-winning director’s feature-length film edited using Adobe Premiere Pro CC premieres at the 2015 Sundance Film Festival
Writer and director Jennifer Phang caught the attention of movie aficionados with her award-winning feature film Half-Life, which premiered at the 2008 Sundance Film Festival. Now, with several more directing, writing, and producing credits under her belt, Phang is back at the 2015 Sundance Film Festival with her dystopian mother-daughter story, Advantageous. Phang and her co-editor Sean Gillane edited the film using Adobe Premiere Pro CC.
A hub of creativity, the Sundance Film Festival features filmmakers who aren’t afraid to break new ground. While much attention is paid to how the stories unfold in front of the camera, filmmakers continue to innovate and push creative boundaries after filming wraps.
Adobe is proud to report that 21 films debuting at the 2015 Sundance Film Festival were cut with Adobe Premiere Pro CC, more than doubling the number of films edited on Premiere Pro from last year’s festival. The seamless integration with Adobe After Effects CC, as well as the native editing, speed, and affordability of Premiere Pro make it an ideal choice for both up-and-coming and experienced filmmakers. read more…
Combining theatrical sensibilities with digital video to deliver stunning live events with Adobe Creative Cloud
From musical performances to runway shows, more and more live events are incorporating high-tech video displays to take the experience to the next level. Nick Dew and Jack James combined their video and theater backgrounds to found Really Creative Media, a London-based agency that specializes in digital and live production. The company uses Adobe Creative Cloud to craft video, lighting, and audio content that helps pop stars, fashion houses, and film premieres shine. Recently, the team brought their magic to the Queen + Adam Lambert tour, allowing the rock legends to honor their late band mate Freddie Mercury.
UltraHD is here to stay as more and more consumers demand content that makes them feel like they are part of an experience. Some analysts think that by the end of 2018, 10% of American households will have 4K capable TVs and by the end of 2024, that number could reach 50%. That means that it’s up to us, as content creators, to start getting comfortable with editing in 4K, 5K—or even 6K—to create Ultra HD content to meet this increasing demand.
The tools we need to shoot, edit and distribute this content are more important than ever. And, because it is not uncommon for a project that just took a few days of shooting to result into 1 to 2 terabytes of hard drive space, these big files need powerful software–not to mention bigger hard drives–that can edit the footage without choking.
Epic freesking and snowboarding tour improves video workflow and productivity with Adobe Creative Cloud
The Freeride World Tour by The North Face (FWT) is the top big mountain freeskiing and snowboarding tour in the world. FWT doesn’t deal with artificial jumps and groomed slopes. Athletes use the entire slope, including overhangs and cliff-faces, choosing their own path down the mountain while demonstrating control and technique through fluid movements and jumps. The mountains don’t just up the action for the athletes; they also challenge the event photographers and cinematographers. David Arnaud, the producer who has been in charge of the television and video production on FWT since 2009, along with Editor Aurelie Monod and a crew of up to 35 people, work in extremely challenging conditions to bring the excitement of FWT to viewers.
Post-production engineer combines hardware and software to bring VFX closer to editorial
Jeff Brue founded Open Drives four years ago to design storage solutions for the media and entertainment industry. Working with top filmmakers in Hollywood provided a great test base and enabled the company to push its storage technology to new heights. Having previously worked with David Fincher on House of Cards, Brue was tapped as the post-production engineer for Gone Girl, where he collaborated with a talented team to create a next-generation editorial platform using Adobe Creative Cloud.
Post-production supervisor pushes quality and guides integration using Adobe Creative Cloud
In the past decade, Peter Mavromates has worked on more than a dozen feature films, as well as a few TV series, generally serving as post-production supervisor. One thing that many of his projects have in common is the director: David Fincher. Mavromates knows that working with Fincher means the standards will be high, but he likes it that way. For Gone Girl, the main challenge was implementing a completely new post-production pipeline that included fast machines and Adobe Creative Cloud video applications.