Results tagged “Premiere Pro”
Documentary director and editor reveals magical world in his latest film, Iceland: Land of Ice and Fire, created with Adobe Creative Cloud
Documentary Film Editor and Director Andrew Chastney’s passion for natural history is clear in the work he’s done for the BBC, Disney Nature, Animal Planet, and National Geographic. Most recently, he explored the magical secrets of Iceland for the BBC documentary, Iceland: Land of Ice and Fire, which tells the story of the animals, people, and land that make up this wild island. Andy used Adobe Creative Cloud to help create the ambitious documentary, which aired on the BBC in May 2015.
When I first heard of Adobe Video World, I thought “What is this place and how do I get there?” I envisioned a planet, not unlike Coruscant from Star Wars, where Adobe Jedis convene and discuss disturbances in the force. Come to learn this year’s Adobe Video World conference is the first of its kind, combining the successes of past Premiere Pro World and After Effects World Conferences into one 6-day Adobe galaxy… far far away in San Jose. [Star Wars theme plays.]
Live sports broadcast editing and effects specialist delivers the full package for top sporting events with Adobe Creative Cloud
Covering live sports broadcasts requires speed, cost-efficiency, and flexibility—and that’s where Will Newell excels. For 10 years, he’s done graphics, editing, live outdoor interviews, and broadcast delivery preparation for events including the U.S. Open and Formula 1 racing. Although he’s used Avid Media Composer and Final Cut Pro, his freelance business now relies on a Mac and Adobe Creative Cloud, including Adobe Premiere Pro CC. Here, Newell shares his experiences and talks about why Adobe Creative Cloud is an affordable, powerful option for a freelancer.
Adobe: How did you get your start?
Newell: I worked at an editing facility in Manchester, England in the machine room, as a runner, and then as an assistant editor. I moved to London a few years later and began freelancing. Sky Sports contacted me to do features, openers, closers, and so on. I hit the ground running working regularly on content for football, rugby, cricket, tennis, golf, and even darts matches. I went to Australia in 2012 for the first Sky Sports F1 race and have been doing primarily outdoor broadcasts ever since.
Skilled director and editor brings multifaceted talent to BBC’s “The Voice UK” with help from Adobe Creative Cloud
Scott Peters is a self-‐proclaimed “everything” man. He can direct, produce, edit, shoot, and produce graphics on both large and small budgets. Freelancing offers him the variety that he enjoys and has helped him build an impressive resume. His most recent gig was working as a Digital Director and Producer on the BBC’s The Voice UK, where his team produced all digital content for the wildly popular show using Adobe Creative Cloud.
Adobe: How did you get your start?
Peters: I learned everything I know on the job. I started filming when I was about 12, doing skateboard videos and emulating Jackass videos. At 16, I started getting work experience running on commercials and TV shows.
We are thrilled to announce that Premiere Clip 2.0 is now available for download in the App Store. The new release of Premiere Clip includes a number of enhancements to make video editing on the move easier, faster and more fun. Check out all that’s new in the latest release!
New and improved features in Premiere Clip 2.0
- Automatic video creation
- Sync to Music
- Lightroom on Mobile integration
- Improved editing and a new streamlined user interface
Automatic video creation
When creating a new project, you will now have the option for automatic video creation. Select your photos and videos and Premiere Clip will automatically create a video synced to music. You can pick your own soundtrack, choose a different soundtrack start point, adjust the pace of transitions, or re-arrange media, so that in minutes, you have something to share.
Adobe unveils Adobe Premiere Clip 2.0, Adobe Capture CC, and advances coming to the professional video tools
Tune in to Adobe MAX Online to see live demonstrations of these announcements and LOTS more.
Adobe Premiere Clip 2.0 is here! This update to our mobile video editing app adds automatic video creation, Sync to Music functionality, Lightroom on Mobile integration, improved editing, and a new streamlined user interface. Learn more and download Adobe Premiere Clip now. Stay tuned here for more details on Premiere Clip 2.0 later today.
A brand new mobile app – Adobe Capture CC – integrates the power of Adobe Hue CC, Adobe Color CC, Adobe Shape CC, and Adobe Brush CC. Now you can turn any photo into a Look, color theme, vector graphic, or unique brush for use in all your creative projects. Learn more and download Adobe Capture CC on iOS and Android now.
And there’s more! Recently, Adobe revealed the next wave of innovation coming to its professional video and audio tools – including expanded support for UltraHD (UHD), brilliant color technology improvements, and new touch workflows. These features will be available in the coming months.
Adobe demonstrates growing industry momentum as customers continue to make the switch to Creative Cloud and Premiere Pro CC workflows. These include the film Deadpool from 20th Century Fox, coming February 12, 2016; Staten Island Summer from Paramount Pictures, edited by Adam Epstein; and award-winning motion picture colorist Dado Valentic who has worked on 60 feature films, hundreds of commercials, and actively engages with fashion industry clients to develop everything from online brand videos to billboards. Watch demos, interviews, and more from Adobe at IBC Show 2015.
In these upcoming releases of Creative Cloud video apps, you’ll get:
Exceptional UltraHD, HDR, and touch integration—Work with UltraHD (UHD) 4K and 8K media and beyond, and high dynamic range (HDR) files across Creative Cloud applications and throughout your creative pipeline. Maintain color fidelity between Adobe Premiere Pro CC and Adobe After Effects CC with the Lumetri effect now also in After Effects. Plus, navigate panels and workspaces with touch and speed your work with gestures on your Microsoft Surface Pro, Windows 8 tablet or Apple track pad.
Creative assets everywhere you work—Access your project or personal assets wherever you are through Adobe CreativeSync technology. Share images, color Looks, and more between Creative Cloud desktop tools including Photoshop and Illustrator, and with mobile apps such as Adobe Capture CC. Drag assets straight from the Creative Cloud Libraries panel inside After Effects and drop them into the Composition panel. Creative Cloud lets you access and apply assets to your projects without interrupting your creative process.
Vibrant world-class marketplace—Search, try out, and license any of the 45-million high-quality royalty-free images through the Adobe Stock service built into the Libraries panels in Premiere Pro and After Effects.
“Color is now everyone’s responsibility in production. Feature updates in Adobe Premiere Pro CC, such as Lumetri Looks, enable filmmakers and editors to control the look of a project throughout the production process, from the initial script to the end, ultimately giving them more creative control. I look forward to what’s coming next in Creative Cloud,” said Dado Valentic, Founder and Chief Colorist at Mytherapy.
“Adobe is refining our workflows to more easily use fantastic image quality and high dynamic range as creative tools. The ability to move the viewer with HDR imagery will be at our users’ fingertips,” said Bill Roberts, Senior Director of professional video product management, Adobe. “We are in a truly exciting age where the consumption experience is changing – we need to deliver tools that empower creative to take advantage of what is coming.”
To learn more about what’s coming next for Adobe Premiere Pro CC, visit the Premiere Pro blog.
To learn more about what’s coming next for Adobe After Effects CC and Character Animator, visit the After Effects blog.
To learn more about what’s coming next for Adobe Audition CC, visit the Audition blog.
To learn more about what’s coming next for Adobe Media Encoder CC, visit the Premiere Pro blog.
Get Inspired by Amsterdam
Bring Amsterdam into your creative workflow, no matter where you are in the world! At IBC Show 2015, #TeamAdobe collected inspirations in the city using Adobe’s capture apps. This library of Amsterdam-inspired production-ready assets is available to you for free. Use these creative assets in your video, photo, and design work. Enhance your video footage with Looks from Adobe Hue CC, animate Shapes in After Effects, dip into unique Color themes, and incorporate interesting textures with special Brushes.
Concert film editor captures emotion of live performances with Adobe Premiere Pro CC
Simon Bryant’s love of music comes through loud and clear with his editing of concert and studio footage for films and DVDs. His work covers a range of genres and he’s been lucky to work with many well-known artists including The Rolling Stones, Ed Sheeran, Coldplay, and One Direction. Bryant is constantly examining what makes a project successful, both from an editing and a film point of view. One key factor that contributes to his success is working with Adobe Premiere Pro CC.
Simon Bryant will be presenting the session “Leading the Eye: Multi-Camera Editing for Some of the World’s Biggest Bands” in the Adobe stand 7.G27 at IBC 2015 on Sunday, Sept. 13th at 1:30 pm and 5:00 pm.
Adobe: How did you get into this career?
Creators of innovative display solutions power fan engagement at leading sports venues with help from Adobe Creative Cloud and Adobe Anywhere
Geraint Williams will be presenting the session Next Generation Global Sports Broadcast with Adobe Anywhere” in the Adobe stand 7.G27 at IBC 2015 on Friday, Sept. 11th at 3:30 pm and Saturday, Sept. 12th at 12:30 pm and 4:00 pm.
Since Geraint Williams founded ADI nearly twenty five years ago, the company has grown to become a global pioneer in the creation, management, and distribution of video content and the technology that supports it. The company supports huge events and installations throughout retail and large sports venues, delivering both the infrastructure and the content to entertain and excite audiences. Today, ADI uses a video workflow that includes Adobe Anywhere and Adobe Creative Cloud to connect teams, venues, and partners with their target audiences.
Adobe: Tell us about the importance of content in your business.
Self-taught editor and master educator transitions editors from Avid Media Composer to Adobe Premiere Pro CC
Stefan Weiss will be presenting the session “Streamlining Workflows by Switching from Avid to Adobe Premiere Pro CC” in the Adobe stand 7.G27 at IBC 2015 on Friday, Sept. 11th at 1:30 pm and 5:00 pm and Saturday, Sept. 12th at 2:00 pm.
When it comes to non-linear editing (NLE), Stefan Weiss is fearless. He’s worked in both film and broadcast television, and today enjoys editing documentaries on a variety of topics, from airplanes to reincarnation. Weiss balances his editing career with work as a trainer, focusing primarily on teaching others how to successfully switch from Avid Media Composer to Adobe Premiere Pro CC. Weiss is a member of the German Editors Guild (Bundesverband Filmschnitt Editor e.V.) and an Adobe Certified Instructor for Premiere Pro and Adobe Photoshop CC.
Adobe: How did you get your start?
Global VFX studio produces extraordinary motion graphics and visual effects with Adobe Creative Cloud
Will MacNeil will be presenting the session “Creating Stunning Motion Design Experiences with Creative Cloud and Cinema 4D” in the Adobe stand 7.G27 at IBC 2015 on Monday, Sept. 14th at 5:00 pm and Tuesday, Sept. 15th at 2:30 pm and in the MAXON stand 7.K30 on Monday, Sept. 14th at 3:00 pm and Tuesday, Sept. 15th at 11:00 am.
This blog was originally posted on September 5, 2014.
MPC is one of the world’s leading visual effects and motion graphics studios, with more than 2,000 employees in eight global offices. The studio’s work includes blockbuster films such as Godzilla, the Harry Potter franchise, and Life of Pi, and advertising campaigns for global brands including Samsung, Ikea, and Visa. MPC works with agencies, production companies, directors, and does some direct-to-brand engagements as well. Senior Motion Graphics Designer Will MacNeil, Marketing Manager Zoe Kent, and Creative Director Dave Haupt explain the role of Adobe Creative Cloud in bringing their visions to life.
Adobe: What is important for us to know about MPC?