Premiere Pro and After Effects offer 2x improved playback for H.264 and H.265/HEVC formats on Windows Intel systems using Intel QuickSync hardware acceleration. (note – macOS is using new Metal GPU code for playback introduced in 14.2) We are continuing to work on additional decode performance for H264/HEVC. Stay tuned..
You can now remove proxies from your clips. Just right-click on master clips and choose Proxy > Detach Proxies and it returns the master clip to the state it was in before any proxy was created or attached. New support for exporting ProRes 4444 XQ on macOS (already supported on Windows 10)
Ability to close all other projects while in Productions.You can now close all other projects except for the one you are working on.
Click File > Close All Other Projects
Select one or more projects in the Production panel, right-click and choose Close All Other Projects.
In the Project panel menu, choose Close All Other Projects.
You can now export ProRes 4444 XQ in QuickTime and MXF on macOS. This feature is already supported on Windows
New Public Beta Access now available for the Video and audio apps.
Click the link below to see how to access the beta and see what’s coming in AE and Premiere Pro . AfterEffects Beta Roto Brush 2.0 . Quick Premiere Pro demos of ProRes RAW (Mac & Win) , Scene Detection, Stock Audio, Faster AutoReframe, and 4x H264/HEVC Export speeds using GPU .
Stock Audio now available in Premiere Pro Adobe Stock is launching an entirely new content category, audio, making music tracks available for license. And you can now search, download, and license royalty-free audio soundtracks from Adobe Stock via the Essential Sound panel in Premiere Pro.
Apple After burner Support for macOS You can now use the Apple Afterburner card with Premiere Pro to decode ProRes 422 and ProRes 4444 media (decoding in hardware instead of software).
Afterburner support requires the Metal Renderer. Projects that use other renderers decode ProRes content in software and will not use the Afterburner hardware. To disable Afterburner support, deselect the Enable hardware accelerated decoding (requires restart) preference in Preferences > Media. When that preference is disabled, all decoding is performed in software, turning off Afterburner support.
New File Format support in Premiere Pro
Enhanced bitrate controls for JPEG 2000 MXF export Import of Canon EOS R5 footage (upon camera release) Import of Canon EOS-1D X Mark III footage Import of RED Komodo footage For a complete list of supported file formats, see Supported file formats.
Fixed issues in Premiere Pro version 14.3
Improved stability when switching editing workspaces when logged into Sync Settings
Improved stability when exporting using NVIDIA GPU without NVENC
Improved stability when selecting output name in export settings
Audio keyframes are removed when clicking the keyframe button
Improved performance when analyzing clip using Morph Cut
SurCode for Dolby E Decoder not working
Animation for PSD files can be lost when imported on Windows
AVCHD progressive clips are incorrectly imported as interlaced
Decode error can occur when playing back QT XDCAM HD 422
ProRes RAW support Premiere Pro now offers a comprehensive, cross-platform (Windows and macOS) solution for Apple ProRes workflows, from camera media through to delivery.
Premiere Pro now offers better support for Bezier curves using the Pen tool and a great new option for filtering effects so you can show only attributes that have keyframes or adjusted parameters. This makes make your work more efficient when creating graphics and titling in Premiere Pro with the tools in the Essential Graphics panel.
Auto Reframe now analyzes video sequences up to four times as fast (depending on type of footage and computer hardware). Powered by Adobe Sensei machine learning technology, Auto Reframe automatically reformats and repositions video within different aspect ratios, such as square and vertical video, so you can deliver video optimized for different viewing platform. Auto Reframe accelerates workflows, such as the creation of Quibi content, which requires paired horizontal and vertical files for their mobile viewing platform.
You can now copy and edit keyframes while editing clips with the Auto Reframe effect. This feature allows you to edit them separately from other motion keyframes. Link: Auto Reframe workflow
Hardware-accelerated H.264 and HEVC encoding
With new support for NVIDIA and AMD GPUs on Windows, hardware encoding for H.264 and H.265 (HEVC) is now available across all platforms. This means consistently faster exports for these widely used formats.
Fixed issues in Premiere Pro version 14.2
Pressing Opt-click fails to expand all folder contents
Duplicate name of a folder can disappear
Open Caption center alignment is not being respected
Exported Final Cut Pro XML does not correctly reflect changes made to audio channel mapping
Low level exception error when adding a legacy title to a sequence above a video
Low level exception in legacy titler with GPU enabled for macOS
Audio Hardware preferences are not saved on Windows
Pitch Shifter resets parameters when “cents” parameter is set to negative value
QuickTime files with audio tracks disabled in the header do not expose those audio tracks
When entering a Japanese title with Essential Graphics, there is a space at the bottom of the bounding box
FabFilter Audio Units audio effects do not export
When selecting multiple audio clips to edit in Audition, only one clip opens in Audition
Audio Unit with side-chain input have no input/output after closing and reopening the project
When working within a Production in Premiere Pro, you can lock a project when editing to prevent unwanted conflicts. Locked projects are available for use in a read-only state for other users, allowing editors to review each other’s work and even copy pieces out of locked projects without needing to request the project owner to release the project. For more information, see Change project lock status.
Cross-project referencing in a Production A clip in one project can be reused throughout every other project in the production. This reduces the need for duplicate master clips. Avoiding duplicate master clips has multiple benefits:
You only need to manage master clip properties once. Individual project file sizes remain small, which helps keep project load and save times fast. For more information, see How clips work across projects in a production.
Shared project settings in Productions
Project settings include important settings such as scratch disk, GPU renderer, and capture settings. A benefit of having project settings synchronized is shared preview render files. When a sequence is rendered by any editor on the team it automatically shows as rendered for all other editors who open that project ensuring smooth playback for everyone and time savings for the team.
Fixed issues in Premiere Pro version 14.1
Blank name project in blank name folder is duplicated in trash folder after being deleted.
VR preview issue for 2048X2048 found in HMD (Oculus Rift) under H.264 format.
Program monitor turns red on changing the color space of MPEG file from interpret footage window.
Source and Program monitors can appear pixelated in Metal.
“Add Property to Essential Graphics” right-click Context Menu Command was not working.
Premiere Pro does not respond when removing all video attributes of a graphic with a Clip Layer.
Keyframes added to motion graphics that are applied to a different frame rate sequence are at the wrong position.
Label color changes when adding video to graphics.
Create new caption or open project with existing captions sometimes fails to show captions.
Smart rendering MXF (XDCAM HD422) may result in corrupt frames.
Tearing may occur in some exported files.
Unable to import some H.264 clips created with older versions of macOS Mojave screen recording.
Importing H.264 clips created with Open Broadcaster Software (OBS) screen recording takes a long time.
