Highlights from Adobe Digital Index’s U.S. Digital Video 2014 Inaugural Report

Adobe Digital Index’s U.S. Digital Video 2014 Inaugural Report report is now available. This report helps broadcasters, cable networks, and distributors anticipate and plan for the changes taking place in how consumers view video. The report covers TV Everywhere and online video viewership trends.

Key points include:

  • TV Everywhere grew significantly in 2014. Unique viewers increased 117% YOY and authenticated video starts increased 266% YOY.
  • As of Q4 2014, gaming consoles and OTT devices now make up 16% of TV Everywhere authentications.
  • Video viewing on mobile devices will overtake desktop video viewing by Q4 2016.

Net/Net: In 2015, consider optimizing the TV Everywhere experience for gaming console and OTT devices and the online video experience for mobile.

Read on for more details from the U.S. Digital Video 2014 Inaugural Report.

TV Everywhere highlights

2014 was the year that TV Everywhere was picked up by the early adopters; in 2015 it could “Cross the Chasm” to the early majority stage. The following key TV Everywhere highlights show you just how big TV Everywhere has become and highlight areas of further growth.

  1. There’s more people watching more content than ever before via TV Everywhere. On average, 13 million viewers tuned into TV Everywhere services in 2014, up 117% from 6 million in 2013. 2014 saw 2.1 billion authenticated video starts, up 266% from 574 million in 2013.
  2. Graph-2lGraph-2kGaming console and over-the-top (OTT) devices are taking a bite out of the iOS share of TV Everywhere authentications. Gaming console and OTT device share of authentications rose 50% YOY from 11% in Q4 2013 to 16% in Q4 2014. iOS share of authentications dropped 21% YOY from 57% in Q4 2013 to 45% in Q4 2014.
  3. Graph-2eSports content has the most unique visitors in TV Everywhere with 3.2 times as many unique visitors as movie content. However, movie content has the fastest rate of unique visitor growth at a 216% YOY rate of growth.

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Online video highlights

The biggest trend in online video is mobile video viewing. The following key online video highlights predict when mobile video viewing will be bigger than desktop video viewing and highlight related video viewing metrics.

  1. Mobile device video viewing may overtake desktop video viewing by Q4 2016. In Q4 2014, 15% of online video starts took place on smart phones and 12% took place on tablets for a total of 27% of online video starts taking place in mobile. In just two years, this could increase to 50.2%.
  2. Graph-2bSmartphone completion rates are up. The new, larger-screen iPhone release in Q4 2014 gave smart phone video completion rates a slight boost with the percent of videos reaching the “50% complete” point on smart phones increasing 7% over the Q3 2014 video completion rates.
  3. Graph-2cTime spent metrics are up for online video across all devices. Time spent viewing video on a smart phone is up to 24% QoQ. Time spent viewing video on a tablet is up to 16% QoQ. Desktop average video view time is now 16 times longer than the average smart phone video view time, versus the 17 times difference in Q3.

Graph-2d

Get the rest of the insights from the U.S. Digital Video 2014 Inaugural Report via the free download here.

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Adobe Primetime Takes Home Cablefax Tech Award

­Today, we attended the Cablefax Digital, Tech and Trailer Awards breakfast in New York City along with our industry cohorts. We’re thrilled to announce that Adobe Primetime was honored with a Cablefax Tech Award in the “TV Everywhere/Authentication System” category. Cablefax’s Tech Awards recognize the forward-thinking tech gurus continually revolutionizing cable technology with amazing products, campaigns and partnerships. Thank you to the Cablefax judges for validating Adobe Primetime’s work helping broadcasters, cable networks and service providers create, deliver and monetize engaging and personalized TV experiences across screens.

Cable fax 1

Additionally, Cablefax honored individuals named to The Digital Hot List 2015, which “recognizes executives shepherding innovation and progress in social media, digital distribution, app development, web content, technology strategy, TV Everywhere/authentication and other cutting-edge multiplatform projects.” He’s already on Adobe’s hot list, but we’re proud to see our own Jens Loeffler, principal technical evangelist, acknowledged again by Cablefax for his industry achievements via Adobe Primetime. Congrats, Jens, and to all of our industry colleagues for this recognition!

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It’s an exciting time for Adobe Primetime and the industry and we’re not slowing down. We have some exciting solution updates along with customer and partner momentum coming at The NAB Show (April 13-16) so stay tuned and hope to see you there.

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Adobe Primetime, Marketing Cloud and the Future of TV: Personalized, Portable, Profitable

Primetime

It’s official: Adobe Primetime is the 7th Adobe Marketing Cloud solution.

Although marketing teams – digital, direct response, brand, email, inbound, outbound, product, or otherwise – don’t typically think about TV and film delivery and monetization, marketers at broadcasters, cable networks, and pay-TV service providers care deeply about the quality of the multiscreen TV viewing experience – and about the audience insights they can gather from it. Adobe Primetime delivers both: highly engaging, personalized viewing experiences on every screen, and actionable audience insights via a turnkey integration with Adobe Analytics.

Marketers from media and entertainment companies wish to provide the best brand experience possible for their audience, on every screen, and consumers benefit from Adobe Primetime’s multiscreen TV platform in three key ways:

  • Access. Adobe Primetime provides early-window TV and film access through IP distribution channels. The solution enforces TV Everywhere rights agreements and meets strict Hollywood-studio mandated DRM requirements among programmers and operators.
  • Convenience. Pay-TV subscribers can view live, linear, and on-demand content at their convenience, when and where they desire.
  • Engagement. Adobe Primetime creates a personalized, better-than-TV experience, with no buffering or annoying plug-ins.

With out-of-the-box Adobe Analytics integration, the Adobe Primetime TVSDK offers a deeper understanding of what leads to desired viewing behaviors, helping marketers in media and entertainment drive awareness, tune-in, engagement and loyalty over time. The Adobe Primetime integration with Adobe Analytics gives customers of the combined solution a richer set of video metrics on the playback environment, including time-based engagement metrics with the new Analytics “heartbeats” solution. The integrated solution speeds time to market for customers looking to deploy multiscreen TV on any device alongside the industry’s leading marketing analytics solution.

For companies that generate revenue from advertising, the Adobe Primetime ad decisioning integration with Adobe Audience Manager enables audience segmentation using first-, second-, and third-party data, which can be used to personalize content and ad experiences. We’ve also rolled out other enhancements to our core ad decisioning capabilities. With the new features, media sellers can deliver targeted ads across platforms and devices, and use cross-device frequency capping to reduce inventory waste and ensure that a single user with more than one device doesn’t have to watch the same ad beyond the desired number of exposures.

With Adobe Primetime and Marketing Cloud, the future of television is bright: more personal and portable for viewers everywhere, and more profitable for media and entertainment companies than ever before.

Campbell Foster @camfoster

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Expanding High Quality Viewing Experiences with MPEG-DASH

The digital TV industry is embracing MPEG-DASH, or DASH for short, in a big way, and Adobe Primetime is fully onboard with it. DASH is a standard for over-the-top (OTT) adaptive bitrate (ABR) delivery of media to any device. It is similar to other HTTP delivery specs like HTTP Live Streaming (HLS) and HTTP Dynamic Streaming (HDS). Proponents of DASH love it because it’s an open standard, and really flexible, too. The standard is supported by Adobe and other members of the DASH Industry Forum (DASH-IF), a who’s who of streaming video industry participants. We’re proud of being able to contribute to the DASH specification, as it paves the way for higher-quality content formats, like 4K and Ultra HD, to be made available across desktops and devices.

Transitioning to DASH

DASH support aligns with a key goal for Adobe Primetime to help customers reach all platforms and devices with a single stream from their publishing workflow. At NAB 2014, we announced DASH support within our core video engine layer. We’re working right now with customers to build DASH implementations in live production environments to support millions of concurrent viewers, with full DRM and ad insertion capabilities. Over the course of 2015, we plan to incorporate DASH into all the different clients we support, with Xbox One and HTML5 player deployments at the top of the list. We’re also excited to include DASH in our latest TVSDKs.

We’re also working to ensure that there is a robust transition plan in place for customers that are interested in DASH. Our DASH support includes work to maintain the same feature sets and workflows that customers have today in the HLS world. This includes maintaining analytics, ad insertion and consistent captioning across devices in order to make life easier for customers as they begin to deploy DASH. There will also be no need to invest in new servers, as the transition should mostly involve deploying new software and making use of existing equipment.

Getting More with DASH

Adobe Primetime’s support for DASH is entirely additive. It doesn’t replace any other standards we support. It simply offers more flexibility in how our customers can approach media delivery.

We foresee customers targeting DASH to some platforms and HLS to others. By supporting both specs, DASH and HLS, Adobe Primetime will offer consistency in features and workflows no matter what our customers choose to use.

What are your plans for DASH? Let us know in the comments.

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Linear and Digital TV Convergence: 3 Trends to Watch

As linear and IP-delivered television continue to converge, viewers are coming to expect to watch whatever they want, wherever they are, on any device. Here are some key trends and opportunities the media and entertainment industry is facing in 2015 and beyond:

  1.     Media companies with a deep understanding of their audience will have a competitive edge

When competing for consumer attention, companies that best understand their audience will have an edge. This may seem intuitive, but we’ve heard some of the largest media companies in the world observe that they don’t know how to use data effectively to derive meaningful insights about their own viewers.

Data can provide an understanding of viewing behaviors, both online and offline, which can power personalized experiences, content recommendations, and one-to-one advertising. Smart data management is the starting point for all these things. That’s why we believe that data management will begin to play a much bigger role in helping programmers and operators to generate a better understanding of their audience and use it to drive tune-in and engagement over time.

  1.     Alternatives to the traditional cable bundle will continue to increase viewer choice

Programmers will continue to launch direct-to-consumer offerings to capture three key opportunities. First, to gain a better understanding of their viewers. Second, to make their back catalogs available as directly monetizable VOD assets. Third, to reach cord cutters and cord nevers who can’t be reached through cable distribution agreements.

Already, CBS went direct-to-consumer with their All Access platform. Rumor has it that direct-to-consumer offerings from HBO, Showtime, Nickelodeon, and ESPN (for Cricket’s World Cup) will launch this year. Disney CEO Bob Iger has hinted at TV streaming plans for Marvel and Star Wars. We expect this trend will continue.

Another win for viewer choice will come from a new crop of a la carte services from the pay-TV providers themselves. Dish Network’s Sling TV debuted a TV service in February approaching the a la carte model. It offers a $20-a-month package with $5-a-month add-ons. Verizon has announced an intention to launch an a la carte service by mid-2015, and Cablevision is exploring strategic options for OTT. One thing is for certain — consumers stand to benefit from the fierce competition that’s only just beginning to heat up.

  1.     Pressure will be on TV programmers and operators to monetize every ad impression

As TV Everywhere and OTT continue to attract consumer attention, it will be essential for TV programmers and operators to achieve optimal ad monetization of all the views happening outside of traditional, linear TV. Traditional, linear TV will still account for the single biggest share of ad spend in 2015, with 42% of total spend, or nearly $79 billion in the U.S. However, signs of a decelerating linear TV ad market make monetization of TV Everywhere and OTT all the more important. For example, Pooja Midha, SVP Digital Ad Sales & Operations for Disney ABC TV group, reports that “traditional, linear GRPs are declining.”. Scripps Networks executive Lori Hickok reports that, “Scatter versus scatter CPM pricing across the network was flat to down low-single-digits year-over-year.” One way to mitigate these risks is to understand and monetize audience more effectively across screens and devices.

These three trends reveal a lot of action in the areas of data management, alternatives to the traditional cable bundle, and ad monetization. What big trends are you seeing? Let us know in the comments.

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Granting Pay TV Subscribers Broader Access to Content

One key idea behind TV Everywhere is that if a customer has a paying relationship with a brand for one type of premium service, then that brand can reward the customer with free access to related services. Typically, this idea is used to allow pay TV subscribers to use their pay TV credentials to watch TV for free on connected devices.

Yet, the use of pay TV credentials to extend access to services can be applied much more broadly to validate access to any internet-delivered content. For example, Rogers Media recently granted free access to the digital editions of its Sportsnet Magazine on Android, iOS and Windows 8 devices to all of its Sportsnet ONE, TV Everywhere subscribers coming through either Rogers or Shaw Go. Now, millions of Sportsnet ONE subscribers get free Sportsnet Magazine content on their mobile devices.

Using pay TV credentials to access Sportsnet Magazine on an Android device

Primetime-Sportsnet-One

Granting pay TV subscribers access to magazine content was easy for Rogers Media. It was already using Adobe Digital Publishing Suite to produce the Sportsnet Magazine digital editions and Adobe Primetime to power Sportsnet ONE’s TV Everywhere authentication. So, getting one login to provide access to its TV and digital editions on connected devices was a simple integration between the two Adobe solutions. Now, when Sportsnet ONE customers verify themselves in the Sportsnet Magazine iOS, Android or Windows 8 apps, they’re using Adobe Primetime’s authentication capabilities.

Integrations like what Rogers Media has done for Sportsnet demonstrate just how flexible the TV Everywhere model can be. Customers can pay once for access to content across media types and channels. This allows media companies to provide a great deal of value to loyal customers while enabling the flexibility to use alternate revenue models. For example, the Sportsnet app earns additional revenue by selling individual magazine issues to non-subscribers through an in-app purchase.

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Adobe Primetime Scores Touchdown with NBC Sports Digital, Powers Super Bowl Live Streams

Adobe Primetime has powered viewer experiences for NBC Sports Digital across screens since the 2012 Summer Olympics. The Super Bowl was a major sports milestone for live online streaming and whether you were rooting for the New England Patriots or Seattle Seahawks, one thing is for certain: People tuned into the big game in big numbers, across devices, in real-time to bring the Super Bowl beyond the living room.

NBC Sports Live Extra used Adobe Primetime’s playback and ad insertion capabilities to bring the Super Bowl to 1.3 million concurrent viewers across devices at its peak – the most for any Super Bowl (up 18% from last year). Thanks to NBC Universal, a special promotion (Super Stream Sunday) enabled viewers to watch the Super Bowl, a special episode of The Blacklist, and preceding programming without requiring the usual credentials and login information from broadcasters and pay-TV service providers.

Some other online viewership stats that made this Super Bowl stand out based on NBC Sports Live Extra data:

  • New streaming record with 800,000 average viewers per minute  (up 52% from last year’s Super Bowl)
  • 213 million total minutes viewed (up 99% from last year’s Super Bowl)
  • 5 million unique total online views (not just concurrent), up 9% from last year’s Super Bowl
  • Quality of NBC Sports Live Extra stream was high with engagement at 84.2 minutes per viewer

Sports content is a huge driver for online viewing and getting users to set up online accounts to enable TV Everywhere. 2014 was a landmark year for TV Everywhere and the biggest year yet with special events like the Sochi Winter Olympics and Soccer World Cup. In fact, the Adobe Digital Index Q2 2014 U.S. Digital Video Benchmark report found that sports networks saw frequency of viewing rise 31% year-over-year (YoY). We are excited to see what 2015 holds for the future of TV and continuing our partnership with NBC Sports Digital. Stay tuned for more to come!

Super Bowl_NBC Sports

 

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NBC Universal Wins Emmy Award for TV Everywhere Live Streaming

Adobe Primetime is thrilled to see NBCUniversal and NBC Sports Group, along with Time Warner Cable and MLB Advanced Media (MLBAM), win a Technical & Engineering Emmy Award for Pioneering Multiplatform Video Delivery. As viewers continue to watch live streaming sports content through the latest game consoles, OTT, and mobile devices, the ability to quickly deliver and monetize content on these platforms is increasingly more important.

Adobe’s Q3 2014 U.S. Digital Video Benchmark Report found that total online video starts grew 22% YoY and TV Everywhere video starts increased 108% YoY and 38% quarter over quarter (QOQ). That is why these programmers and MVPDs deserve this award for their scalable, reliable deployments across multiple platforms. They continue to ensure that their viewers and subscribers get amazing viewing experiences when and where they want. Adobe Primetime looks forward to supporting more implementations like these with the most reliable and flexible multiscreen delivery and monetization TV platform available.

New-Primetime-Logo

 

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Adobe Primetime 1.4 TVSDK Ready for iOS 8 and Android L

Adobe Primetime always ensures the greatest reach and coverage across all devices so that operators and programmers can reach the largest audiences with television and premium movie content. The latest Adobe Primetime 1.4 TVSDK supports superior playback quality and performance on devices running on the latest Android and iOS operating systems, Android L and iOS 8.

New-Primetime-Logo

Integrate Nielsen data to measure audiences on iOS and Android:

As you may have heard, Adobe has struck a strategic alliance with Nielsen that will provide broadcasters, cable networks and MVPDs with comparable metrics in Adobe Analytics to measure audiences accurately across IP-connected screens, including desktops, smartphones, tablets, game consoles, and over-the-top (OTT) devices. As part of the initial phases of this effort, the Nielsen SDK is now available within Adobe Primetime TVSDK for iOS and Android.

Dynamically insert ads for a targeted ad experience once the C3 window has expired:

With Adobe Primetime’s latest TVSDK, new ads can be dynamically inserted to replace linear ads already baked into a C3/C7 VOD asset.  This reduces the time to deliver engaging and relevant ads online that can be effectively monetized.

Air alternative content during blackouts for seamless viewing experience:

Adobe Primetime continues to build a robust offering to support regional blackouts. Adobe Primetime’s TVSDK now allows viewers to watch alternative programming if there is content that is blacked out in that region for that particular time frame. Once the blackout has ended, the viewer will return to original scheduled programming to ensure no disruption to their viewing experience.

 Optimized ABR for reduced buffering on Desktop and Android:

Adobe Primetime has optimized ABR logic within the latest TVSDK to reduce buffering and disruption while viewing content. If a viewer is experiencing buffering during a particular variant of ABR, Adobe Primetime’s TVSDK will no longer ramp back up to that variant during that playback session in order to sustain viewer engagement.

Stay tuned for Adobe Primetime’s deployment across even more devices in the New Year to ensure that we reach the broadest audience, whenever and wherever they want to consume content.

 

Rick Wisher is a senior product manager for Adobe Primetime

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Adobe Primetime Takes Home Industry Accolades

As 2014 comes to a close and many of us prepare to celebrate the holidays with family and friends, the Adobe Primetime team is thankful for our customers and partners and all we’ve accomplished this year. Together, we’ve developed a thriving ecosystem to foster the delivery, measurement and monetization of TV across connected screens. From releasing Primetime 2.0 at The NAB Show to partnering with Nielsen on Nielsen’s new Digital Content Ratings, Powered by Adobe, it’s been a landmark year for us and 2015 is looking even brighter.

Today, Adobe Primetime was honored at Streaming Media West with four Streaming Media Readers’ Choice Awards in the following categories:

  • Closed Captioning Solution
  • DRM/Access Control Solution
  • Media & Entertainment Video Platform
  • Reporting & Analytics Platform

Additionally, Adobe Premiere Pro CC won in the “Desktop Video Editing Software” category.

Adobe's Art Mimnaugh accepts a Streaming Media Readers' Choice Award for Adobe Primetime from Streaming Media's Eric Schumacher-Rasmussen

Adobe’s Art Mimnaugh (left) accepts a Streaming Media Readers’ Choice Award for Adobe Primetime from Streaming Media’s Eric Schumacher-Rasmussen

SM Awards

With more than 34,000 votes cast across 31 categories, this industry recognition is special because it came from those who matter the most – you. As readers of StreamingMedia.com and Streaming Media Magazine, thank you for validating the hard work of the Adobe Primetime team. We’re humbled to be honored alongside so many key players in the industry.

Last week, Adobe Primetime received a Fierce Innovation Award (Telecom Edition) in the “Multi Screen” category. A panel of judges evaluated submissions based on the following criteria: technology innovation, financial impact, market validation and end-user customer experience. Adobe Primetime also received honorable mentions at the Cynopsis Digital Model D Awards in the “Digital Video Ad Platform” and “Digital Video Technology Platform” categories.

PT Awards

Stay tuned for more updates coming soon. From all of us on the Adobe Primetime team, happy holidays!

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