Adobe Create now eSeminars are back!

From 28th May 2013 the Adobe eSeminar program is back. Following on from the announcements that we made at MAX 2013  (recordings are here if you want to review anything) and the updates that we are making to the Creative tools, we wanted to make sure that you guys have all the information that you need in order to create everything that you have ever wanted to created in the digital world. The sessions will be streamed live and will be recorded for viewing offline as well. But if you join live, there will be a chance to chat to the speaker after the session…

Each session is 45 minutes of demo with 15 minutes or so of chat. It would be great to have you involved, just follow this link to get everything you need to attend!

 

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Adobe Creative Days Comes to London on 4th June

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Breaking news for all budding and pro creatives out there! Today marks the start of our countdown to the UK Creative Day and will be broadcast from London! The event is one in a series of 14 Creative Days happening all across Europe as part of Adobe’s bumper Create Now World Tour. It’s taking place on Tuesday 4thJune and will be a celebration of creativity and expressiveness in the UK.

Hosted by tech enthusiast David McClelland, Creative Day will feature a mix of industry luminaries, influencers and our very own global evangelists, including Rufus DeuchlerPaul TraniJason Levine, as well as our UK experts, Richard Curtis, Iona Walters, Rupert Knowles and Niels Stevens. Each will take to the stage – together with inspirational creatives – throughout Creative Day and cover all that’s hot in Adobe Creative Cloud.

Creative Day will be packed with lively debates, exclusive demonstrations and inspirational case studies – all broadcast online at www.adobecreativedays.com/ukfrom 9.45am. Plus, we’re giving 400 lucky people the chance to be in the live audience – just register here to take part in person.

Liz Wilkins, senior marketing manager for Digital Media at Adobe, said: “The UK creative industry is one of the most exciting and dynamic sectors to work in. Creative Day will be a fantastic chance for creatives to come together, exchange ideas, hear from luminaries and and learn about the very latest in Creative Cloud”.

David McClelland who is hosting the event said: “I’m thrilled to be working with Adobe on the London leg of the Creative Days World Tour and am particularly excited about being able to share my Adobe Creative Cloud  experience with a live audience, as well as with tens of thousands watching online”.

Follow the conversation on Twitter – #CreativeDays.

 

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#CreativeFriday – HDR in Photoshop CC and ACR Toning

Lightroom 4 introduced working with 32bit TIFF images and HDR processing from images that were shot using in camera bracketing and processed with Photoshop. Once the 32bit image is inside Lightroom 4 or 5, the 32bit enabled shadow and highlight recovery sliders can be used to extract the extra tonal range.

Photoshop CC also has a similar way of creating and working with HDR images using Camera Raw 8 and the new Camera Raw as a filter option.

Select the bracketed shots in mini bridge, right click on the images and open in the option Photoshop / Merge to HDR Pro.

Screen Shot 2013-05-16 at 22.21.00

 

Once opened into HDR Pro, make sure that the “32bit mode” option is turned on, the “remove ghosts” is turned on (if you think that there are items that have moved between the shots (i.e. leaves, foliage etc as these may have moved due to the wind or other forces), also, turn on the “Complete Toning in Adobe Camera Raw” (the histogram is greyed out once this box is checked).

Screen Shot 2013-05-16 at 22.24.34

The “Complete Toning in Adobe Camera Raw” will open the combined image into Camera Raw, enabling non destructive 32bit processing.

Screen Shot 2013-05-16 at 22.29.35

Make the adjustments in Camera Raw and press OK.

Screen Shot 2013-05-16 at 22.31.13

The image is returned to Photoshop as a 32bit image. Notice that the image has been wrapped automatically into a Smart Object/Filter and a white revealing mask has been applied (therefore all adjustments are displayed).

Screen Shot 2013-05-16 at 22.32.31

 

Now that the image is in a Smart Object/Filter the Camera Raw Filter modifications can be painted out (using the mask, (white box in the image)) as well as a black brush. Smart filter adjustments can be turned on/off using the eye icon next to the mask. Also, the Camera Raw Filter can be re-opened by double clicking (or using a right click) on the Camera Raw Filter text. The eye icon next to the Camera Raw Filter text will cause the filter to be re-rendered, as opposed to being turned on/off.

Screen Shot 2013-05-16 at 22.39.47

 

Interesting effects can be applied to the image by changing the way that the Camera Raw Filter blends with the smart object image by selecting the “Edit Smart Filter Blending Options” and choosing the blending mode and the opacity.

Screen Shot 2013-05-16 at 22.44.35

Results of Camera Raw Filter once the mode is set to Luminosity and set to 80% opacity.

Screen Shot 2013-05-16 at 22.49.09

(The rest of the blending modes are not available as this is a 32Bit image)

This process should save you a lot of steps in the HDR process within Photoshop CC and enable you to get the maximum tonal range out of your bracket shots, using a 32 bit tonal range.

 

 

 

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Adobe Photoshop Camera Raw 8.1 Release Candidate

Photoshop Camera Raw 8.1 RC is now available on Adobe Labs for Photoshop CS6. This Camera Raw 8.1 release candidate includes support for HiDPI capable monitors, new Cameras and Lens profiles.

Photoshop CS6 is still available to buy here.

New Camera Support

The following new cameras are now supported:

  • Hasselblad H5D-60
  • Olympus PEN E-P5
  • Olympus PEN E-PL6
  • Phase One IQ260*
  • Pentax Ricoh GR
  • Panasonic LUMIX DMC-G6
  • Panasonic LUMIX DMC-LF1

* Denotes preliminary support

New Lens Profile Support

Lens Name Lens Mount
Canon PowerShot G1 X Canon
Canon PowerShot G15 Canon
Hasselblad HCD 4.8/24 Hasselblad
NIKON COOLPIX A Nikon
NIKON COOLPIX P330 Nikon
Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR Nikon
HD PENTAX-D FA645 MACRO 90mm F2.8ED AW SR Pentax
HD PENTAX-DA 560mm F5.6ED AW Pentax
SIGMA 30mm F1.4 DC HSM A013 Canon
SIGMA 17-70mm F2.8-4 DC MACRO OS HSM C013 Nikon
SIGMA 19mm F2.8 DN A013 Olympus
SIGMA 30mm F2.8 DN A013 Olympus
SIGMA 30mm F1.4 DC HSM A013 Sigma
SIGMA 19mm F2.8 DN A013 Sony
SIGMA 30mm F2.8 DN A013 Sony

 

 

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#CreativeFriday – Conditional actions in Photoshop for Creative Cloud

Actions inside Photoshop have been designed to save time when processing an image and to gain a pre-defined look, or at least run a defined series of steps within a technique. The outcome is a huge time saver, as well as an accuracy of an effect or a series of steps. Actions maybe a combination of many functions inside Photoshop, i.e. crop images or a manual series of steps to add a photo frame with texture etc. Actions can be even more powerful when they are hooked up to Photoshop batch automation or a Photoshop Droplet. However, previously actions have been limited to straight through processing (i.e. no IF Then ELSE logic) ,and unless you already know javascript it was challenging to work around this. In the Photoshop CS6 for Creative Cloud update in December 2012, the ability to create conditional actions was added, this means we now support simple logic (i.e. IF Then ELSE). This post will take you though a step by step guide of making a conditional action to save your self huge amounts of time and create consistency across your work.

When creating a conditional action you will need to think about the objective and then design the logic that you would like to create. For example, this exercise will test an image to see if it’s Square, Portrait or Landscape and place text on the image, the text could be any that you desire from (Watermarks, to logo’s etc). One idea is that you could use this for your work that you send out to clients.

Open Photoshop CS6 for Creative Cloud (and make sure that the update as of December 2012 has been applied), open the actions palette and choose New Set, and create a new set to hold these actions. Once the Set has been created, created a New Action.

Screen Shot 2013-05-10 at 07.37.16

 

I am going to use the “Blog Post Actions” set to store all of these logic components.

Screen Shot 2013-05-10 at 17.16.51

Click record to start the recording (used to just to create the action). At this point for this example, you want to stop the recording and open or create a landscape file (we will be automating the action so it is not required to include the file open) .

Screen-Shot-2013-05-10-at-17.25.54

Then restart the recording, and capture the text layer.

Screen-Shot-2013-05-10-at-18.08.00

Now the record is turned on, add some text to the landscape layer.

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Turn off the recording. If you need other items adding to the action then you will need to add them in this recording process.

The first of three logic components has been created. To create the component for processing a square, re-select the “Blog Post Actions” element (in this example), and select New Action from the fly out menu.

Screen Shot 2013-05-10 at 18.29.44

 

You should end up with something like the above, comprising of 3 logic components with a make text layer for each (your processing you may have more or less logic components and more or less functions within each).

We can now create the conditional logic blocks which will tie everything together. Re-selected the “Blog Post Actions” element and create a new Action called “Run Me”, then stop the recording, and create another Action called “Test for Square” and stop the recording once again.

Select  the “Run Me” element and click on the fly out menu and choose “Insert Conditional”.

Screen Shot 2013-05-10 at 18.40.54

 

You can see in the first combo box of the conditional action configuration there are many tests that you can make. One thing to notice is that there isn’t a negative test, i.e. There is a “Document is Landscape”, but not “Document is not Landscape” because the ELSE on the conditional action will take care of this, also, there isn’t a “Document is Portrait”, but there is a test for Squareness.

 

Screen Shot 2013-05-10 at 18.42.27

 

The logic that we need to create based on the selections that we have is this. If the document is Landscape then process for landscape, other test to see if it’s a square. If it’s a square then process the square, otherwise process for a portrait.

Set the “If Current” to “Document is Landscape”, then set “Then Play Action” to “Landscape” which was created earlier. Set “Then Else Play” to “Test for Square”, the logic is now set up for the first stage.

For the second stage, select “Test for Square” and set “If Current” to ”Document is Square” and then set “Then Play Action” to “Square”, set ”Else Play Action” to ”Portrait” .

To test the action you will need to create a series of test canvases, in this example i created empty ones for each format and press play on the “Run Me” action. Look at the output on the screen to make sure that the behaviour is meets the intended results.

Screen-Shot-2013-05-10-at-18.52.45

You may need to debug the action. I have added one for you to download on my Creative Cloud account (you many need to replace the text on each action though. To do this, just click on each text layer, remove and re-create it with your own text (don’t forget to turn on record for each new action)).

Once the Action has been created we can create an automated processes. There are two options in Photoshop, Batch, which will run over images in a folder. Or Droplets, a droplet will exist as an icon and will allow the user to drop any image(s) onto it for batch processing.

1. Batch -  This option will run the action over a batch of photographs. Modify the “Set” combo box to be the “Blog Post Action” set that was created. And in the Action combo box select the “Run Me” action. The Batch automation will read the contents of the source folder and output them to the defined output folder. To configure the batch processing up use the the menu option, select – File / Automate / Batch.

Screen Shot 2013-05-10 at 19.09.32

 

2. Droplets. Photoshop droplets extendeds the Batch processing and enables photoshop to be run from an icon that will reside on the computer. You will then be able to drag and drop files to it, and Photoshop will start to process them one by one. The rest of the procedure is the same os the Batch processing about (Action to run, start folder and end folder). To set the batch processing up use the the menu option, select – File / Automate / Create Droplet.

Screen Shot 2013-05-10 at 21.06.13

 

You can see in this dialog, that the input folder is described by the save droplet. The play defines the action and set combination to play. Then the  destination is defined in this case to output to a folder.

The droplet looks like this

Screen Shot 2013-05-10 at 21.35.37

There are many different options and configurations for conditional actions, and wish you luck experimenting with your own.

 

 

 

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MAX 2013 video recordings available online

If you missed the MAX 2013 Creativity Conference Keynotes or  Sneak Peeks, then not to worry, you can always catch up on demand with this YouTube channel.

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Photoshop Dimensions & using 3D in Photoshop CS6/CC

The enhancements to 3D in Photoshop first started in the CS6 release. The 3D engine was moved to harness the raw processing power of the your computer’s graphics card, thus enabling amazing performance, as well as a brand new intuitive interface. Then in December 2012, as part of the Creative Cloud update the team improved the ray tracing engine for shadows and textures. Now inside Photoshop CC you will be able to take advantage of Live Painting across the diffuse map as well as the 3D model itself, and many other enhancements.

When speaking with the community about 3D, the most common feedback I receive is that 3D is hard and difficult to understand. The Adobe 3D team have spent a lot of time making sure that 3D in Photoshop is extremely accessible to all, and that everyone is able to start exploring the 3D engine and using it in their day to day creations. The key thought process behind the 3D engine and the enhancements from CS6 was to make sure that it would integrate seamlessly into your current Photoshop workflow and not get in the way of the creative process. To that end, the Photoshop 3D team have created a companion book for Photoshop, that will open the world of 3D to you and enable you to get started. The current copy of the Photoshop Dimensions book is available here, previous versions of the book are also available here. If you are new to 3D in Photoshop, then you may want to start with “What’s new in Photoshop CS6 Extended”.

As part of my “Working quickly with 3D” presentations as MAX 2013, I am planning to create a short video showing the same content, this will be available on my YouTube channel very soon, also, I am planning to start a series of blog posts on 3D in Photoshop, and would welcome your comments as to what you would like to see covered.

We at Adobe are extremely excited about what you are able to create with the new 3D engine in Photoshop CS6 as well as Photoshop CC. Maybe you can post your work on the Behance platform and share with others in the community, as we would love to see your efforts.

To get you started, he is one of my constructions.

 

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New feature video for Photoshop CC – Shake Reduction

I have put together a short video to show how the new Shake Reduction feature works inside Photoshop CC.

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#CreativeFriday – Max 2013 – Creativity Conference Keynote

Today’s post is quite simple, if you are not able to attend the Adobe Max 2013 Creativity Conference this year, then not to panic, it will be live streamed. You can register your interest here and watch it in the comfort of your own home on Monday.

Hope you have a very enjoyable weekend.

Richard

 

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#CreativeFriday – Lightroom 5 Beta – new features and JDI enhancements

If you have downloaded the Lightroom 5 Beta from labs, hopefully you are excited by it’s new capabilities. If you have not downloaded it, you can from this site for free (Free until Lightroom 5 is officially released). We have also included 50 JDI enhancements in this release. JDI enhancements are typically workflow items that are raised from the user community (that means you), so please keep the feed back come it, as you do make a difference. Anyway, here are a whole load of JDI’s included with Lightroom 5 as well as some more details on the new Lightroom 5 features.

Library enhancements & JDI’s

Smart Previews

  • Lightweight DNG files are used for the Lightroom 5 smart previews. This allows the files to be kept small and performant when in use.
  • Original files are prioritised above Smart Previews and will be used when available.
  • Smart Preview swill be used in the absence of an original file.  Changes are saved to the Lightroom catalog and will be visible on both the Smart Preview and original image.
  • You are able to generate Smart Previews in many ways
    • On import, check the “generate Smart Previews” field in the File Handling Panel
    • In the Library module, go to the Library-> Previews -> Build Smart Previews menu option
    • When exporting to catalog, there is a “Generate Smart Previews” checkbox option
  • Smart Previews can be used in Export, Publish Services, and Export to Email
  • Smart Previews can be generated while importing from another catalog
  • Previews can be rendered from Smart Previews if the original is offline but the Smart Preview is available
  • Quick Develop works with Smart Previews
  • Zooming to 1:1 with a Smart Preview – if the original is offline, then Lightroom will zoom to the Smart Preview’s 1:1 setting, which may be different than the original file’s 1:1 setting
  • A true full screen mode is now available by using the “F” key.
  • Previous “F” key features are now available using Shift+F
  • Drag-able view overlays available within Library module when Loupe view is active, also in Develop module during Tethered Capture. This can be enabled using the View-> Loupe Overlay menu option. You are able to modify the size of the gridlines of the overlay mode by holding the command/control key and click “Size” while dragging the mouse to the left (to decrease) or right (to increase). or by changing the slides at the top of the screen.
  • Support for Windows HiDPI at 150% and 200% resolution.
  • New criteria for Smart Collections including:
    • File size
    • Image size
    • Image Bit Depth
    • Number of color channels
    • Color Mode
    • Color Profile
    • Smart Preview status*
    • PNG*

*PNG Support:

  • Lightroom 5 now supports importing of PNGs
  • Edit-inside Photoshop is supported. The PNG will be converted either to a TIFF or PSD, based on the preferences that have been set in the preferences.
  • PNG Transparency appears white
  • PNG file type criteria is both part of a Smart collections and Filters

 

  • Upon hiding the Filter bar, a heads up information panel informs customers that the Filter Bar is hidden and can be restored using the / keyboard shortcut.  This occurs in Library, Map, Book, Slideshow, Print and Web modules.
  • Upon hiding the Toolbar, an overlay bezel informs customers that the Toolbar is hidden can be restored using the “T” keyboard shortcut.  This occurs in all Lightroom 5 modules.
  • Added a new menu item to the View menu called “Lock Zoom Position”.  If the menu item is checked, the zoom position of each image will be remembered, and when switching between images, the loupe view will be centered on the point you clicked last time.
  • Ability to generate Previews with 2880 pixels on the long edge.  These are Standard sized previews and is an option within the Catalog Settings preferences.
  • Keyboard shortcut F12 to trigger tethered capture.
  • “Direction” field is added to the EXIF Metadata panel. If the image contains GPS direction information, then this field will show the compass directions as one of 8 options (North, Northwest, West, etc.).  The degree value will shown as a tooltip on mouse hover. The “Direction” EXIF metadata field is editable.  The 8 compass directions (North, North-west, east, etc.) are the only values that can be entered in this field.  This field can be synced across multiple images using the “Sync Metadata” button.
  • Added a new Import option to Preferences.  When ” Show the ‘Current/Previous Import’ collection during Import” is checked, the customer is shown their newly imported photos.  When unchecked, the photos are still imported, but the focus will remain on the last previously viewed images (prior to Import).
  • Lightroom remembers last viewed image in a Collection.  You’ll be restored to that image upon returning to the Collection.
  • A ”Set as target collection” checkbox has been added to the Create Collection dialog.
  • Photos can be dragged directly to Saved Locations and Saved Locations can be dragged to photos.  In both cases, the photo will receive the same location as the already defined “Saved Location”.
  • There is now a command to verify the integrity of DNG files (Library>Validate DNG Files). Any invalid DNG files will be placed in a special collection. Only DNG files created by Adobe software can be validated (camera-‐created DNGs cannot be validated because they do not contain the necessary checksum).

Development enhancements & JDI’s

Advanced Healing Brush

  • 2 types of spots are now available:
    • Circle spots – existing functionality within Lightroom
    • Custom shape spots – can be used for arbitrary shapes
  • Tablet/Mouse and keyboard usage options:
    • Click + Drag – create brush spot
    • Single click – create a circle spot from auto-find source
    • Shift + Click – connect the selected spot with the new spot via a straight brush stroke
    • Cmd/Ctrl + Drag – Create a circle spot from user-defined source
    • Cmd/Ctrl + Option + Drag: Create a circle spot that scales from center
    • Cmd/Ctrl + Shift + Drag: Create a circle spot that scales from anchor
    • Backslash (/) – select new source for existing circle or brush spot
    • Shift + Drag – Constrain brush spot to horizontal or vertical axis
  • Deletion
    • Option/Alt + Click – delete spot
    • Option/Alt + Drag – delete multiple spots using a marquee selection
  • Visualisation spot mode to help detect hidden spots (such as sensor dust and pronounced artefacts)
    • A – Visualize spots*
    • H – Hide spot overlays
  • Using the shift-click to “connect the dots” will now automatically re-evaluate the source selection. In other words, the spot tool will now account for the fact that the user has extended an existing spot. Exception: if the user has previously manually set the source for a spot, then shift-clicking to extend that spot will not invoke the “auto find source” logic.
  • Improve spot tool’s ability to patch spots automatically
  •  Shift+Drag to constrain the brush to horizontal or vertical stroke
  • A “Select New Source” command has been added to the contextual menu.
  • Holding down Shift will constrain the brush stroke to the horizontal or vertical
  • New Loupe overlay (Grid / Guides and Layout Image) , with ability to change Grid layout, Guide.
  • New Aspect Ratio crop overlay, with ability to change the aspect ratios

* please note that this is also available as a checkbox and slider in Toolbar

Radial Filter

  • Radial Filter appears in the Histogram Toolbar between the Graduated Filter and the Adjustment Brush.  Radial Filter allows users to apply existing local adjustment attributes to a circular mask with a feathered falloff.  Users can now create off-center vignettes, among other effects.
  • Usage instructions:
    • Select the tool and drag out a bounding ellipse or command/Ctrl + double-click on the image to set the bounding ellipse to the image bounds
    • Bounding ellipse can then be manipulated in the same way as the Crop overlay
  • Keyboard Shortcuts:
    • Shift + M: Expand Radial Filter tool
    • Drag: Radial Filter is scaled from center
    • Cmd/Ctrl + double-click: Expand Radial Filter to visible image area
    • Cmd/Ctrl + double-click on existing RF: Expand to visible image area
    • Option/Alt + Cmd/Ctrl + Drag: Duplicate Radial Filter
    • H: Hide Bounding Box
    • Apostrophe key ( ‘ ): Invert Mask
    • Double-click on existing Radial Filter: Apply & dismiss Radial Filter
  • Upright has been designed to  straighten pictures automatically. Common use cases include fixing horizons (to avoid “tilted pictures”) and straightening buildings (to avoid the “keystone” effect).
  • Upright’s main advantage over previous methods (e.g., straighten and crop tools, Horizontal and Vertical sliders) is that it automatically finds the desired correction by analysing the image content.
  • Usage:
    • Within Develop-> Lens Correction, ensure Enable Profile Correction is checked, Upright will have a better if any lens corrections have been applied to the image, although it won’t stop the feature working.
    • Using Upright will reset any crop or manual transform adjustments
    • Check one of the 4 modes, but try them all to work out the best effect.
    • modify (if necessary) using the Manual transforms available in the “Manual” tab.
    • The Reanalyze button is helpful if you enable/disable Lens Correction.  Reanalyze will force Upright to calculate a new transformation.
  • Upright Modes
    • Off: Upright is disabled (no adjustment). This is the default option.
    • Auto: Apply an automatic “balanced” correction to the image. It generally tries to level the image and fix converging horizontal and vertical lines, but will be conservative (e.g., it will not completely fix converging verticals if doing so would involve an overly strong correction that would result in distorting too many image features). In general, Auto will not be the same as Full, Level, or Vertical.
    • Full: Apply a full 3D warp correction to the image (level + fix converging horizontals and verticals). This may mean that strong correction (large rotations) are applied in some cases.
    • Level: Level the image (i.e., fix tilts). Similar to an automatic application of the Straighten tool or using the Rotate slider. Doesn’t fix converging horizontals/verticals.
    • Vertical: Combines the level (see previous item) with fixing converging verticals.
  • Copy/Sync Behavior when used for Upright mode
    • “Upright Mode” will utilize the same Upright mode as part of the preset or copy/sync.  Each image will be independently analyzed to determine the best transform based on the Upright mode chosen.
    • “Upright Transforms” utilises the Upright transformation from that image for presets and copy/sync.  Each image will utilize the exact same transformation.
  •  Ability to show LAB colour values on the Histogram. Right/control + click on the Histogram. Hover the mouse cursor over the image and the RGB Histogram will be replaced by LAB color readout.
  • If available Lightroom 5 will load the preview first when moving to the Development module, enabling basic Develop modes (i.e. basic panel), in parallel Lightroom will build a high-resolution preview in the background, swaping in the high-resolution preview once built and enabling all of Develop functionality.
  • The before/after views now show the current photo and the proofed photo in Soft Proofing mode
  • Aspect slider was added to the Lens Correction Manual Tab.  Slider allows for small aspect ratio change that helps to improve image appearance.  Dragging to the left should make things look more “squat” and dragging to the right should make things look taller and skinnier.
  • A new “Basic” tab exists within the Lens Correction panel.  This includes a checkbox to enable lens profile, constrain crop, remove chromatic aberration, and Upright.  As in prior versions, Lens Profiles can be enabled via the Profile tab, and Chromatic Aberration can be enabled via the “Color” tab.
  • Clipping indicators are persistent between Lightroom sessions.
  • Crop Overlay Aspect Ratios – Enable via Tools-> Crop Guide Overlay -> Aspect Ratios.  They provide a crop aspect overlay that can be enabled using the O keyboard shortcut while in the Crop tool.
  • Transparent Buttons for “Page Text” and if a photo exists on the page, “Photo Text”.  These are linked to the existing Page Text and Photo Text controls and are designed to help make the text experience in Lightroom easier to use.
  • All the text tools available in Lr4 can still be used, this is a simpler way for customers to interact with the text technology
  • Ability to input text directly to a Text box in Book.  In Lightroom 4, you had to first change the Text panel to “Custom” before you could enter text. Ensure that the “Fill Text Boxes with” customer preference in Book Preferences is set to “Filler Text” for this to work.
  • New global checkbox for adding the Page Numbers.  You can also use the icon to select where the Page Number should go.
  • The appearance of Page number can be changed either globally or locally
  • Page Numbering can start at a custom page, or starting on the first non-cover page.
  • After modifying a page template (for example, by changing the cell padding), you can now save the modified template as a Custom User Page.
  • These page layouts are available as “Custom Pages” in the Page Picker
  • Custom Pages are saved to the Layout Templates -> User Templates folder
  • Add video clips to your Slideshows
  • Improved synchronization of slides with soundtrack duration.
  • Visual indicator to help identify favorite page layout styles within the Page Picker.  Click on the circular Collection badge in order to quickly add them to their Favorites list.  Favorite pages will have a filled in circle, making them easier to find.
  • Ability to print books with Blurb’s “Standard” paper type.  This is a lighter weight option than “Premium Luster”.
  • Selected pages will have a thicker yellow border compared to unselected pages.
  • All the same metadata that is available for captions in other modules is now available for captions in the Book module.

Book enhancements

 

  • Improved text creation on  pages
  • Introduction of Page numbers, including option to hide and start numbering
  • Ability to create custom pages from an existing template. The custom page will appear in the custom pages section of the Lightroom Book templates, and is useable in the auto layout section of the book build

Slide Show

  • Ability to inclue a video as part of an image slide show.

 

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