Jan
27
2014
Now Available: Creative Cloud Pre-Paid Annual Memberships
Adobe now offers a new convenient payment option for Creative Cloud customers. Customers can now pre-pay for a full year of the individual complete membership plan to Creative Cloud. This option is available to individuals or students/teachers when purchasing direct on Adobe.com or through select channel partners.
Please visit Adobe.com or contact your channel partner for pricing details in your region. Still have questions? Read our FAQ.
Jan
21
2014
Did you hear that? A new version of Edge Animate CC is here!
Hello Edge Animate fans!
After months of intensive development from the Animate team, we’re proud to release a major update to Edge Animate CC (3.0) available right now with your Creative Cloud membership. This release comes jam-packed with brand new features, giving you the tools you need to keep pushing the boundaries of animating with HTML.
What will you find in this release?
Audio Support (!!)
Sound can be an essential component of any interactive multimedia experience. Whether it’s adding subtle sound effects or creating animated stories, audio will help you bring your narrative to life to enhance the experience of your viewer. We’re quite excited to bring you audio support using all the native HTML5 audio capabilities. This will let you import audio into your projects, synchronize sound with your timeline and easily control audio events with new snippets and playback controls. Since we’re using the browser as the player, anything you can do with sound in the browser you can do inside of Animate. Cool right?
We’ve put a lot of love into this feature and put together some documentation to help get you started. Check out Adding Audio to Your Animations to learn more.
Responsive Scaling
Creating motion for multiple screen sizes can be difficult. This is why we’re brought you responsive scaling to help your Animate projects scale up and down to fit different viewports. With this feature enabled, your projects will resize to fit whatever container you place it in and scale up and down as the container or browser resizes — keeping the aspect ratio of all your animations in place. To try it out, just check “Responsive Scaling” for the Stage properties, preview in the browser and watch the magic happen.
Script Loading
The web is beautiful in that there’s countless JavaScript libraries available which help you create anything you can imagine without having to write it yourself from scratch. If there’s anything we’ve learned from how you guys use Animate, it’s that you love bringing in JavaScript libraries to extend your compositions. Since Animate uses the open web to create your projects, it only made sense for us to easily allow you to bring in all your favourite libraries like Greensock, Edge Commons, jQuery UI and many more. In the library panel you’ll find a new section called “Scripts” — click the plus button to bring in that favourite JS library from your hard drive, or point to an online source.
But wait, there’s more! Also included in this release are enhancements to OAM publishing, usability improvements for motion paths and object alignment, and other goodies to make your editing experience even better. To see an overview of all the new features, check out What’s New in 3.0.
Can’t wait to get your hands on it? Click on the “Install” button beside Edge Animate CC in your Creative Cloud desktop app to install, or visit creative.adobe.com and select “Download”.
Thanks to you, our loyal fans, for your ongoing feedback and support which help us drive what happens with each release. You rock. Happy animating!
Sarah Hunt
Product Manager, Adobe Web P&A
Jan
19
2014
I AM THE NEW CREATIVE
Art directors are becoming animators. Print designers are becoming web designers. Illustrators are also photographers and editors who also shoot film. They are the New Creatives, and we are celebrating their work.
With the Creative Cloud our product teams have removed the barriers to creative expression: Designers can build parallax HTML5 experiences. Illustrators are making EPUBs. Photographers are using their cameras and Adobe technology to become filmmakers. And coders have the tools to make beautiful design.
It’s an amazing and interesting time in our industry; people have the ability to self-express, in any discipline, without boundaries. I Am The New Creative promotes the amazing work our community is producing and marks this moment in time as a movement and a celebration of creativity.
One of the most incredible aspects of this program has been watching creative professionals merge their mediums and their portraits to produce “New Creatives” versions of themselves.
There’s something magical about the compositions. As a designer there’s always a part of me in my work, but to personalize my work in this way, to make my work more representative of me, presents an alternative perspective. All of the artists we’re working with are enjoying this experience and are appreciative of our desire to promote their amazing creative output.
Our new site highlights the New Creatives, their disciplines, their work, and their stories.
Visitors to the site can join us and become New Creatives (submissions are made through Behance and curated by our team); we’ll be choosing a number of artists and celebrating them and their work throughout our social properties and on Adobe.com during the coming year.
Be sure to check out the work of the New Creatives, get inspired, and join us.
AJ
Graphic Designer / Executive Creative Director / Maker of things
Jan
18
2014
Klip Collective pushes film into new spaces at Sundance
Projection mapping installation relies on Adobe Creative Cloud tools
It almost had to happen. Tom Wait’s spooky spoken word song What’s He Building in There, is so evocative, so “visual” that it’s like film that plays in your mind. The challenge, though, is how to actually make a film that does justice to the genius of the original piece.
Ricardo Rivera, visual artist, filmmaker, and founder of Klip Collective, began exploring video projections when he worked as a club VJ in Philadelphia. “In 1998 I was playing around with Photoshop and discovered how to map images to surfaces,” recalls Rivera. “When After Effects added the ability to preview work through a mini DV connection, I discovered that I could easily play content through a digital projector.” Rivera pointed the projector at a wall in his kitchen and used it to canvas the surfaces. “Then I masked all of the elements in the kitchen using Photoshop and created what was, in effect, a multi-channel projection feed through one projector and one feed.”
Once Rivera had figured out the workflow, the possibilities were endless. Today Klip Collective holds two patents on projection mapping, a technique whereby video content is projected onto non-traditional display surfaces such as the sides of buildings, often as site-specific art. Different physical surfaces come to life in unexpected ways in a dance of shapes, color, and imagery, melding the permanence of architecture with the transience of light. These are the kinds of new frontiers for art that digital tools make possible.
Jan
15
2014
Adobe Creative Cloud—A Platform for Innovation
In the spring of 2012, we launched Creative Cloud—membership to Adobe’s full range of creative applications—with the belief that it would benefit our customers by giving them access to our tools and services as they’re updated. Since then, more than 1.4 million people have joined Creative Cloud with premium (paid) memberships and millions more have signed up with (free) trial memberships.
Today we’re releasing a major update to Creative Cloud with new features across our core tools—Adobe® Photoshop® CC, Adobe® Illustrator® CC, and Adobe® InDesign® CC—including 3D printing support in Adobe Photoshop CC.
Photoshop CC expands creative possibilities
New 3D printing capabilities in Adobe Photoshop CC tap into the creative and commercial possibilities of 3D printing with the ability to reliably build, refine, preview, prepare and print 3D designs using familiar Photoshop tools. The groundbreaking Perspective Warp feature makes it easy to alter the viewpoint from which an object is seen, and manipulate perspective in an image, while keeping the rest of the image intact. Linked Smart Objects save time and improve collaboration by enabling objects to be used and updated simultaneously across multiple Photoshop documents. Learn about all the new features in Photoshop CC.
Typekit revolutionizes how designers work with type
Now that you can sync fonts from Adobe Typekit to your computer for use in any desktop application, we’ve made updates to Illustrator CC and InDesign CC to make for an even more intuitive integration; for example, InDesign CC will now automatically search the Typekit desktop font library for missing fonts and offer the option to use those fonts, or similar fonts, if it finds a match. Using fonts in your PDFs and print files just got a lot easier. Learn more about Typekit.
Illustrator CC gets powerful new functionality
The latest version of Illustrator CC simplifies creating perfect, editable, rounded corners with the new Live Corners controls; offers more intuitive drawing with the rebuilt Pencil Tool; the ability to quickly modify existing objects and change the view of perspective drawings with Path Segment Reshape and export responsive SVG code and graphics. Learn more about Illustrator CC.
InDesign CC simplifies ways to add interactivity
InDesign CC includes new support for EPUB 3.0 specification including new ways to add interactivity to eBooks, the ability to add pop-up footnotes that streamline the EPUB reading experience, and support for Japanese Vertical Composition and Hebrew and Arabic text. InDesign also offers simplified hyperlink creation and management. Learn more about InDesign CC.
Adobe Muse CC gets more engaging
Adobe Muse CC released a set of new features in November 2013 that included scroll effect enhancements that make it easy to create subtle or dramatic scrolling web pages; a new Library panel that stores frequently used design elements; and a dozen new social widgets that make connecting to social media sites, like Facebook and Twitter, a snap. Also added was Adobe Muse Exchange, a community-based exchange where custom widgets and templates can be borrowed and shared. Learn more about Adobe Muse CC or check out How to Create a Website with Adobe Muse to create your first site.
Get started with Creative Cloud
* If you’re ready to take your skills and creativity in new directions, with applications you’ve never tried before, check out the training videos on Creative Cloud Learn.
* If you’re already a Creative Cloud member, download the updates through the Creative Cloud desktop application.
* If you’re not yet a Creative Cloud member, sign up for a free trial membership for 30-day access to the latest versions of every Adobe creative desktop app.
* If you’ve already tried our Creative Cloud applications for 30 days, and want to try Photoshop CC, Illustrator CC, InDesign CC or Muse CC a second time, free, launch the Creative Cloud desktop app and click Update next to the apps you want to try.
See, in more detail, what’s new in Creative Cloud for designers.
Jan
14
2014
Adobe at Sundance 2014
Adobe will be at the Sundance Film Festival again this year in support of emerging independent filmmakers and great new cinema.
Adobe will present a special filmmakers panel Friday, January 17th from 3-4:30pm MST at the New Frontiers Microcinema: Engaging Story, Brilliant Visuals, Low Budget – the changing face of independent film. Presenters on the panel include filmmakers Kyle Alvarez, HaZ Dullul, and Jim Mickle. This event will be available as a live webcast for anyone around the world who wants to learn more about how emerging filmmakers are making higher quality films on small, or even micro-budgets.
During the festival, the Adobe Creative Cloud products can be seen at the HP booth at Sundance House. There student filmmakers will be hard at work on short films using the Creative Cloud video applications on HP workstations. Visitors can try out the Creative Cloud tools themselves, including Adobe Premiere Pro CC and After Effects CC on demo machines, and artist and animator Dustin Grella will present a Sundance Animation Hotline using crowd-sourced voicemail messages and Adobe Creative Cloud to create unique interpretive animations.
Throughout the Sundance Film Festival, Meagan Keane and the Adobe TV crew will be covering events and interviewing filmmakers. You can view these videos on the Sundance channel on Adobe TV .
More information about Adobe’s Sundance Film Festival activities and information on Creative Cloud for filmmakers can be found on the Adobe at Sundance Film Festival mobile app . You can also enter to win a free HP ZBook 15” mobile workstation with a DreamColor display and Thunderbolt™ and a one-year Adobe Creative Cloud membership.
Creative Cloud offers a complete creative toolset with regular updates for a low monthly membership. Increasing numbers of filmmakers are relying on Creative Cloud for cost-effective production applications – as well as other creative tools to present and promote their work. We are excited that the majority of films at the 2014 Sundance Film Festival used Adobe software for part or all of their post-production work (133 out of the 187 accepted films). Adobe congratulates all the Sundance 2014 filmmakers!
Register for the Adobe at Sundance filmmaker panel live webcast on January 17
Access the Adobe at Sundance Film Festival app from your mobile device
Jan
10
2014
Drew Christie returns to Sundance
Animated short film leverages tools in Adobe Creative Cloud
Drew Christie is a new kind of multimedia artist, as comfortable with pen and ink as he is with computers and creative software. Allergy to Originality, which will be shown at this year’s Sundance Film Festival, is a case in point, demonstrating how fluidly he moves between natural media and digital image manipulations.
Combining illustration with animation, the short film riffs on the theme of originality and plagiarism with long passages lifted verbatim from Wikipedia. The piece maintains a natural hand-drawn feel along with the uneven, slightly jumpy cinema of the old silent movies.
“I started creating animation before I knew what animation was,” recalls Christie. “When I was a young child I filmed my Star Wars figures using my dad’s video camera. It just went on from there.”
Jan
9
2014
Creative Cloud Maintenance Scheduled for Friday Night
We will be performing scheduled maintenance on parts of Creative Cloud on Friday night. The maintenance will begin at 8:00 PM PST on Friday, January 10th, and we anticipate it will take a couple of hours to complete.
During this time, all Creative Cloud services, functionality and desktop applications will be available, with the exception of the following:
- Members will not be able to update the billing information associated with their Creative Cloud account.
- Creative Cloud for teams members who purchased via Adobe.com will not be able to access their admin page.
In addition, new customers will not be able to sign up for new paid memberships, or redeem membership codes during the maintenance window.
We will post any updates on this blog post, as well as via @CreativeCloud, and as always, you can view the most current status on the Creative Cloud status page.
Again, we expect the maintenance to have minimum to no impact on existing members.
Jan
8
2014
Live from Sundance: Adobe to stream filmmaker panel on January 17
The changing face of independent film
With today’s technologies, low budget no longer means low-quality for independent filmmakers. On January 17, 2014 Adobe will present a special panel discussion at the 2014 Sundance Film Festival where filmmakers will discuss their work, their workflows and why they believe that awe-inspiring storytelling and high production value are possible, on modest, or even micro budgets.
The panel will feature Jim Mickle, Kyle Alvarez, and HaZ Dulull. Director Jim Mickle has been earning critical acclaim for his gothic horror film We Are What We Are, which screened at Sundance in 2013 before seeing theatrical release. Writer and director Kyle Alvarez premiered his second feature at Sundance 2013. C.O.G. was released in theaters in September. Visual effects artist and director Hasraf ‘HaZ’ Dulull earned acclaim with his sci-fi short Project Kronos and now has a Hollywood feature film project in development.
