October 25, 2012
We are pleased to announce that all of Adobe’s Web Fonts are available through Monotype’s Web Fonts service at Fonts.com.
Adobe and Monotype have been working together for over two decades to deliver the highest quality fonts for desktop and printer use to our customers. The inclusion of Adobe Web Fonts on Fonts.com is a natural direction for us to take in continuing this long-lasting relationship and demonstrates our combined desire to bring fine typography to the web. In the future Adobe will make selected Monotype fonts available on our Typekit web font service. Watch this blog for more details soon.
To browse the selection of Adobe Web Fonts on Fonts.com go to the Adobe foundry page by clicking the ‘WEB FONTS’ tab. You’ll find over 300 hundred fonts from Adobe’s award winning type library. Each of these fonts has been hand-tuned to look great on screens and in today’s web browsers.
We welcome Fonts.com as another Adobe Web Fonts partner and look forward to seeing more Adobe Web Fonts on the web.
To learn more about Adobe Web Fonts, visit our Adobe Web Fonts page.
To learn more about Typekit by Adobe, visit typekit.com.
To learn more about the Fonts.com Web Fonts service, visit fonts.com.
October 12, 2012
Earlier this year, Adobe sponsored a series of short videos by the Type Directors Club (TDC). Each video in the series, appropriately named Type Legends, features an interview with a legendary type designer. Thus far, four videos have been released. As a sponsor of the videos, supporter of TDC, and a team of folks passionate about type we were thrilled to see these videos come to life and wanted to share the video links with all our Typblography followers.
September 24, 2012
Following up on Source Sans
The public reception of the release of Source Sans Pro last month was very encouraging. My colleague, Ken Lunde, pointed out that this was not Adobe’s first open source font as Kenten Generic has been available for some time now. But I stand by my claim that it is Adobe’s first open source type family. Sorry, Ken. The blog post announcing the family’s release has been our most popular in the history of Typblography and the news was picked up by major tech media outlets such as Wired, Ars Technica, The Verge, &c. As of today, the fonts have been downloaded over 68,250 times from SourceForge.
One particularly surprising aspect of Source Sans’s release was the amount of interest generated by the teaser graphic of the monospaced version. It seemed that this generated about as much buzz as the fonts that we released. Brackets, the open source code editor created by Adobe, has just recently implemented the regular weight of Source Code into their project. Likewise, the font will be integrated into Adobe Edge Code, which was announced this morning at our Create the Web event in San Francisco. The complete family of six weights will also be available as part of our new Adobe Edge Web Fonts service, which was just announced this morning.
August 22, 2012
Today, I’m excited to announce the launch of a new pilot program – Adobe Type Community Translation. This program is aimed at getting translations for Adobe’s typeface notes and will offer handsome rewards for contributors. We will be leveraging Adobe’s own community translation tool, the Adobe Translator application, to get translations for our 400+ typeface notes (also referred to as typeface histories). These typeface notes provide users additional information about the typeface and often include information about the history of the typeface. On average, these typeface notes are about 100 words in length. Continue reading…
August 20, 2012
Since the release of Source Sans Pro we have received an enormous amount of feedback which, in addition to congratulating us on the project, has made us aware of a number of issues that affected this font family. I’m pleased to say that we have revised the fonts and that the updated files have been posted on Open@Adobe at SourceForge. Here’s the list of changes:
- Improved sidebearings of some glyphs, improved kerning classes, improved some kern pairs.
- Fixed metrics issues with upright letter D and composites.
- Added glyphs and OpenType feature support for Jarai language.
- Added ‘ordfeminine’ glyph to ‘ss02′ feature.
- Changed glyph name ‘schwa.supss’ to ‘uni0259.sups’.
- Changed weightClass value of the ExtraLight fonts from 250 to 200.
- Changed OS/2.usWinAscent and OS/2.usWinDescent values to be the same across all fonts.
- Changed hhea.Ascender and hhea.Descender values as a result of the OS/2usWin changes.
- Changed OS/2 table version number from 4 to 3.
- Harmonized the copyright strings.
Also today, in response to the many requests we got, I’m happy to announce that Source Sans Pro is now hosted on GitHub as well. We expect this repository to become the place where we engage with the community and do the continuous development, whereas SourceForge will remain the location where we post each stable revision of the family.
We had heard about GitHub before, but we weren’t aware how popular it was. The team had little experience using it or working with the tools available for interacting with the repositories. Fortunately, we were able to enlist the help of Paul Picazo, a colleague from the EchoSign team, who gave us a two-hour crash course which got us most of the way up-to-speed with the tools and processes. Thanks a lot Paul!
Finally, for the many of you who expressed interest in the monowidth version of the Source Sans design, all I can say for now is that its development is moving along quite well and that we’ll have more news in the near future.
August 2, 2012
Adobe’s legacy in type technology
Adobe has come a long way since its early days in which the specification for the PostScript Type 1 font format was a closely-guarded trade secret leading up to the “font wars.” Since this specification was begrudgingly published in 1990, Adobe has been more proactive in publicly releasing tools for developing and producing high-quality type. Subsequently, Adobe collaborated with Microsoft on the OpenType standard, which was later made an open standard for type technology as the Open Font Format: a free, publicly available standard (ISO/IEC 14496-22:2009). In connection with this, Adobe has shared its tool set for building OpenType fonts as the Adobe Font Development Kit for OpenType (AFDKO). Although these tools are not open source, they can be used freely and have been downloaded by thousands of users. Additionally, tools such as FontLab Studio and FontMaster make use of AFDKO code for building fonts. I believe that the world of type design and typography has benefited greatly from Adobe’s contributions in the arena of type technology. In adding to this legacy, I am proud to announce that today marks another milestone as Adobe makes yet another type resource freely available by releasing the Source Sans Pro family as our first-ever open source type family.
It’s an exciting day for Adobe Type! Today, we’re releasing two new Adobe Original families for both print and web, Source™ Sans Pro and Leander Script™ Pro. Plus, we have a new set of web fonts available from our partners at Typekit and WebINK.
May 15, 2012
‘Myriad’ in Arabic and Hebrew scripts
The ever-popular Myriad type family now has new Arabic and Hebrew members! These have recently been added as part of a suite-wide effort to provide better support for languages of the Middle East and North Africa (MENA). These new typefaces were designed and developed by the Adobe type team in San Jose and have already be recognized for their excellence as one of the winners of the Letter.2 competition conducted by the Association Typographique Internationale. A core set of styles from these type families is bundled with Adobe Creative Suite 6 applications. This core set includes four basic styles: Regular, Bold, Italic, and Bold Italic. However, the type styles bundled with CS6 include only a small subset of the new Myriad Arabic and Myriad Hebrew type systems that were created to provide a wider range typographic options for designers. To preview and purchase additional styles or the full families, see our pages for Myriad Arabic and Myriad Hebrew. In the future, these pages will include glyph complement showings for the fonts, likewise full digital specimens with text showings are still forthcoming.
May 7, 2012
I know some of you are wondering what’s up with fonts for CS6. The font set shipping with CS6 closely resembles the set that shipped with CS5. However, the following new families will ship with CS6.
• Adobe Devanagari (4 fonts)
• Adobe Naskh (1 font)
• Myriad Arabic (4 fonts)
• Myriad Hebrew (4 fonts)
April 18, 2012
The new version of Adobe Reader (10.1.3) released last week includes new functionality that allows users to sign documents electronically. This new capability leverages three fonts that we designed and developed in record time. They emulate the real handwriting of some of our team members and are intended to serve as a proxy to anyone’s signature.