We are excited to announce that, beginning today, over 180 of Adobe’s Web Fonts are available through Extensis’ WebINK web font service. Those of you who already use WebINK have some fantastic new fonts from which to choose. And for the rest of you who are not yet using Adobe fonts on your web pages, you now have more great ways to get started with Adobe Web Fonts.
Posts in Category "new"
Japan’s Agency for Cultural Affairs (文化庁) published the official revision of the Jōyō Kanji (常用漢字) set less than a week ago, on November 30, 2010. For those who are unaware, Jōyō Kanji represent the kanji in common usage in Japan, and this set now includes 2,136 kanji. The 2010 revision is significant for several reasons, and I will briefly explore them in this post.
We’re happy to announce that earlier today, Typekit released 16 additional fonts of Garamond Premier Pro (Text and Caption). As you might recall from Christopher Slye’s post back in September, we went out and asked customers what fonts they wanted for the web. We heard some great feedback and thank everyone who chimed in.
Based on what we heard, we decided on a two-pronged approach for additional releases — to offer new families with just a few fonts and to extend certain families to include more weights. Our next web font release will include some new families for you to play with, but our first priority was to extend the offering for Garamond Premier Pro to include two more optical size ranges, Text (Regular) and Caption, for a total of 16 additional fonts. Our initial release included only the ten Display size fonts.
Here is a wonderful chance to take type and make it dynamic!
A few weeks ago, our friends at FontGear launched a new contest and we invite you to combine type and video in a way that moves us all. And while you’re at it, you can win some cash as well.
And fonts don’t have to be the key theme. Pick one that interests you, but make sure that your videos share some focus on the creative and obvious use of typographic concepts, subjects, and storylines. Entry is free!
Want to add some extra zip to your work? We’ve heard that Adobe has a few products like Adobe Photoshop, Premiere, Flash or After Effects which can help you to be your most creative. But we digress. Whatever your choice of tools, you have a chance to win big. First place takes $1000, Second place $500, and Third place can win you $250.
A jury of industry professionals, featuring Adobe’s own Ginna Baldassarre, will choose the three best font-related videos submitted. So get your type on some tape or your glyphs on some clips, but make sure you enter by September 30, 2010. Time, like a film reel, is always running out!
When Thomas Phinney announced via this blog three years ago that his typeface family was “available,” he left us with a bit of a cliffhanger by telling us that the italics would be forthcoming. Today I can tell you that the wait for the complete family is over. The roman and italic fonts can now be purchased online from our type showroom. We will be offering all of the faces as individual font sales, or available in two packages – one which includes the full family and another which offers only the italics. The package offering only the italics is offered at a special discount of $55 for all the italic fonts (versus $35 per font) and is intended for customers who received Hypatia as a registration incentive and only want the italic faces.
A partial showing of Hypatia Sans Pro Italic
What’s up with fonts for CS5? The font set shipping with CS5 closely resembles the CS4 set with the following exceptions: The following families have been added to the CS5 font set:
- Adobe Arabic (4 fonts)
- Adobe Hebrew (4 fonts)
- Adobe Fan Heiti Std (1 font, “Bold” weight)
- Adobe Gothic Std (1 font, “Bold” weight)
- Ryo Display PlusN (5 fonts)
- Kozuka Gothic Pr6N (6 fonts)
- Kozuka Mincho Pr6N (6 fonts)
As I mentioned in the Typblography article on January 2nd, 2010, the type designer of our groundbreaking new OpenType Japanese font, Kazuraki (かづらき), won an award in 2002 for her earlier, but similar, typeface design. I am very pleased to announce that Kazuraki, an Adobe Originals typeface design by Adobe’s own Ryoko Nishizuka (西塚涼子), recently won its first award, specifically that it is among the winning TDC2 2010 typeface designs.
We’d like to extend to Ryoko our sincere congratulations for this noteworthy and well-deserved achievement. 本当におめでとうございます！ It is quite an honor to have her on our team.
Our groundbreaking new OpenType Japanese font, Kazuraki (かづらき), is now available for sale on our Type Showroom, including those for Japan, France, and Germany. Click here to be taken to the ordering page, which also includes links to its Specimen Book and Glyph Complement PDFs.
Kazuraki was designed by Adobe Systems’ Senior Typeface Designer, Ryoko Nishizuka (西塚涼子), which began as a typeface called Teika that won the Silver Prize in the Kanji Category at Morisawa’s 2002 International Typeface Competition.
Although Kazuraki is branded as a kana font, and includes a full complement of glyphs for hiragana and katakana, it also includes glyphs for 1,082 kanji, symbols, and punctuation, along with fifty vertical two-, three-, and four-character hiragana ligatures. A defining characteristic of Kazuraki is that is fully-proportional in both writing directions. Some glyphs are wider than they are tall, and vice versa, and this is reflected in the glyph metrics. Below is an example:
For those who wish to read about the production details, Adobe Tech Note #5901 is available, and a Japanese translation is provided.
I’d like to use this opportunity to share some recent artwork from Type Development at Adobe Systems. This is a thumbnail of a Kazuraki poster that was designed for an internal Tech Fair that will take place during the coming week. Kazuraki is genuinely proportional Japanese font that is based on the writings of Fujiwara-no-Teika, and designed by Adobe’s own Ryoko Nishizuka. This poster was also designed by the font’s designer. (Click on it to see a larger version.)