Proving the worth of Facebook ads

The @AdobeUK Team

August 10, 2012

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Marc Blinder, Director, European Operations, Adobe


Just as data from the computer age helped shape finance in the 1970’s, it has also become the digital revolution’s gift to marketing. Gone are the days where marketers are on the back foot as to justifying how their campaigns are working; the availability of real time data gives them instant access to exactly what is and isn’t working on their campaign so they can tweak and optimise it accordingly. This coupled with the availability of tools which predict and measure campaign results, has given marketers a much bigger say into the company strategy and budgets – much like the role of the finance team.

In order to get to this stage however, marketers need to understand exactly which metrics to measure for each channel, in order to successfully play back that channel’s ROI in the boardroom. With the ease of capturing behavioural data online there’s certainly no shortage of such metrics, but the trick is to know what key indicators are important for each channel and observe these accordingly.

Take Facebook ads for example. There has recently been some interesting debate around just how effective this form of marketing is. On one hand, reports have suggested Face­book adver­tis­ing is not very effec­tive and in com­par­i­son to Google pro­vides sig­nif­i­cantly less value. Other reports however have highlighted brand successes through the same method which begs the question, are people measuring this form of marketing correctly?

Typically, Facebook ads should be mea­sured by soft and hard met­rics. Soft metrics include reach and engage­ment and hard metrics include the impact on rev­enue, profit, mar­gin and offline store sales across all mar­ket­ing and sales chan­nels of a business. Where some marketers have struggled in the past however is because they feel that social chan­nels should be mea­sured using the same mea­sure­ment mod­els and account­abil­ity as search mar­ket­ing efforts.

Unfortunately, this method is flawed because consumers are not spending time on social chan­nels to imme­di­ately buy goods and ser­vices, like they often are when engag­ing in online searches. Instead, they tend to use social plat­forms to con­nect with their friends, social­ise, share con­tent, and par­tic­i­pate in dia­logue around things that they are expe­ri­enc­ing and think­ing.  Advertising on Face­book, for brands who don’t sell online games or flash deals, is more like adver­tis­ing on TV – it increases the likeliness to buy, but it often takes time for a user to convert.

Read on for some common themes we have seen from some of our clients’ suc­cess­ful Face­book campaigns….

  1. Sig­nif­i­cant and sus­tained ad budgets – suc­cess­ful Face­book cam­paigns must have mean­ing­ful ad bud­gets with sig­nif­i­cant reach, as a Facebook ad only sees the desired effects when it reaches a sig­nif­i­cant per­cent­age of users.
  2. A strate­gic long term view -  the best social cam­paigns are well thought out with strate­gies designed to build audi­ences and engage with them in a mean­ing­ful way, so they: 1) grow a fan base, and 2) increase loy­alty to the brand. For the mar­keter this means a strat­egy to cre­ate mean­ing­ful con­tent that is rel­e­vant to the fan base at a given point of time, and con­stantly updat­ing con­tent so that the mes­sage remains fresh.
  3. Data is used as an asset – the remark­able thing about Face­book adver­tis­ing is both the tar­get­ing and data that the adver­tiser can obtain with appro­pri­ate per­mis­sions from the user. A good exam­ple is to build apps where the user vol­un­tar­ily agrees to pro­vide infor­ma­tion and then launch and mar­ket to them with the sup­port of Face­book ad buys. Through this, the ad buys drive audi­ences to the app and the data from the app can be lever­aged to make the app expe­ri­ence more inter­est­ing and the whole process more effi­cient.
  4. Good con­tent is key – adver­tis­ing will have min­i­mal impact if you don’t have mean­ing­ful con­tent. You need a good com­mu­nity man­ager and mod­er­a­tor to under­stand when to place con­tent, what con­tent to place and how to mea­sure the effi­cacy of con­tent. If you fail to develop good con­tent, your fans and the Face­book plat­form will ignore your mes­sage.

Former Multi-Channel Advertising Technology from Efficient Frontier is Now Adobe AdLens

The @AdobeUK Team

July 18, 2012

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 We’re excited to announce that our multi-channel adver­tis­ing opti­miza­tion tech­nol­ogy acquired from Effi­cient Fron­tier has now been rebranded Adobe AdLens. This uni­fied solu­tion for opti­miz­ing search, social and dis­play adver­tis­ing has been enhanced with a new user inter­face inte­grated into the broader Adobe Dig­i­tal Mar­ket­ing Suite. AdLens also offers data inte­gra­tion with the Dig­i­tal Mar­ket­ing Suite to pro­vide cus­tomers with improved ad opti­miza­tion, accu­rate fore­cast­ing, and sim­ple deployment.

With the Dig­i­tal Mar­ket­ing Suite inte­gra­tion with AdLens, large data sets can be used for ad opti­miza­tion, cus­tom analy­sis and report­ing in real-time. Through ease of deploy­ment, AdLens cus­tomers can quickly real­ize ROI from adver­tis­ing opti­miza­tion with a com­pre­hen­sive view of their dig­i­tal adver­tis­ing spend. This native inte­gra­tion with real-time data will allow Dig­i­tal Mar­ket­ing Suite cus­tomers to rapidly deploy AdLens with min­i­mal effort and no man­ual inte­gra­tion or cum­ber­some data feeds.

Avail­able now, dig­i­tal mar­keters and adver­tis­ers using AdLens will ben­e­fit from these fea­tures and capabilities:

  • Uni­fied View of Multi-Channel Cam­paigns—See which chan­nels and cam­paigns are impact­ing key busi­ness met­rics, such as con­ver­sion and revenue.
  • Multi-Channel Strat­egy Exe­cu­tion from Uni­fied Inter­face—Cam­paign man­age­ment and opti­miza­tion for search, dis­play and social chan­nels. Appli­ca­tion pro­gram­ming inter­face inte­gra­tion with Baidu, Face­book, Google, LinkedIn, Yahoo, Bing and Yan­dex, as well as real-time bid­ding inte­gra­tion with lead­ing ad exchanges and supply-side platforms.
  • Flex­i­ble Attri­bu­tion Mod­els and Accu­rate Fore­cast­ing—Move from an over-reliance on “last-click” attri­bu­tion to flex­i­ble mod­els that can accu­rately fore­cast which chan­nel, or com­bi­na­tion of chan­nels, will deliver results for chang­ing goals and budgets.
  • Seam­less Work­flow from Insight to Action—Uniquely auto­mates opti­miza­tion, enabling mar­keters to pur­chase more of what is work­ing based on proven bid­ding mod­els and algo­rithms. Mar­keters still main­tain con­trol at every step of the process.
  • Updated User Inter­face—New UI pro­vides many capa­bil­i­ties famil­iar to search mar­keters, as well as break­through fea­tures such as inline edit­ing for quick changes, advanced fil­ter­ing for large adver­tis­ers with mil­lions of key­words, and auto­mated cus­tom labeling.

We’ll keep invest­ing in industry-leading work­flow and data visu­al­iza­tions to allow mar­keters to quickly drill into data across all online chan­nels to find unique insights and auto­mate action. AdLens will keep expand­ing with addi­tional func­tion­al­ity as well as inte­gra­tions with other prod­ucts in the Dig­i­tal Mar­ket­ing Suite so check it out and let us know what you think!

- Bill Mungo­van is the direc­tor of prod­uct man­age­ment & strat­egy, Adver­tis­ing Solu­tions, for Adobe’s Dig­i­tal Mar­ket­ing Business

CreativeWeekUK starts with industry-wide debate on creativity

The @AdobeUK Team

July 10, 2012

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The UK’s first ever Creative Week is finally here! The event, which is a celebration of the creativity in the UK, kicked off on Monday with an overview of the creative industries – and what an overview it was!

And if you missed the live show, don’t worry because the sessions are all available on-demand here at the end of each day. That’s also where you can stay tuned for all the action during the rest of the week. Whether you’re a design nut, film buff, mobile fiend or photography pro, there’s something for everyone, so stay tuned!

 

We kicked off the creative industry overview with a lively panel discussion between Brendan Dawes, Joel Gethin Lewis and Dr Chris Gerry who gathered in the studio with presenter David McClelland to discuss if creativity can help drive the UK out of recession. With the magnificent setting of Tower Bridge behind them, the debate flowed for almost an hour, and those watching online had their say too with a whopping 88% of people that took part in our daily poll agreeing that creativity is a huge factor in stimulating economic growth and solving problems.

The evangelist demos and show-and-tell sessions that followed included jaw-dropping tips and tricks for Illustrator CS6 and Photoshop CS6, which were all received with relish and resulted in our #CreativeWeekUK Twitter followers going crazy about the black magic and special sauce Adobe uses in its products! Go to our on-demand hub if you missed it and want to see for yourself what was so special.

And that was just the first day! Carry on following all the action on Twitter using #CreativeWeekUK. And don’t just stay behind your screen, get involved through our competitions and audience challenges.

 

Creative Week, hosted by Adobe, kicks off today

The @AdobeUK Team

July 09, 2012

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Creative Week UK is finally here! The event, which is a celebration of the creativity in the UK, will be packed full of lively debates, creative challenges, exclusive demonstrations and inspirational case studies – all broadcast live online and presented by David McClelland.

Here’s the lowdown of all our speakers and contributors throughout the week:

Monday 9th July – Creative Industry Overview

-          Brendan Dawes a UK-based, MoMA exhibited is an artist and designer (live debate)

-          Joel Gethin Lewis, co- Director of experiential design agency Hellicar & Lewis (live debate)

-          Dr Chris Gerry from The Skills Lab (live debate)

-          Rufus Deuchler, Sr. Worldwide Design Evangelist at Adobe Systems (Creative Cloud Evangelist demo and how-to sessions on Adobe Touch Apps)

-          Iconic British designer Wayne Hemingway (show and tell)

-          Chris Thompson, Head of Business Development at Ravensbourne College (show and tell)

-          Marc Lewis, pioneer of London’s new school dedicated to the art of advertising School of Communication Arts (show and tell)

 

Tuesday 10th July – Design & Publishing

-          Jeremy Leslie, Creative Director at magCulture and publishing industry commentator (live debate)

-          Publishing analyst and cultural commentator Danuta Kean  (live debate)

-          Future Publishing’s digital Editor-in-Chief Mike Goldsmith  (live debate)

-          Artist & Illustrator Pete Fowler (show and tell)

-          Three directors from creative agency Studio Output, Dan Moore, Rob Coke and Ian Hambleton (show and tell)

-          Adobe Certified Expert Tony Harmer (how-to session on creating stunning pattern designs)

-          Rupert Knowles, Adobe UK’s Design Product Manager (product demos, live debate and how-to session on InDesign CS6’s Content Collector Tool and Digital Publishing tools)

-          And Rufus Deuchler, Sr. Worldwide Design Evangelist at Adobe Systems will again be joining us (Creative Suite Design and Adobe Muse Evangelist demo)

 

Wednesday 11th July – Film & Video

-          Dan Jones, Head of Multiplatform, Maverick Television (live debate)

-          Multi–platform and interactive specialist, Marc Goodchild (live debate)

-          Director at Made Visual Studios, Justin Weyers (live debate and show and tell session)

-          Oli da Costa, founder of Fraktiv (show and tell)

-          Adobe evangelist, Jason Levine (CS6 Video Tour)

-          Dado Valentic, Director and chief Colourist at Mytherapy (how-to session on All-new SpeedGrade CS6)

-          London-based artist, Birgitta Hosea (how-to session on ray-traced 3D in After Effects)

-          Niels Stevens, Adobe UK’s Video Product Manager (how-to session on Adobe Audition CS6 for audio sweetening)

-          Matthew Gyves, Adobe’s Business Development Manager (how-to session on new features in Adobe Premiere CS6)

 

Thursday 12th July – Web & Mobile

-          Chris Jenkins, Head of User Experience, Tribal DDB London (live debate)

-          Alex Morris, Interaction Designer, Mark Boulton Design (live debate)

-          Rob Borley, Emerging Technologies Consultant, Headscape (live debate)

-          Joe Benton, Student Web Designer (show and tell)

-          MD of The Virtual Forge, Matt Wicks (how-to session on how to create for multiple devices and show and tell session)

-          Adobe’s Web Evangelist, Paul Trani (live debate, CS6 Web Tour and how-to session on the new features in Flash Professional CS6)

-          Adobe UK’s Web Product Manager John Cole (how-to session on Adobe Proto and Dreamweaver CS6)

-          Adobe’s Nordic Web Product Manager Johan Lopes (how-to session on Dreamweaver CS6 for responsive design)

-          Steve Burnard, Adobe UK Product Manager (how-to session on Fireworks CS6 for mock-ups and interactive content)

 

Friday 13th July – Photography & Imaging

-          Photographer Timothy Allen (live debate)

-          Photographer Erin Moroney (live debate)

-          Photographer and Photoshop World instructor Glyn Dewis (live debate and show and tell session on Compositing and Retouching Techniques using Photoshop CS6)

-          Julieanne Kost, Adobe Evangelist (demo on new Features of Photoshop CS6)

-          Fine art and commercial photographer Allan Jenkins (show and tell session on producing Victorian-era Cyanotype prints)

-          Fine art photographer John G Moore (show and tell session on his photographic style)

-          Adobe UK’s Digital Imaging Product Manager Richard Curtis (live debate and how-to session on Photoshop Lightroom 4’s book module)

-          Commercial photographer Debbie Jones (how-to session on creating client previews in Lightroom 4)

-          Digital artist Steve Caplin (how-to session on 3D with Photoshop CS6 Extended)

 

For more details on the event and to sign up for updates, visit the Creative Week website at www.adobecreate.co.uk/creativeweek.

 

 

The pace of change – mobile must-reads

The @AdobeUK Team

July 06, 2012

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We know mobile is developing at an unprecedented rate and last week was no exception, with mobile stories filling the news. We’ve chosen four of the best highlighting the advances in the industry.

The Guardian recently blogged about how mobile phones are changing the world of retail at a remarkable speed. According to the IMRG Capgemini m-Retail Index, m-commerce experienced a whopping 359% year-on-year increase in May and is only set to grow as the sale of tablet devices continues to drive the electronics market.  We know the tides are turning in retail and only time will tell who will flourish in this new era.

Another enormous mobile stat that emerged recently was mobile search spend.  Econsultancy revealed that spending on mobile search in the US increased 333% in Q2 2012 compared to the same period last year, according to a report from IgnitionOneThis figure also supports our Q1 stats which found that mobile now accounts for 8% of US search spend compared to 11% in the UK.

Last Friday, Orange announced the first large-scale rollout of a SIM-based NFC solution to enable NFC-readiness for mass deployment of mobile contactless services – the first operator in Europe to do this at a national scale. The days of carrying small change could be on the way out as another step is taken towards the future of wireless communication. 

Finally, finishing on a futuristic note, a Japanese collaboration recently presented an OLED screen that allows users to use both sides of the surface at the same time. This transparent two-sided touchscreen could be the future of Smartphones. There’s a video on the website for a more in-depth look at this innovative new technology.

 

The future is digital and mobile is a big part of this. As mobile devices continue to evolve, it’s an exciting time!

 

 

 

Let us know your #FutureOfDigital stories by tweeting us at @AdobeUK.